#but yes: the subject came up

[prismatic-starstuff]

So because I talked earlier about my thoughts on Astarion and the polyamory options the game offers with him, I'm just gonna post the post I had in my drafts idk akxmalxnakxn

Disclaimers: I'm all for polyamory in general and I love the fact there are poly options in the game; and if you disagree with my assessments about the tone and/or intention of the dialogue, that's totally fine! I'm not trying to throw shade at anyone who reads things differently or prefers things a different way than me; I'm just having a little ramble about things as I experienced them. I'm not here to fight, so please don't fight with me.

So, there's... a lot of evidence in the game that Astarion doesn't like being with more than one person, and doesn't like his partner being with more than one person. And my potentially hot take on the matter is... I don't think the poly options with him are a good choice; actually, I think they're really cruel.

If you try for polyamory with Astarion and Shadowheart or Minthara, both of them - in very different ways - point out the fact that, basically, he doesn't feel comfortable or safe with the idea of his partner being with multiple people.

Shadowheart says: 'I think you may be overestimating his willingness to share; he might seem like the carefree hedonist, but there's something fragile beneath the facade. If you can give him the solace that I'm convinced he desperately needs, then it would be cruel for me to try and elbow in - liable to end in tears, or blood, or both.'

And Minthara, being Minthara, isn't so nice about it but effectively says the same thing; she says: 'I suspect that would puncture his fragile ego far more savagely than his fangs puncture your neck. Astarion likes to put on a show of nonchalant decadence, but he is as delicate as a flake of snow. Besides, that arrangement would not suit me either. I am not delicate, but I do not share what I desire.'

During the scenes with Halsin - whether it's at the brothel with the drow twins or it's MC asking Astarion about general polyamory with Halsin - it seems painfully like he's going along with it for MC's sake; both conversations are initiated by MC, his immediate reaction in both scenarios is to ask if they're pursuing this because he's not giving them sex, and only after that discussion does he agree to it. He doesn't express any personal interest in it, so it seems to once again be expressly because MC wants it; in fact, he's acting very much like he did in Act 1 back when he was pretending.

I also saw a clip once of someone who slept with Mizora while in a relationship with ascended Astarion, and he's dripping bitterness all the way through the conversation about it. I don't have the exact dialogue on hand right now, but he speaks as though he's jealous because he wanted to be with Mizora too, but— honestly? That whole part felt like a cover. Because with the way he tells MC to at least bring him along if they decide to have other affairs in future, and the way he sounds so mocking and delighted if MC says that the affair was bad in any way, it just feels like he vehemently dislikes the fact it happened at all; it feels like it's not about Mizora at all, it's about the fact he doesn't like them being with somebody else, especially without him.

Still on the subject of ascended Astarion, there's also a line of dialogue where Minthara asks about sharing immortality with her and he pointedly shoots that down, stating that it is 'for me and my darling to share.' In response, Minthara says: 'If they have prevented your eyes and fangs from wandering to other necks, it must be a special bond indeed.' All of this points to Astarion only having eyes (and, uh, fangs) for his darling, and no-one else.

Again, I'm all for polyamory; I wholeheartedly support it, I know polyamorous people and have polyamorous friends. I really love how it's just a normal and accepted thing in BG3 that no-one bats an eyelid at, and I think more games should be taking that approach.

But when it comes to Astarion in specific... he doesn't come across as polyamorous at all, because there's simply too much evidence pointing to the fact that he's not; and so, the polyamory options with him in specific honestly... hurt. Because at no point does he ever seem enthusiastic about it, as if it's genuinely what he wants to do; instead, it all just feels like another extension of him having to go along with what others want in order to satisfy them. There's a piece of dialogue where Astarion mentions how he sometimes does not know how to say no as a result of the trauma and abuse he's gone through, and I think that's exactly what's happening.

And considering that's been his whole life for two centuries, and it's being perpetuated by the person he's developed feelings for suddenly springing these situations on him, it just... doesn't feel good to me, personally.

[marzipanandminutiae]

Annoyed when 1920s stuff gets called Victorian, because the public is already confused enough about the boundaries of that particular era and they were WILDLY different

Deeply amused when 1920s stuff gets called Victorian because I know it would piss them off severely

[cookinguptales]

oh NO I forgot to bring my copy of a book that I'm currently using to research my next fic and I wanted to read it on the plane

shockingly, my library's overdrive does not contain a book about italian agrarian cults (lmao) so now I'm like... do I spend the $12 to buy the ebook...

[lyfrassiredda]

introducing the unwilling captain of the Dynamos, former Inspector Second Class Lyfrassir Edda! 

The AU where lyfrassir tries to hunt the prison mechs down with their shiny new eldritch powers (and a gun) for ditching them while their system was vored by a crusty imperialist’s eldritch sugar mommy.

Unfortunately, they’re not the only survivor of a Near Mechs Encounter interested in finding the crew of the starship Aurora— not by a long shot.

[victorluvsalice]

AU Thursday: Valicer Severance AU Time, Part II!

Welcome back -- I hope you're all rested and refreshed! Let's dive right into the second half of my Valicer Severance AU --

-->Eventually, after the Innies have all been there about a year, Victor decides that Smiler would be a much better Team Lead than him and politely asks Miss Glados about surrendering the position. Miss Glados has him submit a formal request to his Outie -- but the person who actually sees the request is Nell. Who is so annoyed by Innie!Victor daring to try and "demote" himself that she sends back a video blasting him and informing him that he is not a person and that he'll do what he's told until such time that they shut him off. Victor is very upset by this, as you might imagine --

So upset, in fact, that when he goes to leave for the day, he actually considers hanging himself in the elevator just to go out on his own terms (and stick it to both his Outie and the horrible woman supposedly speaking on his behalf). He gets as far as bringing a trash can into the elevator with him to use as a stool -- but before he can go any further, he spots a trio of blank Post-It notes Smiler stuck up on the wall earlier just to be silly in blue, yellow, and red. He takes them down, looks at them a moment -- and then bursts out crying as he realizes that he can't strand the people he loves on the severed floor without him --

-->And then he switches, and Outie!Victor is like "...why am I holding blank Post-It notes? Why is there a trash can in here with me?? Wait, was I crying???" He gets so distracted by this last question that he absently shoves the Post-Its in his pocket when he leaves...

-->Cue Caroline wondering if those Post-Its were some sort of attempt by the Innies at communicating with the outside world and heading to the Van Dort mansion to question Outie!Victor about them. He is like "they're just Post-It notes, I don't know why they were in there," so Caroline activates something called the "overtime contingency" --

And Innie!Victor suddenly finds himself in a strange new place (the study his Outie was practicing piano in) with "Miss Glados." He is naturally quite startled. XD Miss Glados grills him about the Post-Its as well, and he truthfully tells her that they weren't a secret message, just Smiler having some fun, and that they helped convince him that he didn't want to quit. He then realizes "wait a minute, am I at home?!" --

And Caroline quickly cuts off the overtime contingency, thanks Outie!Victor for his time, and flounces off. Outie!Victor is very confused by the whole thing, especially the realization that they can activate his Innie outside the severed floor --

-->And Innie!Victor is utterly rocked by that same revelation. He drags Alice, Smiler, and Wheatley into the storage closet the next day to tell them about what happened (and to apologize for being a mood the previous day and for possibly getting Smiler in trouble by telling Miss Glados where the Post-It notes came from). They are just as shocked as he is that there is technically a way for the Innies to go outside, but aren't sure how to use it to their advantage. Wheatley says he'll see what he can do later, and they go to work, a little wound up and wondering what's going to happen now --

-->And then Miss Glados sends them all home a half-hour early, as Aperture is hosting a gala this evening that she needs to prepare for (and that their Outies need to prepare for, as it's to celebrate a year of severed work and they're all going to be in attendance, but she doesn't mention that bit). After they're gone, Wheatley asks if he can attend the party, because after all he is a supervisor --

And Miss Glados not only tells him no, she rudely mocks him for being the stupidest core she's ever met, saying that his purpose should have been "intelligence dampening" and that his supervisor position means nothing. And then twists the knife by saying she plans to eat a whole PLATE of waffles at the party. A furious Wheatley says he doesn't care, he'll be doing Important Supervisor Things while he's down here -- like organizing the Post-It notes! Counting the pencils! Making sure the computers are all turned off --

And, the minute she rolls her eyes and leaves -- "Figuring out that overtime contingency!" [zooms off]

-->Cut to the gala, where the Outie versions of the trio are not exactly enjoying themselves -- Alice is stuck between two armed guards, watching her for escape attempts; Smiler is stuck with Miles Cedars, watching them for escape attempts; and Victor is stuck with his parents, who inform him that he's expected to give a speech on how awesome severance is to everyone. Victor, who is NOT a public speaker, flees to the bathroom to try and calm himself down, pausing just long enough to ask their driver, Mayhew, if he can get his sketchbook for him so he can look at the pictures to see if that will help --

-->And then. While Victor's splashing his face with cold water, Alice is wondering when she gets to go back to her nice quiet prison cell, and Smiler is debating whether they try to let anyone know what's going on with them (and coming to the conclusion no one at APERTURE would care, especially not with Dr. Kelman in the room with them), Wheatley manages to access the computer that controls the overtime contingency, "hacks" a few options that he doesn't need, then declares "Enjoy your vacation!" as he activates the OC -- and suddenly the INNIES are the ones at the party

-->Innie!Victor, naturally, is like "...why is my face wet?" He quickly realizes what's happening, though, and goes exploring -- only to nearly bolt in a panic when he discovers the incredibly busy party outside the bathroom door. Mayhew catches him first though, and hands over his sketchbook, and Innie!Victor is unable to resist the urge to look through his Outie self's artwork. Most of it is sketches of butterflies, along with a couple of sketches of Victoria and Emily (the last one unfinished :( ) -- but near the end, Victor finds a sketch of a meadow -- stretching out from behind a very familiar vending machine surrounded by pieces of paper ("!!! You do remember some things from being me!"). Unfortunately, his journey through his sketchbook is then cut short by him meeting William and Nell --

And realizing "that asshole on the label of the tuna fish sandwiches" and "that bitch who told me I wasn't a person" are his parents. He is not pleased by this, as you might guess -- and even less pleased to learn that William is planning on introducing severance for his own employees at his flagship fish canning plant. He's also "reminded" of his upcoming speech -- but before he can do anything about that, he spots a slideshow being set up with biographies for everyone to read on himself, Alice, and Smiler. He goes to read the information being projected on the big screen (saying "it'll probably help me with my speech") and learns his own tragic backstory first -- and then the slide flips to Alice and reveals that she's in prison for murder --

-->Cut to Innie!Alice, being like "I -- I was joking?! About that?!" Fortunately her guards are used to her acting weird, and take her shock over this (and her general sudden "holy shit this is a lot of people") in stride. Innie!Alice doesn't think her day can get any more bizarre after that --

-->And then the slide flips to Smiler, and cut to Innie!Smiler mentally going "KELMAN'S MY FATHER?!" They read the slide in stunned horror, unable to believe that they would willingly sign up for this --

And then reassess their situation -- namely, this weird nervously-smiling guy keeping a VERY close eye on them and telling them things like, "Just go ahead and ask for the haircut; Kelman will loosen the leash a little then, I promise!" and realizes that maybe their Outie didn't sign up willingly for this. D: They're not sure exactly what they can do about it, though --

-->And then Victor is called upon to make his speech. And after some badgering from Nell about how he has to make a good impression and how she won't tolerate him making an utter fool out of himself again, he strides up to the podium (still carrying his sketchbook in its shoulder bag that Mayhew also brought), calls his fellow severed employees up to the stage (who are allowed to go up, because they wouldn't cause a scene up THERE, would they?) --

And proceeds to tell the entire crowd that being a severed employee is HELL. Smiler and Alice are absolutely delighted to discover that they're all in Innie form and back him up as he talks about how horrific it is to be stuck at work constantly and how they're psychologically tortured and all of that. Nell attempts to get Victor to shut up, but he turns on her, calling her a bitch and letting her know that he is a person, damn it, causing her to realize that it's the Innie version of Victor that's currently in control --

-->And causing Caroline to realize that too and make a guess at what's happened. She tells the security team to get things under control as she sprints to the severed floor to shut down the overtime contingency --

-->But the Innies are not going down without a fight. Literally -- Alice nails one security guard in the crotch as he tries to take them down, and when Kelman comes for Smiler, they punch him and tell him, "You may have taken everything else from me, but you didn't get my fucking pronouns!" The guards eventually resort to activating the turrets in the ceiling (because of course this version of Aperture has that), and the Innie trio flees before they can be shot. There's a brief scramble through the halls as they search desperately for an exit (very annoyed to discover that they're still in the Aperture building as they do) --

-->And then they come across their elevator, guarded by Rick, and realize that Wheatley's still downstairs -- and they can't just leave him there. So they get Rick's security keycard off him, and Alice uses it to activate the elevator so they can get down and grab their friend (snapping it off inside the reader to buy themselves more time). However, as they head down, Smiler has a thought -- "Wait a minute -- the elevator is what turns our chips on and off normally, right? So what happens when we're already activa--"

-->Aaaand cue the elevator sensors overriding the overtime contingency, and the Outie versions of Victor, Alice, and Smiler suddenly finding themselves crammed into an elevator together. As you might imagine, they are very confused. XD Victor, due to his experience with the overtime contingency the previous night, is the first one to realize that the Innies might have been activated at the party, which deeply annoys Alice and Smiler -- mostly because they believe their Innies are cheery corporate drones who live to work. They all assume that the Innies just tried to go back to the office when they were activated, and realize that this is a great opportunity for them to actually see where they work...

-->And cue the Outies discovering the severed floor and all its weirdness! After being confused by their office ("why is it so big if all the cubicles are in the middle of the floor?") and what it is they do for a living (Smiler: "...we sort numbers based on vibes?" Alice: "Maybe they told us the work was mysterious and important."), they check out the kitchenette --

And cue Victor seeing the vending machine and being "!!!" He shows Alice and Smiler the picture he drew of it and the meadow, and says that he just thought his art was getting more surreal as a weird side effect of the chip, flipping to the next page to show them another example --

Cue Alice going "Cheshire?!" as she sees his rendition of her version of the Cheshire Cat (which, naturally, Innie!Alice told Innie!Victor about). And then the next page is Victor's take on Smiler's swirly-eyed smiley face, which he says just -- makes him feel better when he looks at it for unknown reasons. Smiler goes "I guess we're friends down here?" which both Alice and Victor admit they did not expect --

-->And then they hear a noise, and realize that if they're caught down here, they might be in trouble. They quickly try to find somewhere to hide, and after an abortive attempt to go into the Break Room (which ends with all of them frozen in nameless terror outside it -- and holding hands, which really throws them), they find their way into the surprisingly-empty security office. After noting that it looks like Aperture likes to just make people THINK they're being watched constantly, they start poking around out of curiosity --

And find various "incident" videos. Specifically, Innie!Alice trying to break out with the fire extinguisher; Innie!Victor threatening his fingers with the paper cutter (and revealing in the process he has no idea what his own last name is); and Innie!Smiler ripping the cubicle wall. Cue the trio realizing in horror that their Innies aren't drones, they're prisoners (with Victor in particular being extra horrified because he's the one who had the most choice in the matter about doing this to himself). It's generally agreed that they cannot keep working here, but they also don't know what to do about their Innies --

-->And then Rick the security core finds them and zooms off to sound the alarm. Smiler hastily downloads a bunch of videos onto a USB stick (as proof the Innies are being tortured), and they start looking for a way out, which brings them into the Johnson Memorial Wing. (Alice: [upon seeing the giant head] Are we in a cult?? Smiler: I'm not ruling out the possibility.) They start looking around, trying to find at least a spot to hide --

-->And then a glowing green rectangular portal appears on a nearby wall -- and out pops one Chell! Who is as surprised to see them as they are to see her, frankly. Before either side can figure out what's going on, though, someone comes stomping into the wing -- Caroline, carrying Wheatley and making various threats against his person while he needles her right back with lame insults. She is naturally very surprised to see the trio there, and starts talking to them like they're the Innies --

And then Victor calls her "Ms. McLain??" and she realizes the OUTIES are in control and have probably seen too much. And holy shit, is that CHELL?! Wheatley is like "you know this weird lady?" which makes Chell realize that he's forgotten her --

-->And inspires Caroline to try mind-wiping the trio and Chell, because that IS one of the options built into the programming of the severance chip. There is a moment of horror as she tells the computer systems to activate the "Clean Slate" feature of the chips --

And then the announcer cheerfully informs her that her request cannot be completed because everything is filled with garbage code. Wheatley crows that he "hacked it all" and follows up with "how do you like them waffles?!" Causing Caroline to get so mad --

-->She attempts to smash him on the floor. Which, as you might imagine, infuriates Chell. She scoops up her friend (now babbling with a cracked optic) and books it through the green portal nearby, indicating for the Outie trio to follow her --

And it's at this point you may be going, "what do you mean, green portal? The portals in the Portal series are orange and blue, at least in the single-player campaign." And that's true -- but Chell's not using her own portal gun; she had to leave that behind during her escape (threw it at a pursuer, in fact). Instead, Chell is using the portal gun from the one Portal fangame I've played -- Portal Reloaded. Which has a three-portal device, including a green portal --

That sends you through time. Twenty years ahead, specifically. Chell thus leads everyone into a wrecked version of the Memorial Wing that happens to have a hole open to the sky in its ceiling, with a good view of the moon. And when Caroline attempts to grab Wheatley away from Chell, going on about how she's going to make sure that she's put back on the testing track no matter what, Chell shoots one orange portal at the ground --

-->And one blue portal at the Moon. Cue a portal opening up into fucking space, and the Outie trio having to hold on for dear life as everything starts getting sucked through -- including Caroline, still hanging onto Wheatley (who, naturally, is pretty terrified). She begs Chell to pull her back through --

And Chell answers her pleas with a boot to the face. Cue Caroline sailing off into low moon orbit, and Chell dragging Wheatley back through before closing the Moon portal. Everyone is naturally a little, uh, stunned by all this --

-->But there's no time to sit and process, as the alarms are starting to go off in the present Aperture facility through the time portal! Chell quickly uses some regular portals to climb the sides of the walls, then provide a path up top for the Outies, where they find a random portal-able wall section just -- lying on the ground. Chell uses a time portal on this to bring everyone back to the present --

-->Where they find the wall chunk being watched over by a mystery woman with curly brown hair, who is like "Chell, what happened -- wait, is that Victor Van Dort, Alice Liddell, AND Mamaduke Kelman?!" Before any explanations can start, though, a short teenage boy in a leather jacket and fedora comes tearing around the corner, chased by a bunch of Aperture security guards --

-->And cue chase sequence #2, as the Outies find themselves running with these weirdos in a desperate attempt not to be recaptured and maybe have their memories wiped. An attempt that is briefly put off-track by Wheatley, recovering from his shock/smashing and actually getting kind of excited about being able to talk to the "other" versions of his friends/employees, doing this:

Wheatley: It's so cool to be able to meet you! We always wondered what you were like! Hey, do you guys like yellow, red, and blue too? Do you not trust pudding either? Alice: I don't think this is the correct time to be having this conversation-- Wheatley: Do you guys kiss as much up here as you do downstairs? Alice: [spins around so fast she falls over and lands on her butt] Smiler: [also whirls around, just barely managing to keep their feet] Victor: [whips his head around in shock and promptly runs headlong into a tree]

Yeah, uh, that's a surprise to the Outies. XD But again, no time to process, as not long after that a big white van pulls up and the back pops open, with a man with a shock of white hair and a redheaded woman with a ponytail urging them to "get in!" The woman, teen, and Chell all clamber in immediately, but the Outies pause for a moment, considering the fact that they'll be getting into a weird van with complete strangers --

And then considering the fact that their other option is continuing to work for Aperture and either knowing their Innies are in trouble or having their brains wiped and getting into the van. XD One security guard (Human Rick, in fact) manages to catch up to them as they're getting in, but Alice slugs him and announces "We QUIT" before slamming the back doors and telling the driver to hit the gas.

-->And so the great escape from Aperture is a success! The Outie trio take a moment to catch their breaths (and find themselves holding hands again, which -- makes slightly more sense in light of the "kissing" thing Wheatley mentioned), and the residents of the van introduce themselves -- in addition to Chell, we have Clara Clayton (the woman from before), her husband Dr. Emmett "Doc" Brown (the guy with the white hair), his assistant/best friend Marty McFly (the teenager in the jacket), his girlfriend Jennifer Parker (in the driver's seat), and Ellen "El" Brinkman, former Aperture Test Subject 4509 (the redhead). Their whole deal is that they're an Anti-Aperture group, with Doc being a former scientist working for them (in fact, he helped create the three-portal device's Time Portal tech) until he discovered just how unethical they were and left. He's teamed up with his old colleague and fellow escapee Doug Rattmann to help take the company down. Chell found them while trying to figure out how to deactivate her severance chip, and they were at the party for two reasons: one, to help Chell rescue Wheatley; and two, to see if they could somehow get Alice away from the police and convince her to let them take her and work on reintegrating her (figuring she'd be the safest one to take and the easiest one to convince, given she's in JAIL and all). Alice is like "well, now you have all three of us, and I think we're all agreed that we don't want to be severed anymore" (Victor and Smiler: [LOTS of nodding]). Marty also recorded Victor's speech and shares it with them when requested -- Victor is horrified that his Innie self called his mother a bitch, while Smiler is thrilled their Innie self punched Kelman. XD

-->With that sorted, Clara and El take Wheatley to go through his internal systems and wipe anything that Aperture can use to track him, while Doc explains to the Outie trio that they'll be doing a similar procedure with their severance chips -- but, since they only expected to have ONE severed employee, they will have to do it one at a time. The Outie trio discuss what they'd like to ask each Innie self as the machine is set up --

And then El finds a video file marked "First Date" in Wheatley's systems and asks "the fuck?" -- and it's revealed that, rather than just deleting the footage of the "picnic," Wheatley saved a copy because "come on, it's cute!" He shares it with them at their request, and the Outie trio find themselves weirdly touched by the whole thing (even as they find it hard to parse kissing these strangers next to them). El ALSO finds some files in Wheatley's memory banks that weren't properly deleted, just hidden, and restores them at Wheatley's go-ahead -- and it turns out that they're his memories of Chell! He is absolutely thrilled that she came back for him, and they have a lovely reunion. :) Made a little more amusing by Chell showing off that she's partially-reintegrated and able to switch between her Innie and Outie at will, moving to Outie mode so she can verbally apologize for not catching him and causing Wheatley to go "?!" over the fact she actually CAN talk. XD

-->And then it's time for all of the Valicer Innies to get activated individually! Victor goes first ("team lead and all"), then Alice, then Smiler. The Innies are naturally very confused as to what's happening, and also rather suspicious of the other two's Outie selves, as they only know that their own Outie situations are bullshit. Fortunately all the Outies are able to convince all the Innies that they're allies, and promise them once they're in a safer place, off the road, they'll make sure that they're all activated together so they can be sure they're all safe.

-->And indeed, after the van awakenings, the next time the Innies are activated, they all wake up together in a hotel room where they're staying with the Anti-Aperture group. They have a big hug-and-kiss session, then remeet Marty and the others -- Marty assures them they're safe, then shows them a video the Outies recorded, where they apologize again for not realizing the situation the Innies are in, and insist they want to make things right, saying that they're willing to give the Innies at least the eight hours a day they would have gotten normally at work while they work on the reintegration thing and asking them what they want to do now that they're out. The Innies are mainly like "we want to know what a shower is like" and "I want to eat anything that's not a tuna fish sandwich" --

And then, partway through, Wheatley asks why there's cloth on the walls, and Chell says they're curtains -- leading the Innies to realize holy fuck, they're in an above-ground room with actual windows. And, even more importantly, a door. They ask if they can go outside, and the others say yeah, with Marty warning them "it's just a parking lot, nothing special." The trio don't care and head out --

And cue them all crying as they see the night sky for the first time and realize that they are indeed out. :)

-->And THAT is where the AU currently peters off a bit -- which I'm sure you're all thrilled by, because holy hell I don't think it's ever taken me this long to sum up an AU. XD But I do have a few ideas of where it goes from there, namely --

A) The Outies give the Innies a "sleepover" of sorts while on the road -- basically a pizza party (with all their favorite pizzas) followed by being allowed to sleep for the first time. The latter experience is somewhat marred by the Innies having nightmares, but gets better once they all curl up together in the same bed

B) Relatedly, once they get to Doug's isolated cabin, the Innies get a proper picnic in the woods nearby, to their delight

C) There's a scene where Smiler and Alice are playing ping-pong at the cabin, bantering over Alice kicking Smiler's ass while Victor watches, amused; Marty shows up and goes, "Hey, I didn't know you guys were awake yet, I thought we were switching you over later" --

Cue puzzled staring, and Marty realizing, "You're still the OUTIES, uh, I have something to do over here." XD Alice immediately goes "probably says a lot about us that seeing us happy makes people think we're the Innies, huh."

D) Of course the Outies also get together in the end -- once they've actually gotten to know each other and recover some from their various traumas, of course. But there's a moment during their time in the cabin where Outie!Alice goes "you know what, my Innie has the right idea" and locks lips with a surprised Victor, who then kisses Smiler, and -- yeah, eventually a video revealing they're together too now is recorded for the Innies, who are thrilled for their Outies (and glad that they can stop feeling awkward about the fact that THEY'RE in a relationship when their Outies were not, despite the Outies saying "it's fine, you can keep kissing, just -- no sex, okay? That has the potential for more permanent consequences")

E) The Outie trio eventually decides that they don't want to pursue full reintegration because, well, they've gotten to know their Innies through video messages back and forth (and probably at least a few instances of only one or two Innies being awake at a time), and at this point, trying to become one singular personality again feels a bit like killing the Innies. They instead settle, like Chell, for getting to the stage where they can switch at will (without needing outside help), have at least some access to both sets of memories, and whoever isn't running the body retains some awareness of what's happening

F) I feel like going back to Aperture and reawakening the original GLaDOS has to happen at some point, in an attempt to maybe get her help in making sure the place gets shut down permanently and getting out any remaining severed employees. GLaDOS is a lot more keen on just gassing the place, but while trying to convince her not to do that (and not kill them as well), Wheatley, trying to hack something, accidentally sets off the self-destruct for the facility. And GLaDOS is like "you know what, that works for me -- I'll mess with the timer to make sure I have enough time to upload myself to a separate location, and you've got however long that takes to get anyone you want out, out." So there's a mad scramble to rescue any remaining severed employees, and at the end, once they're all out, the building just goes BLOOIE -- explaining why it's an abandoned wreck twenty years in the future!

And THAT is, finally, that. *whew* Thanks for sticking with me through all of that! I genuinely had no idea that putting all my ideas together regarding this AU would lead to such long posts. Hopefully you found them enjoyable, at least! Feel free to ask me questions because even after all this, I still had to cut stuff and would NOT mind talking about it!

[heybaetae]

i am Not doing well folks

[tespianmage]

Heyo, you also a member of the “I believe in Xavier having a dog supremacy” club? If so, what breed do you think Xavier has?

Okay so I do an AU for fun with some friends around Solitude, and I went to them for feedback since we agree Xavier would have a dog, and the final verdict was that he would have two dogs: a doberman and a xoloitzcuintli

Doberman are excellent guard dogs, very protective and extremely intelligent. I mean really, would you wanna mess with a guy that has one of these around? I wouldn't

Xolos are an old breed from Mexico that were said to guide the dead in the afterlife (which is fitting for a place that would have a lot of dead people thanks to the colosseum games). They're also very protective, loyal, make great watchdogs, and also good companions and goofballs around those they trust (sounds familiar, doesn't it?). Ever seen the movie Coco? That dog is one of those. Also since they're typically hairless, they need sweaters and such when cold. Look at this little guy!!

[carebooks]

where is my lockwood & co. crossover with bridgerton in which lockwood & co. somehow time travel to the regency period and now have to deal with the time era’s bullshit whilst also figure out how The Problem is a thing in the early 1800’s when it hadn’t even existed… this is exactly what george wants to investigate. they get dragged to a time where The Problem was active and yet it has never been documented. meanwhile, locklyle were just getting their footing and being semi-more-flirty each other and now they can’t interact in private without a goddamn chaperone. do you think that stops either one of them— fuck no. but it creates so many fun situations. and in total, the trio goes out nightly more or less every time there’s ghost activity.

[yaksha-garden]

@riiese | continued from x

"I don't know too much about giantology or whatever it'd be called, but if you asked me to hypothesize, wouldn't giant-sized tastebuds mean you can enjoy tea just as much, if not more?"

Eden had already placed the leaves in the pot, and the water was already boiling as they poked the coals under it and mused aloud, "After all, tastebuds even at the human-sized scale are quite sensitive, even to tiny droplets..."

There would be logistical issues to getting the tea to the giant, sure, but to be quite frank it would solve another logistical issue of theirs -- which was that they were definitely about to make too much tea.

They stopped poking the fire, glanced at the pot, and then up (and up, and up...) to their giant guest. "You could probably take the entire pot once I've poured my cup, if that'd be easier."

[navree]

people talk about pumped up kicks as the premiere "school shooting song that is really catchy" but they're fools because i don't like mondays by the boomtown rats is right there and has been for nearly fifty years.

[seaglassdinosaur]

I find it low-key funny that we get individual episodes that explore Joe and Sam’s ethnic, cultural, and familial heritage, and then Fred is just over there. With his hecking. Baseball cap.

[todayisafridaynight]

Oh yeah also to be exact for stream purposes, average playtime from all 60 reviews is 10-12 hours, but total range is 8-15, double for a 100% playthrough. You do have to progress in the side content to progress in the main story (complete x missions/get x points/get to x rank type of deal), and you'll probably want to progress in the side content to level up since it's money-based and that's the fastest way to make money. I'm pretty sure the variance comes from getting sucked into the side content (probably not likely for your playstyle) or having trouble with the bosses at a lower level (they're apparently pretty hard this time).

It also looks like the Infinite Wealth demo is split into two (an adventure mode with the extra cutscenes and another one that's basically the demo we've seen around). Adventure mode Allegedly doesn't have proper saves at the time of writing (this was an annoyance for one reviewer so I assume it's long enough to warrant that), so it's worth taking that into account too. Anyway that's about it lol don't quote me on any of this because my brain just shut off after a certain point <3

OK BET TYSM CHAMP YOURE A LIFESAVER soooooo doing Quick Maths in my brain i might divide the stream up in two if i start playing at 4:30PM and i plan to marathon it.

ill take a break 3:45 - 5:45 saturday morning since that's a part of my regular routine and ill feel weird if i dip on it. I Dont Need Sleep but god forbid i skip out on all That apparently. plus it's a good break period to get exercise in and move around LMAO

going from 4:30PM -> 3:45AM's like.....10~11 hours... so that's about halfway through the game if i get entranced by side content... if we do somehow finish it all in one shot then we can just do the IW stuff after my routine.. epic.. it prob wont be any longer than an hour if that so stream- AUSPICIOUSLY THINKING- should wrap up around 7~9AM saturday.

[wander-wren]

was writing D2D last night (everyone cheered!) and i made some spontaneous decisions about shadowclan while writing about tawnypelt

shadowclan is prideful, right. cunning and clever and solitary. if the rest of the clans want to push them away so badly, fine, they don’t want anything to do with them, either. they’ll make their own way. they’re not so much friends or family necessarily as they are comrades in arms, but that’s okay. whatever emotional distance might be there is bridged by solidarity and a deep loyalty to the idea of shadowclan.

but then: brokenstar. then nightstar. then tigerstar. shadowclan is broken from a large, powerful clan to a shell of itself in a handful of years. what they get after tigerstar is blackstar, who might be making amends but was still very much complacent. all of these cats have lost family and friends, all of them have probably killed other warriors, and they have to trust in their new leader who was instrumental in making it all happen.

so shadowclan is still shadowclan in the wake of tigerstar. they won’t ever change that drastically. but i also believe they find ways to be gentler, to work on forgiveness just as much as they work on redeeming themselves. they do it quietly, in the dark, but they figure out how to support one another. i like the idea of them fumbling through learning what everyone needs to be supported and then Never Discussing It Again, just quietly doing what needs done when it comes up.

shadowclan: emotionally healthy against their will

[daincrediblegg]

[just-a-little-unionoid]

No more white Christmas in Europe IS a strong indicator of climate change and that's one of the ways how us, European, can SEE it. Because white Christmas is "traditional", because that's how we picture Christmas in our head, because snow used to just be around Christmas time, same with New Year I guess, they're just like, timestamps for which we all know there's supposed to be snow. (for me the timestamp was my birthday, because it's around those times and as a kid I always had a thick layer of snow for my birthday, and I loved snow, I can tell you, it stopped being a special day the first time there wasn't snow as a birthday present).

It's like lily of the valley on 1st of May, they used to bloom then, they doesn't anymore. Climate is fucked and we can see it, physically, when things that are supposed to happen in specific times don't.

Like if you want I can also tell you about the missing glaciers. You look at a mountain and there is this whole chunk of nothing. Just a big hole in the mountain with only rocks on the grounds and it's just gigantic I swear you have no idea how fucking empty it is until you saw one yourself. And you look around and far up if you're lucky you see a little ice and you understand. This place used to be full of it. That's why there is nothing alive on the bottom of it even tho there are at least a little yellow grass where you stand on the side of it. There is nothing because it's so recent that life hadn't took its grasp on it yet. And you tell your grandma about it and you can feel her sorrow when she tells you she used to climb the glacier that was there when she was your age.

That's very specific too. That's very centric. Who fucking care if you've not seen a glacier in your life? Not everyone lives on or near the mountain. Even less are those whose mountain has or had glaciers. And yet it is so significant on the global size. And yet it is how locally you can physically see the damages caused by climate change.

Christmas as a cultural icon is starting to get really dystopian in a climate sense, december has historically been a time of year in which there would be snow in a significant portion of europe and north america, and the fact that its not even icy this time of year and all the christmas songs and decorations reference a time of year that will likely never exist in the same way again in my life time is so strange.

[somnoir]

Ghost KingConsort?

Prompt: Demon Twins AU where the ghost king is summoned and claims his appearance is that of his beloveds. Shenanigans of a vindictive dead twin.

Danyal Al Ghul escaped from the league. The Lazarus Pits were never merciful but for once, they were. The pits were merciful to him as the green swallowed him and spat him out miles away from that place.

Danny can't forget his first death, the sword in his gut as Damian cut through him. The title of heir was reserved for only one of them and the spare was no longer needed. He supposed it was yet another mercy upon him, knowing that the title of spare was not simple. He would have been Damian's spare—spare parts.

Danny remembers his second death. The electricity that killed him over and over again as the ectoplasm spilled from the artificial portal brought him back to life again and again. One second he was dead, the other he was being revived. It was torturous in every way possible.

It's been years since then. His parents were a difficult case, unable to accept that their darling child had died and continued to believe that Danny was being possessed by the menace Phantom. They hunted him, tried to rip him apart to 'free' their son. It took both himself and Jazz leaving with the help of Vlad (reluctantly accepted) for his parents to stop hunting. Their home that had already felt empty was even more empty now.

It's been almost four years since then. Danny had settled into his role as Ghost King, even when the crown of fire floated over his head then descended to be too big, too much—resting around his neck.

It's... Difficult...

CUT TO THE JUSTICE LEAGUE SUMMONING HIM!

Danny Fenton, nineteen and very much overworked from all the paperwork he had to sort through as Ghost King, finds a small tugging to his very being. A summoning he recognized, sighing loudly before he's answer to this visible desperation. Like it was a world ending issue.

And yes, it apparently was when the fabric of reality itself was tearing itself apart for some strange reason. As the ruler of the infinite realms—the king of the very domain that basically glued the multiverse—this was apparently the right call.

Dressed in all of his kingly regalia, Danny felt the crown of fire float up from his neck and burned over his head. His cape, cloak—whatever—was heavy and he blinked, green eyes boring into every soul present. He recognized the fractured soul of the laughing magician—one of his more irksome subjects that avoided taxes like it was the fucking plague. He really should tell Skulker to haunt his grandfather. Maybe even Youngblood would be suitable.

But aside from the laughing magician, his eyes settled upon a familiar soul, a familiar face. Danny blinks again.

Shit... He thought, staring at the masked yet horrified face of his own twin. Robin was nineteen as well by now, older, stronger—redeemed.

In the past, Danny would have cursed Damian to the seven hells and allowed the seven sins to have a bite. But Jazz was blessing. An older sister who made sure to heal him, to let him grow, to let him develop. He's forgiven Damian for his faults. They were children, brainwashed by a mad man. He's not too angry. Resentful and a bit vindictive? That was a given as he technically was the spirit of a murder victim. Of kinslaying.

"Hellblazer." The language spoken by the dead leaves his mouth easily. It can't be understood by the living, and it was barely understood who came back from death. But John Constantine was a different, more difficult case. One hell of a motherfucker that avoided death until the entity itself was ranting to both Clockwork and Danny about his escapes.

And John Constantine recognized his title regardless of the language.

The sad man in a trench coat stiffened, staring at Danny as he stiffly bowed. "High King Phantom." He greets, and attempt at respect. When there was suddenly movement, Constantine was quick to hiss at the others—glaring at Robin who looked ready lunge at them.

Oh, he can't help himself. This was funny. In the words of his own counterpart turned brother—He could make it worse. Jazz was going to nag him, true, but Danny was so. Utterly. BORED. Being Ghost King had a lot of entertainment, like how he got to fight people and basically hang out with people from the past. But it got... Repetitive. Normal Ghosts wouldn't mind with their eternal afterlife, but Danny was still half-alive. He was completely human—just a half dead one.

"Your majesty—" Constantine struggled to explain, "The universe... Do you know why portals have been opening, your majesty? Forgive my impudence but our world has been plagued by portals from different worlds, some even lead to the infinite realm."

"It's not uncommon for natural portals to the realms to open. Many of your dead like to visit." He smirked, "Many like to haunt those who've wronged them."

Constantine gulped, "Your majesty, would you, by any chance, be aware of why these portals are opening?"

Danny sighed. Well, he can't say he wasn't concerned. This was his world too after all, even when now. It was Jazz's world, where she still went to school, it was Sam and Tucker's world. It was his family's world. So yes, he is concerned.

"The portals to the realms are under my jurisdiction. They are natural and open in my places with thick and ambient ectoplasm." Danny drawls, "But these dimensional portals are strange. I'll check in with the Master of Time to see if someone is meddling with reality. It may not even be from your dimension."

He can only shrug at that, remembering how Dan had practically ripped through time with his madness and rage, tearing through the world to ensure his birth.

"I see, thank you for your understanding, your majesty." Constantine nervously says.

"Say, would you like to watch the battle royale for your soul?"

"Excuse me?"

"You're excused, magician." Danny rolls his eyes, "But you'd certainly enjoy watching people tear each other to shreds for your fucked up soul. I don't understand why people want it so much when the paperwork it comes with is a hell in itself."

"Your majesty," Constantine paled.

"I'm joking. I'll deal with this as quickly as possible." Danny paused, grinning as he made a show of offering his hand to the justice league. "I couldn't possible sit by and allow my beloved's world to crumble. He'd be devastated."

Constantine blinked. Everyone blinked. And then Danny turned to Damian and... Batman. Bruce Wayne. His father. At least he seemed to be treating Damian better than Jack did with Danny and Jazz.

"You must have recognized this face, yes?" Danny tilted his head. "You are his family."

"What have you done to my brother?" Robin—Damian immediately growled, like a feral cat as he unsheathed his katanas and aimed for Danny.

"Hm." Danny rolled his eyes, "He's well. Very much taken care of." Because yes, Danny was well fed and taken care of, especially as the Ghost King. "I've taken his form so I assumed you knew of him."

He dismissed Robin long before he could even speak, turning to Constantine once again. "Don't fret too much, John Constantine." The man in question flinched once his name was uttered in the language of the dead he could barely understand. "This will be fixed in a days time. If not, I will send someone to deal with it."

The Ghost King's appearance had been startling when they summoned him. A boy with a striking resemblance to Damian if not for his white hair. A twin? Bruce had sounded devastated at the implications. But Damian? He'd seen the ghost king and felt nauseous, unable to tear his eyes away from the eldritch being that wore his brother's face.

It took a lot of explaining once they were back in the cave. The duel, Danyal's death, the Lazarus taking him and he was never seen again. Everyone was... Well, they were devastated. Yes. Grieving a son and brother they never met. But the Ghost King has been summoned with a face similar to that of their father's, a face that was the exact same one to their brothers. The Ghost King who referred to the dead Danyal as his beloved.

It's the next day when they're back in the watchtower, anxiously waiting for any update. Constantine continues to curse under his breath, shaking his head before a portal rips through reality. Everyone stiffened, preparing for the worst.

A girl appears, a child. She's a spry little thing with glowing green eyes, flaming white hair, and a face that they immediately recognized.

"Sorry that I'm late! Times pretty bendy and we don't really keep up with it." The unknown laughs, "Well, short answer, Phantom has identified the problem and has attempted to apprehend it. Unfortunately, it's been a week on our end and the perp apparently fell into your world."

Time distortion—Constantine had mentioned it. But they stare at the girl who rambled about their supposed target until Batman cleared his throat, seemingly softer on the girl—someone who was visibly a child.

"Young lady, welcome to the Watchtower. Even id the greeting it late." Batman curtly yet gently says. "May I know your name?"

The girl blinked. "Oh! You can call me Specter, princess of the infinite realms! I'm Phantom and Danny's daughter."

It is then that the possibilities processes in their heads.

One. The Ghost King took the form of his beloved, aka the dead twin brother of one Damian Wayne.

Two. Damian's dead twin and Bruce's dead son might be the queen (consort?) of the infinite realms.

Three. Danyal and Phantom had a daughter. Damian and the rest of the Bar kids were uncles and aunts. Bruce was now officially a grandpa.

Damian faints on the spot.