#c: action comics | i: 1

[martyrbat]

action comics #1

(ID in alt!)

[ntshastark]

With the first issue of Spencer Ackerman's Iron Man run coming out this month, I guess it might be time for me to finally post this essay I wrote for university back in 2020, so here it is! It's definitely not anywhere near as informed and polished as anything he'd whip out in half an hour and with a headache, but I really liked it, so I hope you do too <3

(Obs.: There's a lot of direct quotes, it's on purpose - it was a whole thing - and I didn't want to rewrite the entire text so I kept it and just changed up the referencing system instead, both in the text itself and in the bibliography. I also added images and videos because I can now. And there's a P.S. after the bibliography, please read that as well)

Iron Man:

How the general public's view of war and the military influenced Tony Stark's status as a weapons-maker

Introduction 

Arthur Asa Berger wrote, "there is a fairly close relationship, generally, between a society and its heroes; if a hero does not espouse values that are meaningful to his readers, there seems little likelihood that he will be popular"¹⁰. The 2008 film ‘Iron Man’ (dir. Jon Favreau) was responsible for launching the billion-dollar franchise now referred to as the ‘Marvel Cinematic Universe’ — which definitely marks it as popular.

A huge theme in the film is the relationship between the main character's company (Stark Industries) and the U.S. military. But what is shown on screen is wildly different from what was first seen in 1963, when the comics character of Tony Stark/Iron Man was first created. The aim of this research is to trace how Stark’s status as a weapons-maker changed through the years, shaping itself based on his readers’ opinions, and how the film translated the real-time struggle of the comic writers into an integral part of Tony Stark’s own character development. This analysis is heavily based on the 2015 book ‘The Ages of Iron Man: Essays on the Armored Avenger in Changing Times’. 

Contextualization 

In 2008's ‘Iron Man’, leading man Robert Downey Jr. plays Tony Stark — the CEO of Stark Industries, a defence contractor he inherited from his late father. The film starts in Afghanistan, which Stark is visiting for a weapons demonstration. The second after a joke about how he would be "out of a job with peace", the convoy carrying Stark and the soldiers tasked with securing him is attacked by Afghan paramilitary units — ironically using what, as he soon finds out, are his own weapons.

Stark is wounded and captured by the attackers, who want him to build them a weapon. Instead, he makes a suit of armour and uses it to escape. Back home in the United States, he immediately stops his company’s production of weapons, and goes on to further develop the metal suit, turning it into the one he will be using as the titular superhero Iron Man.

Iron Man, the character, first appeared in 1963, on the 34th issue of the comic book ‘Tales of Suspense’. Created by Stan Lee, Jack Kirby, Larry Lieber and Don Heck, his debut story (‘Iron Man Is Born!’) tells a very similar, but also very different tale. Most notably, it is set in Vietnam, not Afghanistan, and Stark’s captor is a man named Wong-Chu, who is known as "the Red guerrilla tyrant".

After his escape, instead of ceasing weapons productions, Stark is praised on the very next issue as "a military genius" who doesn’t "neglect America’s Cold War struggle against the communist menace". It wouldn’t be until almost a decade later, in the 45th issue of his own comic, ‘Iron Man’, that Stark Industries would stop accepting military contracts. 

Cold Warrior 

"Iron Man stories created during the Cold War are very different from the Iron Man stories in a post-9/11 world, in part because the creators and readers have different expectations for what issues a hero should be facing in those distinct eras. [...] Audiences are not static, and if the entertainment they consumed did not evolve to reflect their tastes it would become a relic of a previous era"¹. As a character directly related to the military-industrial complex, the effects of time on Tony Stark’s stories were made a lot more apparent than it would be on most entertainment. "All of Marvel's new heroes of the early 1960s somehow reflected and contributed to American perceptions of its Cold War enemies, but none more explicitly than Iron Man"². 

When he was first conceived, Tony Stark’s role as a weapon maker wasn’t something seen as needing to be redeemed — quite the opposite, it made him even more heroic. In the middle of the Cold War, "Americans thought that the military-industrial technological innovations were an aggressive yet antiseptic means to battle communism and establish global hegemony"⁴. So, instead of putting off readers, a "businessman and iron-clad communist killer combined was the perfect superhero for the new America"¹². 

Those early Iron Man comics were not "apolitical so much as unobjectionably mainstream"⁵, as based on the idea that "the two faces of the consensus mood" were "confident to the verge of complacency about the perfectibility of American society [and] anxious to the point of paranoia about the threat of communism"¹⁴. And the writers of the time took full advantage of this paranoia. "Often just revealing a character to be a communist, or a citizen of a communist nation was a narrative shorthand establishing each issue's nemesis. The communist enemy would either be temporarily defeated or reformed by Iron Man at the end of each 13-page issue, signifying America's victory over the reds. Each month Iron Man appeared, extolling the virtues of American patriotism while denouncing the tyrannical communist governments."³ 

Meanwhile, far from being painted as villainous, Iron Man writers at the time "portray Stark as possessing the best qualities of the modern American man: tolerance, ingenuity, broadmindedness, and the profit motive. [...] [He] is a capitalist, but hardly rapacious. Instead, he is a liberal's ideal: a benevolent boss, environmentalist, and hard-working scientist as concerned with enhancing mankind as he is with the bottom line. While some critics in the comic cast doubt on the benefits of Stark Industries, they are usually revealed to be malevolent or naive; the writers make clear that Stark is above reproach"⁴.

The Wrong Side of History 

But, of course, this sentiment wouldn’t last forever. With the Vietnam War becoming increasingly unpopular, "the morality of [Stark’s] role in the Vietnam conflict or his close relationship with the U.S. military [would no longer] be taken for granted, as it was early on"². "From March 1963 through October 1967, Iron Man fought a series of brutal bullies who sought to enslave humanity under the mantle of International Communism. But in the late 60s this formula broke down. [...] What's more, though, the war was increasingly being blamed on the ‘military-industrial complex,’ envisioned as a shadowy network of vested interests that dealt in death and dismemberment for the sake of corporate profits. And this otherwise faceless abstraction found a readymade personification in Tony Stark"⁵. 

"Iron Man, once a symbol of what would lead to victory in Southeast Asia, gradually represented the country's arrogant overkill. Critics made the connection between the comic and the bloodshed in Vietnam, and urged writers to see the error of their ways. [...] As the casualties mounted, some readers urged Stark to forgo defense contracts"⁴. Marvel’s response was to shy away from political stories, "moving from fantasizing about success in South Asia to a James Bond fantasia of secret organizations equipped with wondrous devices but no motivation beyond the cripplingly vague ‘world domination’"⁵ for the remainder of the decade. 

"Marvel's creators were slow to educate themselves on the nuances of the Cold War, as their superheroes remained committed to fighting long after many readers had misgivings or were openly protesting"¹³. Stan Lee would later say the following of the writing of the time: 

“Now it's important that you bear in mind that this yarn was written in 1963, at a time when most of us genuinely felt that the conflict in that tortured land really was a simple matter of good versus evil and that the American military action against the Viet Cong was tantamount to St. George's battle against the dragon. Since that time, of course, we've all grown up a bit, we've realized that life isn't quite so simple, and we've been trying to extricate ourselves from the tragic entanglement of Indochina.”¹⁶

This same conflict and learning experience can be seen happening to Tony Stark himself in the ‘Iron Man’ film. In it, the announcer of an award claims that "Tony Stark has changed the face of the weapons industry, by ensuring freedom, and protecting America — and her interests — around the globe". Stark himself has statements such as "The day weapons are no longer needed to keep the peace, I'll start making bricks and beams for baby hospitals"; "Do you plan to report on the millions we've saved by advancing medical technology or kept from starvation with our intelli-crops? All those breakthroughs, military funding, honey." and "I prefer the weapon you only have to fire once. That's how Dad did it. That's how America does it. And it's worked out pretty well so far". He also refers to the people his weapons will be used on as "the bad guys". It is clear that, not only does he think his position as a weapons designer is a necessary evil, but the world around him validates this perception. The only time in the film where, prior to the kidnapping, this assumption is challenged, is by a reporter who then abandons the discussion to, instead, sleep with him.

In 1971, the elephant in the room of Iron Man comics finally started to be addressed. On the 38th issue of ‘Iron Man’, Marvel published a letter from a reader inquiring "When are you going to admit that Tony Stark produces devices to kill people?" and saying "He needs to start converting from military to civilian uses". The reply was simply "Good points, well taken, Paul. We'll try to explore those problems in the place where they should be explored — in the pages of our mag. Stick with us. We're trying, pal, we're trying."

Months later, on issue #45, it’s finally stated that Tony Stark has made a decision to refuse all further military contracts.

But this didn’t instantly redeem him from all those years as a military contractor. Fifteen issues later, Stark is told "No amount of well-publicized 're-ordered priorities' will wash away the Asian blood your weapons shed — not merely once or twice — but for a decade".

This guilt would be the theme of a pivotal issue later on. Written by Bill Mantlo in 1975 (roughly coinciding with the final U.S. withdrawal from Vietnam and the Fall of Saigon) and titled ‘Long Time Gone’, the 78th issue of ‘Iron Man’ finally shows us the moment Tony Stark decided to stop producing weapons — and much of it would later be incorporated on, and made into an integral part of, Iron Man’s origin story in his cinematic debut. Pondering over how he "didn't do much soul-searching back then" and "beat the commies for democracy without ever questioning just whose democracy [he was] serving", Stark leads us into a flashback set years earlier, in Vietnam.

Much like the beginning of the film, we see him (but now as Iron Man) engage in friendly conversation with U.S. soldiers, minutes before a surprise attack by local forces leaves him the only survivor. In a fit of despair, he screams that "they were out here because a weapon I’d built gave them the promise of a faster kill, a well-oiled war!! I did this!" — a sentiment echoed in the film, when Stark says "I saw young Americans killed by the very weapons I created to defend them and protect them".

 

We then see Iron Man meet a blind Vietnamese boy, "who most likely didn’t understand the meaning of words like communism and democracy". He takes the boy to his village, only to find it completely destroyed by the weapon he made, with no survivors left.

In the film, we see this moment paralleled on Stark’s first outing as Iron Man, which was motivated by seeing his weapons used to destroy a town near where he was kidnapped.

The issue ends with Stark vowing that he "will live to avenge those whose lives have been lost through the ignorance of men like the man [he] once was — or [he] will die trying!", and a note from the authors saying the comic was "dedicated to peace".

 

While "the writers seek to partially redeem Stark by describing his shame, agony, and soul searching", the sentiment portrayed in the issue also "reflected how many Americans responded to the national humbling in Southeast Asia". Now, both "Stark, and America, have seen the light and will not repeat their mistakes, as Tony transforms his operations from military hardware to alternative energy and space exploration"⁴. This is the issue that cements Stark's weapons-making past, narratively, as not "a drawback but a central asset, a character flaw on par with Spider-Man’s guilt over the death of Uncle Ben"⁵, and this is clearly seen in how the film deals with the theme. 

9/11 et al. 

Of course, the world saw plenty of changes since 1975 — and so did Iron Man comics. No longer making weapons became a staple of the character, in fact, "during 1979, [security agency] S.H.I.E.L.D. were actively working to take over Stark International in order to get it to produce more munitions and military grade materials"⁶ — but there was still a problem to tackle: his extreme connection to "anti-communism" in a world where this dichotomy grew more and more irrelevant. "Not-Communist was enough motivation to be a superhero in the 1960s" but "Iron Man [could] no longer be defined solely by what he is not"⁹. Some of his old "classic Cold War villains" had already been "rewritten as independent actors"⁵ in the late 1960s, but too much of his character was still stuck in time. 

The 1980s give a big step away from that, when the ‘Armor Wars’ story arc "moves away from the early Iron Man tales that presented the idea of inherently superior American technology and describes the difficulties of the hero battling complex, equal armored supervillain competitors"⁸. "While the character had been anti-Communist to the point of pure propaganda, he was now being presented as a businessman who happened to also be a superhero in order to protect his capitalistic endeavors"⁹. But the final move wouldn’t happen until the 1990s, when Iron Man, already in the 267th issue of his solo comic, had his origin story updated to remove its connections to the Vietnam War and communism. Darowski describes the change as following: 

“In this updated version, Vietnam and Communism are not mentioned once. When Stark is disembarking from his plane his colleague welcomes him only to "Southeast Asia" where Stark is coming to address a situation with one of his factories. There is no ideological battle line being drawn, rather this is a "direct attack on Stark Industries" as someone is stealing shipments out of Stark's new factory in the region. It is revealed that Wong Chu, the local warlord responsible for disrupting the factory's output, is only acting under the orders of [classic Iron Man villain] the Mandarin. None of the democracy versus communism or America versus Vietnam rhetoric that existed in the original origin story is present in this updated retelling of the tale.”⁹

But then, of course, everything changed again in September of 2001. "September 11 forced comic book makers to step back and reevaluate the place of their industry in American culture"¹⁷. And, if regular characters were affected simply by having their stories set in the U.S., Iron Man, with his long and complicated history with the military, suffered a huge impact. "In the context of the United States' "War on Terror," Iron Man's traditional emphasis on national defense and military technology was given renewed emphasis and visibility across the Marvel Universe"⁷. 

During the Cold War, "the U.S.S.R. had been a threatening and stable adversary for over four decades that had provided a consistent "them" as a mirror to better clarify the American "us"." With the fall of the Soviet Union, "how would the U.S. define itself and what would be its new mission?"¹⁵. The World Trade Center Attack answered that question. After it, not only was Iron Man’s origin story changed, again — now being displaced from the jungles of Vietnam to the Afghan desert; but Stark’s work as a weapons designer was moved up to much more recent times, as seen in the first issue of 2005's new Iron Man comic.

He would also, even if reluctantly, sometimes work with the military again — agreeing with his best friends James Rhodes, in the first issue of 2011's Iron Man 2.0, that "If Stark doesn't supply Iron Man to the military, someone else will supply an Iron Man to the military. Better us than them." 

Though the majority of the U.S. population had initially supported the war in Iraq, by the time the film started production it was opposed by sixty-seven percent. And the lack of evidence for weapons of mass destruction led fifty-four percent to believe that the war was not morally justified¹¹. This put the general public’s reaction towards the military-industrial complex at roughly the same state it had been when Iron Man writers were first bombarded with letters asking them to redeem Tony Stark for his role in it. Having gone full circle, it seemed like the perfect time for his live-action debut. 

Conclusion 

Much changed between Iron Man’s creation and his first appearance on the big screen — and much had to be changed in the character’s history to accommodate him to this. The socio-political climate in 1963 not only allowed, but encouraged a hero who aided in "America’s Cold War struggle against the communist menace". But, as the real nature of the conflict in Vietnam came into perspective, the blind confidence and self-righteousness turned into regret and guilt, compromising the existence of a character that so heavily embodied the ideals of this now bygone era. 

After much trying to ignore or sweep under the carpet Stark’s part in the Vietnam War⁵, though, writers finally realised that the shame they, and the rest of the country, felt could be translated into Tony Stark. In making him carry with himself the guilt of his past, they made him a lot more relevant, relatable and interesting; and this eventually became a staple of the character. When, after 9/11 and the subsequent invasion of Iraq, the sentiment of guilt and disgust towards military action overseas was rekindled in the U.S. population, Stark was, once again, the perfect mirror for the audience to see themselves in. 

By turning his realisation, rebellion, and quest for atonement into a key point of his beginning as a superhero, the ‘Iron Man’ film presents its audience with the message that your past mistakes don’t have to define you. Stark’s tainted history makes him the perfect hero for a world so conscious of its own wrongdoings, and so desperate to see significant change for the better. Iron Man is now, just as he was in 1963, a product of our time. 

Bibliography 

From Marvel

Iron Man. (2008) Film. Directed by Jon Favreau. USA: Paramount Pictures. 

LEE, S. & LIEBER, L. (1963). Tales of Suspense. Issue 39. New York: Marvel Comics.

LEE, S. & BERNSTEIN, R. (1963). Tales of Suspense. Issue 40. New York: Marvel Comics.

CONWAY, G. & BRODSKY, A. (1971). Iron Man. Issue 38. New York: Marvel Comics. 

FRIEDRICH, G. (1972). Iron Man. Issue 45. New York: Marvel Comics. 

FRIEDRICH, G. (1973). Iron Man. Issue 60. New York: Marvel Comics. 

MANTLO, B. (1975). Iron Man. Issue 78. New York: Marvel Comics. 

BYRNE, J. (1991). Iron Man. Issue 267. New York: Marvel Comics. 

ELLIS, W. (2005). Iron Man. Issue 1. New York: Marvel Comics.

SPENCER, N. (2011). Iron Man 2.0. Issue 1. New York: Marvel Comics. 

From 'The Ages of Iron Man'

1. DAROWSKI, J. J. (2015). Introduction...

2. PATTON, B. (2015). “The Iron-Clad American” — Iron Man In The 60s...

3. SHEPPARD, N. R. (2015). "Gorgeous new menace” — Black Widow, Gender Roles and the Subversion of Cold War Expectations of Domesticity... 

4. COOLEY, W. & ROGERS, M. C. (2015). Ike’s Nightmare — Iron Man and the Military-Industrial Complex...

5. HENEBRY, C. (2015). Socking It to Shell-Head — How Fan Mail Saved a Hero from the Military-Industrial Complex...

6. SACKS, J. (2015). Demon in a Bottle and Feet of Clay — David Micheline and Bob Layton on Iron Man...

7. CHAMBLISS, J. C. (2015) War Machine — Blackness, Power and Identity in Iron Man...

8. ZANCO, J. (2015). From Armor Wars to Iron Man 2.0 — The Superhero Entrepreneur...

9. DAROWSKI, J. J. (2015). Cold Warrior at the End of the Cold War — John Byrne’s “War Games” in an Era of Transition...

...In: Darowski, J. J. (ed.). The Ages of Iron Man, Essays on the Armored Avenger in Changing Times. Jefferson: McFarland.

Others

10. BERGER, A. A. (1973). The Comic Stripped American. New York: Walker and Company.

11. COSTELLO, M. J. (2009). Secret Identity Crisis: Comic Books and the Unmasking of Cold War America. New York: Continuum. 

12. FELLMAN, P. (2009). Iron Man: America’s Cold War Champion and Charm against the Communist Menace. In: Journal of Popular Culture 40.6. 

13. GENTER, R. (2007). “With Great Power Comes Great Responsibility”: Cold War Culture and the Birth of Marvel Comics. In: Voces Novae: Chapman University Historical Review. vol. 1, no. 2. 

14. HODGSON, G. (1976). America In Our Time: From World War II to Nixon — What Happened and Why. Garden City, NY: Doubleday. 

15. JOHNSON, J. K. (2012). Super-History: Comic Book Superheroes and American Society, 1938 to the Present. Jefferson: McFarland. 

16. LEE, S. (1975) Son of Origins of Marvel Comics. New York: Simon and Schuster.

17. WRIGHT, B. W. (2003). Comic Book Nation: The Transformation of Youth Culture in America. The Johns Hopkins University Press.

P.S.:

I was going to put this on the tags, but I got just far too big. This is a weird text to post in the middle of the Palestian genocide, by the hands of Israel and the United States. Even weirder so soon after the strikes in Lebanon. What motivated me to finally get on with editing it was actually Spencer Ackerman's newsletter about said strikes, more specifically this post on bluesky about it, but honestly I'd forgotten the essay ended in such an optimistic note.

It was also weird to first write it, anyway. I had basically the whole thing outlined when I was reminded that 9/11 happened. It honestly never impacted my life directly. I'm not from the USA, I'm not from the Middle East, I've never even met a muslim person irl. I've never felt the guilt I describe in the text. My country has been in exactly 2 (two) wars after WW2, both of which happened before I was born. My current president has always been an ally to Palestine, and has publicly called what's happening in Gaza a genocide. My main source of anger towards it isn't "my country is guilty in this, my tax money is funding this", it's "it doesn't matter how much my country opposes this, because there's only one country that can actually do something, that holds all the power, that acts as if they're the rulers of the entire fucking world, and they're not stopping it - they're funding it".

But anyway. Iron Man. When I first started writing this essay, back in 2020, it was all about how the writers' real-life struggle was turned into Tony's, and how this became so integral to the characters that it was turned into his origin story in the film. So I had two things to work with, the comics from the 60s-70s, and the film from 2008. I outlined this. And then there was a decades-long gap, and I went "well, I should probably have a section talking about what happened in between those, like retcons and such, just to bridge it". Then I remembered 9/11 happened. So now I had to write about 9/11. And, in my defense, the whole "War on Terror" thing really seemed to be in the outs (they left Afghanistan and Iraq the year after I wrote this!! I know I didn't really follow international politics back then, but I wasn't pulling it out of my ass either ok).

So, I apologise if this text sounds flippant and dismissing, especially towards the ending. It's from a different time - which was still bad, but when I genuinely had hopes things were getting better. To be honest, until earlier this year I still did.

In keeping with the analysis here, though, because - as I have to keep reminding myself - this post is about Iron Man, the 'Conclusion' section now has basically become a premise. If we're really living through a post-9/11 2.0, will future Iron Man comics reflect this? I would expect so, considering this is what the current writer was doing earlier this week:

And maybe this paragraph from his latest newsletter:

(I couldn't really tell if the "impact" he mentions is on the writing or the schedule)

So, if Spencer Ackerman does want to let those current events inspire his writing, and, maybe most importantly, if Marvel allows it, might we see the exact opposite from the post-9/11 comics? How different is the current opinion now from in 2001? Does it only seem so much more negative because I'm in a progressive bubble and/or wasn't really following international politics at 4 years old? Who knows. Plus, Marvel nowadays seems way more interested in pretending comics have nothing to do with real life politics (don't look at the military-funded cinematic universe behind the curtain), and they have the plausible deniability to act like the US isn't just as involved in what's going on right now as it was in the invasion of Afghanistan (and Iraq, and Yemen, and-

Anyway, I don't think I have anything more to say for now, at least not about Iron Man. Hope you enjoyed the essay. I'm not actually that knowledgable in politics (though I've been trying to fix this) and this was written from a media studies POV, so if you have any corrections to make (or just want to talk about the subject) feel free to reblog, reply, send an ask, make your own post and tag me, anything.

Don't forget your daily click. And, if you can, please donate.

[sleepdepravity]

WAILING AND WEEPING THE PANELING IS ALWAYS SO GOOD. NUMBER 100 IS SO RANCID I LOVE HER ACH.

[sweetnans]

Stuck in the moment || Bakugo, K. (pt.4)

Pairing: fuckboy Bakugo/hopelessly romantic fem. reader

Trope: Enemies/friends to lovers.

summary: You made a mistake, a huge mistake. You fucked the most cocky, annoying, bastard, fuckboy you knew. Bakugo Katsuki. And that fact was against all your beliefs. Now, after the rumor (truth) spread like a pandemic virus in college you'll have to live with the stormy consequences of your acts and whatever trash was brought with it.

a/c: Hey, it's me again. Here we are in a new series I plan to continue. I really hope you enjoy it. I put my favorite man in action (bakugo) being a selfish bastard that you would love eventually and I couldn't help to put another "trope" I'm a sucker for (guardian/father figure Aizawa) I'm so sorry if that bothers you. Once again, I'm sorry if I misspelled something, English is not my first language. (Not proofread yet)

Pt.1 Pt.2 Pt.3♡ -> Pt.5

m.list

Is there anything better than privacy?

Nope.

Bakugo had a room for his own. His roommate bailed from college right after the first class. He had an awakening about his future or something like that he had said before taking all his clothes and leaving. Bakugo felt some sort of relief that lasted...ten minutes? His friends used to invade his space quiet often. When he came to his room after seeing your flirting with Todoroki (from afar according to him), Kirishima and Sero were there talking about a game. They noticed in an instant that something was happening to his friend. He had his usual scowl on his face, but his brows were knitted together. A bad omen.

"Hey dude, what's up with that face?" Seemed like Sero was the one who grew a pair overnight.

Bakugo only grunted on his way to the closet. He needed to change his clothes to go to the stupid party you were attending. He made sure of that.

What if he sees you with Todoroki? Was it going to make his stupid stomach churn again?

"Hey man, we were talking about the party," Kirishima said, gaining part of his attention. "We were thinking about staying here, playing games, drinking our secret stash-"

"Fuck no" he didn't even stutter.

The reaction from Bakugo set an alarm to both of his friends. They knew about how casanova Bakugo could be, but he never, ever, showed that much, the fact that they were almost certain, after what happened with you just a week ago, that his friend's response was going to be a solid yes.

"Why so eager?" Sero asked.

"I just need the distraction," Bakugo shrugged while picking and searching the proper outfit.

He was vane most of the time, but he never took more than five minutes to choose a plain shirt and baggy jeans. Kirishima knew very well what was going on.

"Sero, why don't you go knock Mina's door and tell her about the change of plans"

Kirishima tried to be subtle. Man, he tried. Fortunately, Bakugo was so busy trying to decide between a white shirt and a black shirt that he didn't notice the exchange of looks that his friends were doing right under his nose.

"Sure," Sero winked to Kirishima and left the room.

Kirishima didn't know how to address the topic. His friend would definitely deny it, and they would be doing a full circle with yes and no that would end up in Bakugo just answering with noises.

Bakugo couldn't stop touching the fabric of his clothes. Was it too soft? Was it too white? What if there was a theme he didn't know about?

"You're panicking." Kirishima crossed his arms while leaning on his desk chair. He wouldn't lie, the scene was comical to witness. "You know you can talk to me"

The friendship between the two of them was something that most people didn't understand. Kirishima was always smiling, talking to everyone and telling jokes, while Bakugo, well, he had a permanent scowl on his face, rarely showed any other emotion than bored superiority and the only events that people saw him interacting with other people was with only one purpose, to state that he was better than everybody else. He was considered a private man and someone who had a police tape that said, do not cross.

"I don't know what's happening to me," he said, exposing his heart. He wasn't going to start naming or counting details. It was implicit, and Kirishima understood very well.

"You know what, man, you need to clear your head a little. This week had been rough. What about a beer pong to drain some stress off?"

Bakugo nodded to himself without even glancing at his friend. He needed a distraction, and he was almost sure that a party was a good place to find it.

...

"I can't believe that you, the queen of punctuality, is late" Jirou was losing it with you, the fact that you left her on read after she sent that demanding text and that you were also taking your time on getting ready.

"I'm sorry, Aizawa asked me to feed his cat, and you know how she is"

Blaming your non-biological dad was the ultimate movement in your pocket, so gen z of you.

"Oh yeah, Denki told me about the rizz in your training class. How did it go?" She asked you while picking her nails looking uninterested but you caught her side glancing you.

You slid your black leather skirt on your legs and shrugged.

"Well, you can see the burn marks on my legs here," you pointed above your left knee. "And here," you pointed your right mid thigh.

"Ugh, did you put something on it? That's gonna leave a nasty scar, " you denied, shaking your head.

She was right, but you didn't have anything to tend the wound.

"Does it hurt?" She asked this time, getting close to your leg.

"Yeah it does, like a motherfucker" you giggled. "But it's okay, it's a one-time thing, Aizawa is coming back and I would never ever ever have to sparr with him again"

There wasn't a pun intended in the mention of the one-time thing, but still, you really hoped that you would never have to be in that situation again.

"Well, at least this time was something professional"

You nodded, putting your boots on.

"Oh, but then, when I went to feed the cat, he was there, waiting outside Aizawa's door"

"He was where?"

Denki, as always, appeared out of nowhere, startling the shit out of you. Thank god he was outside the room this time and not hiding in the closet or under the bed.

"I'm pretty sure you heard me right," you said, putting some gloss on your lips. They stayed quiet, urging you to follow the story. "I finished my chores as a good daughter, and when I opened the door to leave Aizawa's apartment, I stumbled against him"

"What was he doing there?" Jirou asked with a quizzed look on her face.

"I don't know, he didn't tell me," you shrugged and turned around. Both of them were looking at each other with suspicious eyes. "What?," you inquired.

"I mean, not because we are your friends and we have to be delulu for you, but it's weird, don't you think?" Kaminari said and looked straight to Jirou for support.

"In a normal situation, we would be feeding you with improbable situations, but right now, I'm even intrigued with Bakugo and his behavior towards you. He seems like he's always trying to bump into you"

You couldn't believe what you were hearing.

"Wait a minute, we don't know why he was there. We haven't seen each other in a week less talk to each other, he's not trying anything, maybe he was lost or-"

"Yeah, right, lost." Jirou rolled her eyes sarcastically.

"I know the guy better than you two, and I think that Jirou is more on the correct side than you," Kaminari mumbled.

"Thank you!" Jirou stated, hoping off the bed.

"I think you're both wrong. He's not behaving in a way that's unnatural for him, he's just being obnoxious because what I said to him the other day, he's gonna leave me alone in a couple of weeks and move on to the next" you grabbed your jacket from the hanger and pointed to the door to get them going.

"You're basically saying that he's in fact following you." Kaminari dropped one of his heavy hands in your shoulder to keep you steady on the way to the party.

"She just proved my point without even meaning it." Jirou winked at you while you shook your head.

...

The lights inside the house were faint, a dim glow of absence in the middle of a considerable amount of bodies dancing at the rhythm of the music that was blasting through the speakers.

Jirou and Kaminari were the first ones to get lost inside the crowd, and it was perfectly fine for you. You weren't the kind of friends that were attached to the hip all the time. You respected each other spaces and you knew that eventually, you would find them slightly drunk, and you would hang with them again.

The party was situated inside of someone's home. A person you clearly didn't know. At that point, seeing nothing but unfamiliar faces, you started to doubt that Kaminari knew the owner of the house too.

You poured a transparent liquor in a red cup. You knew that you said earlier that you weren't going to drink, but just a drink won't hurt you.

You were looking at everything, trying to spot someone familiar or a thing to do. You wouldn't consider yourself socially awkward. In fact, people always found you easy to talk to, but you didn't make the first move. Between hi's and hey's, you recognized the characteristically two color bush of hair.

Todoroki was for you, an acquaintance. You knew him for a few classes. He always greeted you back when you raised your hand at him saying hi, but there was always something more. He was handsome and quiet, the mysterious pretty boy full of secrets that every girl wants to conquer. You weren't sure if you were one of them or if it was his vibe and mismatched eyes that always lit a little sparkle inside of you, tingling in your stomach with curiosity.

Well, you know what they say about curiosity killing the cat. Your only job was maintaining the cat alive, so for the sake of that...

"Hey," he said when he saw you approaching.

"Hi," you elevated your voice because of the music. He mimicked that he didn't hear you because of the speakers, so you leaned a little to his side. "Sorry, I didn't know you were into this"

The music, the flashing colored lights, the high pitch of voices from people trying to talk to each other. You included.

"It's friday night. What else can I do?" He shrugged hiding himself a little.

He was still a ball of cotton.

After everything that happened after the war, everyone evolved into a new facet of themselves, forming new angles, new emotions, and new personalities trying to rationale the traumas of the past into something positive.

He suffered a lot, and the fact that his suffering was being broadcast and watched by everyone in the world hurt a thousand times more. He lost all his privacy and the right to deal with the sorrow in his own way without staying in the public eye.

"I can relate to that." You sipped your liquor and scrunched your nose a little. "What are you drinking?" You glanced to his cup, but it seemed to only have water inside.

"It's vodka," he swung the cup in his hand and then gulped all the content down his throat in one go.

"It was vodka," you stated, quirking a brow. That was unexpected. And sexy. "Take mine, I don't like plain vodka"

You gave him your cup, and he accepted without second guesses.

"Do you want me to make you a drink?" He said.

It was subtle. There was no hint of flirtatious intentions. He was soft and friendly but unintentionally.

"Do you know how to make drinks?" You were surprised by his confidence. You doubted your capacities daily, so it was uncommon for you seeing this kind of demeanor, let alone in him. You were projecting.

"Yeah, there's this barman who always appears on my for you page"

He didn't laugh when he said the most mundane thing on the world, so you didn't laugh either.

"Sure, show me what you got"

You followed through the people, and in a moment where everyone was stuck like glue with everybody he grabbed you by your wrist to not lose you.

His fingers were warm, so you could bet it was his left hand. You wouldn't lie to yourself. The pads of his fingers carresing your pulse point in a firm, but soft grip made your cheeks turn red, but there was no chill in your spine or butterflies in your stomach. It was pure tenderness.

Once in the kitchen, the sound of the music lowered a little because of the close doors and the panels of ceramics doing their jobs, preventing the outside.

He moved through the kitchen, hesitating every step he took.

"What do you have in mind?" You leaned in the counter, forgetting you were wearing a slutty top that propelled your boobs almost to you neck.

He side eyed you, and after a peak to your neckline, he became more clumsy.

Your boobs were firm. They weren't big, but they weren't small. Your ex-boyfriends or past flings had always said to you that they were perfect. You knew that tits were tits for them, and the mere concept of boobs was attractive for every straight man.

Lifting your hand without making much fuzz over it, you pulled the top covering the skin.

"I-I," he stuttered, opening and closing a few drawers. He cleared his throat, regaining his confidence again, and showed you a couple of lemons. "Kaminari said once that your favorite drink was Cosmopolitans"

You were surprised by two things. The first was Kaminari talking about you. You needed the context of that conversation, the why, the who, and the how. The second thing was him remembering that unimportant fact about someone who didn't even talk to.

"Yeah," you came back from your stunishment.

Completely, contrary to how he moved in the kitchen fetching all the ingredients, he showed that he was a total expert making drinks, or at least he was good pretending to know how to make them. He used his hands graciously to pour all the things into a shaker he found, and then he poured the most delicated drink you ever saw.

You were used to Kaminari and Jirou mixing all the ingredients stirring them with a straw but that was different.

"Here you go"

The glamor ended when the drink touched the red cup, but we are going to skip that detail.

In your mind, you cursed yourself from the past, the one that swore that would never drink again because after sipping just a drop of that elixir, you couldn't help but want more.

"You shouldn't be moaning like that in front of everybody"

His gruff voice coming from behind made all the hairs in the nape of your neck react.

Of course, the only one that could ruin the perfect moment with the perfect drink and the perfect company was nothing more and nothing less than Bakugo Katsuki himself.

Oh, beloved earth, could it please swallow you already?

...

Bakugo meshed well because of his friends. They were talkative enough to supply the lack of social rudeness of him.

After they arrived at the party, he planted himself in a giant group of men playing beer pong. He played a few rounds and then got bored because everyone was wasted, and for him, it was no fun watching them stumble and laughing at the most stupid things.

His friend helped a little with that. They were talking with Sato and Shoji about some game and some fighting techniques that Bakugo was more than pleased to show interest and even help them with their doubts.

They engaged in a conversation that evolved to many topics that he actually enjoyed. He was fully focused on them when a glance of the color of your hair and the characteristically smile of you dragged all his attention out of the group.

You were wearing just a top and a tiny skirt with black boots that made him want to be stomped on.

Bakugo excused himself of the group. His friends were too busy to realize what was happening and why he was so exalted.

You weren't alone.

You were following that half n' half shithead.

He was the opposite of idiot. He knew how to play his game and how to act when he was committed to spying on someone. He observed from the slight opening between the frame and the door how Todoroki reacted to your presence and vice-versa.

He had a great view of your ass in that skirt. You were leaning on the counter with your ass popping up, and he could notice that Todoroki had a nice peak of your tits. He saw you covering yourself quietly after he became the stupidest person of all times acting distracted and awkward.

"Fucking icyhot," he thought.

Bakugo needed to do something quick, and for one moment, his lack of reasoning won over his structure and square shaped mind.

After that one sentence that drew your attention completely, he saw the change in your posture, the way your smile faded, and how suddenly all your muscles were rigid against every part of your skin that you were showing because of your outfit choice.

He felt intrigued because of the sudden change of your demeanor in response to his presence, and he also felt satisfied with that.

"Oh dear," you sighed, turning around to face him. He never showed any particular emotion, but this time, he couldn't hide the little smirk that appeared on his lips.

"I never expected to see you here," he continued.

You were about to answer when you realized that it wasn't directed to you. He was talking to Todoroki, ignoring your presence in front of him.

"Yeah, I'm not a fan of this kinda stuff," Todoroki said impassive.

"I can notice that," he said with superiority and because of the silence he added. "So what's going on in here? Are you having a little party for yourselves?"

Bakugo knew very well how to play the who can be more annoying game. In a matter of competition, he always won. This wasn't an exception.

"Todoroki was making me a drink, and that's all, now if you excuse us -" you said, opening your eyes and directing them to the door so he could read the room.

"Cool, what'cha drinking?" He didn't wait for your answer and grabbed the drink that you left in the counter taking a giant sip.

The tension in the room was palpable, and you were dying of embarrassment. The booze in your system was not the sufficient amount to get you through what was happening. You wanted to die.

"That's a little too acid for me, but it's good, sure you did a great job"

The way he was saying things was taking you to the verge of lightning him up with your quirk. You looked at Todoroki. He was more than used to weird interactions, but he was looking at Bakugo in a way you couldn't decipher.

"I have an early training at my dad's agency tomorrow, I have to go." Todoroki voice was plain, but when he looked at you, you could see the pity in his eyes. "Maybe next time"

Your entire body was saying sorry, but the words never got to your mouth. You only nodded. He was a good guy and someone that you were actually interested in getting to know, but there was the other bastard ruining everything again.

Both of you saw Todoroki leaving the kitchen, and if someone was looking at the scene from outside, they could've seen how Bakugo puffed out his chest and how the pure rage invaded your body.

"Look what you just did!" You smacked his bicep, and he smirked wider, making you regret smacking him so lightly.

"What? He was totally shitting on himself with you here. I saved his ass. " he pointed towards the door that was still moving with the tandem of Todoroki storming out. "I bet he wouldn't have made it to the second base with you"

"Jeez, that's for me to decide," you whined like a little girl.

"I just did what I had to do"

"Oh my god, what's gotten into you lately?" The bravery made only by the alcohol in your system took control of yourself. "You've been following me and riling me up just for the fun of it. It's been a fucking week I thought that what happened between you and me was more than over, what do you want from me?"

Just as the booze took over your system, Bakugo had his own little thing commanding his decisions. He wasn't sure of what it was.

"I want us to be friends"

You were taken by surprise.

He didn't know what he was doing. He didn't do friends, he didn't need a friend, he had enough but you, what was the deal with you? He found exhausting the feeling of you feeling repulsed by him, the avoidance game that you played very well.

Damn he felt intrigued by your lack of excitement when it came to him. Excitement? The euphoria that tagged along with having the experience with him, people talked about his stamina in bed very often, and that was the clear answer in his head. Was he good enough? Yeah, he was, but it seemed that he wasn't enough for you.

He always knew that his attitude was bad and people loathed him because of it, and it was alright for him. He could definitely still live knowing that. It made sense, at least, hating him for something bad like his demeanor...but sex? He thought he was one of the dudes that the girls wanted more of, the type of guy that the girls will speak of with their friends, the type of guy that would be top tier in a chick's list, well, that really happened before, many times, but what was the problem with you? Why did everyone else he sleep with do that but not you?

He didn't expect the sudden feelings that came along with the concept of you.

Rage. He remained calm in the most stressful situations, but you, with the snap of your fingers and your smart mouth, did everything to put his world upside down, and that wasn't fair for him.

Jealousy. Seeing you flirting, talking with other people when the number of times he had ever spoken to you were almost close to zero than to ten.

Even dependency. He wanted to be close to you so much.

And...confusion, why? why was he feeling so out of control out of nothing?

That's how it felt being pussy whipped?

"Friends?" You snapped him out of his senses.

"Yeah, friends is a word that means -"

"I know what friends are, you stupid asshole." You rolled your eyes at him who was still standing there with superiority after destroying your moment with Todoroki.

"So?" He urged. He was calm even when his mind was racing at the possibility of you saying no.

"What's in for you?" You were suspicious. You knew very well the closed circle of friends he had, only four at best.

"Nothing, I found you not a total waste of space," he said nonchalantly. If you were expecting him to shower you with compliments, you were wrong.

You knew how he was. Always believing he was the best, that his position in the world was above the others, how he called 'extras' the people that were surrounding him but not fulfilling his expectations or even near his expectations, well, if he had one because most of the time people weren't worth his time.

You were exactly the opposite of him. You never had the need to test people out. You never had the need to prove yourself against others. You lived your life day by day, almost unnoticed. You needed to be smarter than him.

"Fine," you conceded. "But, there's one condition"

He scoffed, clearly enjoying and making fun of you for thinking you had the position on making conditions.

"We are not fucking again"

You drew the line.

You've had your friends with benefits before because you knew them. Bakugo was a completely different scenario for you.

He wouldn't lie. He, in his men mind, thought that maybe offering his friendship to you would be the easiest way to get inside your panties. You were not just a pretty face. You had brains.

"Sure, you don't see me fucking with raccoon eyes" he rolled his eyes pretending to be offended.

"Then we have a deal." You smiled tensely at him. He extended his hand for you to take it. "That's how you normally make friends? Like you are selling something?"

"Shake the damn hand"

He used the opportunity of you closing your hand in his to pull you closer to him, stumbling against his broad chest.

You looked at him squirming your eyes, waiting patiently for the moment he decided to fuck everything up. He looked closely at your face, the smuged marks of your eyeliner under the corner of your eyes, the way your lashes curled up and marked more the shape of your eye. He was perplexed by your beauty.

"You left some hair on my pillow, " he said with his voice hoarse, tugging a string of your hair behind your ear.

"We said friends, didn't we?" You smacked his hand far away from near you and he smirked.

"Yeah," he shrugged. "To be honest, I don't know how long this is going to last"

"What do you mean?" You asked, taking the remaining amount of drink in your cup.

"Don't get me wrong. Im a man of my word, but I don't know if you would be able to keep up with our promise"

You laughed at him. You've seen the man naked. You had him on top of you. You didn't need anything from him.

If he wanted a challenge, you would be more than happy to comply.

"Yeah, of course," you scoffed, "I have so little control of myself that I won't be able to keep my hands to myself."

The tone in your sarcasm was rich. He found it amusing.

"Laugh all you want, but I'm not going to be the one suffering because of this dumb decision of keeping us as only friends"

The seriousness on his voice sent a chill up and down through your spine.

"You are so full of yourself." You laughed again, but this time, it was a nervous laugh.

He put his hands up in redemption while walking backward toward the door and then left you all alone in the kitchen with your thoughts.

Was he drunk, too?

He was, only ten minutes after you accepted on being his friend, in fact, suffering because of your quick answer and condition to not mess with each other. He needed strategy, thinking logically to make you make the first move with him.

He didn't know what was the thing responsible for him being so stubborn when it came to you. He didn't know if it was like those occasions when you became obsessed with the things that were out of your reach. The negative of you about being even near him again. He didn't understand a thing about what was going on. But he did know that he was Bakugo Katsuki, and when he had something - someone in this case - in mind, he didn't give up until he had it in his hands.

(Not proofread yet)

End note: I'm working late cause I'm a writer. I tried to make it longer because I made you wait a week for it, so enjoy! Todoroki making us our favorite drink? We know that since he discovered youtube shorts and reels (not tiktok because he is half boomer and socially awkward) he's been stuck with watching short videos every day, cocktail videos and house projects are his favorite, I have no doubt about that.

A penny for your thoughts about this (not really but express yourself)

taglist: @kiridagremiln @aefillor @screechingfangirlaf @chuugarettes @gold24fish @dreamcastgirl99 @andyetshewrote @budibbly @candiiee @linkfromskywardsword @galaneiaeris @fantasynerd05 @big-denki-energy @3thr3al @marsbars09 @whatswrong7 @scaranthropy @cc1306 @junehasnotbeenfound @jeanbabygirl @pirana10 @sappho-the-kitten-tamer @ahbeautifulexistence @polarbvnny @th0tformikasa @surprisemodafakas @xxjesshuxx @katsuisbaby @azzo0 @atashiboba @azzo0 @berryvioo @hiimsaraandyou @bizzybkd @regrexx @justsinri @slut-4-gojo @bexxs @lemuhr @monkeycheeks-lvl26 @tsukikoxo @sikuthealien @mia-luvs @dondeh-zedonutqueen @the-queen-yn @stardream14 @pretty-sparkle-bomb @itzjustj-1000 @m-atcha-tea @liluvtojineteyam @shosuki @v3n7s @yoyolovesdaiki @jenna-sakura @femi12hhf @aejabba @im-nowhere-but-also-somewhere

taglist continues on the comments.

Do not edit or reupload my works elsewhere! All rights reserved.

[kathaynesart]

PATREON     -     TIP JAR 

R E P L I C A

LATEST UPDATE

COMIC: ARC 1 - Boot(y)ing Up - 1 - 2 -  ARC 2 - The Spark - 1 - 2 - ARC 3 - Forgiveness - 1 - 2 - 3 - 4 - 5 - ARC 4 - Probing - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - ARC 5 - Distractions and Dilemmas - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - INTERMISSION - Checkmate - 1 -  HOLIDAY SPECIAL - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8

ANIMATICS: The Funny One Not Dead High Five

EXTRAS: Replica Timeline Future Donnie Design Omega Design (SPOILER) No Love for You Processing Stupidity Peepaw Paradox Peepaw Paradise Peepaw Showdown 1 Peepaw Showdown 2 Peepaw Showdown 3 Peepaw Showdown 4 TMNT AU Competition 1 TMNT AU Competition 2 TMNT AU Competition 3 TMNT AU Competition 4 TMNT AU Competition 5 Feral Leo 1 Feral Leo 2 Cass and Replica Reunion 1 Cass and Replica Reunion 2 (not my art) Cass and Replica Reunion 3 (not my art) Cass and Replica Reunion 4 (not my art) Cass and Replica Reunion 5 Bootyyyshaker GIF Leo PUNCH Donnie’s Eyebrows Handsome Future Donnie

INFO: Donnie’s Scars

MERCH: Processing/Displaying Stupidity ROTTMNT General Upcoming

Finally have an official cover and title!  There were some REALLY good guesses as to what the title could have been, but I can at least explain my reasons why I went with Replica.  TLDR you can still call it Future Booty Shaker if you want. Usual info dump below: 

 There are several reasons why I chose Replica as the final name.  The most obvious being that Omega is Donnie’s blatant attempt at replicating himself in digital form.

The second being that this comic is in itself is an attempt at replicating the vibe and setup of the film’s opening as closely as possible.  Those first 4:05 have literally become the bible for this story and I have already had to make vast changes based off of tiny details that weren’t noticed until later on.  

Ironically the cut full opening just dropped today and I do have some feelings I’d like to address.  It’s obvious how substantially different the two openings are from each other.  As cool as it was to see everyone kicking butt, I will admit I still like the final version a lot better.  Sure it’s shorter, but it felt far more personal and intimate than the action packed cut version, and THAT’S the sort of vibe I want to replicate in this comic.

At its core, this isn’t a story about fighting a bunch of Krang, it’s a story about a family fighting their own personal battles before an apocalyptic backdrop and Replica is a vain attempt at retaining that feeling while building a story around it. Will I be successful?  Who knows.  I will definitely be drawing reference from the cut boards especially the appearance of their colony.  I’m happy my hunch was right that they were stationed beneath the Statue of Liberty, that was already a part of my story haha.

My runner up title would have been “Fall of the TMNT” however I felt it was a little too on the nose.  Though it did make for a fun dichotomy with “Rise of the TMNT”s title.   Anyways that’s my info dump.  Feel free to still hashtag Future Bootyyy Shaker, I know I will.

[literaryvein-reblogs]

15 Ways to Improve Your Vocabulary

in response to:

1. Develop a reading habit. Reading is the most effective way to build your vocabulary. Read books, magazines, and newspapers that cover a wide range of topics, and pay attention to unfamiliar words. Look up their meanings and try using them in context. Vocabulary building is easiest when you encounter words in context. Seeing words appear in a novel or a newspaper article can be far more helpful than seeing them appear on vocabulary lists. Not only do you gain exposure to unfamiliar words; you also see how they’re used. In fact, 15 minutes is recognized as the ideal time for students to see positive gains in reading achievement; students who read just over a half-hour to an hour per day improve the most.

2. Utilize word lists. They are incredibly flexible tools that can help you organize your learning in a variety of ways. For instance, vocabulary can be grouped into small, easy chunks that can be revisited for maximum learning benefits. Research shows that a word needs to be seen up to 10 times before we really learn it, and researchers believe that staggered repetition is the best way to learn new vocabulary. Word lists help keep vocabulary terms in manageable chunks that a student can come back to as they gain mastery. I have posted some word lists HERE and will continue to add to this in the future.

3. Use the dictionary and thesaurus. Online dictionaries and thesauruses are helpful resources if used properly. They can jog your memory about synonyms that would actually be better words in the context of what you’re writing. A full dictionary definition can also educate you about antonyms, root words, and related words, which is another way to learn vocabulary.

4. Keep a vocabulary journal. Making a vocabulary journal is a great place to collect and interact with words you hear or see in your reading. Each page should be dedicated to a singular new word, including its definitions, synonyms, and antonyms. Review the journal regularly to reinforce your learning. 

5. Choosing appropriate vocabulary. It’s important to use words and expressions that fit the context so your meaning is clear. For example, different audiences for your writing will require different levels of formality: the vocabulary you use in an academic essay may not be effective for a blogpost targeting a popular audience. Consider the following questions to help you choose the most appropriate words for your audience and purpose:

a. What’s the exact meaning of the word? Words may be broadly similar in meaning but differ in important aspects of that meaning. Consider the difference between ‘the fragrance of flowers’  and ‘the odour of rotten eggs.’ Both words refer to the sense of smell, but fragrance has a positive core meaning while odour has a negative one. If you don’t know what a word exactly means, check it in a dictionary. b. Is the word attached to a feeling? Compare the two sentences: ‘The freeway snakes through the town’ and ‘The freeway meanders through the town’. In this example, snake indicates negative feelings about the freeway while meander doesn’t. c. What level of intensity does the word show? Many words with similar meanings describe different degrees of the same quality or action. For example, ‘comical’, ‘hilarious’ and ‘side-splitting’  show different degrees of funniness. Think about the intensity of what you want to convey when choosing words. d. Is the word formal or informal? Go for formal words and expressions in business communication and academic writing. In the following examples, the second expression in each pair is more formal than the first: (1) come up with / create (2) one after another / at regular intervals (3) huge / considerable (4) enough / sufficient e. Is the word polite? Words which describe negative qualities or sensitive issues too directly can be offensive. Good communicators consider the feelings of their audience. For example, when writing about childhood obesity, it’s more appropriate to use ‘children with weight problems’ or ‘children of an unhealthy weight’ than ‘fat children’. f. Is the word specific or general? Use words with specific meanings whenever possible to make your message clearer to your audience. For example, avoid overusing general verbs such as ‘be’, ‘do’, ‘have’ and ‘get’, especially in academic writing, as they don’t accurately convey specific ideas. It’s better to use a more specific verb or verb phrase to strengthen your message. Compare the impact of the verbs in these sentences: ‘To be successful, learners need to have high-level literacy skills.’ ‘To be successful, learners need to develop and demonstrate high-level literacy skills.’ g. What other words does the word often go with? Some words are frequently used together and therefore sound more natural in combination. This is called collocation. For example, we say ‘fast train’ not ‘quick train’, but ‘quick shower’ not ‘fast shower’. Similarly, it’s more natural to say ‘highly critical’ rather than ‘deeply critical.’

6. Play word games. Classic games like Scrabble and Boggle can function as a fun way to expand your English vocabulary. Crossword puzzles can as well. If you really want to be efficient, follow up rounds of these word games with a little note-taking. Keep a list of the different words you learned while playing the game, and then study that list from time to time.

7. Use flashcards. A quick way to build a large vocabulary is to study a number of words via flashcards. In today’s digital age, a wide array of smartphone apps make flashcards convenient and easy to organize. Aiming for one new word a day is reasonable. You can always go for more, but it may not be reasonable to assimilate dozens of English words every single day.

8. Subscribe to “word of the day” feeds. Some web platforms will provide you with a word a day—either on a website, an app, or via email—to help you expand your vocabulary. You can add these words to running word lists.

9. Use mnemonics. A mnemonic device is a form of word association that helps you remember words’ definitions and proper uses. For instance think of the word obsequious which means “attempting to win favor from influential people by flattery.” Break down that word into components: “obse” is the beginning of “obsessed,” “qui” sounds like the French word for “yes” (oui), and “us” is like the word “us.” So you can think of that big word obsequious as “obsessed with saying yes to us”—which is kind of what it means!

10. Practice using new words in conversation. It’s possible to amass a huge vocabulary without actually knowing how to use words. This means you have to take it upon yourself to put your personal dictionary into use. If you come across an interesting word in your reading, make a point of using it in conversation. By experimenting in low-stakes situations, you can practice the art of word choice and, with a little bit of trial and error, hone in on the right word for a particular context. Furthermore, speaking to native – or non-native – speakers of English (or any language you are learning) will guarantee you the chance to learn new words. Anyone who has ever wondered how to develop their vocabulary will know that the most important thing is putting your vocabulary to use and hearing what people say in return. This is how language works, and before long you’ll be finding ways to work those new words into your everyday use of the language.

11. Watch movies and TV shows. This simple activity can expose you to new words and phrases. When watching TV or a movie, pay attention to the dialogue and note any unfamiliar words. When the TV show or movie is done, look up the meanings of the new words and try to use them in context.

12. Build a story. Learning vocabulary words outside of their context is difficult, so why not create context with some creative storytelling? This can be an individual writing activity or you can do this in a group. A sample group activity: Choose a word list and determine an order in which your students or friends will take their turn. Every person gets to choose one word from the word list. You begin by writing the first sentence of a story; each student then uses their chosen word in a sentence to build on the story. This gets learners comfortable using the words in sentences, and putting those individual vocabulary words into a broader context. This is also an activity you can do via text, chat window, or email, which makes it perfect for remote learning.

13. Draw it. Sometimes the best learning activities are ones that don’t feel like a learning activity. This can be an individual activity but can also be used in group settings. Here’s a way to turn vocabulary acquisition into a game: Ask each student to have a piece of paper and a pen or pencil ready, and tell them you are going to be playing a drawing game. Using the private chat feature of your remote learning software, choose one student and give them a word from your vocabulary list along with its definition, and tell them that they have 20 seconds to draw it. While the student is drawing it, make sure that you make their screen the main screen of the software. You can do a countdown to keep up the momentum, or play music while you wait. At the end of the time, the student shows their drawing to the other students: The first student to guess which vocabulary word has been drawn is the next student to draw. This activity is not only fun, but also benefits students who are visual or tactile learners.

14. Be aware of idioms. Idioms are commonly used word combinations or expressions. These have very specific meanings that are not obvious from the words they contain, e.g. ‘a piece of cake’, ‘get the hang of it’, ‘an Indian summer’, and ‘after a fashion’. Many dictionaries list and define idioms if you look up the component words. For example, try looking up ‘Indian’ or ‘summer’ to find ‘Indian summer’. Idioms are generally more appropriate for speaking and non-academic writing.

15. Practice, practice, practice. In many ways, vocabulary is like a muscle – it will get stronger the more you use it. The key to building a strong vocabulary is to use it regularly. Try using new words in your conversations, writing, and everyday life. The more that you use them, the more they will become a part of your everyday vocabulary.

Sources & other related articles: 1 2 3 4 5 6 ⚜ More: Writing Notes & References

[writingoddess1125]

hiya!

Could you do Prince Nuada from Hellboy 2 and reader?

This one has taken me a while- Also thank you for reigniting the LOVE I had for Prince Nuada! Ugh! So sexy!!

I do hope this is to your liking since it did take some warping.

1. I gotta keep Nuada and Nuala alive so the ending didn't happen

2. Introduce elements from the comics aka Hellboy had adopted siblings.

OKAY ENJOY! I TRIED HAPPY HALLOWEEN!

Half Breed

Prince Nuada x FemReader

Support me on Ko-Fi I'm poor!

After the fortunately failed suicide attempt from Nuala which had horribly injured both twins- Nuafa had been captured and the two rushed back to the Bureau for emergency treatment, Which fortunately allowed the Elves to survive the whole ordeal.

Nuada had been placed in custody of B.P.R.D first as a high level prisoner for many months after his attempt to wipe out humanity.

After being in solitary confinement for far too long a deal was struck with him to work for the organization due to his knowlege of the world and to get out of solitary help all that had been damaged.

He had agreed- begrudgingly and because Nuala insisted.. it had been nearly a year of this all- When something interesting took place.

Nuala and Abe walked down the corridors together, talking about recent books they had shared before Abe paused.

"Oh?-" He looked around calmly before seeing the warning lights come down shining blue instead of the normal red for emergencies.

"Is there an emergancy?" Nuala questioned, a bit nervous of what it could mean, But Abe gently touched her shoulder with his gloved hand.

"No no- Just a old friend. Everytime she visits her and Red play a.. Game of sorts like tag" Abe explained, Nuala smiling at hearing this. Nuada who had just returned from a mission turned the corner seeing his sister and the fish man, frowning but looking to the lights.

"Whats this?" He asked shortly, Abe repeating his answer from before.

"Warning lights for a Game?" He questioned, eyes narrowed in suspicion.

"Well they are only allowed to have this game once a year and for 5 minutes- mainly due to the property damage that always happens" Abe said truthfully as the elven twins looked surprised by this. A childish game causing property damage?

As if right on cue there was a loud crash the trio turning to see Hellboy running full force in their direction like a train.

"MOVE MOVE!" He yelled loudly, as he ran past them. This was the fastest any of them had seen him run even in a life or death situation, right as he was about to turn the corner a black boot came barrowing down on the side of his cheek, knocking him to the ground hard before the smaller figure ran down the hall Red had just gone through.

"You're it!" She yelled and the trio watched- There running past was a women. Dressed in all black leather tactical gear with her silver hair in a long braid, the ends a sunset gold- (Y/S/C) skin with unique etchings found in only elvish culture paired with amber eyes. It didn't take a genius to figure see what she was-

"Timer Abe!" She yelled, Abe looking to the small watch he carried.

"4 minutes and 26 seconds left- Also happy youve returned safely" He called out to (Y/N) who dashed down the hallway.

Nuada eyes widened as he couldnt help but follower her with his gaze, something about her drew him in. The trio sticking to the walls as they tried to follow the action- it was like a massive battle taking black between a giant and a tiny titan. While Red was slamming into walls cracking cement with his weight and arm- (Y/N) was doing flips and hung to the light fixtures above to keep an advantage.

"Happy to see you too!!!"

He could only describe himself as being mesmerized by her.. Every turn, giggle and jump just seemed to bewitch him and it terrified him.. It wasn't till a loud alarm snapped him his gaze making him jump a bit in surprise- the game was over it seemed and Hellboy returned with his sister, the demon clearly glum from losing.

Nuala eyes widened as she watched (Y/N) jump around Hellboy with a happy smile at winning the game. Figuring what she was but disbelieving of course even after this entire endeavor. A leath-fola. A Half-Blood Actually existed in this world? The embodiment of a union between a human and one of his own kind-

"I win Red! So that's 28 for me and 25 for you. Best luck next you!" She said cheerfully as Hellboy grumbled and pushed her head away with his small hand.

"Yada Yada short stack-"

She noticed the looks of the two meeting their gazes and Nuada immediately felt his heart beat pick up- Confused by the sensation he glanced to Nuala assuming it must be her however she seemed calm and relaxed.

"New Agents?" She questioned looking at the twins, Abe nodding with a 'smile'

"Prince Nuada of the Bethmora clan.. This here is my sister Princess Nuala" He introduced both formally, watching how her smile seemed to radiate as he spoke. It made him feel like he had had stepped into the sun for the first time in years..

"It's lovely to meet you both! It's so lovely to have new faces here in the facility" She said cheerfully, reaching out in a friendly matter and patting both twins on the shoulders.

It felt like Nuada had been shocked by the most pleasant bit of electricity that left him flustered and confused. His sister finally glancing at him as she felt his emotions and gaze a smile, a twinkle of what could only be described as mischief in her golden gaze.

"Yes.. new faces... now if you'll excuse me" Nuada said quickly before dismissing himself- trying to control the panic that was eating him on the inside and the warmth that bloomed in his body. He practically ran back to the space he was forced to call a room and lock himself inside. Nuada stood in his room pacing back and forth. His mind racing and heart uneasy- unknowingly for hours as he tried to calm himself from the sudden feelings that seemed to slam into him.

A knock on the door bringing him from his thoughts as he quickly opened the door, surprised to see his sister standing there in a evening gown.

"Sister, what are you doing up? You should be resting.." He said softly, allowing Nuala into the room.

"I can not rest with you so worked up brother" Nuala said softly. The prince sighing as he realized he had kept her up and took a seat on the corner of the bed, Nuala sitting next to him as well.

"Well- It sounds like she is your fated partner" She pointed out and Nuada immediately felt anger in his blood.

"You're thinking about the leath-fola (Y/N)? Right?" Nuala said softly as she rubbed her brothers shoulder to comfort him. He frowned at being so obvious and also for the form of comfort.

"Yes- She... makes me uneasy" He says, lying a bit to avoid the words he wanted to use. Nuala smiling at this.

"Do not speak such foolish things-" He hissed, Nuala flinching at his harsh words.

"I am not fated to a mortal of all beings" He started but Nuala held up a hand.

"She is not a mortal however brother.. You saw" Nuada was ready to argue but couldnt- his face twisting up.. The damn half-breed was not his fated partner NOR was it going to be the siblings of the demon.

He would prove it...

For the first few weeks that (Y/N) was there, Nuada had been rude and snide. Hissing insults about her mixed blood, shoving past her or even straight up ignoring her. He expected she would take the abuse since she didnt say anything about it but he had been wrong- so terribly wrong.

It took only one time calling her "Dirty" in terms of her blood to get the hardest punch he had ever taken to the nose- It made his eyes water and fall to a knee infront of her..

She grabbed his silver hair and pulled him close so they were eye to eye-

"Listen here- Keep insulting me like this and I'm going to tear your ass a new one. I don't give a Flying fuck if your a price or whatever- I will fuck you up" She hissed at him-

Nuada felt more confused then he ever had before- The pain seemingly going with the fluttering warmth he felt in his face and blatant arousal that was Damm near impossible to miss- (Y/N) seeing his widened eyes and the flush of color on his pale face, like he was frozen and her own golden eyes traveled down at noticing some new movement.

"O-Oh-" Was all she said- Clearly just as surprised as Nuada was at this point. Her fingers carefully releasing his silver hair as warmth went to her own cheeks.

Nuada wanted a blade to the heart at this point...

[cloakedsparrow]

Bat Family 'Bruce is Tim's biological parent' AU Idea #1

Wherein Jack Drake: a) Regularly tags along on archaeological digs despite not being an archaeologist. b) Commonly smuggles home archaeological finds despite that not being legal. c) Does not believe in curses, hauntings, or any mythology despite the world that he lives in being populated with *gestures at comics* all that.

As a result, Jack is like a magnet for cursed objects and keeps smuggling the damned things home.

The first time little Timmy suspects this is happening, he knows his dad won't respond well to him suggesting the most recent package he sent home is haunted. He knows he'll respond even worse if he tries to get anyone else involved. So he sends his mom a private email explaining what's going on. Janet replies that he's right to be suspicious, that this has absolutely happened before, and that he was right to contact her. She tells him she's sending over a friend who can help and gives him a password that she'll tell the friend so he knows it's okay to let him in the house.

John Constantine shows up within the hour. Tim is certain he didn't drive there (the alert that someone passed through the gates never went off and no one put in a code to open them) but there is a cursed object in his house and John knew the password Janet gave him, so he's mostly just happy to have an adult there to handle the situation. Even if a somewhat bizarre adult.

John takes care of the cursed object and is impressed that Tim reacted to it much faster than most do. He gives Tim his card with instructions to call him if anything like what was happening starts to happen again or if anything else weird starts happening after his father has been to any digs or sent home any strange packages.

As Jack is the aforementioned cursed object magnet, Tim ends up calling John fairly often for someone who doesn't actively work with the occult and is, in fact, a child. John keeps praising him for catching on as quick as he does and giving him information to catch onto other types of mystical/magical wickedness. Tim gets really good at recognizing when magic/curses/spirits are at play.

Then, Janet dies and Jack goes into a coma. Tim is fostered by Bruce for a year and a half and doesn't have to worry about curses or haunted objects for all that time. When they do come across something of the occult, Bruce/Batman has his own contacts, so there was never a reason for Tim to bring any of it up.

Then, the events of Identity Crisis/Crisis of Conscience occur, and Bruce doesn't want to talk to Zatanna (his usual mystic go-to) if it can be helped. He doesn't want to call in anyone connected to most of the Justice League if it can be helped.

So when they come across a cursed object, Tim immediately identifies it and tells Bruce not to worry, he knows a guy who can handle it. The man knows his civilian identity, so they'll have to pretend Bruce bought the object as part of an action or estate sale lot.

John comes and handles it. Before he leaves he comments that he's glad Tim's biological father finally decided to step up and that Bruce better take good care of the boy.

When Tim explains that Bruce isn't his father, the look on John's face clearly shows that he's trying to figure out how to back-step, but not in the expected way. More in the 'I let on information i wasn't supposed to' way.

Which is how Bruce and Tim end up running a paternity test in the Cave at four am.

Alfred and Dick are delighted by the results.

[Alternative ending: John pulls Bruce aside to let him know that Janet told him Jack wasn't Tim's father and that both he and Bruce were on the short list and he hadn't known Jack died or he'd have contacted him already. They have to wait to find out which of them is the lucky one. Either Bruce turns out to be the father and John just lets Tim know he can still call him whenever needed or it turns out John is the father and they decide Tim should still stay with Bruce but John has visitations. Also, Tim might have been showing signs of his Homo Magi heritage when he recognized all these cursed objects. John insists on teaching him to use his magic despite Bruce's unease with it.]

[takiki16]

I see your "handcuffed together episode wouldn't work bc Neal would pick the locks" and I raise you "Neal refuses to pick the locks for petty reasons, aka Peter made him swear an oath to "not act like a criminal for 24 hours" and Neal is miffed at him about it"

YES. YES. THIS.

The episode opens with Peter and Neal walking to work, arguing about [Trust Issue] and [Crimes]. Peter says that it’s an indication of Neal’s lack of control, and that Neal can’t go 24 hours without Doing Crime. Neal roundly denies any alleged criminal behavior, but takes offense at the implication that crime is a Lower Impulse that drags him down rather than a Game of Skill. The argument goes on in typical fashion until finally, Peter and Neal make a bet. If Neal can go for 24 hours without doing Criminal Acts, Peter will…I DON’T KNOW! Go to a fancy art event with him? Let him see one of his old case files? Never bring deviled ham to a sedan stakeout again?

They then go undercover together to meet some kind of fence of Rare Items and Unusual Weapons - a lower level player, but a necessary step to that episode’s big bad. The fence has a Weird Storefront! They make a break for it through the back! There is a comical fight inside a very small closet full of Fun Kinky Novelty Items that somehow drags all three of them into it, and the fence gets away but Neal and Peter end up handcuffed together!

Peter demands that Neal pick the lock, after a solid hour of searching through the wreckage of Fun Kinky Novelty Items for the key - which of COURSE couldn’t just be a standard issue cuff set! This stopped being fun nyfor Neal after the first fifteen minutes of being yanked around through Fun Kinky Novelty Items, and he says with complete Righteous Indignation that he swore not to do crime! For 24 hours! Wasn’t Peter’s whole ISSUE that Neal is too immature and criminal to control his Crime Impulses?! This results in a solid hour of comedic arguing, after which one of them has the horrifying realization that they need to go to the bathroom.

After a truly awkward interval and a gentleman’s agreement never to speak of what just occurred again, Peter now has to decide what to do since lockpicking is off the table. The office is just a recipe for disaster, and Neal would get to see everything he did at his desk. Peter decides to go with the lesser of all evils and go home. El will laugh, but at least it would be more comfortable to wait out the 24 hours there.

El laughs until she cries. Somehow, so does Satchmo. Neal decides that the situation is funny again. Peter does not.

After an hour or two, the three of them have exhausted every possible talking avenue of (1) the handcuff situation and (2) the case without taking more concrete action. Peter is unwilling to do more than call agents over the phone, which only goes so far, and he flatly refuses to access an FBI laptop or a personal computer when Neal is right there collecting passwords. Peter tries to get El to be his proxy, at least as far as the personal computer, but by now Neal has told her about the wager and El says it wouldn’t be fair to give Peter a leg up. Peter is indignant, and tries to apply spousal privilege. This results in more comedic arguing.

By early afternoon, everyone except El (who could at any time leave but has called in sick for the express purpose of enjoying the situation) is stir crazy. Peter tries to break out of the handcuffs himself - first with tools (all loaned to Chad next door) and then by just pulling (which El and Neal both veto with prejudice). After the hammer Peter keeps in the junk drawer fails to have any effect (Neal dramatically flinches and whines about never playing the violin again), Peter gets desperate enough to try and pick the lock HIMSELF. For the joy of seeing this great thing, El and Neal agree that she can access their personal computer for YouTube tutorials, if any exist for these specific weird handcuffs. Neal has MANY, many comments about Peter Giving In to CRIMINAL IMPULSES, but after a vein starts twitching in Peter’s forehead El rules that Neal has to limit his heckling if she’s going to continue providing YouTube tutorials. Fun comedic interlude once again, as Peter tries and fails to pick the handcuffs.

It is now early evening, and dinner time. Thankfully Neal is ambidextrous, so eating isn’t an issue, but the questions of Shower and Bed are now looming in everyone’s mind. There is less comedy now, bc it’s been a long day and also because Neal genuinely respects Peter and Elizabeth’s marriage. Coming into their bed when he isn’t wanted touches on a lot of tender issues for him. Peter wearily says he and Neal will take the guest room, but rounds off with a snarky comment about how Mister Criminal over here isn’t willing to get over himself. Neal snaps - does Peter understand what ACTUALLY bothered Neal so much about the first argument, the reason behind the bet? Or has the whole day been lost on him? There follows a conversation in which El insists that everyone listen to each other, Peter does some introspecting on condescending comments to Neal, and Neal acknowledges that he can be impulsive and Take The Bit too far. Satisfactory emotional arc work is done, and Neal agrees to pick the cuffs.

It’s dark now, and the light in the Burke’s home at night is always warm. Neal is picking the lock, brow furrowed in concentration, and Peter asks him what about the bet. Isn’t Neal giving up his great favor? Freedom from deviled ham? A trip to the museum, outside his radius? Access to a fond memory?

Neal looks at Peter, and looks at El, sitting beside them in the warm light, and he says he will call the bet off if he gets a kiss right now.

From which one of us, says Peter, barely breathing.

Either one. Both. Just once. It doesn’t have to mean anything. Except it does. It does, it does, it does.

Neal gets one kiss from each of them, on the lips. First kisses, tender and slow and sweet, and when it’s done they all three sit together in the warm night, looking at each other as the beginning of a new thing thrums between them.

The lock clicks open loudly, and the moment is broken but the new thing is not. Peter inhales sharply and leans backwards, Neal stays frozen in place with the skill of long practice, but Elizabeth doesn’t flinch. What breaks the moment is Peter clearing his throat and asking in a shaking voice what was the sound that lock just made. Neal takes a quick breath and says oh, it’s a sound that such and such type locks make, they’re really unusual actually, only a certain kind of company from Such and Such makes them. This makes the episode plot penny drop in Peter’s head, because of course company from Such and Such has an obscure tie to So and So, which is the key to finding their lost fence and bringing down the villain of the week.

When it’s all over, Neal turns up at the Burkes’ house again, a hesitant look on his face. In his hands are the handcuffs, still open. And of course, they invite him in.

[graysoncritic]

A (Negative) Review of Tom Taylor's Nightwing Run - What Went Wrong? Dick's Characterization

Introduction Who is Dick Grayson? What Went Wrong? Dick's Characterization What Went Wrong? Barbara Gordon What Went Wrong? Bludhaven (Part 1, Part 2) What Went Wrong? Melinda Lin Grayson What Went Wrong? Bea Bennett What Went Wrong? Villains Conclusion Bibliography

In the previous section, we explored not only who Dick Grayson is and why he is so beloved by his friends, but why many people — including Taylor and others at DC — have a hard time  understanding his character. By reducing Dick to a hero who is “good” and transforming into an “everyman” that anyone can project themselves onto, Taylor fundamentally removes that which makes Dick special, transforming him into a different character.

But there are other ways in which Taylor and DC mischaracterize Dick by erasing his history and transforming into a more “palatable” mainstream hero. That is what I wish to explore in more detail now. 

Let’s begin by examining how Taylor’s framing Dick’s story in Nightwing (and that of the Titans in Titans) as a coming-of-age tale contributes to a grand erasure of Dick Grayson’s greatness.

In Taylor’s run, Dick is treated as if he were a new superhero. However, even if this run (not the entire title that started in 2016 with Rebirth, but just Taylor’s run) were to become a new stand-in for the 1996 Nightwing solo in which Dick arrives in Bludhaven for the very first time, Dick Grayson should not be portrayed as someone new to vigilantism. Even if one were to generously interpret Taylor’s Dick as being only twenty-two years old after starting as Robin at twelve years of age and only recently having become Nightwing, Dick would still have a decade of experience doing detective and hero work. It is notable that most of that decade was spent with him leading the Titans, serving as Batman’s partner and second-in-command, and mentoring numerous young heroes.

(Wolfram, Amy, writer. Kerschl, Karl, illustrator. In the Beginning… Part Three. Teen Titans: Year One no. 03, e-book ed. DC Comics, 2008. pp. 09)

One of Dick’s core traits is that he is a natural, if at times reluctant, leader. Many key moments in his character history are defined by Dick feeling the weight of the responsibilities placed upon him and having to push through his personal reservations for the sake of others. 

Dick was the first child hero. He was the first sidekick. Out of universe and in universe. (In the introduction to  Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman, Kristen L. Geaman mentions that some argue Mister America from Action Comics #2 is, in fact, the first side-kick. However, this claim is debated since Mister America played more of a comedic and “Watsonian” role [as Dick Grayson Fan C suggested], and Dick was the one who popularized the formula of the role.) He was the proof that the concept of a sidekick — a partner — could work. Proof that kids could be trained into this life. Proof that they did not need powers in order to be a hero. That is one of the reasons why, in-universe, he is admired by so many characters – because he is the trailblazer who opened the doors for every young hero and side-kick that came after him. Dick’s history is also why he has so many connections — it is because he was the one who opened the doors for everyone else, mentored so many people, and partnered with those who were his age and those who were much older that he gained so much respect in the superhero community. 

And yet, that history is called into question in Taylor’s narrative when he frames Dick as a young, new hero who is just beginning to assess what he wants to do with his life. Not only is it bad storytelling to portray Dick’s connections without factoring in the experience tied into them, it also demonstrates a fundamental lack of understanding of who Dick is, what he represents, and why he’s been so beloved for over 80 years.

This lack of appreciation and of respect towards Dick is extended to the other Titans in Taylor’s Titans (2023) run. As he himself pointed out, the first arc is called Out of the Shadows because, in his words, the Titans are “stepping out of the shadows of the Justice League.”

(Taylor, Tom [TomTaylorMade]. Twitter, 22 June 2023, https://twitter.com/jesswchen/status/1636971185782259716?s=20.)

And yet, to its fans, the Titans were never in the Justice League’s shadows. They were not inferior or subordinate to the Justice League, even if they may be less known. In-universe, the Titans may have modeled themselves after the Justice League and they may be allies, but the Titans are still an independent entity. From their very inception they defined themselves in contrast with how the Justice League operates. 

In fact, in JLA/Titans #02, Dick himself draws this distinction when arguing with Bruce and calling him out on his condescending behavior towards the Titans.

(Grayson, Devin; Jimenez, Phil, writers. Jimenez, Phil; Brown, Eliot R., illustrator. The Generation Gap. JLA/Titans no. 02, e-book ed. DC Comics, 1998. pp. 23)

Trying to repackage Dick and the Titans as newbie heroes who are only now experiencing independence demonstrates a lack of understanding of their history and who the Titans are meant to be. The Dark Crisis and The Dawn of the DCU attempt to frame Dick’s Nightwing series and Titans as coming-of-age tales, where only now the characters are stepping into adulthood. Taylor’s writing goes a step further and portrays them as making rookie mistakes, coming across as newbies, and as a result, erasing all of the rich history that have built these characters into who they are today.

As I mentioned above, even if we generously interpreted that Dick never lived in Bludhaven before, Dick should still have plenty of experience being a hero and living on his own. The moment in which he transitions from Robin to Nightwing (willingly or unwillingly depending on your preferred Nightwing origin story) is Dick’s coming-of-age moment. By the time he comes to Bludhaven, Dick already knows who he is, what he wants, and he knows how to care for himself. By the time Dick comes to Bludhaven, his internal struggles are not that of a young adult who just left the nest and does not yet feel like an adult, but rather that of an adult who knows his own abilities and is confident in who he is. 

And yet, in Nightwing #84, the first issue in Nightwing: Fear State, Taylor has Dick pondering on the responsibilities of taking care of Bludhaven. Right on the first page, he says “Fighting an entire corrupt system? Saving a whole city? There’s no training for that.” 

(Taylor, Tom, writer. Rodriguez, Robbi, illustrator.  Fear State Part 1 of 3. Nightwing: Rebirth. 84, e-book ed. DC Comics, 2021. pp 03)

Except even the most basic knowledge of Dick’s character shows that he was, in fact, trained to save an entire system and to fight a corrupt system — he was trained to care for Gotham and to take out the corrupt systems that prevail in that city. Not only that, Dick has also been Batman, at which point he was also Gotham’s main protector. 

This mistake becomes even more outrageous when one considers that, though Taylor’s run is at times treated as a soft-reboot, Dick is still shown to have lived in Bludhaven while operating as Nightwing. This means that that generous interpretation I’ve been alluding to is not, in fact, compatible with the story as it is written. It is a falsehood, and therefore cannot be used to excuse the “new-in-town” approach Taylor uses when writing Dick. 

Dick’s apparent inexperience and, frankly, incompetence, is further highlighted by the amount of times Dick is saved by others, or the amount of times when he is dependent on others to do the work for him. These instances include, but are not limited to:

The people of Bludhaven answering Nightwing’s call when Heartless sets the tent city on fire in #81

(Taylor, Tom, writer. Redondo, Bruno, illustrator Leaping into the Light Part 4. Nightwing: Rebirth. 81, e-book ed. DC Comics, 2021. pp 13)

Dick being knocked out with a single blow and then unmasked during his first attempt to investigate Melinda also in issues #81

(Taylor, Tom, writer. Redondo, Bruno, illustrator Leaping into the Light Part 4. Nightwing: Rebirth. 81, e-book ed. DC Comics, 2021. pp 20 - 21)

Babs calling people to Dick’s rescue rather than trusting he could get out of it on his own in #82.

(Taylor, Tom, writer. Redondo, Bruno, illustrator. Leaping into the Light Part 5. Nightwing: Rebirth. 82, e-book ed. DC Comics, 2021. pp 03)

(Taylor, Tom, writer. Redondo, Bruno, illustrator. The Battle for Bludhaven’s Heart Part Four. Nightwing: Rebirth. 95, e-book ed. DC Comics, 2022. pp 24 - 25)

In #90, when his building blew up and Wally came to save him, then proceeded to force him to rest away from Bludhaven instead of letting him take action.

(Taylor, Tom, writer. Redondo, Bruno, illustrator Get Grayson Act Three. Nightwing: Rebirth. 90, e-book ed. DC Comics, 2022. pp 15)

And needing Babs’ help during a car chase in #106,

(Taylor, Tom, writer. Byrne, Stephen. The Crew of the Crossed Part One. Nightwing: Rebirth. 106, e-book ed. DC Comics, 2023. pp 16)

Which greatly contrasts how, in #113 of the Nightwing (1996), Dick handles a similar situation while simultaneously mentoring Rose Wilson.

(Grayson, Devin, writer. Chian, Cliff, illustrator The Scorpion and the Frog. Nightwing no 113, e-book ed. DC Comics, 2005. pp. 19)

The thesis of Taylor’s run is that people need to rely on one another — we have to be each other’s safety net. And while that is an interesting theme to explore and one that certainly speaks to Dick’s history of doing things on his own out of fear of putting others in danger, Dick should still, more times than not, be able to do things by himself. After all, this is not an ensemble piece — this is Nightwing’s story and as his fans, we want to read about him. Cameos are fine. They can be fun, in fact. But cameos are different from Dick constantly struggling and needing help whenever he faces a challenge – the former portrays Dick as someone with powerful connections that deeply love him; the latter portrays Dick as being incapable of doing things without someone holding his hand.

This is another thing that Waid understands about Dick and portrays it clearly in World’s Finest. When Kara explains to Clark what first attracted her to Dick, she emphasizes how, despite the fact he had no powers, he could still save himself. 

(Waid, Mark, writer. Lupacchino, Emanuela, illustrator. Scream of the Chaos Monkey. Batman/Superman: World’s Finest no. 12, e-book ed. DC Comics, 2023. pp. 06 - 07)

Being not just competent, but exceeding even the highest expectations is at the core of Dick’s character. And, as was pointed out in the previous section, it also serves to feed into his toxic perfectionism — he is one of the top tier heroes, therefore people expect excellence from him. Dick does not want to fail those who put their trust in him, and so he demands perfection of himself to the point of self-destruction.

Beyond that, we cannot give Taylor credit for trying to tell a story about Dick growing out of his perfectionist bad habits by learning to rely on others. After all, if Dick is constantly asking for help, then he is not resisting help. And that removes his chance for growth. A character arc requires development and change, which means one cannot start at the endpoint. Therefore, it cannot be claimed that Taylor’s intentions are for Dick to learn to rely on others, for he has been doing so without hesitation since the beginning. 

As a result, the story is not about Dick being Bludhaven’s safety net while learning that he also has a safety net of his own, but rather about Dick always relying on his safety net, always knowing it was there, and having them also shoulder the responsibilities he took when he named himself Bludhaven’s protector. There is no room for Dick to grow because he is already at the end of his journey. And there is no room for Dick to be the hero of his story because others are constantly coming to his rescue when things get too difficult.

Once more, I must clarify that I’m not saying that Dick is not loved, or that Dick is not important to many people. I’m simply stating that the way his relationships are built gives him very little room to rely on them. He is their safety net but he doesn’t trust them to be his safety net. Exploring this requires going into the nuances of each relationship, where conflicts are created, and where people hurt the other in the heat of an argument. It would mean dealing with the messiness of complex human emotions, forcing characters and the audience to sit with uncomfortable feelings as we get to the root of Dick’s perfectionism and his fears.  

In June of 2022 a reader on Twitter asked Taylor about his decision to have Dick constantly falling, for, as they pointed out, this makes Dick look incompetent.

(Jonathan [@Nightwingdagoat]. Twitter, 21 June 2022, https://twitter.com/Nightwingdagoat/status/1539267708310765568)

Taylor responded by saying that these instances were Redondo’s call, and that it was their attempt to humanize Dick.

(Tom Taylor [@TomTaylorMade]. Twitter, 21 June 2022, https://twitter.com/Nightwingdagoat/status/1539267708310765568)

In fairness to Taylor, the following criticism will then be directed primarily at Redondo who believed these instances were the best way to “remind people that Nightwing is human.” That being said, as Taylor appears to support such a position, and as he has written numerous incidents where Dick is conveniently knocked over by others, I do believe this can be directed at him as well. 

Simply put, to have a character constantly fall is a superficial and lazy way to humanize said character. Casual falls like this, after all, are not failures. They contribute little to the story and have very little consequence.  

Nothing happens once Dick falls. The bad guy doesn’t get away, the innocent civilian is not hurt, the crucial piece of evidence needed to crack the case is not destroyed. There are no lasting consequences for Dick to deal with, no conflict that can arise from these falls, no tension to make Dick’s future success more emotionally effective. Furthermore, these falls are completely out of Dick’s control, taking away any responsibility he might have for his mistakes. 

If the flaws that are meant to “humanize” Dick are falls which he bears no agency over, then he, the good guy, has no responsibility over his own “failures.” Said “failures” also end up having no consequences to the plot, which gives Dick no crisis to respond to (furthering his passivity), and this robs Dick of character development opportunities. 

It creates a stasis in the story where the only conflicts Dick faces are the ones against really bad guys that always – always – lose to Dick and his connections, and ones which do not ask for moments of introspection.

Despite almost never falling in The Untouchable, Dick is far more human there than in Taylor’s and Redondo’s run. This is because Dick is forced to face the consequences of his “failure” to capture the Judge twice in the past. Dick is constantly thinking about the Judge’s victims, forcing himself to carry their lives on his shoulder. He pushes himself to toxic lengths. Whenever the Judge escapes his grasp, the conflict evolves, the stakes are raised, and the tension builds. Dick’s desperation becomes visceral to the reader, and that is what humanizes him to the reader. Similarly, the emotional pay-off of the climactic battle in the end grows with each obstacle Dick faces.

(Humphries, Sam, writer. Chang, Bernard, illustrator The Untouchable: Chapter Four: Infiltration. Nightwing: Rebirth no. 38, e-book ed. DC Comics, 2018. pp. 09)

But Dick’s newbie incompetence is not the only way Taylor mischaracterizes Dick. It is by combining the lighthearted tone of his story, his depiction of Dick as a blank canvas “good guy,” his avoidance of conflict, and his attempts at answering difficult real-world problems that Taylor ends up creating a version of Dick Grayson that is utterly self-absorbed and lacking in foresight.

Telling and not showing is an immense problem in Taylor’s writing. There’s a difference between how a writer attempts to portray a character and how, given their actions in the context of the narrative created, the story shows them to be the complete opposite. In such cases, the story triumphs over the writer. This is why I claim that, though Taylor tells the reader that Dick is caring, intelligent, and a hard worker, he actually shows Dick as as selfish, incompetent, and naive.  

Take, as an example, how Taylor sidelines the Heartless storyline in favor of slice-of-life scenes. If Heartless was not there, perhaps those sweet moments could be just that. However, as in the world of the story there is currently a serial killed running around free, making orphans out of the youth Dick vowed to protect, the fact that Dick is not constantly working to catch Heartless is not only out of character, it makes it so it seems he doesn't care what happens to the people of Bludhaven (And now also Gotham, given #111, which was released as this essay was being edited). Rather than stopping crime and bringing justice to Heartless’ victims, Dick would rather spend his nights in his apartment, enjoying a relaxing evening with his girlfriend and his dog. 

Please do not take this to mean that I consider a slice-of-life story to be inferior to other genres. My reason for highlighting this is not to undermine the value of slice-of-life, but rather to argue that such scenes do not live in isolation. They exist within the context of a larger narrative, and what would be sweet in a sitcom-style story comes across as something entirely different when other characters are facing life-and-death stakes. It does not matter how much the writer tells us that these characters are caring and compassionate — their lack of action and urgency portrays them as self-centered. 

Just as Taylor attempts to write the big climatic moments without properly building the momentum necessary to make them impactful, he similarly forgoes the work required to win the reader’s trust, and instead expects his audience to simply accept that important plot and character developments are happening off-screen. Rather than letting the audience experience the intrigue and devastation of the Heartless mystery by showing us how the horrors of these murders motivate Dick to continuously search for this cruel killer, Taylor instead advances these elements off-screen, opting instead to tell the reader they’ve occurred.

That is not to say that writers cannot streamline plots. They absolutely can and, in some cases, they absolutely should. However, streamlining a subplot is a far more complicated matter than just telling the reader said events happened off-screen and expecting them to simply accept it. 

While it is impossible to provide a precise checklist with the step-by-step guidelines on how to properly streamline a subplot, I believe one of the factors one must consider is whether that plot should be streamlined or not. Personally, I believe that Dick investigating the character who was meant to be this run’s main villain is too big and too important of a story to be played off offscreen.

Dick has hardly spent any time attempting to apprehend Heartless. Instead, as time of writing, his investigation of Heartless has practically nonexistent. Instead, after not focusing on him for the majority of the run, we are simply told by Dick and Babs that they’ve been keeping an eye on Heartless, even if their investigation is never shown to us. 

(Taylor, Tom, writer. Basri, Sami Nightwing. Nightwing: Rebirth. 111, e-book ed. DC Comics, 2023. pp 09)

If we, as readers, are to believe that Dick is the selfless detective and hero — the Heart of the DCU — that Taylor tell us he is, then finding and apprehending Heartless should be one of his top priorities. If Heartless was meant to be Nightwing’s big nemesis, then their confrontation should always be a source of great tension and conflict. Such importance would be demonstrated by showing Dick working towards stopping him at every moment he has free. But either those moments are not happening at all, or they are happening off-screen.

Having such an important conflict and such a crucial antagonistic dynamic develop does nothing to enrich the plot — in fact, it only detracts from them, for because we do not get to witness this relationship grow and we are only told that it is happening, the pay off that must come when Nightwing and Heartless finally have a big confrontation will be cheapened as a result. 

Heartless' actions are so brutal and create such urgency that not prioritizing Heartless' arrest makes it seem like Dick doesn't care about his victims. Batman doesn't wait around when the Joker breaks out of Arkham – he hunts the Joker down. Similarly, Dick didn't wait around on the Judge – he hunted him down. 

For Heartless to be the Big Bad, Dick should have put him in jail already and Heartless should have escaped. DIck should have faced him multiple times. He should have been Dick's priority because of how cruel and urgent his actions are.

Finally, there are three particular moments that I wish to discuss to illustrate how ambivalent Taylor is when it comes to Dick’s characterization, choosing to prioritize online discourse over who Dick Grayson’s established history and personality. 

The first one comes from a throwaway line. And yet, because this was a throwaway line that demonstrated how little thought Taylor gives to his main character. 

When Tim makes his first appearance in Taylor’s run in #80, Dick’s narration says that many would consider Tim to be the best Robin, and that he “totally gets it.”

(Taylor, Tom, writer. Redondo, Bruno, illustrator.  Leaping into the Light Part Three. Nightwing: Rebirth. 80, e-book ed. DC Comics, 2021. pp 09)

“Who is the best Robin” is a discourse that I, admittedly, care very little for. It serves no purpose other than to get fans to fight one another, bashing each other’s favorite characters in order to prop up their own. When posed on social media, this question becomes a thinly veiled attempt to generate high engagement. In reality, when people discuss “who is the best Robin,” they are, most often than not, truly arguing about who is their favorite Robin. But the question is framed in a way to be purposefully divisive, creating conflict within the fan community. The fact that DC plays into that divisiveness that requires their characters to be brought down so others can be lifted up for marketing material is concerning, but the fact that writers such as Taylor are letting that fan perception bleed into in-universe narration is nothing less than lazy writing that prioritizes online leaning into buzz over good storytelling.  

Naturally, as a Dick Grayson fan my opinion is that Tim is not the best Robin. Dick is. But my problem is not that Taylor said that Tim was the better Robin, but that I think Dick would never concede to the existence of a “best Robin.” In fact, not only do I believe that it is out of character for Dick to believe that one Robin can be defined as the best Robin, I would argue that Dick would be offended that such a question could be asked.

Dick, more than any of the other Robins, understands the purpose of a Robin, as he was the one who created the mantle. By seeing so many others inherit his family’s colors and his mother’s name for him, he also understands better than anyone that each person who becomes Robin has their purpose in their own unique way. Dick would understand how each of them made the Robin mantle unique, how they added to its mythos in their own way, and how all of their contributions are equally valid and equally important. He would never single out one of them as the best because he knows that Robin is about an ideal of justice by bringing light into the darkness. Most importantly, understanding how many Robins tied their self-worth to the mantle, Dick would never want others to feel as if they fell short of some arbitrary measure by proclaiming they are not “the best.” Dick would be against that measure, against the very idea of ranking Robins, as if they were interchangeable, as if they each didn’t make relevant contributions. He would hate the idea of the mantle he created in honor of his parents being used to judge and measure the worth of those he loves. Dick would argue that there can never be a "best Robin" because Robin is always about being your best self in the service of those who need your help, and you can't quantify that.

The concept of a “Best Robin” is a marketing strategy and a fan-oriented discourse that Taylor casually imposed into the narrative without considering whether his protagonist would adhere to such ideas. He prioritized internet discourse over characterization, and while the former may be immediately fulfilling as the page is cropped and shared a few thousand times in the first few days after publication, only the latter will leave an impression that will last decades. Taylor is embodying a current DC Comics trend to favor the former over the latter. As scholar Steve Baxi said in his review of Leaping into the Light, that page “doesn’t feel like Dick Grayson appreciating his brother, it feels like Dick Grayson saying what the audience wants to hear.” (Baxi, Steve, “TRADE COLLECTION REVIEW: Nightwing Vol. 1 - Leaping Into The Light” Comics Bookcase, August 2021)

Although they share similar problems, unlike the “Tim is the best Robin” throwaway narration, the second example I wish to discuss in detail became a big plot point in the beginning of Taylor’s run. I’m referring to the choice of having Dick become a billionaire due to the inheritance Alfred left to him.

To be more clear, my problem is not with the fact that Taylor made Dick into a billionaire (after all, Dick inheriting wealth from his parents is not a novel concept), but rather with Dick’s musings on the subject. (Dick’s financial situation is inconsistent across the years. While some like Dixon and Wolfman allude to him having a trust fund his parents set aside and that remained untouched until Dick’s adulthood, other writers like Humphrey who portray him as more middle class and sometimes struggling financially. Then there are the numerous times in which Dick was left homeless, implying that he did not have a safety fund to go to when tragedy struck.) On #79, Dick says, without a hint of irony, that he always thought that Bruce could do more to help Gotham with Bruce Wayne’s money than he does as Batman. 

(Taylor, Tom. writer, Redondo, Bruno, illustrator Leaping into the Light Part Two. Nightwing: Rebirth. 79, e-book ed. DC Comics, 2021. pp 07)

This is a popular online discourse that reveals lack of knowledge about Batman and a naive understanding of how corrupt systems function. I understand we are currently very critical (and rightly so) of billionaires and the hoarding of wealth. I understand that this leads many — media critics and everyday fans — to analyzing how wealth is portrayed in the stories that resonate within our culture. But anyone who claims that Bruce has not used his wealth for the benefit of Gotham outside of funding his Batman endeavors has not engaged properly with Batman media. I’m not going to go into the merits of how Bruce’s wealth should or should not be portrayed and how DC has currently been handling this issue (that is the subject for an entirely different essay that is not relevant to this discussion), but I will say that Bruce has, canonically, used a lot of his money to fund safety net programs in Gotham, to invest in small businesses and on individuals, and in trying to make the city more affordable and kinder to those with less. 

Twitter user Ashley|TheBatFamily 🦇 (@TheBat_Family) created a comprehensive Twitter thread of examples. These are but some of the ones that stood out to me and that feel most relevant to this essay:

In Cataclysm, Bruce attempted to lobby the US government to offer aid to Gotham after the earthquake; 

Bruce used his money to rebuild the city during No Man’s Land;

Bruce invested in the people who were ready to start new businesses so Gotham could offer jobs to its people and rebuild itself without being fully dependent on others;

Bruce created scholarships so more people could attend university;

Bruce funds Leslie’s free clinic as well as other hospitals around Gotham;

Bruce invested on low-income housing developments in Gotham by working with local firms, providing accommodations to local residents so no one would be displaced;

Bruce expanded and modernized Gotham’s public transportation system;

Bruce ensured all Wayne properties were secured against earthquakes (which led to those residences being the only ones standing during NML);

Bruce funds libraries and museums;

Bruce funds green efforts not just in Gotham, but in other places by buying land and making them nature preserves;

Bruce funds orphanages and provided them resources (from educational supplies to toys for the children);

Bruce provided support for immigrants;

Bruce funds appeals for wrongful convictions;

Bruce provides employment for former convicts;

(Ashley [TheBat_Family]. Twitter, 13 October 2020, https://twitter.com/TheBat_Family/status/1316006509923520512.)

In short, Bruce Wayne has done everything and more that Dick claimed he wished to do for Bludhaven. There’s nothing novel about the idea. Batman narratives don’t put as much focus on these endeavors and do not place as much emphasis on Bruce’s philanthropy simply because they Batman stories are, at their core, detective stories first and foremost. Their focus is on investigation and crime solving (Though I would argue that Cataclysm and No Man’s Land put a lot of focus on issues of wealth, class, and examine Bruce’s financial responsibility towards the city).

But just because these examples are not the focus of the stories in which they are present, it does not mean that they do not exist. Neither does it mean that Batman stories do not engage with themes of wealth and class inequality, as well as systemic corruption. In fact, I would argue that many of the best ones know how to use Bruce’s privileged status to explore these issues. The Court of Owls by Scott Snyder, for example, brilliantly uses the Court and the Talons to engage with these themes. (An essay analyzing the Court of Owls through such a lens would be a fascinating study, especially when exploring the parallels and foils between the Court and the Talons, and Bruce and Dick. Alas, this is not the place for it.)

Dick, who not only has always been characterized as knowing Bruce better than most people,  but who was also raised by Bruce, would know about every single one of the examples listed above. Dick, of all people, had a front row seat to all the ways in which Bruce helped Gotham with his wealth, both in examples that were covered by the press, and the ones Bruce did secretly without taking credit. Dick attended countless fundraising events, press briefs, boardroom meetings. But most importantly, Dick would have witnessed with his very own eyes that lack of funding is not at the root of Gotham’s problems.  The problem in Gotham is not lack of money or safety nets, but rather, it is that its systems are so corrupt that pumping more funds into it will do nothing to help those in need. Instead, it will only further enrich those who are already in power. That’s why in this comic book world with comic book conventions and comic book logic, Batman is needed. Batman is a disruption to the system, forcing it to change, dismantling it from both the outside and the inside. In Dixon and Grayson’s Nightwing runs, Dick’s understanding of systematic problems can be observed in his motivation to become a police officer, as he joins the force with the goal to weed out the corruption and dismantle the system from within. Money alone cannot save a city if the foundation was purposefully designed to favor those on the top by taking from those at the bottom.

(Dixon, Chuck, writer. McCarthy, Trevor, illustrator The Threshold. Nightwing. 60, e-book ed. DC Comics, 2001. pp 22)

But of course, Taylor never takes a moment to wonder how being raised by Bruce Wayne would influence Dick’s perspective on this matter. Instead, he once more takes a popular online discourse and makes Dick say it out without considering characterization. A more in-character and canonically accurate approach to such a story moment would have Dick comment on all the ways Bruce used his money behind the scenes to help Gotham, and how he wishes to do the same for Bludhaven. A single line change would have demonstrated Taylor's willingness to engage with Dick’s character history rather than just copying the hot takes he sees on social media. 

Not only that, this change in dialogue would also establish Bruce and Dick’s closeness as it would show that not only is Bruce a source of inspiration for Dick, but that Dick is one of the few people who have seen this side of Bruce. That would have also made the hug between Bruce and Dick in the #100 more emotionally effective and thematically cohesive, especially as they are in front of Alfred’s grave.

(Taylor, Tom, writer. Redondo, Bruno, illustrator Power Vacuum: Part Four: The Leap. Nightwing: Rebirth. 100, e-book ed. DC Comics, 2023. pp 44)

The truth is that Dick's Haven project engaged with issues homelessness only in the most shallow of manners. Rather than discussing the realities of this matter, it simply used it as a backdrop. It is an appropriation of hardships by someone who is unwilling to engage with the difficulties brought upon by said hardships. It is substance-less writing masquerading as social consciousness.

The third example I wish to cite which demonstrates Taylor’s lack of consideration for Dick’s character or his backstory comes when Haley is taken in #87. Dick’s internal monologue reads that “The last thing I’d want is for anyone to be threatened because they’re close to Dick Grayson,” referring to the fact that he is now a public figure thanks to the press conference he gave about his plans for Bludhaven. 

(Taylor, Tom, writer. Redondo, Bruno, illustrator Get Grayson. Nightwing: Rebirth. 87, e-book ed. DC Comics, 2021. pp 09)

The idea that Dick Grayson, billionaire Bruce Wayne’s first child, was unaware of the dangers faced by those associated with a public figure is laughable. The idea that the first Robin, who was often taken hostage by villains who wished to get to Batman (so much so that Frank Miller famously nicknamed him “Boy Hostage”), did not understand the threat posed to those who are close to powerful figures is insulting. After well over a decade as a superhero, and after well over a decade of being associated with a wealthy public figure, Dick should know better than most how such ties can put loved ones at risk. 

In-universe, this line makes Dick appear so self-centered that he does not take into consideration how his actions affect his loved ones. It makes him appear dense, unable to think through his actions and strategize contingency plans and safety precautions before taking such a giant risk. 

Out of universe, this betrays a lazy way of storytelling, with Taylor going for low-hanging fruits without thinking of how that might affect the characterization of his protagonist. Out of universe, a collection of throwaway, thoughtless lines like this demonstrates just how uninterested Taylor is in giving even the slightest consideration to who Dick Grayson is meant to be, instead putting his focus on the gimmick that will get him noticed on social media.

[martyrbat]

action comics #1

[ID: Superman holding a criminal by the waist while standing on a rooftop. He tauntingly ponders, "I wonder if we could jump all the way to that building?" The criminal begs for him not to but Superman jumps anyways. The narration box reads, "Despite Greer's frenzied protests, Superman leaps out into the night!" Superman purposely misses and exclaims, "Missed - doggone it!" END ID]

[xxtha-blog]

Why Horrortale Sans is Definitely Evil

Horrortale Sans is evil. This is the opposite of a defence post, I am calling out this character and his many misdeeds! I do not know how people legitimately defend his actions or claim he’s just a normal guy who tries really hard not to eat people. I do not think we read the same comic. This is a comprehensive deep dive into why Horror is evil.

First a chronological look at Horror’s dubious actions. Not all of theses are evil and some have good justification as standalone events, but provide wider context for things:

1. He has to be convinced into helping repair the Core which he knows is broken, and has inside info he knows could help get it fixed, only when Grillby begs him to because as revealed on another page, the loss of the Core means “the fire eats at [Grillby’s] very soul like acid, perpetually burning him alive”

2. He spends a total of 12 months trying to figure out how to repair the Core but based on Undyne’s statements about how he rarely works, either means he’s a. Not actually putting enough effort into it (if we believe her and not Sans) or b. Not telling Undyne and Alphys how his work is going which is probably pertinent information for them to have (If we believe Sans, but want a reason as to why Undyne has that impression)

3. He finally brings her a solution to the Core after knowing he’s going to die (but if you want to be generous, maybe it was just really bad timing and he really did only needed a few more days to bring her a solution) and claims it’s a “long shot” meaning he doesn’t even know if it will work.

4. Undyne, thinking that is an insane plan, tells him she has a different plan. Sacrificing him to save everyone. Sans makes it clear he would never let himself die to save everyone.

5. When a guard begs him to sacrifice himself to save his wife and children, Sans launches him into the stratosphere saying: “fuck off.”

6. Even though Undyne attacks him first, it’s actually Sans that takes out her head and eye first.

7. Sans brutally murders the guards who helped Undyne.

8. When Alphys, showing Sans that her plan has objectively work and he is not dead (bonus!!), Sans destroys the Core.

He destroys the thing that will keep him, his brother, and literally every person in the underground alive. Grillby now suffers eternally, and everyone will die a slow and painful death. This does not help him in any way, does not change the fact his head is broken, he does it purely out of malice. The equivalent of getting shot, surviving, and then nuking the town you were shot in. He does not take his eye back if you thought it was to take his eye back. It’s still in the broken Core.

9. He lobotomizes Alphys

10. He gets Aliza to become a cannibal

11. He tortures and maims Aliza (let’s her get cut in half by a bear trap, pulls her hair so hard it bleeds, let’s her freeze to death in a puzzle, sends her to Grillbys where she gets partially cooked alive, cuts her arm off)

Really great guy here.

Secondly let’s get some of the common defences out of the way:

1. Sans had a plan that would save everyone! Undyne was therefore making a bad decision by trying to killing him

a. Sans says his plan IS A LONG SHOT

b. Alphys explains Sans’s plan would have taken a lot of time and magic ie. time that would get a lot of other people killed

c. Undyne’s plan actually goes better that expected! What was assumed would kill Sans doesn’t end up killing him at all. Literally a win-win for everyone involved.

d. Undyne/Alphys’s plan works, and therefore objectively saved more people. 0 net casualties if Sans had a single ounce of humanity.

2. Sans worked really hard and Undyne betrayed him. Undyne should have told him first

Undyne doesn’t tell him because she doesn’t want to consider hurting Sans despite monsters dying. Moments before Sans shows up, a child dies in a mother’s arm. Then Sans explains his plan is to dismantle the Core, which ‘might’ work, and will take a lot of effort and magic to do so, which is time they do not have (it’s been 12 months. He has had 12 months.). He also blames Undyne for getting them into this mess and mocks her for letting people die. She then attacks him. They end up both losing half their head and eye in the fight, making them perfectly even. The core’s power is restored.

But, whether or not Sans feels betrayed or not is irrelevant to the fact that Undyne makes the most reasonable and moral decision in this moment and also Sans has kind of done everything in his power to not sell his idea and piss off the person he knows is considering killing him so big L on his part for that one.

It also does not in any way shape or form justify destroying the Core, which is probably the most evil thing you could possibly do in that scenario.

3. They both are at fault for the Core/Both Evil then

There is literally a world of difference between:

“Sacrifices 1 person who ends up not dying, to save everyone. Which succeeds.”

And

“Destroys the thing that will successfully keep everyone alive, thus dooming everyone including yourself to die a slow and agonizing death, because you are angry your friend tried to kill you in an effort to save everyone”

That’s not even including the 10 other things on my list that are definitely also evil, but I cannot take people seriously if they put these two things on some sort of a moral equivalence. Undyne is in the right. 1 person for everyone is a worthy sacrifice. If anything Undyne’s only flaw is waiting so long to do it.

4. (Unrelated to the Core incident) Sans is actually morally grey, he doesn’t eat humans like everyone else which is a complex character motivation

You’re right, Sans doesn’t eat humans. Instead he finds enjoyment in torturing them brutally, a much worse thing than eating to stay alive.

His fight with hunger is also entirely self-made. Both because it’s not morally wrong to eat another living being to survive (and it’s not cannibalism to eat a human as a monster) and because he is the reason this is still happening 7 years later. It is literally his fault he is hungry. There is no interesting moral conundrum here, he does not care about hurting people. He is just out of his mind.

In conclusion, Horrortale Sans is a deeply selfish and uncaring person. Whatever minor good deeds he does throughout the comic are so immensely overshadowed by his absolute depravity that they might as well not exist. He is the reason every single monster in that underground continues to suffer, including himself, and while in his mind maybe there’s some weird justification, no outsider observer should look at these actions and think, yeah, that was reasonable. Much less think Undyne or Alphys are somehow WORSE. He destroys the Core because he didn’t die after everyone is saved, solely to be vindictive. He does not gain anything by doing this. He doesn't even take back the eye he lost which is still in the broken core! He lobotomizes Alphys because he’s mad he looks like a freak. He murders people who wants him to help everyone stay alive. He maims and tortures children and no amount of not eating them afterwards makes that any less morally apprehensible.

None of this is meant to say you can’t like him as a character. It is just to explain why characterizing him as a poor lil guy who did nothing wrong, is a little… wrong.

i believe this is an extensive look into why Horrortale Sans is evil.

Thank you for reading :)

[leavemebetosleep]

do you have any good fluttercord fic recs?

OH BOY DO I. In no particular order (except of when I thought of them):

1: Non-Entity by Captain Wuzz: An AU in which, instead of being turned to stone, Discord was shot in the head with a magic arrow that takes away his sentience and magic for a 1,000 years. Fluttershy mistakes him for a wounded animal and brings him home. I loved it so much.

2: Chaotic Neutral by C-Puff: The magic is starting to fade from Equestria, and the Main 6 and Discord go on an adventure to find out why, and reverse it. A bit of AU, in the sense it was written before the show was done, so it diverts in some places because of that. Super sweet, and I love the character development here.

3: Time is Taller than Space is Wide by Dott. Can also be read on Ao3 if you prefer. Soulmate AU (?) fic with a Groundhog Day style twist. I rarely see fics play with the idea of what if Fluttershy and Discord's friendship had started when they first met, so this is fun.

4 & 5: Blank and it's sequel Reconnection by @geekcat. Can also be read on fanfic.net. AU in which, before Discord can choose friendship over ruling Equestria, Twilight remembers a "reformation" spell. He is stripped of his free will, and Fluttershy does her best to bring him back. If you don't like the idea of Twilight being a villain, you might not like this one, but I think her villain arc in this is done in a perfect way for her character. It's super heart wrenching in many places, but in a good way.

6: Our Fair Lady of the Chaos Lord, also by GeekCat Can also be read on fanfic.net. Fairy tale inspired AU in which Fluttershy is a princess who's father is pressuring her to marry noble knight Sir Big Mac. Wanting to be sure he's a good person, she makes a deal with the Chaos Lord, letting herself be "kidnapped" so she can test his character. You can guess who she falls for instead. Honestly I've enjoyed all of GeekCat's fics, so they're getting an extra mention. Check out the rest of their fluttercord fics if you like any of these.

7: The Draconequus with the Dragon Tattoo by A M Shark This is a major case of, strange premise, kick ass results. Basically an AU based off Girl with the Dragon Tattoo by Steig Larsson, with Discord as Lisbeth, and Fluttershy as an amalgamation of Mikael and several other characters, but focusing more on the murder mystery aspect of that book, and less on the...everything else. If you're familiar with GwtDT, don't worry, there's no rape scenes. Again, it's more about the murder mystery part. If you're not familiar with GwtDT, then don't worry again, because you don't need to know the original to enjoy it. It's just Discord and Fluttershy playing detective and solving a murder together. It has two sequels, but I haven't read them yet, and it didn't feel right to rec something I haven't read.

8: The Corpse Bride by Bad Horse. Dark fic. No relation to the Burton movie. Fluttershy dies in a tragic accident, and Discord brings her back from the dead as his zombie wife. Her friends (sans Pinkie) are horrified. Has a fantastic twist ending. If you like some of the darker stuff, def worth a read.

Bonus: Comic rec: The Last Adventure by Eveeka. Taking place after the final defeat of Tirek, Cozy, and Chrysalis, Discord gets into a depressive funk after shouldering the hatred from Ponyville citizens for his latest actions, but also because his friends seem to never be available anymore. He starts to think maybe Equestria would be better off without him, as he can't seem to exist with out making everyone miserable, and decides to hide away in the Everfree forest. Fluttershy, worried when he doesn't show up for tea, asks her friends for help, only to discover there's a monster running lose there he and the rest of Equestria might be in danger from. This fic has two endings, so keep reading even when it seems like it's over. You've got one more ending left. This one nearly made me cry.

[halogalopaghost]

Okay so. I just saw someone had straight up posted all 8 pages of the ROTTMNT 40th anniversary comic and like...yo ho and all that, pirating is good and fine...but this is not the time. I have two points:

1: if you want more ROTTMNT, Nickelodeon only measures ONE FUCKING METRIC and it's MONEY. Reading the comic on tumblr, raving about it or trending the tag or engaging with the creators on twitter, none of that matters to them. They don't go on tumblr, engagement isn't actionable and more importantly it means jack diddly squat to board members and investors, who are the REAL target audience of literally everything. If you want more ROTTMNT, you HAVE to buy the fucking comic with your actual money

2: the publishing industry, both of comics and books, works a whole lot differently than the movie and TV industry. Pirating comics and books

a: directly takes money from the hands of artists and authors in the form of royalties,

b: lowers chances of landing on bestsellers lists, and

c: means you are less likely to see more of it because the industry measures success in money!!!!

That goes for all of you who want to see the 2003 series get the Saturday Morning Adventures treatment. You have to show up with cash in hand.

In summary: if you want to pirate the comics because you can't afford it or whatever, that's okay. I'm not making moral judgements here. But you should do it quietly, and wait a few weeks at least. I cannot even imagine being the artist who worked for weeks on that comic to see it on tumblr in full the day of release, that's just fucking awful. Be respectful and remember that if you want more of something, you DO have to pay for it.

[longwuzhere]

My Adventures with Superman Season 2 Easter Eggs

Welcome to another week of My Adventures with Superman! My hunch about the what happened last week was true and things are not going too well for the gang...

My Easter eggs lists for season 1 is here if you haven't seen it!

My season 2 episode 1 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 2 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 3 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references in My Adventures with Superman comic issue 1 post is here

My season 2 episode 4 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 6 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 7 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references for My Adventures with Superman comic issue 2 post is here

My season 2 episode 8 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 9 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 10 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references for My Adventures with Superman comic issue 3 post is here

Spoilers if you haven't seen the episode

To start things off we meet Kara on Earth! I talked more about her here. Shes's dressed similarly to Android 18 when she, 17, and 16 drive to Goku's house in episode 147 of Dragon Ball Z. While watching the episode I was wondering why does Kara's hair look so familiar? Then it hit me. Kara's got Sakuya Kumashiro's hair from Tenchi in Tokyo!

Shout out to recent DC characters enjoy ice cream for the first time like Wonder Woman in the live action movie and Justice League animated movie, and the new DC Super Hero Girls cartoon. As a mint chocolate chip ice cream fan, good first choice of ice cream to enjoy!

Perry puts Clark and Lois on a new beat for the Metropolis "Most Eligible Single" contest because Superman was chosen to be one of the five up for that title. Cat Grant self-invites herself to join the duo to figure out who Superman is through his love life. Lois is sweating bullets at this point. At the contest we meet the potential people for winning the title, Hank Henshaw, Chandi Gupta, Byrna Brilyant, and Silver St. Cloud. I talked more about Hank Henshaw here. We see a darker more bigoted side to him this time around. Will we see him get his cyborg body and become Cyborg Superman in this season or season 3? Who knows. Season 3 is confirmed though.

Dr. Byrna Brilyant is a very deep DC universe cut dating back to 1946, the golden age of comics. Back then Byrna Brilyant was an enemy to Wonder Woman going by the moniker, Blue Snowman.

Byrna in the 1940s makes her first appearance in Sensation Comics #59 (1946) [W: Joye Hummel, P&I: H.G. Peter], where she was a teacher who's father created this compound called blue ice, after his death, she uses it as a way to extort this town after freezing it over for monetary gain.

Byrna makes another appearance in 2010 in Power Girl #7 (2010) [W Justin Gray & Jimmy Palmiotti, P&I: Amanda Conner, C: Paul Mounts, L: John J. Hill] where Dr. Mid-Nite and Power Girl are trying to stop Byrna from committing a robbery but the main bad guy, Vartox shoots a seduction musk rifle at Power Girl but the smell knocks out Dr. Mid-Nite and it works on Byrna, but not Power Girl. This all makes more sense if you read the comic.

Byrna's next appearance post-New 52 was in Superman/Wonder Woman #4 (2014) [W: Charles Soule, P: Paulo Siqueira, I&C: Hi-Fi, L: Carlos M. Mangual] where we see Wonder Woman and Hessia battling the Blue Snowman robots.

Byrna's latest appearance post-DC Rebirth is in DC: Love is a Battlefield #1 (2021) [W: Crystal Fraiser, P&I: Juan Gedeon, C:Ulises Arreola, L: Marshal Dillion, where Byrna is now gender fluid after interrupting a date between Wonder Woman and Steve Trevor. Good on Wonder Woman for letting them go and hoping the realization there is a word for what Byrna was feeling would make them feel much better. So going forward if we meet Byrna again, I'll be referring to them with they/them pronouns, but if its New 52 continuity and before, Byrna will be referred to with she/her pronouns with the continuities to help clarify the pronoun usages.

Chadi Gupta is also another deep cut from the DC universe because she's reference to her comic counterpart from Justice League Europe.

Chandi makes her first appearance in Justice League Europe #47 (1993) [W: Gerard Joes, P: Ron Randall, I: Randy Elliot, C: Gene D'Angelo, L: Willie Schubert] where she's escaping her family and comes across the the JLE and wants to join them. Her energy projection and construct creation powers came in handy for the JLE in issue 50 where she and the rest of the JLE were able to fend off Sonar's attack and that earned her a spot on Justice League Europe as the superhero Maya.

Silver St. Cloud is probably one of the more prominent characters from the DC universe who showed up in MAwS. She got into the pop culture zeitgeist through the Gotham tv show when it aired.

Silver St. Cloud makes her first appearance in Detective Comics #470 (1977) [W: Steven Engleheart, P: Walter Simonson, I: Al Milgrom, C: Jerry Serpe, L: Ben Oda] where she meets Bruce Wayne at a party on his yacht. She eventually becomes one of Bruce Wayne's more prominent love interests and one of the few who were suspecting Bruce to be Batman thanks to his constant disappearing.

She shows up in post-new 52 in the maybe possibly out of cotinuity anthology, Legends of the Dark Knight (2014) digital comics, specifically as a cameo in issue #50, Dr. Quinn's Diagnosis [W: Jim Zub, P&I: Niel Googe, C: Kathryn Layno, L: Saida Temofonte], where Batman is getting psychoanalyzed by Harley Quinn.

If you want to read a comic with a fun appearance of Silver St. Cloud give Batman/Elmer Fudd Special #1 (2017) [W: Tom King, P&I: Lee Weeks, C: Lovern Kindzierski, L: Deron Bennet] a read cuz goddamn is it noir AF and beautifully drawn (a while back DC superheroes crossed over with Looney Tunes characters and its very good. They have also done it with Hanna Barbera characters as well. Give those a read too! They're all fun!)!

The charity that MAwS Silver mentions was first mentioned in Superman #152 (1967) [W: Bill Finger, P&I: Al Plastino] where Superman is accepting a clock medallion for a charity event. In the comics Silver St. Cloud isn't usually working for charities, shes mostly a Gotham socialite.

At the event, the MC (who gives off Funky Flashman vibes imo), asked if anyone has questions and the first to jump on that was George Taylor of the Metropolis Star. I talked about the Metropolis Star here, but for George Taylor...

he actually makes his first appearance here in Action Comics #1 (1938) [W: Jerry Seigel, P&I: Joe Shuster, C: Strauss Engraving Company] where he is the editor-in-chief of the Daily Star.

In the silver age, George Taylor makes his first appearance in Superman #366 (1981) [W: Bob Eozakis, P: Kurt Schaffenberger, I: Frank Chiaramonte, C: Adrienne Roy, L: John Costanza] where he assigns Perry White on the Superboy scoop to see if he's active in Metropolis. In post-Crisis on Infinite continuity, George makes a cameo appearance in Adventures of Superman #451 (1989) [W,P,&I: Jerry Ordway, C: Glenn Whitmoore, L: Albert DeGuzman] where we see George's office door.

In the New 52 continuity, George Taylor makes his first appearance in Action Comics #8 (2012) [W: Grant Morrison, P: Rags Morales, I: Rick Bryant, C: Brad Anderson, L: Pat Brosseau] as editor-in-chief for the Daily Star where in the comic he's proud of Clark and encourages him to take the job at the Daily Planet.

Kara and Jimmy make it into the studio where Lois, Superman, and Cat Grant are and Kara confronts Superman showing off that she's the one in the armor. She is on a two-way radio communications with someone named Primus. Whether that is Brainiac's designation when Kara is on the field or its a different character all together, there is a Primus in the DC universe, not just in the Transformers universe. Btw this isn't Kara's first time siding with an evil faction, she was part of Darkseid's Female Furies in the 2004 Superman/Batman series, specifically in issue #11. You might have also seen it happen in the Superman/Batman: Apocalypse animated movie too.

Primus aka Pren makes his first appearance in Green Lantern #141 (1981) [W: Marv Wolfman, P&I: Joe Stanton, C: Carl Gafford, L: John Costanza] where he is the leader of the alien group, the Omega Men from the Vega star system. They jump Hal when he and Carol Ferris were on vacation thinking Hal is part of the Citadel, an extraterrestrial empire that is conquering the star system the Omega Men are in.

Primus/Pren NuParr makes his New 52 first appearance in Deathstroke #9 (2012), but gets a more prominent role in the Omega Man limited series from 2015 [panel from The Omega Men #1 (2015) W: Tom King, P&I: Barnaby Bagenda, C: Romulo Farjardo Jr., L: Pat Brosseau]. In this continuity, the Citadel is now a corporation that was exploiting Krypton's destruction by by selling stabilized planet cores to other worlds. This comes at a cost where the Vega star system is enslaved by them and those who resisted we killed and the survivors formed the Omega Men.

And with that another episodes Easter eggs and references are done! Come back next week to see what episode 6's Easter eggs and references are! In case you missed it:

My Easter eggs lists for season 1 is here if you haven't seen it!

My season 2 episode 1 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 2 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 3 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references in My Adventures with Superman comic issue 1 post is here

My season 2 episode 4 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 6 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 7 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references for My Adventures with Superman comic issue 2 post is here

My season 2 episode 8 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 9 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 10 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references for My Adventures with Superman comic issue 3 post is here

[grimace-writes]

New Kid in Town *.•.*• No. 2

GN!Reader x Task Force 141 (feat. Alejandro + Roldolfo)

| No.1 | No.2 | No.3 | No.4 | Masterlist |

Summary: The Reader must show the team what they are made of during a sparing session with Ghost.

Word count: 1449

(3rd Person POV | They/Them so anyone can read :) | Early to Mid Twenties) [Unfortunately contains Google translated Spanish...I apologize (˃̣̣̥⌓˂̣̣̥ ) Also the Reader is written to be a badass, they deserve it]

[Enjoy! (๑ º ᗜ &lt;; ๑) ノ♡ ]

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Their 141 and MSF friends were really like their own little found family, who functioned mostly by themselves in their own little corner of the base. There were plenty of other teams that shared the other factions of the base, though it seemed rare to see them as Price and the gang were higher on the food chain. The captain made sure they all participated in training with the recruits or other teams for missions, along with helping the other teams on certain larger missions. Seeing as {Y/N} was still fresh meat themselves, they were exempted from participating in group training until the next week. Price wanted to gauge their skill first hand before releasing them to the populous.

“Thanks for the meal, guys..It was good. I hope whatever I make will be up to par like this..” {Y/N} said standing from their place at the table to grab all the empty dishes.

“I’m sure it’s going to be just fine and you are very welcome.” Rudy says, handing his plate to them with a smile before grabbing the leftovers to pack up.

“Sí, estaba delicioso. Gracias, mi amigos.” (*Yes, it was delicious. Thank you, my friends.*) Alejandro joined in collecting the dishes to help with cleaning.

Price, Gaz, Soap, and Ghost stayed seated as the three went to the kitchen with the mess from the table. {Y/N} rinsed and scrubbed the plates as Ale wiped and put them away, he made sure to explain where each item went. Ghost and Price seemed to be talking about work things as Price’s eyebrows furrowed when {Y/N} glanced at him as they put dishes away. {Y/N} met the Captain's gaze which softened the older man’s expression, “Mind coming over here a sec, {C/N}?”

{Y/N} nodded, excusing themself from their task wiping their hands dry before making their way over to the two superior officers. “Yes?”

“With the day still young, Ol’ Ghost here suggests we start your training early. This will give us the opportunity to get a head start on your training regime, if you are up to it that is. It’d be understandable if you need a full day to get settled, though we’d have to start tomorrow at the latest.” Price paused to finish the remnants of coffee in a mug that read ‘World’s Greatest Boss’ in comical lettering as he let {Y/N} mull over the options. It didn’t take long for their answer, they were eager to get started mixed with the anxiety they felt earlier fed their decision.

“Good choice, hen. You two can discuss the details more at the training halls, for now best go back to your previous task.” Price them a smile, cheekily sliding his empty mug towards {Y/N} causing them to snort as they took the glass.

˚☽˚｡⋆⋆｡ﾟ☁︎｡⋆｡ ﾟ☾ ﾟ｡⋆

{Y/N} sighed, wiping the dampness from their hands on the front of their pants. They went to the restroom before they went to the session, which separated them Soap and Ghost who were walking with them to the training halls. With a quickened pace they made their way through the halls to their destination, Ghost stood alone by the sparring mats in a room filled with various types of gym equipment.

“Thanks for your patience, sir.” They said jogging over to him, “Where did the sergeant go?”

A pair of silent footsteps made their way to the pair, making a direct beeline towards {Y/N}, who had their back to their attacker. The person held out a ‘knife’ going to sneak attack them, though their plan was foiled by {Y/N} slamming their heel into his foot. With swift action they rounded a kick backwards, hitting the person in the stomach sending him to the floor. They held their fists up to shield themselves from anymore onslaught, a deep grimace in their face as they looked to their attacker.

Soap laid on his side groaning, one hand on his stomach, the other holding his foot. Ghost looked dumbfounded as Soap began to laugh, “That's pure class! How did ya dae that?"

"I took self-defense classes during intermediate (middle) school, then Karate and gymnastics as my electives all throughout secondary (high) school," {Y/N} picked up the discarded rubber knife pointing towards Soap and straightened their posture. They earned themselves confused looks (well eyes in Ghost’s case), which made them feel a little self conscious. “What can I say? I was a military brat, raised by two overprotective commanders who wanted to make sure no one could ever hurt me.”

‘Plus my mentor made sure I could survive any circumstance during the summers, but that’s a story for another day.’ They thought to themselves with a shiver of the memories of those days.

“You’re need for private sessions makes more sense, now” The poor beaten up Scottish man said, he was hoisted up by Ghost. Soap groaned when he put pressure on his foot but was fine otherwise (his pride was more damaged than anything). “You really are something else, best to rein in those feral tendencies, huh? Though one of these days, you mind showing me how ya dae that?” Mactavish walked over to {Y/N} to give them a friendly victory shake, which they gladly took with a smile.

“Maybe, suds.” They said jokingly back.

{Y/N}’s actions made the silent lieutenant more intrigued by them, their skills and techniques seems to match the intel in their file. He felt like he was going to have to take their match more seriously now, it broke his cold persona making him chuckle. “{C/N}. You may have been able to defeat an opponent sneaking up on you..” Ghost crossed his arms leaning back into his full height, tilting his head to the side to stare down at them. “..Let’s find out how good you are against an opponent head on.”

{Y/N} placed their hands on their hips, matching the lieutenant’s gaze before making their way onto the actual training mate. They held the rubber knife to Ghost as he walked over, he shook his head in response.

“Nope, you are going to be the attacker for this exercise.”

{Y/N} gave him a confused look for a second, the plan they quickly came up with went out the window. Having the new prompt they quickly formulated a new plan, with Soap it was easier to find his weak spot and exploit them (plus natural instinct for self preservation). Ghost’s masked expressions mixed with the overall difficulty to read his body language, made this a harder challenge.

‘Attacking the lieutenant, this is a life or death moment..Fight like you are gonna die..’ {Y/N} thought as they moved into an offensive position, Ghost grunted in satisfaction as he matched them in defense.

‘My only chance will be to catch him off guard, he’s probably expecting me to run up and attack..Perfect.’ They stepped forward letting their guard down, making their way to the very confused lieutenant. Ghost held his guard as they twirled the knife in their hand quickening their pace. Once they were at arms length the lieutenant went to swing at them, not taking any chances for them to gain any more ground towards him. {Y/N}’s slid their foot back into a slight fencing lunge, narrowly avoiding Ghost’s fist from colliding with their face, they harshly clapped their hands upwards towards Ghost’s face. This abnormal technique caused Ghost to blink briefly, giving them the tiniest advantage they were gambling for.

{Y/N} grabbed his extended arm, which made Ghost tense and held himself grounded, allowing them to swing through the small space between his legs. They let him go as they slid quickly twisting their body, pouncing up to hop on his back and wrapped their legs around his waist. Ghost grunted as Y/N held the knife against his throat, their other arm wrapped under his arm as they rested their head on his shoulder. “I think I handled myself pretty well, Lieutenant. I win..”

A loud whistle followed by group clapping ran through the empty space, Price and Gaz snuck in to join Soap to watch the match. {Y/N} released Ghost as they gently got off him, feeling awkward with the peanut gallery seeing them clinging to the lieutenant. They cleared their throat taking a step away from Ghost, an expression explaining how they felt clear on their face.

“You did good..” Ghost’s voice cut through praise of the others, he wasn’t the type to easily give out compliments. {Y/N}’s chest filled with pride, “Thank you, sir.”

To be continued..

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Author's Note: If you recognize the technique that inspired the Reader’s, you get 5 gold stars ⭐. Thank you so much for reading and I hope you enjoyed the story. Let me know what you thought of it, Love Love~ (o´ ω `o)💕💕

| No.1 | No.2 | No.3 | No.4 | Masterlist |