honestly I love that we live in a timeline where beautiful queer media is available in so so many places and so easy to find and even mainstream like that's amazing and we overlook it most of the time
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I love nautical and seaside town horror stories. Tell me more about the fog and water that eats people
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I do sort of wish western anime fans would analyze anime and manga from a framework of japanese historical and cultural context. Specifically a lot of works from the 90s being influenced by the general aimlessness and ennui that a lot of people were experiencing due to the burst in the bubble economy and the national trauma caused by the sarin terrorist attack. I think in interacting with media that’s not local to our sociocultural/sociopolitical sphere it’s easy to forget that it’s influenced and shaped by the same kinds of factors that influence media within our own cultural dome and there ends up being this baseline misalignment of perception between the causative elements of a narrative and viewer interpretation of those elements. It’s a form of death of the author that i think, in some measure, hinders our ability to fully understand/come to terms with creator intent and the full scope of a work’s merits
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papyrus meets the bad sanses (for let papyrus say fuck day)
please click for better quality i didn't see how blurry tumblr made the text oh god
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they abandoned it for a reason.
I have this recurring dream where I'm in a bathroom or locker room with a nonsensical layout and dark, green tiles. There's not blood or a figure, just this idea that I need to leave now or I might never leave at all. There are no posters, no personal belongings, nothing but smooth tile and a horrible sense of dread. The corners are dark. Something is on its way.
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Your personal triggers and squicks do not get to determine what kind of art other people make.
People make shit. It's what we do. We make shit to explore, to inspire, to explain, to understand, but also to cope, to process, to educate, to warn, to go, "hey, wouldn't that be fucked up? Wild, right?"
Yes, sure, there are things that should be handled with care if they are used at all. But plenty more things are subjective. Some things are just not going to be to your tastes. So go find something that is to your tastes and stop worrying so much about what other people are doing and trying to dictate universal moral precepts about art based on your personal triggers and squicks.
I find possession stories super fucking triggering if I encounter them without warning, especially if they function as a sexual abuse metaphor. I'm not over here campaigning for every horror artist to stop writing possession stories because they make me feel shaky and dissociated. I just check Does The Dog Die before watching certain genres, and I have my husband or roommate preview anything I think might upset me so they can give me more detail. And if I genuinely don't think I can't handle it, I don't watch it. It's that simple.
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Not to beat a dead horse, but the naming conventions in the Magnus Archives are truly delightful. Jonny really said, “Here’s a cast of fascinating characters! Their names are:
My actual full legal name
The first names of my friends + the last names of famous horror writers
Michael (x4)
They all die horrible deaths :)”
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