#but these are my thoughts and you can't exactly stop me from thinking

[kriimuline-blog]

Wait, I have so much to say about it that it frightens myself.

First: this is true. No arguing.

BUT

I have actively working to get rid of my self-sabotage habits for last 10 years. And oh, what a wonder: I got and still get accused for being selfish, full of myself, thinking too much of myself. Surprisingly none of people I have asked for help were angry or disappointed or whatever. But other people who were just bystanders - oh, they were. "So, other people must help you to live? Who even are you to expect that???"

I don't reject praise but if I seek attention for a work that is not absolutely perfect, guess what people say? Bad things. You wrote a book and want it to be reviewed? Well, from time to time book sounds like badly translated from English - for example this one phrase. Bro, it was this only phrase! I even thought about it and decided that as it was joke about publicity in USA diner, I can leave it! Why you concentrate on this one phrase that is not perfect? Because I HAVE to be perfect to be good?

No one actually says bad things about me if I say no. BUT. If I'm not active, not on the picture, if I take care of MY need to be alone and rest, no one remembers me. Isolating myself when hurt? Not exactly, I am isolated to take care of my needs, but if I seek attention and help when hurt, most people are: "Nope. To say good things when asked is not sincere, not can do." Or "I'm kinda busy right now." Or they say nothing. Just ignore me. If I want to be part of circle, I HAVE to participate in the events. Other people? Hey, they have many more circles, this one is not an important one even. But I have only two main circles. if I pass the possibility to do more there, people just ... forget about me. And that's true, not just my own imagination.

So it's not self-sabotage that person should stop and live happily ever after. It's actually trying to fit in with other people, to be what they want you to be. So that they would accept you.

Yes, most people does not help you anyway. They just criticize. You can't be liked by everyone. And maybe sometimes to be in the pack is not even worth the trouble. But to try to fit in, to be loved and liked is natural. I am extreme introvert and diagnosed autist and still I have this drive to fit in. Not just a self-sabotage. More like trying to be what others want, even if it's hurting myself.

Ok, I don't watch news. Maybe this is only self-sabotage =)

[alchemistc]

He's drunk when he sends it. Pissed because Buck won't just let this die. Tired of seeing his name flash across his screen, texts full of anger and sadness and hurt.

I suspect you've already met your last and it's not me he sends, and then turns off his phone and reaches for the bottle of whiskey on his top shelf.

---

If he'd been sober he would have known better. It's not even like it's been a pervasive thought - just an inkling at the start of things that seemed to be completely off base once he got to know everyone better, but looking back... He can see it. The built in life. The steadfast support. The knowledge that they'd always, always have each other's back. The kid who hero worshipped him.

The thing is he's fielding texts from Eddie, too, checking in and then circling around to being so goddamn judgmental that it's like they've coordinated their attacks to give Tommy no room to breathe.

He ended it to save himself from slipping so far under the surface he wouldn't make it back.

The fact that he's lost them both to his own fear is icing on the cake for the demon on his shoulder that keeps trying to remind him that once upon a time he'd fully thought Eddie and Buck were amicable exes.

---

He has to blink to figure out who's standing on his doorstep. The mustache is gone.

"If you meant who I think you mean, you're dumber than you look," Eddie says, and shoulders past Tommy before Tommy can even muster an affronted expression.

Tommy wanders after Eddie into his own kitchen, immediately annoyed that he looks more at home there than Tommy has felt in weeks. He'd gotten used to the loft - the space, the echoes, the lights of the city. The smell of his own aftershave on Buck's pillow.

They never spent much time here. The loft was closer - to Harbor, to the 118, to all the things in the city that tempted them out for a night. And staying at the loft meant he wouldn't have the echoes of Buck in every room, around every corner. (The echoes are in him, instead, and he still feels the absence like a lanced wound.) Tommy has always been good at making other people think he's good at putting distance between himself and them.

Eddie digs in a drawer, pulls out the bottle opener shaped like a cow and pops two tops. Holds one out for Tommy and scowls when Tommy wrinkles his nose at the Corona.

"Absolutely screw you if you think I'm driving halfway across town for you just to get the ones you like, right now."

Tommy can't argue that. He takes a drag and swallows. Stares. Is everyone else experiencing whiplash seeing him without the mustache? It looks fine but it'd taken so much fucking work to get used to it and now it's just gone. Clean shaven, an acre of skin he hasn't seen in months.

Tommy blinked and the entire world was different. Tommy freaked and the world changed.

"What are you doing here?"

Eddie's eyebrows both lift, a frank Are You Fucking Serious look on his face that makes Tommy want to take him to the mats and have it out in the garage instead of over beers.

"Buck may be spinning his wheels trying to figure out what the fuck you meant but I know damn well what you were implying."

That seems unlikely. Eddie always seems to be the last person to have a single clue what was going on, with Buck scraping in just before him. It's a tight race.

He used to find it charming.

(He absolutely does not still find it charming, he tells his heart, and wonders if he could hire some tiny asshole gnome to go stomp around in an atrium or two and get it to stop doing what it's doing. Fucking traitor.)

"Do you actually believe that, or is it some dumb excuse because you're terrified of being happy?"

Oh, that's fucking rich.

Tommy opens his mouth to tell him exactly that but Eddie just steamrolls right by him. "You don't have to point out the hypocrisy, jackass. I'm well aware of my own issues. Thing is - you're like, almost right. Buck does make me happy. Next to Chris there's no one else in the world I'd rather have by my side, rain or shine, good or bad. I love him. He's my person."

Tommy rolls his jaw. It's not a vindication to hear it.

"Except I'm not gay, Tommy. And I don't want that. I never have. And neither does Buck, just in case that argument was about to hit the airwaves."

"How do you know?"

Something sparks in the back of Eddie's eyes. Understanding. Triumph.

"You want an itemized list or a demonstration?"

Which is when Tommy knows he's stepped into an absolute minefield. No markers. Just free balling his way through a conversation that could explode with even the slightest pressure.

Eddie's got his phone out.

None of this is ideal.

When he looks up, his eyes land squarely on Tommy, who would like in this moment to be able to curl so far in on himself he gets sucked clean through the other side. "First of all, Buck may have just been improvising his entire journey of sexuality but for once I was trying to get ahead of the curve so that whole starry-eyed newly not straight vision you have of Buck is bullshit. You let him pull you along by the shirt strings for months without pressing pause and then you freak out when he thinks his speed and your speed are the same speed?"

This is feeling a whole lot like an ambush, now.

"Did you ever even try to slow him down?"

Tommy has some choice words that aren't remotely appropriate to say to someone who is at least tangentially still his friend, so he takes another swig of shitty beer. God, this shit is awful.

"You wanna know how I know I'm not his one? How I know he's not mine?"

Tommy really, really doesn't. Honestly he'd like to kick him out.

"Because he went at our friendship at the same warp speed pace he took your relationship and it never fucking scared me."

Proof in the pudding, for Tommy. He's not the sort of jackass who actually thinks he can make a different judgement call on someone else's sexuality than the one they've made themselves, but come on.

"Shannon's been dead for half a decade," Eddie says, voice dropping so suddenly Tommy feels it like an icy draft. "And maybe one day I'll make my peace with that. Maybe one day I'll get out from under it. The point is I've lost them both and the loss wasn't the goddamn same."

"Buck came back," Tommy argues.

Eddie scoffs. Wrinkles his nose. "Jeez, he wasn't kidding about how weird that sounds." His phone buzzes on the countertop, and Tommy wonders what the hell that look on his face means. "Don't change the subject. I'm not here to talk you into anything. I'm just here to drink a beer with you and tell you how goddamn stupid it is to think that an uncertain future with Evan Buckley isn't worth every second of terror it causes you."

"You don't know me as well as you think you do."

Eddie tips the bottle against his lips. Swallows. God, why hadn't Tommy just pursued the self-proclaimed straight guy for a couple weeks before he scratched the itch somewhere else and kept a friend, instead?

"Maybe." Eddie tips his head. "Maybe I do, though. Maybe in the months and months you were invited to all my mopey nights in with Buck and all the crazy crap we end up involved in at the station and all the times you couldn't shut up about him when he wasn't around and all the times I got to see you falling ass over teakettle for my best friend, I learned a fucking thing or two about Tommy Kinard." He wags his head back and forth. "Maybe."

"Is there a point to this?"

Eddie tips his eyes to his phone, and it's probably too late at this point for the suspicion to begin to creep in.

"I mostly just came to confront you about your completely off base bullshit excuses, but there's actually a pretty simple solution to at least one of your multitude of issues, so. Now we're waiting."

Tommy doesn't like the sound of that at all.

"Chris is mad at you, by the way."

It's a distraction. It's fully a - "Why is he mad at me?"

"I should actually thank you, because it's the first time he's actively talked to me in months," Eddie continues, like Tommy hadn't asked a question. "He's pissed because Buck is sad and there's literally nothing in the world that gets a rise out of the Diaz boys like sad Buck."

"You can just say you're pissed at me and go, Eddie."

"Oh I'm angry. Don't think I'm not. Mostly I'm just sad for you. You had six months to get to know Buck and never thought to yourself 'hes going to love me and it's going to hurt' until he skipped too far ahead in the program."

And that's - kind of the final straw. He's let Eddie get his licks in. He deserves it, he knows he does. Honestly it's a little cathartic to hear - to know exactly what Buck has spent his time dissecting post-Tommy. "That's all I ever thought about. Do you think I didn't know going in? I tried to put a stop to it before it even started and he just doubled down! Do you think for a second I wasn't viscously aware that I was setting myself up for -."

No. He's not gonna say it. He's not giving that to Eddie when he couldn't even give it to Ev-Buck. When he couldn't give it to Buck.

Eddie looks victorious anyway.

"And for six months you thought it was worth it."

"For six months I was too much of a coward to stop thinking about it."

Eddie drains the rest of his beer. "I'm not gonna lie. You screwed up pretty bad. Like. Astronomically bad. Giving up your location in a firefight bad."

Tommy does everything he can not to wince.

"It's salvageable, though. If you want it to be. If there's anything I know about Buck it's that second chances are his bread and butter." He's been dancing around saying anything of substance about Buck's feelings, in all of this, but the hints are there. As if the bouts of angry-depressive texts from Buck weren't clue enough.

"And what if it's not what I want?"

Eddie's eyes dart to his phone one more time. "Then you can make it a clean break in about ... three and a half minutes."

Tommy nearly tosses his beer across the room.

[ashkabbom]

Storm - Mouthwashing

A/n: It's 1am, but nothing will stop me muahahahah! Give my writing a chance and correct me if anything, English is not my first language and I had a LOT of help from the translator 🫶🏽

•Pre-Crash!Captain Curly x Reader

synopsis/summary: You and Captain Curly talk a little during the night

Notes: I didn't specify the gender and I didn't talk about the relationship, it's up to you to see how you interpret it.

Drops of rain hit your window hard, thunder and lightning tormented you and took away your peace.

It was night and you were in the ship's kitchen, you couldn't sleep for some reason, but the silence and the moonlight projected on the huge screen were comforting.

Thinking of anything to occupy your mind, from how long a squirrel lives to worries about your current job, although you tried to push some of those worries out of your mind.

Somehow you got a job, only you didn't expect it to be here and like this, but it's good that you don't do much, it's good that no one got hurt and you need to take care of.

Due to sheer pressure, you ended up entering some area of medicine, although it wasn't exactly what your parents wanted, it's still something, but you would be anywhere else if you could choose for yourself.

You didn't want your parents to look at you like you had failed and disappointed them, it was horrible to feel like you were a failure, something they weren't proud of.

Do you sometimes wonder if a hospital would even accept you, would you want that? Maybe you would even do well? It's not what you want but-

"Awake at this hour?" A voice echoes lightly and a tired-looking captain is leaning against the door. You didn't even hear the door slam, you were so immersed in thought.

Captain Curly was one of the most easygoing guys you'll ever meet working at the Pony Express, and that's not to be rude, but there are very few people at that company who are easygoing with other people.

"Night snack break." You say with a shy smile, not expecting anyone to be awake at this hour either. "But someone emptied all the coffee."

He chuckles lightly before sighing, "I can't imagine who would be responsible behind such a crime." Curly rolls his eyes with a smirk on his face, then looks at you. "But something tells me that late night snack isn't what got you so focused that you didn't hear the door."

"Hmmm a captain really knows his crew apparently" You laugh a little and nod. "I was just thinking a little bit about... Everything, you know? There's a few more months to go, I think about 7 months or something and it's just as weird as it was in the beginning"

Curly listened carefully to what you said, as a captain he understood exactly what you meant.

Being in the middle of space for so long, with a group of people you're not used to, is quite something, especially for someone unfamiliar with being so far away from where they used to be.

Even he wasn't sure if this was what he wanted for himself, if this was the pinnacle of his life or if he should try something more and go beyond his comfort zone.

"So you feel like the things around you are devouring you little by little, you sink so deep into it that it's hard for you to get out. It's not bad, but you feel like it's not good." He tries to complete what was on your mind.

"You gave yourself away that you are or have been in the same boat captain" You look at him with a cheeky smile and start walking towards the couch. "or on different boats, but with the same destination"

Curly follows you right behind and also sits on the couch. You both stay in silence for a while, just looking at the moon.

"It's not the same as looking at the sky at night, but it's better than nothing I guess." You say without thinking much. It would be a lie if you said you don't miss being on earth, in your home and in the comfort of your room in your house.

"I think this when I look at the stars, it's even different when I remember that I'm in space with them, being able to see several everywhere.. Without light pollution" He says and another silence falls.

It wasn't an uncomfortable silence, quite the opposite, it was the most peaceful silence you'd had in nights. Just you, the captain and the stars, enjoying the company that each one could offer.

You look at the captain, wondering if there was anything he regretted doing in his life that brought him here.

It was no surprise that he knew what was bothering you in your thoughts, after all he is a grown man with experience in life, everyone goes through this questioning one day.

Uncertainty is what moves us sometimes.

You wonder if Jimmy is like that too, if there is anything he would do differently to be somewhere else or if he wouldn't change anything even though he might regret something...

He didn't seem much for talking about that sort of thing. Jimmy was always a mystery in his mind.

Him and Swansea. You knew very little about the two of them, but it's not like you knew much about the others anyway.

You knew that Jimmy and the captain were friends so he must not be as bitter as he seems, after all he wouldn't be where he is if he wasn't someone he could trust.

"So this is what they mean by staring into your soul" He laughs as he says this and you come out of your trance. You hadn't noticed that you weren't just looking at him out of the corner of your eye, but that you had turned your face to look at him.

You laugh at his comment. "Sorry, I didn't mean to intrude on the entrance to a man's soul." Sighing lightly you smile "Daisuke showed me a drawing of him yesterday, the boy is talented and expresses well how he sees places and people"

"Is that what you two were doing in the infirmary during lunch?" He asks curiously. "But I didn't realize you liked rock and metal, but the metalhead you drew looks nice."

"It's not a metalhead, it's Anya." You look at him like it's the most obvious thing and he's so dumb.

"Was that supposed to be Anya?!" Curly asked in disbelief.

You and he talked for a few more minutes, even though it was so late at night, maybe it would be morning in a few hours, but clearing your head at least a little was the best thing.

You yawned and realized that you were actually sleepy now. Curly yawns soon after and you both laugh lightly, agreeing that you would go to sleep now, wishing each other goodnight.

So the raindrops hit the window weaker, until they stopped completely, without thunder or lightning.

The next day you wake up dead tired, woken up by Daisuke questioning if you were still alive.

Soon you go to the kitchen together, talking a little about what you had dreamed about during the night. Anya was already there and so you and Daisuke join her, soon Jimmy and captain, arrives and-

"Whose metalhead drawing is this? It was lying on the floor" Swansea asks with the paper in his hand

"Not a metalhead!" You hear Daisuke chuckle and you swear you heard a chuckle coming from Curly.

A/n: I had another creative peak this morning and here it is, straight from the oven. I wish I had written something with Curly before writing something with Daisuke.🫶🏽🎀

[raointean]

I actually love the idea that Billy and William fused instead of just body-hoping. William would have died if Billy didn't come in and they fused! I love him saying that he has a mom because adoption right 🎉

Yes! The alternative is just too sad for me. As for the adoption thing, it's NOT just this fandom that struggles to understand bio vs. adoptive parents. I'm in the Star Wars fandom and there are SO MANY PEOPLE that refer to Anakin and Padmé as Luke and Leia’s "real" parents. Meanwhile, Owen, Beru, Bail, and Breha are called kidnappers or just ignored entirely (yes, I loved the Obi-Wan show. Why do you ask?)

I think the same problem is sometimes happening in this fandom too. We know Wanda and Vision as characters and we want them to be a happy family. We do NOT know Rebecca and Jeff Kaplan nearly as well, so there's a tendency to want to take the child from the characters we don't know as well and give him to the characters we know, like, and want to be happy.

On a slightly happier note, here's all my headcanons about Billy Kaplan's life (not Billy Maximoff or William Kaplan, but the entity that is both of them)

As William's heart stopped, his soul separated from his body and was on its way to wherever Jewish people go when they die

Billy M's soul, at the same time, was fleeing because it didn't have a body to support it

He found William's body easy enough to get into (because a soul had just left it) and close enough to alive to be fixed

However, William's soul was in between Billy M and the body

Billy M could have gone around and been the only soul in the body, but he was scared, okay?

Poor guy was only a couple days old, alone for the first time ever, and his mom had just kinda killed him and the rest of his family

Long story short, Billy M crashes into William and drags them both into the body

Billy M fixes the body just enough to keep living, but doesn't bother too much about the head injury

Meanwhile, William is stuck to Billy M like silly putty when you have two different colors and, by the time they get to the hospital, the two colors have blended entirely to form a new color

There's no way to differentiate one from the other

Billy Kaplan is born!

Because Billy M didn't fix the head injury, they both have amnesia

Billy K wakes up and it's literally "no thoughts, head empty"

(Except for some lingering sensation of loneliness... like there should be something someone? else there)

But not for long because he soon discovers he can hear other people's thoughts!

Which is really funny because he doesn't know that other people can't hear his thoughts

Poor guy genuinely thinks that humans communicate via telepathy for a solid 24 hours before he gets enough weird looks that he puts two and two together

(His parents are totally aware of this

There's only so many times your kid can answer exactly the thought going through your head without you catching on

Also, this is the Marvel universe!

Shit like this just... happens sometimes

They figure he'll come to them when he's ready, and until then they'll think nice thoughts and be supportive)

Billy K spends a solid four months trying to remember who he was before, stealing memories from his parents' heads, and pretending to recover from the amnesia

(Rebecca and Jeff try so hard not to make him feel like they're just waiting for their old son to come back but...)

Four months in, Billy's at the mall with his mom on some errands and that's where he sees it

Hot Topic

He begs his mom to go in there, and it's the first really normal teenage thing he's done since the car crash so she lets him

For the first time in four months, Billy forgets all about car crashes, and memories, and hospitals, and expectations

All that exists is spiky jewelry, ripped black skinny jeans, and a million of those cheap and hilarious pins

Over time, the family settles into his "new normal" and chalk most of it up to teenage experimentation

In that three year period though, Billy can't shake the feeling that something's still missing

He feels out of place in his body, even with the new aesthetic

(He sees that one tumblr comic about the coocoo bird and cries-- a lot. It's the closest he ever gets to telling his parents about his out-of-place feeling)

He doesn't tell them though

Instead, he digs and digs into the weirdest, darkest, most demented corner of the internet

Reddit

[mellxncollie]

hiiii alex and now i have no choice but to drop all the process info and the outtakes :)

overall impression: very lovely and moody and spooky!! i kinda expected more blood-reds from devlin house but i should've known better, you wouldn't go for something that cliché. as always the shots you chose are SO good, love the combo of very dramatic shots with way more subtle ones!

aaaaa okay okay yes definitely not a lot of 'expected' shots in this one. couple reasons for this:

episode 3 is not one that i can watch very much, there's too many triggers in there for me. it's only very recently that i'm now able to rewatch it in its entirety, and i still have a hard time screencapping for it. so... not too many gifs from inside the devlin house

not a lot of shots in these episode work well for these palette sets. unlike all the other episodes, this one does not have many establishing shots or wide shots, which are the ones i like to use for these gifs. of the few establishing shots that are used, many are relatively static, so they don't look great as gifs. plus a lot of the devlin house shots have flashing lights and/or are very short. this made it really difficult to just find scenes that would work

so, this is a little less of a cohesive set than the other two, and i think the rest of the episodes will have more cohesive palette sets than this one as well. i love how this episode is shot, cheryl dunye's avoidance of 'filler' shots really reminds me of her film the watermelon woman, and while that movie does have more wide shots and more cohesive colors, the focus in on the characters as opposed to the backgrounds is what makes this episode feel so much like her work. it really drives home this episode as a standout in terms of writing, visuals, and direction.

it just also... breaks out of a form that i rely on to make these gifs work. so: less cohesive colors. i'm glad that this didn't exactly come across, and that we still have a kind of moody vibe :)

gif 1: cindy my beloved!! oh my god i need to see edwin laughing like that. i need CHARLES to see edwin laughing like that! and niko is so precious, i love her and her green coat. speaking of! love the way she moves past the colour blocks and almost adds contrast to them until she reaches the green and basically blends in?? SUCH a cool effect. and i love the colours themselves, the green + goldish vibe is everything. the green in the shot is so dramatic that it's like a fun little puzzle to find the rest of the colours! and then you realise, oh wait, that's the majority of the picture. ceiling, chairs, cabinet, niko and cindy's hair. and cindy being represented by the colour palette, drawing her undeniably into the picture because she can actually be seen by everyone around her, the opposite of ghostly, is SO cool. and then the contrast of the bright (blueish?) white?? the way it contrasts so much with niko's coat that at first i couldn't see where you got it from, only when niko moves back it blends perfectly into the window in the background?? olly you are a GENIUS

honestly i didn't really realize how this looks with niko's movement adjusting how the green and the blue all suddenly mix in with the rest of the gif!! but you're right, it's very cool!

this gif was a bit of a challenge, and with all those browns i initially thought it might be on the chopping block. but then i came around to liking it enough to make it the first gif in the set.

here's a before/after of the colors i put on it, and you can see that the blue is basically not even in the original shot, and it was only after i adjusted the blue channel to decrease that yellow tint that the blue really showed up.

gif 2: JENNY JENNY JENNY! this is a wild one because it's such a mundane part of the scene and yet i can't stop looking at the dramatic colouring. SHE!!! also the colours you chose feel very similar to the jenny gif from ep1, which, to be clear, i mean SO positively. i love that it ties them together! also something something jenny in her black clothes being surrounded by so much colour as symbolism to what crystal and niko bring to her life. brb crying

out of all the gifs in this set, this is definitely one of my favorites. mostly just cause the shot is really cool, nothing to do with the colors or anything. but speaking of the colors!! yes they're a lot like the ep 1 gif, and it's so fascinating to me how they pack so many hues into jenny's shop via the lighting.

gif 3: HI SPOOKY SHOT OF ALL TIME 😍😍😍 one of those dramatic ones i NEVER want to look away from. loveeeeeee the red-orange reflections on them, the purple of crystal's coat, the blue of edwin's shirt. also getting into the symbolism again but the way most of the colours are drawn from crystal and the background (even the blue is present in her grey shirt/jacket/whatever that is) and it makes the boys feel even more ghostly. ESPECIALLY CHARLES?? WHO ONLY RECEIVES RED BACKLIGHTING?? AND SPENDS THE EP GRAPPLING WITH HIS OWN HELPLESSNESS?? THE ONLY ONE UNTOUCHED BY BLUE (AKA SYMBOLIC OF HEAVEN)?? I'M MAKING MYSELF SICK WITH THIS OH GOD

yipeee!! one of my favorite shots of this episode, but one of my least favorite shots in the whole series to gif (that i've been making gifs of more and more to force myself to figure out how to do it best) and honestly because of that, i wasn't sure if this would make the final cut either.

here's two recent(ish) uses of this scene in various gifsets, both of which i don't really like how the final gif turned out.

this is because the original shot is....

so aggressively blue/green on their faces and that it is very difficult to make this look good.

i wanted the final gif for this set to be a bit more orange and a bit less red, but i'm glad i kept the more red toned backlight, since that allowed gif 8 to feel different enough. and i'm actually pretty okay with how this one turned out, espeically because you get the purple and the blues in their costumes.

also, just for fun, here's what this gif would look like if i did some normal brightening and coloring, but didn't do anything to fix their skintones 🫠

and yeah. god. thinking about charles 'untouched by blue.' fuck.

gif 4: SUCH a lovely little shot! the blues from edwin's outfit, the greenish-gray i'm guessing from the stripes (very nice and subtle, love the choice to emphasise them!), the white from his shirt. and then BAM, gold for the bracelet of homosexuality. but even then it's a very subtle colour choice for it, i can see some of the background is the same colour, even the darker parts of edwin's shirt cuffs. it's like you, via the palette, are helping him hide the bracelet and. i'm just in love

one of my favorite gifs in this set! it is really fun, and you got all the color sources right! i did want to include another color from the bracelet, but most of the colors i was sampling just didn't look too good with the blues, so i used the white from his shirt and i think that really worked.

gif 5: monty!! the return of niko's green coat!! love the cool (ha!) colours, mixed in with the warmer browns. the blue is so subtle in monty's plaid shirt (and the port townsend sign if i'm not mistaken?) the brown/burgundy in monty's scarf and shirt and the trees in the background really draws it all together! plus the green in both niko's coat and the trees' leaves! also interesting to see here the colours you didn't choose for the palette, like the white of niko's hair and monty's books. not to get too deep into it but it feels like a sign that it's not niko monty's trying to connect to, even though edwin isn't even in the frame! and the darker brown feels sort of similar to edwin's coat but that might just be grasping at straws lmao

the blue is from monty's shirt, yeah! this one was hard to pick colors for, and you totally got it with all the colors i'm leaving out. also because of the 540px x 500px frame size, we're also leaving out edwin from this shot. so maybe there's something there too about leaving out colors. (and now that i'm looking at it again, i do think that off-white would have been a great way to tie this palette together)

gif 6: OH DEVLIN HOUSE WE'RE REALLY IN IT NOW. obsessed with the way you subverted expectations with the devlin house being so blue and monotone, vs how we tend to read it as this dramatic high-stakes situation with so much blood spilled. again with the symbolism but it feels like it speaks so much more to the nature of the thirty-year (!!!) loop and how to the victims of it it's not dramatic but just the same cycle they can't get out of. over and over and over. and crystal and charles' expressions in this one OUGH. crystal trying immediately to find a way to help, to free these women, and charles is seeing his worst nightmare and trying desperately to suppress it. again, charles' helplessness represented by none of his colours making it onto the palette, even though his shirt is still pretty red. his hero colour is represented only as its worst in this house

i wanted at least one mostly monotone gif in this set, and the devlin house is predominantly teal and yellow, so it's such a strong contender for a monotone shot. problem with the yellows is that they're hard to make look good if there's a person in frame, so blues it was! i had a lot of blue shots to choose from, because every time the loop resets the power cuts and they're plunged into darkness. and i think there's something really symbolic there for charles (oh and now i'm thinking about the way that he drops into the water in the next episode when the night nurse forces the flashback)

and yeah, the first two colors are sampled from crystal's clothes, and the final three are from the wall. and now that i think of it, none of these palettes use colors sampled from charles/his clothes, despite this being really his episode. makes me think about what you said for the tube gif in the ep 1 set, how not sampling from them makes them more of a ghost in their own gif. anywayyyysssssssss

gif 7: can i just say. obsessed with the parallels of the last two gifs, showing the pre- and post-devlin house feelings? at first i thought this one was from the end of ep3, after gif 8, but just from seeing charles and crystal's interaction it's obviously not OUGH. love the wide shot of them (and the cinematography lessons!! the focus falloff at the top. i am Looking), the greens of the trees and the brown of the leaves and the purple of crystal's coat (ooh and the sign!). some of the purple even seems to come across in charles' jacket! and the blue of the statue also being in edwin and charles' socks and crystal's shirt. it ties them all together in a way that contrasts so much with the effect devlin house has in breaking them apart. forever emotional about ittttt

so this one is actually post-devlin house. it's right as charles says he's fine and right before niko shows up. it's the last gif in this set chronologically, but i don't really go by chonological order in these sets, since i want the first and last gifs to be strong, and i don't want any two palettes side-by-side to feel too similar.

i am now thinking about how charles and crystal's interaction in here realllllyyyyy doesn't feel like post-devlin house.

anyway. colors. yeah. that purple being the same in crystal's coat and the sign was such a blessing. and every time i throw a surprise blue in to these palettes i think of you. it definitely is the bit that pulls this palette together.

(yes i was also thinking about the focus falloff here, it is soooo wildly intense in this shot)

gif 8: AND FINAL SHOT. devlin house is over (or is it??) the colours nearly blending in with the background and then contrasted against charles' coat. i'd say SYMBOLISM but i'm sure you're sick of hearing it by now lmaooo. the bright lights in the background are SO striking. and the green??? the way it reflects so dramatically against the orange specifically on edwin's face??? i know that's not death's light shining on them but it sure is interesting how often edwin is the one bathed in that colour of light.......... also this might be a reach but the way crystal's jacket/hoodie/whatever seems to be a similar shade of green-grey, tying her and edwin together as having found common ground in the devlin house, vs charles again being the least represented by the colour palette -- devlin house might be over but he still feels helpless. i'm sure nothing bad will come of that!

the first 10ish frames of this gif are some of my favorites in this entire episode. i just love how this shot looks, and if it was a bit longer, i wouldn't have even had them running into frame. but that little bit of the trio that we do get is so interesting to get to hear you talk about. because i was not paying attention to how they blend in (or don't) to the palette.

--

so. what about the outtakes? first we have this one:

really like this shot. couldn't figure out the palette. i wanted some of that green from the interior wall of the attic space, but it doesn't sample as very green (yay for color theory!) and the few pixels that do sample as green do not look very good next to the rest of the colors.

here's the other outtake gif:

now that i'm looking back at the whole set, i think this one would have been a really good addition to make the whole set feel more cohesive, but i'm not sure which gif i would have cut instead to keep it at 8, so that's probably why i cut it in the first place. this one is kind of fun since the green is not from niko at all, but from the grass below. i initially made this gif with a monochrome palette, but right before i exported it, i noticed just how much green is in there, and decided to use some of it. glad i did, and i am really happy with this gif.

i'd say i can never be normal about this but you already know that. love this, love you, thank you forever for blessing us with your gorgeous gifs!!!

i'm so glad that you can't be normal about these because i also can't be normal about making gifs and i love that i get the opportunity to do this kind of breakdown for them. thank you thank you thank you alex. you're wonderful!!

Dead Boy Detectives (2024) 1.03 — The Case of the Devlin House (insp)

[taesanluv3r]

in my daydreams.

han taesan x reader

yn mentally escapes from her physics class, losing herself in the scenarios in her head (in other words, yn is delusional), follow along her train of thoughts as she crushes hard on her classmate. lowercase intended, cuss words. pls ignore any grammar or spelling errors! enjoyy

wc: 1,448

⋆౨ৎ˚⟡˖

"the law of the conservation of energy states that energy can neither be created nor destroyed. that being said..."

i drowned him out after that - my physics teacher, i mean - i drowned it all out. it wasn't my fault though, it was all on him. it was his fault. no, no! not my physics professor...this is all han taesan's fault.

what did he do exactly? well...nothing. the truth is he never does anything! and that's exactly it. he does absolutely nothing and i still find myself constantly stealing glances at him. at his stupid face, his idiotic light brown eyes, his dumb smile, and his perfectly white pearly teeth...and his honey-like voice...his hair that turned a light brown against the sun...his...ugh!

god fucking dammit

as i sit here, in physics class - which, by the way, i absolutely despise physics class - i can't help but be distracted. just look at him! sitting there, right next to the window...i wouldn't be shocked if a bird distracted itself from it's flock and came flying right through it, if i were a bird i know i would. there was a singular pen in his hand, one of those expensive pens with his name engraved on it - probably a gift from his dad, he's always mentioning his dad. anyways, the pen spun against his fingers, his long and lanky fingers...sometimes i can't help but wonder what they'd feel like between my own; would they warm me up? or would it only feel that way because i'd be blinded by the affection? the pen smacked against his knuckles, they're red now from the friction. then the spinning stopped, and i watched as he began jotting words down in his lined notebook - guess there are notes i should be taking.

my chin rested on the palm of my hands and i look away from him for a moment. i sigh, who turned the air conditioner down? why is it always freezing in physics class? as i pondered, my eyes fell shut - lucky for me, i sat at the very back of the room, a spot the professor's poor eyesight can't reach. i felt my shoulder slouch as i relaxed into the uncomfortable chair, in a second i'm gone.

my mind's blank, but only just for a moment before i'm met with images of him again. seriously, i can't even rest for a moment without his face all up in my business? can't he leave my brain alone? please? i'm saying this like i hate it, but truly i don't - i can't. it's hard for me to hate something i really love more than anything. so, instead of trying to rid of his figure in my mind, my unconscious soul walks towards him.

mmm, i can almost taste him. a sweet smell that i can never put my finger on - i mean, it's woody, like a deep foggy forest...but it almost smells like freshly baked cookies from my grandma's kitchen. it's his scent though, that much i can tell you. he glows in my dreams, like edward cullen - minus the whole vampire thing, my fantasies aren't that weird, he just glowed like one. he looks right at me, this is something that truly only happens in my head. his eyes are so soft, yet there's a cat-like charm to them that makes my stomach turn.

"yn"

he calls out to me, his voice the most hypnotic noise. the figure of myself follows him, an arm linked with mine as he traces his other hand against my face. it wasn't real, but it sure felt like it, i could feel the strange sensation of butterflies in my stomach - it felt so real, i could just throw up. and then he leans in, he never kisses me though. he just pauses there, looking me in the eyes like we were in the middle of some sort of a highly prestigious staring contest. to be honest, if he weren't so insanely gorgeous, i'd think him a creep.

"yn!"

he calls out again, though it's a bit loud for the close proximity that we're in. and he sounded strange...he almost sounds like...my...

physics teacher?

fuck.

"huh? present! um-" i could feel the gazes of my classmates piercing through my skin. "yn, would you like to share with the class what you were daydreaming about?" oh, prof...you know damn fucking well i can't do that...

my teacher said something else, he's probably scolding me or saying something utterly ridiculous to embarrass me in front of my friends, i don't know though, it's not like i listened. i couldn't stop myself from wondering, what if i had just told it straight? what if i had answered my professor's stupid question with an even more dimwitted answer? 'what were you daydreaming about?' and i'd just get up from my seat and scream at the top of my lungs

"taesan"

huh...?

the name that escaped my teacher's tongue brings me back to reality, again. i'm paying full attention now. "taesan...you will be paired with...ah, look at that..." c'mon old man, quit stalling. i don't even know why we're making pairs right now, but i need to know what idiot he has to work with so i can turn them into the enemy in my fantasies and- "our very own daydreamer..." wait, did he say daydreamer? that can only mean one thing...i mean, unless someone else has been referred to as a daydreamer before.

"taesan, your pair is yn. i wish you luck"

ignoring the last bit of the sentence, which was an obvious kick at my lack of physics enthusiasm, i was almost overjoyed. fuck, this might be the actual only time i might like doing something related to this class.

i watched as taesan nodded, his lips were pursed together - i wonder if he was upset...i mean if i were as hot as him, i'd be well over pissed if i was paired with me - no offence. but as i was thinking that, he turned around in his seat to look at me - and i mean actually look at me! and as if this wasn't already a dream come true, he smiled at me! does he know how absolutely insane this drives me?! i mean, quick! somebody pinch me! pinch me and tell me it's fake!

i must've been lost in my head again because the next time i opened my eyes i almost died of shock. low and behold, han taesan right in front of me - like, inches away from me.

"don't know if you know, but we're pairs..." i can't believe it he's actually talking to me! my eyes must've gone wide, and my mouth opened to speak but nothing came out. he laughed at me. he laughed at me. you know that kind of stupid laugh a guy does when he just knows he's causing some sort of chemical reaction in my body right now - or as i like to call it, the absolutely shit-eating asshole laugh.

he's so lucky he's hot.

"lucky for you..." he said, turning the chair from the table in front of mine around to sit and face me. "i actually listened in class, so you don't have to - i know, i know, no need to thank me" asshat, but i can't help the feeling of a fluttering flower blooming in the very depths of my body - lower abdomen, to be specific. i still haven't spoken a word to him - i mean, i'd love to, but i just couldn't seem to.

"so the whole point of this project is to explain everything about motion" i know of other things that could be put into motion...what? ew! yn, get your head out of the gutter! i'm sorry, sir isaac newton definitely did not die for this.

"listen, you're cute and all, but can we save the rest of the daydreaming for later? i kind of need to pass this physics class" he's right, i should stop, this is inappropriate and not very cool of me- wait...did he call me cute?!?!?? ME? CUTE?

"you there?" i finally get myself together. "uh- oh! yeah, sorry about that...what're we doing again?" i just know i looked like an absolute fool. and i swear to whatever being that i was trying to stay professional and calm, but when he laughs and when he smiled at me with that stupid dumbass fucking idiot smile of his, i just can't seem to think straight.

i may not know much about physics, but i know one thing for sure. and it's that for as long as i, yn ln, have to work together with him, han taesan...

i'm completely and utterly so fucking cooked.

the end.

⋆౨ৎ˚⟡˖

i never really write in this pov but i kinda love this 🫢 hope u guys did too!! yn is so me when i have a crush on someone - it's always like i almost hate them so much because of how much i like them lmao 😭 tysm for reading! love, kona.

perm taglist (lmk if u wanna be added)

@en-dream

[runawaybandito]

I wrote another subpar fanfic!

Originally posted to AO3

__________

A Lost Bag

Momo frantically dug through the boxes they just moved and groaned, "Where is it?"

"Miss Ayase, what's wrong?" Ken hurried to her side and lightly pulled on her shoulder, "Can I help you with something?"

The wind picked up, whipping Momo's hair into her face. She let out a frustrated huff and pushed the strands back, "I can't find my bag. It's fine, just go home with everyone else." She stood up straight and turned to head towards their new club's meeting space. "I'm going to go check the storeroom, I'll catch up with you all later."

Ken walked beside her, averting his gaze but getting pushed into her by another strong gust of wind. "Let me help you. We'll find it faster and then you won't have to walk home alone."

"Sure, okay," Momo pulled on her bangs as Ken glanced to her and saw pink creeping into her cheeks. She stopped in front of the old building and yanked the stiff door open.

The two stepped in, immediately met with the musty smell enveloping the small space. Momo flipped the switch by the door a few times, but none of the lights flickered on. "Guess the lightbulbs will have to be replaced before we meet in here. Come on, I think I might have left it in an empty box around here."

There weren't many boxes left, and Ken went to the few gathered on the opposite side of the building. Before he even had to open a box, he saw the bag perched on a shelf. He sighed and smiled, reaching up and grabbing it, "Miss Ayase, I fou-" the door suddenly slammed shut, causing him to drop the bag and washing the room in darkness. "Miss Ayase! Are you okay?"

"I'm fine, but..." Ken heard her rattle something in the dark, "the doorknob is stuck. Can you kick down the door?"

"I can, but I probably shouldn't. The school probably won't give us another space for our club if we break this one." He felt across the wall until he reached the door. Or rather, until he bumped into Momo. "I'm so sorry, Miss Ayase!" He could feel their sides touching, and his face heated at how much of her he could feel.

He moved to step back, but Momo grabbed the hand closest to her. "Why are you trying to run away?"

Ken's mouth dried and he stuttered as he thought of his answer, "I uh... I don't want to make you uncomfortable."

He was pulled over until he could feel Momo's chest against his own. "Okay, but what if I'm not uncomfortable?"

It was possible that she was going to kill him - his heart felt like it was about to beat out of his chest and he felt like he couldn't remember how to breathe. Ken pulled his hand from Momo's grasp and placed both of his against the door behind her, subsequently trapping her between his arms. Had he been able to see the position they were in, Ken Takakura likely would have sent himself into a panic attack while apologizing and trying to put as much distance between the two of them. As the situation currently stood, he had too many hypotheticals running through his head and far too many ideas of what he wanted to do with Momo. "Please, don't toy with me. I'm an awkward guy, I don't know what you want me to do."

Momo grabbed his uniform and pulled him to have their bodies fully pressed together. "I want you to do something."

Certain that she could hear his pulse with how loud it was pounding in his own ears, Ken leaned forward until he could feel her breath against his lips. "But what do you want, exactly?"

"Just keep doing what you're doing, Okarun." He pressed his weight against her at the sound of his nickname, gritting his teeth and clenching his hands into fists in an attempt to ignore how she felt against him. "Please, I trust you."

Ken hesitantly tilted his head towards Momo's, barely brushing their lips together. After what felt like an eternity, he finally pressed his mouth against hers. Immediately, Momo's hands laced through his hair at the back of his head. Her touch sent shocks down his body, but he smiled into their kiss as he considered that she was likely trying to keep him from running away.

His hands had moved from the wall to rest on either side of Momo's neck and were slowly moving down her shoulders and arms. Dropping from her elbows to her waist, Ken lightly dug his fingers into her sides through her sweater. His hands ventured further until he grazed the bottom of her skirt, and he felt himself harden as he fought the incessant urge to lift it and put a hand between her thighs.

Momo pulled down against the back of Ken's neck, causing him to break the kiss out of confusion, "What are you doing? Do you want me stop?"

"No, I'm just trying to get more comfortable."

She managed to get him to follow her down to the ground, but he started to unbutton his uniform jacket instead of resuming their previous actions. "You need to be careful, you could get your clothes dirty," Ken pulled off his jacket and handed it to Momo, "here, put this under you."

Momo scoffed as she took the jacket, "You know this just makes it so now your clothes are going to get dirty."

"That may be, but I'm not worried about me." She rolled her eyes at the response but complied, spreading the jacket on the ground beside her. She laid back and pulled Ken with her, causing him to jerk back for a moment. "Miss-"

"Quit it with the formality. You're not allowed to address me by my name anymore unless it's by my first name." She tugged on him again, but he resisted.

"Fine," he stuttered, "Momo, what are you doing?" Ken was fighting against the thoughts of Momo on her back underneath him, writhing and in a state of undress. He wouldn't try to go that far in this moment, but he noticed the hardness straining against his pants even more at the idea.

"Nothing, just trust me." She pulled him again, and he finally complied, lowering himself to hover over her.

With shuddering breaths, he kissed her again, more intensely this time. Momo's thighs squeezed against his hips, and Ken groaned into her mouth. He tentatively brushed his tongue against hers, waiting for this to be the point that she'd push him off and tell him get away. Instead, she tangled her fingers into his hair and hooked a leg around his hips, pushing them down against her own like he'd been trying so hard to avoid.

Hands made their way to Momo's thighs, sliding up under her skirt, but still keeping distance from where Ken truly wanted them to be. He reveled in how much of her he was able to hold and how soft her skin felt in his hands. Gripping where her hips met her thighs, he lightly dug in his nails and pulled her hips up as he pressed himself against her. "Okarun," Momo gasped into his mouth.

Ken pulled away enough to rest his forehead against hers. One hand went to her inner thigh and his thumb traced circles where he could feel the warmth between her legs. "Momo, I'm going to need you to not say things like... that."

"I don't know what you mean," The smirk was obvious in her voice, "you're the one making making me do that." She took the hand still on her hip and slid it under the hem of her shirt.

"Momo," Ken squeaked out, "what are you doing?" He kept his hand still on the skin of her stomach, scared to move it and cross a line.

"You don't have to be so scared, I won't bite." She grabbed his hand and moved it to cup her breast over her bra. "I told you, I trust you."

Ken was thankful that the dark hid them from eachother, as he was sure he wouldn't be nearly as confident if he could see the way she was looking at him - that was much better left to his imagination. He removed his hand from under her shirt, leading to a protest from Momo that he cut off by biting her lower lip, eliciting a gasp from her. He kissed down her jaw and to her neck while his free hand untied the bow around her neck and freed the top button of her blouse. His hand went back to push up her shirt and slid under her bra, while he bit and kissed the newly exposed skin around her collarbone.

Ken wasn't entirely sure that he could believe what was happening. He moved his head back to press his mouth against hers, covering her gasp as he ground his erection against her. He was kissing the girl he loved, and she was kissing him back and asking him to touch her more. He could imagine how depraved they looked with him on top of Momo and between her legs, one hand up her skirt and the other in her bra. The mental image sent a shiver down his spine. He was certain that any moment, he'd wake up and this would have all been dream.

A metallic clinking sound came from the door and the pair quickly scrambled away from eachother, trying to fix their disheveled clothes as quickly as they could. The door swung open and Ayase's grandmother stood there, lit cigarette in her mouth and wearing a deadpan expression. "It's almost dark out and you idiots decided to lock yourselves in a storeroom. Do you know how long it took me to find you at this damn school after Jiji said you guys didn't walk home with everyone else?" Ken and Momo sat there, still shocked that they were almost caught. "You need to tell the school to have maintenance replace this doorknob, the lock is rusted. I managed to get it open this time, but it's a real safety hazard." She glanced between the two of them and puffed out a cloud of smoke. "Quit your gawking and get your asses up so we can go home."

"Yes ma'am," Ken quickly muttered and basically sprinted out of the building.

Momo took her time getting up and grabbed her bag from where Ken had dropped it before standing beside him. "Whatever, can you give the lecture a rest so we can go home already?"

"Watch the attitude," Seiko said with a smile.

The three started back home with Momo and Ken following behind Seiko. Ken bumped his shoulder against Momo's and grabbed her hand, lacing his fingers with hers and looking anywhere but at her to hide the growing smile on his face. They walked back together in a comfortable silence.

[sheepwavehdg]

HDG(?) story thoughts: Socialization

Socialization is a noncon fic by ashinbloom and transfemtomgirl that examines the horrifying ways trans women are treated in queer spaces, especially by men, through the lens of the HDG setting and its mechanics.

I would describe it as "HDG(?)". It is notable as one of very few fics that the Loret team has ever specifically described as not fitting the HDG setting, and I can't even really say I disagree, exactly? It's fucking complicated. I dont enjoy Socialization in the same way I enjoy most HDG stores. I read it and I feel seen and understood in my experiences, it is a commiseration of the lived experience of a disabled person having to deal with violent transmisogny from within her own community as well as outside. I will be blunt- this story is not what I think of when I think of HDG. it is a twisted knife in my gut, a reminder of some of the worst things that have ever happened to me, and i cannot stop thinking about it.

It makes me feel less alone, to know that the ways I was mistreated and abused by some transmasculine peers in the past was not something I made up, that I am not alone(especially since gaslighting was always part of the toolkit anyway!) In this way, it shares commonalities with the rest of the HDG tag, in that the pain it reflects feels very, very familiar to me.

the premise is simple. It is a second person fic, which is a frankly brilliant choice, about a transfemme reader navigating a wardship. her transmasculine friend, who is already a floret, manipulates her into his bed and the vines of the affini.

It is notable that this summary, plotwise, is not any different from many existing stories within HDG. where it diverges is the tone. Victor is like if someone took every guy who I didnt break up with months past when I should have and combined them into a figure almost as systemically enabled to take advantage of you as his real life counterparts are. the worst part of all is the screaming voice in the back of my head that I can fix him. it is a spectacle to behold, and I eagerly await the protaganist to fall into his clutches.

The affini in the story are used more as a backdrop to tell a story about how humans are shitty to each other. I think It is meaningful more as a story about the transfeminine experience than as a story about plommy, and you should go into it expecting for it to hurt you, and for that pain to be a cathartic experience of being seen.

The best/worst part of reading Socialization is knowing I would do the exact same thing in the protaganist 's shoes. I would believe I could fix him. Watching someone with every one of my own weaknesses be pulled apart by a predator I have known intimately far too many times is arousing in ways that horrify me. I hate how much I love this story. I hate how I find myself rooting for Victor to pull the reader apart more, because if he wins, maybe she can be happy. It's incredible, I cannot wait for more, because I am apparently a deep masochist.

[beef-brisket]

Lucifer smiled: Oh, I'm almost certain they will be.

Adam: ...is this what you and Michael were fighting about?

Lucifer looked away. Fucking Michael: Yes and no. Michael's just... he gets too caught up in his work. He can't get his head out of his ass and have a look around, you know? He just... he either doesn't think or thinks too much. There's no in between.

Adam: ...So, in other words, he talked amd you got angry?

Lucifer: That's pretty on the money. He... wanted to keep you there... even after the baby's born- to do tests... he thinks it'll be a danger. But- you were normal once- I think it'll be fine-!

Adam: He has a point. I mean, it's a shit point, but I see where he's coming from. Someone with the parasite has never been pregnant before. So, who knows what will happen...

Adam leans back, his hands never leaving his stomach.

Lucifer: ...Do you want to keep it?

Adam: ...You know, I've never thought about kids. Or marriage. Or partners. There was no one here that I'd ever want that with. And I sure as hell didn't want to bring a kid into this shit. And I haven't exactly had the best parental role models...

Lucifer was getting nervous. None of that sounded like he wanted to keep it.

Adam: And I'd hate for you to be bound to my bullshit... and I'll probably outlive you. By like... a fucking landslide. Depending on what shit Charlie has, I might even out live her- not that that matters, she probably won't care about me- I'm sure she'd like to move closer to somewhere with people when she's a bit older- than you'll go to- which is fine! I'm not stopping you! I- um... shit, where was I going with this?

Lucifer: I'm not sure- but let me ask you one thing. Do you want to keep it?

Adam: ... I guess?

Lucifer: ...you guess?

Adam: I mean- what if looked like Vox!? Who knows what the fucking parasite will do to it- maybe it's not even a baby amd instead it's so.e creepy mix of us and the mold! I just... I don't want you to dream of a beautiful child, and we end up with some squiggly, wormy thing. I'd still love it... wouldn't have to pay for college.

Lucifer laughed: You really know how to make a situation like this, funny.

Adam: What can I say? It's my coping mechanism. But fuck it. I'm sure it'll be fine! And it's not, I'll just... throw it out the window. Ain't no little fucker surviving that drop.

Lucifer: ...

Adam: ...I'm kidding, Luci.

Lucifer: Okay, whew! Thank god- wait, are we keeping it? Are we having a baby?

Adam: Yeah, man. A "baby"!

Lucifer: Just- baby Adam. No air quotes.

Adam: Okay, sorry. Baby! Sweet. So... nine months- that'll be... two more growth spurts at the most. I can handle that. Fuck yeah. Okay. Cool.

Lucifer: You're so chill about this.

Adam: Yeah, that's just me, man! Don't hate.

Lucifer rolled his eyes. This is going to be a long seven-ish months.

Have you seen Resident Evil: Village? All I'm saying is Adam and Emily as two of the three sisters and Sera as Lady Dimitrescu.

Lucifer is Ethan trying to find Charlie.

At first, Adam was on his mother and sisters side- but because they have a weird thing against dudes, he eventually helps Lucifer.

Trust me, it feels illegal not to make Adam the stunning Lady Dimitrescu, but for story reasons, he'll be one of her kids.

I mean, their hot. What can I say? Adam would look great like this 🤷

Adam: Mmm- man flesh~.

Lucifer: ...Kinda gay, man.

Adam: It's not gay.

Lucifer: It is- man flesh? Really?

Adam: ...

Lucifer: ...

Adam: *stabs sickle into his leg and drags him away* Mother!

I have seen it! Ha I love this. ((Yes he'd rock being the Lady of the house 😩))

Lucifer: Ow!! What the fuck!?

Adam: It's not gay! Mother was right.

[incomingalbatross]

Thoughts on Ghost Days by Jim Butcher (and possibly the earlier books, if they spill over into this post)

All of this is, as Harry observes, absolutely typical of his existence. Of course he can't just die, he gets sent back as a special unknown type of ghost to solve his own murder. And of course he shoulders like three different new obligations, makes a new friend, and adopts a criminal teenager within his first 24 hours of unlife.

Kinda love how quickly and understatedly he's incorporated the very latest familial revelation into his narration. He says something like "I'd lost the scar on my arm that I got while skinning a fish on my grandfather's farm" and it's so casual it almost slips by.

(Side note: I need to see his grandfather and his brother find out about each other now. I realize there has been no opportunity and these aren't exactly Harry's secrets to tell anyway, but please.)

Mort going "all cats can see ghosts, they just don't usually care" checked out completely, of course, but it was also perfect setup for Mister's "HELLO YOU'RE BACK MY HUMAN HI." Which. Oof.

Ways you can tell it's really Harry Dresden: 1) Mister hits him in the invisible shins, 2) he opens the conversation with a Star Wars quote, 3) he's talking a teenager into turning his life around.

Love all the Bob content in this one. Harry got to see how the other half lived and everything. (Though his amorality credentials are slightly tarnished by that heroic last stand of his. Which he'd better have survived.)

Everyone here seems like they're an inch from cracking, and I'm concerned for all of them, but they're DOING THEIR BEST. (Butters isn't an inch from cracking. He seems to be doing great, I'm very proud of him.)

Very glad and also a little amused that the Super Secret Safe Witness Protection Home for Maggie is... the Carpenters. I mean it absolutely should be, but it's also funny.

Of course Mouse exists equally in the physical and spirit world. I'd be more surprised if he didn't.

I DID have several moments where I went what about Thomas. why isn't your narration even mentioning Thomas, but the payoff of "I couldn't stand to face even the thought of what I'd done to him" made it make sense.

More general/Thematic thoughts:

Uriel and/or the narrative really said "You're going to take a good, hard look at the unintended consequences of your actions. And you're going to do it disembodied so you can process a little better."

There was something that really struck me at some points in the Lasciel period, and it's back again now: I love that when Harry crosses lines, not only is he capable of seeing it, but the reaction of the people around him is, "yeah you sure did cross a line! you did wrong. so stop doing it and get better, because you can. this isn't a slippery slope unless you decide it is."

He has! Free will! Contrition is always meaningful! Change is always possible! Harry is never allowed to write himself off. He is always told that he's capable of picking himself up and doing better - because he is. He's alive and human and that means he has as much hope as he chooses to hold onto.

That said, I also really appreciated the weight his choices in the last book are given here. It's so easy to just go along with "it was for Maggie, it was his JOB" (and it was his job), but this book made Harry and us stop and linger on both the lines he crossed and the unintended harm he caused.

(Though he is taking too much weight on himself. Martin maneuvered a lot of this into play, not to mention the ACTUAL Red Court. And there is something to be said for the SG-1 approach of "stop worrying about ramifications and just kill the ancient evil first.")

(Oh, now I remember! I was also thinking of Hunger Games re: this. Katniss and Peeta's defiance of evil was personally motivated and sparked a lot of unintended harm to others - but it was also the only spark that could have destroyed the machinery of evil. Not quite the same but made me think of it.)

ANYWAY. Speaking of crossed lines and harm caused: I was NOT prepared for the murder reveal.

It DOES explain so much about this whole book, especially in combination with the (not as shocking :P) reveal that he's only mostly dead. He NEEDED to know this. He needed to know and understand all the choices he made, and their results - and the lie that influenced him - if he was going to be allowed back to his body.

First, he needed to know there was no outside killer to worry about. He also needed to know that HE did this. All of it. Part of accepting culpability and facing his choices meant facing that there was a third murder on his account - because that is how he frames it - what he did to Molly and what he did to himself and everyone who loved him.

He also, most crucially, needed his free will reasserted, both by the manipulation being revealed to him and by Uriel balancing the scales.

Because a Harry Dresden who had given up on himself as the Winter Knight is a nightmare the world's not ready for.

Instead he's ready to give Mab new problems. :) She gets what she paid for.

Closing thought: If, when he finally gets back to the world of the living, he does not make at least one "mostly dead" and/or "really most sincerely dead" joke, I will be very disappointed in him.

[cringefailvox]

where would alastor fit into the staticbelle au, :0 ?

staticbelle au

OKAY IT REALLY DEPENDS BC!! we still don't know exactly why alastor is at the hotel! it could be because he's there on orders from someone else, or he's there to entertain himself, or to manipulate charlie for reasons unknown, or something else entirely—and the reason will really impact whether or not he'd choose to try and get involved with charlie if she was already supported by vox. a lot of his sway over the hotel comes from the fact that it was crumbling into disrepair when he arrived and he fairy godmother'd it into a somewhat functional project, therefore winning him a ton of emotional brownie points with charlie, but he wouldn't have that opportunity at all here because i really don't think there's anything he could offer charlie that vox isn't already providing (or wouldn't be willing to START providing if it meant spiting alastor).

however. presuming instead that alastor is not at the hotel to protect or look after charlie, or help her project succeed (since these would already be satisfied by vox), it'd be fascinating if instead alastor comes back after seven years and immediately antagonizes vox into losing his shit and making charlie go "ooookay! i'm gonna have to put my therapy techniques in action because vox is clearly not over his situationship." and that's how her and alastor meet. i think she knows about the alastor thing but hadn't really seen what the problem was before he came back; everyone in hell has enemies after all, and a little healthy rivalry never hurt anyone, but seeing it in action is totally different. after the third time vox plunges the city into darkness because alastor called him an insecure freak on air she's like umm. we might need to talk about this.

she's super worried about vox because she's never seen him this upset about anything before. vox is relapsing hard into his paranoid-obsessive shit that he'd worked on really hard in the seven years alastor has been away, and now it's all rushing back and threatening to ruin everything he's built—but also, his sorta girlfriend princess independent contractor person (???) is now insisting he try to "make amends" and "practice healthy emotional regulation" and "please stop brooding over your pit of sharks with a bottle of tequila i'm really nervous about you falling in and electrocuting yourself even though i know you're waterproof, come watch a movie with me instead?" and he can't decide whether he resents it or appreciates it (both. it's both).

maybe having charlie around to redirect him and encourage healthier outlets for his anger, unlike how val and vel normally handle his radio demon bullshit, DOES actually get him to calm down a little bit. maybe even enough to reluctantly agree to supervised counseling sessions with alastor, because fucking dammit charlie has gone behind his back to talk to al about repairing their broken friendship and he was so excited, vox, you should've seen him, he practically insisted on having me arrange a meeting, i think he really regrets how things ended between you two and wants to do better, please just give it a chance?? cue the worst couple's counseling session in the universe with vox stiff as a board and shaking with repressed rage in his seat while alastor sips tea demurely across from him and asks oh-so-politely how him and charlie met, and isn't this such a charming little affair, and ooh, redemption? how interesting! charlie is eating this the fuck up, overjoyed at the thought of meeting TWO overlords interested in her plan while vox can't do anything about it but seethe and fantasize about shooting alastor in the face when charlie's back is turned.

this actually sort of turns into vox feeling protective over charlie completely without meaning to, because he knows alastor isn't being genuine, he knows he has ill intentions, and vox has invested too much time and energy and honest commitment into both charlie and her dreams to let fucking alastor destroy it all by taking advantage of her desperate need for validation. only vox gets to capitalize on her daddy issues, dammit. but there's real affection there too, reluctant and uncomfortable as he is with its existence, and it's making it extremely difficult for him to handle alastor's Everything without betraying the fact that he's become emotionally compromised and isn't just looking out for his business interests.

charlie, meanwhile, thinks she's going to get to kill two birds with one stone here: she can help vox get over / assuage a broken relationship that's clearly causing him a lot of distress, and she can rope another influential overlord into endorsing her project, which prods the door open that much further for her to enact real change in hell. but alastor isn't the same kind of monster as vox, and she might be a little in over her head this time—because she just can't stop herself from having faith in people's better natures, even when every indication is pointing the other way. it's a kind of earnest and willful naivete that's like blood in the water to people like alastor and vox. at least she knows—she hopes—vox would hesitate now. she can't really say the same for al. either way, she's going to keep trying, and it's really a race between charlie's ability to infect people with soft mushy friendship emotions by double-bluffing their manipulative plots and alastor's ability to pry people open like clamshells and inflict horrifyingly intimate betrayals on them.

(hint: charlie always wins the long-game. there's only so many times you can sarcastically banter about your feelings over scones with your archrival and your girlfriend supervising before you start actually making breakthroughs and unwillingly understanding each other. charlie has weaponized "ironically committing to the bit too hard" in her favor and it works everyyy time)

[rowenabean]

.

[voldrinofthenorth]

@vexwerewolf So we played In Golden Flame and this was the final combat of the mission! The previous post is a record of a moment at the end of the mission.

We finally arrived at that bastard Steele's death arena. Apparently he's erected a giant golden statue of himself in the middle of the complex. Clearly any attempt at appealing to his sanity and better nature will be fruitless. I can't say I'm surprised, or regretful.

Outside the complex, we found a drop-pod loaded with plastic explosives and a note (written on paper... How did they even find paper out here?). The note just said "Thanks for doing the right thing." It seems our friend the Thief has left a gift for us. We put it to good use. I'm sure Steele wouldn't mind us adding a new door free of charge. He loves free labour, after all.

After blowing up that ugly statue and trashing some cheap Hellhound mechs, we eventually found the prisoners. There were more than we had initially thought. They were all wearing nothing but sylph suits, not even any helmets. We can't exactly carry them across the planet's surface with our mechs, so poked around a bit. Eventually, we found some old antique fossil-fuel vehicles. Apparently back on Cradle these are called "monster trucks". Where did Steele even find these?

Thankfully, we found some pilots amongst the prisoners. An old freight runner with a thick accent and an unlucky Harrison legionary that had been in the wrong place at the wrong time. I resisted the urge to punch him and settled for the look on his face at having to take orders from a Karrakin knight.

We had to escort the "monster truck" buss things out of the complex, and of course ran into trouble. A squad of enemy mechs all plated in polished silver and gold (except for one painted black and green. Probably a Horus Hacker for Hire). That Goblin was a bit of a nuisance, so I introduced it to the concept of being "hit by many rockets". I honestly didn't expect to light it up as badly as I did. Hope they weren't one of Drivetrain's crew.

Apparently the enemy has gotten wise to our tricks. They had systems that exploited the weakness of Lamplight's White Witch frame. We probably would've been in trouble, but Charlie's weird time-warping mech kept... Changing things. When one of us would take a hit, it somehow hurt him instead. He took so many hits in that slip of a frame. It's like he wants to explode at this point.

Once we had swept up the enemy mechs, we opened the landing bay doors and, of course, a whole other squad was waiting for us. Lamplight tried choaking the point, but took multiple heavy hits. Then, they were suddenly replaced by Charlie. Over comms I heard him say "I'M READY TO MEET RA. ARE YOU??"

I watched whirling chainblades and spikes rip him apart. Limbs and weapon mounts torn away, clattering to the floor. I saw red. I think I was yelling orders at some point. I had pulled that kid out of hot water back home and dragged him halfway across the Orion Arm, and now I had watched his mech get ripped up and blown up in almost every engagement. Maybe the stress was finally getting to me. When the ringing finally stopped, most of my rocket cylos were depleted and I was standing over heaps of smoldering scrap metal. Some of them had holes punched through them. Good on Redline for providing support fire. I'll have to find a way to think him later, after I dress him down for that insubordination earlier in the mission. We're on our way home now. I need a fucking nap.

When I sleep, I dream of rain.

REROUTING POWER TO TENGU BOOSTERS. INITIATING EMERGENCY THRUST.

I remember our home, a world of water and storms. I remember the sound of cascading droplets upon domes of glass.

WARNING - REACTOR HEAT LEVELS CRITICAL!

I saved that kid when everything went wrong. Travelled with him halfway across creation to our new home.

FIRING GANDIVA ROCKETS

FIRING SHARENGA ROCKETS

NEAR-THREAT TAEGETING SENSORS LOCKED, FIRING VIGILANTE ROCKETS

INITIATING CONCUSSIVE LIGHTNING LAUNCHER BARRAGE

Why do the people I am charged with protecting always throw themselves into harms way?

JAVELIN TARGET ACQUIRED, DELIVERING PAYLOAD

JAVELIN TARGET ACQUIRED, DELIVERING PAYLOAD

In a way, I suppose I am proud of their bravery.

LEFT SHOULDER AMMUNITION AT ZERO PERCENT, RELOAD REQUIRED

RIGHT SHOULDER AMMUNITION AT ZERO PERCENT, RELOAD REQUIRED

Would that the pride were not accompanied by fear.

PILOT STRESS LEVELS RISING. ADMINISTERING SEDATIVES.

PREVIOUS PROTOCOL CANCELLED BY PILOT.

MANUAL OVERRIDE ACCEPTED. ADMINISTERING STIMULANTS.

Regardless, I remain a Knight, even in these far reaches of the Galaxy. I will protect them.

AP AT FIFTY—

AP AT THIRTY PERCENT.

WARNING - HULL INTEGRITY COMPROMISED.

I feel my throat go hoarse from screaming. I don't normally lose my composure like this. Maybe the stress is finally getting to me.

MANUAL SAFETY LIMITER OVERRIDE ACCEPTED.

REROUTING POWER TO PRIMARY WEAPONS SYSTEMS.

WARNING - REACTOR HEAT LEVELS CRITICAL!

A hail of bullets and missiles upon our enemies. When I am done, they, too, shall dream of rain.

FIRING GANDIVA ROCKETS

TARGET 1 DESTROYED.

TARGET 2 DESTROYED.

TARGET 3 HULL COMPROMISED.

At least I can trust in my comrades to have good aim.

TARGET 3 DESTROYED.

[youremyonlyhope]

why won't my brain shut up why won't my brain shut up why won't my brain shut up why won't my brain shut up

[torgawl]

- the oratrice has to play a role in furina's plan to save fontaine. the original sin committed by egeria is probably what furina, as the hydro archon, is being sentenced to. could there be a way for furina to "separate" herself, sentencing part of herself to death and entrusting the future of fontaine's justice to another? (i'm still stuck in the three thrones so fragmentation of the self is something i think has been hinted at) could this mean the end of the oratrice itself?

- neuvillette looked like he was hovering above the entire city while using his powers. we know he doesn't have his full sovereign powers so if he is the one stopping the flooding, what power is he using? could he be making use of the hydro gnosis?

- the oratrice has been accumulating energy and power as a means to an end, it converts fontaine's people's belief in justice into indemnitium. could this be the power that will save the nation?

- remember nicole's quote after scaramouche deleted himself from the irminsul? "unfortunately, the fate of teyvat cannot easily be changed. perhaps a god may have a slim chance, but for anyone else... who can say. [...] history does not change easily, but human hearts can. believe your own eyes. only that which you see is true. what is unseen is but an illusion." this ties with the themes of fontaine a bit to well for it not feel like some sort of foreshadowing. nicole also appears in the trailer saying" the prophecy... yes, what has been prophesized will be fullfiled." coincidence? i don't think so. arlecchino and furina constantly talk as if everything is teatrichal and the name of this quest masquerade of the guilty also implies a false show. do i know what this means exactly? no. but you can't tell me this isn't big and related to the way atonement will be reached regarding the sin tainting fontaine and it's people.

[homeless202]

Eunyung and stealing

HJ | Parallels | Details

Eunyung had never stolen anything before the first time he was accused of it, after running away the first time. He didn't steal those headphones, yet still got beaten up for it.

His dad didn't even let him explain himself before starting to hit him. Only afterwards did EY get the chance to say he didn't do it so his dad could hear, who ofc didn't care enough to believe him. Instead of trusting him or at least listening to him, he asked EY to apologize for sth he didn’t do and just get the whole thing over with.

^^ Here, EY was caught off guard by his dad's "gentleness" (<- not hitting him) when he leaned down and whispered to him (hence the small blush above). To me, it seems like he had a sliver of hope that his dad would be nice to him for once. But the gentleness vanished quickly as his dad then proceeded shaming and guilt-tripping him into apologizing (hence the blush below).

That tactic didn't work bc EY knows how unfair the thing he's being asked to do is. He knows he's innocent bc he really didn't steal anything. When he refused and insisted he really didn't do it, his dad pulled the "I'm so disappointed in you. You never change"-card.

Now, that tactic worked. In the end he just gave in and apologized as told in order to avoid more conflict and finally get out of that uncomfortable situation -> Something like resignation

(^^ This also ties into why EY was so upset with HJ's words during Thanksgiving's arc -> he hates the idea that he can't change and will stay like this forever. That's also a reason why he apologized despite being innocent -> EY wanted to prove his dad wrong: He can change. He can be something other than a disappointment not worth anyone's time.)

The guy who actually did it got away with it and EY got made fun of for being stupid enough to take the blame. He sought out the guy to take revenge bc he knew there'd be no other type of justice for someone like him.

His dad’s actions that day (wrongly accusing and forcing EY to take the blame) is what pushed him to try stealing -> If he was going to suffer the consequences anyway, he should at least benefit from it somehow by actually stealing sth and profit from whatever he stole. That way the accusation would at least be valid.

That day, EY learned to seek justice by himself because no one else would; and he learned to steal. He started stealing in his first year of middle school, one month after running away from home for the first time. All because of his dad. EY never had a father, he had the opposite of a role model -> he knew what he did not want to be.