#but this is probably going to be a bad series that we know is bad but watch because fun

[lodane]

Tubi Testimony (pirate POV, tubi-n-chill x reader)

Context? i came to the site for gothic soap opera Dark Shadows on ABC in the late 1960s. if you're gonna do the same... look for "Dark Shadows: the Beginning" because that's the real 1966 start of the series (before Barnabas shows).

Ads... Like, ANY?

first things first... i assume tubi has ads but i use ublock-origin (win10, firefox/opera) and haven't seen any... at all... ever.

. n . o . t . h . i . n . g .

Account?

in my browser, you don't have to have an account. I REPEAT: NO SIGN-UP OR SIGN-IN REQUIRED. can't speak for the phone app, haven't used it 🤷‍♀️

Watch Party

i'm not sure if they're one of the services that black out the screen when you stream to friends on discord/etc. (tbh i don't think they do this? but...) if so they're one i've worked around by disabling hardware acceleration in the browser's settings. 🤷‍♀️ like candy from a babbyform.

Subtitles [CC]

the captions aren't perfect but they're a straight up SRT file 👀 you can rip with anything (including, just, like... the ublock logger showing you the direct URL). i don't know where they came from, and they don't seem *entirely* automagically generated... so, i can't tell if they're pulled from some (phoned-in) DVD, they're paying someone to caption, scraping some (really half-assed) fan subs...or some combo?

this is important to me since i'm going to be fixin' up my OWN fan subs for this show and it's great when someone saves you some legwork. i use downsub dot com (which is SHOCKINGLY not a k*nk site) to scrape the captions when i'm being lazy.

The Video Itself

the videos themselves are quite easily obtained, too... but... i'll tell ya... i never bothered ripping the show, and i stopped downloading it from elsewhere atm, because i legit enjoy just watching it on tubi... the vibes are good, the ux/ui are good, and they basically have the same files as i can find elsewhere (admittedly scuffed, for the example of Dark Shadows) on any archive or torrent for a show...

i can side-by-side a rip to a file and see there's basically no difference... so i don't think they attempt any reformatting/editing/etc. of the media they, uh, obtain... from... somewhere?

🤔

actually... i have a test for this... brb...

(pulls up Buffy's 'Once More with Feeling' on Tubi)

so, since it's shockingly different on various platforms and editions, it's a great little litmus test.

VISUAL DIFFERENCES? placing the file and tubi side-by-side, playing the exact same spot... yeah, i guess... there's a little bitsy change in color/contrast/fuzz (very likely just throwing a few less pixels on the screen) that's probably just some lossy compression they do to make it easier to house/stream all these files…

BUT WHICH VERSION IS IT? for Buffy's s06e07, OMWF, they have the 00:50:45 runtime version, which afaik is "the good* version" with all the original visuals intact. i'm sure someone is a bigger Buffy scholar than me, but i think this the "DVD version" (not an old DVR/TV rip, like i subsisted on for years, not the terrible blu-ray wherein they cut several minutes).

the captions are LITERALLY identical from the "Buffy The Vampire Slayer Season 1 to 7 Mp4 1080p" torrent (which, again, are likely originally from the DVDs).

tangent: the entire scene before and after "I Have a Theory" is an amazing case study in why those Blu-Rays were strangely good 5% of the time but absolutely still ruined the show. why? well, tbh there are a couple edits this episode could use… changes that were made for the better in the blu-ray version, like... i guess i can understand taking out the donut/cruller Magnolia PUA joke, since it's very dated? along with Anya dropping the m-slur… we could lose that, for sure [which, i just checked, is in the tubi version, so it's def not blu-ray]. too bad the blu-ray also kills the pterodactyl joke??? they cut out the shared visual framing device of the shoppe's door/bell when buffy/dawn enter for one but leave the other? it feels like the level of brainpower that went into that Hitchhiker's Guide movie when they ruined the joke about "beware the jaguar" and all that in the first 10 minutes?

conclusion...

go watch Dark Shadows: The Beginning or Buffy the Vampire Slayer on tubi tv ig? do a fan sub for the first 365 episodes of an ancient soap opera in a desperate effort to get ppl to watch it?

fuck man idk...

💋

Tubi is the best streaming service because it captures the feeling of a video store, but not a corporate video store like Blockbuster, or even a good indie store, but a rundown video rental place under a overpass weeks away from closing down. You'll find, like, 2001: A Space Odyssey next to a unwatchable copy of a 70s exploitation film and a micro-low-budget indie and a movie called STRIPPER VAMPIRE MASSACRE III but you can find no evidence of STRIPPER VAMPIRE MASSACRE one or two existing.

This is a real, commercial streaming service and they've uploaded films with the DVD menu visible for the first few seconds bc it's a recording of a DVD copy. What a titan in the landscape of streaming

[michellesneptune]

HOW THE MOON SIGNS ACT WHEN THEY LOVE YOU pt. 1

disclaimer: forgive me if the series doesn’t cover all twelve signs, but i don’t think i’ve known enough people to speak about everyone’s way of loving. please be patient🤗

aries moon/1H

ooooh those little devils🔥😈 you can see the mischievous twinkle in their eyes. they’re children of Ares - the god of war! when they speak of their loved ones it feels as though they’re ready to kill for them any minute, only waiting for the right (or any😂) reason.

(just my observation, please don’t come at me) i believe that these natives are prone to being more loyal, less selfish and flaky than aries venus. aries is known to be 'the baby' of the zodiac, valuing independence and self-fulfilment greatly. however, i’ve noticed aries moons to be devoted af!! you will never catch them bad mouthing a friend or a partner.

also, from my experience, both placements like to fight, however aries venus often does it for own enjoyment, the initial chase turns them on. as for aries moons, they’re more steady. they would go to great lengths for friends and partners. you can call them in the middle of the night and ask the craziest favor, they WILL come and help.

(please keep in mind that i mean unevolved aries venuses that still have a lesson or two to learn!)

PS. they love to be treated like the center of your world, please give them attention💕

taurus moon/2H

hmmmm how do i put it… 😍😍😍😍😍😍😍! i will say that i am biased bc my boyfriend is one and the way he’s attentive, always asks about the details of my day, pays attention to my routines and shows love through acts of service🥹 you’ve probably heard the rumours and they’re true. taurus moons make the best cooks ever. and i don’t mean putting together a couple of cheap pancakes, nuh uh. their sharp senses only let them buy the best quality ingredients and cook with great care. bonus points if they prepare a dish that they know is your favourite!

i will say though, they are not the most verbal lovers. but when they’re in, they mean it. when they say they love you, it becomes a fact so obvious that they don’t feel the need to repeat it over and over. they like to settle into a routine, so don’t expect them to be flaky, send mixed signals and stir things up just to feel something/for fun (sag moons cough cough😅😅).

they also seem brutal sometimes. but i believe it’s because they see honesty as the highest form of trust. they want to feel comfortable with you. they value silence, too. they’re the type to show you their appreciation not by telling you how perfect you are but by actually putting in the work to show you your value and show that they’re worthy of being by your side.

lastly, their homes are their sanctuaries, a reflection of their feelings. usually beautiful and they look for someone worthy of letting in, to match their belongings. they get a rep for being possessive and stubborn, nevertheless with the right person they can make a sacrifice and at least try to change their ways😂😂

virgo moon/6H

okay so i know they’re said to be critical, demanding, neurotic etc but hear me out. virgo is a mutable sign, ruled by mercury and in true mutable fashion they DO get wild, fun and unhinged lol. as a virgo moon myself i am well aware of the fact that i often act like i’ve got a stick up my ass. but when i get closer to you i want it all: karaoke nights, fast car rides, spontaneous trips! sometimes i even take those things to the extreme!

they’re also said to have the highest standards. and while i imagine it’s partly true, i believe that this placement is all about accepting the biggest, weirdest quirks of your s/o (as well as 6th house synastry!).

besides, i think that we get more so insecure and self-critical in relationships, analyzing the f outta our partners, wondering whether we’re meeting their demands! we’re about the overall quality of the partnership and just want it to be perfect🥺 we’re also quite anxious and require lots of reassurance.

lastly, everyone knows it: virgo moons are like the final boss of small acts of service lol. vacuuming your flat, folding your clothes. they notice the smallest things that could improve your life and happily do them for you!

capricorn moon/10H

this one is tricky. they remind me a bit of taurus but more rough in a sense that they probably won’t pamper you with luxurious baths and gourmet food but they will do things like pay your rent, get you a job or buy a car😂. i’ve noticed them to be a bit grumpy sometimes, definitely not the softest lovers.

they’re up to giving some tough love. pushing you into a scary path that they know will be rewarding in the end. teaching you that even in the hardest lessons of saturn there is light. they’re not the most cheerful on a daily basis but - surprisingly- they are the ones that keep calm in the face of crises. they’re like okay we can’t do anything about it now let’s appreciate what we do have and focus on what we can change.

it’s because they know all to well how karma is. they had to learn it the hard way which made them so strong and resilient.

what i’ve personally noticed: they will stick by your side no. matter. what. this isn’t always a good thing as sometimes it’s best to walk away but if you’re expecting a cap moon to give up on you, don’t.

i also feel like they’re used to being the oldest sibling, the mom friend etc. please take care of them from time to time!

that is all i have for you! thank you for reading💕 i wish all of you lots and lots of love💋 see ya

~Michelle

[yumeka-sxf]

Spy x Family merch updates and manga hiatus

I wanted to post about some recent fandom news, starting with the good news: while I mentioned in my 2-year anniversary post that we've been in a dry spell lately as far as SxF content, we just recently got a bunch of new merch/designs! (mostly from various Jump Festa vendors) I'll start with my favorite of the new designs, from HMV's Jump Festa set - Forgers in winter outfits ❤️

Next is the "French casual" set from Chara-Ani~ Bond's little red beret looks so cute!

Another winter outfit set, from Animate. Gah, this one's so adorable, too 😭

Next is merch from Ichiban Kuji. Not sure if it's for Jump Festa as well, but either way, I want the acrylics and the plate!

And lastly, Ensky's merch for Jump Festa - Forgers baking cakes/cookies!

Again for those who don't know, Jump Festa is a yearly event held in Japan in late December that's dedicated to Shonen Jump IPs. SxF will have its own panel with the four Forger voice actors in attendance. We've always gotten exclusive announcements and content at past Jump Festas, so fingers crossed it will be the same for this year! I'm gonna try my best to get some of this merch when it goes on sale in late December. And of course, if I'm able to make high quality scans of these new designs, I will post those as well!

Now onto the bad news, which most of you probably heard about already: the hiatus for the SxF manga has been extended to December 23rd. I believe this is the longest hiatus the series has had so far, and what makes this one concerning is not only that the date kept changing, but also the noticeable silence from Endo and other official outlets.

In the Japanese version of the manga, the last page of each new chapter typically notes the date the next chapter will come out. In the case of the most recent chapter, 107, it said it would release on November 25th, meaning Endo would be taking a break from the bi-monthly schedule, which isn't uncommon. But then, just a few days before the 25th, official English manga outlets like MangaPlus updated the release date to December 9th. It was disappointing since we had all been waiting longer than usual for the new chapter, but again, a second postponement wasn't too alarming...what was alarming though, was the third one that came just yesterday, only a few days after the last. People started noticing that official manga outlets had, again, changed the date for the next chapter to December 23rd this time.

The fandom got stirred up quite a bit when this happened, mostly out of concern for Endo's well being. What made me particularly worried was the fact that, while these hiatuses had been going on for the past month, Endo hadn't posted anything on his Twitter account, which is very unusual considering every month prior he's posted at least a few unique illustrations. Not only that, but the last thing he posted was this oddly cryptic image on October 19th, with text that says "Don't look for me." And he then deleted it soon after, which makes it even stranger.

But thankfully, Shonen Jump must have noticed the pandemonium happening in the fandom, because just a couple hours later, they made this statement on the official Jump+ Twitter, apologizing for the delay and confirming that chapter 108 will indeed come out on December 23rd.

This to me was good news, since their official statement about it makes it unlikely they'll change the date yet again. But some sort of explanation would have been nice, even a vague one. I'm not someone to spread rumors, but my own personal speculation (which could be totally wrong) is that there was some dispute between Endo and Jump. This is the only explanation I can think of as to why his Twitter would suddenly be barren for a month after he posted consistently for so long - my guess is that he has to get approval from Jump for all the illustrations he posts there. I don't know much about the inner workings of the manga industry, but I would assume he has some contractual obligations where he can't freely post stuff on social media without some sort of publisher's approval. It is possible he's just been too busy with Jump Festa and other things, but he's still posted at least a couple times a month even when he's sick or busy, so I don't think that's the main reason. Again, this is just my speculation that could be completely wrong. There's also the fact that they so quickly changed the release date to the 23rd, the day right after Jump Festa ends, which could indicate that Endo's been busy cooking something big to be announced there. Regardless, I'm happy we finally have a new chapter release date that's pretty set in stone now, though I won't feel totally better until we get clear acknowledgment that Endo is okay, either from himself on his own Twitter or somewhere else official.

Anyway, despite this setback, I'm relieved that SxF is still going strong with all the hype for Jump Festa and season 3. Between that and the new chapter right after, we'll be eating good this Christmas!

[seunghyunjigglers]

mama, a stray kid behind YOU ★ @seunghyunjigglers

ot8 skz members as brainrot memes!

author's note: we even included links for some of the less chronically online divas out there (generous much?)! a lot of thought and effort went into this and we hope you love and appreciate our firstborn child. tw: dark humor. betas, do not interact!

chan ★ "i'm the leader, i'm the alpha, i'm the one to trust"

unironically watches bad edits of himself and goes "ayeee" to hype himself up about being edited

comments under them on his secret account

his fyp is now most definitely infiltrated by alpha chan edits

let's be real the whole trend was probably what inspired wolfgang to be released

bites his lip bc he thinks it makes him look sexy and he just looks like he's eating his bottom lip

tries to do that thing where guys put their necklace between their lips and take pics to be sexy but the necklace falls down his throat and he starts choking

would deliberately start doing aegyo followed by serving face to show his 'duality' since apparently the fandom love it (poor guy doesn't understand irony still)

LOVES when stays talk about his gyatt and starts using it bc he thinks its just another normal word for ass and seungmin and felix almost throw up laughing at him

minho ★ "queen never cry"

genuinely thought 'lock in' was something to be taken seriously and does NOT take it lightly when chan tells everyone to lock in

his kinky ass also probably thought it was some kind of jail roleplay (jisung had to explain it to him)

has mewing competitions with himself in the mirror

makes 'minho never CRY 💜' the note on his alarm in the morning

thinks it’s funny when he recommends the ki sisters manga (where the meme comes from) to people as his favorite series and the poor author has to actually go on a talk show cause he blew it up with the internet

checks his notifications EVERY day hoping someone will edit him with that baby

accidentally comments “queen NEVER cry” under a sentimental skz edit on the official account and wakes up with several calls from his managers.. let’s just say it didn’t go over well

changbin ★ "gadagadegadagadao" (omega nugget)

he stumbled across this meme on felix's fyp one evening and thought it would make the best vocal warmup for his raps, didn't realise it was a joke and actually uses it before recording tracks

when he discovers its a meme he thinks its hilarious and makes it his whole personality

stops mid convo with people and makes the face and thinks he's so funny (everyone is tired of it)

orders mcdonald's for everyone and takes the time to draw the face on EVERY chicken nugget and couldn't be prouder of himself

genuinely thinks the song is an actual banger and has it saved as a sample for a potential title track

hyunjin ★ "donatella VERSACE"

only types like THIS 💜 and felix and seungmin are the only ones who get it

chan finds out and secretly changes his name in a groupchat with their managers and staff to "hwang HYUNJIN 💜"

he is tired but donatella is not

his gag christmas present for secret santa is boxers with ms versace herself covering his chocolate starfish and he has a wardrobe malfunction while wearing them at a show and EVERYONE sees

is actually really embarrassed when he has to explain what it means to her and she just nods and tries to smile with all her botox

after this she comments it on all her posts and he accepts that he’s never escaping it

jisung ★ "jiafei 'in my head' remix" (floptropica)

this man is always singing his lungs out in every skz code and somewhere along the way he saw an edit of him with jiafei's vocals in the bg

was actually impressed by her vocal skills and tried to hunt down her ig page, ends up on some fake floptropican fanpage but he doesn't know this because he has minimal survival skills

dms some loser message like "wow your voice is sooooo nice haha...i also like to sing lol...so do you like korean boys haha..."

owner of the jiafei fan account is a stay and thinks this is hilarious and catfishes the hell out of him for WEEKS, sends vocal edits and jisung unironically eats them up, he def sends back vms of him doing vocal covers to impress her

felix hears him singing a jiafei remix one day and almost shits himself laughing, jisung gets angry and defensive until felix reveals that jiafei is literally a meme

realises he's been catfished

blocks the account and gets sulky whenever any floptropican edit pops up on his fyp, but still sings the jiafei remixes quietly to himself (some habits are hard to break)

felix ★ "oi oi oi...baka" (freaky larvae)

recreates it and everyone takes it seriously and he has to make a video telling everyone it was not in fact a thirst trap

breaks up serious arguments like "we need to calm down...you're all being a bunch of...heh...bakas..."

searches it up one day to see if there's any other lore and accidentally discovers a yagami yato audio and gets traumatised

seungmin gets fed up by felix constantly repeating it so he comes up with a master plan and during one of their japan concerts says "oh, felix has been practicing his japanese lately...what's that thing you keep saying?"

i feel like he'd perfect that freaky expression and everyone is sick of him and changbin for randomly using them

picks larva on his turn to choose something for movie night and everyone comically (see what i did there) groans and gets up while he’s just there cracking up

seungmin ★ "saddam hussein hiding spot"

this guy saw a 'saddam hussein hiding spot' comment under jeongin's post and fell down the rabbithole (or rather, the entrance covered in bricks and rubble)

thinks its HILARIOUS because it's a historically accurate meme (nerd!)

definitely whispers it every single time he sees someone or something laying down and everyone is so fed up with it, also gets felix to do the voice since he can imitate it perfectly

uses it as an excuse to randomly start lying down during dance practices and when everyone complains he just says "why am i lowkey serving saddama hussein hiding spot?"

he'd take this shi so seriously like he'd be doing the math to figure out how much time to spend on each app each day so he can make his daily screen time average look like saddam hussein JUST to make the reference

jeongin ★ "that feeling when knee surgery is tomorrow"

someone makes a comment about how they tore their acl and have to get knee surgery and he goes "that feeling when knee surgery is tomorrow" and starts laughing

it wasn't very funny to said someone

probably has to make one of those formal instagram apology posts because of it (he sets the music as the bg for the original post but his manager makes him delete it and post again)

fake falls at practice and when everyone crowds around him all worried he says he feels like he might need knee surgery tomorrow and gets kicked out of the room

pays an insane amount of money to get everyone matching knee surgery knee pads for practice and absolutely loses it every time someone actually needs to use it and has no other choice

posts a fake hospital pic with “do NOT get your knee surgery from shein !!” on his secret account

asks for permission to change his pfp to the grinch and considers outing jyp when he gets told no

[fuckyeahisawthat]

Re-skimmed through a bunch of Dune Messiah last night because why not and now I am having thoughts:

The thing that sticks with me most is the tone. It's melancholy, it's eerie, it's unsettled and weird. Cannot think of a more pitch-perfect director for it than Denis Villeneuve. He's gonna nail it.

There is...not that much...actual story? Denis has referred to it in interviews as "a small book" and I'm like my guy it is 350 pages. But there are actually not that many plot beats. It's just that every. single. scene. is WILDLY overwritten. The real challenge of adapting Dune is not the giant worms or the dense complicated worldbuilding or the fact that actors have to say the name "Duncan Idaho" repeatedly with a straight face. It's that there are pages and pages and PAGES of internal monologue that have to be externalized somehow for film.

After a re-skim my gut instinct for "how much story goes in a feature film" is that if you just wrote out the dialogue and action that happens in every scene in the book in screenplay format you'd end up with...maybe about an hour of material? Which is great, actually, because it means there is room to add stuff. Like a whole new independent plotline for Chani if they decide to do that.

It may seem insane to add things to an adaptation of what's notoriously one of the wordiest series in classic sci-fi but it's worth remembering that they added quite a bit to Dune Part Two. Most of the first hour of the movie--almost everything before the worm ride except for Jessica drinking the Water of Life--is stuff that isn't in the book. And it's the best part of the movie essential to making the movie work as well as it does. Yes, they also cut elements from both parts (the dinner scene, the whole plotline where Gurney thinks Jessica is a Harkonnen spy, Thufir Hawat's fate, Leto II the Elder, murder toddler Alia) but I understand why each of those elements was cut or changed in the service of cinematic storytelling.

There's an interview (can't remember which one) with Jon Spaihts, the other co-writer of the scripts along with Denis, where he talks about how Dune is like a stage play, with so many of what would be the big action set pieces happening off-page. I kept thinking about that comparison while reviewing Dune Messiah because in addition to the scenes that do exist being wordy and internal as fuck, an absolutely insane list of major events/reveals/emotionally significant moments happen off-page. The list of things that we don't actually see in the main action of the story, that we're only told about after they happen, includes:

Chani finding out Irulan has been secretly dosing her with birth control for YEARS

People trying to capture a sandworm and take it off planet

Chani and Paul finding out Chani is pregnant after 12 years of trying to conceive

Paul flying an ornithopter carrying his extremely-about-to-go-into-labor partner while blind

CHANI DYING (first time reading I did NOT know this was coming and damn near threw my Kindle across the room at the way the information was delivered)

Alia executing a bunch of people including a Bene Gesserit Reverend Mother

Paul walking into the desert at the end

You could add all these moments into a scene-for-scene film adaptation of the book and probably still have room to add more material.

The other thing that jumps out is that Paul doesn't really...govern...much. Like there's this whole subgenre of post-Dune/Dune Messiah-era fic that's just some combination of Paul, Chani, Irulan and sometimes Feyd traipsing around the palace having feelings while vague politics happens in the background, but I forgot that Dune Messiah is actually kinda like that??

There is a whole thread of Paul feeling kind of abstractly bad about being Space Hitler but he does not, in fact, actually do anything about it. And like yes both bureaucracies and religious movements can grow to have a life of their own that seems beyond the control of any one person. But also my dude you are the Emperor of the Known Universe. Someone is signing those space checks for the Endless War budget. You are not powerless here.

The one thing that really, clearly drives Paul to actively do things in the plot is not feeling guilty about having unleashed catastrophic religious war on the universe. It is protecting his family. Chani, Alia, his unborn children, and you could probably throw in Duncan by the end. That is what motivates him to act at key moments, and to want to hold on to power. And hey, y'know, if I'd experienced almost everyone I'd ever known getting murdered in a single night, I would probably get a bit intense about that too! It makes sense from a character point of view!

I'm very curious to see how these threads interweave with each other in the film, because the Villeneuve films put a lot of emphasis on Paul's agency and the fact that he may be constrained by shitty circumstances thousands of years in the making, but he still makes choices within that context. I can't see the narrative allowing film!Paul to get away with the same Poor Little Dictator routine as in the book. There are a few ways they could play this but I think the most interesting one is kinda the way they started going at the end of Part Two. Which is that as soon as you start reaching for that kind of power, then power becomes its own end and you will end up doing increasingly horrific things to maintain it. I think it would be quite interesting if the film shows us Paul not just being like "woe is me" but actively choosing to make the world worse because his trauma-driven fear of losing the people he loves makes him cling ever more desperately to power for its own sake.

If they went this route I think it would make Paul's decision at the end hit even harder. FWIW I actually really like Paul walking off into the desert at the end of the book. I think it brings things full circle with his relationship to the Fremen and creates this beautiful arc going back to the duel with Jamis. He first won a place among the Fremen through respecting their customs even though he really did not want to fight and kill someone he had no beef with. And by respecting the Fremen custom of the blind walking off into the desert, he proves himself to be fully Fremen and protects his children not by making them heirs to the throne but by making them Fremen.

And yeah, to a modern audience here on Earth it can look like "Paul conveniently fucks off and doesn't have to raise his newly-motherless children." And we can have a whole discussion about the unexamined ableism of the idea of someone who's gone blind voluntarily choosing death so as to "not be a burden" on their community. But neither of those readings is really the point here. Within the logic of Fremen cultural values, where the survival of the group as a whole is more important than the life of any one individual ("your water belongs to the tribe" etc.) Paul's choice is a willing and intentional self-sacrifice (see also: fedaykin) that wins him huge respect. There's a line in the book about Paul that's like "He would be one of them forever now" and damn if that didn't give me shivers. Like!! The political-symbolic implications!!! Which maybe I'm particularly attuned to because I just wrote a whole fic about what does it mean for an outsider to become Fremen but hmm something something Paul's final* act not being an exercise of Imperial power but an expression of kinship with an oppressed group and that being the thing that's needed to keep his family safe even if he is not physically present with them...IT IS RICH SYMBOLIC TERRITORY.

(*Yes yes I know about events in the next book. Shush.)

This kind of stuff is why I tend to think Chani may start out in a very different place in the story but the end will still be pretty close to what's in the book. It's too thematically powerful and tragic to go any other way.

But also...if they change things around enough that she is still alive at the end of the movie...I won't be sad about it.

[regularconvexheadcanons]

During Double Life, Cub knew there was something wrong. Someone was there, someone was tied to them and he could do nothing about it, Scar had vanished again and someone was trying to use him. It wasn't the Vex who did this, they'd go into a rage every time Scar was taken, one of their most valued servants. This was not the work of his own kind, it was something else trying to rewind Scar's nature and chain it to one of theirs. Grian was hungry. Hungrier than he'd ever been before, and nothing was helping. Scar said it wasn't too bad, it got like this every time, it wasn't too bad. it'd be worse next week, and then the week after, until he wished he felt the like he did now. Until the red haze set over and they could feast. If he listened closely, he could hear the screaming. Thousands of voices spewing hatred at the bond and their captors. And amongst that, a single familiar whisper from beyond the veil.

Ohhh yea double life angst, we love it

1: Cub could definitely feel some sense of Grian being bound to Scar. And probably also a bit of that Watcher stuff. The idea of the Watchers trying to diminish Scar's vex power so they could safety soulbound him to Grian without the vex/watcher magic is very cool. And Cub feeling that, knowing something's wrong, knowing the vex are angrier than usual for the start of a Life Series.

I can see Cub confronting Grian after week 2 or 3 when he's absolutely 100% certain that something is up with Scar's magic and Grian needs to stop it.

And Grian probably snaps back at Cub about the Vex. Because while Scar's losing vex magic, Grian's gaining some with the soulbinding. Because Scar's soul IS a vex soul, shared with Cub, and that's what turned him into a vexling. And Grian doesn't like feeling a growing urge to be chaotic or, or the vague sense of whether the vex are happy or, most of the series, furious at him.

After the life series, the double life bonds didn't disappear completely. Some pairs still felt a pull to be with each other (Ranchers, Boat boys), some still felt the vague echoes of eachother's pain.

And Grian and Scar kept some little bit of that corruption from each other's magic. The Watchers were aware of Scar, even more than before, as a threat, eventually leading to him being trapped after Secret Life. Grian still felt that pull towards the vex, including a woodland mansion in Limited Life and living in it, and the choice of a giant, glowing white smile on quiz-bot's face.

Even Cub still kept soulbound to Grian a little. Grian messing around with the sculk led to its interest in Cub as a target, choosing him as the one Shubble sent into the Evermore where he got possessed.

[arttsuka]

Ok here are my thoughts about arcane season 2, buckle up

I wana say, I liked the second season, less about what we saw, more about the story they wanted to tell.

It started fine but as soon as episode 4 came the problem was clear. The pacing was bad. Everything was happening too fast, there was no time for smaller moments. A lot of character development was off screen too.

I've heard they were supposed to have more seasons but decided last minute to cut the show short because 'there are more stories to be told'.

Caitlyn had most of her arc off screen which is such a shame, I really wanted to see how she realized she was being manipulated, I wanted to see her dictatorship era. But we got none of that, it's implied it happened but we didn't get to see it.

Sevika was relevant up until ep4 and then we see her again in ep8. I don't think she has any speaking lines after ep4. Such a waste of her character, she was really interesting.

Isha. She came to the series as suddenly as she left. I have a lot of problems with her character, one of them being that she wasn't introduced organically. She randomly fell on Jinx (by accident). Arcane relies way too much on 'right place right time', on coincidences so, when that can be avoided, it definitely should. Make her fall on top of the first person that passed through on purpose so she won't get hurt (that person being Jinx is the only coincidence here). Her sacrifice felt a bit unearned because we didn't get to see her a lot, and after ep6, they never speak of her again (it affected Jinx sure but they don't even mention her once).

Mel. They did her dirty this season. They speedruned her arc (and the whole thing felt so out of place). I've heard that maybe the next show was going to be focused on Noxus etc which, if it turns out to be true, would be a bad decision. If they are actually planning on making something about Noxus, I'd at least expect Ambessa to be there and also, it would be a great opportunity to learn about Mel and her powers in greater detail instead of whatever we got.

Viktor as the herald, ultimate life form or whatever was so short lived. Make you wonder why they decided to include it only in the last episode instead of implementing a bit earlier.

Vi was also so, useless this season. She did almost nothing. She was a punching bag for the most of it.

Jinx felt a bit ooc, less about what she was doing and more about how there wasn't any time to see her get over Silco's death. Silco had such a negative effect on her mental health (all these hallucinations from s01) but he dies and boom, mentally stable? I would have liked to see her become healthier (it would also tie nicely with getting to know Isha better).

Vander. They brought him back. It was actually foreshadowed in the first season. Him being back is not my problem, on the contrary I think it was a great way to naturally bring Vi and Jinx back together. My problem was how we see him for 2 episodes (and then he 'dies'). It felt like a waste of time honestly, time that could have been used to see something else.

Episode 6 has to be the worst episode of the whole show. The pacing is pretty bad. The events that take place in it feel like 3 episodes, not 1. We get not 1 but 2 different artstyle montages, making the episode look, weird...

The best episodes were probably ep03 and ep07. Both had nice pacing (especially ep07, it felt like it was straight out of s01) and the story explored in them was pretty captivating. But I do have a problem with ep07. It's where Ekko got his 'time powers' from and honestly, they were pretty underwhelming? Also not at all well implemented to the story. We literally see him use them 3 times. 1: when he finds out about them, 2: when he saves Jinx and 3: when he goes back to try not to get captured by Viktor's mannequins. The last 2 on the same episode. That 4-second-limit was never really relevant (at least I don't think it's was). They wasted an entire episode giving him powers only for him to never really use them and for the machine to act as a bomb.

Also I didn't like the dancing scene with Powder and Ekko. I understand the vision behind it but I felt like my TV was dropping frames. It felt choppy, cheap (such a shame for a beautiful scene).

Now, I liked the lesbian sex scene in ep8, I really did, but it felt so out of place. Jinx basically implied she was going to kill herself, Vi was on the verge of tears because she was insecure about how she seemed to only make the wrong choices and then, that scene happens. It leaves a bitter taste in my mouth. I've seen people compare it to the s01 'Jayce/Mel vs Viktor dying' scene and while I understand where the comparison is coming from it's definitely not the same. In that scene, Jayce didn't know Viktor was dying (he knew about his deteriorating health, but he was clearly shocked and left Mel to go check out on him etc etc).

Also, Caitlyn should have gone down on Vi. I think they image would have been stronger. Vi was at the bottom of the barrel her entire life (literal plot point, being from the undercity etc) so seeing Caitlyn, someone of higher status and power, being the one to 'bow' would just be more powerful. Just a thought.

I just feel like I liked their relationship and dynamics more in s01. They had more casual moments, more natural dialogue. Yes we won but at what cost? Their relationship was so sweet in s01. In s02 it started sweet, turned out to be manipulative on Caitlyns side*, they break up and then they're fine again.

*in ep3 it's clearly shown that while Caitlyn loves Vi she's willing to manipulate her to reach her own goals. That first kiss we see was definitely more of a 'I'm gonna play with your emotions so you don't doubt me' rather than 'let's just kiss now'.

I liked how Jinx cut her hair. The whole 'hair holds memories' and how she was ready to move on. Too sad that scene didn't have the proper gravity it deserved because the lesbian sex was happening (probably) the same time.

Ep9 was, something. I'm conflicted about it. On one hand I really liked how they tied up Viktor's and Jayce's plot lines, on the other hand everything else was so rushed. Caitlyn and Mel were a team (they didn't feel like one honestly), they fought Ambessa and then she randomly died from the black rose. It felt like they just wanted an excuse to kill her. 'She needed to die so Mel could become the wolf' no, not really. She could still be alive, have Mel 'spare her life' or something. It would be more on track with Mel's ideals that way.

Jinx sacrificing herself to save Vi was also so forced**. It felt specifically written so she could 'die'. I do believe that 'Jinx is alive' theory because Caitlyn looking at the vents while holding that monkey head Jinx's bomb had + that air balloon Powder said she'd fly away with are all too specific to be coincidences.

**her sacrifice was forced but foreshadowed. Isha was acting as an 'archetype' of what Jinx had to become. Her whole existence in the show was so Jinx could become an icon for Zauns revolution and for her to sacrifice herself so Jinx could see and do the same, break the cycle.

What really bothered me was how Jayce and Viktor seemed to be the only characters who had a complete story, everyone else had a lot missing scenes (they did too but way less, there never was a point where I thought 'where does this come from?', everythingwas explained about them. I wish I could say the same about the 'arcane', magic). It's so unfair, on the female lead show about 2 sisters for the male characters to be the final focus. Also another thing that bothered me how they did a seemingly better job at writing Ekko/Powder, the straight ship we got to see for 1 episode on a different timeline, rather that Vi/Caitlyn, the lesbian ship AND main focus since they're both main characters from the timeline were following.

Something else, I feel like the score for s01 was better/more memorable than s02. Sure s02 has some pretty good songs but s01 felt more diverse on that? Maybe that's just me.

Kinda lazy how they used the same song for the opening credits while using visuals way too similar (if not the same) to the artstyle of the show. Although, truth to be told, the s01 opening was way too good for any standards, it would be very hard if not impossible to make something better. Still, I feel like they could have done a better job.

Also maybe that's just me but there were a lot of predicable moments. Sometimes a scene would start playing and I'd know exactly where it was going (something I can't say for season 1).

I really liked in s01 how in each episode, before the opening, we got to see some glimpses from the past of each character. It was a great way not to have too many random flashbacks and include these scenes organically in each episode. In season 2 we don't get that. I understand that we already know these characters but it's still something I adored from s01.

What made s01 so appealing was how they handled the story, didn't rush things. How they took their time to make us understand and like the characters. With s02 we didn't get that luxury.

Season 1 was a masterpiece and unfortunately, season 2 didn't meet the expectations.

I still enjoyed watching it but it was definitely not as good as the experience of watching s01.

[thewistlingbadger]

To me it's like, why even introduce new characters? There's so much shit going on in S2 we LITERALLY don't have the time for any of this. It's no surprise why we couldn't get invested in new characters there was already so much happening, I can only focus on so much at a time. And the cast from season 1 is large. They should have spent more time fleshing them all out instead of giving side characters WHO ALL DIED in the season. Sevika deserved the exploration, as did Sky and Ekko. They're all a part of S2 but they don't really feel like it. Season two was the opportunity to bring side characters into the spotlight and they said "naw. Stay backstage." It's silly that Jayce, Mel, Heimerdinger, and ekko are basically MIA for almost the entirety of the series. Like these were central characters last time around why are they barely here??

No. I just can't with the characters because I don't think I can genuinely say I enjoyed and understood the development of any of the characters fully. Like yeah characters developed but do I know why? No not really.

Mel gets introduced as a Mage but the black rose is never explained and it was just very confusing to me.

Jayce has the best development in the season imo most of what he did and went through made sense. My only thing is that I still don't understand why he shot at Viktor.

Viktor completely changes in S2 and we're never told why. He's completely cold and unfeeling and suddenly has an ideology that wasn't really hinted at in s1. We assume it's bc of the hexcore but we shouldn't have to assume we just know from what the show shows us

Vi literally doesn't change at all. She never has to reflect on her sister or Caitlyn or herself or the current circumstances. Nothing. She's the exact same imo. Isn't it weird how anti jinx she was in act 1? She was Literally about to kill Jinx had Isha not stepped in, even though that confrontation was like. In the same week Vi said they would always be sisters. And the only reason Vi starts liking Jinx again is because she's acting more like "powder". She never actually has to accept the fact her sister is changed bc her sister low-key reverts into who she used to be

Ekko didn't get shit this season let's be serious. No exploration of his character or his views.

Jinx's change comes from left field and this is because of how the show treats her relationship with silco and Isha. Isha basically pacifies Jinx and the show can't decide what it wants to do with Jinx's relationship with silco. Why does she decide to come back and save the day? Idk they didn't show us the scene where ekko and her reconciled.

Caitlyn. What a shit show. What thoughts are there to even express that haven't already been expressed? She becomes a fascist and that's not explored. She decides fascism bad but we don't see how or why she comes to that conclusion. She's treated like a hero when she acts like a villain. She never has to take accountability for her actions.

Poor Sevika she got nothing.

Singed has the best development out of everyone here ngl and I don't know how to feel about that lol sksks

Despite being the season's main antagonist, we sure don't learn anything additional to Ambessa. Probably bc they put her backstory in a music video and not the show.

I don't feel any sympathy for anyone that cried for Isha. Be so serious, the moment I saw Isha's music video before act one came out, it was obvious she was gonna die. Isha wasn't a character, she was a plot device used to further Jinx's narrative and I personally didn't like the way she changed her. Not to mention her sacrifice makes no sense bc she's shooting at Vander and jinx wasn't in any trouble. AND her death isn't mentioned in act 3. It's like she never existed.

Maddie is just confusing bc I heard the creators say she was manipulated by Ambessa but the show didn't show that. They didn't show anything of Maddie, she was just a side character. Was her betrayal surprising? Absolutely not.

the way Arcane wasted character in season 2 is actually insane. They gave us good character design but no good character. Especially the new ones. Is there honestly ONE, one you genuinely cried over?

I cried over Mylo and Claggor. I cried over Vander in season 1. I cried over Powder screaming and sobbing after Vi in act 1 of season 1. I felt deep emotional pain over all of this because they gave me character and an understanding of the world we are in. And they did all of that in 3, THREE, episodes.

What did they do with Isha? Well I sure didn't cry when she died. Her character, while interesting just wasn't fleshed out at all. What I felt when they killed her was how idiotic the writers were for that because okay? like huh. They had 5 episodes with Isha and somehow managed to not make me care enough to cry. Not because Isha's potential wasn't there but because killing her was stupid and pointless, just to further another characters pain which could happen way more naturally without introducing a character to die.

What did they do with Loris? They tried to make him Vander (which okay weird why do that? especially if you want to bring Vander back anyway like uhm? what was the sense of introducing Loris as a Vander stand in and then bringing Vander back??). But he WASN'T Vander because they never showed him to be. They just told me he was. Which doesn't work. okay, he died. Did not care. The only thing I felt was rage again because it was so unnecessary and dumb, they could have made a lot with this character.

Maddie. Well Maddie is a whole other thing, isn't she? She was introduced in a way that already raised a lot of eyebrows. But in a "she is a cop" way and not she is on Ambessas side way. There is so much questions coming up with that. Had she been on Ambessa's side from the very start? Even when we first saw her on screen? Did she come with Ambessa? But how was she an enforcer then? Did she always live in Piltover but how did she then turn towards Ambessa? When she made that fist sign, was the plot between Ambessa and her already going, or did it happen after that? Why were we not shown any of this? this is NECESSARY to understand her character and why the end happened. We should have been able to feel betrayed as well but like? I did not feel betrayed I was just like "okay well, that happened off screen I guess."

Steb had not one talking line, like why was he here, was I meant to feel bad when he ran into The Grey, I can't even tell, help.

And then the side characters of Zaun, especially the Jinxers. The one woman who then died with Vi's hand in hers while wearing the uniforms of Piltover. Did not feel sad. Felt absolute huge amount of unfiltered rage. Her character should have MEANT something. I feel they tried to make her mean something but they failed there too.

Lest?? LIKE LEST COULD HAVE ALSO BEEN USED IN SUCH AN INTERESTING WAY. She just never came back. Okay. Great, at least she didn't die but like? Was I meant to get invested? Was I meant to care? Usually I should be able to tell if I should care about a character in a show or not but in Arcane s2 they tried to make me care and failed or if I cared well then they failed, too

anyways just the side characters especially were a huge disappointment this time around.

[a-most-beloved-fool]

Kinda want to write a Spock POV post-fal-tor-pan fic where Spock sees Jim and is instantly whammed with the fact that he's in love with him, but still has no idea why or what that means, so he just goes around with a knot of love tangled in his mind, utterly baffled as to why it's there or how to figure it out. He can't ask the kolinahr adepts, because it feels un-vulcan, so instead he's just. confusedly pining the entire time.

Jim smiles sappily at him and Spock's like "My Heart Is Beating Faster. Why Is My Heart Beating Faster. There Is No Cause For My Heart To Be Beating Faster. Do I Have Tachycardia."

Spock, to McCoy: Doctor, is there history of heart disease in my family?

Bones, suspicious: Yes? Why? (already surreptitiously scanning Spock w/ a tricorder)

Spock: I have noticed concerning irregularities in my heart beat. They occur primarily around Admiral Kirk.

Bones, freezing: Repeat that for me, Spock?

Spock: I have noti-

Bones: No, not that, the next bit! Where they happen!

Spock: Ah. Around Admiral Kirk.

[FIVE MINUTES LATER]

Spock, annoyed: Doctor, cease laughing. I fail to understand what part of my medical condition you find so amusing.

Bones, still wheezing with laughter: Don't - don't you worry your little head about it, Spock. You're not sick, that's the important thing. (interrupts himself by laughing again) You'll (wheeze) figure it out eventually.

(Spock, disgruntled, gives up on him and leaves.)

(McCoy keeps laughing for another ten minutes.)

[lucky-slice]

low key i think to deny Riko's trauma is to deny his narrative importance in the story.

like Riko's trauma related to his father parallels neil's. His concept of brotherhood adds complexity to Andrew and Aaron's relationship. He acts not just as an antagonist but as a foil to other character's relationship to trauma and violence.

to solely view riko through the lense of his actions is to miss the point. He is a character in a story, not a real breathing human being.

[asexualbookbird]

Immediately forgets everything that happened in June. Uh. I threw a tea party! Finished a knit hat! Did one (1) queer corvid piece! Started playing baldurs gate! Read some good books! SAW SOME SANDHILL CRANES!!!! Found new enrichment in the form of a new walking route! A busy busy month! Didn't read as much as I intended, but I did get to check off five more books on my Reading Books I Own chart so I call that a win.

The Adventures of Amina Al-Sirafi by Shannon Chakranorty ⭐⭐⭐⭐⭐- WHAT A FUN BOOK! "Adventure" is the perfect word for this. Yes, it's a trilogy with only one book out, but this also works so well on its own, as individual books SHOULD! It's its own little thing. Wrapped up neat and tidy with little threads to pick up in the future. I had so much fun and the audiobook was a DELIGHT, I want to read it again immediately.

The Novice by Taran Matharu ⭐- This has been sitting on my shelf since its release. It moved homes with me. It will not be doing so again. Bland, generic, poorly written. Proof just because you were an internet success, doesn't mean you don't need an editor. Also proof that publishing is about Luck and Connections. I know goodreads ratings mean Nothing, but come on. Why is this one so high. Did people really enjoy it that much? HOW??

Translation State by Ann Leckie ⭐⭐⭐⭐- Okay. Look. This was not my favorite Leckie novel. In fact it very well could by me least favorite Leckie novel. HOWEVER. Even then, it was still fun and enjoyable. I wish it ended differently, but I still loved all the characters and how they interact. I do want to reread this as well, because I remember enjoying Ancillary Justice more the second time around and I wonder if the same will happen here.

What Moves The Dead by T Kingfisher ⭐⭐⭐⭐⭐ - A reread! To get ready for What Feasts At Night! Even knowing all the secrets, it's still a perfectly bite sized creepy read. My favorite thing about Kingfishers writing is how even with the darkest subjects she still manages to add humor. And it never seems out of place! It's a great breather for the reader but doesn't detract from the tension. Do not recommend reading this while walking through a field of bunnies.

What Feasts At Night by T Kingfisher ⭐⭐⭐⭐ - I gave What Moves The Dead four stars at my initial read through, so I wonder if this will ALSO change to five stars upon rereading. I had to read the first few chapters twice for them to stick, and ended up switching to the audiobook which was very well done. I really didn't expect another book about Alex Easton, but I'm hooked now to be honest. I mean, stop putting this soldier in Situations, but also. I want to know what other Situations ka gets into. Angus and Miss Potter are adorable.

The library has a few summer reading games with prizes so my reading in the upcoming months will be influenced by those. Someone said there might even be a local bookstore gift package in the mix and I Want That. I do still want to do the Bone Season updated read, if for no other reason than to get rid of those books so I don't have to pack and move them. Other than that, no reading plans. I've read nearly every book that's on the shelf in my bedroom, which, wow, so it's getting harder to choose what to read. I guess that's a good thing! Leaves more room to reread old favorites.

[mbg159]

One belief I've recently come to with regards to Crow is based on a video I saw once, which discussed a character who faced very similar circumstances... that is to say, Scrappy-Doo. (Bear with me, this is going somewhere.)

Now, usually, when people hear the name "Scrappy-Doo", they think "boy, I hate that little shit." But the thing was, that wasn't what people thought initially. When you watch those early episodes where he appears, there's really nothing particularly wrong with Scrappy in a vacuum. Yes, he can be annoying, but so can Scooby and Shaggy, and he's intentionally written as such. He changed up the formula somewhat, but the formula had gotten so stale that the writers were happy for it (Mark Evanier has a story about how they had to go over various monster ideas and sigh when they realized they'd already used them). If anything, ratings saw a very noticeable uptick when he showed up, to the point that he's credited as saving the show from cancellation.

The thing was, the executives looked at that ratings uptick, and decided to make a number of moves with the objective of trying to shake up the formula as much as possible in favor of what they thought people liked and what would save money. Six main characters? How about we cut it down to three main characters, two of whom are voiced by the same guy? Solving mysteries and always finding out it's a guy under the mask? That's boring; instead they should meet real monsters and fight them. Half-hour-long episodes? Too expensive. Make seven-minute shorts instead and lash them together into three segments.

Now, obviously these changes aren't necessarily Scrappy's fault, but the fact was, within a single year of his introduction, the show had turned into something almost unrecognizable as its former self. What was more, while other characters suffered as a result of these changes (most obviously, Fred, Velma, and Daphne being written out altogether), Scrappy was the character who outright reaped benefits from them. With those three gone, Scrappy was now the only person in the group who wasn't a bumbling coward, which resulted in him becoming, if you'll forgive me, a bit of a Mary Sue. Scooby and Shaggy became his idiot sidekicks while he set up traps and defeated monsters all by himself. Some episodes didn't even feature Scooby and Shaggy at all, and had Scrappy off on his own with his other uncle, Yabba-Doo, taking part in generic Western-themed adventures.

Essentially, Scrappy was a harbinger of an era where the series completely lost its identity, and during that era, he was front-and-center, and many decisions seemed to be made to give him primacy. He wasn't necessarily a bad character at any point (even at worst, it would be hard to call him a low point in whatever he was in), but it becomes difficult to separate him from the constant barrage of bad decisions that surrounded him. And it's equally hard to ignore that the series had truly gone all-in on Scrappy: if you weren't a fan of Scrappy when he first showed up, you certainly weren't a fan when you saw an episode about Scrappy and Scooby's hick brother meeting space aliens.

And nearly everything that I said of Scrappy is also true of Crow. (I don't know if he saved his series, but I've argued before that he was part of an attempt to do so.) It's not that he's a truly bad character at any point. I don't like him, but I can't deny that there are people who do, and I would say that any critique I can make of his writing is something I could probably make about characters that I do like. Johan in GX does a lot of the same things Crow does, and I mostly like him. But the thing is, it's impossible to extricate Crow from the fact that his prime years happened to be when the show became a bit of a mess--and really, that's by design, when the series spent that period going out of its way to broadcast his presence.

What is more, I said with Scrappy that the bad writing decisions of his era harmed other characters but benefited him. Crow is the same way. When you think about bad writing surrounding characters like Aki, Carly, the twins, and most other pre-Road to Freedom characters, you think of decisions that made them less important, less competent, and overall marginal. For Crow, meanwhile, most of the decisions people call "bad writing" (his abrupt introduction, the fridge thing, becoming a Signer, Black-Winged Dragon, the WRGP structure) were seemingly intended to push him into the spotlight.

The final duel with Sherry is a great example: I don't think it's a stretch to say that it's bad writing for a show to try to build an epic character conflict around two characters who have nothing in common and have never interacted. However, the alternative would be him having no investment or arc whatsoever in what's effectively going to be his final story. And for other characters (i.e. Ruka), the writers would probably be fine with that--but not Crow. And so Crow gets the internal struggle and the finishing blow and the big handshake at the end, and none of it really means anything, because the writers didn't really plan things out beyond "well, he has to do something, because he's our third main character," and treated that as an end unto itself.

Crow is a character where it would be silly to say it's his fault that the show started to come apart at the seams. There was a thousand reasons for that, and he honestly wasn't even that important, as you've pointed out. If you removed Crow, then the other characters would probably have suffered a similar fate of dwindling in the background as the writers struggled to find things for them to do. But at the same time, if there was a single character you could point to who represented that era... it would kind of have to be him.

Anyway, look forward to twenty years from now, when he gets turned into a villain in a weirdly adult film adaptation.

What the hell happened with Crow: an autopsy (Part 4)

*Deep breath* Okay, everybody. Let's do this one more time.

First off, hello, or welcome back. Let's get the introductions and disclaimers out of the way, shall we?

This is the fourth and final instalment in my very, very long-winded attempt to analyse the character writing of Crow over the course of the entirety of yugioh 5Ds. For everyone who hasn't read the previous parts of the analysis, you can find part one here, part two here, and part three here.

This post, and my analysis as a whole, is neither meant as a Crow hate post, nor as a manifesto to convince people who don't like him that they're wrong. It's as genuine an attempt to simply look at and dissect what the show gives us about him as I can make, though I admit to personal bias because I do like Crow. That said, I'm trying to stay as neutral as possible, because the aim of this entire post tetralogy is to look at the writing decisions made for this character and how they impact him—and how they possibly influenced the audience's perception of him.

My previous three posts all reference this as well, but since I still see these things parroted all across the internet to this day: Please don't read this post under the assumption that any of the 5Ds production rumours are true, especially not the ones surrounding Crow. Because, to make this as short as possible, every popular theory as to why certain characters were mishandled during the later parts of the show fails to line up with the production timeline of said show. Chiefly among those theories, the idea that Crow was meant to be a dark signer and that his popularity correlated to his cards, and the idea that Aki, specifically, had to give up her screentime for him because her VA got pregnant, which both lack any basis in reality, as you can read in the posts I linked. (One final shoutout to @mbg159 here, who compiled these incredibly comprehensive posts and can also be found here on tumblr. Huge thanks.) So if you can do me one favour, please just let the 5Ds rumours die already and read this analysis without the hope of seeing any of them confirmed. I'm so sick of these crackpot theories at this point that I can hardly find the words for it. And while we're on the topic, I also don't want to see this post used as a means to pit Aki and Crow against each other in any way—both have good reasons to be well-liked and both deserve their spot in the narrative, all right? All right.

And now, at last, let's get down to business. The last time I got on a virtual soapbox and yelled about Crow, I covered the entire WRGP, murder-duel-robot induced break included. That means that for this, final stretch, we'll be looking at everything from episode 137 onwards—the Ark Cradle arc. (A side not for dub aficionados here: Episode 136 was the last episode that got an English dub. In other words, everything I talk about here never even made it into the English version. Because 4Kids, I guess.) As we've done before, we'll take a look at what exactly Crow gets up to during the final stretch of the show (and, notably, the epilogue), then see whether any of it needed improving, and if so, how it could have been improved.

You'll find all further yelling below the readmore, and I'll leave you with the other, usual warning here, as well: This will be long. Even if the Ark Cradle arc, relative to the rest of the show, isn't, this post most certainly will be. So get some snacks and perhaps don't start reading this late at night unless you're good at knowing when to stop and reading stuff in bursts. (I'm not.)

As I concluded at the end of my last post, the WRGP ended up being a bit of a mixed bag for Crow. He's there, he duels, but at the same time, despite being positioned as an equal third of a protagonist trio, he's notably less important and arguably also weaker than Yusei and Jack. Moreover, where the plot is concerned, he sure didn't get too much to do—not to speak of the fact that the writers didn't grace him with any meaningful interactions with a certain character who'll become very relevant here.

But I'm getting ahead of myself. First, the preamble.

With the end of the Team New World duel, the final arc of the show drops the by this point unexpected arrival of the Ark Cradle right on our heads. So, what does Crow do here, at the start, other than be shocked? Well, not much. A lot of the first episode that introduces the Ark Cradle focusses more on the imminent threat said structure poses to New Domino City, and we flash back to our protagonists mostly to ascertain that things are, in fact, going to shit. Even once that focus on the city evacuating shifts again, the episode concerns itself more with Yusei than with Crow. However, meagre as it is, we do get the first interaction between Crow and Sherry during the Ark Cradle arc in this episode.

(Uh.... at least they're technically talking to each other?)

And frankly... It's not much. Unfortunately, up until the duel where he faces her, the Ark Cradle arc continues a trend regarding interactions between Crow and Sherry that we already saw in the WRGP: They barely get to interact, and even when they do, they never have anything so much as resembling a meaningful conversation, mostly because Sherry basically never addresses Crow directly, nor seems very interested in him, while Crow is usually there only to react to what she's saying, rather than actually talk to her. While digging through my mountain of screenshots, I found that latter part to be especially interesting, because as it turns out, this is a trend not just in Crow's interactions with Sherry, specifically. Many moments that probably contribute to the nefarious "screentime" (I've explained my gripes with this term in part two) some people like to accuse Crow of hogging have him only be part of a scene so he can react to what happens in it, to the point of him sometimes feeling like a stand-in for the audience reaction the writers might be hoping for. The above is a perfect example, because as far as character writing is concerned, Crow's "interaction" with Sherry here is utterly devoid of meaning. He's just there to communicate his disbelief over the ominous prediction that Yusei is guaranteed to die if he goes to the Ark Cradle, which feels like exactly the kind of reaction the writers probably wanted from the audience. After all, it's a bold, shocking statement to make. The protagonist, dying? In a card game anime geared towards twelve year-olds? It's downright preposterous. And Crow seems to agree with that, if his dialogue is anything to go by.

This one and other scenes (mostly the kind that contain plot elements that Crow doesn't actually interact with) got me thinking, though, and after having gone through so much of the show with a fine-tooth comb now, I think I've come to a conclusion, so permit me a tangent here: I believe the choice to let Crow, specifically, be a character who often only reacts to events or interactions after the DS arc, rather than contributing much himself, is deliberate. Don't get me wrong, I don't think he's the only character who is frequently put in this position—Aki, the twins, and even Bruno, especially when they're on the sidelines in the WRGP, also often only seem to be there to react or comment on things, perhaps partially to remind us viewers that they still exist, despite not being in a position where they contribute anything to the plot. With how much the twins and Aki got pushed to the side after the pre-WRGP and the Unicorn duel, respectively, and with how toned-down Bruno's entire character is until the very end, as not to spoil his tragic antagonist status too much, Crow in particular ending up as an often reactive, rather than active character stands out a bit more, though. And I think this has everything to do with his personality, because it contrasts that of Jack and Yusei. Think of it. Sure, Crow is shown several times to be just as cool and competent as the other two, but what he has that the other two crucially lack is the ability to freak out like a normal person. I'm being hyperbolic here, of course, but I do genuinely believe this, because when I think back to the show, Jack and Yusei, due to their character writing, only ever seem to be allowed to lose their cool during pretty specific circumstances, and only in very specific ways. Jack, for example, only ever gets to freak out either when a scene paints him as the butt of the joke (like during his infamous, dramatic outburst over cup ramen), or when the freakout is caused by—and expressed as—righteous (or not so righteous) fury (like when he storms off angrily after catching everyone watching his old duel with Dragan). Meanwhile, Yusei is played so straight that we barely ever see him lose his composure at all, outside of intensely dramatic, high-stakes situations (think his dark signer duels with Kiryu, his confrontation with Roman, his initial failure to accel synchro). Hell, the closest we get to ever seeing him be mildly upset about something like a normal person, as far as I can recall, is when he gets embarrased by Martha calling him out on his perceived crush on Aki. That's it.

Crow, though. Crow's allowed to do something the other two aren't: He's allowed to react to the world around him like your average guy. Jack blows through their household money for expensive coffee. Crow gets upset. Understandable. Crow gets injured right before his big debut in a turbo duelling tournament and is upset to the point of snapping at his friends over it. Understandable. Seeing Yaeger's kid cheering his dad on and knowing that this kid will cry if his dad loses makes Crow relent and throw the match. Understandable. Sherry predicts Yusei's imminent death due to hocus pocus and Crow calls bullshit. Understandable.

Do you see what I'm driving at? With how the show treats the other two Satellite boys, I'd argue none of the moments above would have worked anywhere near as well if the writers had tried to make Jack or Yusei take Crow's place in any of them. Because while Yusei and Jack, I feel, were certainly written to be the coolest characters (at least to the target audience), Crow seems like he was written to be the most relatable. He's the guy who takes on a delivery job when they need money. He's the guy who complains about his cranky landlady. And he's the guy who reacts to insane nonsense happening around him a little more realistically than his defeated-an-ancient-devil-to-absorb-its-power brother, his shouldering-the-guilt-of-a-cataclysmic-event-decades-ago other brother, their mutual previously-violent-psychic-who-was-part-of-a-cult friend, and the one-of-us-can-see-spirits-and-we-share-a-weird-kind-of-magical-bond twins. As such, it doesn't feel too out there to me to claim that in many situations, they made Crow the stand-in for the audience, because he has a less iron composure than Jack and Yusei, is readily available in many scenes by virtue of living with the other two, and happens to be the guy who has the arguably most normal backstory out of the signers. (Save, perhaps, for Rua, but I've already addressed before why the writers barely ever pulled Rua centre stage for anything. And they certainly wouldn't have pulled him centre stage for this, either.)

Now, as far as character writing is concerned, assuming I'm at least halfway correct with my hunch above, I feel that whether or not this decision is good or a shot in the foot on the writers' part depends largely on every audience member's individual perception of Crow after the DS arc. If you liked seeing this scrappy guy introduced during the DS arc, of course you would have been happy to see more of him! Even if he's only present in scenes to comment on what's going on and doesn't actually get to do anything meaningful. If you didn't like Crow that much, though, I can see how him popping up so often only to yap a bit and contribute essentially nothing could have grated on you. And as I said, I think this is where the "screentime" discussion comes in again, because yeah, Crow is very much on screen in all these little-bit-of-nothing scenes. He doesn't get to do much and his character isn't fleshed out or reinforced in any way, but he sure is there. For better or for worse.

And this—this is where I can finally get back to him and Sherry. Because in his interactions specifically with her, it is for worse, due to the fact that all the scenes that contain both of them before the Ark Cradle duel are pretty much exclusively these kinds of little-bit-of-nothing, reactive scenes. Crow doesn't get to interact with Sherry meaningfully, and he never—and I need to empathise this—, not once gets to interact with her one on one, not until the end-of-series duel both of them take part in happens. What makes Crow's lack of meaningful interactions with Sherry even worse is that his later duelling partner against her is Aki, of all people, who by contrast gets to interact with Sherry a whole bunch, most notably during her duel against Yusei. Not only that, but Sherry is also shown to actually be interested in Aki, which cannot be said for Crow. Yet, still in the same episode I was describing above, while the Ark Cradle begins its descent, it's not Aki, but Crow who is entrusted with this card by Mizoguchi/Elsworth:

(I'd like to point out that the dialogue following this moment doesn't make it clear whether Crow even knows what Sherry's connection to this card is. For all we know, this could be the first time Crow sees it, without being aware of any of the context surrounding it.)

You know, the card that's essentially a symbol of Sherry's attachment to her parents and her commitment to revenge. The card that basically her entire character revolves around. For a single piece of cardboard, this thing comes with a lot of narrative baggage attached, yet canon doesn't even take the time to assure us that Crow knows what Z-ONE means, other than it being a memento of Sherry's parents, as Mizoguchi explains. And frankly, this all feels like a rather ham-fisted attempt to get some last-minute setup for the later confrontation between Crow and Sherry in. It's like the writers desperately wanted to feel the emotional moment in the duel later to feel earned; they wanted to have their cake and eat it, too. There's only one problem: They didn't even bake the damned thing, the ingredients are just sitting around, untouched, as if staring at them long enough will magically make a cake manifest.

But, well, since I'm already talking about this, I may as well get into the actual meat of the matter, because frankly, it's not like Crow gets much else to do at the start of the arc. Yusei takes off because he at first wants to go to the Ark Cradle alone (like an idiot), leading to the signers coming after him (and telling him he's an idiot). Joining this effort and assuring Yusei that they won't let him die alongside the others is as much as Crow gets to do before the inevitable three-way duel starts.

(That said, while it doesn't accomplish anything, I've always appreciated this little moment while Yusei still tries to pull his stupid kamikaze plan—Crow would know more shortcuts in the BAD area than he does. After all, he lived there for a good while!)

After that, everyone gets up to the Ark Cradle and, as we all know, the signer group is forcibly split up by Z-ONE before deciding to go to a Yusei gear each in order to shut down Ark Cradle's negative Moment. (Top ten sentences that wouldn't make a lick of sense to anyone who isn't up to their neck in 5Ds lore.) And the very first duel on the menu in this final stretch of episodes is also Crow's final duel in the entire show.

(Drumroll please.)

Here's the thing. I love this duel, actually. I get extremely hyped every time I rewatch it. BUT. But. I do not love it so blindly that I couldn't see that it has not one, but several issues. Not only that, but those issues don't just rest on Crow's shoulders, they sadly rest on the shoulders of all three participants in this duel, because frankly? Alongside the four-way Jack/Rua/Ruka/Aporia duel, this duel is one of the Ark Cradle arc's desperate attempts to tie up loose ends. Because as much as I enjoy this arc, that's exactly what it is: A race to the finish line, an attempt to tie as many loose ends as possible up in as little time as the show could get away with. To make clear why I think this, let me just list off all the things this arc resolves or at the very least tries to tie up with a neat bow:

It reintroduces Aki's psychic powers, which we were previously led to believe she'd lost. Notably, we didn't get a reason for why they disappeared and don't get a reason for why they reappear, either. It also turns them into healing powers in an attempt to establish a reason for why she later studies medicine.

It explains what happened to Sherry and what actually drives her revenge. Furthermore, it releases her from her narrative fridge-prison in order to actually let her duel Aki (yes, Aki, specifically), which is a confrontation that was subtextually implied several times previously.

It resolves the question of Bruno's identity by revealing him as an antagonist.

It finally reveals Life Stream Dragon, who was at this point teased over seventy episodes ago.

It also finally rewards Rua, who was teased to possibly become a signer during the DS arc, with an actual signer mark. (As short-lived as it may be.)

It actually explains Iliaster's real plan, which is Z-ONE's hope that the 5Ds gang can actually save the future.

Speaking of which, it actually explains who Z-ONE is and why he's a big deal. (Remember, this guy was first teased a good while ago at this point in time.)

Alongside Sherry, it dusts off several protagonists who didn't get an opportunity to duel on-screen and lets them duel one, final time. (Notably, Aki, Rua, and Ruka, who at this point haven't been seen duelling since the early WRGP or even pre-WRGP.)

You may notice that none of these bullet points contain Crow. They do, however, contain Aki and Sherry, both of whom went into this finale with several unanswered questions as to their characters. Crow, not so much. But let's just put a pin in that for now while we actually jump into the duel.

*Cracks knuckles* Aki & Crow VS Sherry. Here we go at last. Fair warning, the character writing of all three participants of this duel overlaps a fair bit here, so expect to hear a bit of a mishmash about our revenge trio.

So, how does this duel start? Firstly, with Sherry waxing poetic about why she's even opposing Team 5Ds now.

(A dramatic switch of sides that sadly doesn't hold a candle to Bruno turning out to be Antinomy. Which, funnily enough, might be why this duel is front-loaded and Bruno's comes later.)

I won't dig into this too much, but I just want to point out the one thing this moment gives us: It establishes character motivation. Sherry claims she can no longer get revenge and has thus lost her purpose. (The reason why she can no longer get revenge, if you're interested, is because Moment Express, her final lead, vanished in its entirety, as far as canon is concerned.) Thus, she took the bait when Z-ONE offered her a new purpose, and, more importantly, a reward. Now, Aki and Crow at this point in the episode don't get to hear what that reward is, but for our analysis, it's important to keep in mind: Z-ONE promised Sherry he'd alter the timeline so she would get her parents back if she helps him. And I think this is immensely important because this is not only Sherry's goal in the present, I think it's actually the core of her character from the very first moment we meet her. In classic, tragic-avenging-type character fashion, she claims to want revenge when what she's really doing is trying to numb the pain of the awareness that she'll never get her parents back. (Though I'll admit this may also be my generous read of her as a person who likes revenge-obsessed characters.) And then, Z-ONE dangles the actual thing she wanted all along before her. Of course she took the bait.

This brings us to the start of the duel itself. As we know, Sherry employs some tactics that feel quite different from what she previously did in this duel. First and foremost, she messes with the mechanics of the duel itself by using the field spell Ecole de Zone, creating an illusion that confuses Aki and Crow into duelling not her, but each other at first. Sherry, meanwhile, takes a very passive role, clearly intent on letting the two destroy each other while she sporadically activates card effects to accelerate this. What makes all this stand out as even more unusual for her is that she sets this up by lying. At the beginning of the duel, she tells Aki and Crow that there's two of her, and that each duellist will fight one copy of her on a seperate field each, but this is a misdirection to make the two signers duel each other instead of her. And, look. I don't need to tell you this is out of character for Sherry. Canon literally does that for me.

(Case in point.)

It's only after Crow and Aki catch onto the fact that something's wrong and after Aki destroys the field spell that Sherry uses her "real strategy", switching to Soul Binding Gate, which inflicts real damage every time a monster with less attack points than her life points is summoned, in order to whittle away at both other duellists' life points. This is also the point where she reveals to her opponents that she's doing all this to get her parents back. While she does that, we get a bit more back and forth in terms of cardplay, until Aki sets the field up just right so Crow can land a very high-damage hit with Black-Winged Dragon to end the duel. And that is pretty much the gist of it on the duelling side of things.

So what's going on on the narrative side of things, then? Well. Let me front-load something I've noticed on the narrative end: This duel heavily interacts with Crow's and Sherry's characterisation, but barely at all with Aki's. I'll make clear what I mean by that below. For now, let's just get an overview by going through the character moments as they occur in the duel. Why go through all of them? Because most either interact with Crow in some way, or set up a later interaction in the same duel that he's a part of, that's why. I'll get into the nitty-gritty of what this duel did well and what it didn't after that. (Mostly. You may have noticed I like tangents and rambling excessively.)

So.

The first moment belongs to Aki and Crow in equal measure, and happens just as Ecole de Zone is destroyed—which Aki accomplishes by using Crow's monster to synchro summon Black Rose Dragon, as well as prevent that synchro summon from being negated through the same monster's effect, so she can use her dragon's field wipe to get rid of Sherry's field spell. When Sherry is surprised by this, Aki and Crow explain that they memorised each other's cards as part of a strategic effort as a WRGP team.

(Friendship is, in fact, magic.)

Not only does this explanation make perfect sense, it's also an excellent little tidbit to tie Aki and Crow together as a tag-team here, as it strengthens the connection between them. The only gripe I could possibly see with this is that it feels like this didn't necessarily need to be a surprise, end-of-the-show reveal. Frankly, it could have been pretty cool to see this much earlier, to have members of Team 5Ds realise what their teammates were getting up to during the WRGP duels, for example. (Instead of so often having the other signers react just as shocked as the announcer to their teammates' plays—I'm side-eyeing the infamous "a trap from the graveyard"-moment in particular. Like, Aki, sweetie, if you memorised Crow's deck, why are you surprised that he has a trap he can activate from the graveyard? I digress.) Moreover, this could have built anticipation for this particular duel, as viewers would have been excited to see what Aki and Crow would come up with to defeat Sherry as a team. So this moment is not bad, really. Just a bit underutilised, at least to me. (The word "underutilised" might become a trend in this post.)

Every other character-driven moment from here on out is shoved into the second duel episode, 140. Speaking of which, this episode starts with Aki and Crow getting the reveal of why Sherry is helping Z-ONE, where she admits that she joined the bad guys because she wants her parents back. She even goes as far as stating that because Z-ONE showed her the future, she has no hope that it can be saved and thus at least wants her lovely past back so she can have some solace before everything goes to hell for humanity. But we already went over that above.

Next up, albeit this moment should probably be considered more of a running theme than just one self-contained thing, we have Crow's struggle with Soul Binding Gate. Remember, the effect of this field spell causes all players to take damage every time a monster with less ATK than Sherry's LP is summoned. And at this point in the duel, Aki is barely above 1000 life points, so Crow worries about triggering the field spell's effect and hurting her, which leads to him playing suboptimally because he's more concerned about his friend than about winning the duel. Notably, Aki calls him out on this.

(She has a point.)

Outside of providing an internal conflict for Crow to grapple with, this isn't much to write home about. (Side note: I do find it interesting that they introduce the fear of physically hurting someone in a duel specifically in connection to Aki here, though, given that through her psychic powers, she had to grapple with this exact issue many times in the past. I have no idea if this was intentional, though.)

Between this and the next moment, there's a nice bit of interplay between Crow and Aki again, where he activates a card to refill her life points just in time so she doesn't drop to zero through Soul Binding Gate, while Aki uses a defensive trap to protect Crow in return.

(This is just here because it's a money shot to me. The juxtaposition of their faces and their life points, showing that while Aki may have the lowest life points, she still has the coolest head in this duel, and while Sherry technically has the upper hand, she's beginning to falter because she didn't anticipate the other two to work so well together. It's chef's kiss. Mwah.)

What follows after this, is, of course, the Big Moment. Where Sherry tries to convince Crow to forfeit so she can win and have Z-ONE change the past. And this is the one I really need to dig into.

With Sherry's earlier admission that she's on Iliaster's side because she wants her parents back acting as setup, she begins her attempt to sway Crow by telling him that if he had the opportunity to change the past, he would do it, too. And while Crow initially protests, Sherry challenges this, then proceeds to show him what Z-ONE's power could accomplish, and we get a lengthy sequence where Sherry, through weird cyborg-techno-magic-shenanigans that are never explained, takes Aki and Crow to a dreamlike space where Crow sees the orphans he used to take care of being happily reunited with their parents. Sherry also ominously tells him that this is "what he desires deep in his psyche" before promising him that if he surrenders the duel, Z-ONE can give him a world where Zero Reverse never occurred and all the kids can have happy lives with their real families. (I wanted to post most of this sequence in screenshots, but while I have them, I've realised I'm only a few images short of tumblr's limit already, so forgive me because I will need those remaining image spots.) This moment proceeds to introduce some serious doubt on Crow's end. Aki, meanwhile, remains steadfast, telling him not to fall for Sherry's manipulation, which leads to her giving an almost Yusei-style speech. In a moment where Crow wavers, both because he's genuinely considering whether taking Sherry's offer might be the wiser choice, and because he doesn't want to hurt Aki by triggering Sherry's field spell effect, Aki calls out to him and tells him to snap out of it by reminding him of how Yusei reached out to her during their second duel. This speech is a bit, um. Clunky, I feel. (At least if the translation is correct. If it isn't, then that may be the issue.) See, she tells him that Yusei "saved her from the darkness of her psychic powers", that "he wasn't concerned about his own safety and risked his life to persuade her", that, because her psychic powers are now gone, she's "renewed" and that this somehow brought her to the epiphany that as long as she believes in her own potential, she can change the future. This is lifted almost verbatim from the scene, by the way. Leaving aside the fact that half of this feels like a mild to severe misrepresentation of Aki's character arc during the DS arc (don't talk about it, don't talk about it, I need to make this another post of its own, damn it), I, personally, can't exactly follow how she ended up with that final epiphany from the circumstances she listed. But lucky for us, Crow apparently gets what she's driving at, because he quickly echoes her statement and they both conclude that Crow's kids also believe in the future and fight to live, that they're not sad about their lives the way they are right now, even though they don't have parents. Thus, Crow catches himself, echoing Aki's sentiment and telling Sherry that he, too, believes in the future. And through the power of Friendship and Believing in the Future, he manages to use Aki's cards to land the final hit, nicely mirroring how she used his to destroy Ecole de Zone.

...Phew. Okay, look. First off, that above, large section is basically several character beats stacked on top of one another. On Sherry's end, we have the intriguing fact that she's specifically trying to manipulate Crow, not Aki. In fact, she doesn't so much as try to sway Aki, as though she knows it's no use. Then, on Aki's end, we've got her pulling a real Yusei, staying level-headed almost the entire duel and reaching out to make sure Crow stays on track. This moment also ties back to her own conflict with her powers again. (Which, unfortunately, I will talk about, and yes, I'll be chewing drywall the entire time I do it.) Finally, on Crow's end, we've got a nice, proper moment where he doubts himself and, by his own admission, nearly makes a terrible mistake because he wants nothing more than for the kids he used to take care of to have good lives.

Now, before I go over what worked about this moment and what didn't, let me just chew through the rest of the actual duel itself, too, then circle back too highlight some things. In other words, time for me to chew some drywall.

*Sigh*

At the very end of the duel, there are two more character moments that are noteworthy.

First, right before the final hit, we get Sherry desperately defending herself against Aki and Crow's newly strengthened belief that the future can, in fact, still be saved, which she does by (rather heartbreakingly) asking what's so wrong about wanting her parents back, about wanting their love and warmth back. It's at this point that Crow's allowed to get back at Sherry by challenging her beliefs, telling her that people "work hard to live because they only get one chance at life", and that there's no point in trying to go back to do things differently, that the only way to keep going is to believe in the future, regardless of whatever painful and sad events one has had to live through. I'd say this sentiment certainly fits Crow, character-wise, especially given his rough Satellite background. It does partially fall flat because it feels a bit weird for him, specifically, to now be acting like he knows Sherry inside and out, much like she did with him earlier, but again, this is simply a matter of setup and I'll try not to belabour that point again. The horse is already dead, no sense in beating it. It's after this speech and the final attack that Sherry finally realises her error.

Buuut this leads us right into the next character moment. Because as the duel ends, Sould Binding Gate physically falls apart, pelting all three of our duel participants in debris and threatening to crush them under it. While everyone does briefly fall over (and Sherry gets a moment to realise that her father wanted her to live strong, not accept seemingly inevitable doom and die weak), they soon realise they were not, in fact, buried under rubble, though. Because guess what! Black Rose Dragon to the rescue. Black Rose Dragon, who can suddenly physically affect her surroundings again. You know, that thing we were led to believe Aki could no longer make her monsters do because she lost her powers completely out of nowhere. And there's more! Because not only does Black Rose Dragon take care of the debris for the trio, as she disappears, she also heals all three of them, and in response, Crow gets a line that I unfortunately cannot for the life of me discuss without bias because it kills me every time.

(Crow. Crow, please. You're killing me. I beg you.)

This line out of Crow's mouth feels extremely weird to me, and in the process of typing up this post, I've been trying to find the reason why. Here's the conclusion I've come to: Firstly, it feels a bit out of place from him, somehow. A line hypothesising about what psychic powers can or can't do—this is something I would have expected out of Aki's mouth, but not out of Crow's. I believe what makes it feel so out of place, though, isn't necessarily that it seems a bit odd for him, specifically, to theorise about this, but that when I hear it, I don't feel like the character is saying it. Instead, in this moment, moreso than in some others that suffer from the same issue, I hear not Crow, but the writers speaking. I hear them telling me "look, we know we made it seem like Aki's powers are super gone and like they were super, irredeemably bad, and like she and you should be happy that they're gone, but here, see, this is what they're really like. Don't you think we came up with something clever here, to set her becoming a doctor later up nicely? No, this isn't because we needed to backpedal on our decision to make her lose them and be happy about it at the last second, why do you ask?". And yes, I concede this might just be me. (So feel free to disregard this in terms of analysis, I just have some weird kind of vendetta against this line.) But still, even without my personal issues hampering me, this line of dialogue out of Crow's mouth is just plain odd. After all, how would he know what "real" psychic powers are? Since when is he the expert, especially considering we've never so much as seen him comment on Aki's powers before? (And for the record, this line would have seemed just as weird had any other character other than Aki said it imo. It just has that unmistakable "writers trying to justify something at the last second"-tang to me.)

And do not. Do Not get me started on the fact that the writers, despite going to such great pains to paint Aki's psychic powers as an exclusively negative thing especially during the WRGP arc, decide to reintroduce them here, suddenly as a good thing that can also heal people, which directly contradicts every choice they've made when it came to Aki's relationship to her powers ever since the Team Catastrophe duel. While crucially also lacking the one thing this entire duel is practically begging for: Fucking. Setup. But at this point, the handling of Aki's powers, specifically, really needs its own post, so I'll hold off on any further comments here and come back to that another time. I feel like I'm beginning to talk in circles, anyhow. Setup. Setup, setup, setup. This duel wishes it had it, because then the ideas presented here—which, in a vacuum, are compelling—might have worked smoothly.

But, with that. We have finally made it through the duel itself. Sherry, at the very end, gets her change of heart and at last cements herself as a good guy, and that concludes the first duel in the finale, and also both Aki and Crow's last duel in the entire show.

And good lord, was this duel all over the place. Though I think my meandering scene-by-scene breakdown of it showed as much. Now, onto the proper evaluation of what worked and what didn't here. First, let's get the good these two episodes do out of the way, shall we. (Because there is a lot of Bad I need to yell about, unfortunately.)

By virtue of being one of the final duels, this is Aki and Crow's last chance to shine, and shine, they do. Both in the duelling department and in the character department. Aki makes two major plays that upend Sherry's strategy and Crow's perfectly in sync with her, showing that the two truly are teammates, and paying off all the character moments they had specifically in the Team Unicorn to Team Catastrophe section of the WRGP. Their friendship and cooperation is believable and entertaining to watch. Then on the character side, Aki's growth is (somewhat) paid off—where she used to be a character that doubted herself and was afraid of hurting people, she is now the one who can keep a level head and help others fight their self-doubt. Meanwhile, Crow gets to show off his unfailing dedication to community and family again, both by watching out for Aki and by selflessly desiring not for himself to have a better life, but for the kids he used to take care of. And Sherry, who was previously removed from the narrative in such an unsatisfactory way, finally gets to duel again, gets to explain why she actually does what she does, and gets to join the heroes at the end, permanently joining the ranks of the good guys instead of the villains. Happy endings all around.

Ehem. And this is where I'm gonna be less nice about this duel. Because the problem is, due to the specific constellation of characters involved in this duel and how they previously interacted in the show, there's a lot of stuff here that doesn't work nearly as well on a second watch as a first watch would like to make you believe.

First, a broader issue on the card game end of things: The way this duel feels, it's very much more Aki's duel than Crow's, which is also kind of confirmed in the card plays being made. Though it's Crow who's first shown to catch onto the fact that a third party is activating additional card effects out of nowhere, it's Aki who fully solves the mystery, uses Crow's monster to synchro summon Black Rose Dragon, then activates her dragon's effect to get rid of the illusion for good. And while Crow gets to land the final hit, it's Aki's setup and her trap, Synchro Stream, that make it possible for him to win for both of them. And yet. On the dialogue- and character-interaction side of things, this duel is made out to be much more Crow's than Aki's. Because, perhaps surprisingly to some, Aki doesn't waver one bit in this duel. She's got her head in the game the entire time. She's here to do business—that business being defeating Sherry—and by god, does she do it. Moreover, unlike Crow, she has much, much better setup to be duelling Sherry than he does. And this comes right back around to the main thing this duel suffers from, which I've already harped on about: Crow and Sherry, up until this point, have not interacted in a way that would make the connection between them seem in any way significant. Unfortunately for this duel, though, Aki and Sherry have.

From the first episode where we're introduced to Sherry, she's shown to be interested in who Aki is and what she can do. During the duel between her and Yusei, she comments on Aki's powers. Later, when Aki is getting her turbo duelling license, Sherry watches on with interest. At some point while Aki's training, Sherry drops by to speak with her and Yusei again. My point here being, of course, that Aki, unlike Crow, got several scenes where she interacted with Sherry or had Sherry meaningfully take note of her existence before this point. Yet, whatever dynamic the writers may or may not have been aiming for between these two is, at best, underutilised in the final duel, if not completely ignored, at worst. Instead, the writers shift their focus to Crow and try to make us believe that Sherry, a character who has barely acknowledged his existence thus far, would know him well enough to consider him the better target for her attempt at manipulation. (And don't get me started on how the hell Z-ONE's weird robot magic is supposed to expose what Crow "desires deep in his psyche". That is simply a chasm the show expects us to suspend our disbelief over.) And look. The thing is, I don't think the Big Moment where Sherry tries to convince Crow to forfeit is terrible in isolation. Like, they could have made this work, had they given these two setup, had they given us, the audience, reason to believe Crow could be swayed like this (which they, notably, also didn't), and had they given us the impression that Sherry knows Crow well enough to pull something like this. What hurts the scene immensely, however, is that it's preceded by everything before, starting from the WRGP, where there is no setup between these two, no reason to believe Crow could be convinced to forfeit a duel against a major antagonist, and no meaningful interactions to support the belief that Sherry knows who Crow really is at all.

What also stands out to me is that Crow really doesn't feel like the best character to parallel Sherry, here, either. Parallel in the sense that she tries to get to him by expressing a desire she believes they both feel—getting a certain, nicer version of the past they never had back. Because the thing is, Sherry and Crow hardly feel like they have very much in common, and there's certainly no previous hints to make anyone believe they would have this in common. (So for all we know, Sherry could have just been taking a shot in the dark by trying to convince Crow.) You know who could have made for an excellent character to mirror Sherry, though? Yeah. The third person in the room during this scene. Aki.

See, here's the thing about these three as characters, in relation to what this scene tries to accomplish (getting a protagonist to waver by having the antagonist appeal to certain emotional similarities between them): While Crow may perhaps be more relatable to the audience, he isn't all that relatable to Sherry. He comes from dirt poor origins, she from rich ones. He doesn't even remember his parents, she defines herself by the memory of hers. She's a lone wolf, he's incredibly community-focussed. The only parallel you could have drawn between these two, up until this duel, is knowing what it feels like to want revenge. (Sherry with her parents, Crow with his kids back in the DS arc.) But guess what, unfortunately, Aki knows that too, what with her past as the Black Rose Witch and wanting to make people pay for ostracising her. And to make matters worse, she has a lot of other things going for her that parallel Sherry much, much better, too. They both come from well-off families, both have had major, traumatising events in their lives revolve around their parents, both left their initial family structure by way of drastic changes in their life, both are intimately familiar with the desire for vengeance, and, most damningly, Aki knows what it's like to stand on the side of the bad guys—like Sherry is doing in that very scene—because you feel like it's the only place that gives you hope/meaning. Not to speak of the fact that Aki, given her turbulent past with her psychic powers, would probably know exactly what it feels like to want a past you never had back. There would have been so much to work with there, and it makes whatever they were gunning for with Crow look... lacklustre, to put it mildly, by comparison.

The worst part is, I think, that the blame lies neither with the characters nor with the scene concept here. Solely with the execution. Because I truly think they could have made this work. They could have made the entire duel work, big character moments and all. But the keyword is and always has been setup. Setup, which the writers, at least in part, strangely gave to Aki, but not to Crow, which is what hurts particularly his portion of this duel, and, arguably, his character writing in general. Because—and this may be a small thing in the grand scheme of things, but permit me this—while Crow wanting a better future for the kids he used to take care of over a better future for himself feels perfectly on brand, the idea of him forfeiting a duel against a major antagonist, while the threat of the entire city being destroyed is hanging above his head... doesn't. Like, yes, I've talked about the fact that Crow is the only character in 5Ds who ever actually loses duels on purpose. What you may remember, though, is that both occasions we've seen him do this—against Lyndon and Yaeger, respectively—were much lower-stakes duels than this. Not to speak of the fact that it also feels a little odd that Crow, of all people, would buy into the idea that Z-ONE's genuinely powerful enough to just give those kids their parents back, given how liberally he called bullshit on pretty much any and all supernatural mumbo-jumbo claiming that fate is inevitable, or that the gods have this-and-that power, or what have you the entire show. (Also, doesn't he strike you as the guy who'd wonder why Z-ONE's not using his fancy powers for better things, if the extent of them is so great? Or is that just me?) It's a moment of character doubt that tries to sell itself as believable, even though we've never been given any hints that this kind of temptation, specifically, could work on Crow.

Ultimately, Crow & Aki VS Sherry feels like a very hot-and-cold duel. On the cardplay side, the teamwork between Aki and Crow is well done, yet the duel does feel like it skews more towards Aki than towards Crow. Sherry, meanwhile, plays tricky and mean like a proper antagonist, but does so at the expense of sacrificing all her previous tactics and monsters (and, arguably, some of her character, though this is probably on purpose, given her transformation into an antagonist). Then, on the character side, we've got Aki in an interestingly Yusei-ish role, which, while it feels like a good way to show how she's matured and learned, wastes her character dynamic with Sherry. On the other side, Crow and Sherry interact in several personal ways throughout the duel that leave you wondering when exactly these two got to know each other so well, because the show certainly didn't give us a visible progression of their dynamic. The only dynamic that leaves nothing to be desired is that between Aki and Crow (stilted speeches aside), because it excellently showcases their friendship and teamwork. Very weird decisions made in the writing here all around.

We'll get into the nitty-gritty of what changes I would have suggested to improve this duel below, but first: What happens after this duel? Well, two more Yusei gear duels, Aporia briefly standing up to Z-ONE, and then, the final, big clash between Yusei and Z-ONE.

Given that Crow isn't even present for two of these duels and then barely gets more to do than stand on the side and react during the final two, I will dare to skip all that, though. Because really, Crow's occasional comments and the play-by-play he sometimes joins the others in giving when spectating a duel don't exactly contribute anything to his character. They're just there so he gets something to do and doesn't fade into the background entirely when a duel that doesn't involve him is going on. This includes the moment where he, much like the other signers, gets to give Yusei Black-Winged Dragon for the final duel, as well as the later moment when Yusei uses it, chanting in tandem with Crow as BWD arrives. And other than that and the tear-jerking moment when he later reacts to Yusei returning despite all odds, he really doesn't get any noteworthy scenes.

In other words, we are skipping straight to the end. So, where do we find Crow there?

(Oh, y i k e s.)

There's a popular post circulating around this site that goes something like "the worst thing you can do to a character is make them a cop during a timeskip". And, look. I don't think I need to tell anyone that becoming a sector security officer is an extremely jarring character choice for Crow. Crow, of all people! The guy with the face full of markers, who used to be part of a duel gang, who was introduced in the show gleefully stealing from security Robin Hood-style, and who has every reason to despise law enforcement! (Leaving aside the obvious logistical issue that Crow in no country in the world could have completed his police training in the few months between the Ark Cradle debacle and this scene. But given that 5Ds generously brushes realistic concerns like this one aside on multiple occasions, this is, funnily enough, the thing I'm also more willing to overlook here. The character dissonance, however, less so.)

I'll try to be generous and guess that the writers were aiming to convey a message somewhere along the lines of "even someone who's done bad things in the past can become an example for others" or something like it. The problem is just that Crow didn't need any such message because he was already the good guy while he was still actively stealing from security. He was the lovable rogue to a T, damn it! But this, in particular, is a surface scratch hinting at a bigger issue, I think—namely, the issue of the show's complete pivot when it came to the depiction of law enforcement after the DS arc. Because when we think back to that part of 5Ds, good security officers were the exception, rather than the rule. And this is exactly what makes Crow of all characters becoming one even weirder. He would know, would remember how security used to treat him, his kids, his friends, his brothers. And if the idea here was that, well, he's trying to improve sector security by joining it and changing it from the inside, so to speak, then guess what was missing again: Our good, old friend setup. I'm starting to feel like a broken record. So yeah, I don't think a ton of people, whether they like or hate Crow, would disagree that this is a supremely weird position to put his character in.

As we find out through 5Ds' epilogue, however, his sector security job isn't quite what Crow actually wants, though. (And thank god, because that would have been such a bizarre position to leave him in.) Instead, we're shown fairly quickly that several duelling leagues are apparently trying to scout Crow out, and that he's tempted to accept one of the offers and go into pro duelling. This is at first shown in a short scene where something like a league scout follows Crow, then later, when the whole group—sans Jack, at first—is getting together and everyone starts discussing their futures. Aside from complaining a bit about his job and upsetting Aki without meaning to, Crow doesn't get much to do here, either. For what it's worth, at least him feeling tempted to ditch the security job feels more in line with the original Crow we got than with whatever strange twist the writers were going for after this shorter timeskip.

What follows is the very last duel of the show, the long-awaited Yusei VS Jack rematch, of course. And while he doesn't get to participate in this one, Crow, much like Aki and the twins, spectates the duel and ends up having an epiphany about what he wants to do. This epiphany ends up being that he does want to turn to pro duelling, and as a reasoning, canon provides us with this:

(As is known, intense card games are the only way to make children smile.)

Personally, I wouldn't say this is a terrible or out of character reason for Crow to decide to go pro. But there's more to that I'd like to discuss. First, though, let's take a quick look at where we find Crow after the second, bigger timeskip, which is inserted right in the middle of Yusei and Jack's final duel.

(Okay, yeah, I'm a sucker for the bullet earrings.)

The quick scene Crow gets here makes it unmistakably clear that he did go into pro duelling, just like he decided during the duel in the past, and not only that, he went into tag-team duelling and apparently managed to reach world champion status with his teammates. The above scene, however, is the exact same moment he decides to leave said team, so he can instead go solo and (presumably) try to beat Jack.

Now, we can discuss this in a bit more detail. Personally, I'm extremely in two minds about Crow being one of three characters, total, who ends up becoming a pro duellist after canon. Jack seems obvious, especially given the pivot back to his more Fortune Cup-esque persona the writers did around the Red Nova episodes. Rua also makes sense, given that Jack was his idol from the start. Crow, though, feels a little more complicated. The thing is, like so many things surrounding Crow in the Ark Cradle arc, the writers gave us no indication pro duelling is something he's really passionate about before this point. Worse, they didn't even really tell us what reason he saw to participate in the WRGP with his brothers beyond "could be fun". So there isn't really a connection here. The same thing goes for the fact that he specifically talks about teaching his teammates above, which is also something he wasn't associated with all that much previously. Though this one is admittedly less egregious, because at least Crow was seen briefly coaching Aki as she prepared to take his spot during the Unicorn duel. Still, while I wouldn't go as far as saying it's an out of character choice for Crow to go pro, it still feels a little odd that he went down the same route as Jack. Personally speaking, it feels like the writers didn't quite know what to do with him. Because as I said, Jack is obvious and Rua also makes sense, and I'd say the same goes for Yusei. Then there's Ruka, who is treated about as in-depth in the epilogue as she was throughout canon, and Aki, whose "setup" for her timeskip self was done extremely hasty and last-minute, but at least it was there. Between all of them, Crow occupies a weird spot where it doesn't so much feel like he ended up on the wrong trajectory for his life, as it simply feels like there were choices the writers could have made that would have fit him much better. What with his theme of legacy and community, trying to make Pearson's dream of a place where disenfranchised children can learn good life skills a reality would have been a good fit, for example. Especially considering his close ties to the Satellite orphans he used to take care of, which, funnily enough, are reinforced one more time as canon flips back to present day and Crow is seen bidding his kids goodbye.

("Come back"? When, precisely? And what part about "literally saved the world twice" doesn't qualify you as a hero to a bunch of kids ten times over already?)

Considering canon seems hellbent on making sure we know the signers went their separate ways and that they aren't anywhere near each other by the very end of the show, though, my guess is that Crow had to end up doing something like pro duelling, in order to get him out of New Domino City and away from the friend group whose shenanigans we were so accustomed to following by that point. Of course, there's also the argument to be made that Crow staying in NDC and getting a more community-focussed ending would have also been significantly less cool than making him a kickass pro duellist with bullet earrings, which circles back to how the writing interacts with its target audience.

The only thing that follows after this, then, is the big goodbye, and with that, ladies, gentlemen, and other lovely 5ds nerds, we have successfully followed bird boy's path throughout the entire show. And what a ride it was. (I did not think this analysis would end up stretching over a whole four posts.) Time for some closing thoughts before I do my thing and suggest some rewrites that could have made all this feel more coherent one more time.

Crow's character arc, if it can even be called that, feels about as hot and cold as his and Aki's final duel with Sherry over the course of the show. His introduction is fast-paced, he's made to be likable quickly, and his integration into the main protagonist group is as quick as everything else about his narrative. Between the way he shows up out of nowhere, briefly disappears without fanfare, and is then reintroduced with even more importance before slipping into the signer group like he's always been there, it truly feels like his entire inclusion in the narrative was a last-minute decision by the writers to include that one, additional character concept Kazuki Takahashi had originally created after all. If there was one way to describe his whole arc, it would be that it's a rush. At the start, the writers are in a hurry to make him likable, then they're in a hurry to make him a signer, then they're in a hurry to give us a whole backstory for him, then they're in a hurry to give him a believable character dynamic with Aki, and at the end, they're in a hurry to pay off a character dynamic with Sherry they didn't properly set up with him. You may notice that leaves significant gaps, and the lack of balance between those gaps and the rushes surrounding them, I believe, are part of why he's such a polarising character.

Crow is integrated so thoroughly into the signer group at the end of the DS arc that, much like Aki and the twins, he gets stuck in the position of being a character that cannot simply be removed from the narrative for a longer amount of time. And this, I think, ends up biting him in the ass, because in the gaps where the writers don't rush to do something big with him, it often feels like they don't quite know what to do with him at all. So, he instead gets relegated to small side tasks, like inane duels that don't affect the plot, or becomes the person who reacts to unfolding situations in whatever manner wouldn't fit Yusei or Jack. He feels like he's the third portion of the protagonist trifecta only in theory—the status of an equal third player seems to be what the writers had in mind, yet, looking at the show, it feels like an honorary title, at best, because the writing choices made for him don't convey anywhere near the same amount of thought and effort as those of Yusei and Jack. Crow's backstory doesn't intersect significantly with that of his brothers, his dragon is introduced way too late and never given an upgrade, he never gets to clash with Iliaster until the Team New World duel, and throughout the entire WRGP and Ark Cradle arc, there isn't a single duelling victory that's solely his. People who prefer other characters over Crow like to harp on about how much screentime he gets; I argue that this is exactly what showcases how poorly the writers took care of him in many instances. For as much as Crow is plastered onto the screen and given the aesthetics of an equal player in a protagonist trio, his many appearances are as much of a curse as they are a gift, because too many of them aren't spent setting up anything meaningful or developing his character in any way. Speaking of character development: There is none. Crow exits the show pretty much exactly the same as he entered it, brief security stint aside. And, look, this need not necesarily be a bad thing. Static characters exist and they have their place in stories. It's just that in Crow's case, his utter lack of development feels like another damning indicator of the writers' cluelessness when it came to utilising him, given his weird, sort-of-elevated-protagonist. Aki, who is so often weighed against him, gets significantly more development than he does. And though Jack also ends up in almost the same place at the end of the show as he was at the start, at least he had a dip in the middle where his character was somewhat malleable and not set in stone. Crow didn't.

What we end up with, then, is a character whose concept is perfectly fine on paper, but whose execution proceeded to turn him into the one and only favourite for some, and the embodiment of piss poor writing for others. Having now looked at pretty much his entire run in the show with a bloody microscope, I end up somewhere in the middle, myself. He's a good character and much of his writing is confusing at best, utter dogshit at worst. As for what decisions in the writing room led to him turning out like this, I'd still pay good money to know them. For what it's worth, I've tried my very best to make an educated guess as to all of them.

And now, for the final time, allow me to do my very best to suggest how the issues of the Ark Cradle arc could have been addressed in order to make Crow's part in it less messy.

In previous posts, I've split up my rewrite suggestions depending on one circumstance: Whether or not Crow stays a signer. However, this time, I will deliberately forgo this, for one, very simple reason—Crow's status as a signer doesn't matter one bit for the Ark Cradle arc. Regardless of whether he has a mark or not, his duel with Sherry remains unaffected, and so does his later timeskip-self. Thus, pick your favourite, both versions work for the Ark Cradle.

Now. Onto the elephant vengeful Frenchwoman in the room. Let me repeat my favourite word in this post one more time. What the dynamic between Crow and Sherry needed, more than anything else, in order to satisfyingly be paid off during their Ark Cradle duel, was setup. There was so much time Crow spent on screen doing fuck all, and some of that time could have so easily been allocated to him interacting with Sherry in a meaningful manner. (I'm side-eyeing especially his pre-WRGP duels. Those did nothing to add to his character and could have easily been replaced with episodes where he actually gets to talk to Sherry one on one.) And if not that, then the writers could at least have done themselves the favour of letting Aki talk to Crow about Sherry, which would have arguably set up their three-way clash even better. Moreover, show us how the hell these two characters parallel each other and how they differ, damn it! The main issue with the big moment Sherry and Crow had in the duel was that Crow's faltering and his sudden, deep understanding of Sherry came completely out of nowhere. So what if they had shown some of that earlier, then? What if they had shown where the lmits of Crow's resolve lie, what could get him to doubt himself? What if they had drawn the parallel of Sherry and Crow both supposedly being characters that sometimes wistfully think about a past they never had earlier? It would have done so much to make that duel hit exactly the way it was probably meant to. As a bonus, if we had gotten Aki and Crow talking about Sherry, too, the scene of talking Sherry out of helping Z-ONE could have been a team effort, just like their card playing was. Both of them would have reasons to know different aspects of Sherry each, and both could have brought up good arguments. And this is really all this duel woild have needed to be better on the story end, I think: A solid, narrative foundation to make it obvious to us why it has to be these three characters duelling, why it could have only been this setup, why it made the most sense to let these three bounce off each other. Crow only needs that extra step to slot in better with the girls here.

As for the epilogue, I don't think anyone will be surprised to read that I would have never made Crow a cop, not even temporarily. The depiction of law enforcement 5Ds gives us during the DS arc is too damning for that. However, given the way the ending is structured, he does need some sort of occupation that feels like it's not quite the right thing so he can later change his mind about it, of course. Here, though, is where I, purely in service of Crow's character, would suggest a change that probably doesn't work with the ending's final aim of separating the 5Ds gang by hundreds of kilometres each. I would let Crow go into pro duelling first, then let him figure out that's not what he actually wanted. Crow, to me, is a character who is so intrinsically tied to community and family that turning him into a solitary pro duellist—even if he claims to do it to make the kids back home smile—feels off to me. Thus, from a character standpoint, I would let him pivot back to wanting to take care of those kids. Either through what I suggested above, letting him carry on Pearson's dream, or, which also feels fitting to me, by letting him help out Martha again and setting him up as the guy who'll take over when she can no longer run the orphanage. It's not the cool, glamorous end the show gave him, but it's what feels more like the family-focussed guy we first met in the show. It doesn't gel with the idea of permanently separating him from the other signers, though, unfortunately. To do something like that while keeping his community theme, one would probably have to send him away to shack up with Brave or something, to help orphans in other countries. But this, I think, nicely showcases the dissonance between what Crow's character writing would suggest he might do at the end, and what the show demanded he needed to do so he'd no longer be close to the others. Because my focus, as always, is only on character here. And Crow, with his personality and his writing, feels like the character who chafes the most against the idea of striking out solo, abandoning his ties to the community he was so invested in previously. To that extent, the above suggestion is the best I can provide with what we were canonically given. If we wanted to keep the canon ending he gets and actually make it make sense why he suddenly wants to be a lone wolf pro, the only thing I could suggest would be more setup for that. (Ah, there it is again. One final time.) Show Crow having some actual competitive drive, show him enjoying the whole tournament thing more than he thought he would during the WRGP. Just give us something that shows why he would want to go down this path, and why some other things that were previously important to him might not be a priority anymore. It all comes back to setup.

*Deep breath*

So, here we are, then, and this is it. This is all I could make of Crow's character writing in the entire show. To everyone who read this post in its entirety, a heartfelt thank you. To everyone who read the whole series of posts in its entirety, I'm so glad you're as insane about this show as I am, it makes me feel incredibly appreciated. Hope you enjoyed the ride, more meta posts will come eventually, just about different topics. In the meantime, see ya.

[itwoodbeprefect]

happy 1 year anniversary to the election results that were so fucked they had me trying to take my mind off of things by watching what seemed like a toxic chinese queerbait show only to find something far more thoughtful and genuinely queer and interesting than expected and end up watching a bunch more unrelated things that are talked about in vaguely the same realms of the internet and then watch bad buddy twice in a row and fall into an endless bingewatch of thai media (some of which is mediocre, some of which is bad, much of which is simply pretty good, and some of which is genuinely incredible) and go, well, it would be a waste of all this language input i'm accidentally giving myself right now if i didn't at least learn a few words. thus accidentally locking myself into watching even more thai media because now i gain serotonin from hearing a sentence i know i could write

[7swordsmen]

no yeah miri's mom was NOT the ""villain"" and she definitely was not presented as such either.

with the smile spell miri mentioned earlier, and just overall despite the situation she was forced into, misaki clearly did her best with miri even with her conflicting emotions.

the only obviously "bad" choice shes made so far was sending miri, a 4 y/o all alone into the city but 💀 to some degree the thought of sending her to be with her dad is also. yeah. like shes not in a place where she can take care of miri properly, and even if miri seemed to be some sort of... bargaining chip?? miris dad has the resources to help miri more than her mom could

and kazuki isnt the ""good guy"" either nor was the situation presented as so black and white. both parties said things that they've internalized due to their own separate situations, and while kazuki was mostly projecting due to his own losses and experiences, itd be good if he manages to learn about some other worldviews.

but yeah tldr: neither misaki nor kazuki were villains, and they werent PRESENTED as such either. they just said whatever and you the viewer have to interpret it.

i am aware a lot of series often demonize women who dont want their children or are in similar situations etc. but thats not what happened here luckily

[brittlebutch]

a lot of people seem to use Entry #61 as 'proof' for the crux of the "Brian didn't care about Tim, he was Taking Advantage of Tim's conditions and Forcing him to work as part of totheark" thing, but honestly when you think about it there's no possible way Brian could have possibly orchestrated that series of events, like you almost have to interpret that as a baffling group of coincidences

[bootyful-seventeen]

I am heavily contemplating on buying myself a dvd player soon and buying all the DVDs for a ton of movies and tv shows I grew up watching cuz I miss the magic of dvds