#but they’re also watching Normal People (which came out in 2020)

[heartstopperthoughts]

So I’m still processing the latest Heartstopper update, but I just want to say

1. I love that Normal People and Pedro Pascal are now in Heartstopper (I feel like all of my obsessions are coming together!)

2. I love that Charlie has the worst gaydar on the planet 😂

3. I love that the timeline of Heartstopper has officially been thrown in the garbage.

[raven-at-the-writing-desk]

Hi , miss Raven

Their is something has been on my mind for while ;

In rook suitor suit vignette he Compose a flattering poem about Crowley

While Ace and Epel was talking about how rook would compliment anyone , rook insisted that he mean every word he say .

And there's this specific weird line

"if it weren't for your presence , I wouldn't be here"

Like what do you mean?????!!

Do you think this line is hinting at the fact that rook didn't join NRC via traditional way or he wasn't chosen by the dark mirror , since he is one of the light trio

Or To the fact that he transferred to another dorm smoothly without any problem?

For some reason I started suspecting rook recently 😭

The fact he was one of the reason vil overbloted by convincing him to watch neige performance and also he is the one who convinced vil to add Ace and deuce as part of VDC team while I thought lilia and cater was a better option

I would like to hear your opinion about it 👀

Ah, so if I'm understanding you correctly... You're theorizing that Rook might be an outside agent of some kind? One that Crowley intentionally brought into NRC to facilitate triggering overblots??

I’ll try to respond to one question at a time; hopefully this will make it easier to follow along! The post got quite long, so it's all below the cut~

Beginning with Rook’s poem, and, more specifically, “If it weren’t for your presence, I wouldn’t be here”. It’s funny that you mention this line, because when the vignette first came out (in JP; the terminology used is similar to “I would not exist/be here”), people interpreted it VERY literally. As in… “Rook is Crowley’s son because he literally could not be conceived without a father! They’re even both named after birds! They have to at least be blood related somehow!” Strange how in 2020, Crowley was suspected of being Rook’s father but now in 2024 Crowley’s being suspected of being Malleus’s father. The poor headmaster just can’t catch a break 😂

Personally, I don’t think that line is implying anything strange about Rook’s enrollment. As far as we know, he did not join NRC though any abnormal means, and nor did Silver. Of the “light trio” (a label that I must stress exists within the fandom but is not endorsed by TWST), only Kalim fits the bill. Kalim was originally homeschooled, but received an acceptance letter to NRC a month into the school year. Another month later, he transferred in. As far as we know, all students at NRC (save for Yuu and Grim) were chosen by the Mirror of Darkness, even the light trio. Again, I want to emphasize that TWST does not use “light trio” or a similar term to refer to or to characterize Kalim, Silverc and Rook. We’ve gotten no formal in-universe explanation as to why those three in particular have light cosmic magic instead of everyone else’s dark cosmic magic. (This is entirely separate from meta theories, which are out-of-universe explanations for why the “light trio” exists. The popular meta explanation is that it’s because Silver, Kalim, and Rook are not twisted from Disney villains but rather “good” characters like Aurora, the Sultan, and the Huntsman.)

On the subject of transferring dorms, the option is always on the table. We see mob students talk about transferring dorms as early as 1-14:

In 6-67 (part 20 with the Pomefiore group), Vil describes the transfer process as being tedious and involving a lot of “complicated paperwork and ceremonies”. Crowley also says the process is “burdensome” in 1-20, but this phrasing is quite vague and could mean any number of things. (Burdensome to whom, the staff or the students? Why exactly is it burdensome?) Overall, it seems like transferring dorms would take a long time and require various formalities, but not necessarily be full of problems.

As long as you’re dedicated and consistently complete what is asked of you to complete the process, transferring should be no issue. I don’t think it’s a given that you’d normally experience troubles in trying to transfer. It should be smooth by default (unless the student backs out, is uncooperative, and/or fails to complete the required steps). So following that logic, I don’t think the poem line is saying anything about Rook’s dorm transfer either.

While it’s true that Rook encourages Vil to watch Neige’s performance and advises that Vil pick Ace and Deuce for the VDC/SDC Tribe, I do not believe there was malicious intent behind these actions. It’s hinted throughout book 5 that Rook’s reasoning for doing these things was to help Vil recognize the value of his “beauty” is something he gains from himself, not from the approval of others.

This is most likely Rook’s motivation for suggesting Vil observe the competition or to consider freshmen for the team. It’s exposing Vil to the contentedness that can come with imperfection or not being at the very top, something Vil fails to recognize in himself until the end of book 5. Being as perceptive as he is, Rook would have realized that outright telling Vil the moral of the week would not sway his strong-willed friend’s mind. Thus, Rook devised a more roundabout plan and involved Yuu (who, at this point, has a reputation for settling dorm-wide disputes) and co. (unpolished and clumsy underclassmen that Vil could shape as well as potentially also learn from in a reciprocal manner). Maybe Lilia and Cater would have been more technically skilled, being members of a club band and all, but they wouldn’t have provided the same opportunity for growth that Yuu and Adeuce did.

Rook is someone who has always been portrayed as a supporter of Vil’s, a good friend and a trusted confidant. He does have a nefarious side and is 100% capable of deception (like the time in Endless Halloween Night when he quickened his heartbeat to convince Sebek he was also scared and therefore was not a traitor). However, I don’t think Rook would want to betray his friends by actively harming them and putting their lives in danger (both during book 5’s overblot and immediately after in book 6’s rescue mission); he truly cares for them and wants to see them happy and healthy. (One could argue he should have voted for NRC instead of RSA to help Vil achieve his dream instead of betraying him, but that’s another discussion entirely.)

There’s no reason why Rook would go out of his way to do innocuous things like helping Epel with his UM or imparting wisdom to Deuce unless he actually cared and wanted to see them develop. Beyond the scope of book 5, why would Rook do even more innocuous things like trying to make Epel feel welcome and assisting him with learning table manners? Why wouldn’t he go out of his way to provoke Vil more often? Did Crowley hypothetically have even all of these little details down and instruct Rook to do (or not do) these things??? It sounds too far-fetched to attach a hidden motive behind everything Rook says or does. It could be as simple as “he wants to be there to support his friends”.

Before we wrap up, I’d like to quickly touch on the suggestion that Silver and Kalim too were catalysts for Malleus and Jamil’s OBs, respectively. It’s true that they were, but I doubt Silver or Kalim were aware and did so intentionally. Both seemed genuinely ignorant as to the true stress that Malleus and Jamil were under, and Silver + Kalim do not present as toxic people who would want to inflame their friends’ negativity. Of course, there’s always the possibility that Puppet Master Crowley (™) is orchestrating everything from the shadows (but I’m not going to get into the “time loop to gather all the necessary information and learn what the correct choices are” theory here www). I just don’t think Rook is Crowley’s accomplice in all of this if the time loop + intention overblots theories overlap.

This is one of those instances where I see Rook as being very honest with his intentions and because of his… generally strange character (?), his peers and players alike still suspect there is a deeper meaning to his words. I interpret his poem as nothing more than waxing poetic to expressing gratitude to the one man that makes it possible for him to be at NRC as a student: Crowley. Rook states that he wanted to give an exemplary poem using a subject that both Ace and Epel were already familiar with, so he went with the headmaster. Furthermore, we know that Rook is able to witness many wonderful and beautiful things at NRC, as well as make meaningful relationships with interesting people like Vil. He would not be able to do any of these things were he not extended an invitation to NRC—and it is for this reason that it would make sense for him to genuinely be appreciative of Crowley.

Those are all my thoughts on this matter all for now ^^ Hope it was an interesting read!

[the-rewatch-rewind]

Another new episode!

Script below the break

Hello and welcome back to The Rewatch Rewind. My name is Jane, and this is the podcast where I count down my top 40 most frequently rewatched movies in a 20-year period. Today I will be talking about number 16 on my list: Castle Rock Entertainment and Warner Bros’ 2003 mockumentary A Mighty Wind, directed by Christopher Guest, written by Christopher Guest and Eugene Levy, and starring Christopher Guest, Eugene Levy, Michael McKean, Harry Shearer, Catherine O’Hara, and a bunch of other fabulous comedians.

After the death of a folk music producer, his children organize a televised memorial concert featuring three of his most famous groups: The New Main Street Singers, the Folksmen, and Mitch and Mickey. The film documents their reunions, rehearsals, and the show, and then catches up with the performers six months later.

My parents saw this movie in theaters, and I remember hearing that my mom really liked it and my dad did not. We got it on VHS soon after it came out, but it took several years for us to actually watch it. I wasn’t familiar with Christopher Guest’s other similar work, and I thought this was going to be a boring biopic about a band I’d never heard of. I can’t remember what finally convinced me to give it a chance, but once I did, I thought it was hilarious and was immediately hooked. I watched it five times in 2007, twice in 2008, twice in 2011, three times in 2012, once in 2013, once in 2014, once in 2017, twice in 2018, twice in 2020, once in 2021, and twice in 2022.  

At some point we got it on DVD as well, and I watched it with commentary by Chris Guest and Eugene Levy, which is how I learned that most of the dialogue is improvised. Guest and Levy came up with the story and characters, and they gave all the actors their backstories and then just let them say whatever they wanted to the camera. And that method works SO. WELL. It has that “authentic but also aware that I’m talking to a camera” feel of a real documentary, while also being just incredibly funny. One of my favorite parts is when the Folksmen, played by Chris Guest, Harry Shearer, and Michael McKean, are talking about how one of their albums was released on an inferior label, and they mention things like how the cover was printed in fewer colors and so forth, and then Guest just casually says, “And they had no hole in the center of the record,” and the other two just add to it, like, “Oh yeah, it would teeter crazily on the spindle” “But they were good records” as if this is a completely normal conversation and not one of the most ridiculously silly things anyone could possibly say. I’m so sad that the DVD didn’t come with bloopers because I would love to see all the fun improvs that didn’t make it into the final cut, and to find out how often they cracked each other up. Although the fact that they could have an earnest conversation about a record that was a good product once you punched a hole in it yourself demonstrates that these actors don’t break easily.

The cast is so packed with brilliant comedic talent that the movie would be worth watching for the laughs alone, but there’s more to it than that. Since this is a mockumentary, it would be reasonable to expect the punchline to be that all the music groups are terrible, but they’re not. The singing is excellent, and most of the songs are actually very catchy and fun to listen to. I’m a huge fan of the soundtrack. The songs were mainly written by various cast members, and as far as I can tell everybody did their own singing. Mitch & Mickey’s hit, A Kiss at the End of the Rainbow, written by Michael McKean and his wife Annette O’Toole and performed by Eugene Levy and Catherine O’Hara, was even nominated for an Oscar. For people making a movie mocking folk music, they sure put a lot of effort into creating fabulous folk music. In a way, A Mighty Wind is kind of similar to Enchanted, in that it’s making fun of something while also celebrating it. And that’s one of my favorite things about it. This movie demonstrates that it’s possible, and even wonderful, to love something both genuinely and ironically at the same time, which is how I feel about several of the movies I’ve talked about on this podcast. A Mighty Wind offers no apology for enjoying folk music, even while expressing that most of it is objectively not good. I read a review that saw this as a flaw, claiming this film lacked the bite of Guest’s other mockumentaries, but I think that’s a big part of why this is my favorite. I enjoy his other films, but they feel a bit more mean-spirited. The writers clearly loved the Mighty Wind characters, even the more obnoxious ones, and therefore made them more likable to the audience than, for example, most of the Best in Show characters. Not that characters always have to be likable, but I find likable characters more fun to revisit.

I also feel like A Mighty Wind has a slightly less raunchy sense of humor than the others. There definitely are sex jokes, but mostly innuendo and double entendres that you can ignore if you’re not into that. For example, Jane Lynch and John Michael Higgins play a married couple whose last name is spelled B-O-H-N-E-R, and you can probably guess how it’s pronounced, and she makes a couple quick references to how she used to be a porn star, so it would be easy to just make sex jokes the main focus of their characters. However, they also started a coven called WINC – witches in nature’s colors – in which they believe, and I quote: “Humankind is simply materialized color operating on the 49th vibration. You would make that conclusion walking down the street or going to the store.” And that, to me, is much funnier. Not that I don’t laugh at a good sex joke, I just feel like I get tired of them faster than most people seem to, so I appreciate that this movie has a good balance of many different types of comedy.

I also appreciate that it’s not very heavily focused on romance; this is a movie about putting on a concert, not people falling in love. There is one main storyline that does involve romance, but in an intriguing and atypical way. Mitch and Mickey were once a couple who apparently had a very messy breakup, and are now reuniting for the first time in decades to perform A Kiss at the End of the Rainbow, which in the past always involved them actually kissing. We see them rehearsing it once, and they just pause and look at each other awkwardly at the kiss part. Then at the concert, Mitch disappears a few minutes before they’re supposed to go on, and Mickey is furious until he returns with a rose for her. And of course then they kiss on stage during their song. In the six months later epilogue section, they each claim that the other took the kiss too seriously, which I feel like could be interpreted in multiple different ways, and I’m honestly not sure if we’re supposed to conclude that they still have feelings for each other or not. But it’s clear that they both felt pressured to kiss because the audience was expecting it, and that’s the part that fascinates me. Because fans do often tend to become overly invested in the love lives of the celebrities they’re following, and I like the way this movie portrays that from the perspective of those celebrities. Of course, in this case, the audience probably just wants them to kiss because they always did and not necessarily because they want them to get back together, but I feel like those two attitudes are still related. The movie doesn’t tell us who decided to make the kiss part of the song in the first place, but knowing how often producers like to exploit relationships between artists to make money, I doubt it was Mitch and Mickey’s idea. But everybody loved it, apparently. A folk music historian who is interviewed claims that the kiss was a great moment not only in the history of folk music, but in the history of humans. When the Folksmen recognize the song at the concert, they make a bet about whether the kiss is going to happen – also, unrelated, but I love that Michael McKean’s character says, “This is that really pretty one” about a song that he wrote in real life. And then later, Mickey says that her sister berated her for leading Mitch on, even though that’s not what she was trying to do at all. There seems to be a weirdly contradictory perception of the kiss – people think it’s both trivial and significant at the same time. It’s just a fun little performative part of the song, and yet it’s seen as indicative of the state of their relationship, even by people who know it’s not. And it feels particularly appropriate that Mitch and Mickey are played by Eugene Levy and Catherine O’Hara, who have played opposite each other so many times that people kind of expect them to be together. I don’t know if anyone actually thinks they’re together in real life, but I imagine they can relate at least a little bit to having a bunch of people they don’t know expecting them to show romantic interest in each other. And I feel like this is a great example of how amatonormativity can harm everybody, regardless of whether they’re aromantic or not. Because everyone is expected to want and need a committed romantic partner, some people become overly invested in the slightest romantic gesture, so that even a kiss between two performers on stage is interpreted as a declaration of their undying love for each other. And I appreciate that they managed to stick that message into this very silly comedy, even as I’m aware that I’m probably reading way more into it than anyone intended.

The main reason I keep rewatching this movie is because most of the jokes are still funny even after you’ve heard them over and over. However, there are a few that feel a little offensive now. For example, Jennifer Coolidge is hilarious as a very clueless character, who talks about having one brain that she shares with Larry Miller, thinks that model trains are where they got the idea for the big trains, and doesn’t know how to hum. But it kind of seems like she’s putting on an accent that might be intended to make fun of a specific group of people. Although I can’t tell what accent she’s trying to do, so maybe she was just talking silly and it’s actually not offensive, I’m not sure. And then there’s the part at the very end, when Harry Shearer’s character comes out as a trans woman, and like…they kind of try to portray it semi-respectfully, but it still feels like the joke is meant to be: look, it’s a man with a deep voice wearing a dress, isn’t that so funny? And I don’t like that. Also there’s very little diversity: I think there’s only one black character, who only has one line, and everybody else is white, and most of the important characters are men. But compared to most comedies from the early 2000s, overall A Mighty Wind holds up surprisingly well. It’s another example of an “everybody was having way too much fun” movie that I love despite its flaws.

I got to see The Folksmen in concert in 2009, when Guest, McKean, and Shearer did their “Unwigged and Unplugged” tour. They also performed songs from This is Spinal Tap, which I think is probably what most people were there for, and it was fun to see them switch between playing rockstars and folk singers. Everybody in this movie is so incredibly talented, and I love that they’ve made a bunch of similar but different projects together to demonstrate their range. I don’t know why Mighty Wind gets talked about so much less than Spinal Tap and Best in Show because if you enjoy those two, I’m pretty sure you’ll also enjoy this one. And if you, like past me, have been avoiding this movie because folk music sounds like it would be boring, I can assure you that it is not.

Before I wrap up this episode, since this is a podcast about movies, I just want to take a moment to talk about the current WGA and SAG-AFTRA strikes. The billionaire CEOs of production companies are trying to convince the public that writers and actors are unreasonable for wanting to get paid for their work, in order to distract us from the fact that the very existence of billionaires in a world where any people – let alone people working for them – are struggling to make ends meet is preposterously unreasonable. I know it will be hard to wait for TV shows to come back and new movies to come out, but there are so many things for us to watch in the meantime. As audience members, we should absolutely be rooting for the actors and writers here. Think of how much better their art will be if they’re paid enough that they don’t have to work a bunch of side jobs to survive! So if you know of any writers or actors who have Patreons or anything like that and you have a little money to spare, now would be an excellent time to start supporting them. I’m also putting a link to the Entertainment Community Fund in the show notes [and here], if you want to support the cause more generally. This podcast wouldn’t exist without screen writers or actors, and I strongly feel that all of them deserve to be fairly compensated for their art. Remember that this strike isn’t about the movie stars making $15 million per movie; this is about the 87% of SAG-AFTRA members who don’t make the $26,000 required to qualify for health insurance each year. And I would like to wish any of my listeners who happen to be in the WGA and/or SAG-AFTRA the best of luck during what I hope is a crucial turning point in the industry.

Whether you’re in the entertainment field or not, thank you for listening to this podcast! Next week, I will be returning to Old Hollywood to talk about another film I watched 22 times that is only one minute longer than A Mighty Wind. As always, I will leave you with a quote from that next movie: “I just said I’d write it, I didn’t say I wouldn’t tear it up! It’s all in little pieces now, and I hope to do the same for you some day!”

[kuwdoravids]

Year End Vid Review: 2022

Year-end round-up/meme: 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016 | 2017 | 2018 | 2019 | 2020 | 2021 | 2022

March Memory Leak (tumblr) (The Matrix Resurrections, Neo, Neo/Trinity)

June Come Back For You (tumblr) (The Witcher, Istredd) Wild Green Yonder (tumblr) (Shrek/Witcher, Shrek/Fiona/Donkey, Geralt/Yen/Jaskier)

August Control (tumblr) (The Witcher, Ciri)

November Brother (tumblr) (The Witcher 3: Wild Hunt. Geralt, Eskel, Lambert, Vesemir)

Read the meme questions beneath the cut!

Random process notes:

I actually made 4 vids this year. "Brother" I made in 2021 and just didn’t post until 2022. But I gotta have Brother show up somewhere in one of my vid review lists so here it is.

4 vids in one year is the fewest vid I made since 2022 and 2018 but that’s mostly because I’ve had like, four mental breakdowns and have been hyper fixating on writing Witcher fic so I did not finish as many vids as I usually do. I didn’t even start that many new vids either.

Overall thoughts:

All of the vids except one are Witcher related. The non-witcher vid is Matrix Resurrections which was more of a soul statement vid that I got to make about the themes of the movie and mental illness.

My Witcher hyperfixation remains strong. I’m very pleased with all the vids I finished and started this year. They’re all quite different, musically and different characters, too. It was a good vidding year even if I didn’t finish a few other projects before December closed out.

Favorite Vid:

Come Back For You. I fucking adore Istredd and Royce Pierreson’s face is so lovely. This vid is all about the vibes for me, but I really enjoyed playing with the visual cues in this—Istredd sitting/transitioned into the monolith, the shadow puppets/Yen and Istredd, so on and so forth. It was a delight to cram all my Yen/Istredd and Geralt/Istredd feelings in here while also managing to touch upon the scholarly aspect of his character since we got a few great scenes with him in season 2.

Hardest to make:

Memory Leak. I had the bulk of this made in about a week in January but I got stalled out in the last 25% of the vid because I couldn’t figure out the flow. But I took some time away from the vid and was able to come back with fresh eyes and manage to finish it in time for VidUKon.

Most successful:

Memory Leak. I was able to accomplish everything I wanted to do with this vid- touch upon the visual narrative of the past/present/reality, showcase Neo’s yearning for love and surviving through the psychological torture he’s been under for decades. And I was able to do that with a very specific song choice—Albert Salt’s cover of Blink182’s “Adam Song” remains one of my most favorite covers I’ve worked with. It does wonders for this vid. I’m so proud of it. And I had a blast watching folks lose their minds while watching the vid at the convention, too! So much joy.

My best vid:

Wild Green Yonder. Aka the Shrek/Witcher crossover that people have gif’ed but I watched all 4 Shrek films and was delighted to discover even more parallels. Everything about this vid is everything I wanted—the joy, the squee, the parallels. The surprises. It really is my best this year.

Most fun vid:

Wild Green Yonder. Not only is using Joey Batey’s music from The Amazing Devil great but the very specific fantasy tropes that happen in both Shrek and Witcher is just so goddamn fun to play with. Especially when it came to Geralt fishing the djinn out of the water for his wish and Shrek trying to also get his wish for everything to go back to normal. I adored playing with the internal motion and eyeline of the characters so that it appeared Shrek was looking at Jaskier and Fiona was smiling at Geralt in bed.

I just wanted to escalate my squee because I really enjoy this trio dynamic a lot and it is my happy place. And I am sure that anyone who watches this can feel the fun!

Also it’s my hope that everyone who watches comes away shipping Fiona/Donkey because the Yen/Jaskier parallels were SO FUN.

Things I learned in 2022:

The more that I write, the less that I spend time vidding. Simple as that. I had a few other vids I wanted to finish in 2022 but my brain meltdowns and anxiety made it hard to follow through.

That being said, I also learned that it is a lot of fun to keep chasing my Witcher joy.

In 2023:

I want to finish my Moonhaven vid and probably start my season 2 Witcher vid and probably a Witcher Blood Origin thing that all of 13 people will watch but it’s what I want to make so that’s how it’ll be. I have a few ideas here and there that I might tackle but it really is a matter of how much anxiety brain I can stifle to focus long enough for clipping again.

I also keep meaning to archive the rest of my catalog on AO3 and Tumblr, so that’s something I am going to attempt to do over the coming year. Over 200 vids to go…

[newstfionline]

Tuesday, November 5, 2024

Election results could take days (NYT) Counting the votes will extend beyond election night on Tuesday, and determining the outcome of the presidential race could, too. Even in states that count their ballots relatively quickly, if the race is as close as the polls say, it could take days before a winner can be projected (election results are never official until final certification). In 2020, a record number of people voted by mail because of the pandemic, and many states were processing large numbers of mail ballots for the first time. While mail voting has dropped off in many states and others have made changes to speed up counting, these types of ballots are still more time consuming to count. Democrats have been more likely to cast mail ballots, and variations in timing for counting them can contribute to so-called “mirages” in the reported results—cases in which the type of ballots reported first favor one party in a way that is unrepresentative of the eventual result.

Fears of Civil Unrest Stalk the Markets (NYT) Wall Street strategists say their meetings with portfolio managers have taken a dark turn lately. All but gone are investors’ fears of a hard landing, replaced by a deeper anxiety that things could go very badly around Election Day. Investors are not just concerned about their investment portfolios or retirement funds. They’re worried about democracy. As in … will it hold up if the result of the election between Donald Trump and Vice President Kamala Harris is contested? “The general consensus is that, one, it will take time to find the winner—so we might have to wait for weeks until the many contests and court challenges have played out,” Joachim Klement, the head of investment strategy at the investment bank Liberum, told DealBook. “And two, no matter who wins, there will be civil unrest.”

NYC declares a drought watch and asks residents to conserve water (AP) New York City Mayor Eric Adams issued a drought watch yesterday and urged residents to conserve water by taking shorter showers, fixing dripping faucets, sweeping sidewalks instead of hosing them down, turning off the tap while brushing teeth, and other measures. He also ordered all city agencies to get ready to implement their water conservation plans. Just 0.01 inches of rain fell last month on the city’s Central Park, whereas a normal October sees about 4.4 inches of precipitation, National Weather Service records show, making it the driest October in 150 years.

After Spain’s Floods, a Surge of Volunteers, and of Rage (NYT) They came by bus, by tractor or on foot. They waded through mud hoping to help clean up neighborhoods washed away by floodwaters that have killed at least 214 people. Thousands of Spanish citizens made their way to flood-ravaged Valencia over the weekend after the country’s worst natural disaster in recent history left the nation shocked by images of overturned cars and brick homes torn apart by furious water. The devastation has become a political flashpoint. On Sunday morning, as King Felipe VI walked through a crowd in Paiporta, a town in Valencia where more than 60 people died, angry protesters shouted and threw mud. And there was frustration that resources were being used for an official walk-through, while emergency workers were still racing to try to find survivors.

At least 36 dead after overcrowded and dilapidated bus skids into a deep gorge in northern India (AP) A poorly maintained and overcrowded bus veered off the road and plunged into a deep gorge in northern India on Monday in northern India on Monday, killing at least 36 people and injuring several others, officials said. The accident occurred in Almora district in the mountainous state of Uttarakhand. The bus was carrying around 60 people, and more than 20 have been injured, said Deepak Rawat, a senior state government official. India has some of the highest road death rates in the world, with hundreds of thousands of people killed and injured annually. Most crashes are blamed on reckless driving, poorly maintained roads and aging vehicles.

Fixing China’s economic crisis (Die Zeit/Germany) What does China’s party leadership do when it cannot get a persistent economic crisis under control? For example, it makes sure that economists who point out the seriousness of the situation “disappear.” This is exactly what happened with Zhu Hengpeng, vice director of the Economics Institute of the Chinese Academy of Social Sciences. In April, Zhu was believed to have made derogatory comments about the state of the Chinese economy and the economic expertise of party leader Xi Jinping in a private chat group. Since then, the scientist has not appeared in public, and his academy no longer lists him as an employee. As Stalin once said: Man gone, problem gone. Well, at least for the time being. Zhu is not an isolated case: the party is said to have recently urged other economists, in friendly or less friendly ways, to put the current economic situation in a positive light. However, this is becoming increasingly difficult.

A robot retrieves the first melted fuel from Fukushima nuclear reactor (AP) A robot has successfully made it into the core of one of the three damaged reactors at the Fukushima Daiichi nuclear power plant. The robot is the first of hopefully many to journey into the facility which suffered a meltdown in 2011 following a tsunami strike. The bot recovered a piece of radioactive slag as big as 5 millimeters from a mound of molten fuel debris. The sample will be analyzed, and what they find out will direct the plans for a 30- to 40-year cleanup of the 880 tons of radioactive molten fuel and decommissioning of the plant.

Netanyahu in fresh storm over Gaza hostages after arrests linked to alleged leak (Guardian) Prime Minister Benjamin Netanyahu’s government has found itself embroiled in yet another scandal. According to multiple sources, officials working on behalf of the prime minister’s office were involved in a plot to release doctored documents during ceasefire talks held this September. The faked documents supposedly revealed a Hamas plot to smuggle Israeli hostages out of Gaza and into Egypt, where they would be brought to Iran or Yemen. After leaking the edited documents to the press, Netanyahu then came to the negotiating table with a new demand—to keep Israeli troops posted on the Gaza-Egypt border—which Hamas rejected, leading to the talks quickly breaking down. Now, as the plot has been revealed to the Israeli public, the families of Israeli hostages and opposition leaders have criticized Netanyahu for tanking the hostage negotiations in an attempt to extend his war with Hamas and keep himself in power.

Israel ends agreement with U.N. agency for Palestinians (Washington Post) Israel informed the United Nations on Monday that it has terminated the decades-old agreement legally recognizing the U.N. agency for Palestinian refugees, which provides a humanitarian lifeline for people in the Gaza Strip. The move comes a week after Israel’s Knesset passed two laws that would severely imperil UNRWA’s activities and diplomatic privileges by blocking any activity on Israeli territory and forbidding government authorities from directly communicating with the agency. Israel has long been critical of UNRWA and accused it of being infiltrated by Hamas, a claim the agency has denied. UNRWA says it distributes food aid to more than a million Palestinians in Gaza who depend on humanitarian aid.

Israeli forces used civilians as human shields in Gaza, Palestinians and soldiers say (Washington Post) For two weeks in late July and early August, said Mohammed Saad, 20, he and two other Palestinian men were forced by an Israeli army unit in Gaza to enter buildings feared to contain explosives and photograph every inch before troops were given the all clear to enter. When the soldiers were done with him, he said, someone shot him in the back. Saad was among four Palestinian men who spoke on the record to provide vivid accounts of what they described as Israel employing detained Palestinians as human shields in Gaza—defined by the Geneva Conventions as using civilians or other detainees to shield military operations from attack—in this case, by forcing them to carry out life-threatening tasks to reduce risk to Israeli soldiers. Their nearly contemporaneous accounts are detailed, corroborated by other witnesses, and consistent with testimony by an Israeli soldier. “This wasn’t something that happened just here and there but rather on a large scale throughout a number of different units, at different times, throughout the war and in different places,” said Joel Carmel, advocacy director of Breaking the Silence, an organization that collects and verifies testimonies from troops who have served in the occupied Palestinian territories.

From The Middle East, All American Presidents Look The Same (Daraj/Lebanon. Opinion) On the eve of the U.S. elections, after months of blatant lies and empty promises, the whole world is anxiously waiting and wanting to know who will be the American president for the next four years. It’s the same old farce. Democratic candidate Kamala Harris, if she wins, will continue her party’s policies that have supported genocide in Gaza. Or if he wins, Republican candidate Donald Trump will return to the White House to continue his destructive policies that he began in his previous term. For decades, the Middle East has suffered from being the object of American policy, as a chess piece in a power game not about freedom or democracy, but about domination, exploitation, and, above all, hypocrisy. It is a grotesque theater of the absurd where from one administration to the next, whether Democratic or Republican, the tone remains the same: unwavering support for authoritarian regimes, military interventions disguised as humanitarian efforts, and unwavering loyalty to the Israeli occupation. Successive American presidents have been complicit in enabling Israel's apartheid policies, from the occupation of the West Bank to the repeated massacres in Gaza. Year after year, administration after administration, the United States continues to pump billions in military aid to Israel, while turning a blind eye to Palestinian suffering, whether through direct complicity or passive silence.

29 Nigerian children may be sentenced to death for protesting against cost-of-living crisis (AP) Twenty-nine children could be facing the death penalty in Nigeria after they were arraigned Friday for participating in a protest against the country’s record cost-of-living crisis. Four of them collapsed in court due to exhaustion before they could enter a plea. A total of 76 protesters were charged with 10 felony counts, including treason, destruction of property, public disturbance and mutiny, according to the charge sheet seen by The Associated Press. According to the charge sheet, the minors ranged in age from 14 to 17 years old. Frustration over the cost-of-living crisis has led to several mass protests in recent months. In August, at least 20 people were shot dead and hundreds more were arrested at a protest demanding better opportunities and jobs for young people.

Infinite Monkeys (BBC) A new study sought to actually figure out how right the adage is that if given an infinite amount of time, a monkey on a typewriter will eventually write the complete works of William Shakespeare. In yet another instance of “infinity is really very hard to contemplate,” the study found that a random primate at a keyboard clicking one key per second only has a 5 percent chance of writing the word “bananas” within its own lifetime, and anything more sophisticated like “I chimp, therefore I am” has a chance of one in 10 million billion billion. Indeed, the paper argues, the global population of 200,000 chimpanzees grinding at the problem would almost certainly experience the heat death of the universe before pulling off that brief five-word sentence.

[wellfine]

✨ One Piece Timeskip Redesigns! ✨

My last art of 2020 went off with a bang! I’ve been working on these for a while and they’re finally ready to share. I thought it might be fun to concept designs for the crew with more influence from the islands they were sent to! They ended up a lil costume-y, but I like that too.

Read below for flavour text/design notes or just enjoy the art!

LUFFY: I wanted him to have “King of the Pirates” vibes! His hooded cape/mantle is inspired by the coats Shanks and Roger wore, but less cumbersome, mixed with the Kuja’s capes. The design on the back is Ace’s comedy/tragedy drama masks in the shape of Sabo’s goggles, inside angel wings. He can store things inside the sash. The golden snakes around his ankles can expand with him (the tail comes out of the mouth, like a bangle). The Kuja women made his clothes for him!

ZORO: Not a whole lot to say here except he forgot how normal people dressed while he was on Kuraigana LOL. His design is a mix of European and East Asian vampire lore and he just keeps... losin limbs lmao. With all his prominent scars he really does look undead!! This was the first design I came up with and it’s what made me want to do all the others!

NAMI: She’s a Weather Witch! The old men on Weatheria were scandalised by her short hair and tattoos so she... got shorter hair, and another tattoo. Her second tattoo is a four-pointed star inside a ship’s wheel/compass, to represent where she’s going, because her old tattoo represents where she came from. Her hair is also obviously inspired by Bellemere! Her suit is a swimsuit so she’s ready for any weather, and her hood opens up into a giant witch/rain hat. The moons on her shoes are skate-model wavers and can retract up around her ankles when she’s not using them. Combined with her (canon) “milky road” abilities, she can use them with her Clima-Tact to “fly” across clouds!

USOPP: He basically leveled-up in running away, so he kinda fights parkour-style now. His gloves and shoes are made by dipping his hands/feet in natural tree rubber sap so they give him excellent grip. He has little bands between his index & middle fingers he can use as slingshots in a pinch. He KEPT HIS ORIGINAL GOGGLES BECAUSE WHY WOULD HE ABANDON THEM, ODA?? even though he ahd to repair them a few times. The multiple watches keep track of the island’s time cycles and vibrate to alert him rather than make any sound. His coat of leaves provides camouflage, and he can also inflate it along with a birdcall whistle to look like a giant owl and scare off predators!

SANJI: What if Sanji went to Gender Island and realised all masculinity is performative so he came back a drag king I wanted to lean harder into his “waiter > chef” pre-TS design elements. His vest is backless and has more heart shapes at the back lmao. He leaves heart-shaped stamps on people when he kicks them

CHOPPER: Chopper was hard because I think his post-TS design is perfect already BUT! He got the little capelet and the feather from the people/birds of Torino kingdom. The swirls are from Hiluluk’s coat lapels! His doctor bag is actually a little backpack.

ROBIN: ............... ma’am She’s a fantasy/video-game-archeologist mixed with a sleek, modern super spy. She uses the harnesses to lift/hoist herself around by her own hands, using her devil fruit power instead of ropes, Mission Impossible style. She uses throwing knives even though her accuracy isn’t that great because she’s basically just gonna pick them up with one of her flower hands and stab the target close-range anyway.

FRANKY: I actually like that he’s a big messed up robo post-TS LMAO I just think he would love Vegapunk’s chimera designs. He’s sort of a griffon/manticore fusion with obvious inspiration from the Sunny, which he can probably mecha-fuse with somehow now. The paw pads can pop out of the gloves and act like smaller hands for more delicate stuff, just like his canon design. Robin is a big fan of squishing them. Gas from his cola chamber fuels powerful hydraulic attacks! (He can still do the nipple beam :/)

BROOK: Brook was hardest because I couldn’t change that much about his original design, but I lke the result! His skull cracked all the way through (probably excited groupies) so he welded it back together with gold (kintsugi). It can actually swing open like a purse, though, so he can store stuff in it, and his two gold teeth act as the clasp. His collar is an inverted violin, and his outfit is themed around ghost ships. The soles of his shoes are sabaody technology that make his foosteps silent. His cane-sword is now also a mic!

THAT’S IT! PHEW! If you have any questions I’d be happy to try and answer, but in the meantime, thank you for reading/looking! ♥

I can’t tag because Tumblr hates any links, even within Tumblr, but I was inspired to make these redesigns by Bridget’s lovely redesigns which you can find on her Tumblr elekilokal!

[astaroth1357]

The Brothers Catch the MC Dancing/Singing By Themselves

So long 2020!!! I’ve been listening to nothing but End-of-Decade Mashups and the 2010s was the decade of club bangers, so excuse me as I write a little happiness at the end of this shitty, shitty year.

Lucifer

Lucifer was in his secret study with the door closed which usually would block out a lot of distractions, but…

The MC was out in the library just blasting this… awful noise!!

Okay, maybe the noise wasn't awful - but as a classical music man, he had no use for the electronic bleep-bloops of whatever the hell they called "music!"

He had tried to put up with it for about an hour… but he had his limits. Soon enough he could feel his fuse dwindling to nothing and he just HAD to open up the door and tell the MC to keep it down!

He just wasn't expecting to find them dancing… while belting their heart out using a feather duster as a microphone…

Oh… wasn’t this amusing~?

For once, Lucifer decided that work could wait for a minute or two as he leaned against the doorframe to watch the MC do their thing, his smile could only be described as somewhere between being highly entertained and genuinely smitten with the off-key goofball in front of him...

The look went away real quick after the MC finally noticed he was there and dropped the feather duster like it was on fire. Shame… They were acting so cute before... 

He still had a knowing smile on his face when he asked them to turn their music down some, but he didn’t blow up at them or anything… What can he say? He enjoyed the show. 😏

Mammon

The MC has a nasty habit of singing under their breath when they’re bored. Mammon knew this, of course, and he never stopped straining to try and hear their quiet notes whenever he could...

It was hard to do since they had long trained themselves to keep it quiet in public, but he was certain that from what he could hear, he certainly wouldn’t mind listening to more!

The only exception was when they thought they were alone… like in their bedroom doing homework for example.

Mammon had just happened to pass by their bedroom door (and not going there directly just to bother them because he felt lonely or anything...) and heard something through the door…

It sounded like the MC but different… rhythmic and melodic… That was it!! They were singing!!!

He knew he had to be careful about this... If the MC realized he was listening, then they’d stop and leave him high, dry, and wanting more...

He had to push their bedroom door in incredibly gently so it wouldn’t make any noise… The House was old - okay scratch that, ancient - and all the doors have a creak to them if you’re not careful… but oh, was it worth it…

He knew, he just knew, that he would like their voice! Good or bad, it was all them! Why did they also sing so quietly?? He felt like he could listen for hours!

 And he just might have gotten the chance if he had been paying enough attention to notice that he was leaning ever closer into the doorway... The second those rusted hinges made a creak, the MC whipped around and snapped their mouth shut.

Busted...

Unfortunately, no amount of begging got the MC to start singing for him again, so he had to go back to the drawing board… Maybe he’d get to hear them again someday… right?

Leviathan 

Levi had been looking for the MC for some time now to see if they wanted to play a game with him but he wasn’t finding them in any of their usual hangouts… 

Their bedroom was the last place for him to check and when he stuck his head in he didn’t see them there… But he did heard the sound of running water from their personal bathroom.

He was going to leave, honest! He wasn’t going to be one of those creeps who listens to people shower (despite absolutely being perverted enough to do so) but he recognized a familiar riff coming from the room…

He knew it anywhere. It was from one of his favorite anime openings of all time!! And what’s more? He heard a new voice joining the singer like accompaniment… It was… the MC??

Levi could have probably fainted from delight right then. Even if the MC wasn’t as good at singing, the mere fact that they were singing that opening made his heart soar! Who doesn’t love to sing along to their favorite songs??

He probably should have thought a bit more before throwing the door open to belt out his favorite part like he did because, you know, even behind a shower curtain the MC was naked and definitely not expecting him... But, hey, for five whole seconds they sounded great together!

Annnnd then he ran out of the room, red-faced and shouting semi-mortified apologies right after he realized what he could have seen by doing that (*cough*nakedMC*cough*)... 

Poor Levi, but at least he just scored himself a new karaoke partner!

Satan 

You ever been so happy about something you just want to go for a run? Or even better, dance? That seemed to have been the case for the MC that day...

The MC’s least favorite subject had just had a test and they received their scores before leaving the classroom the next day. He knew they must have been anxious by how nervously they clutched their paper...

They had been getting tutoring help from him for weeks and it really must have paid off! Satan wasn’t able to catch up to them before they checked their score, but the way their face lit up was a good sign at least.

He was on his way to go congratulate them when… they started to dance. Right in the middle of the school. They kicked up the music on their phone then started dancing down the hallway like nothing could stop them!

It was such a random and carefree act that it frankly blew him away... You’d think a human in a school full of demons would be running, maybe even hiding, but certainty not dancing! What even was their human sometimes...?? 

He had to hold in some laughter to keep from getting noticed and just followed them down the hallways with a grin on his face and his phone in his hand…

He, of course, posted it to the brothers’ group chat and all of them got to see the wonderful view of the MC shaking their ass to their favorite song of all time… Oh, and they aren’t going to forget that, like, ever. Devious little shit...

Asmodeus 

Asmo loves to go clubbing so dancing is just an enjoyable pastime for this man, but he never thought that he’d end up dancing in a dressing room... 🤷‍♀️

He and the MC were on their weekly trip to Majolish and the MC was behind some curtains in order to try on a new outfit he put together for them. Usually during these times, Asmo waits out in front of their stall distracted by his phone, but this time he actually noticed something...

The MC’s feet. He could see them behind the gap of the curtain moving along to the music playing through the store’s speakers… So they liked this song, hm...?

Honestly, Asmo couldn’t help himself. He ended up getting up from his seat and pulling back the curtain a tiny crack just to see what the MC was doing in their stall... Thankfully, they were already dressed, but they were indeed dancing by themselves hidden just out of his sight...

Now, how could he let them dance all by their lonesome~?

Asmo slipped into the stall himself and caught the MC by the hips, frankly any protest they might of had didn’t really last long as he guided their body along with his. 

It was far from their first time dancing together and it always felt amazing when they did… Their every move fit together perfectly like a call and response and it didn’t take long for them to get lost in the music.

Eventually, a store employee began to wonder why they were in there for so long and eventually found two sets of feet in one stall… Really, they got off lucky, because knowing Asmo it was kind of amazing that dancing was all he was doing back there!

Asmo was a far too valuable customer for the store to kick out, so the two of them just got a warning not to do it again but man was it worth it… 

The MC has to wear that outfit to their next club. No exceptions!! 😌

Beelzebub

You know, sometimes you just got a rhythm and beat in your soul and it pops out at the most random times… like in the middle of cooking!

Beel was coming into the kitchen looking for yet another snack for the day when he caught the MC already in there baking and… dancing?

They had their phone out to play music while they worked, hips swaying to the beat. Hell, everything they were doing was set to that pace! Every flick of the whisk and stir of the batter was just a part of their private dance sequence.

For a second, he had to wonder if he had just stepped into a musical or something? Dancing while cooking? He hadn’t seen any of his brothers mix those things before… but it worked?? Like, they made it look natural and even a little fun!

Just imagine the look on the MC’s face when Beel came up behind them and pulled them into a twirl behind the counter. It caught them so off-guard that a bag in their hands slipped and covered them both in powdered sugar!

Not that Beel cared about the mess because he just licked his lips clean and told the MC not to stop what they were doing... Which was how the others found them both covered in sugar and moving to the beat while the MC was icing the cake they just finished. 🤷‍♀️

Lucifer ended up lecturing them both about being more careful in the kitchen but they were too busy sneaking smiles to each other to pay much attention... 

Sometimes the music just moves you, you know?

Belphegor 

Belphie very rarely gets up from his naps without a little help. Sure, even his body needs to wake up eventually, but it normally takes some kind of outside force to drag him back to the world of the living...

So imagine his surprise when he seemingly woke up for no reason in the middle of his afternoon nap with MC… Or well, he thought there wasn’t reason, until he started paying more attention.

The MC was cuddled up to him like usual, but he could feel a hum against his arm that was coming from their chest. Steady and slow… almost soothing.

When he finally heard a noise in the air - equally soothing as the humming and in time with the vibrations - he put two and two together… Were they singing right now?

Belphie kept himself very still and pretended to be asleep just to check his suspicions and… yeah. He could hear the MC softly singing a human world song under their breath.

Must have been a testament to how besotted this cow man was with them that even hearing their voice that quietly could pull him out of his dreams. 

Eventually, Belphie just had to roll over and pull them up against his chest so he could hear them better... Of course, his movement just made them stop, but any idea that they were off the hook got swept away when they heard him grunt:

“Hey, you woke me up… Don’t stop now.”

Let’s hope they know a good lullaby or two...

[havethetimeofyourstyles]

in which harry is the right person at the wrong time. 

a/n: hi lovelies! here is my christmas fic for @goldenbluesuit​ ‘s xmas challenge! i chose the song ‘baby, it’s cold outside’ and it’s my FAVORITE xmas song, so i’ve included bits and pieces of the song throughout the story! hope you all like it, and happy holidays! pls rb and send feedback bc they’re very helpful :) 

WORD COUNT: 9.6k of ex lovers to lovers, teacher!harry x lawstudent!yn filled with slight angst, missing someone dearly, and fluff

WARNINGS: mentions of alcohol consumption 

COME INTO MY INBOX AND LETS TALK ABOUT ‘BABY, IT’S COLD OUTSIDE’ i’d love to know your thoughts! 

pls rb to share! <3

17 December 2020

A chilly and snowy night was upon you as you took a shot of hard liquor. The face of disgust appeared on your face as the liquid slowly went down your throat after you hammered the shot of tequila. 

Normally, you wouldn’t pregame when you were going to your friend, Addie’s, house where you would drink some more, but you needed to shake off your nerves that you felt at the moment. You took a deep breath after taking your second shot and you had physically felt yourself starting to relax. 

Rolling your head to stretch your neck out, you decided it was time to leave since it was nearing seven in the evening. You called yourself an Uber because of the alcohol in your system and you were planning to sleep over Addie’s place since she said she would bring you back in the morning before you had to go to work. 

You waited for your Uber by the front door while you looked in the mirror, putting your black beanie onto your head. You were bundled up in a black university sweater, a camel color coat over, along with tan lounge pants and a pair of black boots. Once you got a notification that your Uber driver, Jason, was in front of your house, you grabbed your overnight bag and headed out the door. 

You placed the hood of your sweater over your beanie so you got more warmth since it was quite cold. You were never one for the cold weather, which is unfortunate since you lived in London. You cherished the days where it was sunny and warm; the sun bright and warm as you laid on the grass in complete content. 

You missed those days. You missed the days where you didn’t worry about a singular thing. 

Looking out the window, on your way to your destination, you watched the snow slightly fall, hitting and building up on the ground while the pedestrians walked through the streets, bundled up in thick layers of clothing. Some people were with others, walking hand in hand or hugging each other through the cold. Even though it was freezing cold outside, there were smiles on their faces because the hold of one another was enough. They could get through the worst snowfall, but if they were in each other’s arms, it wouldn't matter; they could get through anything. 

The cold had reminded you that you were missing a pair of strong arms that should’ve been around you through this season, but you were completely frozen—left out in the cold to warm yourself up. 

You sighed and the car stopped in front of Addie’s place. You thanked your driver, wishing him a ‘Happy Holidays’ before you got out and buzzed your best friend’s apartment onto the buzzer system; hearing one back, you entered the complex while brushing your shoes onto the floor mat, so you wouldn’t slip while going up the stairs. 

You were grateful the building was warm, and you’re sure Addie would crank up the heat for you since you would always complain how ‘bloody cold’ it is all the time. 

Once you opened the door, you were met with your entire friend group who were all lounging around in the living area. They all faced the door once you walked in, seeing who the last friend to arrive. Greetings were sent towards you, Addie and Nic got up from their spots on the couch that they’re going to lose because behind them, Elijah and Niall were getting up from their spots on the floor to steal it. 

“Hey! There you are! We were all waiting for you,” Addie said, giving you a hug.��

Nic went in for a hug before she pulled back and looked at you suspiciously. You looked at her confusingly, wondering why she was looking at you the way she was before she said, “Did you party before you came here?” You furrowed your brows until you remembered that she probably smelt the alcohol that you took before you left. 

“Oh, uh, just took a couple of shots before I came here.” The two girls understood quite well, thankfully. 

“No worries! Come join,” Addie welcomed you in. The two went back to the living area, only to see that their spots were taken, so they grabbed the two boys’ arms, yanking them out of their seats. You chuckled as you walked to Addie’s room to put all of your belongings. 

Once you did that, you exited her room the same time the bathroom door opened across her room. The person in front of you was the reason why you were so anxious before you left; why you needed to relax for a bit and mentally prepare yourself before going to Addie’s place. 

The person in front of you was Harry Styles. 

The person who had your heart. 

The person you were deeply in love with still. 

The person who was your ex boyfriend. 

“Hi,” he said surprisingly, smiling a bit. 

“Hi, Harry,” you replied, inching towards him as he met you halfway. He wrapped his arms around your shoulders as you did the same around his waist, resting your cheek onto his chest. The hug was warm and comforting, like it always was, and you looked forward to these kinds of hugs every time you saw him. But your heart ached every single time. 

Pulling away, you gave him a small smile before you two walked out of the hallway and to where your friends were. There was laughter between the two girls and guys as Niall was telling them a joke. Nic was the one who saw you and Harry first, and her laughter died down. She looked at you concerningly, giving you those eyes as if they were asking if you were okay, and you nodded your head to reassure her. You and Harry join the group; you sat on the loveseat on one side of the rectangle wooden table, while Harry sat on the floor on the other side. 

You tried joining in on the conversation and laughter, but you couldn’t help but take sneaky glances back to Harry, only to find him getting glances at you as well. 

It was hard to focus on anything your friends were saying when Harry was in the same room, but you realized it was also difficult when he wasn’t in the same room because then you were wondering where he was. 

It wasn’t easy being friends with Harry after the breakup, good friends, especially; and it pained you to actually act normal around him when all you wanted to do was scream, cry, and have him comfort you. But you did your very best to maintain a cool, calm, and collected mood whenever you’re around him, although inside, your heart was racing and everything you said seemed incoherent. 

You tried your best to avoid him after you two split, and he did as well, but being part of the same friend group just didn’t go well with your wishes. You two had to suck it up and be normal around each other.

Being with Harry was possibly the best eight months of your life. To some, it’s not the longest amount of time, but he was one of a kind; you couldn’t find anyone out there like him--not like you were looking anyways. It genuinely felt like you’ve been together for years, and when you two were celebrating your six month anniversary, your friends had questioned you saying ‘It’s only been six months?!’

Your relationship with Harry was all things blissful. It was pure happiness and love, and you wouldn’t want it with anyone else. You two rarely got into fights, and if you did, it was most likely a petty and annoyed argument that would have you two back in each other’s arms only twenty minutes after. He was your fresh breath of air that made you laugh and orgasm…multiple times. 

It was all smiles and laughs until it wasn’t. 

You two had gotten together the second semester of senior year. Meeting at the library because you couldn’t reach a book, it didn’t take long for you both to get together. You had known him for two weeks until he asked you out on a date where he kissed you for the first time. The dates and kisses continued on for six months until you mutually decided to call it quits. 

It wasn’t an easy decision, but considering that Harry was going to a different school that was in a different country for his master’s degree in education for the fall semester, and you were also in the midst of your career; interning at a law firm didn’t quite clear up your schedule, only making you busier by the hour. There was barely any time for the two of you to spend time with each other with how busy and hectic your lives were, so there would most likely be no calls coming in or distant texts that were sent out to make it seem like the void had disappeared. 

Like two mature adults, you and Harry called it quits after the summer. He moved away to get his master’s and you kept yourself busy at the law firm. It wasn’t easy--still isn’t easy, but it was for the best. The both of you needed to focus on your careers and yourself before you two were ready enough to get back together. That’s if Harry wanted to get back together anyways. 

Of course you wanted to get back together with him, but you didn’t know where he stood on that, or if he was even seeing someone. Throughout the two years that he was away, you only saw him during summer and winter breaks, so he could possibly be seeing someone whenever he goes back to school. But now that he had moved back again, your mind was spiraling because now you got to see him more. 

Finally, you broke out of your trance, once again thinking about Harry, you saw him looking at you. The both of you completely tuned out to the conversation and laughter coming from your friends. You held your wine glass up, Harry doing the same while smirking before you both sipped your drinks, hoping the sweet wine would relax your bodies. 

Nic was picking out a small paper out of the Santa hat Addie was holding. She took a quick peek at it before, smirking to herself before Addie moved over to you for your turn. As you chose your Secret Santa, you hoped it was a good one. It’s not like you didn’t love your friends, some of them were picky, and by some, you mean Nic. 

You looked at the piece of paper, smiling before shoving it into your pocket. Addie moved onto Harry who was the last one to choose, and you watched him as he looked at the paper like it was a poker hand. He raised his brows, smirking before he looked up and started to fold the paper. Your eyes looked down at his polished hands, noticing that he still wears the same rings as he did when you first met him. Your favorites were his initial, thinking how incredibly sexy and alluring they looked on him as he walked around confidently. You’ve stolen them multiple times as well, even if they were too big on you, but the thought of walking around with Harry’s name on you just seemed so enticing. 

Niall’s laughter brought you out of your sensual thoughts about Harry’s hands and you realized you were caught staring, and Harry knew exactly what you were looking at with the amount of times he’s caught you staring and fantasizing about his hands. Plus, you openly told him that you had a thing for his hands. 

A smug smile was seen from Harry, so you took your attention away from him and towards your friends. 

“So, what do we say? $50 limit?” Nic suggested, and Elijah rolled his eyes.

“Why are you trying to make me broke? You know I have a huge family, like, 15 cousins!” Elijah debates. 

Nic gasped dramatically. “I’m offended you don’t consider us family, Eli!” Elijah playfully rolls his eyes again, turning his head to the side as he smiled into his shoulder, blushing a bit. 

You chuckled at their playful banter. You’re a bit surprised they hadn’t gotten together yet because ever since you met them, you could practically feel the tension between them. They were just too stubborn to admit that they liked each other. 

“Okay, how about we make it maximum $30?” Harry pitched in. Your eyes had immediately averted to him, and it was like he captured you just by the sound of his voice. “We have exactly six days to get our gifts,” he added. Your friend group has always been one for procrastinating. Everyone is so busy these days that it gets harder to plan hangouts where the entire group could go, but you were all family, so if the gatherings were at three in the morning, everyone would be there. 

The group agreed, telling him that was a solid number. You caught Harry’s eye and he softly smiled at you. Giving him one back, you suddenly felt nervous as he smiled, so you chugged the rest of your wine and walked to the kitchen to open a new bottle to bring to the living area.

The bottle made a loud pop sound, which earned an in sync ‘Woo!’ from the group as it was a tradition you all created whenever a new bottle of wine was being opened. Smiling to yourself, you poured yourself a glass before downing it. As you were doing so, Harry walked into the kitchen with his own glass in his hand. 

“Hogging all the wine, aren’t you, Y/N?” He teased to clear the awkward and anxious tension between you two, and luckily, you stifled out a giggle. 

“You know me and my wine.” You refilled his empty glass while taking a sip of yours. Once you fill it halfway, he clinked your glasses together before taking a sip. His lips meeting the sweet but bitter taste of red wine that you so wished was your lips. The way he curled his lips into his mouth and licking his lips, tasting the flavor had you daydreaming such sultry things about his lips. 

You cleared your throat, breaking yourself out of your gaze. “How are you, H? How’s work?” 

Harry’s cheeks warmed up at the simple nickname. “I’m doing good, yeah. Work is good. The school is great.” This was Harry’s first semester teaching, and he absolutely loved it. He loved being in the classroom setting, interacting and making sure his students understood the material. He wanted to teach elementary kids, but that would require knowing various subjects when he wanted to focus more on ninth grade English. 

“I’m happy for you,” you confessed. You were happy for him, but you wanted to be happy with him. “I know you’re a great teacher, and your students must love you.” You bumped him with your hip gently. 

“They’re great. A couple of them have this weird crush on me for some reason.” 

“I mean how could they not.” You realized you said that out loud, and you’re fully blaming the alcohol and the few glasses of wine that you already had, leaving you with a rosy cheek tint glow. Harry didn’t say anything but smug as he continued to sip on his drink. You slipped past him to join your friends, and Harry followed. Addie gave you a knowing look, hoping to communicate with just her eyes as she saw you and Harry walk out of the kitchen together, and you simply nodded, gesturing that you were okay. 

The rest of the night went by quite fun as the boys helped Addie hang up the rest of her decorations while scoffing and rolling her eyes because they weren’t cooperating. You and Nic were sitting on the floor watching and laughed, pouring yourselves more glasses of wine. Your heart skipped a few beats as you watched Harry the entire time, laughing and smiling, and sometimes looking over at you just to get a simple glance at your face to suffice his heart from the heartache of not being able to hold or kiss you. 

You’ve always liked shopping alone. Shopping with Nic and Addie could be stressful, no matter how much you loved them. You would only go to the shoppes with them if you weren’t looking for anything to buy, but since you were Christmas shopping and the stores were getting busier counting down to Christmas day, you had passed on their invitation to shop with them. There was nobody bugging or nagging you, causing you to get distracted; just you, a basketful of snacks, and Christmas music playing through your headphones. 

You couldn’t wait to give your Secret Santa gift because you’ve put a lot of thought into it ever since you found out who your receiver was. You’ve been doing Secret Santa with your friends since the third year of college. At first, your friends group was only you, Nic, Addie, and Niall—you’ve known Niall since you were sixteen, and you met the girls your first year of uni—until Nic met Elijah during the second semester of junior year, who was quickly accepted, and then you met Harry. 

You’ve all become a close knit of friends, and each and every single one of you have met other people, but there was nothing like this group. With bonding and connecting so well, all you needed was each other, and you couldn’t be more grateful. 

As you were looking at the collection of whiskey, you felt a body brush passed you, slightly bumping into you as they tried getting through the narrow aisle. You jolted forward a tad bit, making you take a step forward to let the person behind you pass through. 

“So sorry,” the familiar voice said. The music playing through your headphones was not even halfway up since you still wanted to be aware of your surroundings, but you could recognize that voice anywhere. 

Turning around to look at the person behind you, sure enough, it was the one and only. 

“Harry?” You called out, taking out your headphones. He turned around, and once he saw you, he immediately smiled. 

“H-Hi. I didn’t expect to see you,” he nervously blurted out a false statement. He knew that this was your go to store and you would always drag him there because they always had your favorite snacks in stock. 

You chuckled. “Yeah, I didn’t expect to see you here either.” Unlike his statement, yours was true. When you were with him, he would always ask you why you couldn’t stop at any of the other shops because this one was on the other side of where you lived. But you simply told him that it was because you would feel like you would be cheating on this store with the others because this was your go-to place, and the employees here were just lovely. 

“Shopping for yourself?” Harry asked. 

You looked down at your basket. “Oh, no. For my Secret Santa. What about you? What are you doing here?” 

“I, uh, I was on this side of town and,” he turned around to face the wine section before grabbing a bottle of Pinot Noir. “Just needed to get this,” he said as he held it up. 

“Night in?” 

“Hmm, yeah,” he nodded. 

“With…someone, or?” You tried your best to not show your anxiousness when you asked him if he was having a night in with someone that’s not you. 

Harry’s eyes widened and he shook his head. “No, no. Not with anyone…” Your shoulders relaxed and a small smile appeared on your face. You slightly nodded your head, containing your relief. “You look great!” He complimented. You were wearing your work attire; a black pencil skirt with a white silk, semi turtleneck long sleeve, and a black coat thrown over. You were also in nude heels, which weren’t the best to shop in, but you had forgotten to bring a change of shoes. 

You blushed. “Thank you. I came here straight from work.” Harry’s brows raised. You were always one for a sense of style, so he wasn’t surprised that you would look this good going to work. 

“Really? How is work going, by the way?” 

“Good, actually. I’m still interning at the law firm, so I’m pretty busy. But overall it’s great! A lot of research, mock cases, and sometimes the interns get to sit and watch in the courtroom. It’s pretty thrilling,” you said excitedly. Harry smiled, missing how you would explain things so eagerly. “This is my last year interning, so hopefully I could work at the law firm I’m already interning at, and become a permanent lawyer there.” 

“I’m sure they’d love to have you there. You’re great, really. They’d be stupid to let you go…” he trailed off. There was a double meaning to his words, and you were wondering if Harry thought he was dumb enough to let you go. Not wanting to dwell on his words any longer, you murmured a soft ‘Thanks’ to him and smiled. Harry nodded, mentally beating himself up over his words and how he was really the stupid one to let you go. 

“I, uh, should go, or my sister will be suspicious,” you chuckled. “I hope you have a great night, Harry.” You grabbed a bottle of whiskey before walking passed him. You weren’t even done shopping, but you couldn’t be in the same room as him without thinking of the memories that had always lingered, making you nostalgic and sad because you don’t know if you would be able to make more memories with him. 

Harry was left alone in the aisle as he watched you walk over to the register to pay for your items. Just when you were done, you looked up, giving him a soft smile and waving at him before you turned around and walked out of the store. Harry’s heart fluttered, but at the same time, it was pounding through his chest. He mentally cursed himself for being so nervous around you, making an awkward tension fill the air. He couldn’t tell you what you were really doing at your store--no, he couldn’t. 

Because what would you say if he told you that he’s been going to your store ever since you two broke up and whenever he’s in town just because it reminded him of you. The four walls somewhat mended his broken heart as he felt comfort inside of the shop because some of his best memories of you are in this very store. And since he couldn’t step into your apartment to immediately feel at home, your favorite store would have to do…for now. 

Right when you entered Addie’s home, you were met with the loud music of the holiday season, along with Addie, Nic, and Elijah singing the lyrics to one another as they jumped and danced with a glass of their preferred alcohol in their hand. 

They hadn’t heard the door open since the music was quite loud, so you took the opportunity to take a quick video of them as you smiled at your lovely friends, who felt so careless at the moment. Once the song ended, you put your phone away, and Eli was the one who spotted you first. 

“Ah, there she is!” He walked over to you, giving you a big hug. You giggled as he slightly picked you up from the ground and twirling you. You were sure that he was already buzzed, and you were wondering how many glasses he’s had already, or if he pregamed by himself to calm himself down for talking to Nic, just like you had done to prepare you for a night with Harry, which you hadn’t done tonight. 

There was a part of you that wanted to take a shot or two to ease your nerves, but you realized that you needed to stop doing that because as far as you know, you and Harry are most likely going to be friends for a long time. So, drinking almost every week did not sound fun to you. 

Nic poured you a glass of wine, clinking your glasses together as you took your first sip of alcohol that night. You helped Addie set up the food onto the table along with some Christmas designed plates and utensils. Just as you were counting the utensils, you heard a loud Santa laugh coming from Niall, making everyone turn their heads towards the door. Niall walked in, carrying a bag-full of presents and Harry followed with a three foil wrapped aluminum trays in his hands as he chuckled at Niall’s way of making himself known. Your face immediately heated up at the sight of your ex-boyfriend because he looked good. 

Although you loved every version of Harry, there was something about Harry Styles in the snowy winter that made your knees weak. He was bundled up in a sweater with a coat tossed over, and he wore boots. His hair was slightly messy from the wind as he shook off the snow that had fallen onto his locks. His nose was always red too, and when he would press a kiss to your cheek, you would feel the icy cold tip of his nose, contrasting to your warm cheeks. And it’s a tragedy that you’ve never spent a winter season with him when you were together, only two Christmases after the breakup. 

Winter Harry was your favorite, and all you wanted to do was snuggle up with him. 

Niall and Harry made their rounds to greet everyone, and Harry would always make sure you were the last one he greeted, just so he could hold and hug you a little longer. 

“Merry Christmas Eve, Eve,” you said once he got to you. He smiled and chuckled, wrapping his arms around your shoulders. You laid your head against his chest, taking in his scent and natural warmth, even though he just came from the cold. “What’d you bring?” You asked once you pulled away. 

“I brought the cheesy garlic bread, brussel sprouts, and crab cakes,” he smiled. 

You gasped. “Your specialty. My mouth is already watering.”’ You clapped your hands in excitement. 

Harry giggled, leaning against the kitchen countertop. “Sure is, and it’s some of your favorite dishes of mine too,” he remembered. You blushed, heart fluttering as he didn’t forget your favorite foods. 

Harry was always a chef of his own; he loved cooking. Learning from Anne, he made it his mission to make his own homemade food after he moved out, and she would always tell him that you could always show your love through food. From there, he learned more about cooking and seemed to love everything about it. Whenever the group has gatherings for special occasions and everyone agrees for a potluck, Harry always made sure to talk to everyone and see what they wanted him to cook. 

When you two were together, he did the majority of the cooking. There would be times when you wanted to help, but he would simply tell you that you needed to let him do it and relax. That was something you loved about him—he was always a giver and didn’t expect to receive anything back, in more than one way. 

You and Harry were definitely ones for staying in, and he would always whip up the best food that was filled with so much love and flavor. 

“Once you two are done loving over there, we’d like some help over here!” Niall called out from the dining area. Your eyes widened as Harry’s cheeks turned pink. Harry held his arm out, gesturing you to go first, and you walked out of the kitchen as he followed behind you.

The group’s attention and eyes were on you and Harry, and your brows furrowed as you mouthed a ‘What?’ at them, and they instantly went back to setting up the food as if nothing happened. You turned around to look at Harry confusingly and he shrugged his shoulders, just as confused. 

The music was playing, the decorations were lit up, and the food was settling into everyone’s stomach, followed by drinks as a warm feeling laid over everyone. It was overall a great time with them as it always was, and since Christmas was coming up in just two days, the merry feeling was always everyone’s moods. 

As everyone was laughing and having a great time, Addie had gotten a knock from her neighbor, asking if everyone could keep the volume down. Everyone was holding in their laugh because you all hadn’t realized how loud you’ve gotten. 

“I’m pretty sure they knew it was going to be a long night when it was just the three of them dancing and screaming,” you pointed out to Addie, Nic, and Elijah, and they all laughed, agreeing. 

“Wait, what?” Niall asked confusingly. 

“Right when I walked in, they were screaming at the top of their lungs. Wait, I have a video.” You pulled your phone out of the front pocket of your sweater and showed Niall the twenty second video. 

He cackled. “Hey, thanks for waiting for us,” he teased, giving your phone back to you. 

You leaned back onto Harry’s leg, since you were sitting on the floor and he was sitting on the chair behind you, and you looked up at him to show him the video. He leaned forward, placing his forearms on his thighs as you shifted closer to him so you were sitting in between his legs. Harry’s lips curled into his mouth, and he was grateful that you weren’t facing him because he was flustered. You pressed play, and he watched as he chuckled, watching his friends have a good time.

“Wait, I also wanted to show you this video,” you mentioned once the video was over. You scrolled through your pictures, and Harry was watching you go through your camera roll. He saw pictures of buildings, food, you and the girls, and some of them were just of you. Before he could really think about your own pictures, you found the video of your family dog and showed Harry. 

As you and Harry were watching the video, your four other friends were eyeing you two and whispering things to each other suspiciously. Nic took a few pictures of the moment because the sight was just so cute, but everyone was wondering when you two were getting back together. 

And you were wondering the same. 

For a few minutes, you and Harry were in your own little world as you two talked about your family; never making the effort to change the position you were in--you had just turned your body so you could see him better. You’ve missed times like these where everything else, outside of the bubble you two created, didn’t seem to matter. The way his eyes gleamed when he talked to you had lulled you in, making you depart from every thought you were trying to create while the only thought that dawdled was Harry. 

“Alright, let’s pass out our Secret Santa gifts before we’re all too drunk,” Niall suggested, popping yours and Harry’s bubble. You moved out of between Harry’s legs to sit beside him where you were before. You looked up at him, softly smiling and he gave you one back. His eyes looked like they wanted to say something, and you so badly wanted to crawl into his mind to know what he was thinking. 

Everyone agreed, getting up to grab their gifts. Addie also grabbed the Santa hat that you had to wear if it was your turn to pass out your gift. The Santa hat had been through four Christamases with the group, and it was the little things that made you happy.

Addie decides to go first since she was the host. She put the Santa hat on before she started. “First one! My Secret Santa is…Elijah!” She walked over to him, giving him her gift as he smiled, thanking her. He opened her gift and gasped as it was a new headset for his PlayStation since he was always talking about how one side was completely dead. Addie placed the hat onto his head as he grabbed his gift. 

“So, this one is for…” he smiled before walking over to the other end of the couch. “Nic.” Her eyes widened, taking the gift from his hands, and he took a seat next to her on the floor. She ripped open the wrapping paper before she paused, looking back at him. It was a large rectangle frame of pictures of her and Eli with a note in the middle saying ‘4 years as best friends, countless laughs, and one question unasked. Will you go on a date with me?’ Nic squealed, wrapping her arms around his shoulders. It was like he was proposing to her because she screamed out a loud yes. “Life is too damn short. I can’t wait to go another day without calling you my girl, so I wanted to take my chances,” he told her. You smiled at them, realizing it’s been too long, and you were so happy for them. 

It was Nic’s turn, which she completely forgot about because she was so overjoyed, and she walked up to Harry to give him her gift. He thanked her before opening it, receiving a set of nail polish, a few face masks, a vanilla candle, and a gift card to one of his favorite restaurants. 

Harry was up, and he was a bit nervous for this one. You knew that it could either be you, Niall, or Addie since you were the three left without gifts. He stood in front of the fireplace as everyone looked at him. You thought he looked absolutely adorable in that Santa hat, which you think every single year. He slowly walked over to Niall, making him beam, but turned around and walked over to you, earning a ‘Hey!’ from Niall. 

“Merry Christmas Eve, Eve,” Harry greeted you, handing you your gift. You smiled brightly, grabbing the box. It was a quite heavy box with brown wrapping paper with reindeers on it and a large red bow. “I wrapped it myself,” he smirked, playfully flipping his shirt hair, and you giggled. 

You ripped the paper and opened the box, eyes softening. In the box, there was a graphic tee, your —and his—favorite fresh perfume by Jo Malone, five pens with your first and last name engraved in the middle, a Cravings cookbook from Chrissy Teigen and a yellow and white vertical striped apron with the words ‘Summer Lovin’ with a sun embroidered at the top. Your eyes watered at the words at the special but emotional meaning behind it. 

Two months before you and Harry broke up, you knew it was the end. You both agreed that you would spend two months together before you had to part ways with one another. It was the most special and fun summer you ever had, but emotionally, it was the worst. Knowing that you weren’t going to be together anymore by the end of it was behind the facade of the endless laughter and love. You really didn’t want it to be over, but you understood and needed to grow separately and blossom with your careers. 

The words behind the embroidered apron was from one summer night. You and Harry had a bonfire at the beach, and you were cuddled up with him as he held a blanket around the both of you. You had tequila disguised like water as you held your bottle up to the best summer loving. You wished the circumstances were different, but if it’s meant to be, then he’ll come back to you. 

“You’ve always wanted to learn how to cook and I’ve seen that you’re starting to on your Instagram stories, so I thought these were the perfect things to get you so you could be a proper chef now,” he said with a soft smile. 

Harry truly paid attention to the small details of your life. Together or not, he intently listened and observed without anyone knowing. He nailed it down to the small details; from the perfume, the pens, and the apron. The sentiment behind it was what made the gift so special, and the person who gifted it to you completed and made it so much better. 

As your vision had gone glassy, you sat on your knees, reaching up at Harry for a hug. He bent down to your eye level, sitting on his knees as well as he wrapped his arms around your shoulders. You held him tightly, sniffling into his shoulder as a rush of overwhelming emotions hit you. Your heart fluttered and pounded at the same time—a feeling that was familiar to your body when it came to Harry. 

“Thank you so much. This is the most thoughtful gift ever,” you said into his shoulder. This gift was number two on the list of gifts you’ve received from him, following Harry himself as your number one, of course. 

Harry pulled his head back slightly to press a kiss to the side of your head. The gesture had made your heart swoon and you smiled against his shoulder. Everyone was watching you two interact, and they all thought this was finally the moment where you two would get back together again. They’ve all seen you two suffer enough being without each other, along with the heavy tension that there was. All they wanted was for you both to be happy. 

You pulled away from him, looking up at his green eyes as they stared into you. He offered you a small smile that took your breath away before he wrapped one arm around your shoulder, bringing you into his side as he wasn’t quite done holding you. 

After a few minutes, your friends had let you have your moment before Niall complained how he didn’t have a gift yet. You and Harry chuckled, letting go of one another, and he placed the Santa hat onto your head before you slowly started walking over to Niall. When you handed him his gift, he cheered happily before opening it. You had given him several customized guitar pics with his initials printed onto them, a leather notebook since he liked to write songs, and Proper 12 Irish Whiskey, which was fitting because he’s Irish and he likes Connor McGregor. He thanked you with a big hug, picking you up off the ground with one arm as he held the alcohol bottle in the other. 

Addie was the last one who hadn’t received a gift, and Niall was her Secret Santa. He gave her a bunch of makeup with your help, and a tupperware set, which she had been asking for since everyone always took her containers because she liked hosting so many parties. 

The rest of the night had gone on for a few more hours before everyone was pretty tired, deciding to call it a night. Everyone helped clean up, making sure to help Addie with the dishes and putting or throwing stuff away. Although you were cleaning, you loved your entire group. This was your family--the closest people to you. The ones who know everything about you and would laugh at you when you fall before falling with you. You were entirely grateful for everyone in this room, and you couldn’t have asked for a better group to spend more holidays and days with. 

After the cleaning was done, Niall and Eli started to head out, not before Eli was satisfied with the amount of goodbyes he gave Nic with how long the hug was. Niall had to physically pull him off, telling him the Uber was outside. 

You were washing your hands before Harry walked over next to you, handing you a towel to dry off your hands. “Thank you,” you muttered, shyly smiling. 

“Uh, I wanted to ask if you wanted to come over?” He proposed. Your brows raised at his question. You and the girls had planned on having a sleepover after, but the prospect of going home with Harry had sounded much better (no offense to your friends). 

“I was planning to sleepover here…” you decided to innocently tease, even though you knew you were going to say yes. 

“I already asked them, and they said I could take you. I could drop you back off here if you want. So, the answer is up to you,” he smirked. A blush appeared onto your cheeks, admiring the fact that he asked your friends for permission if he could take you home. 

“There’s bound to be talk tomorrow,” you teased, lightly nudging him.

“I’ll take my chances,” he smiled, a hopeful look presented on his face. 

You breathed out a chuckle, looking at him for a moment before you nodded. “Yeah. Let’s go.” Harry’s eyes widened as the corners of his lips turned up. You grabbed your phone and your coat before walking over to Addie and Nic who were both cuddled up on the couch, saying goodbye to them. They sent you a playful wink, and you rolled your eyes as nerves startled to settle in your stomach. 

You followed Harry out of the door, the cold air brisking past you as you walked to his car. He opened the passenger and you thanked him before getting in. Harry started the car and the song that was playing was ‘Baby, It’s Cold Outside.’ It was a song you loved ever since you were a little girl, and you remembered the times you and your mom would always sing it in the car. You smiled at the memory, humming as you hoped it would be a way to distract you from the anxious feeling that you have. 

You started humming to the tune as quietly as you possibly could, but Harry heard it as he started to hum it as well. You looked at him through your peripheral vision, noticing that he started to tap his fingers against the steering wheel. 

You were about to start singing until you noticed that he pulled into his driveway, so you contained yourself and closed your coat, getting out of the car as you followed him into his home. You’ve only been inside his home three times--those three times being when he would suggest everyone hang out there. It was a lovely place and whenever you were sitting on his couch, you had wished you shared the space with him. 

Harry lit up the fireplace, placing the metal shield in front of it before turning back towards you and smiling. “Make yourself comfortable. I’m just going to get us some hot chocolate, if that’s alright?” He asked, wanting to know your preferred drink. 

“Sound good.” You hung your coat onto the coat rack before walking over to his turquoise velvet couch and taking a seat, getting comfortable to an extent, not knowing how comfortable you should get. 

Not long after, Harry came back with a wooden tray, and he placed it on the coffee table in front of you. There were two mugs filled with milk, two hot chocolate kits, and spoons. 

“I made these for my students, and I just so happened to have two extra kits, so this will be fun,” he smiled, and you gave him one back appreciatively. You thought that it was cute and sweet of him to give something to his students for the holiday season. Normally, teachers don’t give them anything, but Harry wasn’t just any other teacher. 

A somewhat comfortable silence fell over you two as you both made your own hot chocolate, and you listened to the fireplace roar. Once you two were done, you clicked your glasses together before taking a sip. The warm and comforting drink made you smile and was overall delicious. 

Harry didn’t know what to say or how to say what he really wanted to say. It felt like he had non stop thoughts running through his head, but when he opened his mouth to start, there was a delay. An overwhelming feeling took over him and he wanted to yell at himself for not saying how he really felt. 

“Y/N-” 

“Harry.” 

Just like before, your minds had been in sync, causing you both to speak at the same time. A light laugh came out of both of your mouths. 

“You go first,” you told him. 

Harry took a deep breath. “How’re you doing?” He asked. Out of everything he could have said, that was the only question that came out of his mouth, but he figured it’s a good start to getting somewhere. 

“Truthfully?” He nodded. “I’m doing okay. I’ve managed to distract myself from worrying about the future with work, and so far, it’s been helping.” 

“What are you worried about?” Harry wondered curiously. He could feel his heart pounding through his chest, and if he’s being honest, it’s been that way the first time he saw you…ever. 

“Worried if I’m gonna be where I want to be career wise, and…” you trailed off. 

“And what?” He encouraged you to continue. His stare was so intimidating and deep that the words flew off your tongue, making them unforgettable. “Ba--Y/N?” He called out for you, noticing how he almost slipped up and called you ‘baby,’ and you so wished he hadn’t stopped himself. 

You finally mustered up the courage to speak your thoughts. “I’m afraid that I’m gonna be alone,” you said honestly. 

Harry’s brows furrowed, shaking his head instantly. “You’re not alone, no. You have your family, all of us--your friends, me-” 

“You?” Your brows raised. 

“Yeah-” 

“Harry, you’re the reason why I’m so worried…” you confessed. You were starting to get frustrated--not at Harry, but at yourself because you had planned to have this conversation a different day. You tried to calm yourself down, and Harry could practically see that you were getting angry at yourself. You had a certain stressful and frustrated look that he would notice when you started to beat yourself up over things. And throughout the months of being with you, especially when you were in the midst of law school, he learned how to calm you down. 

Harry placed his hand on your knee; the touch being unexpected to you, but it had brought you immediate comfort. He pulled you into his side and you rested your head on his shoulder, looping your arm under his, the one that’s on your leg, and hugged his arm. Harry’s other hand touched your arm, caressing and soothing you. His actions had felt very natural and familiar to him. He would comfort you like this when you were feeling stressed. Normally, he wanted to cuddle you tightly, but this was your preferred way to calm down because in a way, he was still holding you, and you were still in control and didn’t feel like you were suffocating if he had held you tightly.

You stayed like that for a few moments, and you had calmed down a bit already, but you just wanted to be close to him and cherish the moment. 

After a few minutes, you pulled away and turned towards him, smiling softly. Your heart warmed at the fact that he remembered exactly what to do when you started to feel anxious, and you may have fallen in love with him even more…after all these years. 

“Now, wanna tell me why you’re so worried?” He asked softly, not wanting his tone to be pressuring, and you’re grateful for it.

“I’m worried I’m going to have to live a life without you. It terrifies me to think about you going out and meeting someone, and I would have to watch you get married to someone else that’s not me. That you would be sharing this home with someone that’s not me.” Your eyes start to water, and you had mentally told yourself that you wouldn’t cry, but you didn’t believe yourself in the slightest. “Watching you love someone else is going to be the most difficult thing I would have to do.” 

Your tears had fully fallen down your face, which is unfortunate because you both had such a good day with your friends and it was nearly Christmas. Quickly wiping your tears away, you got up from the couch, and headed towards the door. Harry was confused until he saw you grab your coat, putting it on. In a flash, Harry got up from the couch, walking towards you. 

“W-What are you doing?” He asked. 

“I really can’t stay…” you told him sadly. You had no idea how you were getting home or back to Addie’s since it’s snowing, so you don’t know if there were any Ubers out, especially at this time. “This evening has been…so very nice, Harry.”

“You don’t have to leave. Baby, it’s cold outside, c’mon,” he pleaded with worried eyes. Your heart melted at his words and the name that he used to call you, making you pause in your movement. 

“Please,” he pleaded softly, taking a small step forward, and your breath hitched in your throat as you looked up at him. There was a dead silence between you two that was tension filled, and you had no clue what was going to happen next until he opened his mouth. 

“Mind if I move in closer?” He whispered. The sound would barely be audible if anyone else was there, so he said those words specifically for you to hear. 

You shook your head, and he took another step forward. Your bodies were a centimeter away from being pressed up against one another, and your heart was beating so fast, making your hands shake and tremble. He looked down at you so intently that you were under his spell, and you were conflicted as you wish you knew how to break the spell as his green eyes looked deep into you, luring you in even more. 

You took a deep breath. “Kiss me already,” you breathed out. Harry’s heart nearly stopped at your words, but he slightly smirked as he blushed, brushing your hair behind your ears before taking your face into your hands and leaning down to place a deep and passionate kiss onto your lips. 

This feeling, this touch, this man was what you’ve been waiting for these past two years. Throughout those years, you felt like giving up; accepting the fact that he wasn’t going to love you again. But he had proved you wrong in the simple brush of his lips and tongue that were in sync with yours, making the spark between you grow bigger and bigger. The spark that had never lost its power, but was on pause.

You grabbed a fistful of his shirt, pulling him closer as the other hand was wrapped around his back. Harry had you pushed up against his front door, and you had the urge to lift your leg up to wrap it around him, but you resisted. 

Harry wanted more, too. His hands trailed down from your face to your back, closing the nonexistent proximity between you, and guided you back to the couch. You were walking backwards, completely trusting him that he wouldn’t let you fall as his lips never left yours. 

You giggled once the back of your legs hit the couch, falling onto the soft material as Harry hovered over you, laying in between your legs. He looked at you for a moment, studying every freckle, the crimson color on your cheeks, the curve when you smile, your glimmering eyes, and your cute nose. He knew that it was exactly how he remembered. After a couple of years being separated, a beautiful face like yours was hard to forget. 

“You’re quite crazy to think I’d want to live the rest of my life with someone else when you’re right in front of me,” he suddenly said. Your eyes widened at his confession. “Never wanna be without you ever again. Thought you didn’t want to be with me when I came back, so I just didn’t bother. But you have no idea how much I missed you. I missed you so much.” 

He placed soft kisses all around your face as he spoke, leaving you feeling so tender and soft as he was so gentle with you. For someone who’s on her way to becoming a lawyer and always having to have an answer for everything, you were speechless. The words that you’ve been waiting for for so long were music to your ears. It rolled off his tongue so smoothly, slick like honey, and you connected your lips with his again, swirling your tongue against his as you devoured his words. Hands finding their way to his hair, you gripped on his locks and pulled just the way he liked it, earning a groan from him, and you smirked against his mouth. 

You pulled back, leaving him breathless. Swollen lips, blushed cheeks, and smiles plastered on his face, you said the words you’ve been itching to say. “I love you,” you blurted out. The words had rolled off your tongue so effortlessly, making shivers run down Harry’s spine as his eyes watered up. “I was listening to Elijah earlier, and he’s right. Life’s too fucking short to not have what you want.” 

He took one of your hands into his, bringing it up to his lips before placing a kiss onto the back of your hand. Your other hand was playing with the curls that laid delicately on his hands, scratching it lightly. 

“Missed hearing you say those words.” He smiled, tears making their way down his face. “I love you too. So, so much that you have no idea how I feel when you walk into the room and I see your beautiful face. I love you. I love you. I love you, baby.” His affirmations had caused you to softly sob—the two of you a crying mess from the obvious but unspoken love that was finally being released again. “It’s always been you. You’ve always been my girl, did you know that?” You tilted your head a bit. “Never gonna go a day without reminding you that you are, because you’ve never not been my girl. Had to love and admire you from afar, but just wanted to hold you and kiss you.” 

“You can kiss and hold me all you want now, my love,” you reassured him, and he dug his face into your neck, placing a soft kiss against your skin. 

You smiled so brightly as your heart felt so happy and overflowed with love, and he matched your grin, feeling the same way. 

The two of you kissed each other for a bit more, whispering sweet words, and laughed and talked about anything and everything—truly catching up with one another. 

“Oh.” He got off of you, making you slightly pout from the weight of laying on you that you already missed. “I actually got you another gift.” 

“Harry…you already got me enough.” It was true. Along with the thoughtful gift, he was your true Christmas miracle. 

“I know. But this one, I wanted to give to you in private, and this is the perfect moment, so let me do this?” He looked at you with sweet and pleading eyes with a small smile on his face. Who could ever say no to that adorable face? Certainly not you. 

You nodded, and he shot up, heading towards the stairs. “Give me thirty seconds,” he said before rushing up the stairs. 

You heard him shuffling up there, and the sound of a drawer opening and closing. Thirty seconds later, he was walking downstairs, holding a white box wrapped in a red bow. He sat back down next to you, looking into your eyes as he spoke. 

“This is what I wanted to give you when we were alone. It didn’t matter the outcome of how things turned out between us tonight, I just wanted to give you this because I think you’ll appreciate it. It reminded me of you when I saw it, and I knew I had to get it.” He handed you the box with slightly shaky hands. 

You untied the bow, taking the top off. A gasp came from your mouth as you picked up the chain. It was a little gold sun pendant, symbolizing your summer together. You studied the charm for a moment, delicately touching it as you teared up at the meaning behind it. It matched quite well with your embroidered apron, and the two together would be quite the match. 

“Thank you, Harry. This is so sweet of you.” You leaned forward, giving him a hasty kiss to his lips, smiling against them. “Help me put it on?” He nodded eagerly. You handed him the necklace before turning around, lifting your hair. You felt the cool metal chain hit your skin along with Harry’s lingering touches across your shoulders, causing your skin to pebble. He placed a quick kiss to your neck before pulling away. You turned around to meet his eyes as you smiled. 

“Beautiful. Absolutely beautiful.” He kissed your forehead. “I’m so happy. Merry Christmas Eve, Eve, baby.” 

“Merry Christmas Eve, Eve, my love.” 

You cuddled into his side as the silence took over. The only thing was heard was the pounding of your love-filled hearts along with the cracking of the fire. Sure, it was cold outside, but right here in Harry’s arms, you were warmer than ever. 

please come into my inbox and talk about your thoughts and feelings on this! also feedback is appreciated, thank you for reading! <3

[letgraysonsheart]

Your long day is over now

Dick's hanging upside down. For some reason he can't remember why or: a new one shot for the F1 au!

TW: car accidents, hurt/comfort (for additional warnings check ao3)

Read here on ao3 or continue below

(Parts of this fic and its dialogue is heavily inspired by the important conversation that I hope was had after Romain Grosjeans crash in the 2020 Bahrain Grand Prix, and especially comments made by Daniel Ricciardo after said race. I did not watch that race live myeslf, but I saw the live tweets and the outrage afterwards. In real life theres real guys out there racing. A lot of it for our entertainment. They deserve more than being treated as "lions in a cage for people going to the zoo." as Pierre Gasly once stated.)

He doesn't understand. 

There is so much noise. Unfamiliar noise that's muffled in a weird way. There is smoke and dust and... and everything is upside down. His nose stings, the telltale sign of a fire.

His shoulder hurts.

“-ickhead!” 

Someone's yelling. There’s... a hand? In his field of vision, out of nowhere, waving.

There’s a face too, poking between the halo and the ground and why, why is he upside down?

“You alive, Dick?” 

The face, it’s Jason. He’s in his race suit. Dick can spot the green of the Cards. But he’s not wearing his helmet. Why is Dick wearing his helmet then?

“Dick?” Jason, again.

He tries to answer, but fuck, his head hurts. 

“I’m alive,” he manages to croak out at last. 

Jason’s face relaxes, some of the tension falling. Good. Good, Jason shouldn’t look like that. All scared and worried. They aren't supposed to be worried about each other, he's pretty sure. 

“They’re going to get you out of here,” Jason promises, voice remarkably soft compared to how loud he has to be speaking. There is so much noise. 

Also, out of here? That's what Jason had said. Dick looks around. Yeah, he’s in his car. Hanging from his belts, judging by how tight his chest feels.

There’d been a race. 

He was gaining on the lead. On Jason. He wiggles his limbs a little, just to check. Just to be sure they’re all still there and still in function. 

“Why am I upside down?” Dick finally manages to gather the breath to ask. His voice sounds all weird, and his helmet is so tight against his head. Is it always like that?

Jason frowns at him, brows furrowing together. He reaches out with his hand, towards Dick, and oh. Dick wiggles, his arm pulling down towards the ground thanks to gravity.

Jason grabs it. Jason, his brother who’s not his brother, who left, came back angry and betrayed, is holding his hand.

Dick can feel the pressure around it, how Jason squeezes it with a firm hand. The glove can’t hide the trembling, but Dick doesn’t know if that’s him or Jason. Or both.

“You’ll be okay, Dickie,” Jason states like it’s set in stone. 

Then something grabs Jason’s attention, outside of the car, where Dick can’t see. It makes his brother turn away. He sees Jason’s mouth move but is unable to hear what is being said.

As quickly as he lost Jason’s attention, Dick gains it back again.

“The paramedics want to get under here,” Jason explains. “To make sure you’re fit to flip the car back, I think.”

Yeah, that makes sense. 

“You have to let go of my hand, now,” Jason tells him.

Oh. Yeah. Dick loosens his grip, which had grown quite tight without him noticing. 

“I’ll see you on the other side,” Jason says, moving to shuffle out from under the car again.

“Promise?” Dick can’t help himself.

Jason freezes his whole upper body out from under the car. He looks up at Dick again.

“I promise.”

Dick nods and lets Jason go. 

Jason is barely out before the paramedic is there, talking to him, and asking him all kinds of questions. 

Is he hurt? He doesn’t know. 

Does he remember? Some of it. If he tries really hard.

How's his neck? Sore. Okay, he thinks. Normal sore. Like he went a bit too hard in all the turns in the first race of the season.

Somehow he manages to get her to clear him for flipping the car back again.

After that, it’s a flurry of motion. Suddenly he’s upright again. The sky above him and the car under him. There’s smoke. The medics are on him straight away.

They’re extracting him. Not even letting him contemplate getting out himself. Carefully removing his helmet while someone holds onto his jaw. Fitting a neck brace on him, even if he’d confirmed no neck injury before they flipped the car. They’re strapping him to his car seat.

He's never been lifted out of the car like this. Only seen it done for practice. 

Quick and efficient the medics and marshalls work. Practiced a thousand times over for scenarios just like this. They move him from his seat to the compression blanket, to a stretcher. Wheeling him away and into an ambulance. 

“How are you doing, Grayson?” the medic from earlier asks, by his side as the ambulance takes off to the medical center. 

“Don’t send me to the hospital,” Dick rasps back. 

“I’ll take that as a positive sign,” the medic responds, “but we’ll let the medical center doctors be the judge of that.”

Not exactly the answer he wanted, but he’ll accept it. His head hurts too much to argue. 

“What’s your name?” he asks her. He’s seen her around before, at drills or in passing. He’s having difficulty focusing on her now though, the woman above him is just a red blob.

“Kory,” he hears her reply though, “Kory Anders.”

“Nice to meet you,” he tries to reply, but he's unsure if his words come out at all. There’s a shout, loud but somewhere he can’t place.

It all goes black, anyway.

-

Tim’s shaking. 

He can’t help it. The adrenaline from the race is still rushing through him. Now it's topped off with the fear of hearing Dick had crashed. That it had been a nasty one. The race was red-flagged. They were all sent to the pits. Gar, his radio engineer, had been short and weird over the radio as he called him in.

By the time they were exiting their cars, the scene had been replaying on the broadcast screen. It was the first thing he saw, after jumping out. The screens were right in his face. Showing images Tim couldn't fathom they were allowed to. Not so close after. Not when things were still so unsure. 

They show Jason, on the ground by the upside-down car. Moving to talk to Dick, Tim assumes. He hadn't even known Jason had gotten out of the car.

Then there's the worst: Dick, getting lifted out of the car. Too far away to show any faces, but close enough to see limp limbs and how the medics were rushing.

And the fucking replays of the crash itself. Over and over again.

Tim had felt angry. Angry and upset and scared. When he'd managed to force his eyes off the screen he’d managed to motion with his arms at the screen. Then he'd yelled at a camera before Bart had been there to drag him away.

And now he is stuck in the paddock. Waiting for anyone at all to give him any news. Sitting on a stupid plastic chair, not knowing if his brother is alive. Not knowing if he in 20 minutes has to jump back into the car and finish the race. The fucking FIA can't even decide that.

“Tim,” Conner is suddenly by his side. Still in his racing suit, just like Tim. “You okay?” the other driver asks, as Tim feels him sit down beside him.

“No,” Tim replies honestly. 

“I yelled at the media,” Conner confesses, like it’s a secret he can’t keep in any longer, “I- They just wanted a comment. I ignored that. Instead, I said how disgusted I was with the broadcasting. That it’d never been so disappointed..”

“Thanks,” Tim says. “I yelled too,” he adds. Because it’s true, and he doesn’t know what else to say.

“They’re all assholes,” Conner replies. “They’ll probably spin it in any cruel way they can.”

Tim breathes, long and slow. So does Conner, by his side.

“They never should’ve shown those fucking images, we don’t even know-”

“I know, Conner,” Tim interrupts. He can’t bear to hear it. 

“So no news?” his best friend questions. 

“No news,” Tim sighs. “Just that he was alive when they pulled him out.” 

“No news is good news, I supposed,” Conner says. It makes Tim snort.

“We both know that isn’t the case in our sport.”

His best friend doesn’t answer that. But he doesn’t leave either. Just joins Tim in the silence, ignoring the media doing everything they can to catch a glimpse of them. Of anyone.

"Do you think the race will start again?" Conner asks, then.

"Conner," Tim says. "Honestly, I have no idea." 

They both know he isn't just talking about finishing the race.

-

In the end, Dick escapes with a sprained wrist, bruised ribs, and a hell of a concussion. They tell him he was lucky. Dick isn’t sure. Most drivers nowadays walk away from their cars broken into multiple pieces without a scratch. Maybe at worst, a sore neck. 

But that doesn’t mean he isn’t thankful. Cause he is. He wants to live. 

He's at the hospital now, close to the track. He's pretty sure he would've ended up here anyway. Yet they tell him it's because he blacked out while they were driving him off the scene. The on-track doctors didn’t want to risk anything. 

He hadn’t been out for long, he woke up again right before they were loading him into the helicopter. 

“We had to skip the medical center,” Kory had said when she saw he was awake. He was grateful to see her familiar face. 

He’s never been flown like that, with the helicopter, before. A day of many firsts. Even if he knew accidents like this were a possibility, he never spent too much time actually thinking about it. He knows the risk and accepts it, but it doesn't mean he thinks about it. 

Apparently, it was the concussion. Paired with stress and low hydration, it caused the blackout. 

“So my brain isn’t about to like, leak out, or something?” he had asked the hospital doctor once they got him settled.

The doctor smiled, “No - no, your brain is still intact. Just got a bit of a wack.”

He isn’t sure that’s such a positive thing, but they don’t seem to be worried.

Bruce arrives not much later. By then Dick’s already had both his wrist and ribs wrapped, and gotten a precautionary MRI for his head. Also a thousand other tests. He has no idea what they're for.

His father arrives like he usually does. In a blaze of loud words and stress as Dick is settling back into bed after his scan.

“Dick,” he breathes more than says. Like he hadn’t actually believed Dick was okay before now.

“Hi,” he replies. 

Bruce has a chart in his hand, probably napped it out of some poor doctor's hands.

“You all caught up?” Dick asks, mentioning with his good hand to the chart. Bruce smiles a little at that, but it looks worn and tired.

“Yeah,” his father says, and drags a chair closer to Dick’s bed. “Alfred wanted to know too.”

“I’m sorry,” Dick says, even if he still is unsure of what really happened. 

He does remember, however, how hard he was pushing. Taking every corner with everything he had. He'd been pressing Jason in front of him for all that he had. He remembers Wally, telling him, yelling, about tyre pressures and sliding and close calls.

“Don’t be. It.. it was the curbs. They.. were too damn high. Just like we tried to tell them.” Bruce says, and Dick can see that the older is trying to reign in his anger. Those poor track officials. There's gonna be one hefty discussion about the track after this.

Still, it's weird that Bruce is so quick to pin it on the track. He usually isn't afraid to comment on Dick's driving mistakes. Or anyone else's, for the matter.

“I was pushing very hard too though,” Dick says, unsure of why he’s even defending the track. Not letting it go. “I wanted to win.” 

“It was.. risky,” Bruce ends up replying, “but let’s not... Let’s not delve into that now.” 

So they will later, Dick thinks. Bruce has gotten better. Better at containing his emotions, and his lessons, for the right time and right place. It has helped, raising multiple kids, Dick suspects. Still, Bruce isn’t a man you cross or a man you disappoint, without feeling it in the aftermath.

Yet he isn't always the best in an emotional situation like this either. Maybe that's it. Maybe today's emotions are too much compared to Bruce's anger at Dick's risky driving.

“How’s Tim?” Dick asks, familiar with his little brothers' worry from smaller accidents. On top of that, he's also familiar with how Bruce's mind can work. Getting so focused on one thing he forgets everything else.

“Worried,” Bruce says. “He uh- he was angry at the media. Yelled at the camera.”

Now, that is something to worry about. Tim is usually calm and collected, even if he’s a little anxious and prone to fall into deeper pits. He doesn't lose his anger like that. 

“Shit,” Dick starts, but Bruce isn’t finished.

“Actually, he wasn’t the only one.” For a second, Dick fears Bruce lost it too. That all the news channels are gonna play Bruce Wayne losing his mind over and over again. That they're going to be up to their neck in media work the rest of the season.

“Conner Kent had... Quite a few words for the media too. And your old friend Harper too. Even harsher, actually. He’s always had a bit of a potty mouth that one.”

Dick can’t be bothered to tell Bruce that he and Roy aren't close anymore. That Roy somehow chose Jason in a choice Dick wasn’t even aware had to be made. It’s touching though, that Harper apparently talked to the media.

“What- what did they say?” Dick’s surprised there’s such an outrage.

“The media showed scenes from the accident and replays before we could release anything on your condition. It was already playing as the drivers got out of their cars at the red flag, it... was the first thing many of them saw.”

“That’s... irresponsible,” is all Dick manages to say. He imagines his colleagues piling into the pits, full of adrenaline with pits in their stomachs. That is a feeling he knows.

Stepping out of their cars only to see the accidents replaying, maybe scenes of the aftermath... That must have been terrifying. He then thinks about Alfred, at home. Watching the broadcast. 

An anger blossoms in him, too.

Bruce nods, in agreement. “Both Roy and Conner talked to the media shortly after. Full of adrenaline. Showing their disappointment in how it was handled, said they were disgusted.”

Dick feels overwhelmed by the support of his colleagues, especially since it isn't from two he talks to a lot. Conner is Tim’s best friend, but still. They didn’t have to do that. The emotions in the paddock must have been heavy, and the accident must have looked bad. 

It churns in Dick’s gut, and he’s actually happy he hasn’t had to see it himself yet. 

There’s still a thing he and Bruce haven’t spoken about, and it's going to be painful. But Dick has to ask.

“And Jason? I took him out, right?” the words come fast, almost all strung together, “he was there. Afterward.”

Bruce nods, again. 

“Yeah, when your car launched off the curb it was close enough to tag Jason. Pushed him into the gravel, where his race ended. First, he was mad. Yelling over the radio. Then he realized..,” Bruce trails off. When Dick looks up at his dad’s face, Bruce’s eyes look far away. His mouth is in a thin line. “He jumped out of the car. Ran over to you. He wasn’t supposed to do that.”

Yet Jason did. They’re supposed to stay in the cars until given the all-clear if there isn’t an emergency. Any real danger. Fuck, the crash must have looked bad if it made Jason that worried. 

He’d looked worried too, Dick recalls, when he’d crawled under Dick’s car. Even if his time hanging upside down in the car is a bit of a blur, Dick remembers Jason’s face.

Jason, who Dick has barely spoken to all season. Jason, who he might have squared a little bit up with as the races have gone past. Jason, who still is his little brother but also isn’t anymore.

Jason who had promised Dick he would be there, in the aftermath. Like he meant it. 

“Tim’s on his way,” Bruce is the one who breaks the silence first. He’s pulled up his phone, Dick realizes, probably answering messages. “He was a real trooper and gave a short interview. Just to show the fans you're alright.” 

A real trooper, huh. Dick’s not sure about how he feels about his little brother taking on media duties. But then again, if Tim said yes... 

He takes Bruce’s change of subject for what it is: the end of their talk about Jason. That doesn’t mean he can’t push Bruce some more.

“So, you think I’ll be ready to race in two weeks?” He asks, already feeling his well-practiced shit-eating grin take over his face. Bruce sighs, loudly and tired, but Dick can see how the corner of his mouth is pulling upwards. 

So maybe they avoid talking about Jason anymore. And avoid talking about how bad that crash could’ve been. Instead, they argue about racing, free practices, and cars. Maybe that isn’t exactly healthy coping, but they’ve never been about that. 

He knows Tim will force him to see their psychiatrist. Probably try to get Bruce to go too, sooner rather than later. But now? Right now, he can sit with his dad and argue. Make fun of him.

All of that while continuing to avoid thinking about how the sport he loves almost killed him.

[inkmemes]

this  country  (  2017  -  2020  )  sentence  starters ↪  taken  from  the  bbc  mockumentary.  trigger  warning  for  mentions  of  religion,  death,  sex.  alter  as  you  see  fit  ♡

“i like the underdog.”

“don't be a fucking dick.”

“everyone comes together on days like today and just forgets their utter hatred of each other.”

“everyone who's anyone's going to be there and there are people from my past that would love to see me slain.”

“there's a tea rooms there and under the counter they've got a panic button and if i take one step inside, they can press that. the police will be there in three minutes.”

"he whatsapped me the other day asking us to go laser quest with him and i ... well, i clicked on it by accident, didn't i? so he knows i've seen it."

"i mean, i get it, but it's not making me feel nothing."

“it's baffling. i'm baffled by the entire situation, if i'm honest.”

“what the actual fuck? what the actual fuck? you have fucking lost your head, mate. you have lost your fucking head.”

“when i get hold of you, i swear to god i will fucking deck you.”

"someone's just been throwing plums at my house. i'm going to kill them. i can't believe it. i can't believe it. all over this. plumming on here, plumming on that. plum on the sofa, look! there's nothing left that hasn't been plummed."

“i've had a target on my back since the day i was born.”

“thank you very much, enjoy your free potatoes.”

“do you know how small your brain is?”

“hogwarts is that way, dumbledore.”

“he used to say i looked like the puppet off the dolmio advert.”

“there's a kid crying over there. do you want me to...? i can tell him to shut the fuck up if you want?”

“he genuinely looked like a moomin.”

“on my first day of karate club, karate master goes to me, [name], i don't know why you're here because i can't teach you anything. if anything, you should be teaching me." and just gave me his black belt.”

“you know that little old blind man? yeah, when i was punching him in his face, the lens from his glasses broke and cut my knuckle.”

“some things are just best left in the past, where they belong.”

“what's the point in knocking if you're just going to walk in anyway?”

“it was a miscarriage of justice though, cos what people forget is 12 out of them 20 hostages actually found it funny.”

“i lied so much i still don't know what's real life and what's plain lies.”

“i'm so glad you're out of that lying phase.”

“he likes to be the only person on the road, so whenever he sees a car coming the other way he just pulls over.”

“nasa went through hundreds of them in the '60s. and now every time i see a really bright star in the sky i can't wish on it, cos in my head i'm thinking, ‘that's probably just a spacecraft with some monkey bones in it.’”

“you absolute traitor. that's my cheese - it's my fucking house!”

“don't you dare eat that cheese. you eat that and i will smash this. i promise you, i will smash you with this.”

“fuck! you switched them!”

“yeah, i can see it's fucking burnt, sherlock.”

“i honestly am ashamed to know him, sometimes.”

“if you knock on someone's door, don't take no for an answer. get into their house. if they say, ‘leave my house’, stay. and if they say, ‘i'm going to call the police’, you walk upstairs and see if there's anybody else upstairs to sell to.”

“she looks like uncle fester.”

“right. i'm going to piss in their flowers, then.”

“you really need to go home. your mum's called the police and everything.”

“you're also fired from being my best mate, by the way.”

“in business, there will always be setbacks. i don't drink my own juice, fray bentos doesn't eat his own pies. but that's business.”

“do you know what, i don't actually want to play this any more, because it is actually very, very boring.”

“i'm ashamed of myself, that's not usually me, so don't get the wrong impression.”

“i genuinely think one of them fancies me as well.”

“it's fate her moving across the street.”

“the problem with finding a girlfriend in the village is that most of the girls you meet round here are old-age pensioners.”

“yeah, i am looking for a relationship, but thing is i've just got so many trust issues, yeah, with being fucked over massive in the past, so no matter how much i get close to someone now i'm thinking in the back of my head, ‘shit, am i going to get fucked over?’ because i've been fucked over in the past massively. my last relationship proper fucked me up.”

“i went through a really dark phase. listening to papa roach and just blowing everything up with them little french bangers.”

“shut up, you don't know what you're talking about!”

“i don't like the man. i know he's my uncle, but i don't like him.”

“it's just malicious lies, that's all it is.”

“i'm not saying i've got a cruel heart, but if she ain't willing to take me as i am rather than the monster i've become, then she can literally just jog on back to sea with all the other fish cos i don't care.”

“what do you look for in a boyfriend?”

“the key to dating, yeah, is the two rs and the three ts. 'respect, rapport, and talking, talking, talking.' don't ever let that ball hit the ground. good relationships are built on great conversation.”

“on a date, you've got to tell them all the interesting stuff about you, because that's what they'll be interested in.”

“he said to me, he goes, ‘you can't smoke on here.’ i said, ‘i'm not smoking, i'm vaping.’ the look on his face when i said that. i don't think he knew what vaping… what a vape is.”

“you would make me the happiest mouse if you say yes and become my spouse.”

“here's a tip, [name], next time you take a chick out on a date, don't bore her to tears.”

“roses are red, violets are blue, i've got five fingers, the third one's for you.”

“get out of my way, pipe cleaner.”

“[name] phoned me the other day at three in the morning saying, ‘come quick,

there's a hedgehog in the garden that looks exactly like grandad.’ so i got up, i got dressed and i ran over to [name]'s as fast as i could and then i just stopped in the middle of the street at three in the morning and thought, ‘what the fuck am i doing with my life?’

“you're joking me? because if you are joking me, that is massively harsh.”

“oh, let me get a song up on youtube. you're going to absolutely love this, [name]. here we go… listen to this. oh, for fuck's sake, advert.”

“let's go down the pub and get shitfaced.”

“where do i see myself in five years? well, me and [name] will have a flat in the middle of the village and all of our furniture will be inflatable and we'll have cable and it will pay for itself, because we're going to use the spare room to breed quails, because their eggs are worth fucking shitloads.”

“is this about the calippo, still? because you offered to buy me that.”

“if he wants to go, good luck to him, i say. i reckon he thinks that i can't live without him, which is a laugh, because he went a whole weekend away once and i got on all right. i just ended up following this cat around the village.”

“i've got to do what's right for me, at the end of the day, instead of worrying about other people.”

“how about you say sorry? sorry for the massive knife that's hanging out the back of my back because of you.”

“oh, and while you're stabbing me in the back, feel free to bend down and kiss my arse.”

“can i just ask you an honest question? why would you want to leave the village when we've got a pub and a shop?”

“i think you don't know how lucky we have it to be doing nothing with our lives, like. we're all going to die, anyway, so what's the point in doing anything?”

“i want ownership of the words fucknut and dickmilk.”

“i had this come through the post. and i've got a few concerns about it. firstly, this guy on the front looks really arrogant. not the sort of guy i was expecting, if i'm honest.”

“this is starting to stress me out a little bit.”

“why are you trying to stress me out? you know i'm already stressed out as it is.”

“the bloke that used to live in there, right, kept hearing strange noises coming out of his attic at night. and he'd go to the fridge and find that food was missing from the fridge. so he thought, ‘i'm just going to go up to the attic and check this out.’ and he found an entire family of peruvian panpipe buskers just living up there. and he thought ‘i'm just going to leave them to it, ‘cos they're not really doing me any harm.’ and then, a few years later, he thought, "well, i'll just go up to the attic to check on them. ‘see if they're all right.’ and it turned out they'd all died of asbestos poisoning. yeah, he doesn't live here any more.”

“some people will always be scared of me, and i can't change that, no matter how nice i am. but there's a balance to be had between being nice and being feared.”

“don't really like catching up. it's not my thing.”

“i just watched this video of this girl doing a random act of kindness on youtube. she basically paid for this old man's shopping at the till. and this old man was, like, about 90 years old. and he's so fucking old, like, you could see through his skin. and he just starts bawling his eyes out. he's like, ‘you're fucking joking me, this ain't fucking real life.’ i just thought... i want to make someone feel like that. ‘cos that's... i really… that's what i want to do.”

“i'm not dead. just can't be arsed to text her sometimes.”

“you know, correct me if i'm wrong, but four texts a day is complete madness. no-one can keep up with that.”

“i am doing kind things selfishly.”

“i was at midnight mass one year, right, someone got tipped off i was there. as i was coming out the church, someone tries to shoot me with a crossbow.”

“well, i haven't seen the film, have i? that's why i came here - to watch the fucking film - like a normal human being.”

“i've made an effort by coming here tonight. i didn't want to come.”

“i had to wheel him here from his house in an asda trolley, cos he was just too heartbroken to move.”

“sometimes you don't know what you got until you ain't got it any more. like blockbuster's. i just took 'em for granted - and then, one day, gone, and you spend ages trying to figure out what went wrong, and then you realise it was your fault all along.”

“i thought you said you wanted to fix things.”

“she wanted it to go that way, and it just wasn't gonna go that way. she even got me thinking that they'd get back together… ..but that's manipula.... manipulative people... do that. and he's better off without her.”

“that wasn't much to write home about.”

“it's fucking dead, isn't it?”

“basically, somebody's been sending me threatening letters, and i don't know who's doing it - and i am concerned, because my peripheral vision is poor, so, if somebody attacks me from the sides or snipes at me from an upstairs window, i am fucked - but my hearing is excellent, see? so i just need to spend a few days inside honing my sonar, and i'll be fine then.”

“if you don't like the work, the circus is in town and they're always looking for clowns.”

“his soul is just going to crumble to dust.”

“this really is not a good situation for me. a physical threat is something that i can deal with, but a sexual thing is not my area of expertise.”

“just really fucked in the head, mate.”

“what have i done? i haven't done anything wrong.”

“do you know how sad that is? that is so, actually, sad. that makes me sad for you, that you can't take a joke.”

“i think i just got a bit carried away with the whole thing.”

“your finger's going up my arsehole, mate.”

“i'll hold the back of your head, so you don't bash yourself.”

“when i lie in future, i don't want a massive lecture on how bad lying is, cos deep down, you're the worst of us all, mate.”

“i'd quite like a coke.”

“it's going to be like gluing a breadstick back together, because… like, as if a breadstick's been in a blender and it's all… ...the pieces smashed up.”

“like, this one time i started a fight club in the village hall, and i got a black eye from beating myself up. but it made my enemies think, ‘fuck, if she can do that to herself, what the fuck can she do to me?’”

“i'm absolutely 1,000% sure i've broken it in two places.”

“i knew this day would come.”

“i should be in tk maxx, getting the bargains that i deserve.”

“unlike you, [name], i'm not a fashion disaster.”

“i'm still warm in my grave, and she's sucking off the pallbearer.”

“you know, it took me ten years to get over [name], and i only went out with her for half a day.”

“i swear to god, if i see him here again, i swear to god, i will have no hesitation in just going up to him and just planting one on his face.”

“right, then keep your nose out of my business, yeah? nosy old cock-womble.”

“[name]’s attitude to me is puzzling. if i walk past her in the street

and say hi, she'll tell me to fuck off. yet every year, she sends me a really sweet, nice christmas card. you know, there's just no consistency there.”

“he's good-looking up close, isn't he?”

“don't show me any weakness, because i will take advantage.”

“no, put the brick down, you fucking psychopath.”

“when i asked him, he just said, ‘come to my office now,’ which means we're in the fucking shit, cos we're always in fucking shit.”

“i shouldn't be paying you at all.”

“i've always had a son. i talk about him all the time.”

“he's my son. he's not my dog.”

“it reminds me of the wicker man. i don't really know why.”

“i just find it weird how you can be so close to someone and they can be such a big part of your life, and then the next minute, you're just sort of strangers in the night.”

“i don't want the emotional implications.”

“well, about five years ago, i sold my birthday to my mum for about 200 quid, which means my mum's legally entitled now to never celebrate my birthday ever again for the rest of my life. not even, like, a happy birthday cup of tea, or a moonpig card, nothing - which is the worst decision i ever made in my entire life.”

“he deserves that anyway, because he's been sexting my nan, so…”

“what's this surprise? cos i need to know whether it's going to be worth this walk.”

“i always see them banners above the motorway, and i always thought, ‘who the fuck does them?’ well, now i know. people like me.”

“did you know you can't get stung by a stinging nettle if you grab the leaf top and bottom, like that? it's only when you touch it on the sides, it stings. agh, actually, that stung, then.”

“pez dispenser, they're cursed. they are, i'm not even joking. honestly, when i had one of them, i had the worst bout of bad luck i ever had in my life.”

“i swear down, it's a short cut. it might be a pleasant walk, we might enjoy it.”

“i'm not scared of the fox twins. i'd just like to sit them down and ask 'em plainly, ‘look, guys, what is going on? ‘cos this has just gotten completely out of hand now. you know, stop walking on your knuckles, stand up straight, be the best version of you that you can be. get a job, even. there's a trolley boy who works at tesco's, you know, who may as well have been raised by wolves. if he can get a job, you guys can walk it.’”

“yes, there has been talk of strange goings-on in the woods, ghost sightings and the like. but… ...they're never from particularly reliable sources.”

“i live with a ghost. there's a ghost in that house. he's like a civil war cavalier, with all the hair and the hat and all that. and every time i walk into the living room, he doffs his cap. and on his shoulder, he's got this crow that barks at me. it means i spend less time in the house, really. not because of him, because he's-he's quite peaceable. but the crow is malevolent. and i'm not having that. i can't share my house with a malevolent bird.”

“that's haunted as fuck.”

“am i going mad here, or does that, to you, look like that's where just ghost will hang out all the time?”

“look at him, little red riding twat.”

“if he's got an attitude with me, i swear to god, i'll just grab the steering wheel and drive us all into a wall.”

“it's a bit annoying, actually. cos this is not the first or the second time i've had to tell you, really, is it?”

“his sparkle has just gone.”

“you know my dad actually wrote the song wonderwall on the back of a beer mat in the space of ten minutes, don't you?”

“i've just got a tiny, tiny, tiny little favour to ask you.”

“when i think of [name], i think of someone who is very loyal. and very, very stupid. sort of more stupid than loyal. sort of 70% stupid, 30% loyal, probably. because she's very loyal. but extremely stupid.”

“do you know what? i actually don't think he loves you at all and i don't think he's ever loved you.”

“all right, that's harsh and unnecessary, but fine.”

“frankly, she is behaving like the antichrist.”

“i literally just got here.”

“you are such an unemotional slab of ham, [name].”

“i've got so much shit on that man you would not believe.”

“there's something in my eye.”

“i just can't quit him, you know?”

“yeah, we might have a fiery relationship,  but when we're together, it's just… it's just pure chemistry, isn't it?”

“i'm not proud of it, believe me. but at the end of the day, i'm a very vindictive person, you know? it is what makes me me.”

“i basically went out and bought an alpaca off gumtree for £500. of all the mistakes i've made in my life, that was possibly the largest. definitely the physically largest.”

“yeah, i really don't wanna talk about that.”

“her only loyalty is to herself, staffies, and the tv channel dave… ...which, in my opinion, is a tv channel made by knuckle-draggers for knuckle-draggers.”

“i can't move on till i've seeked revenge, unfortunately.”

“if that was in france, that would be fine, but we're not in france.”

“the only thing we had in common, really, was stealing, and that was more my thing that i got him onto. but it just goes to show, you know, some friendships last and some friendships don't, but that's just the way it is.”

“you know it was me that got you sacked, don't you?”

“the thing i learnt about friendship is, you gotta accept each other's flaws, no matter how toxic they may be.”

“shit-stirring from beyond the grave.”

[thanksjro]

Bayverse: Treating These Movies with More Dignity than They Deserve or Contain, Because I’m a Goddamned Professional - Part One

TRANSFORMERS (2007) - UNCOMFORTABLE SEXUAL TENSION BETWEEN TEENAGERS THAT I DIDN’T NEED TO SEE

So.

This is a little different than what I usually do.

Clearly.

God, how did we even get here?

Oh, I remember.

The date was September 17th, 2020, and I was in a stream with nine or ten other people watching the first Bayverse Transformers movie. Why we were watching it doesn’t particularly matter- sometimes you just gotta watch garbage so you can refresh your palate for the good stuff, I suppose. Also, a couple of folks wanted to make goo-goo eyes at Blackout’s rotors.

...It’s not my thing, but I’m glad they’ve got something to make the journey worth taking.

I made some sort of comment about only using my brain for this blog’s content, and someone (you know who you are :)) suggested that I take a proper look at the film. Being who I am, I immediately latched onto this idea, despite it being technically outside of what I write about.

And then I quintuple-downed, because winners don’t quit.

Good to know that my BA in Film Production wasn’t a complete waste of time.

Fun fact, I broke my television trying to watch Transformers for this. I think the universe was trying to stop me, by making me perform surgery on electronics, and also aggravating my carpal tunnel.

This movie came out when I was 13, and it was the first Transformers thing I saw after Cybertron. Yes, the anime one. No, not the one that’s objectively terrible.

Anyway.

How did I feel about Transformers when I saw it the first time? Well… it was okay. I liked the robots. I thought Mikaela was pretty, not that I knew what that meant back then. I watched it a few times, if only because my oldest younger brother kept renting it at Blockbuster. It was fun.

Now I’m older, and wiser, and know feminist theory, so my opinion is less “this exists” and more “blind, murderous rage”.

Our film opens up with some claptrap about the Cube™, a MacGuffin of ultimate power that allows the Transformers to create worlds in their image and populate them. Which means this is how they reproduce.

It always comes back to baby-making, doesn’t it?

The narration goes on about how the Cube™ is very powerful, and some folks wanted it for good, and others for evil. The criteria for being “good” and “evil” isn’t established, and I’m not exactly sure how one would define such a thing, when all the Cube™ does is create life, but, well, we’ve only just begun. Maybe we’ll get some answers later on.

Haha, I doubt it.

So, the Cube™ is the catalyst for our 4 million year war this continuity, and that sucker was lost in the shuffle a while back. This is a problem, because, again, the Cube™ is how the Transformers reproduce. Now everyone’s in a mad scramble to find the thing so their species doesn’t die out.

Three guesses as to where it ended up, and the first two don’t count.

Smashcut to the shit nobody cares about- the humans. We see an Osprey fly over the Qatar desert, carrying a buttload of American soldiers. We get a taste of some good old-fashioned xenophobia, as several soldiers mock a guy for not speaking English and loving his mother’s cooking, going full “funny haha gibberish language” on him. We’re two and a half minutes into the film, and I already want to stab something.

Ed Sheeran breaks into the conversation, I guess because he was feeling left out, revealing that he is the New Yorker stereotype of the film, for some reason. The fellas ask their captain, Lennox, what he’s looking forward to most about getting home from their tour, and he reveals himself to be a family man. While he’s been away, his wife had a baby, who he hasn’t so much as held yet. His men respond by mocking him.

For loving his child.

We’re three minutes into the film, and the toxic masculinity might actually make me have an aneurysm.

The Ospreys land, the lads disembark, and we get a snapshot of what downtime during deployment looks like to Bay. There are a lot of kiddie swimming pools involved. Two men play basketball. We watch multiple men take outdoor showers. A young Qatari boy brings Lennox a camelback water pack with a smile on his face. This lets me know that he’s a prop and not a character in this film. I can’t wait to see how many horrors he’ll be put through to simulate pathos.

We get a shot of a helicopter flying over the desert, one that the US military doesn’t recognize as their own. They send a couple of planes to check it out, and said planes get their shop wrecked. The helicopter is revealed to be the same ‘copter that was shot down several months prior. That’s… not good. Ghost helicopter?

No. Not at all, actually.

Lennox gets on a video chat with his wife and daughter, who is wearing one of the most ridiculous baby outfits I’ve seen in a hot minute. And I used to work in childcare, so I’ve seen a good amount of those. The writing implies that normal bodily functions are unladylike and therefore undesirable… in an infant… and that’s when all hell breaks loose, thankfully saving me from more of Bay trying to make me give a shit about these characters.

The helicopter lands, we get a shot of the mustachioed pilot, who glitches (gasp), and the line “have your crew step out or we will kill you” is uttered. Not even trying to hide the nationalism, are you?

This film hit theaters in 2007, when the xenophobia from 9/11 was still heavy in the air of the general populace, so things like this were more tolerated, and in fact approved of. Of course, it’s not like America has really improved on that subject, or ever really had a point where we weren’t terrible about it, since we live in a world where the military-entertainment complex exists.

See, the Department of Defense and a good chunk of American entertainment industries have a little deal going, and have for the last few decades, and it goes like this: The DoD will allow the use of their vehicles, personnel, and bases, or the likenesses of such, for free, in exchange for their operations being shown in a positive/morally justified light. This is why you never see the armed forces portrayed in a way that makes them out as anything less than heroes- nobody would be able to afford the sets/likenesses without the DoD’s aid. This is also why you see straight-up advertisements for the military branches on televison, in cinemas, and online, and why both the Army and Navy have flirted with having Twitch channels.

It’s all a ploy to get you to join the military, kids. It’s propaganda.

But enough about that, it’s time for our first transformation sequence!

We get a lot of moving parts with this, since it’s realistic CGI in a live-action movie, and it still holds up. It’s hard to tell what’s actually happening, but it, if nothing else, feels alien, surreal, and horrific to behold. They even included the original sound effect in the cacophony, which is nice.

Our ghost helicopter reveals itself to be a Transformer, not that we get that terminology at any point in this film. This specifically is Blackout, a Decepticon. The soldiers start firing on him the moment he starts transforming, then are surprised when the thing they started shooting with several guns retaliates. This is the point where everything ever in this military base explodes, brilliantly and repeatedly, because it wouldn’t be a Bay film without it. There’s a lot of shouting and bright lights, and I’m positively certain that a great deal of people died during this fight.

It’s just a shame that I don’t care.

Blackout rips the top off of a building like it’s a tin of anchovies, and then snags all the hard drives he can, downloading everything. This is a problem, but it seems like nobody was prepared for a giant alien robot hack-attack, because in order to shut down the power to the servers, you need to be able to unlock the breaker box, and no one seems to have the key. They solve the problem with a fire ax.

Lennox is leading the Qatari boy through the base towards safety. I should mention that it’s night now, and several hours seem to have passed since the Ospreys landed, so I don’t know why this kid is still here. He’s got, like, a house and family to go home to.

We get some more tank-throwing action, Sergeant Epps almost gets flattened under Blackout’s foot, then the movie decides it’s going to try to make things more interesting by having each shot cut flash, for whatever reason.

Someone shoots Blackout with a rocket launcher, I think, and this is the point where he throws his tiny little man off his back to go do his job. Yes, Blackout’s got a baby, and that baby is Scorponok, his symbiotic pal who likes to dig into the ground and be a sneaky little bastard.

Blackout blows up a ton more military equipment and personnel, and then it’s time for another smashcut.

Now we’re in high school, just like all those dreams I’ve had where I’ve forgotten my homework. This is where we meet Sam Witwicky, our main character, and also the stand-in for our target demographic. He’s insufferable, and I don’t like him. Mikaela Banes, our love interest, is also present in this scene, but we don’t get to know about her character for, like, another 20 minutes, because who gives a shit about women, right? They’re just props, right?

Right???

RIGHT??????????

RIGH-

Sam is presenting on his great-great-grandfather, Archibald Witwicky, for his family genealogy report, in front of a class containing maybe three actors who are age appropriate.

I know child labor laws are a good thing, and that hiring adults to play teenagers is just the lay of the land, but I swear some of these students look like they’re old enough to be on their second mortgage and third kid.

Anyway.

Archibald Witwicky was an explorer, one of the first to traverse the Arctic circle, and apparently his crew was made up of folks from 2007, because I swear the clothing for a few of these dudes isn’t period-appropriate. We get a seamen joke, because of course we do, and a sextant joke, because of course we do. Sam is also hawking all this crap he’s brought in for the presentation, because he is a little bastard who has no idea what his peers would want to buy, or really how to relate to them at all. He’s selling these “priceless” artifacts so he can get a car. Mikaela finds this charming, for some fucking reason. Also, her boyfriend is weirdly stroking her shoulder blade with his knuckles the whole time this is happening, and I hate it.

Archibald Witwicky went mad after his expedition, talking about an “ice man” so often that his family ended up locking him in a mental asylum, likely to be forgotten about. Which is sad. But we won’t be getting into the medical mistreatment of the mentally ill in Bayverse, now will we? That’s just Too Deep™.

Sam’s teacher didn’t very much appreciate having his class be turned into an episode of Antiques Roadshow, but still gives Sam an “A” on the project, despite it being a very poor report that lasted all of two minutes. I suspect the teacher has tenure, and therefore no longer gives a shit about academic integrity. This “A” means that Sam’s father will buy him a car.

Which is nice, I suppose, if I gave a damn.

Sam’s father, Ron, picks up his son in a car he probably bought at the crux of his midlife crisis, in a green that reminds me of a school gymnasium floor, then plays a prank on his child by pretending to pull into the Porsche dealership. Sam isn’t getting a Porsche, which is good, because he doesn’t deserve one. As Sam gripes to his father, a yellow Camaro drives by oh so conspicuously. Wonder what’s up with that.

Instead of the Porshe dealership, they head over to the used car lot, which is being run by Bobby Bolivia, who spends his time yelling at his employees and wanting to murder his mother. Sam is incredibly ungrateful about the fact that his dad is helping him get a car, even though it’s his FIRST car, and nobody gets a nice one the first go around. Or, at least, they shouldn’t, given the statistics about accidents with young drivers.

“No sacrifice, no victory” is uttered by Ron, which is the family motto, or so he claims. Archibald Witwicky said the same thing when he had multiple people dying trying to get to the Arctic Circle, so there’s precedence for the phrase, but we’ll see how it holds up throughout the film.

Bobby Bolivia shows Sam and Ron the cars he has for sale, and Sam is immediately drawn to the yellow Camaro in the lot, though there’s a small problem- it’s too expensive for what he and his father agreed to. Also, nobody knows where the hell it came from, so paperwork might be an issue. When Bobby tries to show Sam the yellow Beetle they have right down the line, everything explodes, because this is a Bay film, and fuck the original material this movie was based on. Bobby lets them have the Camaro for a lower price, suddenly fearful of whatever strange powers have just visited his place of business. “The car picks the driver” is suddenly more than a bullshit line to spout off in order to sell cars, and I’m certain that’s shaken the poor man.

Over in Washington, D.C., the Secretary of Defense prepares to address just what the hell happened in Qatar, lamenting on how young the audience he’s going to be speaking to is. In particular, he’s referring to the two dweebs and the hot chick sitting in one of the rows. All the women in this movie who aren’t someone’s mom are made up to be very pretty. And not even in a realistic way. But we’ll get to that in a bit.

So, the military network was hacked. That’s bad. Nobody knows who did it. That’s also bad. The only lead the US has is a soundbite, which is the signal that hacked the network.

Everyone here at the briefing is going to be helping to figure this mess out. This is great, if you like looking at Rachael Taylor for a few seconds at a time, and can compartmentalize hard enough to make that worth the effort of watching this godforsaken film.

Back at the Witwicky household, we meet Mojo, a chihuahua with a cast that doesn’t seem like it’s actually doing anything. I wish he was the main character instead of Sam.

Sam arrives home from the dealership, and says “alright, Mojo, I’ve got the car. Now I need the girl.”

As if ownership of a person is something to aspire to.

As if women are property to be owned.

As if women aren’t people, but rather commodities.

We’re 17.5 minutes into this film.

We’re introduced to Judy, Sam’s mother. She’s shrill, and annoying. This is by design, because none of the women in this film are actually people, but rather archetypes to bounce off of the male characters.

Sam and his father have a moment of what some might consider banter, then Sam gets huffy with his mom over gender roles for the dog. I, for one, think Mojo looks positively dashing in his bedazzled collar, and to hell with whatever Sam says to the contrary.

Sam drives off to go be a misogynist, with the promise to be back by 11PM.

Over in Qatar, the soldiers and that little boy are running from the attack on their base, as Lennox’s wife watches a public announcement on the matter back at home. The Secretary of Defense lets us know that we’re at DEFCON Delta at this point. Lennox Jr. cries, and all I can think about is how they probably pinched that baby to make that happen. They pinched a baby for Transformers (2007).

The soldiers in Qatar talk about shit they have no idea about, Sergeant Epps going on about somehow having been able to see a forcefield around Blackout through his super special binoculars. I don’t know how, or why, he knows this. I don’t know anything anymore.

Ed Sheeran has his doubts about this whole thing, and Lennox is also present in the scene, because I guess he’s important. Through a bit of dramatic irony, Fig- the guy everyone was making fun of for being bilingual at the start of the film- says that this probably isn’t over, as the shape of Scorponok shifts through the sand just beyond them.

Epps is having a minor crisis over the fact that Blackout saw him, but we don’t have time for that, because we’ve got to get to cover. The lads decide to head to the little Qatari boy’s house. Again, I wonder why he was at the base at all, considering that it seems like they’ve been traveling for a good portion of the day.

Back with Sam, he’s picked up his friend Miles, and together they’re going to a lake party. Are they invited to this party? Yes, but also no. It’s public property though, so it should be fine. As they park, Sam notices that Mikaela is here, which is great for him.

Mikaela’s boyfriend, Trent- whose name I had to look up- is a massive tool, and starts pestering the two boys for daring to exist in his airspace. Miles climbs a tree. I’m glad he’s having fun, at least. Sam makes a joke at the expense of people with brain injuries, and this for some reason? Warrants a shot of Mikaela making the blank “pretty girl” face? In response?

Mikaela saves Sam from becoming a wet stain on the grass, which is very kind of her, and more than Sam really deserves. Trent, his boys, and Mikaela start to head off for another party, to get away from Sam and his tree-loving friend. Mikaela offers to drive, and Trent says that she can’t handle his truck, because she’s a ~girl~. This causes Mikaela to ditch him, and start walking home.

The script knows enough about misogyny to know that this would be a nice “take that”. Michael Bay, however, likely fails to see why everything he did with said script involving this character is a goddamned problem.

Because Mikaela, bless her heart, has a lot of problems.

Let’s start with the outfit: a croptop, a jean skirt that BARELY covers her ass, and a pair of wedge heels that are at least four inches tall. On a character that is, at oldest, freshly 18.

Look, I’m all about self-expression and the freedom to choose how you dress for yourself and yourself alone, but this clearly isn’t that. This is a character, not a person, whose wardrobe was designed for the straight male gaze. She’s wearing fucking STRAP HEELS to the lake. This is about oogling. This is about reducing a whole-ass person to the same status as a piece of meat. In fact, who was on wardrobe for this? I’d like to have a few words with-

A woman? Okay, well, what else has she worked on?

You can’t be fucking serious.

ANYWAY.

Miles just called Mikaela an “evil jock concubine.” I don’t like Miles anymore.

As Mikaela walks down the road, strutting hard enough that I’ve got sympathy pains in my hips, the radio in the Camaro turns on, playing “Drive” by the Cars, and giving Sam a hell of an idea; he’s gonna drive Mikaela home, so she doesn’t have to walk the 10 miles to her house. Why he knows how far she lives from the lake isn’t addressed.

Sam kicks Miles out of the car and goes to give Mikaela a ride, which she accepts after a bit of self-deliberation, and also him making an ass of himself. The shot here is framed with Sam like he’s a normal-ass person, and Mikaela from her breasts to the top of her waist. Because of COURSE it is.

She hops in the car and then goes off about her taste in hot guys. Which is weird, and out of left field. Sam is about as confused as I am, then continues to make a fool of himself. This is his nature as a person. Mikaela has no idea who Sam is, even though they’ve gone to the same school for the last 10 years and have multiple classes together. And the fact that she was staring him down all through his genealogy presentation. And at the lake.

This movie isn’t very well thought out, I feel.

It’s at this point the the Camaro turns the key on itself and starts to sputter out and die, as “Sexual Healing” by Marvin Gaye pops on the radio.

I don’t like how this car is trying to get Sam laid.

I don’t like how this car is trying to get Sam laid with a girl who didn’t even know his name five minutes ago.

I don’t like how this car knows what sex is.

The Camaro breaks down on a cliff, and Mikaela hops out to work on the engine, and also to get the hell away from Sam’s sputtering.

As Mikaela admires the sweet engine in this Camaro, showing off her knowledge of cars, we get several shots of her from her breasts to her thighs, while Sam is treated like an actual person. Don’t bother trying to play it off as an artistic choice, Bay, this is blatant horndogging. This adds to NOTHING, other than my ire.

Sam says more stupid shit, and Mikaela, who must be the nicest fucking person in the world, just tells him to fire up the engine so she can try to sort out the problem. Then he asks why she goes for jackasses like Trent, and she decides that she’s hit her limit for today, opting to walk the rest of the way home. Good on you, Mikaela. Don’t take Sam’s bullshit.

Sam, realizing that he’s put his foot in his mouth for the 80th time today, pleads with his Camaro to do him a solid and work, and this actually works out for him. Great. Sam, victorious, once again offers Mikaela a ride, which she, once again, takes.

He drops her off without further incident, and she thanks him for listening. Even though they didn’t really talk that much. I dunno, maybe they had a super deep conversation offscreen. Mikaela asks Sam if he thinks she’s shallow, because clearly all women need approval from the men around them, and Sam says that there’s more to her than meets the eye.

Which made me groan aloud.

Anyway, she gets inside without a problem, and Sam professes his love for his new Camaro for allowing him to talk to a girl. Or at least talk at her.

Back in Washington, D.C., at the Pentagon National Military Command Center, we’re making weirdly racist calls on who hacked the military.

Up with Air Force One, a conspicuous boombox transforms into a robot, and then runs off to hack shit. The President of the United States requests some snack cakes. A flight attendant goes down to storage to retrieve said snack cakes, and finds that boombox in the elevator with her. Considering this is Air Force One, you’d perhaps expect her to immediately be suspicious of such a thing, but this is Bayverse, and we don’t think here.

The flight attendant brings the boombox down with her and places it on the counter as she goes to get the presidential snack cakes. The boombox immediately disappears. Now, you’d perhaps expect her to immediately be suspicious of such a thing, but this is Bayverse-

The flight attendant opens up the snack cake package, for some reason, and drops the cake on the floor. She then proceeds to eat it, and then act shocked when it tastes like floor. There’s a robot in her fucking line of sight, and you’d perhaps expect her to immediately be suspicious of such a thing-

She leaves to go feed the President floor cakes, and our little robot friend gets to work stealing government secrets. He, if nothing else, looks pretty cool doing it. He’s a very pointy lad.

Back at the Pentagon, Maddie- Rachael Taylor’s character- can hear the hacking. This sends everyone into a panic, because, well, that shouldn’t be happening. The hacking noise is a direct match to the one from Qatar, so that’s obviously a problem.

Back on Air Force One, our little robot friend is looking for “Project Iceman”, which he very quickly finds, and downloads everything they’ve got on it, and also plants a virus. The process seems to be… doing things to him. It’s weird. This movie is weird.

The Pentagon cuts all the system hardlines, stopping the process, but it’s too late- he got what he wanted, just about. Two security personnel come into the room, and the robot kills them both with some spinning blade disc nonsense. Air Force One is forced to land for the safety of everyone on-board. More security detail comes in to deal with the little bastard, but he transforms into a boombox and sits on a shelf to avoid suspicion. Now, you’d perhaps expect-

With the plane grounded, our robot is able to walk his little ass over to a cop car. And when I say walk, I do mean walk; this fucker is in multiple folks’ line of sight and nobody notices a thing. When he enters the car, he’s greeted by the mustachioed driver- the same driver who was operating the helicopter at the beginning of the film. This mustache man is a holographic avatar, one that’s being used by all the Decepticons.

We get our first real taste of Cybertronian language, as our robot- it’s Frenzy, his name is Frenzy- lets everyone know that he’s found a clue to the location of the AllSpark, and, through the power of the internet, knows where to find the guy who’s gonna give them what they need.

Three guesses to who it is, and the first two don’t count.

Back at the Witwicky household, Sam’s car does a runner in the middle of the night. Sam, horrified that his property is being stolen, pursues on a bike, screaming at his dad to call the cops. Sam also calls the cops, as he tears through the neighborhood.

The Camaro breaks into an abandoned building, Sam follows, and we finally get a shot of our audience appeal character. Sam watches in disbelief as a giant yellow space robot shines a beacon into the sky, then makes a video on his flip phone recording the experience. He apologizes to his parents for owning pornographic magazines, and goes to face his probable demise.

However, death does not come from above, instead manifesting itself as two of the strongest junkyard dogs in the known universe, who break their brick-inlaid chains to get at this little dip of a man. Sam is chased through the yard, climbing on top of a couple precarious oil drums, even though there’s a ladder, like, right there. The Camaro rolls in, scaring off the dogs, and Sam bolts, throwing the keys to his ride at his ride. When he gets outside, the cops have arrived, and immediately arrest him.

Back with the US government, the Secretary of State is having a conversation about all the bullshit that just went down with Air Force One. He and his fellow cishet old white men discuss their options, until Maddie comes in to set them straight on some of the facts. They act all indignant about it, because women can’t be smart, right?

Right???

RIGHT??????????

RIGH-

Anyway, we get a weird little deflection of Maddie’s role in everything, because a woman is nothing without the men around her, then she brings up the point that the bullshit that happened on Air Force One went down in just a few seconds, which isn’t something that anyone can actually do. She brings up quantum mechanics, which everyone blows off as nonsense- not that I wouldn’t as well- and theorizes on a DNA-based computer, which is technically a thing, if not trapped in the realm of speculation. It’s at this point that the Secretary of Defense tells her to come back when she can back these wild claims up, and isn’t just clearly spitballing.

And then he snaps his fingers at her, and any point he might have had leaves my brain so I have more room for being enraged.

Back with Sam, we’re at the police station talking to the cops. His dad is here, and Sam is trying to explain that his car is a dude. Even though he took at a video (one that was likely crap, given how quickly he spun his phone around to show off what he was seeing) the cops, understandably, don’t believe him. Then one of them, not so understandably, starts… threatening Sam? With his sidearm? And daring him to try something? This isn’t any sort of statement on the corruption of American law enforcement, it’s just bizarre.

Back in Qatar, our soldier buddies have found a telephone line, and are going to try to use it to get in contact with the rest of the world. It’s just too bad that Scorponok’s decided to make an entrance, and knock said telephone line the hell down. Ed Sheeran has next to no reaction to this, despite it happening maybe ten feet behind him. Fig speaks Spanish, and Ed Sheeran makes a point to be an asshole about it.

Scorponok is about to stab Lennox with his very pointy tail, when Epps notices- finally, someone with peripheral vision- and starts shooting. Then everyone starts shooting, kicking up enough sand to blind themselves, as Scorponok scuttles away, buries himself, then reappears behind Ed Sheeran.

Ed Sheeran does not survive this experience.

The others bolt, not wanting the same to happen to them, and for the fourth time I wonder just why the hell this young boy was at the base in the first place.

Off in the distance, the community of a nearby town wonders just what the shit is going on out in the desert. Our soldiers run into the town, and everyone gets their guns and start firing on Scorponok, who retaliates, because why the hell wouldn’t he?

Lennox demands that the young boy take him to his father, and proceeds to borrow his phone. As shit goes down outside, we have a sort-of gag where Lennox is trying to contact the Pentagon, while a telemarketer tries to get him to buy a phone package. In order for this call to go through, he’s going to need a credit card. This is where the well-known “pocket” scene comes from, as Lennox searches Epps’ pants for his wallet as he fires on Scorponok. It’s probably the best-written thing in this whole film.

With the credit card acquired, Lennox finally gets through to the Pentagon, and tosses Epps the phone so he can talk. Maybe he’s got anxiety about speaking on the phone, I dunno.

Scorponok shows off his disregard for historical architecture, blowing up several buildings, and the US government just watches this all go down. One of the actors in this scene looks like my dad, and it trips me up every time he’s on screen. Anyway, now the Pentagon knows about the giant space robots running around in Qatar. They send over some air support about it. All this manages to do is piss Scorponok off.

So they try it again.

This time it works, sort of.

At the very least, he’s left now.

Tail fell off, though.

Also, Fig’s been grievously wounded. The others, for once, don’t make fun of his native language while they help him hold his blood inside his body.

Back at the Pentagon, Maddie’s looking to prove that the bullshit that’s been going on is of the sci-fi variety, and in order to do that, she’s going to need a little outside help. She takes the information from the Pentagon, slaps it into an SD card, hides that shit in her blush compact, and then runs out the door to Glenn Whitmann’s house. Or, rather, his grandma’s house.

Glenn is a hacker, and shouldn’t be seeing anything that Maddie’s brought him, but everyone knows that confidentiality is for nerds, so whatever.

Back at the Pentagon, Maddie’s immediately been caught. It’s almost like slapping the military network onto an SD card maybe wasn’t such a hot idea. But what do I know?

Glenn takes a look at the soundbite and figures out that there’s a code embedded in the thing in about two seconds. Good to know our tax dollars are being well-spent on the US military, that some dude in his jammies can figure this shit out faster than a whole team of analysts. They figure out that “Project Iceman” is involved with this somehow, and also the existence of Sector Seven. It’s at this point that the FBI busts in. Good. I kind of want Maddie to go to jail for this, because she was about as stupid as she could be handling the situation.

Glenn’s cousin goes through a closed glass door- don’t worry, it’s tempered- and there’s a weird cut before that exact same shot continues, and he’s tackled into the pool. There was no reason for that to have happened, but here we are.

Back with Sam, we’re treated to him in his boxers, shooting basketballs in his room. He goes into the kitchen, where Mojo is standing on a stool. It’s a very tall stool, the sort you sit on, and he’s just… there. I don’t know how he got there. There’s no one else in the room besides Sam, and I know he didn’t put him there.

Clearly this must mean Mojo is God, and being on that stool is his divine will. I will be approaching the rest of the franchise with this in mind, because it’s clearly the only answer.

Our merciful Lord Mojo jumps up on the kitchen counter and begins growling at something through the window. Sam looks out… the opposite window… to find that his Camaro has returned to him, and is less than thrilled about it, to put it lightly. He drops a jug of milk- luckily it was mostly empty, given the sound it makes when it hits the floor- and gives his buddy Miles a call. You remember Miles, don’t you? If you don’t, it’s fine, because he reestablishes his quirkiness with a single shot, as he sits in a swimsuit and bathes his huge-ass dog in a kiddie pool, and answers the phone with a headset he just happened to be wearing. He must get a lot of calls during Dog Washing Hours.


After giving us one of the most intense voice cracks I’ve ever heard, Sam books it out of his house, hopping on a bike to escape his murderous Camaro. He’s not seen the thing commit any murders, mind you, but he seems pretty convinced that it would do the job, given half a chance. Also, this isn’t the bike he rode the night before; that one is likely being chewed on by those strong-ass junkyard dogs. No, for some reason, the Witwickys have a pastel pink girl’s bike, with the fun little handle tassels and the basket and everything. As far as I can tell, Sam is an only child, and if you think Bay’s going to allow for a teenage boy to have the vulnerability to own a pink bike, you’ve not been paying attention for the last 48.5 minutes.

The Camaro gives chase, rolling after Sam on his bike at a brisk 7 MPH down the friggin’ sidewalk, one of the only scenes in this travesty of a film to actually get me to crack a smile. Sam races through town until city planning puts a stop to him, through the magic of using chunks of cement to decorate the mulch around their trees. He crashes his bike, faceplants into the concrete in front of Mikaela, and promptly dies, thus ending the film.

No, he doesn’t die. I just told a fib. I’m sorry.

Instead, he does a flip and lands on his back, likely receiving a concussion, in front of Mikaela and her friends. Her friends laugh, because everyone hates Sam, as they should, and Mikaela says that what he just did was “really awesome.” Don’t try to be nice, Mikaela, this is Sam we’re talking about; you could stick the dude in the freezer overnight and he still wouldn’t be even remotely cool.

Sam gets back to the whole “running away from a car” deal, and Mikaela decides that this is the sort of thing she’d like to do with her day, so she ditches her friends in the middle of their scheduled Burger King™ time to go see what the hell Sam’s on about.

As Sam is chased by the Camaro who is being chased by Mikaela on her motorized scooter, a cop becomes involved, tearing through the streets to join this ridiculous game of tag. Now, we’ve seen two different flavor of cop so far- the mustachioed avatar cop car that picked up Frenzy from the airport, and the dude who threatened a teenage boy with a gun after accusing him of being under the influence of drugs. Either way, I don’t think this is going to turn out well for Sam.

Sam’s cornered himself under one of those really wide bridges where people can park their cars, which wasn’t terribly smart, but it’s Sam, so this is about par for the course. The Camaro manages to miss him, but the cop car does not. Sam is actually pretty cool with the cops being here, as if they could do anything about “Satan’s Camaro.” I guess he didn’t see the decal on the side of this car that says “to punish and enslave…”

Sam attempts to approach the car for help, and gets clotheslined by a car door for his troubles. He hits his head on the pavement, certainly exasperating the brain injury he received not ten minutes ago. Still, he continues to try to talk to the holographic avatar through the windshield, revealing that the bike he’s been riding is his mother’s. Mystery solved, I suppose.

The cop car doesn’t much appreciate being slapped on the hood, and begins to rev violently at Sam, threatening to run him over several times. Then it explodes into being a robot. Sam, who’s seen a lot of really weird shit in the last 24 hours, nopes out of the situation. It’s at this point that I realize he’s wearing a shirt for the band the Strokes. I don’t know why that stuck out to me, but it did. Guess my brain needed something to latch onto during all this.

Sam is running as fast as his little legs allow, as our newest robot friend takes up a leisurely jog to keep pace. Then he kicks Sam. He kicks Sam’s body like the football. This, of course, instantly turns Sam into a bag of jelly and kills him, thus ending the film.

No, he doesn’t die. I just told another fib. I’m sorry.

Sam somehow survives being punted by a giant metal leg and lands in the windshield of a car that doesn’t turn into a robot. Then he gets yelled at by the cop car. This is Barricade, a member of the Decepticons, and Sam’s got something he wants. Or, should I say “LadiesMan217” has something he wants.

LadiesMan217 is Sam’s Ebay username. This is both stupid because no teenage boy existing beyond the year 1985 would have ever called himself that, and also because it’s just stupid.

Barricade wants the glasses Sam presented for his genealogy report, and he wants them NOW. Seeing as the thing he wants is for sale, and nobody had been bidding on it, one would wonder why Barricade and his associates didn’t just try to purchase them like upstanding citizens. Perhaps Decepticons don’t understand the concept of money, or perhaps they don’t have a stable address to have the glasses shipped to. Or perhaps nobody considered that angle when the script was being put together. Who can say?

Sam gets back to running away from Barricade, we see where Mikaela got to, and the two of them collide. Sam rips Mikaela off of her scooter, and they both fall to the ground. Mikaela, who did not buckle the clasp on her helmet, asks Sam what his fucking problem is. Then his problem shows up, and they take a very long time to get up so they can run. So long, in fact, that the Camaro has to swing in to save them. After much pleading from Sam, Mikaela gets inside Satan’s Camaro, and the two of them are whisked away to safety. Barricade pursues, and then the butt rock starts.

There’s a lot of screaming and yelling, the Camaro busts through a window and several shelves in an abandoned building, there’s some drifting, and then suddenly it’s nighttime. Barricade somehow got in front of the Camaro, and is circling like a shark. The Camaro locks the two teenagers inside itself, though I suppose they could climb out through the still-open windows if they really wanted to. The Camaro cuts the engine off, then cuts it back on and bolts for the exit, and this somehow tricks Barricade long enough for them to get past.

The Camaro dumps Mikaela and Sam out one of the doors and then transforms into that yellow space robot we saw a bit ago. It’s Bumblebee! Nearly an hour in, and we finally get a proper look at the little bastard. I guess that’s what happens when you spend the first 20-something minutes on being xenophobic and appealing to the focus groups that think it’s fine sexualize high schoolers.

Bumblebee- no, he’s not introduced himself yet, but I just can’t keep calling him “the Camaro” anymore- comes out of his transformation ready to square the fuck up. Barricade throws himself at Bumblebee, they roll around on the ground for a bit, then things start sparking and exploding, because this is a Michael Bay film. Frenzy jumps out and starts chasing down Mikaela and Sam, while Bumblebee and Barricade murder death punch each other. Frenzy manages to grab Sam by the ankles, drag him to the ground, and rip his pants off. Not sure how that happened, considering he’s still got his shoes on.

While Sam’s busy being chased by a sentient pile of safety pins, Mikaela’s taken it upon herself to be proactive about her survival, and is raiding a nearby building for power tools. She sprints out holding an electric jig saw and saves Sam by decapitating Frenzy. If you know anything about Transformers, then you know this doesn’t actually kill Frenzy, but good on her for being a badass. Why couldn’t Mikaela be our main character again? Oh, right, because she’s a ~girl~.

Sam punts Frenzy’s head, like, 50 yards, which seems like something he shouldn’t be able to do, given that he’s a massive weenie, but there you are. With that out of the way, Sam takes Mikaela’s hand and they run off to go watch the giant robot fight. The bottom of Frenzy’s head turns into a spider and he crawls his way over to Mikaela’s purse. He’s gonna steal her gum, the fiend!

Mikaela and Sam have, unfortunately, missed the giant robot fight, which means that we, as the audience, have also missed the giant robot fight. Which is unbelievably stupid, seeing as everyone who has ever watched this movie came for the GIANT GODDAMN ROBOTS.

Mikaela asks just who the hell the yellow robot is, I guess because she’s finally had a second to process what the hell’s going on. Sam claims that he’s a super-advanced robot, “probably from Japan.” Whether or not this is a reference to the Japanese origins of the original toy line isn’t clear, though somehow I think it’s more xenophobia. Sam also makes the claim that if Bumblebee had intended to hurt them, he would have done it by now. This is quite the jump from a few hours ago, when he was calling the poor guy “Satan’s Camaro.”

Sam finally, finally asks Bumblebee what his deal is, and we get our first taste of the Bayverse Bumblebee Gimmick. The Gimmick here is that, due to an injury to his vocal processing, Bumblebee cannot communicate through traditional means, i.e. speech. Because of this, he instead strings together sentences by flicking through the radio frequencies and choosing key words. This can lead to some interesting audio design, like describing his fellow Autobots to “rain down like visitors form heaven, Hallelujah!” because a radio sermon fit what he was trying to say best.

This gimmick is one that has been used in other pieces of Transformers media, at least in part. Bumblebee is unable to speak traditionally in Transformers: Prime, and instead communicates in beeps and clicks that his teammates can understand, but not so much the humans, save for Raf. In Bumblebee (2018), the idea was used whole-cloth, with the injury resulting in his inability to speak happening on-camera within the first 10 minutes of the movie, and the idea of “expressing oneself through music” being introduced by his human companion Charlie Watson.

All in all, I rather like the idea going on here; it’s an interesting part of his character that opens up for a lot of interesting and creative moments.

It’s just too bad it was introduced in fucking Bayverse.

But yeah, anyway, the other Autobots are coming to Earth. Shit’s gonna be lit.

Bumblebee turns back into a Camaro, and Sam uses the power of FOMO to get Mikaela to go in the car with him. We get a shot of Barricade fucking dying on the side of the road. Frenzy murders Mikaela’s phone, and then steals its identity, including the little bejeweled heart stickers. Good thing Mikaela remembered to go get her purse, otherwise he probably would have felt very silly doing that.

Mikaela refuses to sit in the driver’s seat, seeing as she now knows Sam’s car is sentient, and sort of feels weird about this whole thing. Sam suggests that she sit in his lap instead, as the camera angles to give us a peek at the cup of Mikaela’s bra. When asked why the hell she should do such a thing, Sam says it’s a concern about her safety, given that the middle console of the car does not have a seatbelt. Sam either fails to recognize that seatbelts going over two layered bodies won’t save either of them in the event of a crash, or he’s just trying to make an excuse to have a pretty girl in his lap.

Given what movie this is, I’m going to guess it’s the latter.

Mikaela has a similar line of thought, but scoots over anyway, saying that the seatbelt line was a “smooth move”. It wasn’t, but if I picked apart every single bad line Sam had in this film, I’d be here all day.

Mikaela questions Bumblebee’s taste in alt-mode, which offends him to the point of dumping both her and Sam out in the street and driving away. He returns, moments later, as a sleek new Camaro, that I’m sure some car aficionados would call “sexy.”

Bumblebee’s alt-mode is a 2009 Chevrolet Camaro, of which there were none during the time of filming. It was put together for this movie in roughly five weeks. Sam is blown away by the fact that he now owns a car that does not currently exist in his universe. Mikaela is impressed, or at least she would be, if women were allowed to show that emotion in a non-horny way in a Bay film.

Judy doesn’t count.

As Bumblebee breaks into yet another restricted area, we get a shot of the Earth from orbit, as several objects rocket towards the planet. Sam and Mikaela watch the Autobots burn up in the atmosphere, and Mikaela tries to hold Sam’s hand as they do, and it’s at this point that I have to address how much I hate these two’s dynamic.

I don’t give a single solitary shit about this romance, because A) it’s poorly written, B) Mikaela could do infinitely better than Sam, C) I dislike Sam so very much, D) Mikaela, who is a way more interesting character, got placed on friggin’ love interest duty because ~girl~, and E) it’s useless padding to try and make me care about what’s happening here, and I just DON’T. I do NOT care about whether these two get together or not.

We see the Autobots crash-land, three out of four of them causing massive amounts of property damage and possibly killing at least one person. Their stasis pods crack open, and they each climb out, completely naked and in desperate need of clothing to hide their shame. With a quick scan of nearby vehicles, they’re once again decent to be seen in public.

Bumblebee drives the kids out to what I can only assume is the warehouse district he sent that beacon out in, as our collection of good guys finally come together at long last. A massive Peterbilt semi-truck stops directly in front of Mikaela and Sam.

We’re over an hour into this film, and we’re just now getting to the quintessential Transformer, Optimus Prime himself.

In the original cartoon, Optimus’s alt-mode was what’s known as a cabover truck, one where the cab- where the driver sits- is seated directly over the engine. These were popular during the days when maximum truck-lengths were much shorter than they are currently. This is why when you look at height charts for Optimus over various continuities, his G1 cartoon counterpart much shorter than his other iterations.

Modern trucks are longer, and don’t need the cab to sit on top of the engine to save on space. The designers chose to use a Peterbilt to make sure that Optimus would have an imposing stature when compared to his fellow Autobots.

Because heaven forbid we not have heightism come into play in this film.

Our Autobots transform, and say what you will about these bastards being visually incomprehensible, the transformations themselves are cool as hell. My personal favorite is Jazz’s, where he does a cool windmill into his root mode.

Optimus crouches like he’s looking at a cool bug on the sidewalk and addresses Sam by name. He doesn’t even acknowledge Mikaela, which I find to be a bit rude, but whatever. He then introduces himself as the leader of the Autobots.

Peter Cullen is back as the voice for Optimus Prime, sounding wonderful as always. He almost wasn’t brought on for this project, because Michael Bay didn’t want him. If the fans hadn’t thrown a hissyfit, who knows who we would have gotten to be our space dad for the next hour and a half?

This is actually an issue that’s recurred several times in the last few years, and not just with Cullen; Frank Welker, the voice of Megatron, as well as many other Transformers, has been refused roles within Transformers properties. In general, this is because both Cullen and Welker are union actors, and Hasbro would prefer to hire sound-alikes than pay more money for the originals. This isn’t to shame the non-union actors, goodness no, just to merely point out less-than-fantastic business practices.

I realize there have been a lot of tangents, but you have to understand that I am suffering as I do this.

Optimus then introduces his team- there’s Jazz, whose first line is “What’s crackin’ little bitches?”, Ironhide, who incorrectly quotes Dirty Harry, and Ratchet, who calls out just how obnoxiously horny Sam’s character is. We also finally get Bumblebee’s name.

Mikaela asks the very good question of why the fuck the Autobots are here on Earth. Optimus explains that the AllSpark is here, and they’ve got to get to it before Megatron does. He then goes on to explain who Megatron is, stating that he “betrayed” the Cybertronian empire.

No, how exactly he did that isn’t addressed. We’ll just have to take Optimus’s word, I suppose.

If you’ve sussed out by this point the the AllSpark and the Cube™ are the same thing, congrats! You win. Megatron followed the AllSpark to Earth, where he promptly was neutralized by the cold of the Arctic circle. This was 110 years prior to the events of this film, and where Archibald Witwicky came in to the story.

When the expedition was happening, Archibald fell through the ice during a collapse, and ended up finding Megatron’s frozen body in an ice cave. He went poking around on this strange metal giant, and ended up activating Megatron’s navigation systems, which imprinted the coordinates of the AllSpark onto Archibald’s glasses.

Don’t ask how that works, it just does.

So, the Autobots need the glasses, so they can find the AllSpark before the Decepticons do, so those guys don’t use it to build an army out of Earth’s machines, which will destroy humanity.

Sounds simple enough, let’s go get that vision correction device!

Back with the military dudes, everyone’s taking a gander at the tail that Scorponok left behind. They theorize that the metal that makes up these giant murder-robots reacts to extreme heat, but elaboration on that point will have to wait, because the tail has begun to flail. They quickly strap it down, then call the military to let them know to strap anti-tank guns onto anything that’s going to be approaching any giant robots.

Meanwhile, in an interrogation room, Maddie and Glen have been left to sweat a bit. Glen takes to stress-eating, while framing it as a psychological tactic to subconsciously prove his innocence to the FBI.

This is a fat joke, with the added nasty layer of Glen being a black man about to be interrogated by one of the most intimidating white cops I’ve seen in a hot minute.

Glen immediately folds, pinning all the blame on Maddie, and claiming that he’s been a perfect angel his whole life. We get some weird purity culture out of him, before Maddie lets the FBI know that she needs to talk to the Secretary of Defense, NOW.

Over at the Witwicky household, Sam’s parents are watching the news, trying to find out what all those loud crashes were about. Optimus Prime drives down their residential street, the rest of the gang in tow, then they all park to wait for Sam to go get the glasses.

For about 20 seconds.

Sam has to physically hold the door shut to prevent his father from coming out and seeing several very tall robots from outer space tip-toeing around his freshly-landscaped yard, I guess because they got antsy. Optimus plods around on the grass and breaks a fountain, and our benevolent god Mojo comes out of the house, assuredly to smite the leader of the Autobots.

Mikaela runs onto the scene, and Sam chastises her for not controlling the robots who didn’t even acknowledge her existence, outside of pointing out Sam was sexually attracted to her.

Mojo pees on Ironhide’s foot, which prompts Ironhide to threaten to shoot the creature. This is why Ironhide isn’t getting into heaven. Sam, one of Mojo’s chosen few, claims that the mortal shell of his god is seen as a beloved pet by many humans. Sam runs into the house, before Mojo can incur his divine wrath on the Autobots.

While Sam goes to get the glasses, the Autobots decide to do a little peeping on the house, watching his parents watch TV. Sam tears his room apart trying to find the glasses, and Optimus thinks that it would be helpful if he brought Mikaela up to help look. It’s at this point that I realize that Sam has an utterly bizarre fish tank.

I mean, legitimately, what the fuck is this? No filter, no plants, might not even have any rocks on the bottom. Is this a comically oversized bong Sam threw a couple fish into? What the fuck.

Mikaela starts looking for the glasses, running into what is likely a box of porn mags, then they both look out the window to find that the Autobots have decided to hide in plain sight by transforming... in the middle of Sam’s backyard. Amazing work, gentlemen.

Sam finally convinces the Autobots to go sit in the alley and wait, only for Ratchet to run into a power line and trip into a greenhouse. The resulting impact is interpreted as an earthquake. Judy does not have the reaction one might expect from someone who’s lived in California for at least ten years.

Ratchet’s fine, by the way.

The power cuts out, and Ron goes up to check on his son, because he’s at least a halfway-decent father. Ratchet’s shining a light to aid in the search for the glasses. Sam’s parents notice this bright light, and bang on Sam’s door to see what’s up.

Sam quickly hides Mikaela and then attempts to salvage the situation, answering the door and trying to control the narrative. Unfortunately, Ron is far too inquisitive for Sam to do this, and then Judy asks if Sam was masturbating.

Judy, is privacy just not a thing to you? Because if not, it really ought to be.

She keeps going with it too, trying to come up with code words, until another one of the Autobots trips and causes Ron to panic again, climbing into Sam’s ancient claw-foot bathtub to protect himself. He looks out the window to check on his beloved yard, lamenting that the earthquake tore it up.

Ironhide is strongly considering killing Sam’s parents. Optimus tells him that they don’t harm humans, and also begins to wonder if he made a mistake bringing this guy along.

Back in Sam’s room, it’s becoming increasingly obvious that Sam is an absolutely terrible liar, and Mikaela reveals herself, if only to prevent Judy from trying to talk about self-pleasure again. Of course, now she gets to be subjected to both of Sam’s parents objectifying her, so this might be a lose-lose situation.

Sam is reminded that his backpack is in the kitchen, just in time for the government to show up at his house. Mikaela makes a comment about Judy being nice. I suppose on a surface level, yes, being told that you’re gorgeous by someone’s mom is nice. I do have to question the context that compliment took place in, however.

Sam’s about to hand the glasses over to the Autobots, when someone rings the doorbell. It’s Sector Seven, and they’re here to talk to Sam about his stolen car being part of an issue involving national security. Ron and Judy are more concerned about their yard being torn up, Judy yelling that they “need to get their hands off [her] bush.”

We still have another hour of this movie.

The agent leading this mission asks Sam to come with him for questioning, which his parents are very much against. Mojo also voices his displeasure, but it would seem that Agent Simmons is not a follower of the Tenets of Mojo. Sam gets geigered, and his readings are high enough for Sector Seven to take him and everyone in this house into custody.

As Sam and Mikaela are riding in the back of the car, Simmons brings up Sam’s Ebay account, and also the phone video he took of Bumblebee earlier in the week. Mikaela is rather unimpressed with Sam at the moment, probably because he’s gotten her arrested. She still tries to help him out though, because she really is just the nicest fucking person on the planet.

Alas, the combined efforts of these two teenagers isn’t enough to fool the long arm of the law, especially when it’s a branch of said law that deals with extraterrestrial activity. Simmons threatens to lock up these literal children for life if they don’t start talking. Mikaela isn’t taking the bait, so he goes after her father’s parole hearing instead.

Yep! As it turns out, Mikaela and her father stole cars to get by, and she’s got the record to back that claim up. Simmons calls her a criminal, then says that criminals are hot. Mikaela looks like she’s about to cry, and I don’t blame her in the slightest.

Optimus, I suppose because his dad senses were tingling, takes the opportunity to place his leg in the road for the car to run into, then grabs said car like an unruly cat and lifts it until the roof rips off due to stress. The agents in the other cars pile out and point their guns at the giant space robot. The rest of the Autobots quickly relieve them of their weapons.

Optimus notes that Simmons doesn’t seem surprised that a bunch of giant robots just took all his guys’ guns, and demands that he exit the vehicle, posthaste. Simmons obliges, after a bit more prodding. Mikaela undoes Sam’s handcuffs, and he gets fucking pissy about it, as if this girl he’s had a grand total of three (awkward) conversations with should have told him something as personal as “hey, so my dad’s in jail and I’ve been to juvenile detention.”

Luckily, she doesn’t let him get away with it, calling him out as the spoiled, self-centered, privileged little shithead that he is.

Of course, we don’t get any sort of real acknowledgement from Sam, having to move on with the plot. Perhaps, if we hadn’t spent the last hour and 20 minutes faffing about on drivel, we could have had Sam get an actual moment of self-reflection, and potentially even character growth. However, this is Bayverse, and everyone knows that personal accountability is for fucking sissies.

Mikaela and Sam ask several questions, but get no answers from Agent Simmons. And then Bumblebee pees on him.

I hate that I had to write that. I hate it very much.

Anyway, I don’t know why that had to happen, but it did, and I’m nothing if not thorough.

Optimus tells Bumblebee to cut it out, and with that the Sector Seven agents are cuffs and left on the side of the road. Mikaela orders Simmons to strip, as punishment for threatening her father, then cuffs him to a street lamp.

...Yes, that does sound like a bizarre sexual fantasy, doesn’t it?

Unfortunately for our teen heroes, they forgot to confiscate everyone’s phones, and Sector Seven knows what’s up, thanks to the power of speakerphone. More cars and a couple of helicopters show up basically immediately, and the Autobots decide it’s time to dip.

But not before Ironhide fires off a pulsewave into the ground that causes a five-car pileup.

Optimus, I suppose because he knows he chose a ridiculously flashy alt-mode that is in no way practical, just picks the kids up in and places them on his shoulder like a couple of parakeets, then takes up a leisurely jog to get away from the eyes in the sky. He runs through the city, racking up what is likely millions in property damage, as the helicopters pursue. He passes by a “Legalize LA” billboard, which feels odd to see, given what movie this is.

The ‘copters somehow manage to lose Optimus, despite him being relatively slow, and having a notable radiation level that they’ve been using to track him. He hides inside the scaffolding of a bridge, only for Mikaela and Sam to slip off of his polished body to their deaths, thus ending the film.

No, they don’t die. I just told another fib. I’m sorry.

Bumblebee snatches them up just before they hit the ground, the impact of his metal body catching them at 75 mph, killing them instantly and ending the film.

Nope, that doesn’t happen either.

Mikaela and Sam are fine, some-fucking-how, but Sam’s dropped the MacGuffin glasses. The helicopters swing back around, having noticed the sound of a car crashing into the ground and the screams of two whole adolescents. They break out a fucking harpoon gun and fire on our kid appeal character.

Repeatedly.

They wrap up Bumblebee in a series of cables, as he screams like a moose. Mikaela and Sam are held at gunpoint by what is honestly far too many dudes, and are then arrested for the second time in ten minutes. Bumblebee is smoked... because he’s a bee? Sam, not liking this one bit, finds the strength in his weenie body to push a cop off of himself, run at one of the dudes with the smoke guns, throw him to the ground, and then start smoking him. He’s immediately tackled, but points for trying.

Sam and Mikaela are placed back into custody, and the rest of the Autobots regroup with Optimus to see what the plan is. Optimus says that they can’t save Bumblebee without hurting humans, so I guess Bumblebee is just a POW now. Well, at least they got the glasses. That’s cool.

Back at the Pentagon, things are getting dicey, as the other world powers are starting to suspect that something’s up. The Secretary of Defense is approached by a man with a mustache and a briefcase. He’s from Sector Seven, but the Secretary gives not a fuck about mysterious organizations. All the computers in the room suddenly go down, the virus from earlier working its magic- only this time, the blackout is global.

Mr. Mustache opens his briefcase, while explaining that Sector Seven is something known as a “special access” sector of the government, which is why nobody’s ever heard of it; it’s beyond top secret. Commissioned by President Herbert Hoover 80 years prior, it deals with alien life.

When the Beagle 2 spacecraft was lost on the way to Mars in 2003, the mission was declared a failure. This was a lie. The Beagle 2 recorded several seconds of Mars before being crushed to death by a Transformer. This tidbit is pretty funny, given that the Beagle 2 was rediscovered on Mars in 2014, seven years after this film released. Not a terribly mysterious death anymore, is it?

Comparing the footage from Mars to the footage from Qatar has Sector Seven thinking that these are the same species. Which they are. God, it’d be so fucked up if there were two species of giant robots in this film.

Mr. Mustache theorizes that because the Transformers now know that they can be harmed by human weaponry, they’re being proactive about their safety and shutting down all forms of communication technology with that virus that keeps popping up. It’s only a matter of time before the shit hits the fan for humanity.

Mr. Secretary tells his guys to try going analog with comms, breaking out the short-wave radios, to tell their ships to return home.

Over at an Air Force base, Lennox and the gang have landed, only to be scooped up by a bunch of dudes in suits.

Back with Maddie and Glen, the two of them have fallen asleep in the interrogation room, Maddie still wearing her friggin’ four inch pumps as her legs are propped up on the table, crossed in a way that seems rather uncomfortable. Glen gets to sleep like a normal human being, with his head resting on his forearms. Why this place doesn’t have a holding cell for these situations is beyond me.

Mr. Secretary comes in to bring Maddie on as his advisor. Glen can come too, I guess, considering he’s the one who actually figured out the sound file virus.

We get a little military glorification, and then it’s revealed that Mikaela and Sam, as well as Maddie and Glen, are aboard this helicopter. Their paths cross at last. Our heroes are transported to the Hoover Dam, where Bumblebee is also. They are still smoking him.

Meanwhile, the Autobots are figuring out where to go, with the power of Archibald’s glasses. Ratchet, who I guess is omnipotent, senses that the Decepticons have also figured out the location, and that this is going to be a race against the clock. And I mean, he’s right, but the phrasing is a bit odd.

Jazz wants to know when they’re going to save Bumblebee. Optimus says that they aren’t, and that Bumblebee’s sacrifice is noble, and that he would want the Autobots to leave him and complete the mission. As this is said, we get another shot of Bumblebee getting smoked and trapped in a lab. Yep, this is totally what he would want. He absolutely signed up for this, giving himself up to the government and not at all fighting like mad to not be captured.

I don’t think Bayverse Optimus actually knows what martyrdom is, which is bizarre, given that it’s a major trait in a lot of other iterations of the character.

Ironhide isn’t even sure why they’re bothering to save humanity, given that humans are violent and awful, his point being hammered home as Bumblebee is tortured for scientific reasons. Ironhide seems to have forgotten that Cybertron has been at war for literally millions of years. Optimus has faith in humanity, however, stating that we’re “young”.

And then he says that he’s going to end his own race, by destroying the Cube™, which is how they reproduce, because that’s the only way to end the war.

Which is arguably one of the most hardcore fictional applications of eugenics ever conceived.

Being advocated for by Optimus Goddamn Prime.

We still have another 50 minutes of this movie.

Optimus then proves that he does, in fact, know what self-sacrifice is, stating that, if all else fails, he’ll shove the AllSpark into his spark, which will destroy them both. He’s pretty chill about it, too.

Up on top of the Hoover Dam, Frenzy has fallen out of Mikaela’s bag.

Mr. Secretary is also at the Hoover Dam now, as is Lennox’s team. Oh, and Agent Simmons, who is thankfully wearing pants. He offers to buy Sam a coffee, as repartitions for threatening his family, arresting him, and being a complete creep to a teenage girl. Sam gives not a fuck about caramel macchiatos with extra foam and chocolate drizzle, however. He only cares about his car.

Mr. Mustache, who is also here, needs Sam to spill the beans on all these friggin’ giant robots that are running around. This is where Sam realizes he has the upper hand for once, and he starts making demands. One such demand is having Mikaela’s record scrubbed clean, which is an actually very nice thing for him to have done for her. We’ll see if his intent comes to fruition. For now, it’s time to talk about Bumblebee.

We get a shot of all these folks heading into the secret base hidden inside the Hoover Dam, and it’s at this point that I notice that Maddie’s shirt is basically see-through.

Inside the Dam, we see that Sector Seven′s been keeping Megatron this entire time, keeping him neutralized with cryo-stasis since 1935. Cryopreservation was invented in the 50′s. This isn’t a nitpick, I just thought it was a neat little fact.

Megatron being on Earth has resulted in most modern technology. This sort of plot point always bothers me, because it takes away agency from the entire human race. We didn’t use our own ingenuity and work ethic to advance society, we plagiarized from a more advanced species. I dunno, it just rubs me the wrong way.

We get the part of the movie where info is hashed out, so that everyone is on the same page, Sam spouting off Autobot propaganda. We can forgive him for this,considering he’s 16, and no one is immune to propaganda, especially when they have zero way of doing their own research to form their own opinion with.

Sector Seven also has the AllSpark, kept in the room next to Megatron’s, like the chumps they will soon find themselves to be. It’s about ten stories tall and the reason the Hoover Dam exists. With so much concrete suppressing its alien energies, surely no one will ever find it!

Except for Frenzy, who came in through a mouse hole. Whoopsie-doodle!

The AllSpark zaps the nasty little man, restoring his body with its weird MacGuffin powers. Frenzy tells all his coworkers that he found what they were looking for, and everyone starts heading over.

Maddie asks Mr. Mustache what exactly he means by “energies”, perhaps worried that this whole thing has been some elaborate ploy to get her to invest in magic healing stones. Mr. Mustache brings everyone into a testing chamber, since the best way to explain how the AllSpark works is through a demonstration.

There’s a big fish tank in the middle of this testing chamber, in which Agent Simmons places a donated device from the crowd- Glen’s Nokia phone, specifically. Simmons makes a geologically-confused comment. When this is pointed out by Maddie, Mr. Secretary hushes her, simply saying that Simmons is a strange man. The tank is locked down, and then the show starts.

Cube™ energies are shot into the tank, and the phone explodes into life, transforming into a gorilla-shaped gremlin creature. Happy birthday, little dude!

Little dude starts shooting at the tank walls, cracking the glass until Simmons pulls the trigger and ends it. Happy deathday, little dude!

The Decepticons are making tracks towards the Hoover Dam, but Starscream- yeah, he’s in this now, don’t worry about it- arrives first, because he is a very fast jet. He transforms, showing off his ridiculous Dorito body, and fires on the base’s generators. The resulting explosions can be heard all the way down in the testing chamber, and Mr. Mustache calls upstairs to see what’s up. Looks like Megatron may be getting warmed up, seeing as his ice bath has been cut off. Lennox asks if there’s an arms room in Sector Seven, which sort of feels like asking a bakery if they have any flour.

Frenzy has entered the room that houses the controls for the cryo-stasis and set that whole system to “no, thank you”.

Mr. Mustache runs through the base, screaming for everyone to get to the Megatron chamber. Off in the distance, the Autobots approach. Could probably used some fliers on your team, huh Optimus?

Back with Frenzy, he’s decided to just straight-up raise Megatron’s core temperature directly. Hope he doesn’t do it too fast; rewarming hypothermia victims recklessly can do some serious damage.

Outside of the base, Lennox and the boys are loading up with weaponry, along with what’s the entirety of Sector Seven′s cannon-fodder department. Oh, and all the main cast. Yep, just got a couple of teenagers chillin’ in the munitions room.

Sam wants Simmons to take him to his car- he hasn’t used Bumblebee’s name in a hot minute, not sure what’s up with that- even though Simmons is currently busy loading a very large gun. Simmons doesn’t want to do that, because he’s got no idea if what Sam mentioned earlier is even true, and he doesn’t want to pin the fate of humanity on a single Camaro. Lennox takes this opportunity to tackle Simmons, despite likely not knowing that Bumblebee is one of the “good guys”. A Sector Seven guy very much doesn’t like that, and points a gun at Lennox, which prompts all of his guys to also start threatening folks with guns.

Mr. Mustache walks in on the scene, but doesn’t do anything, since he isn’t armed and knows better than to tangle with someone who’s packing. Simmons tries to intimidate Lennox, because he must have missed the day of boot camp where they tell you that guns kill people. Lennox is fully committed to shooting this dude in the lungs before Mr. Secretary suggests he give the people what they want, before things get ugly.

Simmons takes everyone to the robot torture department of Sector Seven, where they are still smoking Bumblebee. Geez, you’d think they’d have something in place for if they ever came across another giant robot after Megatron, but I guess not. The gang gets everyone to stop smoking Bumblebee, which allows him to stop moose-screaming and strongly consider murdering everyone involved with his forced captivity. Unfortunately, revenge with have to wait, as we’ve still got to deal with the AllSpark, and the fact that the Decepticons are here.

They take Bumblebee to the AllSpark, where he makes direct contact the thing, causing the AllSpark to transform, compacting itself down into a far more reasonable size that Bumblebee can carry in one hand. It doesn’t seem to weigh more than a grown adult, if his body language is saying anything. I’d make a joke about the conservation of mass being ignored, but since this is Transformers, I can’t really say much. Conservation of mass doesn’t exist for this franchise.

Bumblebee would really like to get this show on the road, and Lennox agrees, quickly formulating a plan to get away from Megatron and taking the AllSpark to Mission City, which is relatively close to their current location, so that they can hide it there.

Lennox, I know this plan is a first draft, and we don’t have a ton of time for revisions, but the whole point of building a whole-ass dam around the Cube™ was because it was very difficult to hide, given its magical MacGuffin powers. Regardless of this flaw, Mr. Secretary agrees. Lennox also asks that the Air Force be involved in this, I guess because the U.S. military wanted more screentime.

Of course, that whole “global blackout” thing is still going on, so we’re going to have to get creative with how we’re going to contact the Air Force. Mr. Secretary and Simmons make a break for the WWII-era radio Sector Seven has, while Lennox and the boys head out to shoot things, and Mikaela and Sam hop into Bumblebee with the Cube™.

This is about the point that Megatron wakes up. The first thing he does is introduce himself, which I thought was very polite of him. Then he breaks out his flail and starts bashing shit around. Not so polite, that.

Over with Bumblebee, we’re shown that the AllSpark, all-powerful object that can create life and is the whole reason this conflict is even happening, is just chillin’ in the back seat by itself. It’s not even buckled up.

Megatron escapes the base, and it’s actually super easy. He just transforms, goes through the tunnel, and he’s free. I feel like we could have at least attempted some security measures for in case the cryo-stasis failed, given that we’ve had this dude in containment for the last 70-something years, but okay.

Starscream comes over to say hi to his boss, not that Megatron gives a shit. He just wants to know where that fucking Cube™ is. When Starscream tells him that the humans have it, Megatron makes a comment about how Starscream has failed him yet again. This is their first interaction in this movie, and Starscream’s been in the story for a grand total of five minutes at this point. I know that this is a reference to their dynamic in just about every installment of the franchise up to this point, but it doesn’t feel earned in the slightest. Even if it’s going to be expanded upon in future sequels, this is a shit-tier way to set their (awful) relationship up.

Not that anyone should ever bank on getting a sequel anyway, but that’s a discussion for another time.

Megatron tells Starscream to retrieve the AllSpark, and then we cut over to the radio plotline. The radio, which is so cobweb-covered I feel like Sector Seven needs to have a serious discussion with their custodial staff, has its nobs and buttons fiddled with by Simmons until it crackles to life. But where are the microphones? Everyone starts looking for the mics, as Simmons pushes Glen into the seat, I guess because hacking modern computers and using Depression-era radio tech are similar enough.

Maddie asks Glen if he can hotwire a 90′s-era computer to transmit a tone through the radio, so that they can send a Morse code message to the Air Force. Which sounds ridiculous to me, but I don’t know enough about radios or computers to know if that sort of thing would be possible. Maybe it’s fine. Or maybe it’s Hollywood bullshit. Who knows?

Back over with Bumblebee, we get a bunch of car commercial shots, of both him and the other Autobots. Aww, the gang’s back together again! Nobody tell Bumblebee that Optimus was completely cool with leaving him to his fate.

Optimus and the gang whip around to join the convoy, and everyone makes their way towards Mission City.

Back at the radio subplot, someone’s bangin’ on the door, trying to get in. The others try to block the intruder, while Glen does his hacking stuff. Mr. Secretary breaks a case and pulls out a gun that’s about as old as he is.

Glen gets the computer working, and Mr. Secretary gives him the Super Secret Military Codewords™ to use to talk to the Air Force. While he does that, Simmons finds a flamethrower and starts burning Frenzy as he attempts to enter the room. The Air Force receives the message for an air strike. Oh, goody.

Over with the convoy, it appears that the Autobots and Lennox’s boys are being pursued by the Decepticons. It’s difficult to tell, seeing as the cameras have gone full Bay-mode, but I’m guessing that’s what’s up. One of the Decepticons flips over a minivan, likely killing a family of five. another causes a multi-car pileup.

Bonecrusher transforms, then Optimus transforms. Bonecrusher iceskates across the highway, slamming into a bus so hard it just straight-up explodes. He is on fire. He tackles Optimus, and they proceed to fall off the side of the raised highway they’re on. Then they beat the shit out of each other, until Optimus decapitates Bonecrusher with his arm-sword.

Yeah, space dad is a little intense in the Bayverse.

Back at Sector Seven, Frenzy’s decided to leave the door alone, and instead is crawling through the ventilation shaft. Mr. Secretary and Simmons fire off shots into the duct above them, as if bullets would do anything against this nasty little pile of needles.

Frenzy bursts through the bottom of the duct and crash-lands into a glass case, taking cover behind a pillar and fires on the humans on the other side of the room. While this shootout is happening, Glen receives a response from the Air Force, just in time for Frenzy to accidentally decapitate himself with one of his own spinning blades of death. This time, he does not survive losing his head.

The Air Force will be sending fighter planes to Mission City, and to establish this, we get several shots of what some might call “military porn.”

Over in the city, the convoy has arrived. Lennox hands several short-wave radios over to Epps, telling him to use them to direct the Air Force when they arrive, so they can take the AllSpark... somewhere, I guess. Above, an F-22 zooms across the sky. It is not one of the Air Force’s F-22s.

Ironhide recognizes Starscream, and gets ready to throw down. Bumblebee grabs a nearby Furby truck and hoists it up to use as a shield. This marginally works, as the missile that hits the truck doesn’t immediately kill him, though it probably did all those Furbies inside.

The resulting explosion throws all the humans around, Mikaela getting weird heaven lighting as she lies unconscious on the pavement. Sam gets it too, though, so I suppose I can’t complain too much about this particular shot. They touch hands. I really wish that I could take this moment of vulnerability as being anything other than an attempt to set up a romance between these two teens who have known each other for maybe half a week. This movie has so starved me of genuine human interaction I'm jumping at the smallest of scraps.

Bumblebee actually didn’t get out of that missile-strike unscathed, his legs having been blown off. All those Furbies died for nothing. Tragic. Sam asks Bumblebee if he’s alright, and immediately tells him to get up. Sam then remembers that Bumblebee’s legs are off, so he yells for Ratchet.

Over with Lennox and Epps, they’ve realized that the plane they saw wasn’t one of theirs. Which, you know, has already been established, but points for getting caught up, fellas. Sam is crying and still telling Bumblebee to get up. Bumblebee is dragging himself across the pavement and whimpering. It’s awful. Where the fuck is Ratchet? This is basically the only reason he’s in this film, and he’s nowhere to be found.

The actual Air Force calls on the radio, asking for their location. Brawl, who is a tank, starts firing on Lennox’s gang. Jazz and Ratchet race through the city streets. How they were separated from the rest of the team is anyone’s guess.

Sam takes a little sit on the pavement to be with Bumblebee, while Mikaela decides to problem-solve and heads for a nearby tow truck. Bumblebee hands Sam the Cube™ because, as the designated protagonist, it’s his job to handle it in the climax of the film.

Ironhide is shot at several times by Brawl, narrowly avoiding being hit each time. This, of course, means that the people he drives by in this shot are almost assuredly dead, since they’re right next to the explosions. He transforms and does a flip, as the film goes slow-mo on a shot of a woman in a low-cut dress watching him flip. She screams. Ironhide screams. I scream, though probably for a different reason.

Jazz jumps on Brawl, managing to kick off a couple pieces of kibble before Brawl grabs him and throws him into the side of a building. Ironhide, Optimus, and Ratchet descend on Brawl, and so does Lennox’s team, Brawl losing a hand and getting thrown into his own building as a result.

Mikaela breaks into the tow truck and starts to hotwire that shit. Wow, a relevant back story that culminates in her being able to save the day, thus completing her arc and staying on-theme for her character. Why isn’t Mikaela the protagonist again?

Oh, right, because ~girl~.

Megatron lands in a nearby alleyway, and Ratchet, knowing this dude is bad news, tells everyone to head for the hills. Jazz isn’t fast enough, however, and gets shot for his troubles.

Mikaela drives the truck over to Sam, who is still sitting there with the Cube™, and tells him to get his ass in gear.

Jazz gets taken to the top of a nearby building and is ripped in two by Megatron, who acts like a bird of prey the whole sequence. Down on the ground, Brawl is starting to get back up from his smackdown. Blackout appears on a nearby skyscraper. Things are looking grim for humanity.

Mikaela and Sam hook Bumblebee up to the tow line as Lennox approaches them. Sam has left the AllSpark out of his line of sight, like a fool. Despite seeing this, Lennox still gives him the flare to let the military know where to pick up the AllSpark. Doesn’t even acknowledge Mikaela. He tells Sam to head for the white building with statues on top of it and set the flare on top of the roof. Lennox can’t leave his men, because he’s the head of his operation. Why he can’t send literally anyone else who isn’t a 16 year-old boy isn’t made clear.

Sam really doesn’t want to do this, probably because he’s a child, but Lennox has recruited him to the military against his will, so he must. Lennox then attempts to make Mikaela leave for her own good, but she tells him to fuck off, because she’s gonna save Bumblebee. Clearly, this is a win for feminism.

Epps radios the choppers coming from the Air Force to let them know they’ll be picking up a package from a teenager, thus locking Sam into the job. Ironhide and Ratchet vow to protect Sam from the Decepticons on his way to the pickup point. Not one single person has pointed out how fucked up this is.

Sam starts to run off, when Mikaela stops him to let him know that she’s glad she got in the car with him roughly an hour ago. They don’t kiss goodbye, which, honestly? Good. This fucking movie hasn’t earned that. Sam for sure hasn’t earned that, even if he did clear her juvie record. No word on that having actually been done, by the way. Sam never got confirmation, and I feel like he’s not really the type to follow up on things.

Brawl fires off some shots and makes things explode. Ratchet and Ironhide provide cover fire as Sam sprints down the road. Yep, they’re making this idiot WALK to the pickup point. Sure hope the elevators are working today, otherwise this is going to take forever.

Sam carries the AllSpark like a football, and in a better movie, this would have been foreshadowed by Sam having actually been a football player prior to the events of the film, perhaps removed from the team for some character flaw he’s since grown from/accepted. However, this is Bayverse, and well, men don’t have to justify their existence in the story with things like themes and having even an ounce of thought put into their character.

Back with Mikaela, Lennox has refused to learn her name, calling her “girl” as he screams at her to get Bumblebee hooked up to the tow truck. Which she was already doing when he got here. Lennox, dude, you’ve got a daughter now, you’re super extra not allowed to treat women like this.

Optimus Prime pulls through an alleyway and crashes into a pile of garbage. I can forgive him being late, seeing as he is a big rig, and probably had to take the long way into town so he didn’t get stuck in too-low tunnels. Don’t worry about how we briefly saw him during the Brawl take-down. This is his for real entrance into the climax.

He whips around and transforms, ready to throw the fuck down. Megatron spots him from his perch and descends.

Y’know.

Like a vast, predatory bird.

Megatron shoots at Optimus in his alt-mode, and Optimus catches him like a frisbee. Unfortunately for Optimus, it would appear that the horsepower on a Cybertronian flightcraft is hella intense, and he’s carried away. The two of them crash through an office building, then roll around in the streets punching each other in the face, debating the worth of humanity as they do so. Wish I actually gave a shit about either of these people, but alas! The film spent most of its runtime objectifying women and insulting minorities. I know nothing about Optimus, and even less about Megatron.

Megatron transforms his arms into a laser gun, and Optimus does the same. They shoot at each other. Optimus gets thrown into a building, then lands on the sidewalk below, definitely crushing a dude underneath him, but I guess we didn’t check that the shot was clear for where the CGI was gonna go, so he’s fine.

Sam’s still running through the streets, while Blackout murders, like, so many people behind him. Starscream lands in front of Sam, running into roughly 30 cars as he skids to a halt. Ratchet and Ironhide fire on him, as Sam takes a breather behind a car. Starscream transforms and blasts off. He was here for about 15 seconds. Sam begins running again.

Megatron is now following Sam, because he wants that Cube™. Sam is hit by a car- not an evil one, just a regular car- and trips. The impact makes the AllSpark activate, which grants several machines in the vicinity the gift of life, including the car full of bitchy women that just hit Sam, who are upset that hitting a human being might have scratched the paint.

I get it, you hate women, can we PLEASE stop beating this dead horse?

Sam finally gets to the pickup building, which turns out to be abandoned and fenced off. Good thing the gate was open, otherwise things could get really complicated. He heads inside, Megatron crashing through a floor-to-ceiling window shortly behind him. Megatron makes the claim that he can smell where Sam is. I’m going to choose to believe that he isn’t lying here, since Ratchet did something similar earlier.

Sam finds the stairs, and Megatron calls him a slur.

He doesn’t, really, but the voice modulation certainly makes it sound that way.

While this is happening, Mikaela is driving the tow truck down an alley, dragging Bumblebee behind her with the tow cable. She stops for a moment to have a short breakdown, seeing as she is a teenager in what is currently a warzone.

Sam is still running up the stairs. Outside, the military shoots at one of the Decepticons. It is, of course, doing absolutely nothing to the giant metal space robot. Mikaela concludes her moment, looking back at Bumblebee, who gives her the okay to keep going with dragging his ass across the pavement. She whips the truck around and tells Bumblebee “I’ll drive, you shoot.”

Mikaela then proceeds to speed down a main road of this sizable city backwards, running into cars and more or less shoving Bumblebee along to his destination.

The military has finally realized that their efforts have been pointless, but it’s okay because Bumblebee is here with his superior firepower. Bumblebee proceeds to shoot Brawl in the chest, which kills him. After this, he tries to act cute, lifting up his battle mask in a very “did I do that?” way, as if he’s not the same guy who ripped Barricade apart earlier.

Sam, meanwhile, has finally reached the top of this dilapidated building. Helicopters are approaching his location, but will they make it to him before Megatron does? Honestly, I’d be more worried about Starscream on the building just due East.

Sam is just about to hand the AllSpark over, when Starscream fires at the ‘copter, causing it to crash and nearly chop Sam to pieces. Optimus Prime runs towards the scene, on a roof that I refuse to believe could actually support him. Megatron punches thought the roof from the bottom and asks Sam some philosophical questions. Sam can’t answer, given that he’s hiding on the edge of this building, his flimsy grip on one of the angel statues being the only thing keeping him from falling.

Megatron tells him to give him the AllSpark, and in exchange he might not kill him immediately. Sam tells him to fuck off, and Megatron flails the chunk of building he was hanging on to, causing Sam to fall to his death, thus ending the film.

I’m lying to you. Michael Bay is making me into a liar.

No, Sam is, instead, caught by Optimus, very likely breaking several ribs on impact. This is the point where I realize that they’ve given Optimus fingernails. Sam clings to him like a baby koala, as Optimus parkours down the sides of two buildings, Megatron in pursuit. Megatron actually lands on Optimus 2/3rds of the way down, causing the both of them to fall onto the pavement below. How Sam survives this is a mystery.

Megatron recovers from the fall first, flicking a human away from him for having the audacity to exist in his space. The flicked person hits a car, and is almost assuredly dead. At least, I sure hope so, given that this is the director cameo by the Bayman himself.

Feminist icon Megatron?

Feminist icon Megatron.

Optimus comments on the fact that Sam almost fucking died to get the AllSpark out of dodge, and we get the return of “No Sacrifice, No Victory”. Which, I mean, I guess he’s allowed to say that, since he’s actually had to do something that warranted it. His dad doesn’t get to, though.

Optimus then tells this teenage boy, who has already had a hell of a day, to kill him by shoving the AllSpark into his robot-soul-heart, should he be unable to defeat Megatron.

I dunno, I just feel like it’s a bit of an ask.

Sam climbs off of Optimus so the Prime and Megatron can rumble. He runs through the ruined infrastructure of the city, so he’s less likely to be crushed. Optimus tells Megatron to square the fuck up, stating that “one shall stand, one shall fall.”

Then he gets ragdolled around a bunch, so maybe he should have saved the talk for later in the game.

The military is running around some more, stopping in an alley to see Blackout transform to root mode. Yes, the goo-goo eyes were indeed made by several members of the watch party that started this whole thing. People went wild for Rotor-Cape Johnson.

The fighter jets from the US military are arriving in a minute. Epps warns them to aim for the robots that aren’t evil. Lennox and the gang spread out, reminding each other to aim for the underboob, since Transformers’ armor is weak there. Epps marks Blackout with a little green light, which Blackout almost immediately notices. Blackout fires on the military.

Lennox has stolen a motorcycle and is driving through the streets to circle back around and jump off of the bike, sliding on his back to shoot Blackout directly in his underboob. Wonder what his uniform is rated for for road rash.

Sam is watching as Optimus gets his ass handed to him. Up in the sky, Starscream commits identity theft, and then attacks the Air Force. The Air Force can multitask however, and light Megatron the fuck up. Sam has, for some reason, come out of hiding, and Megatron uses this to his advantage, trying to take the AllSpark from him.

Optimus tells Sam to put the AllSpark in his chest, but Sam has a better idea. He shoves it into Megatron’s chest, which has been basically shot open at this point. Megatron makes a Space Invader noise, convulses a bit, then falls over dead.

Congrats on your first murder, Sam.

Optimus tells Megatron’s corpse that he got what was coming to him, then implies that they’re brothers. What flavor of brother isn’t established, but neither was basically anything between the two main faces of the franchise in this film, so it’s fine.

Ironhide walks up holding the two halves of Jazz. Optimus informs Sam that he now has a life-debt to this child. Whether or not Sam is absorbing any information at this point is up in the air. Mikaela shows up, with Bumblebee in tow.

In tow.

In tow-

Sam stares at her blankly. Mikaela stares back, making the pretty girl face. Man, what a great dynamic these two have.

Jazz is dead. That sucks. Optimus is handed his corpse to hold, while he thanks his new friends for helping out.

Then Bumblebee talks and he’s fucKING BRITISH.

Sam is obviously shocked by the fact that Bumblebee is British able to talk now, since not talking has been his whole thing up to this point. Optimus doesn’t let it phase him. Neither does Ratchet, despite having been working on Bumblebee’s throat injury for centuries at this point.

Bumblebee wants to stay on Earth with Sam. Optimus is just like whatever. Sam agrees to have a sweet Camaro from outer space.

Optimus pulls what is left of the AllSpark out of Megatron’s chest. I’m sure that’s not a setup for potential conflicts, not in the slightest.

Over in Washington, D.C., the US President has ordered Sector Seven be terminated, and all the Transformer corpses be disposed of. And by “disposed of” they mean “thrown into the ocean.” Dang, sure hope Earth signed some sort of agreement with the Transformers so that they never come to Earth again. You know, just be proactive about our galactic safety.

The Linkin Park kicks on, as Optimus gives us our bookend narration, telling us what the Autobots plan to do now that their race is at a genological dead end. As he does, we see Lennox reunite with his wife and child, who I had genuinely forgotten were in this movie.

Optimus is pretty chill with Cybertron dying out, because now they know about Earth. We get a shot of Sam and Mikaela making out, a shot that becomes more and more horrifying the further they zoom out, because they’re making out on top of Bumblebee. Who they KNOW is a sentient creature at this point.

And then it gets even worse, because the shot changes, and oh hey! Turns out that the rest of the Autobots were just chillin’ off to the side while this went down. Optimus continues his monologue, just walking around in his root mode as he tells all of Makeout Point how they’re “robots in disguise” now.

The monologue is actually a transmission he’s sending out into space, inviting any of his leftover pals to come kick it on Earth with them, because Earth is pretty cool.

And that’s where they leave us.

IT TOOK THREE PEOPLE TO WRITE THIS SCHLOCK.

So. Bayverse 1. A film showcasing xenophobia, misogyny, and toxic nationalism. It’s rough. Is it the worst film I’ve ever seen? Not even close, but it’s bad, and it was a huge deal at the time of release. Everyone was seeing it, everyone knew the actors and robots, everyone had a scene that they liked. Everyone was exposed to Bayverse, and as a result, a lot of people entered the Transformers franchise thinking that it was all like this.

And really, how far off would they have been in 2007?

When a franchise refuses to introduce female characters until years after being established, when all those female characters have the exact same body type, when a franchise hires misogynists to write stories, when it allows shit like “Prime’s Rib!” to be published- no wonder Michael Bay was approached to direct.

What a mess.

--------------------------

COMING SOON:

TRANSFORMERS: REVENGE OF THE FALLEN (2009) - MEGAN FOX I AM SO FUCKING SORRY

TRANSFORMERS: DARK OF THE MOON (2011) - WILL YOU JUST STAY DEAD

TRANSFORMERS: AGE OF EXTINCTION (2014) - SHUT UP ABOUT THE LAW SHUT UP ABOUT THE LAW

TRANSFORMERS: THE LAST KNIGHT (2017) - ACTUALLY, FUCK CONTINUITY

[azucanela]

FIRST DATE HEADCANNONS + SCENARIOS

[FT. BAKUGOU KATSUKI, TODOROKI SHOUTO SHINSOU HITOSHI]

SUMMARY: Your first date with a few some of the first year boys[Bakugo Katuski, Shinsou Hitoshi, Todoroki Shouto].

WORD COUNT: 2.9k

WARNINGS: kissing, pretty pg, wholesome, perhaps slightly ooc oops, bad writing, just a tad of spice

A/N: someone send tik tok related requests they make me laugh

BAKUGO KATSUKI

when he asks you out on a date for the first time hes not actually asking

comes up to you and tells you, “get dressed im taking you out.”

you are just there talking to mina and kirishima in your pjs like ???

“with your quirk?” like you dead thought he was telling you he intended to kill you 

“no idiot...” now he’s embarrassed oh no

mina and kirishima are like 👀👀

“on a date?” they’re really trying to help him get his point across bc playing matchmaker is fun

“SHUT UP EXTRAS”

probably takes you to like some sort of outdoor thing on the first date

has to to involve movement

stroll through the park, or through like a mall if you don’t like more athletic experiences 

take him on a date to a trampoline park. do it. 

COOKS FOR YOU ON THE FIRST DATE!!!!!!!!

ITS AMAZING 

YOU HAVE BEEN BLESSED

is quieter during a date rather than his normal explosive self, he wants to listen to you, get to know you better

won’t kiss on the first date unless there’s a pre established friendship

your next date happens the same way, just tells you that you guys are going out, but you get it this time

lets you choose where you guys go that time

wants equal contribution to dates 

katsuki in street clothes is just beautiful, just ART, a masterpiece, he looks like a grumpy piece of ART

Katuski had just asked Y/N on a date, completely out of nowhere. Katsuki had asked Y/N on a date. It was difficult to believe, and considering his loud tone, the rest of Class 1-A also found it shocking, the student who claimed to have all his focus on becoming the number one pro-hero was now seeking a relationship. Ironic.

Though Y/N herself initially didn’t understand what he had been trying to say, she quickly got the message, and off they went. She was necessarily shocked by his feelings for her, they had discussed it in the dead of night, when she couldn’t sleep so he decided to forgo his normal grandpa sleep schedule. He fell asleep shortly after that conversation though, in her arms, he’d likely deny it if she ever mentioned it though.

Now, she sat on the counter in his parent’s kitchen, though neither of them were home, and the kitchen looked mostly unused. Y/N had tried to assist him but he’d brushed her off, “I asked you out. And you’re a horrible cook.” 

Y/N hopped off the counter and came up behind him, “whatever.” She mumbled, half expecting Katsuki to shove her away as she wrapped her arms around his torso as he sliced vegetables. He didn’t, though he did freeze momentarily before grumbling something about how dumb she was, Y/N knew he didn’t mean it based off the blush on his cheeks. 

Katsuki placed the vegetables into a pot of boiling water, covering it with a lid before tapping Y/N’s hand, signaling for her to let go. When she did, he turned around, and Y/N’s brow was raised. “C’mere.” He pulled her closer with one hand, and placed another on the back of her necks, bringing their lips together. 

She hummed in response, hand tangling into his hair, this wasn’t the first time they’d kissed. But it was the first time they’d gone on a date, he’d been sure to hide the dining room from her on the way inside, and she couldn’t help the excitement that bubbled up inside her. 

Y/N’s free hand found it’s way to his bicep, nails digging into his soft skin, courtesy of his quirk. Meanwhile, Katsuki’s hand found its way to the curve of her back, pushing her body closer to his only for Y/N to pull away, “pay attention while you are cooking.”

Turning to look at the pot, he’d realized that it was boiling far too much for comfort and cursed, releasing Y/N to salvage his food, she began to laugh. Katuski glared at her as he turned off the stove and put the put the vegetables into a nearby plate. 

With a smile on her face, she pressed a kiss onto his cheek, only for him to roll his eyes as he picked up the plate and moved out of the kitchen, Y/N trailing close behind as he headed to the dining room. “Can I see now?” She asked.

After a moment of contemplation, he nodded, and together they entered the dining room. It was a basic set up for a date, but it certainly set an intimate atmosphere that was rare when you lived in a dorm with several other students, and Mineta. There were candles lighting the room, and a rose in the center of the table, along with more food that he had already placed on the table. 

Grinning at him, Y/N spoke, “god you are such a sap.”

His cheeks flushed as he responded, “shut up.” 

SHINSOU HITOSHI

lol cutie, he asks you out on a date, you two are probably close friends and he just really likes your personality and attitude and stuff

“you don’t have to- well you know that but-”

“no, i’ll go out with you.”

“it’s fine i understand- wait what?”

did not think he’d get this far so he had no plans, he was expecting to plan a funeral for your friendship

ends up being the basic movie and food date

he picks a horror movie because he wants to protect you!!!

it makes him feel useful and bb needs validation

hold his hand during the movie

give him AFFECTION

you guys end up skipping dinner because you filled up on popcorn and other snacks during the movie so y’all just walk around

gives you his j a c k e t if its cold

he’s classy like that

unlike other people, he would kiss you on the first date

it would be an AMAZING experience that probably occurs at your front door, super adorable, he asks if he can kiss you

“can i kiss you?” fully expects you to say no

“yeah you can.”

“its fine, thanks for going out with me- wait what?”

same vibes as asking you out, did NOT expect this

walks you home because he is a GENTLEMAN change my mind, Shinsou brought back chivalry 2020

treats you RIGHT!!! the entire date, opens doors for you, pulls out your chair if necessary, pays for you unless you try to split the check but he might propose if you do that and pay for you regardless

When Shinsou asked Y/N out, he genuinely expected her to say no. His plans for the date included a funeral for himself and the friendship between the two of them. But, Shinsou was an honest guy and wanted to confess his feelings to her, secrets were a rarity between them, and this was no exception. They’d known each other for a while and his feelings weren’t something he could make disappear, no matter how hard he tried.

The last thing he expected was for her to agree to go out with him. 

She was still clinging onto his arm rather harshly as they exited the movie theater, having seen a horror movie, she exclaims, “I am never letting you pick the movie again.” 

Shinsou can’t help it when his heart skips a beat at her comment, looking over to her as he smirks, “again? So there will be a next time?” He asked, hoping that he hadn’t misunderstood.

Her cheeks warm, even though he asked her out, and Y/N looks away, “yes, if you want.” She mumbled, loosening her grip on his arm as they stepped outside. Cool air hits her, and Y/N can’t help the shiver that goes down her spine at the sudden cold. 

“I asked you out, of course I want a second date.” He replied, taking his arm from her grasp to remove his jacket, which he puts around her shoulders. “You still want dinner?” 

Y/N hums, taking his hand in hers and grinning as his cheeks turn red, “I’m not really hungry after all the snacks we had.” She replied, leaning her head onto his shoulder. “Let’s just walk.” 

They walked throughout the small shopping center, speaking with each other in regards to a variety of topics before beginning the walk home, when it started to rain. Thankfully, they were nearby Y/N’s home, and the laughs that consumed them as they ran didn’t stop as they ran up under the roof of Y/N’s porch. Shinsou’s hair was now matted onto his head thanks to the rain, their clothes soaked. 

Looking up at him, Y/N let another laugh escape her, “I like your hair.” She teased, bringing a hand up to ruffle it, though it had little effect.

Shinsou playfully glared at her, “yeah, yeah.” A smile found its way onto his face as he looked at her, the rain still hammering down on the roof, he found himself not wanting to let go of her hand as he asked, “can I kiss you? You don’t need-” He began to ramble, and Y/N was reminded of when he first asked her out as she watched him. 

Y/N’s hand released his and she grabbed his face, bringing his lips to hers, effectively silencing him as his hands fell onto her hips. They broke apart momentarily, only for Y/N’s arms to circle around his neck and pull him closer for yet another kiss.

“I’ll take that as a yes.” He mumbled as they pulled apart.

Tilting her head, Y/N smirked, “you’re cute.” Shinsou ducked his head to hide the pink in his cheeks at this comment. “Be here next Saturday around 2 in the afternoon. This time I pick the movie.”

Looking back up, he raised a brow. “I happened to enjoy the movie, particularly the parts when you-”

“I don’t have to agree to a second date.” Y/N threatened as she playfully slapped his shoulder before heading to her front door, looking back at him as she walked.

Shinsou hummed, eyes meeting hers as he grabbed her hand and yanked her back. “I think I liked the way you shut me up the first time around better.” He presses a gentle kiss to her lips before releasing her hand so that she can head inside. 

TODOROKI SHOUTO

THIS BOY

you probably don’t know its a date he’s like “so how was the date”

and you there like “im sorry how was the WHAT?”

asks his siblings for help because he’s clueless, also asks izuku and maybe even bakugo during their remedial course, though camie is 10x more helpful

this is because shoto always spends all of his father’s money on you

while you two are just best friends, he’ll see you look at something and then he’ll just buy it

you guys already act like a couple. like stfu we get it, you have Class 1-A’s resident pretty boy wrapped around your finger jeez no need to brag

it because he’s in love with you already but he doesn’t know that its not his fault he is oblivious to his own emotions

this just amplifies on a date

tries to take you to a ridiculously fancy restaurant and you’re like???

settles for a cafe

you get lost in the convo and forget to actually drink your drink so he just reheats it or makes it nice and cool again ya know

super useful bb

give him validation

listens to you super intently 

intellectual conversations EVERYWHERE he is literally so fun to talk to like discuss any and everything with him

First date at a cafe, he’s rich, he stole his dad’s credit card, and he happens to love trying new things since he was sheltered as a child so he will buy EVERY S I N G L E DRINK for you two to try them all together

50/50 chance he kisses you on the first date

100% chance a kiss happens if you initiate it

he walks you home, and depending on if you are feeling hot or cold, you’ll stand by his side, preferably away from the road because shoto is a gentleman who gets hit by cars for his partner 

When Izuku had suggested that Shoto take Y/N out on a date to help confess his feelings for her, he figured it would be a good idea. Except, he forgot the part where he asked her on the date.

Oops.

This didn’t really dawn on him as she led him away from the fancy restaurant he had tried to convince her to enter,  “we both know that neither of us would understand a thing on the menu because it’s probably all in french.” Though she had dressed for the occasion, and so had he. “Why do you even want to eat there?” Y/N asked, her hand still holding his as she dragged him along the side walk.

She knew very well how much he disliked such places. They reminded him of all the high end restaraunts he had been forced to go to as a child. And since his father was an infamous pro hero, and Shoto himself was one of the more popular Class 1-A students, it wasn’t uncommon for reporters to frequent areas he was seen in. Carrying their cameras as they tried to get a story about him or his father. He’d told Y/N numerous times how much he disliked the attention, which is why he avoided certain areas of the city. 

Shoto stared at their joined hands, that feeling of joy bubbling in his chest, “my understanding is that you take people to a nice restaurant for a date.” Came his response.

Y/N stopped walking, though Shoto didn’t, causing him to run into her and nearly trip her had he not grabbed waist to keep her from falling. “This is a date?” She asked, hands clinging to his arms as she tried to maintain balance. He’d been acting different, so Y/N felt as though she shouldn’t be shocked, but the fact that Shoto liked her?

He said nothing, releasing her from his arms before taking a step back, “I feel as though I should apologize-” Shoto began, realizing his mistake.

“I know a nice Café I’ve been meaning to visit that’s nearby, you want to continue this there?” She interrupted, extending her hand. Y/N wasn’t stupid, neither was Shoto, she knew he was inexperienced in the romance department and it was clear this was his attempt to woo her. 

It was cute. 

Looking up at her, he couldn’t help but give her a small smile, which she returned as he took her hand. Shoto was thankful that she hadn’t mentioned his poor preparation for the whole ‘date’ thing, since he failed to really ask her about it. Thankfully she was just going with it, “I really like you, Y/N.” It was blunt, but it was the truth, and it was Shoto, being himself. 

Y/N felt her cheeks warm as they approached the Café, “I really like you too, Shoto.” He moved in front of her to open the door, “and here we are.” She gestured to the small Café as they entered, it was a nice set up and she had been meaning to visit. The fact that it was Shoto that she was visiting with made it all the better.

“Why don’t you go find us somewhere to sit?” He suggested, small smile on his face. “I’ll save us a spot in line.” Y/N nodded, and it was clear that she had yet to notice that there was no line, and Shoto had Endeavor’s beautiful black mastercard in hand. 

Which is how they ended up with every possible drink on their table, some of which were going cold, and the cashier thanking Shoto for the $200 cash tip, laughing quietly side by side in their small corner within the Café. Y/N had chosen a more isolated part, though there were already very few people within the store. 

She looked up from her drink to find Shoto’s eyes on her, an unreadable look in his eyes, but she couldn’t help but smile at him, one that he returned. “I like this.” He said, his hand finding hers as he played with her fingers. 

“Me too.” Y/N replied, watching his movements. She found herself Y/N bringing her hand to Shoto’s cheek, and his eyes met hers momentarily, looking up at her in awe as she leaned forward and pressed a kiss against his lips.

Neither of them knew what they were doing, Shoto’s delayed reaction reminded them both of this fact as he finally kissed back after a few moments. The hand that had once been fidgeting with Y/N’s free hand, making its way to her bicep to rub circles in the spot. 

The moment didn’t last long, and when she pulled away, his lips were chasing hers, “we should do this more often.”

A small smile was on his face as he stared at her with what seemed like stars in his eyes, “yeah.” He pressed a kiss to her hand, “we should.”

A/N: when i tell you season 4 made me CRY

[shuahoonie]

holidays with tom [tom holland]

PAIRING: tom holland x female!reader 

SUMMARY: life isn’t exactly back to normal. with another lockdown in place and the holiday season is vastly approaching, you and tom are stuck in quarantine with each other the problem? there was supposed to be at least 5 of you in that house and tom is the last person you want to be with. shouldn’t be too bad right? 

WARNINGS: in no particular order swearing—err foul language lmao, sexual innuendos, things get heated but not that much??? exuding sexual tension but also fluff??? alcohol consumption, a series of bad decisions??? idk writing this made me experience the 5 stages of grief tbh lmao it’s not that bad I promise lmao

WORD COUNT: 6.9k! 

A/N: hello and happy new year! I was supposed to post this during Christmas Day but guess who got into a writing rut—yet again. I didn’t want to abandon this because I actually had fun writing it. I hope you all had a festive and safe holiday. I know things have been hard but I still hope you guys enjoyed the holiday. 

2020 has finally came to an end and we’re all ending it the same way when the pandemic started—staying at home, hopefully following the appropriate health measures. I can only hope that 2021 is a brighter and hopeful year for all of us.

stay safe, sending u all my love. 

gif credits: @underoos-shield​ 

vanessa’s masterlist | taglist form 

Two hours. It’s been two hours since you found out that you were going to spend your holidays alone. You were aware that you weren’t going to spend your holidays with your family as you normally would, embracing the fact that working in a different country whilst in the middle of a pandemic was going to be challenging. 

Working in the film industry, constantly visiting sets while still living in a pandemic means that you threw away your chances of being home for the holidays. However, you weren’t entirely the only one who shares a similar struggle. 

“We should still do something for Christmas, you know,” Tom muttered as he watched you lay down on the sofa, your head is supported by the armrest. 

See—it should’ve been you, Ophelia, Alex, William, and Tom in that AirBnB, not just you and Tom.

The five of you reside abroad, however, you all had to fly to Los Angeles for work. You all collectively knew that it would be irresponsible to fly home for the holidays and it wouldn’t make any sense as you would all fly back for work anyway. 

The five of you had a brilliant idea of renting an AirBnB for the holidays since you were all in each other’s personal and work bubble anyway. Obviously, the three of them bailed as they’ve decided to stay with their partners instead, leaving you and Tom alone—which is the last thing you’ve wanted. 

“There’s just us two, Tom,” You replied as you sent a lengthy text to Ophelia, telling and reminding them about what happened between you and Tom.  “I’m not entirely sure if it’s worth anything if we did plan on doing something remotely festive.” 

There are four more days till Christmas and if you were being honest, the last time you felt festive was on the 18th of December...of 2019. 

“Surely there’s something we can do, right?” Tom’s optimism still shined beneath him. “This year has already been shitty enough, we don’t need to feed more into that.” 

The three dots bubble immediately popped up on your message thread with Ophelia as soon as you sent your passive-aggressive rant. Your focus was now on your phone. 

Suddenly, Tom’s face appeared on top of yours—his face was definitely close enough that it’s not CDC approved. He was standing on side of the sofa, both of his palms planted against the armrest as he loomed over you. 

“What do you and your family do during Christmas?” He dared to ask as if he wasn’t towering over you.

Your eyes nearly popped out of their sockets. “Uh—give each other personal space?” You answered out of sheer reflex. You always had a problem with keeping your mouth shut, especially when it sounds rude to other people. In your defence, being unable to do so has helped you put people back in place. 

To be fair, you were used to people standing at least 6 ft away from you ever since the pandemic started. 

Tom’s cheeks went bright red. “’m sorry,” He apologized, giving you a shy smile and scratched the back of his neck. You muttered a quick apology too, for acting so rashly. 

You rose from your position and sat upright instead. “Well, we never do anything special during Christmas,” You said as you threw your hair into a bun. “We usually just go to the movies on Christmas Day because that’s the only thing you can do back when life was normal.” 

Tom nodded understandingly as if he was taking this into account. Now you were curious. 

“Do you guys do anything special for Christmas?” You asked him. 

“Well, on Christmas Day, we would usually just lounge around the house and use it as a chance for me and my family to catch up,” Tom replied. “However, on Christmas Eve, my mum always made sure my brothers and I would have this scavenger hunt to look for our gifts—It’s really fun, actually.” Tom smiled sadly. 

You could easily see how Tom was genuinely broken about not being able to be around his family over the holidays. Heck—he really just misses his family. But who wouldn’t? Britney Spears didn’t sing the line “my loneliness is killing me” for nothing. 

“I’m sorry,” was all you could say. Aside from biting your tongue, being able to easily comfort people was one of your weaknesses too. 

“Oh, there’s nothing to be sorry about, darling.” Tom quickly dismissed the genuine heartbreak he was trying to hide. “We’re all making sacrifices and we chose to be responsible for the benefit of other people.” 

“Yeah, I know.” You said softly. “We’ll just try our best to make something out of this holiday season. I mean—we have to or else we’ll welcome 2021 with a fresh face of misery.” 

“I’m sorry!” Ophelia pouted at the screen as they mindlessly walked around their partner’s place, something that most people do when they’re on the phone with someone. “I genuinely forgot about what happened between you and Tom.” 

“Well, Ollie, it seems like you weren’t the only one.” You replied, adjusting your glasses. Tom seems to be genuinely fine around you, no awkward tensions or anything. If anything, it’s just you who feels weird around him. “But I guess that’s a good thing right?” 

Ophelia forced a smile but they couldn’t, for the life of them, say anything about it. 

“Oh my god,” You sighed “Seriously, Ollie?” 

“It’s just—how could he forget?! You were literally on top of him as I recall and that very much left a permanent image on my mind. I—You know, I really tried my best to forget that ever existing in my mind. So really, if anything, it’s your fault.” Ophelia rambled on. 

“I—I wasn’t on top of him. That’s absurd! I was merely pressed against him” You said defensively, in which Ophelia just laughed atrociously. “Why am I friends with you again?!” You asked rhetorically, bewildered by the fact that you two lasted this long. 

“First of all, that is a hate crime. Second, I’m cool—like everyone wants to be my friend and you should be glad that I gave you the privilege to be even on a nickname basis as me.” 

You rolled your eyes at them. Despite the never-ending banter, you were grateful to have Ophelia as your friend. 

“But seriously, Y/N,” Ophelia said, “You can always just stay with me and Ericka. She’ll be glad to have you over for the holidays.”

“Ollie, as much as I love spending time with you two—I can’t stand being a third-wheel, especially when it comes to the both of you. You two are inseparable when you’re together.” You replied. “I appreciate the offer though.” You smiled at her. 

“I’m just saying—” Ophelia replied, shrugging her shoulder. “Unless you and Tom really want to have the house by yourselves.” They sang teasingly.

“Ophelia!” You gasped. 

“What?” They feigned innocence. “I gave you an option to stay with us! Plus, I know Alex and Will are would’ve asked you to stay with them if they had any idea what happened between you two.” 

“I can’t leave him!” You started to whisper “Tom seems genuinely bummed being here. I can’t just do that to him.” 

It’s as if a light came on inside them. Ophelia started to smirk and you recognized that smirk from anywhere. For christ’s sake, their eyes twinkled like Christmas lights. It drove you nuts. “I fucking knew it.” 

“What?” 

“You like him don’t you?!” They teased, but all you could do was blush. 

“I do not!” You denied it as you could still feel the burning heat emitting from your cheeks. 

“His tongue is that good huh?” Ophelia decided to pry even further. They clearly find enjoyment as you squirmed your way out of this conversation. 

“Bitch, I am ending this call.” That was all you could say. Even if you did find a smart retort, it was no use, especially with Ophelia. They can see right through you and there’s no point in trying to hide it. 

“Honestly, Y/N, we’re living through a pandemic. If there’s any time to make any rash decisions, it’s now. Go get that dick, bih—” 

You drowned out whatever Ophelia was trying to say with your goodbyes and proceeded to end the call. The one time you asked your friend to be serious and they come up with this. 

So—what really happened with you and Tom? 

It was two years ago. You were at a party that you didn’t even plan on attending. However, you were dragged by Ophelia and their partner, Ericka—your new friends in the area. You couldn’t say no to them, they were your first friend in LA! 

You thought about it though, saying no. But when you got a message from your friend back in Canada sending a photo of your boyfriend ex-boyfriend (the same guy who had ghosted you ever since you moved to LA), swapping spits with another girl, you suddenly had the strong urge to drink until you die of alcohol poisoning.

You were burning with anger that you really felt tears pricking your eyes. You were so close to crying or punching someone—whichever comes first.  

One thing’s for sure, though, you weren’t going to cry over a man. So what did you do? “Ophelia, where’s the booze?!” You asked your friend whose eyes nearly popped out of their head. 

Well, you weren’t really going to punch a stranger. Though you felt this burning sense of violence, it’d be much more satisfying to punch the living daylights out on your ex. 

“Y/N, honey, are you alright?” That line always puts on the waterworks, no?  Ophelia was clearly concerned about your newfound thirst for alcohol. 

You furiously wiped the tears off your face. “Um just found out my boyfriend—er ex-boyfriend, who stopped talking to me as soon as I moved here, is seeing someone else now? I don’t know, am I allowed to feel angry when I don’t even know if we’re still together as soon I moved? Fuck—” You tried to explain as you wiped every tear that left your eyes. 

“Oh—of course, hon.” Ericka who handed you a drink. You weren’t exactly sure what it is, but you knew it has alcohol in it and that’s all that matters. You gulped the entire thing and you wanted more. “Y/N, you need to slow down.”

“Are you sure you want to stay? I mean we can crash at our place, eat take-outs, watch movies and be totally disconnected from the world.” Ophelia suggested, but you shook your head furiously. 

“No, I—I’m ok.” You answered “I can’t let the both of you be stuck in misery with me. I need this. I’ll get drunk and if I'm up for it, I’ll hook up with someone. It’s not a healthy coping method but I really want this night to be a series of bad decisions. I don’t want to be myself, even just tonight.”

 So that’s what you did. You were going from one drink to another in record time. Both Ophelia and Ericka kept an eye on you, just in case someone tried to take advantage of your drunken state. 

You were talking to some guy you met in the kitchen, one thing led to another and next thing you knew, you were making out with this dude in someone’s bathroom. Ophelia and Ericka were drunk enough to pester the guy you were making out with but not drunk 

As you were propped on top of the sink and your legs wrapped around his waist, you felt every bit of his lips explore the side of your neck as his hands explored every inch of your body. With his hand under your shirt and his fingers tracing every part of your skin, it just reminded you of how lonely you were. 

Here you were, a thousand miles away from home, all alone just so you could do the one thing you really love. Your family would sometimes call to check up on you but it just wasn’t the same. Your ex tried to guilt you into staying in Canada, but you couldn’t do that. You love what you do and you love yourself too. 

You were willing to risk everything, even if happiness came at a price. 

Now you were crying, and the guy you were making out with definitely noticed. 

“I’m sorry, am I making you uncomfortable?” He asked as he pulled down your shirt. 

“No—no, I’m just—” You tried to calm yourself down. “I’m not sure if I want to do this anymore.” 

“That’s alright,” He mumbled wiping the tears off your face. “Do you want to talk about it? You seem rattled.” 

“It’s just I’m so tired of pretending everything is alright—that I’m okay being alone, that I don’t need anyone. But it’s just so hard because I’m—” You sobbed “I’m so fucking lonely. I’m so tired of being alone.” 

The guy tucked the stray piece of hair behind your ears as he carefully wiped your tears with his thumb. He was just silent as he listened to you sob. 

“I’m sorry, I know you definitely didn’t come to this party to watch a complete stranger cry over something stupid.” You couldn’t even look him in the eye, you were embarrassed as this was the first time you felt really vulnerable—especially in front of a stranger. 

“No, you’re alright.” He tried to console you “I think that’s the beauty in strangers, no? You can act and do whatever you want in front of them because there’s a slim chance you’ll ever see them again.” 

You were definitely drunk enough that trying to make sense of who the person was a struggle enough of itself. You tried your best to look at the guy but your vision was getting hazy and you could feel your head thumping that focusing made you feel like you want to crack your head in half. 

A loud knock on the door caused you two to jump. “I’m coming in,” Ophelia yelled and opened the door. Ophelia looked at the guy for a while, trying to make sense of who he was before their eyes widened. “I remember now—You’re Tom Holland.”

Imagine your surprise when you found out that you were going to work with Tom Holland for a while. You tried your best to avoid Tom at work but of course, that didn’t work out. He never brought up what happened between you two and you assumed he probably forgot all about it.

You tried to rationalize that he meets a lot of people every day. Surely, one failed hook-up wasn’t worth remembering (especially with alcohol involved) and you held on to that. 

At least that’s what makes you sleep at night and also one of the reasons why you considered spending the holidays with him. However, you were also expecting your crew friends to stay with you and not just Tom. 

“Y/N, did you like the gift? It’s from me and Ericka!” Ophelia asked. It was the next day and you two were just chatting on FaceTime. You were sorting out your closet out of sheer boredom. You figured if you were going to stay here for three weeks, the least you could do was sort your clothes out. 

You stared at the neatly wrapped box that Ophelia and Ericka dropped off earlier this morning. “I haven’t opened it yet.” You said as you showed them the box. “I wanna open it till Christmas.” 

“Oh my god, just open it. Christmas doesn’t exist this year, babe.” Ophelia waved their hand, encouraging you to open it. 

“Fine,” You gave in. You opened the box and saw a very lush and well-made lingerie set. “Ophelia, what the fuck” You gasped. You held out the lingerie in front of the camera. 

“Y/N, I definitely outdid myself this time.” Ophelia sighed happily, staring at the screen. “Try it on!”

“Ollie, this is gorgeous but when am I ever going to use this?” You asked holding it out on your body and looking at the mirror. 

“Uh—you’re stuck at home with your failed but also potential hookup,” Ollie suggested, wiggling their eyebrows. “Who knows what might happen?”  

You rolled your eyes at them. “Bold of you assume that something might happen.”

“Something won’t happen if you don’t try that one,” Ophelia said. “C’mon, I wanna see.” 

You shook your head and went out of frame in order to strip off your clothes. You tried on the lingerie—it’s a black lace teddy with a very exposing back. IT fit you perfectly—it accentuated your figure and definitely showed off your boobs. You weren’t really fond of showing off your body but you still tried your best to show it to your friend. 

“What do you think?” You asked, stepping back to the frame. 

“You look gorgeous, babe!” Ophelia squealed. “I knew I made the right choice with black.” 

“I still don’t know where I should wear this though—” You were stopped mid-sentence when your door swung open. 

“I know what we’re doing this—Oh shit. I’m so sorry,” Tom stood there, frozen, his eyes widened and immediately shut the door. 

You couldn’t even say anything. You were frozen in shock.

“Was that Tom?” Ophelia asked from the call, briefly forgetting that you were talking to them through FaceTime. 

You nodded slowly, unable to talk.

“What did he think?” Ophelia asked excitedly. 

You snapped out of this haze. “Ollie,” you groaned. “I think he was mentally scarred. 

“What do you mean scarred? You look great!” Ophelia said, appalled. “If he doesn’t think you look banging in that lingerie then it’s his loss.” 

“I gotta go, I need to change.” You said, bidding Ophelia goodbye. “Thanks for the gift, Ollie. Tell Ericka thanks too.” 

You ended the call and changed into comfier clothes. You couldn’t help but wonder how on earth you’re going to face Tom now that he’s seen you practically naked. Well, it’s not like that’s a new sight. He did see you with your bra on when you were making out in the bathroom that one time. But still! 

Are you actually going to spend your Christmas in your room?

It was the next day and there are only two more days till Christmas. You spent the entirety of last night in your room after the incident between you and Tom. 

You were about to make yourself some coffee when you found Tom in the kitchen, making tea for himself. You stood there frozen, wondering if you were going to proceed to the kitchen or just run back to your room since Tom hasn’t noticed you—

“Oh—good morning, Y/N.” So close. 

You smiled at Tom and said, “Good morning, Tom.” 

You grabbed a coffee pod and waited for the Keurig to make your coffee. You leaned back against the counter and fiddled with your phone—all in the hopes that things move quickly and for this awkward tension to be over. 

Honestly, why were you so worked up about it? People have seen you in a bikini before and that’s no different from lingerie. If anything, lingerie is itchier and has lace. You should be able to feel confident in your own body and you shouldn’t have to mind what other people think of it. It’s yours alone and it’s your opinion that should matter—

“I’m terribly sorry about last night, Y/N.” Tom apologized, sincerity was written all over his face. “I should’ve knocked and I just got so bloody excited about what we can do over Christmas—but that’s no excuse for what I’ve done. What I did was incredibly intrusive and you deserve a proper apology.”

“Tom, I—”

“I wanted to apologize last night—over dinner—but you didn’t come down to eat, so I figured you didn’t want to talk. “ He rambled on. 

“Tom—” 

“But even then I should’ve asked you to come down and eat dinner because that’s what any decent human would do! And yet I didn’t. God—I’m just doing one wrong thing after another—” 

“Tom, listen to me.” 

“Hm?” He finally snapped out and looked at you in the eyes. 

“It’s okay. It was an honest mistake and you sincerely apologized, and for me, that’s enough.” You smiled softly at him. “So—what’s this thing you planned over Christmas?” 

“I was thinking we could do both our family traditions over the next two days. My family and I usually do a roast dinner and open our Christmas stockings on Christmas Eve. Then on the 25th, we can watch movies all day just like you do with your family.” Tom grinned, clearly satisfied with his plan. “What do you think?”

“I think it’s a great idea,” You smiled “However, I don’t think we have any ingredients for a roast dinner and we don’t really have Christmas stockings. Well—I don’t have any Christmas stockings and stocking stuffers.” 

“That’s true,” Tom mumbled “But I have to do the food shopping anyway. We’re running low on food and I couldn't really book one of those online delivery things that most groceries now offer.” 

You nodded. “Okay, so I guess I have to get the house sorted then.” 

When you two first arrived in this AirBnB a few days ago, it had already been decorated for Christmas. It had a massive tree in the living room decorated with stunning and intricately-themed ornaments. Christmas garlands were wrapped around the stair-bannisters and foliages were placed by the fireplace and the tables. 

All you really had to do was clean the place—do a bit of vacuuming and get things nice and neat for Christmas. It didn’t take you too long to do it too. It had only been a couple of minutes since Tom left to do the food shopping and you prayed to the gods that he doesn’t get too much attention whilst out. 

You figured you might as well do some last-minute shopping while Tom was out, so you can grab gifts for him as well. After all, this whole thing was orchestrated by Tom and you don’t even have anything to give him for his stockings. 

You arrived at your AirBnB a tad later than Tom. He was in the kitchen putting things away when he saw you walk through the door. 

“Ah, I was wondering whether I spooked you with my plan,” Tom commented, making you chuckle and roll your eyes. 

“Trust me, I would’ve made it very obvious if you did.” You replied, earning a laugh from Tom. “I went out to do my last-minute shopping. Granted, it’s not ideal since we’re still living through a pandemic, but there’s not actually that many people where I went to considering it’s the Christmas rush.” 

You made sure to hide the stuff you bought using the handmade tote bags that a friend gave you for your birthday. No retail bags, no clue. “How did you survive the groceries? I bet it’s busy out there.” 

“Yeah, it was.” Tom chuckled, scratching the back of his head. “Remind me to never do that again for Christmas.” 

“Sure,” You said, “That is if I spend another Christmas with you.” You said jokingly, hoping that Tom didn’t find that rude. 

“You’ll never know,” Tom shrugged. “What if you liked our Christmas this year and you’d be begging to spend Christmas with me and my family in London,” Tom smirked, playing along. 

“Yeah, right.” You scoffed playfully, crossing your arms. “If anyone’s begging, it’s going to be you.”

Tom stepped closer, “Wanna bet?” He whispered, a teasing look in his eyes. “Whoever has the most fun during our respective holiday traditions would have to spend the holidays with them next year.” 

“Oh, you’re on, Holland.” You took a step closer. “We will both film our holidays for the entire two days and then we’ll ask Ophelia, Alex, and Will to vote whoever looks like they had the most fun.”

“Okay,” Tom nodded “But no editing! We’ll give them raw footage so there are no chances of tampering.” 

You laughed but you agreed anyway. “Of course, we’ll give them hours of footage. The least we could do is make them sit through hours of content after they ditched us all alone on the holidays.” 

Tom gave a broad smile. “Let the festivities begin.” 

It was the 24th of December—Christmas Eve. You spent the entirety of last night wrapping Tom’s presents for later. Not that you despise Christmas, but it’s been a while since you were actually excited to celebrate it. It was pretty clear that the magic of Christmas dies once you grow up. 

Today was different; you were looking forward to whatever Tom has installed for tonight. 

You went downstairs to make some breakfast only to be greeted by Tom blasting Christmas music and preparing some ingredients for breakfast in the kitchen. 

“Good morning, Y/N, happy Christmas Eve,” Tom greeted with a huge grin. “Say, hi to the camera.” 

“Oh, we’re starting this early, huh?” You asked, putting your hair into a loose ponytail. 

“Why of course, we have to make the best out of this,” Tom said, holding the camera to your face. “I made you coffee.” Tom handed you a cup of coffee. 

“Are you using my love for coffee as an advantage?” You tried to hide your smile while drinking your coffee. 

“Obviously not,” Tom feigned his innocence. “I obviously did not know you were obsessed with coffee—it’s not like I don’t see you on set without one.” He mumbled in which you definitely heard, giving him a smack on the head. “Ow! I’m kidding.” He laughed.

You rolled your eyes at him. “So, what’s for breakfast?” 

“We’re going to make french crèpes,” Tom replied and propped the camera on the kitchen island, facing the two of you. 

“Do you know how to make french crèpes?” You asked, washing your hands. 

Tom blinked, almost trying to decide whether he wants to be honest or impressive. “Do you know how to make french crèpes?” He returned the question. 

“Oh honey, my mom resents me in the kitchen.” You replied, taking a sip from your coffee. “But you know, I manage.” You murmured.

“That’s giving me a lot of hope, darling, thank you.” He said half-heartedly. 

“Shut up,” You nudged him playfully, rolling your eyes. “Tom, honestly, most of the footage is just us bantering for 20 minutes.” 

“To be fair, that’s part of the fun.” Tom smiled. “Okay, I think you just mix all of these in a bowl. Start with the dry ingredients first.” He said, looking at the recipe on his phone.

“Okay, that shouldn’t be too hard,” You commented pouring the ingredients into the bowl. As you started all of the ingredients together, you noticed small lumps forming in the batter. “Tom, did you sift the dry ingredients by chance?” 

“You were supposed to sift it?” He asked, completely clueless. 

You nodded slowly. Panic was now clearly painted on his face. “I’m sure we’ll be fine.” You tried to reassure him. 

It was not fine. The first time you two tried to pour the batter in the pan, you burnt the entire thing. It’s not even the cute, lightly burnt crepe. It was activating the smoke alarm-burnt crepe. 

The next one was pancake-like. The next one after that had pocket flours on the crepes because you two didn’t sift your dry ingredients beforehand. You ran out of the batter when you two finally got the consistency right—you managed to get one proper crepe from the entire batter. 

“I feel like Sam would probably curse me out as soon as he finds out I fucked up a simple crepe,” Tom said, delicately filling the crepe with creme and berries. “My brother’s done so well in culinary school.” He cut a piece with his fork and brought it to your mouth.

“Well, you can’t have everything.” You said taking a bite out of the crepe. “This is better than the last one.” 

Tom nodded, taking a bite of it himself. “It’s not as tasty as Sam’s but I’ll take it.” 

“Now, I’m curious as to what your brother’s cooking tastes like.” You commented taking another bite from the crepe. 

“I guess I’ll just take you home to London to find out,” Tom teased with an annoying grin. 

“As long as I’m being fed, I’m fine with it.” You remarked. What in god’s name are you are you two playing?!

The day rolled by very quickly. It was already evening when you finished wrapping the presents for your friends. You plan on dropping it off tomorrow before you persuade Tom to glue yourselves on the couch for the entire day. 

You grabbed all of Tom’s gifts—Christmas stocking included— when you went downstairs, only to be greeted by someone yelling at Tom through his phone. 

“I did everything right, Sam. I don’t know why you’re yelling.” Tom yelled back at his phone. His back was turned against you as he was putting away the pots and pans that he used. 

You quietly walked up behind him and said calmly, “Why are you yelling?” 

Tom probably jumped six feet away from you, making you laugh. You always forget that he gets scared easily. “Holy shit, don’t scare me like that, Y/N.” Tom breathed out, putting a hand over his chest. 

“I’m sorry,” You said whilst laughing. “I promise I won’t do it again.” Tom rolled his eyes, murmuring something about you being insincere about it. 

“Please do it again!” You heard, whom you assume is Sam, say from the background. You looked at Tom’s phone that’s propped on the island and saw his brothers on FaceTime. 

You beamed at them. “Any recommendations?” You asked, hearing Tom groan behind you. 

“Well, he hates—” 

“This is the last thing I want in 2020, for my brothers and Y/N to conspire against me,” Tom said loudly on purpose, drowning his brothers' voices.

“Tom, don’t be rude. Let your brothers finish—” Tom put his hand against your mouth. 

“I’ll call you guys later,” Tom said “Wave goodbye, Y/N.” He used his free hand to grab your hand and forced a wave towards his brothers. The call soon came to an end and you could only roll your eyes at Tom. You seem to do that a lot around him. You also do a lot of that when you try to hide your feelings towards a person you like but that’s beside the point. 

“So are we going to have dinner first or are we going to do presents first?” You asked fixing your Christmas sweater, a gift from your parents since you and your family usually wear matching sweaters for Christmas. “Or are you the type to wait until Christmas Day to open presents?” 

“We can do the Christmas stockings after dinner tonight, then do the presents tomorrow, if you’d like,” Tom answered with his arms crossed. 

You shrugged, telling him it doesn’t matter since you don’t really go all out on Christmas. Your family on the other hand—the house is always full of people, especially since most of your extended family are usually around during the holidays. You had this ongoing game you made for yourself whether or not you’ll be able to greet everyone with the number of people in the house. 

You could only guess how quiet your family’s Christmas is going to be. You definitely needed to call your parents later. 

“Is the sweater that itchy, Y/N?” You heard Tom ask, breaking away from your thoughts. 

“Huh?” You asked, confused. You didn’t even notice that you’ve been scratching yourself subconsciously. 

“You’ve been scratching yourself since I saw you.” Tom said, chuckling. “It’s a cute sweater on you.” 

You smirked. “That reminds me—I got something for you, Tom.” Tom raised his brow as you grabbed the bag you stashed behind the tree. “Actually my parents got this for you. A little thank you gift apparently for having the tolerance to stay with me over the holidays—as if you had a choice.” You mumbled the last part. 

Tom curiously opened the bag and there revealed a matching sweater such as yours. This year’s sweater was green and had red tinsel all over it, probably the reason why you’re itchy. The real kicker is that—

“No way,” Tom gasped “It lights up?!” He asked laughing. It lights up. 

“Yeah, I don’t recommend turning that on. I did it earlier and I’m pretty sure I was about to combust—it’s a real fire hazard.” You replied, enjoying the genuine joy that Tom is showing on his face. 

“Oh but we have to turn the lights on when we take pictures,” He commented as he put on the sweater. “Thanks, Y/N.” He said softly, surprising you with a hug. 

It’s the first real physical contact that you two had ever since that night when you made out and you were pretty adamant that people were just making up this notion of having butterflies in their stomach—they weren’t. 

Tom’s roast dinner went surprisingly well. You kept teasing him that it’s Sam that you had to thank because you knew that Tom wouldn’t last in the kitchen without his brother’s instructions. Tom pouted the whole time. You eventually had to tell him 

“It was sweet.” You told him as you helped him clear out the plates. 

Tom was confused. 

“I don’t think I’ve known someone that went through hell and back just to make a great effort Christmas dinner —even if it means getting yelled at by your brother.” You said, smiling softly at him. “I mean it’s just us two, really. We don’t even have to do this.”

“Think that’s the reason why I wanted to do it,” Tom replied. Now you’re confused. “It’s because it’s the two of us—that’s why I wanted to do it.” 

As soon as you heard those words come out of Tom’s lips, you tried your best to stay calm. To say that you weren’t overwhelmed with emotions would be a huge lie. For someone who couldn’t hold their tongue, you were speechless. Tom’s giving you a run for your money and you weren’t exactly thrilled about it. 

After dinner, you and Tom opened your stocking presents. The presents were pretty tame at the start—you both got each other socks, which was hilarious but greatly appreciated. You love socks, especially comfy and cushiony ones. You came to learn that Tom does too, which prompted you two to wear the socks immediately. 

You got him candy canes, he got you chocolates. You also snuck in those small, in-flight alcohol bottles in there too—which he ended up loving. He got you those 10-pack skincare face masks, in which you let out a huge gasp, making him laugh. 

“Oh, we have to use this at some point!” You exclaimed happily “Like, we need to have a spa night—where we just watch movies, doing face masks, eating takeouts. Oh, that’s the dream!” You sighed happily. 

“We still have two weeks left till we go back to work, I'm sure we can find the time to do that,” Tom said with a permanent smile on his face, watching you with pure joy made him feel like he accomplished something big. 

You got him one of those Instax polaroid cameras—true, it was a bit too much for a stocking stuffer especially since the box definitely stood out against the stocking, but you figured he’ll like it. 

“Darling, this is too much but I’m thankful,” Tom commented as he took out the camera from the box. “I can’t wait to use this and keep memories using it—why don’t we start right now?! Let’s take a photo of us and our matching sweaters!”  

Tom took a lot of photos of you two, in the end. A couple of overexposed photos, one with the matching sweaters, one with your faces pressed against each other, one with your faces way too close to the camera, and one where he gave you a kiss on your cheek (he asked if that’s okay, of course, you said yes. it’s not like he hasn’t kissed you before— still no conversations about that, by the way). It was a good thing you got him at least 3 boxes of those 20 pack films in his stockings as well. 

The real kicker was Tom’s “small” stocking present for you. He got you this dainty, gold necklace with a crescent moon charm. You were pretty sure it was expensive because of the teal box it came with. 

“Stop,” You gasped “Tom, now this—this is too much.” You stressed out. “I can’t have this. Nope, you have to return this.”

Tom shrugged as if it was nothing. “You deserve it. Darling, you deserve something nice after this shitty year.” 

“Tom, I’m serious. This is too much.” 

“I’m serious too, Y/N. Keep it, please. I’d be offended if you don’t.”

After the roller coaster of emotions due to the stocking presents, you gave your parents a call to wish them a merry Christmas. They insisted to do a video call because they wanted to see Tom in the family sweater—which your mom wouldn’t stop gushing about. 

“I think your mum loves me,” Tom whispered closely in your ear. He didn't have to try too hard. With the laptop propped up on top of the coffee table, you two were sitting close together on the living room floor—knees touching, maximum close skin contact. CDC would never approve. 

“Yeah, I think it’s the accent,” You mumbled jokingly. 

Tom moved his head to take a good look at you, smiling. You could feel his eyes burning your skin. Why does he have to look at you like that? Why does he have to be this close?

The initial video call with your parents turned into a whole family reunion when you found out they set up a group call with your extended family. Imagine the dread and fear in your eyes when you heard your one aunt ask, 

“Finally, Y/N, is that your boyfriend?” 

Your eyes widened as you stuttered to say your defence, making Tom chuckle. You frowned at him and nudged him saying, “Don’t laugh, tell them no or I’ll never hear the end of it.”

“No, unfortunately, I’m not,” Tom replied, laughing. “However, I do believe we make a cute couple, don’t we?” He teased, earning an earnest yes from your mom. 

You could only wish for the floor to swallow you whole. 

As the clocks rolled to twelve, it was officially Christmas. You and Tom figured you might as well start opening gifts again because Christmas Day is going to be a drag for the two of you. 

“Okay, start with this.” You said as you handed him a gift bag. You didn’t give him a lot of gifts for the actual Christmas Day because you went all out on the stuffers. 

“Pyjamas?” He asked with a grin. You made a signal for him to give you a minute. You ran to your room and changed into pyjamas. 

“Not just pyjamas, Tom, but matching pyjamas!” You exclaimed, laughing. “I saw it and figured we should do this for my day.”

“Sick!” Tom laughed. Tom got into his pair of pyjamas as well and of course, he didn’t forget to pull out his new polaroid camera to take a photo of you two. “Shit, I forgot to film our entire Christmas Eve.” He said as he saw the camera that was still sitting on the kitchen island from earlier that morning. 

You shrugged. “I’m pretty sure you’ll win either way. Just that content from the breakfast crepes was enough to secure your place.” You said jokingly.

“All I’m hearing is that you’re going to spend Christmas with me in London next year.” Tom sang teasingly. 

“Yeah, maybe bringing you to our big Christmas holidays is a bad idea.” You wondered out loud. 

“I like your family,” Tom commented with a smile “and I think they will love having me there for the holidays.” 

“That would be a nightmare.” You mumbled to yourself. 

The rest of the night dragged on. You and Tom finished the rest of your gifts—you got him a watch, he got you a vinyl player. You two managed to watch the first Harry Potter film before you called it a night. 

You were about to head into your room when you heard Tom say, “Mistletoe.”

“Hm?” You hummed, confused. He placed a finger under your chin and gently tilted your head. There you saw a mistletoe hanging by one of the light fixtures. 

“How did that even—” 

“Can I kiss you?” Tom asked, cupping the sides of your face. 

“Hm?” Tom was definitely giving you a run for your money. How can a girl with a speech turn speechless?

“Can I kiss you?” He asked more softly. All you could do was nod. For if you even dare to open your mouth, all of this would cease to exist.  

His lips gently touched yours and then soon moulded into one. It was soft, sweet—familiar. His lips were something you never thought about—at least not a lot but you craved it. You crave his lips, his touch, him. You were riding a new high and you thanked every single god that you were sober to remember this—because this, this is something you want to cherish. 

“You told me you’re tired of being alone,” Tom whispered against your lips. “You don’t have to be anymore. Not when you have me, not ever.”

PERMANENT TAGLIST: @quaksonhehe @dark-infernal-instruments @trustfundparker @emsma11​ @tomshufflepuff​ @spider-babe​ @goodgirlgonetom​

[joshjacksons]

Joshua Jackson interview with "Mr Porter" (2021)

Minutes before Mr Joshua Jackson joins me in a booth for a Friday afternoon drink at a vibey hotel bar in Santa Monica, he’s confronted by his past. Or rather, a woman in her early twenties who is binge-watching Dawson’s Creek, the teen show about a close-knit group of high-school friends coming of age in a sleepy American town, which made Jackson incredibly famous between 1998 and 2003. The series, which also made household names of Ms Michelle Williams and Ms Katie Holmes, went off air 18 years ago, but is now streaming on Netflix, to the bemusement of Jackson, who played lovable rogue Pacey Witter. “This girl was like, ‘Are you...?’ And I’m like, ‘Yes, I am. He got old. I’m sorry to break it to you,’” he says, before ordering an iced tea and a charcuterie board to tide him over until dinner time. “It always surprises me when young people say they’ve just got into Dawson’s Creek. I’m like, ‘Is it a costume drama to you? Do you feel like you’re watching a historical documentary?’”

The idea of a Friends-style reunion episode or a Sex And The City revival feels equally far-fetched to Canadian-born Jackson, now 43 and wearing it well in a pale green linen shirt and tailored linen trousers by Oliver Spencer that complement his fading brown hair and Cali-tanned skin.

“I don’t know why you’d want to [bring it back],” he says. “Nobody needs to know what those characters are doing in middle age. We left them in a nice place. Nobody needs to see that Pacey’s back hurts. I don’t think we need that update.”

And Jackson doesn’t need Dawson’s Creek. From Mr JJ Abrams’ sci-fi series Fringe (2008-2013) to the Golden Globe award-winning The Affair (2014-2019), from Ms Ava DuVernay’s ground-breaking true-crime drama When They See Us (2019) to the recent Ms Reese Witherspoon and Ms Kerry Washington-produced Little Fires Everywhere (2020), he has commanded the small screen – with a collection of dynamic and diverse work – ever since.

His latest role as Mr Christopher Duntsch, the Texas surgeon convicted of gross malpractice when 33 of his patients were left seriously injured after he operated on them and two of them died, in chilling Peacock crime drama Dr Death, is only stepping his career up another gear.

“I’ve never played anyone irredeemable before,” says Jackson, who is joined in the eight-part series (based on the 2018 Wondery podcast of the same name) by Messrs Christian Slater and Alec Baldwin. “He is charming, gregarious and has a high-level intellect, but he’s also a misogynist, probably a sociopath, certainly a narcissist and a complete incompetent who is incapable of seeing himself.”

If Duntsch is terrifying, then Jackson’s portrayal is even more so. The artist formerly known as Pacey is virtually unrecognisable (thanks to prosthetics) in the opening scene, but the real challenge for Jackson was allowing himself to view someone who is so “spectacularly evil” as a human being in order to walk in his shoes. “It’s a more damning portrayal of the man to make him into a human being, rather than just make him the bad guy,” he says. “He really believes he’s the hero, he’s the genius and that he’s the victim, so once I got past my own judgment, all the other things fell into place.”

Jackson might have his pick of stellar roles – and challenges – now, but it has not happened by accident. Take it from someone who has been in the business since landing his first job aged 14 in Disney’s live-action movie series The Mighty Ducks, opposite Brat Pack alumnus Mr Emilio Estevez.

“You try to make it look like it happens accidentally,” he says, “but there is no way to do this and not be ambitious. I’d say I’m extremely ambitious because I’ve been doing this cutthroat job for nearly 30 years. I’m in the pay-off phase of my career now. One of the benefits of surviving for as long as I have is you get to learn from your own mistakes.”

Such as? “I wouldn’t say, ‘I wish I hadn’t done that,’ because it all becomes bricks in a path, but [after Dawson’s Creek] I was not choosy enough about the things I was doing. You get stuck. You start trying to perform the performance you think people are hoping to see you do. I was so used to working all the time that I just worked all the time. There was definitely a conscious moment in my mid-twenties when I realised I wasn’t really enjoying the work that I was doing. My manager at the time just said, ‘Take a breath. You’re burnt out.’”

The turning point came in 2005, when Jackson was offered a role in the two-hander Mr David Mamet play A Life In The Theatre, opposite Sir Patrick Stewart. “God bless him, Patrick could have made my life miserable because I had no idea what I was doing, ” he says. “I hadn’t been on stage since I was a kid and now I was in the West End in over my head. But it reminded me that I actually enjoyed being an actor, that it’s not about the red carpet or travelling around the world. What I really enjoy is working on good material with good people.”

It’s no surprise Jackson’s time on Dawson’s Creek led to a career crisis. From the ages of 19 to 24, he lived with his fellow cast mates in Wilmington, North Carolina, filming day in, day out, in an arrangement he likens to college. “You get to the end and they’re like, ‘Here’s your degree. Go live now. You’re an adult. Go out into the world,’” he says.

But most graduates don’t have to deal with global fame. “It’s transitory. You’re only ever cool for a moment and then you become much less cool. I was always pretty dubious about flatterers,” he says, recalling a time he was stung in London in the mid-2000s. “I went on a date in Hyde Park with a woman whose name I will not use – she was socialite-famous – and she was acting completely bizarre, looking over her shoulder the whole time. I came to find out that she had hired a photographer to follow us through the park and gave a whole story to the tabloids about how I was going to meet her family.”

It was his growing fortune, rather than fame, that caused Jackson the most anxiety. “Suddenly, at 19 years old, I was making more in a week than most of my friends’ parents would make in a year,” he says. “It was lovely to have the money, but it was that feeling of nobody is worth that kind of money. You feel like a fraud and it took me a long time to forgive myself for not being the thing that I was perceived as.”

Born in Vancouver, but raised in Topanga, California, until he was eight (before moving back to Vancouver following his parents’ divorce), Jackson bought his childhood home in 2001 and lives in it today with his wife, British Queen & Slim actor Ms Jodie Turner-Smith, and their 15-month-old daughter.

“My father unfortunately was not a good father or a husband and exited the scene, but that house in Topanga was where everything felt simple, so it was a very healing thing for me to do,” he says. Fast-forward to 2021 and his baby daughter now sleeps in her father’s childhood bedroom. “There was a mural of a dragon on the wall in that room that I couldn’t believe was still there, years later. The owner [who sold him the house] said, ‘I knew it meant a lot to somebody and that they were going to come back for it some day.’”

Becoming a first-time parent during a pandemic sounds stressful, but it afforded Jackson months at home with his wife and child that his normal work schedule wouldn’t have allowed.

“I now recognise how perverse the way that we have set up our society is,” he says. “There is not a father I know who works a regular job who didn’t go back to the office a week later. It’s robbing that man of the opportunity to bond with his child and spend time with his partner.”

Despite his obvious career ambitions, fatherhood has changed Jackson’s priorities in “every possible way”, he says. “It’s 100 per cent changed how I approach my work and my life. That has been made so clear to me in this past year. For me to feel good about what I’m doing day to day, my family has to be the central focus.

“There are plenty of things left for me to do, but now the thing that gets me excited is experiencing the world through my daughter’s eyes. I can’t wait to take her scuba diving. I can’t wait to take her skiing. I can’t wait to read a great book with her. I’m not worried at all she’ll be a wallflower. She’s been a character from the word go.”

Jackson met Turner-Smith, 34, two days after his 40th birthday. He had been single since his 10-year relationship with German actress Ms Diane Kruger ended in 2016. “I was not looking to fall in love again or meet the mother of my child, but life has other plans for you,” he says.

The couple met at a party. Turner-Smith was wearing the same The Future Is Female Ejaculation T-shirt Ms Tessa Thompson’s character, Detroit, wears in the 2018 film Sorry To Bother You. “That’s what I used to break the ice. I shouted, ‘Detroit!’ across the room. Not the smoothest thing I’ve ever done, but it worked. We were pretty much inseparable from the word go. It was a whirlwind romance and I can tell my daughter I literally saw her mother across a room and thought, ‘I have to be next to this woman.’”

A self-confessed “useless” shopper, Jackson gives his wife full credit for his current wardrobe. He is jewellery-free, apart from a wedding band and a gold signet “JJ” ring on his little finger (a present from his wife), and discovered tailored sweatsuits (by Stampd and Reigning Champ) in the pandemic.

“Jodie has influence in the way that a wonderful wife encourages you, through love, to dress well. She was like, ‘We’re going to throw away all the sweatpants from your past and I’m going to get you some that actually make you look like an adult male and you will still feel comfortable around the house,’ and I’m like, ‘What an amazing idea!’ Who knew you could get sweatsuits that actually look good on your body?”

Jackson’s style has evolved, he says, “from slovenly teen to it’s-nice-when-your-clothes-actually-fit-you”. The penny dropped after he auditioned for his former co-star Estevez, who was directing the 2006 Mr Robert Kennedy biopic Bobby. He said to me, ‘You only got this job because I know you. You came in here to play a very well-put together 1960s political operative and you’re wearing jeans and a hoodie.’

“I had to grow up a little bit. We are very much raised in Canada to never, ever show off, so it took me a while to recognise it’s OK to look good when you go out.”

Still, when you’ve grown up in front of the camera, “every pimple literally documented”, and lived (very successfully) to tell the tale, you can probably be forgiven for the odd fashion faux pas.

“I wore a silk Ascot to an event once in Paris and I still have nightmares about it,” he says. “I looked like Fred from Scooby Doo, but you live and learn.”

[preemshots]

johnny + the nomads lore

alright, i know this is a screenshots blog but i'm going to go ahead and start dropping some juicy lore tidbits as i dig them up. part of what i'm doing outside of just photo diarying is shard hunting, and BOY is there a lot the game likes to hide in those little shards for idiots like me who like to read so we can write unnecessarily accurate fanfiction! 

full disclosure, i know jack shit about the TTRPG/cyberpunk 2020 rulebook except what i read in the wikis. 

so here’s my lore roundup so far of everything i know about johnny joining the nomads

we know johnny likes to narrate v’s quest objectives. here’s the first mention where he says it himself: 

during the voodoo boys quest "transmission" there's a shard in the maglev tunnels beside the ice bath, presumably from brigitte's research into johnny in the first place:

okay, so the timeline is this: johnny joins the nomads after trying and failing to rescue alt. johnny hides out in the badlands for some years. then he and rogue come back to night city and nuke arasaka tower help alt escape the arasaka subnet by uploading liberator to their network once and for all.

this ultimately makes sense. in alt’s flashback, we meet santiago, who is a nomad/connected to nomads, joins rogue and johnny when they're trying to get alt back, and eventually becomes the leader of the aldecaldos. 

part of santiago’s TTRPG lore is that he, johnny, and rogue have to lay low in the badlands with nomads after they storm arasaka headquarters (i am aware the game takes many liberties with the original lore so who knows the full accuracy of anything from the original rulebooks)

ENDING spoilers: in the rogue+johnny storming AHQ ending, it's revealed that rogue has a son while they're prepping for the job. if you eavesdrop on her calling him while you're at the afterlife, you hear her tell her son to (paraphrasing here) "pull over and look at the stars", which immediately made my brain go to: nomad, badlands, santiago = dad? maybe. (santiago also canonically has a son according to the TTRPG lore)

this immediately reminded me of another interesting shard that i believe you can find in multiple locations around night city: “"what REALLY happened in arasaka tower?“

i love this dang shard. at first i thought it was just a cute conspiracy with some juicy gossip (and i love how 99% of the shards that mention johnny in this game are reminding us that he's not a real rebel, he's a poser) but it brings some interesting shit together

one: it tells us where johnny got his hands on the nukes! he and the nomads jumped a militech convoy and jacked some bombs! 

which is never directly explained, even as saburo arasaka is interrogating him shortly before using soulkiller. very nice of johnny to protect his homies like that. 

...or maybe he didn’t. saburo emphasizes that the dead don’t lie like the living do, and we don’t know what exactly arasaka did to johnny’s construct in mikoshi. 

it also explains why the obvious media narrative is that militech nuked arasaka, a nice neat political bow to the end of the fourth corpo wars, which is an entire section of the TTRPG lore that makes my eyes cross when i read it. 

it also makes the star/nomads ending extremely interesting, because i originally believed it was the ending where V’s journey deviates the most from rewalking johnny’s path... which also has weird implications if the johnny’s nomad era is being kept from v. 

(this also leads into my belief that the star ending/the devil ending are narratively two sides of the same coin, but that’s a WHOLE ANOTHER POST for another day.)

TWO, just straight up the fact that they turned the raid where they actually obtained the nukes into an action flick BD that pretty much ANYONE could watch. who the hell was doing that?? 

well, who else other than the guy who johnny (optionally) punched the shit out of for filming alt's death: thompson, media guy, and according to rogue, “bad luck”. because you know, recording your crimes is straight up evidence that can be used against you.

during the alt flashback we meet thompson, and just after that in cyberspace before meeting alt, johnny tells v that he has no idea what happened to him and that they never worked together again. 

oh, johnny, you lying bastard man

this is blatantly untrue, and if V even had two braincells and better memory than a goldfish they'd know this--in the first flashback sequence where johnny and rogue nuke arasaka tower, thompson is on the comms as they ride the AV towards AHQ, questioning their plans and use of violence. 

which leaves me with some questions, like where the fuck is thompson, why does johnny keep lying about this, why doesn't johnny say almost anything about how you interact with the aldecaldo clan nonstop throughout the game when he himself may have been a member of the family for some time?? is he continuing to protect the nomad clan that saved his ass? we know that a lot of his flashbacks are unreliable at best, that johnny changes shit up as desired when presenting V with his memories.

in 2077, you can also find that there’s a remake of “badlands raid” in the shard “new release braindances” that is pretty much everywhere. that shard doesn’t add much, but does mention something along the lines of “many people don’t know the ending of the original” which probably means johnny punched thompson out for filming again, or something. 

my running theories: rogue ditched santiago and the aldecaldos with johnny and thompson to nuke arasaka tower, and when johnny died she was stuck looking for (heavily implied by johnny here:) corpo sellout ways to survive.

adam smasher obviously has something to do with this since johnny/rogue's vendetta against the guy isn't entirely clear beyond the smokescreen of "he killed johnny and he sucks". i have done 0 research into this though i'm tired of typing okay

i obviously cannot be certain i have found everything related to this in the game as i’m not even done with this playthrough where i’m trying to pay attention, but i hope this is fun for someone else to dig into. 

enjoy, fellow silverhand freaks

EDIT: additional findings

ALRIGHT I HAVE DONE MORE DIGGING AND I AM BACK WITH MORE NOMAD/JOHNNY FINDINGS. these ones are kind of a bummer but VERY interesting.

there’s a shard called “excerpts from a history of the nomads by bb pires” that goes into detail about how nomads came to be

there’s an interesting quote in it: It's hard to imagine a group less inclined to wandering than farmers, but in fact they were the ones who sparked the age of nomads. Natural catastrophes, crops ravaged by bioplagues, armed conflicts and martial law allowing corporations to speculate and privatize land - all this forced them into a life on the road.

when you ask johnny why he wants to take down arasaka, he begins by referencing this himself!!

it’s a little awkward to imagine a nomad V doesn’t also know what he’s referencing, but hey, V is the fool because we are as players and that’s only one life path... so sure.

johnny also has unique dialogue during this scene about a nomad origin V, telling them that he’s been trying to understand how V thinks, and came to the conclusion that “their family was a crutch” and essentially made them stupid because they always had a safety net (lmao johnny calling v privileged basically)

BUT this also may reference why johnny would find it confusing as hell that V doesn’t immediately share the views he does when nomads, in terms of values, seem to be more aligned with johnny than V is. but once again V is the fool for a reason and this is all my own speculation so YOU KNOW.

MORE IMPORTANTLY, at the end of chippin’ in, when you ask johnny what he meant by letting down his friends... santiago is named directly

i thought this was interesting since the only glimpse of their relationship that we get is seeing johnny meeting santiago via the alt flashback for the first time.

so now it’s obvious that while johnny and rogue were with the nomads their friendship developed, and johnny went on to disappoint santiago in some way by being his normal dickhead self

but HOW? how did he disappoint santiago? is santiago even still alive?? did smasher kill santiago and is this why rogue mentions during chippin’ in that she wants smasher to “settle a score” moreso than avenge johnny??

the only additional hints i have are from this shard, which you can find at the aldecaldos camp: “nomads at ground zero”

i’m just gonna transcribe here and bold for emphasis:

It was no secret that Night Corp offered generous pay and, in some cases, free cyberware and biomonitor upgrades to anyone willing to help clean up the crater of radioactive rubble at AHQ ground zero. Some firsthand accounts recall the incessant ticking of Geiger counters, like the loud buzz of cicadas in summer. In retrospect, we can only guess how many "crater cleaners" lost their lives to radiation sickness shortly thereafter. Both the city government and Night Corp have claimed casualties were kept to a minimum, while providing no official statistics to substantiate the claim. That being said, they have never been under pressure to release such figures. After all, most rescue, engineering, and rubble cleanup teams were not local Night Citizens, but nomads. Surprised you didn't know? Don't be. It is a fact many history courses tend to overlook. The city employed hundreds of nomad mercenaries, primarily from clans in Aldecaldo nation. These nomads were hungry for gainful work and the city needed experts who were not only experienced but brave enough to knowingly put their lives on the line - all so Arasaka could one day erect another tower in its place. But history is not without its sense of irony. These nomads, who so deliberately live outside our so-called "system," came to its very rescue. Not for the first time. And not for the last.

a main theme we find in this game is the idea that the system of corps and exploitation cannot be stopped by grandiose rebellious gestures--no amount of samurai songs, assassinating mayors, or even planting nukes in towers will change things. yet johnny, his friends and mercs at atlantis in the 2020s, including rogue, chose to rebel any way they could, thinking it better than not. johnny criticizes her lack of rebellious spirit CONSTANTLY in 2077.

but ultimately, johnny, trapped in mikoshi, didn’t get to see the outcome of what detonating the AHQ nukes did to night city’s fragile ecosystem. rogue, however, did--and likely watched their former allies, the aldecaldos, be forced to take dangerous work at AHQ’s ground zero (from lack of other opportunities as detailed in this shard), then die from radiation sickness throughout the following decades, all as a result of what she and johnny did to try and fight the system. and she also watched all the former mercenaries of atlantis be hunted down by arasaka.

so rogue sees firsthand what the cost of rebellion is and johnny doesn’t. and nomads, considered the most free of any of the factions we encounter in the game, are the cost.

[freddyfreebat]

Jack Dylan Grazer Discovers Who He Is in Luca Guadagnino's “We Are Who We Are”

After supporting roles in the It and Shazam!, the young actor shifts gears with his turn as a capricious army brat in the Call Me By Your Name director's new HBO series.

by Iana Murray / Photography by Nik Antonio  —  September 14, 2020

A few years ago, Jack Dylan Grazer took a trip to the movie theater. He was in Toronto and it was one of his days off from filming Shazam!, the DC comedy in which he plays the shape-shifting hero’s foster brother. He decided to watch Call Me By Your Name, and he immediately fell for it. Grazer took note of the director’s name that appeared in the credits—Luca Guadagnino—and turned to his mother.

“I want to work with him,” he told her. With eerie prescience, she assured him: “You will.”

Whether Grazer, now 17, has a knack for manifestation, or it was all just happenstance, his wish came true in the form of We Are Who We Are, Guadagnino’s coming of age drama which follows a group of army brats living on an American military base in Italy. Thematically, the show is something of a spiritual successor to Call Me By Your Name: Grazer plays Fraser, a tempestuous 14-year-old with a pair of headphones constantly plugged in his ears. He’s the new arrival at the base with his mothers (Chloë Sevigny and Alice Braga), and quickly forms a deep bond with his neighbour, Caitlin (Jordan Kristine Seamon), as they both wrestle with their sexuality and identity in the midst of domestic troubles and teenage debauchery.

“He’s an enigma to himself,” Grazer says of his character. “He doesn’t really understand a lot of the things he does but he’s so forthright so he convinces himself that he knows everything. He feels like other people don’t deserve his intelligence. But he’s also very volatile and aggressive at times, and not because he’s coming from an angry place but because he’s constantly questioning who he is.”

If Fraser is just beginning his coming of age when we first meet him, Grazer is inching closer to the end. Starring in enormous blockbusters including IT, he became the Loser Club’s resident hypochondriac at age 12 and a superhero’s sidekick by 15. His films have grossed a combined total of over $1.5 billion. Suddenly the stakes are multiplied tenfold during what are ostensibly, and horrifyingly, the most awkward years of your life. Every misstep is now being monitored, examined through a microscope of millions. (See: His 3.8 million fans on Instagram, to say nothing of the countless stan accounts.) Child fame is a disarming transaction like that: a stable career and all the other perks of being a celebrity, but at the cost of normalcy. That unalleviating pressure forces a kid to mature fast.

Grazer is acutely aware of this fact, admitting outright that he’s “not a normal person.” But he wouldn’t have it any other way.

“I became 70 when I was 7!” he laughs. “I don’t know if I really had much of a childhood. But I didn’t want to. I wanted to grow up really fast.”

Nevertheless, he’s still 17. When we meet over Zoom, his shoulder length curls are damp and disheveled (he just got out of the shower), his black painted fingernails contrast with his brightly-lit, white bedroom as he rests his face on his hand. It’s a Saturday morning and he looks tired: It’s his first week back at school, which has traded classrooms for hours of video calls reminiscent of the one we’re currently on. “It feels like the days are shorter because the teachers don’t want to torture their students by keeping them on a computer for six hours a day,” he tells me. “You do miss the social aspect of being at school.”

If you were to judge Grazer by what’s out there on the internet, you’d expect an anarchic and relentless bundle of energy. A quick YouTube search brings up results like “jack dylan grazer being a drama queen�� and “jack dylan grazer being chaotic in interviews for 4 and a half minutes straight.” He trolled a YouTube gamer on Instagram Live. His TikToks are inscrutable.

But here, he’s incredibly earnest, as he excitedly talks about his skateboarding hobby (a skill he picked up after auditioning for Mid90s) and his attempts to learn the flute (“I need to learn how to read sheet music, but it’s like reading Hebrew!”). He’s calm and thoughtful, as if this project we’re discussing requires a shift in sensibility.

For Grazer, acting had always simply been fun. While other kids might take up a sport or get hooked on video games, he performed in musical theater with the Adderley School because he “just wanted to play.” His roles so far have been reflective of his carefree approach to the job: Up until now, he’s portrayed best friends with biting one-liners, or the younger version of the protagonist in a flashback. IT is a prime example of both. In the horror franchise, Grazer plays a neurotic germaphobe running from a fear-eating clown, but in reality, the film felt like “summer camp.” Both films never felt like work; he just learned his lines and got to hang out on extravagant sets with his best friends. Likewise, school amounted to being pulled off set by a teacher in between takes to cram in the mandatory hours.

But with We Are Who We Are, he steps into his first leading role, one that required him to convey longing and confusion through Elio-like physicality and subtext. It’s abnormal to talk about the show as a turning point for an actor who isn’t even a legal adult yet, but Grazer explains that the show required him to radically change his approach to acting. He spent six months in Italy (“It felt like I was in Call Me By Your Name.”) and built up the character beyond what was on the page in collaboration with Guadagnino. “His philosophy is that we know our characters better than anyone else—even the writers—because we are the characters essentially,” he explains.

In many ways, Grazer absorbed that philosophy entirely. He describes the experience less as a performance and more like a “rebirth”—perhaps even an attempt at method acting. Over those months in Italy, the distinctions between actor and character gradually became indistinguishable. “I had no other choice but to act and surrender to Fraser entirely and throw Jack Dylan Grazer out the window,” he says. “I would go out and get a coffee as Fraser and walk like Fraser. That was just me trying to get into [character], but then I slipped at some point and just became Fraser.”

One day on set, he looked at himself in the mirror, and the hardened kid standing there with a bleach-blond dye job and oversized shorts was unrecognizable to him. He could only see Fraser. While talking about his character, he seems to unintentionally switch pronouns, from “he” to “I”, as if the two still remain one and the same.

The process was so transformative that it forced him to re-evaluate himself entirely. “I never really struggled with identity before,” Grazer tells me. “But I think the show opened up my eyes to question myself. Being Fraser forced me to question what I wanted and what I stood for and what I believed in. At some points, the show bled into reality.”

When asked how he has changed, he takes a pause and a pensive swivel in his armchair, unsure of how to answer. “I think I was more ignorant before I did the show,” he says, and he leaves it at that.

Coming of agers are a particularly well-trodden genre, but there’s a naturalistic, raw energy to We Are Who We Are that is distinctive from what we’ve seen before. Each character quietly struggles with their own problems and growing pains—for Fraser, it’s his sexuality. Caught in a fraught relationship with his lesbian mother and an infatuation with another man, his story doesn’t tick off the familiar beats. His personal discovery is instead internal and intimate. "I think every single person born as a boy has this guard. It’s this guard that they don’t even realize they have, where they’re initially like, ‘Being gay? I could never.’ But we’re all born as humans who are attracted to whatever we’re attracted to," he says. "I think that’s how Fraser interprets it as well. Yes, he’s reserved and nervous about it in the beginning because he’s unlocking this new idea for himself. He’s figuring it out, and that’s what you see in the show: him coming to terms with this idea."

As our conversation winds to a close, I ask him if Martin Scorsese ever visited the set—his daughter, Francesca, plays the confident cool girl of the show’s teen cohort—and his eyes widen. “That was actually a really stressful day,” he divulges. Still, he revels in the memory, speaking so fast it’s like someone has put him on 2.5x speed as he shows off his impersonation of Guadagnino. The director was so nervous about Scorsese’s presence that production halted that day.

“Luca was like, ‘I cannot do this today because Martin Scorsese is on my set. I don’t know what to do, this is not good for me. I will have a panic attack before the day ends,’” Grazer says in his best Italian accent. “It’s like if you’re a painter and Van Gogh shows up.” 

Admittedly, Grazer is also a self-proclaimed superfan of the Wolf of Wall Street director, and afterwards, he got to spend several days with his idol, as they went on lavish restaurant outings in Italy and talked about anything and everything.

He takes a second to compose himself. A giddy, Cheshire cat smile spreads across his face. The kid in him comes flooding back.

“...Oh my god!” he yells. “I met Martin Scorsese!”