#but the important thing is i am having fun

[barrenclan]

"The Vaster World"

Well! This is it! The very last epilogue of "Pinepaw and the Forgotten World"!

This epilogue in particular took me awhile to write, because I had to get it exactly how I wanted. Pinewing and Cormorantleaf's relationship is one of the main focuses of the story, and I really felt I needed to explore it the way it deserved. Especially important to me was showing that despite how much they love each other, there's still a ton of baggage and difficulities they needed to work out. I honestly think it would be unrealistic for two characters with so much trauma to just skip off happily together, but I also wanted to emphasize how they could still reconcile in the end. Not all relationships work out, but Pinewing and Cormorantleaf both felt that the other was extremely important to them, and the relationship was something they both wanted. So they were willing to put in the work of building it back up.

I had a ton of fun drawing older Pinewing and Cormorantleaf. I started doodling Pinewing with full facial hair something like a year ago, and I've been so desperate to finally get it into the comic since. It feels so right for him, like his perfect final form. After a life full of pressure and difficulty Pinewing just wants to be a happy old man who gets to kiss his husband every day, and sometimes profesy the future writ flesh. Goodbye, my little blue cat; I'm gonna miss you.

The title of this epilogue comes from "Mimsy Were The Borogoves" by Lewis Padgett: "They would survive, but they would not know how to swim downstream, to the vaster world of the ocean.”

In the end, the whole project wraps up at 64,501 words, 370 pages, and two and a half years of production time. I started this project expecting it to be a minor thing I occasionally drew on the side, something a few people might find interesting. The enormously positive response has absolutely blown me away and continues to do so, and I am forever so grateful that thousands of people can enjoy and meaningfully relate to this story.

Thank you, as always, to everyone who has commented, shared, reblogged, theorized, made fanart, made fanfiction, told their friends, liked it, or just read it at all. Though I won't go into the specific details, PATFW is an extremely personal and cathartic creation of mine, so the fact that many of you have also told me that it connected with you on an emotional level is genuinely heart-touching. I appreciate all your readership through these years. It means a lot.

-Raz

Previous < > You are at the end

[notherpuppet]

things i've learned about fandom ❇️

i got into fandom pretty recently. i mean i'm pushing 30, so i didn't really "grow up" in fandom and thus, had a lot to learn about being nice online lol. i've definitely been in fandoms b4, but never quite as immersed as i am now. like, last year was the first time i've been to a con! it was really fun. i feel like i've learned a lot this year and i think most folks navigate without malicious intentions, but there are some faux pas that i've observed (that i have done myself unfortunately😖 ) and idk who may be interested in hearing this, but just some of my observations; (anthropologist hat on) dead dove do not eat: in the realm of fiction and freedom from censorship (which is cool as hell imo), there are gonna be some stories that may seem quite taboo or distasteful to one's sensibilities. if you're not a fan, i recommend blocking/muting. usually folks are quite good about tagging ships or dynamics, in consideration of those who may want to find or avoid that content.

the etiquette seems to vary by region of the world (makes sense) if commenting on a post for someone who speaks a different language than you, it may be better to avoid idioms/expressions as they may translate literally and seem harsh to another culture. (e.g. "omg they are sickening" a compliment in america, an insult maybe everywhere else LOL) obviously u can do whatever u want, but being a hater (or anti?) is probably gonna lose you some charm points. so if coming across a certain way is important to you, then this is probably just something to consider. for example, there are things i observe in fandom that i don't really like, but i avoid dogging on it publicly because idk that's kinda mean spirited, right? but also because i have this unexpectedly big following and i'm not trying to start a dogpile or sic people after others. the internet can be scary 😳 when i make complaints, i try to keep it vague so that individuals are not attacked cuz that would suck pls don't be a fandom cop: this is the internet, pls dont be a self-appointed authority figure. it's natural that folks will have their critiques. why not write about it in your own space instead of trying to control others' actions? (especially with an air of entitlement and self imposed moral authority, like cmon) obvs folks are gonna do whatever they want on the internet, i just think this behavior is lame as hell ight that's all i got LOL. this is for any fandom newbies like i was (this is not meant to be rules or anything because that would be icky. but just wanted to share my experience with fandom since i've learned a lot from discussions with others more versed in fandom life)

[secondbeatsongs]

Food Crime: Frosty the Slawman

so a while ago, I saw this photo going around on tumblr:

at first, I thought this was photoshopped. I mean, "welcome new man in your life"? that feels like a translation error, or someone being silly on purpose.

but guess what! turns out, Frosty Slaw Man is real!

and soon...he will be mine. let's get cooking

(full disclosure: I crafted this snowman and took notes about it over a year ago. and then, like with many things in my life, I forgot about him, and let him drift into the ADHD void of Things I'm Not Currently Staring At, where object permanence is tentative and largely unrealized.

but here we are! and here he is: the slaw man. it's time to share him with you, so that you can suffer as I have suffered, and/or rejoice in my gelatin creation!)

so this recipe photo originally came from Mid-Century Menu (archive link), a blog that seems like one after my own heart, and which once tried to make the Slaw Man (with not much success; but we'll get back to that)! but it's not just that blog that has copies of this ad. I also found it on reddit, and in a few different places on ebay!

lookit that guy! he's a real guy!

both the reddit post and some of the ebay listings say that this is from 1963 (though I haven't been able to figure out which magazines it was printed in, to confirm this for myself). but in looking this up, I discovered something else fun! there's another version of this ad!

Best Foods is what Hellmann's stuff is called on the west coast, and the "this is no place for second best" thing makes a lot more sense when you consider that the ad was probably made for Best Foods first, and then just reused and rebranded for the east coast

the more you know!

anyway the benefit of finding this alternate ad is that the scan on this image is a lot clearer, and so the recipe is more readable! and in looking at it, I've realized something important:

when Mid-Century Menu tried this recipe, they got an ingredient amount wrong.

when they made their beloved Slaw Man, they had the water amount written down as 1/4 cup, but looking at this scan up close, it is actually 3/4 cup of water! something that might make a significant difference, considering we're working with gelatin!

(there's also another change I want to make compared to what they did, when I do this recipe. but we'll get into that in a sec.)

for now: we begin

so. there's no way I'm making a Slaw Man this large. I am just one person, and considering the ingredients of this, I don't think I'm going to be able to consume that much Slaw.

two entire heads of cabbage? three pounds of cottage cheese, a thing that I don't even like to eat? no. that's a bad idea.

so I'm starting small here and making this 1/3 the size of the original:

2 packets of unflavored gelatin 1/4 cup cold water 1 cup mayo 1 tsp salt 1lb cottage cheese 4 cups shredded cabbage

surely this will result in a reasonable amount of Man

...okay, I started chopping the cabbage thinking it would be easier, but I've given up and pulled out a grater. this is much better! and somehow more violent (affectionate)

the recipe says to soften the gelatin in cold water, and then stir over hot water until it's dissolved. I'm going to assume "stir over hot water" means a double boiler, so let's do that

hmmm, the gelatin is very foamy? it’s melted, but the bottom of the pot feels really....sticky

okay. after a couple minutes more and no change, I’m calling this good enough.

so one thing that others who have attempted this recipe have not taken into consideration is the cottage cheese. you see, the others used normal cottage cheese, but the recipe says to use "cottage cheese, cream style"

I’ll be real, I’m not 100% what that means, since we don’t have that here. but I can take an educated guess! so let’s blend the cottage cheese!

(with an immersion blender. I am not willing to wash an actual blender because of this)

mmm, yes. very smooth

...actually. why isn't all cottage cheese like this? the thing I hate about cottage cheese is the texture, so why isn't it all smooth and creamy like this?? I could eat this!!

a new discovery is made every day in this house.

okay, time to start mixing things together.

ah, frosty. I opened a whole new thing of mayo for you! do you feel special?

(I'd make a "pre-dinner snack?" joke, but sometimes I think I'm the only one that remembers Regular Ordinary Swedish Meal Time)

okay, the mayo, cottage cheese, and salt have been added to the gelatin. but as this cools, the texture is getting...hmm. less than appealing.

lastly: the cabbage

oh. oh this is not very nice

next it says to pack the "salad" into a one pound container, and two six-cup bowls, but since I made this recipe so much smaller, I'm going to uhhhh. uh. find some bowls that seem like they'd be correct...snowman? proportions?

ah. this bowl is too big.

hey, these'll work!

now I just have to let them chill for a while, and continue another day.

(edit from current!me: ahhh oh my god I forgot this was pretty soon after we adopted Jackie! look at these cat pics that I took while I was food crime-ing!

look at them having their little interactions! Knuckles was trying so hard to be friends with her! I love them)

hello! two days later and we are ready to assemble the slawman. and my sibling has started referring to him as "frosty: attorney at slaw", so that's fun.

I've done a thing where, as these set, I flipped them around in the bowl so that hopefully they'd be more round. we'll see if they actually stay like this.

I have also made some decorations for him out of peppers, olives, and carrots!

let's build our boy

oh he's so heavy. and wobbly

no no no he almost fell over!!

okay. he's fine. but more skewers were needed.

and...okay. he is complete.

behold!

gaze upon my beautiful man!

(he is not structurally sound! he wobbles unsteadily as I rotate him! there are already cracks forming in the gelatin around where his arms are! don't worry about it!)

 now it's time to stab him

and...to devour him

this tastes like...a bland coleslaw? and not even that. it's just sort of a salty, cottage cheese-y cabbage. the ingredients don't combine to become something greater, they simply...sit there. like this.

and the texture is...mmm. it's not a jello kind of texture, but it is a bit squashy in a way that's mildly strange.

it's very creamy once it softens in your mouth.

...I don't like this!

and look! taking just that one chunk from him was enough to destabilize him entirely :(

RIP frosty. now I just have to see if I can eat all of you before you go bad.

(note from current!me: I could not.

 I ate maybe half of him over the course of many days, often adding other stuff to him to try to add some flavor: bacon, frozen peas, cheese, etc. but even with that, I just couldn't stomach him.

after a while I stuck what was left of him in the freezer, hoping that maybe I'd find the will to consume the rest of him some other day.

do you know what a frozen-and-then-thawed mixture of cabbage, cottage cheese, mayo, and gelatin looks and tastes like?

bad. the answer is: bad.

I threw him out pretty quickly after thawing him.

do not try this recipe at home)

[the-neptune-system]

hey, i dont want to get to far into drama or any of that, but i do have something important to say (as a trans person).

why are we giving "canon" so much credit? have we forgotten that, weather or not the "canon marauders" are or arent a thing, they were written by a bigotted pos who hates trans people, and probably hates women and gay people as well?

wanting to see more of a certain version of a character is fine, but i think its silly to argue about a canon that was written by someone who is a horrible person and also bad at writing. this fandom is supposed to be a fun place where we do what we want while ignoring the author (and refusing to give her any money).

whatever version of certain characters you want is fine, and im not saying is bad to like or enjoy the more canon versions of them. hell, i like more "canon" versions of some characters. what i am saying is lets not attack eachother for this, because thats silly, and lets also not forget who WROTE the canon that we're arguing over, because really, we shouldnt be giving her that much credit in the first place.

overall, please dont forget that fandom is supposed to be fun.

ppl be posting shit like "I miss canon Marauders"

Babes, there is no "canon" Marauders. Most of the shit ya'll think is canon, are just old headcanons that used to be widespread before other (usually queerer) headcanons gained popularity.

There is so little information about the "canon" Marauders - and even the info we have cannot be trusted because it's usually memories, influenced by a character's bias - that trying to make a somewhat comprehensive character out of the given material is impossible, let alone 4 characters.

Everything is fanon. Everything is headcanon. And that's the beauty of this fandom.

(Ofc my favourite part is when something actually is canon via the books or movies, and people reject it as fanon.)

[thatdisasterauthor]

Disaster “entertainment” can be a very loaded term, for very valid reasons. It is completely reasonable for people to find it distasteful that someone might be entertained by what are generally very horrific events. This is something I could do a much longer essay on, and probably will at some point, but I wanted to touch on some of the basics as I start this Patreon.

In my mind, I divide fictional disaster media up thusly:

Disaster Entertainment: fun, campy, a little (or a lot) on the nose, very over the top, not meant to be super realistic, but still digs into things like earthquakes and asteroids and volcanic eruptions. Think Sharknado, San Andreas, 2012, etc.

Disaster Fiction: can still be fun and campy and a little on the nose, but tries to ground itself more in realism. Think Twister, Dante’s Peak, Deep Impact, etc.

Disaster Realism: A story that, even if it deviates heavily from true events, is inspired by them and openly ties itself to them. Think The Impossible, Only the Brave, Titanic, etc.

When I am talking about disaster media, I am very careful about how I use these terms, due to the connotations of the word “entertainment” that are associated with fun. I don’t think all stories should have to entertain you in the sense of being fun, I think they should just have to keep you interested. Whether that interest comes from a place of fun, of general human curiosity about the dangerous aspects of life, or something else will vary vastly from person to person. But for the sake of clarity, and for keeping people from feeling like the pain of others is being used purely for entertainment, I do think it’s a distinction that is important when analyzing disaster media the way I do.

This is a free post! If you enjoy this content, please consider subscribing to support more content in the future.

[astoldbysteph]

i feel like people aren't gonna like what i am gonna say but after numerous talks with rp friends, i think it's important to at least yap a little about this.

i know this you don't owe anyone anything girlypop coochie queef purrrrrrr 💅 attitude is seen as the standard to follow not only in rp spaces but pretty much anywhere (especially online) and idk guys, i think this is doing more damage than good. rping is a hobby, yes, but it's a hobby that involves us collaborating with people in order to have fun and sometimes i feel like there's some inherent selfishness and carelessness that along with a severe lack of communication, is slowly eroding the rpc as a whole.

every day i hear a new anecdote about admins failing to take their group off the ground because of flakey members. or people retreating into their shells and not being able to fully enjoy writing with others due to people ghosting them after three hours. i feel like every single person that does the 1x1/indie thing has a story where they plot someone, make a discord server or set up an established thread, and then they never hear from their writing partner ever again. and this ain't cool, guys.

stuff happens! we all got lives and responsibilities like work and school and family life that sometimes prevent us from being as active as we would've like. or some days we just don't feel like writing for whatever reason and that's valid. this ain't a job, but it is a collaborative hobby so i am sorry to tell y'all this, but we do owe at least a lil bit of common courtesy to people who take the time to collab with us.

chats with friends and fellow rpers have me feeling like the rpc as a whole, in my opinion, has a communication problem. group people don't talk to their admins or don't like plotting with other members. 1x1/indie people are used to dropping stuff unannounced and talk even less between each other. roleplayers in general avoid making the first move and prefer letting the other party do the work. like dang y'all, not to be a hag on main but back in my day!!!! there was more of a willingness to talk to others. now everyone is more 'secluded' which i think stems from bad past experiences so we kinda end up stuck in a cycle that messes with everything as a whole.

idk where i am going this but i keep seeing people posting stuff talking about this or sharing similar sentiments or stuff happens to me and i end up making my brain work overtime to try and figure out what happened and what i can do on a personal level to change things and help others stop feeling discouraged and have a better time writing and chilling with people

and also before i forget because my wife reminded me!! it's ok to drop stuff or plots or people and its ok to take ur time to reply. we all got stuff to do or we are tired or sad or obsessively rewatching degrassi or just dont feel like writing and that's so valid. all sane people get it and would be understanding if you hit them up like hey! idt i have muse for this or sorry i took forever! but people don't even do that nowadays and it leads to people quitting, feeling discouraged, OR WORSE, adopting the same mindset. talk to ppl!! rpers are super nice and if you run into a weirdo i will beat them up for u

[storiesabouteli]

Misconnection. // Noel Gallagher X Reader.

prompt: (contains smut in a succinct form, it is not a predominant attraction) in which two people find comfort in each other after dysfunctional relationships and realize together what is best for them individually. it was heavily inspired by lost in translation.

words: 5.6K

Noel noticed you quickly.

His room was across the hallway, and over the past few weeks, he had assumed you were alone in the city. Every time he made noise with his guitar or tried to work through something, you would either crack your door open slightly or casually stand in the corridor. You didn’t seem to be hiding, but you also didn’t make yourself too easy to see.

One night, he considered stepping out to talk to you, but the moment he opened his door, you had already disappeared into the elevator.

You exchanged polite smiles in the lobby. It wasn’t flirting—it was more of a silent acknowledgment that you both saw each other. You knew that he knew you listened to him sing and that you liked it. But maybe you weren’t quite aligned enough to join in just yet.

"Everythin' alrigh' there?" Noel asked, forcing a smile—one that, unbeknownst to him, wasn’t exactly natural.

He had noticed the ring on your finger before, but now, up close, as you hugged a box of macarons, it seemed to hold more weight. It reminded him of when he was younger, in his first marriage, believing that decision was for life. Though he had no regrets and had managed to keep things amicable, he appreciated how, over the years, it had become just another detail in the long stretch of his life. It also made him think that, even now, with a ring still on his own finger, things would be alright soon enough.

"I'm sorry, I didn’t mean to stay here—I really am sorry."

Your rushed apology made him laugh, this time far more genuinely than before. You were wrapped in a large sweater and loose-fitting pants, looking completely at ease. Your face carried a hint of exhaustion, the darkness beneath your eyes more pronounced. Standing there in front of him, studying him with quiet curiosity, you looked undeniably endearing. He couldn’t deny he had thought that from the very first time he saw you.

"Did y’come t’listen t’me?"

Scratching the back of his neck, he realized how odd that sounded. His cheeks were certainly tinged with color, but you only gave him a shy smile and nodded.

There was something about the moment that was hard to put into words, yet it all felt so natural. The way you stepped into the spacious room, took a seat at one end of the couch and made it easy for him to grab one of the macarons and take a bite. You stuffed your hands into your pockets to keep them warm. You were fun to watch.

He didn’t play for you, but the two of you ended up listening to random albums together, discovering a shared taste in music. The conversation stayed light, shifting from the weather to how the city felt during tourist season, to how the newspaper vendor beside the hotel was surprisingly friendly. (Your fiancé would have never given importance to that detail, and you made a mental note of it.)

"Does yer ring go on t’other hand?"

His fingers brushed against yours, sending a pulse of electricity through your body like a reflex. His skin was rough yet delicate as he turned the pearl between his fingertips for a few seconds. You wished his curiosity was about you and not just the correct placement of an engagement ring. Maybe you had wanted to be noticed by him from the start, back when you first saw him play at that crowded pub nearby.

"I’m not married yet. It’s a tradition for some—an engagement ring goes on the right hand, and only on the wedding day does it move to the left."

He listened intently, and you couldn't remember the last time you shared that without feeling ridiculous.

"So… is this a dream o' yours?"

Your eyebrows lifted slightly, and he found it endearing how you handled words, as if everything he said carried a weight of its own.

"Getting married?"

He laughed.

"I mean, yeah, but… everythin’ ‘bout it seems special t’you. The tradition, the way ya smile while talkin’ ‘bout it. Feels like ya planned this, thought ‘bout it for ages."

You swallowed hard. Something so simple, and yet he figured it out just by exchanging a few sentences with you. You ran your fingers around the ring, turning it slowly.

"Yeah, I guess so. I like the idea of being in love, but I wouldn’t even know about the ring placement if it weren’t for this newlywed woman who once came into the café where I worked. She was so happy—it made me want that for myself, even while being happy for her."

He smiled, a small, knowing expression that softened the lines on his face. He didn’t say anything, but he didn’t have to. His presence alone made you feel heard.

"The ring ‘e chose is proper beautiful. Hope you’ll be dead happy."

You slipped your hands back into your pockets, not wanting him to see it anymore. The ring had been your choice, and honestly, if you hadn’t had that conversation with your fiancé about your years together and what the future held, you weren’t sure if it would even be on your finger right now. But there was nothing to complain about—wasn’t this what you wanted?

Noel noticed the flicker in your eyes and cut in.

"Well, Ah’m gettin’ divorced."

He held up his own ring, relieved when your gaze met his again.

"Why?"

Your voice was quiet, but there was a certain ease in the way you asked, making it clear the question wasn’t intrusive.

"Feel like… if it weren’t for ‘er, I’d still be with ‘er, y’know?"

It was a force of habit, and Noel reminded himself that, given your age, you probably hadn’t even lived half of what he had.

"She got tired, li'ul by li'ul. Ah-I was around, but it weren’t enough."

You nodded. His expression was tired, but not necessarily sad.

"Did you try to win her back? You didn’t do anything wrong, did you?"

He chuckled at your tone before continuing.

"I tried. She 'ad someone else in mind. I don’t miss 'er, but I miss the life 'round 'er. We were together for over twenty years."

You looked at him with warmth, and he accepted it.

You couldn’t quite grasp what it meant to be with someone for that long—an amount of time that was, in some ways, close to your own lifetime. You didn’t know what to say, but you understood why he still wore the ring.

"I’m sorry."

He simply gave you the same gentle smile as before.

Your arms brushed, something comfortable, and you let it happen. Neither of you knew where the line between safe and dangerous was, but this moment was cautious, measured.

"Are you always at the hotel? Never go out?"

His laugh was slightly nasal, soothing in its own way.

"Ah-I came t’record some tunes. Use me time ‘ere t’relax, rehearse a bit, an’ make some tweaks before headin’ off somewhere."

Your hands slipped back out of your pockets, and he took that as a sign that you were at ease.

"Did you write about her?"

He nodded.

"Loads. Don’t think ‘bout ‘er the same way no more, but she were, uh, was, a big part o’ me life. There’s loads o’ ‘er in the tunes."

"Do you regret it?"

He studied your eyes, trying to decipher what the question meant to you, but he couldn’t quite tell.

"Nah. It were a good part o’ me life, even if we ain’t together no more."

You licked your lips absentmindedly.

"I wish someone wrote songs 'bout me. It seems very romantic."

He exhaled sharply through his nose, realizing he hadn’t felt this kind of nervousness—the kind that made you hold your breath before speaking—in a long time.

"What’s the most romantic thing he’s done for you?"

Your gaze dropped to the floor. A brief silence, but noticeable. Your hands returned to your pockets.

"We planned this trip about nine months ago. He was supposed to come with me, but there was a work emergency—it happens a lot."

Your voice was calm, free of bitterness, but there was something tired in it—something that sounded like an ending.

…

The silence lingered, broken only by the sound of breathing and the room’s ventilation. You felt good, even with the weight in your chest. It was the lightest you had felt since the proposal.

After a while, Noel rested his cheek on your shoulder, his eyes closed, his mouth slightly open. He looked peaceful, but you didn’t know that he hadn’t been sleeping well lately. That was a reaction to you. That feeling of warmth and being seen—it was mutual.

Your fingers traced the bridge of his nose, then moved to his hair, almost more gray than dark now. You found him beautiful, but there was a distance to that feeling, something that kept it from fully taking shape.

His scent had already settled into your clothes, and you knew that if you stayed, you’d finally get the kind of sleep you hadn’t had in a long time. But recognizing this moment as a dangerous threshold, you chose to leave.

…

Daylight had already started to seep in, and Noel felt the emptiness in his chest, knowing you were no longer there. Maybe you’d come back the next time he played.

He thought about going downstairs for breakfast, but instead, let the weight of exhaustion dissolve him bit by bit. If not for the soft knocking at his door, he might have spent the entire day in the same position.

Annoyance flared at being pulled from bed, but it faded the second he saw you standing there. His fingers curled into a tense fist—he recognized that feeling. He had liked you enough for your pain to drain any energy from him.

Your mouth opened, but nothing came out. Your eyes didn’t meet his. They were distant, lost somewhere in the room, drowned in tears. You were still wearing the same clothes, except now just a tank top. It was clear you had been crying and restless for hours, and he hated that you hadn’t come to him sooner—as if he could’ve made it all go away.

"Come 'ere, love," he murmured, opening his arms. You folded into him instantly.

That familiar scent wrapped around you again, his fingers pressing into your back as he pulled you inside. He thought he knew what it was about, even if not entirely.

You left a small damp spot on his shirt, but he kept holding you close. It wasn’t a desperate kind of crying, which somehow made it worse.

The bed was low, and when he set you down and knelt in front of you, it left you at just the right height to hide your face against him. His hands moved along your back, his chin resting on top of your head, while your fingers clutched the fabric of his shirt. The small gestures grounded you, bringing you back to reality.

“I called him,” you sniffled, pulling back just enough to see him.

His hand rested lightly at your waist, keeping you close in a way that didn’t feel improper, especially with your fingers still playing with the buttons of his shirt. He waited patiently for you to continue, and that was something you liked about him—he didn’t ask out of curiosity, he just wanted you to speak if you wanted to.

“He’s not coming back here. He’s too busy. Said he can see me when I get home,” you paused, swallowing a bit.

Noel watched you carefully, not with pity but with an understanding you weren’t used to anymore. His eyes calmed you. He was wearing a long-sleeved button-up, the collar open enough that a hint of chest hair peeked out. He wiped your face with the edge of the fabric, showing you, without words, that he was here.

“I didn’t enjoy any of this trip 'cause I kept waitin' for him to be here, y’see? I thought things would be different. I don’t want it to always be like this. I don’t want this for myself.”

Your shoulders loosened, and to him, your face looked lighter, like speaking was helping you make sense of it all.

"Y’ve talked t’ ‘im ‘bout this loads, ain’t ya?" He asked, remembering you saying it was a recurring problem.

You nodded. “Yeah. My whole last year has been about this.”

Your eyes dropped, hesitant to admit you had let yourself get into this situation. He brushed your hair away, tilting your chin up to meet his gaze.

"Ah’m not gonna judge ya. But ‘e don’t seem like someone t’take serious, if I can say that. Why’d he wanna marry someone ‘e don’t even listen to?"

Hearing it out loud, from someone else, made it sound so simple.

“Do you think he’s marrying me out of convenience?” you asked, your voice quiet as your hand slipped from his shirt.

You were exhausted. As you looked at him, Noel gave a small, sweet smile. You settled into the bed beside him, the scent of his sheets huggable. When you moved to get up, he simply touched your arm and told you it was okay. You already knew the answer to your question.

"D’ya think ‘e loves ya?" his voice was low, steady. “D'ya love him?”

All you could hear was his breathing.

“When did you realize you didn’t love your ex-wife anymore?” you asked.

He lay down too, just an arm’s length away. When he turned onto his side, he was all that filled your vision.

“Dunno,” he admitted. “I think it faded lil' by little as I realized she didn’t feel the same no more—and didn’t care to show interest. But every situation is different.”

Noel found himself hoping you’d see that maybe this wasn’t the man for you. But he also had to remember he was not, and would never be, someone in your life.

He touched your face, more for himself than for you, and you closed your eyes, letting it happen. His fingers traced along your cheek, then moved to massage your shoulders.

“I don’t know if I love him,” you murmured. “I don’t know if I believe his words, either. He always says he’ll try harder, but it always ends up the same way I’ve come to hate. His indifference makes me want to be alone, and I don’t think he would’ve proposed if I hadn’t confronted him about it. Maybe marrying me never even crossed his mind. I don’t want to be someone’s uncertainty.”

The words came easily, revealing that you had thought about this more than you wanted to admit.

Noel squeezed you, a bit content that you could see things for what they were. You were still young, and you had time. You still had your chances.

“Don’t let your kids grow up to be bad people to others,” you whispered, pressing your cheek to his shoulder.

He didn’t mind. He liked having you close.

“I won’t,” he murmured, and for a moment, you were struck by the weight of the fact that he was more than old enough to have kids. That was something you didn’t want to think about.

…

Your back didn’t feel as heavy as before. Your face was pressed into the sheets, arms wrapped around one of his pillows. His scent—woody, warm—filled the entire room. It was nice.

Your body still carried the lazy memory of being close to his, of drifting off in the middle of the night with his lips pressing against your forehead and his arm firm around your waist, like he was afraid he’d leave you behind if he let go.

"Ow’re ya, li’ul one?"

His voice was smooth. He had changed clothes—still wearing buttons, still a pleasant sight. His hair was damp, and he was jotting something down in a small notebook.

“Good,” you murmured sleepily.

He laughed, glancing at you, and whatever he was writing became secondary now that your voice had settled into the room. It was intimate—bearable, even.

“Wot d'you do?” Noel asked, cautious. He was sure knowing too much about you wouldn’t do him any good, but it was impossible to resist. “You mentioned the café, but said you’re no longer there...”

“I work at a bookstore,” you said, staring at the ceiling.

You could hear the sound of his fingers skimming across the pages, and even without looking, you could picture the shape of his hands perfectly—the wedding band, the red-stoned ring.

When you rubbed a hand over your face and looked back at him, he was watching you, his gaze soft. He had noticed—your engagement ring was no longer there. It hadn’t been since the moment you decided to come to him.

“I’m a pianist,” you said, voice steady. “I’m trying to get a spot at a theater in London. I’m really excited about it. Anxious, but waiting on the results.”

He smiled, genuinely. “I’d love to 'ear you play. I bet you’re dead good. I’ll save a seat next time I'm in London.”

He took a moment before saying it, wanting to be honest without making you uncomfortable.

You smiled back, a mirror of his own expression.

Noel briefly considered suggesting you work on something together but held back. He also couldn’t remember the last time he had felt truly drawn to a woman.

You kept watching him—the roundness of his cheeks, the way his fingers moved as he worked.

He was a stranger. He shouldn’t have this much of an effect on you.

…

You had put on one of your new dresses—fitted at the waist, flowing just enough. You liked how it looked on you, how it made you feel confident. It was one of the pieces you had carefully chosen for this trip, for the dates you were supposed to have with your fiancé, who, theoretically, should have been with you.

Sitting on the edge of the bed, you stared at the hotel phone. Your fingers were cold. You had been ready for a while now, wanting to visit a café you’d spotted nearby. You were determined to go home and at least be able to say you had experienced something of this place.

But suddenly, your fear wasn’t about missing out on seeing the neighborhood anymore—it was about missing him, about not getting to be with him in the short time left before you had to leave.

"Ah can ‘ear ya breathin’, but we can stay quiet if y’ prefer."

His voice came through the receiver, confident, amused.

You twisted the cord between your fingers, unsurprised that he recognized you without you having said a single word. Somehow, you knew you would have recognized him, too.

His breathing filled the silence between you, steady and calm, making your thoughts settle. He understood this—the simple need to be close.

“I’m going to visit a café nearby. Want to come?”

You probably sounded like a stalker, but Noel had to admit to himself that he had considered asking someone at the hotel for your number. The thought of you having to craft a story convincing enough for them to connect you to his room amused him.

"Alright, Ah’ll grab a jacket an’ meet ya downstairs, li’ul one."

You straightened up as soon as you saw him, a smile tugging at your lips. He looked relaxed, his usual furrowed brow still faintly marked, eyes focused ahead—until they found you. Your heart warmed a little when his expression softened, when his lips curled into a small smile that smoothed out the lines on his face.

You wished you could take him home with you. Maybe no one would even notice.

His gaze traveled over you—not in a way that made you self-conscious, but in a way that felt good.

"Is this wot takin' off a ring does?" he murmured, and you felt your cheeks burn.

He took your hand in his, and you noticed his wedding band was gone too. Then, with an easy motion, he made you twirl in front of him. When you stopped, his eyes hadn’t drifted far—they remained on your smile.

And so, the first steps were taken with the careful distance of two people still pretending they weren’t walking towards something. He kept his hands behind his back, and you found yourself a little too nervous to speak or gesture much. But it didn’t take long before your arms brushed, and his hand found a comfortable place on your back, guiding you along with him.

"Isn’t pumpkin supposed to be a vegetable?" he frowned at the orange hue of your drink, his voice laced with quiet skepticism.

He had ordered nothing but black coffee, refusing even a small cake.

"It is," you shrugged, taking a sip. "But it works in drinks. And desserts."

You nudged the cup toward him, inviting him to try.

He was dressed in black as usual, his hair a little longer, giving it a soft volume at the top. He was attractive—undeniably so. And knowing he had spent over twenty years with someone by his side made you believe he must be a good person to have around.

Sitting across from him, avoiding him was impossible.

He took a hesitant sip, pretending to deliberate.

"You liked it," you teased. "Not as much of a grumpy old man as you wish you were."

He let out a low, unguarded laugh, and you liked being the reason for it.

"It tastes like dessert. Too sweet," he admitted.

You nodded in understanding, and he pushed his own cup toward you—black coffee.

You had never been fond of it, but you hesitated, curiosity getting the better of you.

The bitterness hit instantly. You had taken too big a sip, and your eyes watered in protest.

Noel regretted it immediately, which only made you laugh as he rushed to pour you a glass of water and snatched his cup away from you.

"No wonder you only wear black and walk around looking permanently annoyed," you teased, watching as amusement flickered in his eyes.

He liked everything about you—how effortlessly you spoke to him, how you weren’t trying to make him think you were someone good.

"Ya look proper stunnin'," he murmured, brushing a napkin against your chin to wipe away brownie crumbs.

It felt right to say it, though he should have said it earlier.

Your eyes flickered away, unable to meet his directly. Instead, you cut the brownie in half, offering him a piece.

"Eat. We’re trying more of these."

He nodded, knowing he had endured worse things in life than indulging in a few sweets for a girl. 

…

You were wrapped in one of his button-up shirts, loose and comfortable around you. There had been no need for words—just a quiet, mutual agreement that you would stay. Your hair was tied back, still damp from a shower, and he found you just as endearing as ever.

There was no hesitation when he sat beside you, close enough that the small couch felt even smaller. His hand ran over your arms, then down your back, and soon your head rested against his chest, as if it had always belonged there. He pressed a kiss to your hairline, his body unwinding as your arms curled around him.

A few days ago, Noel had been uneasy about what was ahead—unsure, directionless. But now, all he could think about was tomorrow, and the fact that he would get to talk to you again. You made him see past all of it. Two divorces weren’t the end of the world, though they had left him exhausted just thinking about them.

Your fingers trailed up his chest, finding the collar of his shirt and twisting the fabric idly. Your scent was starting to settle into him, a quiet imprint. Your palm found warmth against his skin, fingers playing absently with the fine hairs there.

He brushed your hair back, taking in the peaceful way your eyes remained closed. And for the first time in a while, he felt the same.

"Y'alright?" he murmured.

Your gaze lifted to his, wide and searching, and you nodded. He kissed your cheek, and when you sighed in quiet satisfaction, he did it again—dragging his nose along your skin, leaving lingering kisses along the path.

The faint stubble on his jaw scraped against you in a way that was more pleasant than not. And when he finally pulled back, you were still smiling at him, calm and close.

Too close.

He realized it at the same time you did, and he started to move away. But your fingers found the back of his neck, keeping him with you. The furrow in his brow deepened, and you pressed soft kisses there until it smoothed out again.

"You’re probably never going to see me again."

You had thought about saying more but left it at that. There was nothing else that needed to be said. You both understood this wasn’t something that could work. He had a life, a country, children, a career that had nothing to do with the world you lived in. He might even go back to his ex-wife. And you—maybe you weren’t ready to give up on marriage as an idea.

It was complicated. You both knew that.

His fingers curled into the fabric of your shirt, and before you could say anything else, he pulled you in for a kiss.

His nose brushed your cheek, his lips soft, the warmth of him seeping into your lungs. His hand cradled the back of your neck, fingers threading through your hair, holding you there—not in urgency, but in something slower, something indulgent.

Something that felt like exactly what you both needed.

 His fist closed in your hair, pulling firmly to give him more space to go deeper. Your chest felt heavier, your breathing more desperate, your hands gripped his arms, between fabric and flesh, hoping that this would be enough of a sign for him not to stop. The kisses went down to your neck, spreading to your collarbone. He was so gentle, his fingers traced over your skin as if pressing too hard might shatter you, as if the wrong touch could make you slip right through his hands. 

 You held on tighter to him, and his nimble hands on your waist guided you closer. His thigh between your legs, your body pressed against his, he trailed his lips down your shoulder, your arms, every visible point of skin. Your thighs flexed against his in response, and soon your face grew hot, even though you could feel his jeans against your skin and your body was melting into him with no much shame.

 Noticing you pausing, he pulled back slightly, his tongue wetting his lips as he let his back rest against the couch. His thumb traced slow circles on your waist, his gaze darker as it settled on you–this was good.

 He squeezed your waist a little tighter, and you saw encouragement in it.

 He tensed the muscle in his thigh, adding more to it. Your fingers tightened around him, tighter than before, and you wrapped your legs around him, letting out a pleasant sigh. He bit his lip, his gray hair falling a bit over his forehead, sweaty. In a slightly more abrupt movement, you could feel your raw skin brushing against his jeans, making your sigh louder and your head fall onto his shoulder.

 "Ah've got ya, princess." He comforted you, his rough, thick hands running up your thighs, rising ever so slightly, until he held the hem of your shirt and pulled it up over your hips. His lips were at your ear, he whispered how good of a girl you were. He moved the fabric out of the way, digging it into his fingers along with the strength with which he held your waist and made the movement for you.

 Your knees ached from the friction, but you were so wet that the contact with his jeans still allowed a muffled, wet sound through the silent room. You could hear his gasps, with each time your body moved forward and slowly back, as he controlled it. Sometimes the rhythm allowed you to feel how hard he was getting, and you had to admit it looked painful. He went back to kissing your shoulder, while you bit his, leaving his shirt damp, every now and then he pressed his fingers tightly into you and you wished you had his marks on your skin later. 

 Your body was starting to tremble, the spasms in your hips were no longer as controlled, your face and chest completely immersed in his body as he held you steady. Everything was slow, calculated by him, so that every second would take longer and he would have more time with you. He stood up, your arms and legs joining him like a puzzle piece, and delicately he placed your back on the bed. 

 You held him close, his weight on you was moderate—comforting. He looked at you with desire, but also as if he appreciated you being there, as if you weren’t going anywhere and had more to give. You thought of him as more than just this moment, so it felt mutual. His gaze made you feel attractive, even like this—messy hair, wearing clothes that weren’t even yours.

"I wish you were my age."

The melancholy in your voice made him shake his head immediately.

"Ya would’ve 'ated me at your age. Ah was annoyin', drank too much, 'nd took my worries out on other people."

You shifted him, considering how this—whatever it was—was all you had. There were no "what ifs." He kept his leg between yours, the closeness a quiet reminder that he was here.

He moved briefly, and you traced a line from his chest to the mark you had left on his jeans with your eyes. His thick thighs made you imagine other things too. He opened his shirt wider, you bit your lip and he chuckled lightly. You could feel the elastic of your panties a bit out of its place and that was a good reminder of minutes ago.

He lifted your shirt again, kissing your knees and thighs, taking his caresses to your belly. Your eyes closed with the texture of his mature skin brushing where you were sensitive and then his nose lightly tapping the spot. He kissed you cautiously over the fabric and his eyes went up to you, his expression relaxed, as if he thought about being between your legs often and he whispered, "Is it alrigh’ if Ah-I carry on??" and all you felt was your heart bursting and your wetness like never before.

…

He didn’t hesitate to take you to the airport. Things were heavy, though there was an air of hope between you—not because there was any chance of being together, but because you saw things differently now.

You couldn’t bring yourself to touch him. You were too close, close enough to hold his gaze, but if you reached for him, it would break you.

"Y'know, I’ll come see ya when ya play at the London Theatre."

He touched your arms, pulling you into him. Your vision blurred slightly.

"I don’t even know when that’ll be, and you’ve never seen me play, so you can’t say that." You joked, unsure how to take it.

"Ya saw summat was off, like with your relationship, an’ handled it right. Yer workin’ outside yer field ‘cos ya believe in it. Yer determined—don’t seem the type t’ hesitate. If not now, then one day, you’ll get there. Ah believe in ya."

You inhaled sharply, the tears never making it down your cheeks because he wiped them away first. His eyes were watery too. It made you realize how little you had accepted in past relationships.

Your fiancé once mentioned how important a stable job was—you had seen it as a valid concern, but he had always seemed to hate having an old piano taking up space in the living room.

"You won’t remember me," you murmured.

He shook his head, making that small sound with his mouth that told you to be quiet.

"Ah-I will. I feel relieved that I got to talk to ya these past few days."

He wiped your face, watching as you tried to steady yourself, though your hands were trembling.

"'nd I need to see ya play."

You laughed.

He told you he’d be in Tokyo for a while, dealing with record label matters. You told him you’d be going back to North America. He lived in England—far from you. Your mind tried to map out the distance as something manageable, but the truth was neither of you would fit into each other’s lives. He wasn’t going to get married again, and you couldn’t handle the fact that he already had a family.

It was hard, but there wasn’t much to discuss. There was no space for bitterness.

"Ah brought ya summat." his voice echoed in your mind as he kissed you right there, in front of everyone. It was slow, your fingers tangled in his hair, grazing through the gray strands. You needed a moment before facing his flushed lips and reddened nose. Your lungs felt empty.

You couldn’t look at him when you said goodbye.

All you had was the plastic bag he had given you, filled with the same macarons from when you first spoke to him, with revived dreams, and a cassette tape with your name on it—signed by him, with the words "For the good memories."

It was cliché, but it was him, you felt loved.

[wardensantoineandevka]

oh, genuinely sorry, i sincerely forgot that I changed my reply settings because they used to be fully open for a long time.

but, at any rate, I am not Liam's friend, so his and other players' enjoyment of the story doesn't actually matter to me, a member of the audience who is critiquing the story on its own merits. I tend to find "but they enjoyed it, so it's fine" as a response to narrative critique to be parasocial and meaningless in discussions as to the efficacy and coherence and impact and execution of a narrative. prioritizing the players enjoyment diminishes the concept of talking about any of this work as a narrative art form, and for me, I care about engaging with these works as crafted narrative works. (and, yes, unscripted work with randomized element is also crafted.) i have no patience for warding off criticism or narrative analysis with "but they're having fun" because has no bearing on the level at which my or anyone else talking about story-mechanics are engaging with the work. there's plenty of films that people had fun making that are trainwrecks, and the table had fun creating a work that is as excellent as ExU Calamity

as I said in my original reply, we have to agree to disagree, because we find different meaning in the narrative, and I maintain that I find the search to "but here's how a happy ending can still win" in response to tragic or sad endings to be trite and dull. and it's perfectly fine if you do not find it so, but we have different sensibilities about it. but the argumentation of "but Liam seemed happy" while certainly nice, doesn't do a lot for a narrative critique because I don't know Liam personally and I'm taking the text at the narrative execution level and I don't presume to familiarity by acting as if I should prize his personal satisfaction as the most important thing when considering a narrative critique or assessment of the art he creates. he is an artist, not my friend.

and, well, anyway, the post wasn't even about Vax anyway, but about Ashton, about the endless god debates about smashing thrones and breaking shackles getting canceled out, about all this worrying about the who the vessel would be only for it to not cause any detrimental effects at all, and on and on and on, the post was written shortly before the break, so it wasn't even actually about Vax

"and nothing of value was lost" that's the entire campaign, huh, spending an incredibly long amount of time on a convoluted and confusing process to achieve a net zero

[stuckinmymind22]

playlists | stay/is it over now? + better man

Chapter 1

pair: portgas d. ace x afab reader (she/her)

modern au | multimedia | musician ace | more info on story

tags: fluff fluff and more fluff, cursing, group chat alert, luffy cameo, goofy ace, also they’re both fucking stupid lowkey (she said like she didn’t write them that way) lowkey imply ace and reader are sluts (good for you!!)

mdni: please - look i can't tell you how to live your life but this isn't for you pls avoid thx

wc: 7.7k (i said it would be shorter and it's the same fucking length 😭)

excerpt:

“You wanna go back to my place?” Ace asks. After the words leave his mouth he seems to have realized the potential implications of them. His face reddens and he trips over his words, “N-Not like that - I -” You cut him off with a laugh, unknowingly bestowing mercy on the poor man, who knows he would’ve dug himself deeper trying to escape. This is by far the most embarrassed you have ever seen him, and it is kind of endearing. It’s clear that he has started to let you past his confident persona, and you appreciate the vulnerability.  Your interruption gives him time to recover, at least a little bit. “I meant to like play video games,” he clarifies, scratching the back of his neck. To his relief, you readily agree to his offer, rather eagerly too. He probably shouldn’t read into that, right?

a/n: AHHHHHHH sorry it took so long i want to say it wont happen again but i am not predictable. also it turns out i really like the word mischief (thank you thesaurus)

we're working really hard on not second guessing every single thing i write, but i am in the trenches lol somethings might be cringe but that's part of the process idfk

important: theres a lot of text messages (well i feels like a lot) and i did my best to add in alt text so i hope that works if anyone needs it. lowkey starts off a bit choppy bc there's a lot of texts but it'll get longer i promise (this'll also happen again though)

song(s): there's a lot of songs in this chapter, so i made a list but they'll still be linked when used.

just a note that the songs don't necessarily reflect what happens in the chapter

stay - post malone is it over now? - taylor swift better man - 5 seconds of summer

here's the playlist for everything

He remembered, that’s the first thing you think when you hear the line. It’s a question about last night’s show. Because you told him how you were dreading it. Not only did he remember, he cared enough to ask. 

Holy shit.

A confusing feeling blossoms in your chest when you figure it out. You don’t want to not read into it too much, but there’s a portion of your mind that is running wild. You're unsure of the exact intention behind it but it’s got you hook line and sinker – not that you are going to admit that to anyone, not even yourself. 

Truth be told it is something you never would’ve thought of doing, talking with lyrics like this. Ace found a love language that you didn't know existed, much less one that you’re already fluent in. The platonic kind, you hastily tact on to the thought.

Knowing he’s already near his phone (judging by his quick response time) you’re calling him before you even notice you’re doing it. To your surprise, Ace picks up before the second ring, leaving you no time to second guess your actions. “You know you could’ve just asked me to call you, or call me yourself,” you tease, forgoing a greeting. Once he answered, talking to him came naturally, despite your initial nerves.

“Well hello to you too,” Ace laughs. His voice sounds even better than you remember, somehow. “And I know, but this is more fun,” the mischievous twinge in his voice has you wishing you could see his face in more than your mind’s eye. “So are you gonna tell me or do I have to guess,” he teases.

“I don't know, maybe you should ask,” you push back. Ace sighs exaggeratedly but relents. “I’m so glad you asked,” you giggle. You go on to tell him about the night before, which, luckily, went better than you expected.

Unaware, or uncaring, of the passage of time the two of you talk for nearly an hour before the call comes to an end. Your heart’s racing, you need to tell someone about this.

note: i completely forgot about kaya until i was adding the alt text to this and i dont wanna redo it, so please forgive me

Despite Ace making an effort to show up early, when he arrives at the cafe you agreed to meet at he finds you waiting there for him. You spot him quickly and wave him over wearing a big smile. He tries to ignore the way his heart picks up pace. 

“Fancy seeing you here,” you say playfully, bumping his shoulder as he stands next to you entering the line.

“It’s a small world,” Ace shrugs, sticking his hands in his pockets, “Whatcha gonna get?” 

“Why? You wanna copy me, Cowboy?” you tease, eyes flickering to his hat. 

“Cowboy?” he questions, amused. “It suits you,” you shrug. Ace can’t help but recognize how this mirrors one of your first interactions when he called you doll for the first time. 

The banter between the two of you flows freely, until you sit down at a table in the back corner of the cafe and your demeanor starts to shift.  Ace watches you as you stare at the table and play with your hands. He can’t help but wonder what’s on your mind, he’s pretty sure he hasn’t seen you nervous like this before. Whatever inner turmoil you were experiencing seems to disappear and you look back at him with a disarming smile.

“I don’t think I asked this, but how long have you been performing? I mean seeing you play - it’s clear you’re a seasoned vet when it comes to crowd work cause that kind of skill doesn’t appear overnight,” your singing of his praises has Ace becoming flustered. He’s never been good with compliments.

It isn’t hard to see that he isn’t as confident in his abilities as he pretends to be. Logically, he knows that what you’re saying is true, but something in his brain refuses to believe it. Either way his cheeks flare up and he avoids your eyes until the red in his face has died down. 

“I started playing shows a few years ago, in my late teens. Playing really wherever I could and I did that for a couple of years,” it’s at this point he looks at you again, “I had to quit for a few months but other than that it’s been nonstop since I started.”

“Was that when you joined the navy?” you ask. Ace is a little taken aback by your question, he didn’t expect you to remember something he told you in passing the first time you met. This time, Ace is able to hide the blush he felt creeping up his neck. He can’t help but feel ridiculous, he isn’t like this with other people. Besides, you’re friends, just friends.

“Yeah, I got pretty big over there,” he admits. “I even had a few labels approach me, but I wasn’t interested in working with them. One of them’s super persistent though. Like annoyingly persistent. I said I wasn’t interested and they didn’t let go. They’re a big one too, so not even me moving across the country stopped them from knocking at my door.” 

“They’re still bothering you?” you raise an eyebrow. Shit, he was not supposed to tell you that. “If they’re that interested in you, you probably could get a good deal.”

“I’m working on it,” the words slip out of his mouth before he can think about them. Shit. He really wasn’t supposed to say that. Why did he tell you that? You barely know each other. 

But then again, he’s always been a pretty good judge of character and for some reason he trusts you. Now that the cat’s out of the bag there’s no point in trying to hide it, plus he’s been dying to talk to someone about it.

Ace leans in, scanning your surroundings before whispering, “I’m not supposed to be telling you this, so you gotta swear yourself to secrecy.” Wearing an endearing, goofy grin he extends his finger. A pinky promise.

Donning a faux seriousness you nod in agreement.  You’re barely able to contain your amusement as you swear yourself to secrecy. Something in Ace’s stomach flutters at you playing along with the bit, but he simply chalks it up to sharing information he’s not supposed to.

After the promise is made Ace tells you that “for some reason” this big label is dead set on signing him. You know the reason they would do that, you think it’s blatantly obvious too. You aren’t sure if he’s being coy saying that or if he doesn’t see how talented he actually is (it’s both). Because of their interest he has been given the upper hand in negotiations, which for an unsigned, relatively unknown artist, is practically unheard of.

He knows he probably shouldn’t go into the details but you look so cute intently listening to him like this. Plus you did pinky promise. “It is still in talks, so nothing is set in stone yet, but I’m not supposed to be discussing it,” he clarifies, you nod in understanding and he continues, “To be honest, I’m not even sure I’ll take the deal, even if they give me everything I want. I really like to be independent and not having to answer to anyone.

“However,” Ace’s tone turns mischievous and his eyes light up, “it is fun to see how far they’ll go.”

“So you’re trolling them,” you question, clearly amused by his antics. “Basically,” he confirms with sparkling eyes and a shit-eating grin. “But who knows? I might take them up on the offer” he feigns sincerity, pausing for a moment. You raise an eyebrow, knowing more is coming. “...Eventually, probably not though.” There it is, the roguish smile slips back onto his face. You shake your head but fail to hold back your laugh.

“‘s kinda annoying that they don’t leave me alone. And I’m doing fine without ‘em. I’m nearly halfway through my first album, just gotta get back in the studio – it’s been a while,” Ace chuckles.

“I don’t think I’ve been in a studio in years,” you confess. 

“You make music?” he questions, a little surprised you didn’t bring that up earlier, although you haven’t known each other too long he supposes.

“You make music?” Ace asks. He’s a little surprised you’ve never brought it up.

“I mean kinda?” you say more as a question. “I really enjoy production, I actually went to school for it.” 

“For real?”

“Mmhmm,” you confirm, “that’s where I met Luffy and Usopp actually. We took a class together and Usopp’s the one who got me my job.”

“You should come into the studio with me sometime. Maybe you can show me the ropes or something,” Ace says so casually with a charming smile that it nearly takes your breath away.

“I don’t know, I’m definitely out of practice,” you confide.

“So?” he questioned, “I’m sure it’ll be easy to pick back up.”

“We’ll see,” you smile, leaving it open ended.

Your conversation wanders and by the time it dies down your drinks are long gone and so is your reason to stay, but neither of you truly want to leave each other’s company. A rare semi-awkward silence envelopes the table as the two of you independently rack your brain for some way to prolong your time together, neither of you aware that the other is doing the same.

“You wanna go back to my place?” Ace asks. After the words leave his mouth he seems to have realized the potential implications of them. His face reddens and he trips over his words, “N-Not like that - I -”

You cut him off with a laugh, unknowingly bestowing mercy on the poor man, who knows he would’ve dug himself deeper trying to escape. This is by far the most embarrassed you have ever seen him, and it is kind of endearing. It’s clear that he has started to let you past his confident persona, and you appreciate the vulnerability. 

Your interruption gives him time to recover, at least a little bit. “I meant to like play video games,” he clarifies, scratching the back of his neck. To his relief, you readily agree to his offer, rather eagerly too. He probably shouldn’t read into that, right?

~~~~~~

It isn’t until you are both standing in front of his door that the nerves really hit Ace. He doesn’t usually bring girls home, especially not just to hang out. Now that he’s thinking about it he has never brought a girl here since he moved in a few months ago. You’re kind of uncharted waters to him, he admits to himself. But there’s no going back now, besides, he wanted this– he wants this.

You can see the tension build in his shoulders as thoughts race through his mind. Ace opens the door, moving to the side to let you in first. You’re curious what’s got him stressed but you decide not to question it, instead you direct your attention to the interior.

The apartment is pretty standard for a single man in his twenties. It has all the necessities, a couch, a lamp, a TV (with its own dedicated stand, so that’s impressive), and a small coffee table. If anything it was above average out of the many similar places you’ve been to. The only things out of place were the guitar precariously perched against the couch and a litany of notebooks. Evidence of his songwriting. He moves the notebooks and guitars out of the way with great care.

“Um, what game do you want to play?” Ace questions, consciously trying not to be awkward. 

You rack your brain for a game, it doesn't take you long to settle on one. It's a popular one that you're quite good at - there's the added bonus that it's competitive and you and Ace have a score to settle (not that this compares to drinking but it is a competition so it still counts in your mind). 

“You’re in luck,” he says, a mischievous twinkle in his eyes. Little do you know that you picked the one he wants to play; it’s one of his favorites too. As he is pulling up the game he tosses you a controller. “I should warn you that I am pretty good at this one,” he teases, “But don’t worry, I’ll let you warm up. Give you a fighting chance and all.”

You scrunch your nose in mock offence. “I’m not worried,” you assert, holding your head high, “I don’t even need a warm up, I’m ready to kick your ass right now.”

“I like the confidence,” Ace responds, “but I haven’t played for a while so please.” He isn’t exactly lying, he hasn’t played the game in a while, but he isn’t exactly telling the truth either – he does genuinely want you to have a fighting chance and he knows that this way your pride won’t get in the way. Your eyes soften and you relent to his request.

After choosing characters and picking one of the easier maps you start playing. Despite being the one who claimed he needed a refresher, Ace is very talkative. The things he’s bringing up aren’t even related to the game, still you entertain him and answer his questions, finding it amusing that he’s unable to keep his mouth shut.

Somehow, you don’t notice how Ace keeps stealing looks at you – he can’t help it though. You’re sitting cross legged next to him, your knee just barely brushing against him, drawing his attention with every slight move you make. It doesn’t help that you look so pretty focused like this, your tongue peaking out of the corner of your mouth in concentration. Once again, you’re confusing him. 

He tries talking to take his mind off of it but not only did that not work, it also made him awful at the game. In the first practice round you absolutely annihilate him. There is no other way around it. You tease him for it too, asking if he needs more time to warm up. Ace has no shame in taking you up on that offer, this time stepping up his game. He’s doing pretty well, your skill levels start to seem pretty evenly matched. Feeling more confident he risks a glance at you, and yet again his performance falters. This time he snaps out of it quicker, making a comeback and even winning the round.

“You ready to play for real, Dollface?” Ace challenges.

“You ready for your ego to get bruised,” you retort with a playful glimmer in your eyes. “I don’t see that happening, Doll,” he teases back. “You never know,” you say. Ace laughs, shaking his head.

“Best two out of three?” he questions. “Sure,” you agree, “but it won’t matter either way, I’m gonna crush you.” You know you’re not that good at the game but it’s fun to talk shit idk.

 It doesn’t take long for the competition to heat up, both of your competitive natures coming to light. Playful smack talk becomes the backdrop of the rounds with both of you occasionally bumping the other to psych them out. Round three things start to get really tense, you’re tied and so the winner takes all.

Ace manages to take the lead by a rather significant margin, “Looks like I’m winning this one,” Ace beams, his victory seeming imminent. 

“Not so fast, hot stuff,” you push back. The comment takes him by surprise, throwing him off of his game. His brain pauses, did you just admit that you also find him attractive? 

“Oh so I’m hot stuff now?” he teases. He watches you freeze as embarrassment takes over. “I kinda liked Cowboy,” he continues, with a fake pout.

“It’s not like it’s a lie though,” you say, making momentary eye contact, “might even be more fitting.” Okay now you doubled down on it. Ace is definitely reading into it now. Even after he recovers from the initial shock he doesn’t refocus on the game, his attention now centered on you. You (unknowingly) take advantage of his distraction and manage to pull ahead and win the round. 

Going to rub your victory in his face you notice that he is out of it.  You realize that he was playing half heartedly and demand a rematch. You want to win fair and square. Ace complies and he wins the next one. You try to walk back the rematch claiming the victory was valid, but (predictably) he fights back. Best two out of three turns into best three out of five to best five out of seven. Eventually, you stop keeping score at all.

Laughter echoes throughout the room, both of your antics and tactics for winning getting more and more ridiculous. You can’t recall the last time you laughed this hard. You really like being around Ace, and that might become a real problem, but for now you push that to the back of your mind. It’s an issue for later, for now you want to concentrate on the present and enjoy his company.

Although you’d started at a respectable distance, that gap’s been closing slowly without your awareness. Following another win you turn to gloat and you realize exactly how close you are. Ace’s freckles are much more visible from here. Automatically, your brain starts painting constellations on his cheeks finding patterns in the dots speckling his face.

Your eyes fall down to his lips and stop their journey. It is clear that something has shifted. There is an unknown gravity that is pulling you in. You’re so close now, you can feel his breath fanning across your face. If you lean in just a little bit more –

The sound of the front door slamming open brings you back to reality. Eyes grow wide in joint surprise. Luffy’s greeting rings out through the room. Before he can suspect anything you move away from Ace, trying to bury your disappointment.

Ace, whose back is towards the door, shakes his head, muttering a curse at his brother before turning around. “Luffy, what did I tell you about slamming the door,” Ace shouts, chastising his brother. “Sorry,” Luffy laughs, kicking his shoes off.

You take the moment of refuge to process what just happened, well what almost just happened. It’s good that this happened actually, you reason with yourself. It would only complicate things in the long run. Imagine if things go south and you were forced to see him at work, no thank you. 

Ace gives up on scolding Luffy for his repeated unannounced visits as the younger boy walks away into the kitchen. Hold on, why is Luffy here? “Sorry about him, he has keys to the place, which I regret giving him, and likes to show up and raid the fridge,” Ace makes a point to say the last parts louder, clearly intending for his brother to hear. Luffy’s boisterous laugh echoes from the kitchen.

Luffy must’ve caught onto the fact that Ace had company over because he exits the kitchen with curious eyes. Actively eating out of an open tupperware of leftovers, he scans the room catching sight of you on the couch. In classic Luffy fashion, he greets you excitedly – mouth full of food. Then he looks puzzled. “Why are you here?” he asks point blank. His abrasive questions are nothing new to you so you don’t take it personally.

“She’s –” Ace starts off, not getting far before Luffy cuts him off. “Oooo, video games! I wanna play!” Luffy exclaims. He quickly annihilates whatever it is he’s eating before returning the dishes to the kitchen.

Ace knows that Luffy isn’t the best at recognizing social cues and it isn’t even his fault. However, that doesn’t stop Ace from being annoyed. He is ready to throw him out by the scruff of his neck when Luffy reemerges. Luffy, still full of excitement, stands nearby seemingly waiting for permission to join.

Realizing Luffy would be a good buffer and help prevent whatever the hell nearly happened, you readily accept his involvement, but ultimately leave the decision up to Ace. Ace wants to say no, he really wants to say no, but you expressing your willingness for him to join and Luffy’s fucking puppydog eyes (Ace always has been a sucker for them, especially knowing that they are earnest everytime) has him caving really quick.

“Yay!” Luffy exclaims, running over to grab a controller. Luffy, for his part, is pumped to be hanging out with both of you guys. You’re two of his favorite people in the whole wide world, why wouldn’t he want to hang out with you together. He plops down between the two of you eager to play. You can’t help but chuckle at his extreme joy.

At first Luffy doesn’t play the game seriously, choosing to goof off. At one point he gets up in the middle of a match to go get (steal) more food, walking right past Ace who yells at him prompting Luffy to laugh. During his absence you and Ace focused on fighting each other, ignoring Luffy’s character – turns out that was a mistake. Luffy comes back, mouthful of food and manages to beat you both. And not by a little bit he destroys you both, claiming victory for the first time that night. In hindsight it was slightly suspicious that he was losing so badly when you remember him being somewhat decent at the game (as in he doesn’t die in 30 seconds, not that he wins).

After that the gloves are off, it turns out that Luffy is now good at the game, like really good. He goes on a winning streak. You’re rotating who is picking the map for the rounds and no matter what is chosen it’s like Luffy has the home game advantage. You and Ace grow increasingly more exacerbated, accusing him of cheating despite none of you knowing how one could even cheat at this game. He keeps laughing at the incredulous looks on your faces. 

Luffy bags nearly half a dozen rounds before you start to do something about it. When it is Luffy’s turn to pick the map, Ace catches your eyes. Somehow you two have become masters at silent communications. Immediately you know that he wants to form an alliance to take his brother down. With your joint effort you manage to take him out. Both of you cheer in victory, seemingly forgetting that the match wasn’t over until Luffy brings it up. And the game is back on.

Luffy doesn't win a single round after your joint effort to take him out, but he laughs at how competitive you and Ace are. You end up going back down to a two player game while Luffy watches, periodically leaving for more food (you’ve stopped questioning how he does it at this point). Luffy eventually announces his departure – citing his hunger as the reason, which Ace knows means that he cleaned them out again.

And just like that, you and Ace are back to being alone.

Some of the tension from earlier bubbles its way back up to the surface, and it’s clear that the both of you feel it too. Even after forcing the energy to go away it still lingers; it’s background radiation now. Despite your feelings, both of you are pretending that you’re “just friends.”

Ace is the first to break the silence, offering you something to drink (scolding himself for forgetting to do so earlier). Luffy might eat all their food but he knows better than to drink all their alcohol/but at least he leaves the booze alone. You gratefully accept his offer.

However, you were not prepared for what watching him use a bottle opener would do for you/would awaken in you. Why the fuck is that sexy when he does it? You feel insane. It is not normal to have that reaction and it is definitely not normal to feel that way about a friend. The problem is worse than you thought, you have to nip it in the bud. Have you seen his arms? Dear lord. Even your thoughts betray you. Annoyingly, you can’t stop imagining the feeling of his lips.

The worst part is he’s none the wiser for it, but you intend to keep it that way. You beat the horny demon back with a stick (insert bonk meme). With some effort you are finally able to force the thoughts away at least for the time being. Once you return to normal, you realize he’s talking to you.

“-- I don’t know how he did it. He used to suck at that game and whine every time he lost, I can’t believe he wiped the floor with us.” You’re quick to catch onto the fact that he’s talking about Luffy’s insane winning streak

“I wasn’t expecting it either. Last time we played this at game night he was pretty bad at it. It’s crazy how fast he turned that around,” you say, slipping into the conversation as if you were attentive the whole time.

~~~~~~

“You’ve never seen it?” Ace questions, eyes wide. After getting some food delivered, the two of you had gotten onto the topic of your favorite movies and you have never seen his favorite. You confirm again that you don’t know the movie. He shakes his head, “That ain’t right, we gotta fix this.” A chuckle leaves your lips, but you don’t protest. Ace is already pulling the film up when he pauses and checks the time, “Ah shit, it’s getting late. D’ya think you have time for a movie?” he questions with a hopeful gaze.

Checking your phone, you determine you have at least a couple more hours before you’d get uncomfortable walking home. “I got the time,” you say and watch as a faint smile blossoms on his lips – the very lips you were staring at earlier, dying to kiss. 

Calm down, you scold yourself.

“Okay, wait right there,” he says before dashing away sporting a childish grin. God, he is not helping your cause. He runs into the kitchen and moments later you hear the hum of a microwave. First you were horny and now you’re acting like you’re in high school. You need to pull yourself together. His footsteps pad off to somewhere else but you are no longer paying attention to him, at least you’re trying really hard not to. 

The description of the movie starts to look real interesting, you read and reread it until you can think straight. By the time that happens, Ace is already on his way back with a big bowl of popcorn and a comforter, shutting off lights as he goes.

After setting down the popcorn on the table, Ace plops onto the couch. “Come closer, I don’t bite,” he teases, lifting up the edge of the thick blanket. “Unless you want me to,” he winks, it could just be the lighting but his eyes seem darker than before. Your breath catches momentarily at the insinuation before a chuckle runs through you and you scoot over to join him underneath the blanket. 

Now satisfied that you’re all settled he presses play and promises you a cinematic masterpiece. It's hard for you to focus on it at first (or anything really), especially when you realize how close you are to him. In reality, you’re not much closer than you were playing video games, but under a blanket it somehow felt different.

It doesn’t take long before the story draws you in, pulling you away from your confusing thought processes. Ace, however, did not account for how distracting you would be. Oftentimes he found himself watching your reactions to what was happening more than the movie itself. He wants to think that it’s because he knows it so well he doesn’t need to look to know what’s happening, but that’s not true. 

Not too long after the film started you catch Ace looking at you. “What?” you question with a laugh. He silently dismisses your question with a smile, turning his attention back to the screen. Shrugging it off you do the same. 

Forcing himself to look at the TV instead of you turns out to be a good idea. This way you can no longer distract him. Ace falls back into the familiar storyline, getting absorbed by it. 

A little bit past the halfway mark of the film you start to grow sleepy. At some point you got even closer together, now you can feel his body heat radiating off of him. Your eyelids are getting heavy. His smell is oddly comforting, between his blanket and the source the scent envelopes you. You’re struggling to keep your eyes open so much that you don’t even notice when you give in to the exhaustion.

A weight falls on Ace’s shoulder out of nowhere. It doesn’t take him long to realize what it is or rather who it is. He’s ready to tease you about it too but his heart melts hearing your soft rhythmic breaths and seeing the peaceful look on your face. He isn’t sure what to do, but he is pretty sure that it follows the cat rule; he is now stuck there until you wake up.

Ace tries to go back to the movie, but he is hyper aware of your head on his shoulder. With nowhere to go and no way to escape you he is forced to face how he feels about you.

In all honesty, you confuse him (to put it bluntly). 

You’re friends, he knows that. Yet he wants more - at least he thinks he does. This doesn’t feel like it’s strictly platonic, there’s too much chemistry for that. Shit, he nearly kissed you not even three full hours ago. Troubling enough, he still wants to, and he has for a while now.

 Ace tries to figure out what you are to him - what he wants you to be to him – but he can’t quite make sense of it. He’s never really wanted someone like this before and that scares him. Your dynamic is something right outside of his familiarity, he understands most of it but there’s some parts that are confusing.

He knows that he thinks you’re hot, and if earlier meant anything he’s pretty sure you find him attractive too. That part he understands. He also gets the whole friendship thing. What he doesn’t understand is why you using him as a pillow makes him so happy. Why did his heart race when you sent him back songs asking him to coffee? And most of all what the hell possessed him to tell you about his family?

Back at the cafe you had gotten to talking about your childhoods, which prompted you to ask him about his family. The question was innocent enough, it was clear that you just wanted to get to know him, but it came with baggage you couldn't have possibly known about. He normally doesn’t like talking about it but he felt comfortable with you for some reason. Some information about it he felt comfortable enough to share with you freely. He told you about his mother, the neighbor who had offered him refuge when he needed it. Hell, he even touched on Dadan and his life before his brothers. Then you asked about his dad. Once again you had no idea of how the topic of the man leaves a bitter taste in Ace’s mouth. As soon as you noticed how uncomfortable he was, you completely switched the subject. You did it naturally too, like you were trying to cover up the fact that you were giving him an out. You were so quick to bail him out of a conversation he wasn’t comfortable with. It made him like you more, trust you more too, enough that he was willing to circle back to the topic.  He has been pushing the boundaries of what he’s comfortable with sharing already, so what’s a little bit more he reasoned to himself. Also, with how well the two of you get along, you were probably going to find out about it eventually. “I don’t talk to my father,” Ace stated emotionlessly, jumping head first into it during a lull in your conversation. You were clearly surprised by him bringing it back up, but you let him talk. “I’ve actually never met the man and never want to. I could if I did, I know where he is and how to reach him, but I have no desire to have anything to do with him,” a hint of bitterness seeps into his tone, contradicting the indifference he exhibited earlier. “Why?” your voice was small, the question seemed to have slipped out of your mouth before you could stop it, when you registered you had said it you clamped your hand over your mouth. “Ummm,” Ace hesitated, “he’s in prison, like famously so,” he shifted uncomfortably in his seat, no longer keeping eye contact. You could tell that he was debating whether he wanted to continue or not and you reminded him that he doesn’t have to tell you anything. That only strengthened his resolve. “I took my mom’s last name to not be associated with him. It’s funny that I’ve never had any contact with him and he still managed to fuck up my life,” he said with a half hearted laugh. He wasn’t entirely sure if he had the courage to tell you his name, but he ripped that bandaid off regardless, “His name’s Gol D. Roger.”  Your eyes widened in surprise. Of course you knew the name, he braced himself for impact, or questions at least, but it never came. Instead, he got a look of confusion from you, “You didn’t do any of it so I don’t really care who he is.” Your reaction reminded him a lot of Luffy’s when they were kids, maybe that’s why he felt safe telling you. “Sorry about not having a dad though,” you said, catching him off guard. He snorted, but in the way that coffee ended up going down the wrong pipe and in his nose. “Oh my god, are you okay,” you laughed. Ace responded with a weak thumbs up and you pat him on the back until he got his breathing back under control. 

Ace tries to think back on the day as a whole, but he keeps coming back to that moment. He couldn’t figure out what that moment alone means, let alone all of the other things too.

He has virtually no experience with romantic relationships, in fact they are so foreign to him that the thought of one doesn’t even cross his mind. He’s racking his brain to try and come up with an answer. The closest thing he can come up with is a friends with benefits situation. He’s done it before and it has worked (granted it has also failed miserably), but is it even worth the risk?

While he knows he’d be down for it, Ace has no clue if that is something you’d even consider. For all he knows you could be in a relationship. Fuck, what if you’re already seeing someone. He’s never asked, he’s never even thought to. This idea could be dead in the water already. Plus you’re probably not interested in him anyways.

Even if there is something between you two, Ace knows better than to make a move on you (despite how much he kinda wants to). You’re too entwined in his life at the moment for that to be a good idea. For starters you work at the place he now will have regular gigs at. And not simply work there but you are on the production team meaning you’d have regular contact. Not only that, but you’re one of Luffy’s good friends. He heard all about you before he even knew he was gonna meet you (Luffy called Ace a LOT while he was away, keeping him updated on his life in almost excruciating detail). If things were to get messy his brother would be stuck in the middle of it all, and Ace doesn’t want to do that to him. On the other hand, because you are so entwined in his life, will he even be able to hold himself back?

You just got into his life and he already likes having you around so he wouldn’t want to spoil that either. Friends is probably all it could be – friends who find each other hot, sure, but friends nonetheless. But why doesn’t that sit right with him?

~~~~~~

Not long after you leave, while he’s picking up (mostly after Luffy), Ace hears keys in the door. Sabo’s home. Honestly he didn’t even realize he was gone. 

“Where were you?” Ace asks his brother as he enters their shared apartment. In all honesty his brother’s unusual absence slipped his mind.

“How was your day?” Sabo questions, ignoring him entirely. Ace does not like the way he said that, like he knows something. Nevermind that he rarely asks that in the first place.

“You first,” Ace stands his ground. 

Sabo sighs but gives in, “I got dinner with Luffy then we went to his place.” Knowing he was with Luffy, Ace suddenly understands his tone earlier. There is no way that Luffy didn’t tell him about your presence, the kid isn’t exactly known for keeping his mouth shut. He now knows exactly where this conversation is headed and that there is no escaping it. Ace sighs in defeat, bracing himself for the interrogation. 

“You like her, don’t you?” Sabo smiles, no longer under the pretense of asking about his day. Ace, annoyingly, has to hold back a blush, he just hopes the tips of his ears aren’t betraying him by turning red. 

“I mean, kinda. She’s a friend, y’know,” Ace tries, really just wanting to get out of this. Sabo levels Ace a look, clearly not buying it. “I don’t know what you want from me,” he caves.

“You know you can’t lie to me, why are you trying,” Sabo says. 

“I’m not, she’s just a friend,” Ace insists, he knows full well that he is, he just wishes that it was the truth and that these weird feelings he’s having would go away. At least that would make things a hell of a lot easier. Going for you is a bad idea and he knows it. He just wishes he wasn’t looking for/craving trouble.

Sensing that Sabo didn’t believe him, he gives in, “Fine, I think I like her, I don’t know. It’s weird plus it’s a bad idea. Also no way she goes for me, but still.” Unspeaking, Sabo prompts Ace to continue. Annoyingly, he realizes that talking this through is probably going to help. Ace makes his way to the small dining table they have in the living room with a heavy sigh. When he looks back at his brother, he looks more vulnerable. 

“I fucking told her about my dad, Sabo” Ace confesses, hands running through his hair. Sabo’s eyes widen in surprise, it looks like it’s even more than he (and Koala, his long term girlfriend, who knows all about this) thought. The blond takes the seat next to him waiting for him to continue. Ace is fiddling with his hands. 

“I’m not even sure why I told her,” Ace starts, fiddling with his hands. “She didn’t even care, no comments, no questions, no nothing,” Ace looks Sabo in the eyes, conveying things that he doesn’t even understand yet. Sabo is well aware of how Ace has been treated due to his biological father, he has witnessed it first hand, right away he knows how big of a deal this is to him.

Ace’s tone and body language shift away from the earlier vulnerability, “But nothing’s gonna happen. It’s all platonic. She’s just really easy to talk to.” He isn’t sure who he is trying to convince, Sabo or himself.

Understanding that he wants to drop the dad topic (even if they’re brothers it isn’t something he loves to talk about) Sabo grows mischievous. “And hot too, right?” he teases.

Ace’s head snaps to him, freaked out that he can tell that. How does he know that? The question is implied. Sabo laughs, accomplishing his goal with Ace’s deer in the headlights look, he’d love to leave it there but he chooses to explain further, “After the party, when you got home, you would not shut up about her. Your ass was hovering over the toilet talking about the prettiest girl you’ve ever seen. I should’ve recorded it, it was embarrassing.”

“Bastard,” Ace scoffs, but his face is inflamed.

“It got pretty graphic too,” Sabo goes on, completely ignoring Ace’s comment in favor of imitating some of the things that he said until Ace’s face was bright red. 

“Shut up!” Ace protests, he is so glad you’re not here to see this, but Sabo continues mocking him.

“I almost left you alone to choke and die,” Sabo laughs, right now Ace is kinda wishing he did.

A notification from Ace’s phone pulls him from the conversation (thankfully). It’s a text from you. Sabo also knows it’s a text from you, he can tell by the way Ace is looking at his phone. This is just proving his point, the one he danced around because, knowing his brother, leading him to a conclusion works so much better than telling him point blank.

There’s not anything more he can do so Sabo leaves for his room. Oh wait, he learned something. “Hey Ace,” Sabo calls out from behind the cover of his door (just in case), successfully getting his attention. “She’s single by the way,” he continues wiggling his brows. 

“Shut up,” the protest from Ace is weak, his attention clearly back on whatever you were saying. 

this one got messed up, pretend those heart hands are at the bottom

BONUS:

they both wingmaning ace independently tbh

we were so close to escaping the y/n curse but then the texts came and i couldn’t figure a way out of it

a/n: so about the bottle opener thing…. i can explain… arms 🤤 ngl i forgot i put that in there until i was "proofreading"

in my headcanon the video game was super smash bros (v silly of me to have a hc about something i wrote)

btw someone needs to stop me there is a slim (large) chance that im gonna make reader have a drunk tattoo (nothing bad probably like doodlebob or a random shape) jus for a joke that isn't really funny

i literally i too much to say i'm making a whole debrief for this 😭

thank you for reading ily 💕

pls like & comment! let me know your thoughts | © stuckinmymind22 | dividers by @enchanthings

[riding-the-sunset-bird]

Hey!

Since I started playing August last year I'd been lurking on the reddit (since I don't have an account) and always found the posts of the person who was writing "what choices determine Cove's X" so insightful and loved reading them

recently, i played the baxter DLC (still am not over it, it's my most favourite thing ever; i just love our pepe le pew) so I spent a lot of time on the reddit just reading up about him and what others thought bcs i LOVE deep analysis on characters that I've liked and I stumbled upon a bunch of your comments (which again, loved reading!) and I put a name to the comment

found the same username on tumblr and simultaneously found out you were the one who goes into the games files and wrote those posts I loved so, AH! Hi!

hahah my 'fangirling' and backstory aside, right after I played Baxter's DLC I felt like I didn't understand the reasons behind his actions? I know everyone talks about how he has self-worth issues and wanted to just be a memory but I don't get how that all correlated to completely detatching and not wanting to be a part of MC's life? Like did he care at all? If he didn't, why keep your number and the gift you gave him in one of the memories (Sightseeing?). But if he did care, how did he so easily at the beginning distance himself professionally? AND THEN REMINISCE ON ALL OUR MEMORIES TOGETHER BUT GO BACK TO PROFESSIONAL; LIKE WHAT WAS THE INTENTION

I feel like it is such a stupid question since it seems like everyone else gets it and the game explains it so many times but I just did not get it 😭

so if you could! could you help me understand it a little better? (and if you have talked about it before, no pressure to rewrite it all here I'd happily read another post of yours about it if you could kindly link it!)

i hope that makes sense haha, hope you have a lovely day and genuienly THANK YOU for what you do with your blog! its so great and even if you don't answer this ask i will LOVE reading everything you still put out!

-jaycee <3

*ahem*

Firstly--AAAAAAA >//////<

Thank you so much!! I do my best to help out so people can understand the code, and at times I just see it as something fun for me. So, when people enjoy them as well, it makes me so happy~

Also, I'd be delighted to answer your questions about Baxter! His DLC is absolutely packed so I get that sometimes it's hard to absorb it all. You asking someone for "help" and wanting to understand (rather than simply giving up or writing the DLC off) is admirable, honestly, not something to feel stupid about!

For me personally, I do believe that there are layers to it, and I'll try to do things in a different enough way/simplify them linearly in case that might help. Included will be quotes from the game to help things flow best.

All that said, let us now go on this journey into Baxter's mind together! ᕕ(ᐛ)ᕗ

(note that this got so long that I put a TL;DR/summarized version at the end, I just thought it was important to go into as much as possible; I also have a Reddit comment here that has a smaller/quoteless explanation)

Childhood and Early-to-Mid Teens

Let's take this chronologically. Picture a young Baxter Alexander Ward all the way back in Golden Grove. He's a rich boy with rich parents, and by rich, we're talking really rich. What already is so much to an adult is virtually limitless in the mind of a child, and it earns him a certain reputation amongst the population. Everyone knows the name of the Mr. and Mrs. Ward's only child, and it makes him extremely popular.

However, that doesn't mean he has true company, especially as his neighborhood situation is quite the opposite from the MC of either Our Life version, who are given one or two easily-accessible friends depending on the game.

"The land my family home was built on… I suppose you could call it somewhat remote. It's a fair-sized estate, situated a little ways off from the rest of the town. So, until I moved into college dorms, I'd go as far as to say that I'd never had neighbors before."

In other words, there's no one around his age nor does he have a sibling to play with. This isn't a big deal at first, given that he's young, innocent, and raised where anything he wanted was in his parents' budget. He's expected to act a certain way, certainly, but he can't understand the idea of needing anymore than what he has: he's the cute rich boy that has "everything" and that every kid wants to be close to.

So much so that it gives him an ego about it.

"What I do distinctly recall is that as a child I unequivocally thought I was better than other people. That those who met me were lucky, and I could pick anyone I wanted as company. The onus was on everyone else to impress. "If someone was boring or maybe I just didn't like the colors they were wearing that day, I could find a new playmate, easily. After all, I had the most to offer. "Naturally, what I was 'offering' was what my parents had. A big, cool house, exciting outings, the best toys. It wasn't until I was eleven or so when I developed my first stable friends. They might not have been rich like me, but they had their own charms. Those ties couldn't be replaced."

"I loved it when they would come and visit; there was scarcely anything better. They never got over their sense of awe, and I ate it up."

"Becoming attached to other people, especially those people, made me realize what I'd believed wasn't true. And it was so obvious. They were wonderful. I felt things I never had before. "All it took was being who they were. It didn't matter what their parents did. No fancy venue could top genuine comradery with their company. "And for whatever reason, I was in the club, and I was happy. The person who was lucky to be there was me. "I had wanted my friends to feel the same way towards me. To have that kind of incredible effect on another person for no reason other than that I was Baxter."

Thus, the confident boy Baxter sees in the mirror everyday, like a framed painting of the kind of person everyone wants to be, becomes distorted. Kids didn't flock to him because he was "Baxter," but because he was a rich boy who could wow them. He felt that even the friends he did manage to acquire only hung out with him because they were lovely people, because they also were not immune to being awed by his rich boy things, and because he got lucky.

Qiu - who's part of his friend group - being his first crush likely doesn't help matters. It's no longer about his own personal satisfaction, where he shows off and the kids involved do little more than stroke his ego; now there are kids who are the ones offering him something, and it's something he didn't even know he was missing.

This begins the initial spark of self-worth issues for Baxter, and it's a spark that snowballs as time goes on. He doubts himself, he doubts his ability to make his friends happy in the way that they make him happy, and he - when he's fourteen - goes so far as to doubt the impression something as simple as his hair gives off.

"The generous might say I could count it as black, or that it was 'black in the right light' as my parents placatingly put it. "The fact of the matter is that it's a dusty gray."

"Who would notice a color that wasn't exactly black? And why would they care, even if they did? "Me. I noticed. I noticed and it bothered me, so I dyed it. "Was it something I wanted only for my own preference, or was it because I believed if I saw it as an imperfection then that meant everyone else did? "Probably the latter."

(note that this is around the time that an MC might meet him in Soiree and potentially become his second crush)

So now you have a double-edged sword of sorts where Baxter wants to be good enough as he is, yet is actively covering up the parts of himself that he deems as flaws to be corrected.

In trying to craft this "perfect/better" version of himself, he's created a scenario in which he cannot win. Even if said version could make people happy, he is still not the real version of himself and goes on believing that any amount of joy he does create isn't even "him" doing it anyway.

This is already excluding the fact that his parents are *:･ﾟ✧ garbage ✧･ﾟ:* who always wanted him to act a particular way, and he knew they'd take issue with him if they didn't raise him personally.

"They understand care through the lens of control and protection. That's been their way ever since I was young. In that sense, they treat me no different from a child. "But, of course, they are quiet, educated, esteemed, and a tad old. As is their company, most days. That's not the environment to act as a kid. "That meant I've always been expected to behave with the maturity of someone their own age, or perhaps even older, somehow. "A bit of a paradox, isn't it? Do everything as an adult would while getting the respect an infant does."

"They're family and I'm their son. That is what matters at the end of the day, blood related or not. "I'm thankful for that as well. "Now, if I wasn't the boy they raised together in any capacity, then there would be problems."

Even the air of sophistication he has comes from his upbringing (though he's at least made that his own). There's the Baxter he actually is, the Baxter his parents expect him to be, and the Baxter he's trying to build up for himself to be someone he thinks can make those he cares for happy, all things that he tries to deal with himself as if that's at all manageable or healthy for him.

To the surprise of no one, things still aren't perfect. Without a trust that his friends like him simply because they like him, he doesn't realize - or refuses to contend with - the truth of the situation, and the age gap between them starts causing difficulties.

"I was older than all of them. As sheltered as I was, I got along better with kids not quite my own age. Immature as always, hm? "Life changed fast then, and the years between us became more noticeable with every day. I never reached a point where I felt like I knew what I was doing before suddenly, it was as if I didn't belong with them anymore. "That they didn't have time to keep me around with the differences in our schedules and priorities. And I accepted that. So, the friendships ended. We stopped talking as young teens, and I haven't even seen them since I left for college in 2015. "I thought they mattered to me, but when have I done anything for them? Why did I deserve to be liked and included when all I did was want that to happen and abandon them when it didn't?"

Now we're getting closer to the white-and-black-haired Baxter we know as, at the time he leaves Golden Grove, he's just one year away from his visit to Sunset Bird and simultaneously no closer to knowing what he's doing. He's broken off from his old, cherished, and only significant friend group, and now he's all the way on the other side of the country in Virginia by himself.

He's still chaotic, still kindhearted, yet has no clue that he deserves to have the kind of companionship he longs for. In the year of him being at college, he fails to make those kinds of connections, whether intentionally or otherwise.

"Instead, you could say I don't have many friends. I spend the majority of my time on my own, though I do attend parties and other gatherings when I am able. "I do not have anything quite similar waiting for me there. Don't feel bad about that. "It is only to be expected. I did move across the country. It is a fairly common phenomenon for those of us who do. I'm a regular fish out of water, if you will."

"It hasn't been easy to find anyone to reminisce with, not for a while. But then again, I only developed a sentimentality once I'd gone off to college. "I was too young and proud for that sort of matter before then. There wasn't anything in my life to harbor much sentimentality for. I suppose leaving was the catalyst. Isn't it always? "But once that part of my mind had developed, there wasn't anyone around to share the emotions with. My classmates and I… we don't have that kind of relationship."

His parents are also just as controlling as ever, only allowing him to enjoy his semester off from college under their rules and in a place they personally chose and are comfortable with. Baxter, who had no interest in going home to Golden Grove and thus agrees to the terms, can only make himself comfortable by finding his own ways of having fun, such as renting a car despite being underage.

"At a minimum, I can honestly say that I wish that I missed it, if that makes sense. I don't know how you feel about your hometown particularly, but you should at least be able to appreciate that I spent all of my youth there. "I'm not so jaded as to totally discount the place, far from it. But anything I liked about my home wasn't exactly exclusive to that locale. The US is a big country, and there are plenty of beautiful things to see wherever you go. "I've experienced enough to know that much, at least. So no, I don't miss it. And I won't be going back. "If my parents wish to see me, they'll have to be the ones visiting where I am.

"Mother and Father agreed to me vacationing on my own, but under the condition that they would have the choice of where I stayed. "California being fairly close by, and Sunset Bird being so quaint, not to mention our prior excursions to the area, they concluded that this was the easiest way to keep me out of trouble."

Basically, it's all going back to his line about expecting him to behave as an adult whilst treating him like a child. He's permitted to vacation by himself but only in a town as "boring" as Sunset Bird where there would naturally be very few teenagers around his age. His streak for being a bit of a rebel reflects that.

What he doesn't expect is to meet a new group of people and the MC in particular, who unintentionally challenges his negative view on himself.

Step 3

From the very beginning, Baxter takes immediate interest in the MC and Cove, wanting to make one of those "blissful, temporary relationships" that will last the summer. Already, we have something of note, which is the 50/50 success rate he ended up having: MC and Terry were all for the absurdly friendly monochrome man that swooped into town, whereas Cove and Miranda were more hesitant (and thus didn't spend as much time with him) because his directness tended to put them off.

"I care a great deal about what I say and that it makes the correct impression. Yet I am not always successful. My approach is off, really."

"Now, this may be a complete shock to you, but… I've been told that I can come across as a bit too forward. I know. It can be hard to believe. My intent is to be open with people so we can connect. It almost never works out that way, though. I've had to come to terms with the fact that I don't possess a knack for making friends. "It was obnoxiously easy when I was a child. Especially due to that aforementioned big, cool house. But now I keep finding myself at a loss for how to do it. With the hit-or-miss endeavor, the vast majority of the time I come up with a miss."

"And I've never been in a stable, long-term relationship. They've all been brief, and varying levels of disastrous."

Put more simply, Baxter knows what he wants but doesn't understand what people want out of him (believing more that they don't want him at all). On some level, he's flying blind and simply does what he can to put his best foot forward, not wanting to miss opportunities when they present themselves to him. He's someone who likes seeing people thrive and enjoy themselves, and it's even better if he knows that he caused it.

"I live for approval."

Thus, as the "perfect summer tourist" who wants to vacation and have a fun time with those that he can, he seeks to do everything possible to make it memorable. That doesn't mean that he goes out of his way to do things he doesn't want to or portray himself as this person who doesn't even resemble who he actually is, but he puts on an air of not having any flaws that would cause him to be any form of burden to others.

This is even excluding the parallel of a group of four friends that he's involved with yet feels distant from or like he doesn't belong in at the same time; history repeating itself and what not, though in his case it's more like a self-fulfilling prophecy, emphasized by the possibility of him asking the MC out on a summer fling.

"I don't care about what label you'd choose to put to it. I could be your boyfriend, or nothing at all. "And you can also change your mind without consequence, if you find out it's not what you imagined further down the line."

Baxter gives the MC every out he can to make things as convenient as possible for them, not only so that the relationship isn't serious and they don't have to worry about it, but so they can break it off whenever they wish. He knows full well that even the person he's presenting himself as won't please everyone and sets everything up so he can almost anticipate the ending if the MC gets bored with him because he fails to impress.

He's interested in them, attracted to them, and feels that he'll enjoy their company, but he only thinks he can do the same on the short-term; that small amount of time where people are still learning about one another where little else is hoped for beyond good things.

Another way of looking at it is based on Baxter's view of control.

"It might not surprise you to know that I can be a touch… particular. I know the importance of coherence, with individuals acting in a well-coordinated fashion. And I like things to function well-for systems to operate smoothly. "I confess, you could call me controlling, at times. Not with people, but with processes. Especially when it comes to enacting plans. I'd much rather act under my own steam than follow someone else's lead. "I'm only flexible with the personal, not the business, aspects of life."

His relationship with the MC is, on some level, a process. It's something for him to carefully plan out and calculate to make it the best he can for them. Getting more personal would involve him revealing the parts of himself that he finds distasteful and believes the MC will as well.

Of course, he doesn't anticipate growing attached to them, which brings in the "risk versus reward" aspect. This can be seen when Baxter initially agrees to have drinks with the MC in the morning that he hates so much, where the safe option would be to simply postpone until another day, except he wants to spend time with them as soon as possible.

In that respect, it's not unlike him struggling to decide on the type of ice cream he'd like.

"My problem is this: I'm unsure if I should get a dessert that's to my usual taste. If I do, I'd be certain to enjoy what comes from the ice cream truck. That would be nice. "But, on the other hand, this may happen only once. Perhaps it'd be more rewarding to get something new, an option that would be challenging to find in a common store. "Which will add more to the experience? Indulgence or novelty? I want to make the right choice."

However, his risks don't end up panning out well in his mind because he's unable to get past something so minor as forgetting his wallet, when all he and the MC had planned to do was have a nice time at a cafe in Drinks. In his mind, the Baxter he's trying to present had failed, and what else can he do at that point (under his perceived logic) but do what he remembers worked from childhood?

"It's a question of knowing the right people who know the right people. We could have even had full backstage access with the main cast if I'd asked. "I do try not to lean on that kind of thing too much, if you can believe me. I appreciate it might not look like it now. You could say it's a means for me to preserve my sense of independence. It's easy to be popular if you can foot the bill, and I don't want that to be what draws others to me. "But after all that, here I am, leaning on the same old crutch. Nothing has changed since I was six."

"I suppose that was part of the issue. I didn't consider myself appealing enough as a person to be worth the time. So, I wanted the support of an exciting or interesting backdrop for meetups. "But… it shouldn't matter that much where you are if you enjoy who you're with."

Baxter expects perfection out of himself in the same way that his parents expected things out of him, and the limitations follow accordingly. He wants little more than the MC's presence and it is up to him to "repay them" for it. When he was a child, he was the one everyone else had to impress, and now it's the other way around: he has to impress those he wants to be around.

Except he's only human, and aiming to be the perfect person for the MC all summer simply isn't feasible, which he takes with every ounce of criticism one can imagine.

"This whole situation… it's asinine. I haven't known you long enough to be causing this kind of trouble. I'm quite literally a stranger. And I won't even be here long enough for that to change. As welcoming as you all are here, that can't be forgotten. "This was-I was-only ever supposed to be a part of the fun. A worthwhile piece of summer scenery. Someone who added to the experience, not held it back. You shouldn't have to baby me! To sit there and spend your time making me feel better when I don't keep it together. "The mess I am in the mornings, the drama I cause in the evenings: the person I am when the show is over. Those aspects shouldn't be any of your concern. I don't provide that support to you, do I? And how could I when I don't know you? "No. It's not fair to make you worried or, worse, guilty over what happens to me. What matters is that when we're together it's for the pleasant parts of existence. The less ideal shades of life can be managed separately. "That's all I wanted."

Two things to note as well is that he'll say all of the same dialog even if he and the MC have experienced Hang or Planning (where Baxter can comfort them), and there's a dialog path in Sightseeing (i.e: the moment most players will play first) where he'll openly say that he hopes they count for "more than strangers."

(He's additionally rejected the idea that he knows the MC despite relishing every given opportunity to listen to the MC babble about even the most mundane things.)

So not only will he deny to himself that comforting the MC was worth enough to count (or unintentionally block it from his mind), but when it comes to things becoming more personal, suddenly he's "just a stranger/near-stranger." The MC can be comforted when they need it but not him, and he's just some nobody tourist when it comes time to put any value on himself...

whether that be the simple things like driving everyone around, to the stuff that takes effort to notice like him seeing that the MC wanted to ride in the passenger seat, to the more complex like literally saving Miranda's entire birthday party.

"I couldn't have devised a more pleasant way to spend my time here, even if I tried. And to be frank, I have tried. I didn't come to Sunset Bird totally devoid of any plans or ideas. "You and your friends have invited me to participate in an event with great significance to you. It's a profound gesture to show to a relative stranger. "When it's over, and I'm long gone from here, I hope you can all look back on this party for years to come-maybe for the rest of your lives-and treasure the memory. "And if I am a part of that memory, then that is satisfaction enough. Though perhaps I'm in danger of giving my contribution too much credit."

A hypocrite (I say this affectionately, I swear) of the highest order; there are rules for himself and no other rules for everybody else. The things he does are never enough whereas everyone else does plenty by simply existing and giving him the time of day.

Leaving the way he does with no contact and little hope of seeing each other again is the inevitable result of the process he'd put together for his time with the MC and his summer at Sunset Bird. From the beginning, he's had a time frame to keep to, an intent to not get attached, an expectation that no one would get attached to him, and an idea that he would leave as little more than a memory.

"Only lately it's been different. Incredibly different. I almost worry my luck won't last. It will all be over soon. "I wish… I could stay."

Except he does get attached, just as the MC gets attached to him (in what he can admit in Step 4 is the most stable relationship he's ever been in), and now all the control he feels he had goes out the window. That's why he has the potential to get upset if the MC keeps pushing his buttons by questioning him.

"I would've preferred it to have been an enjoyable time having my company while I happened to be here, that was the intention. It seems I've ruined that on the whole. I accept the blame for that. If I had behaved better this wouldn't have come to a close on such an abhorrent note. "However, I am not an irreplaceable part of your life. I was a tourist, a novelty. And now I'm not even that. So don't bother with this."

To him, everything is so obvious: he got "lucky" getting to hang out with his Golden Grove friends, who were simply so nice that they continued bothering with him at all despite his flaws. Considering how that ended, he expected the same where no one would bat an eye if he left.

The MC trying to hang onto what they have isn't a sign that he had done anything right, but that the MC is being their sweet, considerate self in thinking about him. He's had at least five years of criticizing himself, of trying to make people happy yet downplaying it when he does, that everything the MC says goes in one ear and out the other.

"I heard you then and each reasonable suggestion to salvage the situation, but I brushed you off as if you were the one being dramatic. Or that you were lying."

At some point between having his Golden Grove friend group to now, his priorities had changed. He'd given up on having true value to people and instead focuses on creating moments (an appropriate word to use given how the game works) with them. It's a natural progression from not believing he's important to not believing he could ever possibly be.

Even basic traits he does have that one will likely see as something to adore, he won't attribute to himself.

"Now, I do admit, though, that isn't what one might call a grand love story. It's simplicity itself. "I'm not the most romantic or sentimental person in the world. I know that can be at odds with my formality, yet it's the way I am."

He'll say he's not romantic nor sentimental while being one of the most romantic and sentimental people in the game, so either he's unaware of it or refuses to associate positive words like those with himself. On the flip side, he can falsely associate others with credit for things they've done without acknowledging the finer details that might negate his point.

For example, in the Wedding DLC, Baxter gives so much credit to Cove for "staying" and "trying" without understanding that Cove didn't have a choice on whether to stay or leave the MC initially due to still being a child (who absolutely would have left and in fact did try to leave in the Step 1 DLC). He's also one of the few characters who doesn't consider Cove "clingy," probably because he's just as clingy if not more so.

By unknowingly projecting his self-hatred onto the MC's view of him, he's come to the idea that the MC has already gotten as much out of the relationship with him as possible without things completely falling apart, and daring to want anything further is his own self-interest/ego getting to him.

It's even to the point of deciding that everything is his fault if the MC kissed him in Planning when they weren't dating.

"I must apologize for that. I shouldn't have done it. Even at the time I knew I shouldn't have. That was a bad idea. One that only managed to complicate our relationship further. "I shouldn't have involved you in more of my selfishness."

So his conclusion in the Step 3 ending is that he's lost no matter what and genuinely cannot comprehend the idea that he had done anything right for the MC to want to stay in contact with him.

If the MC contently accepts separating from him, then that proves to him that he isn't someone worth sticking around for. If they instead get upset or want to stay in touch, then he has somehow done something wrong in the way he went about things and presented himself. It all goes back to being a scenario he's set himself up not to win.

"In short, what I'm saying is that I'm a fraud in all regards. You can't take any of it seriously, including what color my hair is."

"I don't deserve to have that kind of relationship with another person. That's why. I don't contribute anything. "Maybe I can impress others for a time, but how do you go beyond that? I can't say what it means to be significant as a person, to be irreplaceable. "And since I don't have the answer, I certainly wasn't going to assume I'd do it by accident. What does it take to add value to someone simply just by being there? I tried, but I never knew. "In my eyes there's a world of humans living freely among one another, while every connection I create is so fragile. If I make the wrong step I might hurt them, or be hurt myself, and if it's strained at all it will break entirely."

The sad part of it is that it makes sense, in a way. The things he did for the MC - baring perhaps that damned chocolate fountain - were almost effortless to him. He wanted to do them, so why would he think he did anything special?

One of the very few times he's willing to talk in any way bad about another is only if the MC uses Jude and Scott's relationship as a reason for why they could keep in touch. That's when his cynical side comes out.

"Of course, my rather reasonable prediction is that it will not last. Most relationships don't."

As things were that summer, Baxter viewed the MC as someone he would love to know, but not someone who wanted to know him because he doesn't think he's likable; that the slightest inconvenience to them - to anyone - would make him not worth keeping in touch with any longer. The MC also has friends who have been around longer than him, and he's never considered that he could have any role amongst them.

Tempting fate was never his intention, yet that's exactly what he does in believing they'll never meet again, drawn together as if the longing makes them magnetic to each other.

Step 4

As is standard with the inevitable passage of time and growing older, Baxter is slowly finding himself and improving as a person over the five years that he and the MC are apart. Some things change and others stay the same, whether for better or worse.

Though, any positives aren't particularly noteworthy to Baxter himself.

"I can say that I've improved some talents over the years and found a less eye-catching sense of style, but for anything meaningful there's been no growth."

Due to his self-worth issues, he never thinks what he does is good enough and is wholly focused on where he's yet to improve upon, even though he is fully aware about the parts of himself he has worked on.

"You don't need to worry. I'm not quite as sensitive as I used to be about mistakes. I will survive this, pride as wounded as it may be from these trials and tribulations."

"Part of the tragedy of adult life is learning to roll with the punches, so to speak. I suppose I should be proud of the fact that I can at least handle it much better than when I was younger. "Thinking about what kind of panic a younger Baxter would have been thrown into at the prospect of a missing shirt on an important day-"

Under that lens, it doesn't matter what he does or how he deals with the issues he feels are a burden to himself and/or others; there's always an asterisk - that he's attached to them - to act as a "yes, but..."

"I'm fortunate that thanks to my upbringing I happen to be well acquainted with formality and what it takes to authentically achieve it for an event. It's a unique kind of direct experience to wield. "Additionally, I deal well with the high level of control and detail-work one must take in a stressful event. "When it comes to work, I absolutely can make decisions. It's only in my personal life where I lack conviction. "And that's most suited in bursts with different people rather than a long-term position in a consistent group. You can easily get sick of someone who needs everything to be 'just so'."

Similar to the weddings he involves himself with as he graduates and gets a career as a wedding planner, there is an ideal final product to work towards, but one he could never conceivably be happy with because he's already starting from a place of seeing himself as someone worthless as an individual. It shapes said final product into something entirely unrealistic, never mind completely unachievable.

As for figuring out a life for himself, that goes hand-in-hand with where he ultimately chooses as his first place to live: Prism Vista City, which Mr. "Definitely Not Sentimental" ends up getting attached to.

"This, ahem, particular location was intended to be only a starting point. I was coming from the complete other side of the country, and I at least knew I enjoyed the area. "I expected to relocate once I had my bearings. It wasn't my intention to linger where I might not be welcomed. "But who could've guessed it was harder to pack up and leave everything behind once you had silly things such as an 'actual apartment in your own name' and a 'real career' tying you down? "Weeks passed, then months, and then, perhaps inevitably, I came face to face with one of the reasons I developed such a positive outlook on this state to begin with. "You know, it never ceases to amaze me. California is directly beside Oregon. I could practically walk there if I was industrious, and stupid, enough. "Despite that, being here is a wholly different experience than what I had being raised in the neighboring state. "Sometimes it seems as if I'm still a tourist. That I don't belong here, and everyone who passes by can smell the otherness on me. "Other days, I have the confidence to think I've found my own place in the world…"

That's one thing that never changes about Baxter in virtually all of his life: the desire to simply belong somewhere. What does change is how he approaches that want.

He wanted to belong with his Golden Grove friends, but fell out with them due to the circumstances and chalked it up to a failure on his part. When he wanted to belong with his Sunset Bird ones, he'd already decided himself that it would never happen to save him from any potential disappointment, and that simply being there for a summer would be enough.

In adulthood, he's given up on such things entirely. No more friends, no more flings, and even his most consistent contact - his parents - have been cut out of his life (though in the latter case, it's for the better).

"What happened, I do exactly… that to everyone who unfortunately crosses my path. "The acquaintances I made at college, dancing partners, the friends I had since childhood; my parents, though, that is an entirely different story. "The point of the matter is, excluding those I interact with regularly due to work, I have no relations whatsoever. That's simply the way it goes."

"To start, I haven't spoken to my parents in, mm, a few years now. That's what I meant when I included them in the list of relationships I haven't maintained. "Don't worry. It isn't a painful topic for me, exactly. Mostly I find it… disappointing. Frustrating? Certainly awkward. "Before I cause too much concern, they've never done anything to intentionally hurt me; my parents have always cared for my well-being. "And I can't deny how much they have done for me - all the opportunities and advantages I had because they provided them. They gave me the best they knew how and- "This is not as nuanced as I might be making it sound. "What a novelty it would be if I could speak favorably of my own family. Can you imagine? "That's not the case, however. "What I am trying to say is that my parents are, on the whole, good to me. And they do love me as their child whom they raised for nearly two decades. "Just as I still feel compelled to give them credit for the minimum, I'm certain they're telling their acquaintances endless excuses for why I'm so distant and unagreeable with them. "They haven't given up on me, in their own way. "But all that does not make them good people. "I can assure you that because they are not good people. I'm merely a rare exception to the unpleasantness. "My parents are selfish- they're sheltered. Even as adults."

"Imagining myself as not their son and not someone they loved seemed meaningless at the time. They did love me and that's what mattered. "Of course, it's not always enough, is it? "If I wasn't theirs, either through birth or adoption, if I was someone else's son, they… would hate me. "I know I'm foolish, on many counts. It took me a long time to realize that them being hypocritical shouldn't reassure me the way it did. "Baxter Ward could have as many 'shortcomings' or 'problems' as he did and it'd be fine because it was 'different' in that case. There were reasons, can't you see? "But they couldn't see that other people deserved the same kind of understanding. "And that some things weren't 'problems' in the first place…"

The true tragedy of it being that it's heavily implied that Baxter's parents did attempt to teach him or at least act in a way that would lead him towards a life without any meaningful relationships, which is what he got when he became an adult but not ever what he truly wanted.

"And their nonsense priorities and concerns are what my parents expected from me! "How ironic that I can finally see the silver lining of my lifelong struggles thanks to them. "If I never realized how poor my connections were, or if I never cared that my relationships were nothing more than associations based on conveniences, maybe I'd have been who they wanted."

Arguably, Baxter is at the most "successful" place in his life: he might not be rich anymore, but he's making his own money with a job that suits him, he has a nice apartment, and he's living comfortably.

Except he's not happy, and convinces himself that it's as good as he's ever going to get. It's both the highest and lowest point of his life.

"Of course, I wouldn't be able to understand the viewpoint of someone willing to commit themselves to another person for the rest of their life. "It's what makes for a good planner. I can get invested just enough in the premise to truly create something special, but I'm not attached to the real relationship. "And I'm not disappointed when it's over. "It's been years since I was careless enough to be hurt by anything. "I'd given up on trying for more than what I already had. Then I told others, and myself, that meant I was always content. But honestly, it made me bitter. "I didn't become the person I wanted to be. I didn't achieve the kind of life I'd hoped for."

He couldn't even maintain his relationship with dance, something he'd adored since he was young and now limits to lessons given to wedding couples.

"In a way, I fell out of love with that passion. "It became tedious and unsatisfying to do it with complete strangers, and I didn't have enough hours in a day to dedicate to a long-term competitive partner any longer. "But perhaps I should've tried harder not to give it up entirely. "How embarrassing… even my choice of hobby revolved around having a serious and understanding relationship with someone else. "The precise matter I've had a lifelong struggle to obtain."

As for the MC, Baxter misses them desperately, but goes about his life as though he doesn't. He's committed to viewing himself as someone who doesn't deserve them and that what he did was the right thing to do.

It would seemingly be "easy" then to let go of anything that reminds him of them, in hopes of either limiting the times that he finds himself thinking back to those moments or steering himself towards moving on, but he can't.

The MC's souvenir (if they gave him one)...

"I am fond of it even now. I've never been able to part with it. But isn't that what souvenirs are for? Keeping for the long term? "I'm being entirely reasonable for holding onto that after thoroughly leaving everything in Sunset Bird behind."

Their number...

"I had your number all along. "Of course, I never looked at it over the years we were apart, but didn't have it in me to delete it either."

Even the khaki shirt he wore during Mountain (if he and the MC were dating at the time and they invited him up to their room)...

"It remains my stolen property to this day."

He keeps all of them, unable to let go of the feelings the MC caused within himself but locking them deep inside rather than addressing them. He has the very method for contacting the MC at any time to reconnect, to explain himself, to apologize, to confirm or reject his own doubts over what happened, but he doesn't out of fear.

"I said it before- my concern was protecting my own feelings. Anything I did to that end felt justified. "The more time and experience let me reflect on my actions, I only became more convinced I should stick to my word and not trouble you further."

"I've also missed you over those five years. "And Terry and Miranda and Cove and that summer in Sunset Bird, but mostly, it was you who I thought of. "During that trip, I did feel wanted. "You made me feel wanted. And… important. "It was exciting and amazing, and felt impossible it could last. The shine would wear off eventually, as always. I didn't want to see it happen. "What if I seemed pathetic for being attached to people I met on a short vacation? You had your real group of friends who lived with you there already. "Or what if you stopped responding to me after realizing I wasn't that interesting? Or why would I have even assumed there'd be a reason to talk to me at all once it was no longer convenient? "I'm aware that's not a kind way to view you, but it wasn't that you'd done something to make me believe it would happen. It's my viewpoint for every situation."

Baxter never once thinks that the MC is a bad person, simply that he is the problem and even the best of people will "understandably" lose interest in him if there's any interest to begin with. As someone who likes control and has been conditioned to stray away from more personal relationships, it's advantageous to him to remain in his self-sabotaging mindset.

It's what he's used to.

"I can't afford to flitter off on vacations whenever the mood strikes the way my parents can, but I have a very comfortable existence. "It's nice, if lonely. "Of course, let's not pretend I have anyone to blame for that other than myself. I ended every relationship I had with my own actions. "It's the story of my life. I want to be liked, but I don't want to be important. "A suitor for a season, the planner at a wedding- it's that kind of role I'm comfortable in. "Perhaps that's why I'm drawn to people who are wanted by everyone else. They don't need me. I can be someone, I can't be 'the one'."

So when his Step 4 begins and the MC unexpectedly shows up back in his life, five years after Baxter expressed confidence that they would never meet again, he can barely handle it. Without his say so, he's being confronted with feelings that haven't faded, and ones he already thinks are ridiculous of him to have considering how short of a time he'd known the MC.

The best he can think to do is to put on an air of professionalism and brush the rest off. He'd already left, not contacted the MC for so long, and had remained determined to never see them again, so he doubles down on it.

"I'm merely an employee of your friends. Please feel free to ignore me entirely."

However, it's not tenable, because Baxter has never been someone with the impulse control to keep him in check. Even in the few days he knows that the MC will be around and then leave afterwards, holding himself back from doing what he wants isn't something he can keep up for that long.

In front of people like Jude and Scott who he doesn't know, it's at least easier, but around someone like Xavier who he has some form of friendlier relationship with (only a day after he'd conveyed to himself and the others that he's nothing more than the wedding planner), he's already dropping stories about the past.

"As soon as it comes to you it appears my reason goes out the window. Along with much of my dignity. "But that is how it is."

"Enjoying myself in your presence is the most natural thing in the world. Frustratingly so, at times. I find myself letting go of more than I intended to."

It's also not that Baxter doesn't want to talk to the MC because, if the MC tries to get him to talk during the ride back from the bakery, he deliberately makes it a game of rock-paper-scissors that they'd be guaranteed to win if they wanted to. He could've shut them down entirely if he didn't care, but he finds a middle ground of technically not agreeing outright while still letting the MC talk to him.

"The petty types of decisions that were best suited to be decided with randomness mattered little to me. "It was far more amusing to see who would use the advantage they had to win and who would be willing to take the loss, and why they seemed to do so. "At the bare minimum I'm not that much of a brat any longer. "As an adult, I use it mainly to get away with not making decisions of my own. Whoever is playing with me has the responsibility to win or lose because what they're up against is preordained. "I don't even need to choose which symbol my hand takes. It's easier that way."

Not that it means he's alright with it either. Baxter is already under the stress of planning a wedding in a matter of days and now has to deal with seeing the MC again, sometimes one-on-one. He doesn't want to be cruel to them, doesn't want things to be so difficult, nor did he want the MC to be "forced" to go with him to the bakery (on a suggestion he couldn't have known would lead to it), but that's what ends up happening.

"I'm not any less immature than I was five years ago, it seems. I've been incredibly rude to you, and that is inexcusable. "You're not unwelcome near me. Of course not. "However, I'm here to plan Jude and Scott's wedding. My priority is that only, and I don't want to get caught up in anything else. "There's no need to reminisce. I hope that's not insulting, it's honestly not meant to be a strike against your character. "You are a lovely person and have many wonderful friends. You don't need me to be an active part of your life."

"I apologize for what happened between us, I honestly do regret it. "I am sorry I hurt you. I am sorry I was unable to keep my word and have bothered you yet again. "I'm thoroughly humiliated and have attempted to get in your way as little as possible. Though I'm unable to quit outright; I couldn't do that to Jude and Scott. "We are both aware that I am fully incapable of making you happy. But in four days you'll return to your life blissfully free of my presence in it. "Please tell me, what can I do for you? I simply don't know…"

It feels terrible for him, but this is the cycle he's gotten himself into: wanting to stick to what he'd done in Step 3 under the belief that the MC would be better off without him, feeling nostalgic for the past to the point where it ends up coming out, behaving distantly as a result and hating himself for it, then apologizing just to do it all over again because he's constantly going against what he actually wants.

"Every time I'm arrogant enough to believe I know what I'm doing and that I'm in control- I don't and I'm not."

"From the moment you walked into that restaurant, my actions were nothing but self-preservation and damage control and, occasionally, reminiscing to an extent I was pleased with. "Yes, I had a 'professional commitment' not to let personal matters impede the work that needed to be done, but my distancing went far beyond that. "In the end, I was using their marriage as an excuse. "If not for that, then there would have been something else. Some trivial reason for keeping you at arm's length. That likely doesn't shock you."

Baxter is essentially shielding his heart from the very thing that would protect him from his own attacks on it. He goes so far that he considers texting the MC directly to be overstepping boundaries (even if it's for work), all after continuing to let go the most whenever he's reminded of times with the MC.

He's aware that he's attached and readily admits as much when it comes time to.

"Even I can admit I wouldn't do this for every client. "And somehow, that makes this worse. It's painfully obvious I have some personal investment, enough to merit this. "More than I intended to be. More than I ought to have. "I wouldn't have done this if you weren't here… "Even though Miranda was the client's sister- "I wouldn't have offered. It'd be overreaching, to do as much as I have. "I've gone beyond the line of pure professionalism more than once already. The cake is the icing on top."

"Well, naturally, it's against my better judgment to make anyone uncomfortable. "Of course, in such a tight spot Jude wouldn't have questioned any help he was offered. "But what would Miranda have thought? And Terry as well? If some strange man they knew long ago was getting that personally involved in their situation? "I wouldn't have crossed that line, no matter how much sympathy I had for Jude's position. "So, where did my confidence come from? Very simply- I thought you would understand. "That I had good intentions, that the odd lengths I went to was merely how I am, that it was okay to let me be involved. And if you did understand, everyone else would as well."

Deep down, he knows that he is not a stranger; that he knows the MC and trusts them on a level deeper than he thought possible before meeting them. The MC brings out the best in him while simultaneously revealing the most vulnerable parts of himself to himself, which gives him all forms of conflicting emotions.

"I… "It's odd, really. I'm the one who left. "And yet I haven't stopped seeing you as someone important to me. Important in my life. "It truly does seem as though everything I did was for no reason at all."

"It's been hard not to feel nostalgic, this past week. We've had quite a stroll down memory lane. Sometimes by happenstance, sometimes because I went out of my way to do so. "I have… fond memories of those days in Sunset Bird. Treasured memories. "Like most treasures, they're things to be taken out and admired from time to time, and then put away again. "Though, some are too delicate for even that. They should never be touched. "This evening is a reprise of something I never wished to relive."

To put it in another way, though Baxter cherishes the time he spent with the MC, anything that brings him back to such times confront him with everything he's tried to avoid.

Yearning for the things he'd tried to put behind him, the what ifs of things going differently, and the doubts of all he's done thus far based on his own conclusions...

"Back then, during my tourist phase, we took that brief trip to the mountains. On a hike, we passed a tree that had fallen across a stream. "If you can picture that, it was as if we were on opposite sides, and I couldn't take the path to you because it looked risky."

Not unlike his fear of the ocean, Baxter's biggest hurdle is that final step past the point of no return: taking the plunge and trusting in his ability to survive.

"It seems endlessly deep and unpredictable, with powerful waves and rapid currents. "And there are creatures lurking in there. Some of them are larger than me. It's unfathomable. You don't play with something like that. "If I enter that water, I'll never return from it. The ocean will swallow me whole. That's what I think."

It's only by the end of the wedding reception that he finally crosses that line and has the epiphany necessary to deal with everything that had happened: the opening of the oven to check the result of a baked cake rather than leaving it a mystery, the flick of the switch to look at a room he'd always kept in darkness prior, and the throwing of himself into deep water and realizing he can still breathe.

"In the past, I spent every moment around other people thinking of the limited span of our acquaintance. As if I wasn't seeing them at all, only the imminent departure. "Our arrangements fell in line with that. A clear timeframe, limited from the outset; predetermined rules set in stone. "It was that way five years ago. It was that way now. "We'd cooperate for a short period in service of Scott and Jude's wedding, and that would be that. I've said as much myself. More than once. "The problem is, as I only recently realized… "I forgot about that. "You see, I thought, completely and earnestly, that I didn't need to speak with you now, here, when I was feeling so… sensitive. "We could simply pick up where we left off later tonight or tomorrow. The fact that we no longer had a 'reason' to interact didn't come up as part of the consideration."

When he wasn't the one setting the rules, when he was the one caught off guard by someone he cared so much about reappearing into his life, when he was forced back into reliving past regrets and under the pressure of facing them all over again when their second/third time together was over, that ended up being when he found what he needed to talk to the MC. That was when he finally had to listen to what his heart was saying rather than constantly denying himself.

Perhaps even most importantly, that was when he had to face the fact that what he did - the suffering he put himself through for five years - had achieved nothing of value, and it's only through acknowledging it that he can keep it from happening again.

"When I left five years ago, that didn't make me happy. When I kept you at arm's length after meeting again, I was unhappy still. "If it doesn't need to be that way, if I was wrong, then… I don't know, honestly. I've never considered it a viable option until moments ago."

"It had been so long since I'd known what it was like to be included, to be around people who'll refuse to let you be left out, no matter how hard you try to weasel out of it. "Terry, Miranda, and Cove were too kind, but it was your gestures specifically that are at the heart of this matter. "Here's the truth: if you didn't ask me to dance again, in the afterhours of another event we helped create like you did then, it would have broken my heart. "That would mean definitively that I lost what we had. "But… if you did ask it would be more painful. Because that would mean- "It would mean even after everything, you hadn't let me go. That you accepted me still. "That you always would have, that I should've believed that all along, that the only thing I've done was hurt you and myself of my own accord. "It's horrible. I didn't want to know one way or the other."

The uncomfortable truth, a placating lie, or the blissful void of not knowing anything at all: those were the choices he had and he finally chose the uncomfortable truth, all for the closure the MC deserves and the potential prospect of a better future if he can only make it past the obstacles he'd set up for himself.

"But I can see now that I'm also wrong for making another decision for you. Even if the conversation went disastrously, you were owed a better explanation and an apology. "You had never asked me to leave you alone, I created that fiction. "I hope you can accept that I did care for you then- I care now. Of course, as ever, none of it counts for much if it's kept entirely to oneself."

"It's… a little hard to approach what I've sowed over the years. So many mistakes. "And even now, when I hope to make things right, to make things last, I'm forced to admit that I'm ignoring the reality of the situation. "This doesn't come down to what I want at all. I don't have the right to put myself before you. I never did."

"I suppose that is the true story of my life: me not understanding a thing and getting it all wrong at every turn. "But rather than dancing around this, I'll say it directly: not trying to stay in touch with you is something I've regretted for a long time. "I will always regret the days I lost, even now that we've reconnected."

That doesn't mean everything is magically fixed, nor that he won't fall into some old habits. He has to catch himself when he automatically excludes himself from the MC's meeting with their moms, and he'll still be apologizing and criticizing himself long after the MC has forgiven him.

"You've never allowed me to wallow in my misery, except for when you had to. When I made you have to because you couldn't get a hold of me. "But when I see you, I'm reminded of what it is like to be seen. "How it feels to have someone who knows you, cares about you, has memories with you, who wants to make more memories together. "And I tried to undo that- "Twice. By keeping you as far away from me as I could."

"Unfortunately, I've yet to think of a good reason why this admission isn't another of my patently bad ideas. It isn't as though I've been thoughtful in return. "I can't stand doing anything in the morning, even if I can pretend to, for my clients. As you know, I can't afford elaborate trips these days. "My only remaining social contacts are limited to the wedding industry, not performative theatre or owners of fancy cars or the like. "I've never been a good partner, even a good friend, to anyone who has crossed my path."

"My few victories were hollow and I'm still sorry I took that out on you at the start of this."

Nevertheless, he has no desire to run away from the MC now, because he never had a desire to run in the first place. He just needed to understand that it was okay to want, and that he wasn't the worthless person he thought he was so he could stop projecting how he felt about himself onto how people feel about him.

This makes way for Baxter to experience a lot of things that most people would have long since had at that point in their lives: he gets excited simply by having a person hanging out at his house, is incredibly pleased to have someone he can be (dance) with, and he's so amazed that he can have these things in his life that he's actively eager to prove to the MC how much he'll be sticking around, to the point of being ready to visit them at the soonest time possible.

"Hallelujah. Admittedly, a part of me was convinced I wouldn't go through with it. What if you thought I had lost my mind to follow you right after we barely reestablished a connection? "But having this last day together, knowing it was the last, was the final push to pursue what I actually wanted."

His story, essentially, is about a fall from issues of self-centeredness just to pendulum swing into ones of self-worth instead. It's about balancing on a tightrope of bringing short bursts of happiness to others while trying not to let his ego take hold of him again. It's about denying himself what he wants and refusing to hear otherwise before finally recognizing that he deserves to be happy.

That's Baxter Ward.

TL;DR:

Baxter starts as an egotistical child - encouraged by his rich parents and the kids constantly impressed by his showing off - but that changes when he obtains genuine friends and learns the value of real relationships.

Realizing that he'd relied only on what his parents had to make connections with people, Baxter doubts his own worth as a person and is unable to imagine that people would feel differently about him than he feels about himself.

Baxter falls out with his friends due to the age gap and not having time for each other, coming to the conclusion that he'd not done anything for them.

Under the belief that he has no inherent long-term value, Baxter goes on flings and seeks to create fun moments with people rather than anything that would require revealing more of himself than he feels is attractive to others; this has the side effect of making him highly critical of himself over even minor mistakes.

Baxter goes to Sunset Bird meets the MC, who (along with the MC's friends) makes him feel a sense that he might actually be someone important to others, which he then actively tries to convince himself out of due to fear of risks/the unknown.

After leaving the MC on no contact, Baxter continues to miss them, but feels like he would only bother them further if he saw them again even if it were just to apologize.

Baxter ends up seeing the MC again in his Step 4 and is confronted thusly by his unfading feelings. This leads him to try and maintain the distance he'd created in an attempt to protect himself, yet he's unable to keep himself from letting loose every now and then because it goes against what his heart wants to push the MC away.

Though horrified by the idea that what he'd done in the past might have been a mistake and preferring (at the start) to go on without knowing, Baxter ultimately reflects on his actions and acknowledges to himself why he's been doing what he's been doing, and that he doesn't want to let the MC go again without laying everything on the table.

[dreamsy990]

heres my designs for all the important gods (I FORGOT HEPHAESTUS SORRY) in epic

thoughts/explanations behind the designs + sketches under the cut

general notes: my biggest headcanon for the gods designs is that they can be just about anything because they (within some limits) choose how they appear. so a god can look like just about anything, but its almost always mostly human. the only real rules to that i think are that 1) their design should usually try to incorporate their main symbols/domain in some way (in some way allows for a lot of range though, so athena for example is very much a bird creature since shes very associated with owls, but aphrodite has just some roses and shells in her hair, and 2) things like scars and such cant be hidden. this rule mostly only matters for athena. i realize i incorporated gold into almost all of their designs but that wasnt intentional lol. anyways let meee talk about the specific gods now. also for fun, no god has normal eyes. theyre either shadowed out entirely, weird shapes, or have no pupils. or all three! i think weird eyes is what distinguishes a god in my designs. i havent done this in my circe or calypso designs but since theyre not quite gods but adjacent i might give them similarly weird eye shapes but also pupils. idk we'll see!

aeolus: so my aeolus design is originally from a sketch i did in class. i was trying to draw telemachus with long hair based on a friends fic and then i was like "oh this looks like how i imagine aeolus would" and the next thing i drew is pretty much Just this final design. i drew aeolus very loosely, he has a clear shape but he should never be fully defined if that makes sense? so when coloring it i decided fuck it he looks like a weird mass of clouds now. its fun! i might change that but idk. also its subtly trans colors because i believe in transmasc aeolus supremacy. i imagine him moving around very freely and seeming to appear and disappear out of nowhere

apollo: so i think apollo is actually the oldest design here? which is to say that i drew apollo ONCE in my sketchbook at the start of my epic hyperfixation and got really into this specific design. i sort of wanted to color him similarly to uh, if you know ginjaninja their design for their oc kynthia? but i ended up going with more just white and gold to keep it simple. i LOVE tiny color palettes lol. the original outfit i believeee was inspired by gigi's hermes actually? but i havent looked at that design in a while so its probably changed. he has a halo that originally looked more like the sun but ive simplified it a bit. why? its cool. also i mightve stolen that from somebody else but i literally CANNOT remember. anyways one fact about this design is that the first time i drew it i labelled it WHORE. you can see i did that in the sketch here too. in his honor.

hermes: little freak guy!! theres honestly not THAT much to say here about hermes. i drew him with a little messenger bag once and i cant NOT draw him with it now i think its cute. i draw odysseus, ctimene, and telemachus all with a gaptooth, and i've never drawn anticlea but i've had the conscious thought that id give it to her too, so fuck it! hermes gets it. it comes from him. the family gaptooth is from him i hope youre happy hermes erfgfrefgfr. color scheme wise i wanted to keep it mostly simple again, i always pictured hermes with silver/white hair for some reason idk why but thats here! and he has rainbow. because is it even hermes without rainbow. i might darken this palette a bit but i am pretty happy with him.

athena: so my athena design ive drawn a ton and shes changed a lot over time. i didnt originally want her to look tooooo birdlike? and then i committed to owlthena because its just FUN man. anyways her silhouette is meant to look very closed off, her "cloak" covers most of her body, just generally shes supposed to seem sort of unapproachable. (note: hes not here but i do this with odysseus too! both because i wanted a similar kind of closed off look for him, and that i wanted him and athena to have visual parallels). her cloak is actually just her wings though! i doodled them unfolded so you can see her without them, as well as without her helmet. her helmet covers one of her eyes with a shadow (again to make her look like shes sort of hiding something), which was a design choice i made BEFORE we found out she lost an eye to zeus, so! coincidentally its good for hiding that scar :]. i doodled her with long black hair ONE WHOLE TIME and its stuck in my mind since so i have to keep that design element forever now. sorry official brunette athena youre not real to me. her color scheme was a STRUGGLE for me though. i knew i wanted to fit blue in there somewhere, but i wasnt really sure how? i eventually caved and made her mostly black and silver with a bit of blue in there. the blue and black gives more magpie energy to her than owl, but i dont know, i like it. i might mess with it more, but yeah! athena! shes really fun to draw lol. i imagine shed be animated in a very constrained sort of way most of the time like her design sort of implies. she doesnt really make big gestures or unnecessary movements she would be sort of uncanny in how still she is most of the time i think.

aries: ive had an aries design for a while so i was basically just finalizing it here. he was supposed to look both very similar to athena and very opposite of her. so they have nearly identical outfits, they both have a helmet shadowing their eyes (but it shadows both of aries' here), theyve both got a lot of animal features (although aries is less visible here, he's a bit dog inspired. you can see his tail eheh), etc. the main difference is that aries is meant to look a lot less, for lack of a better word restrained? his scarf (because its really more of a scarf than a cloak like athena has) only covers part of his face and absolutely none of his body, so it think it gives him a look more like hes ready to fight at any second than athena. i also wanted him to look very scarred/like his armor is scratched up. he and athena are both war gods, but aries is much more likely to throw himself into things and get hurt, while athena plans things in such a way where shes almost never actually hit. brute force vs strategy and whatnot. i sort of wish id made his scars golden too, to look a bit more like athena though. originally the black was red, but it looked really bad, which SUCKS because i wanted the red to contrast with athenas blue. but he just has red eyes here.

aphrodite: very little thought behind this one because my first sketch of her was like two days ago and very inspired by gigis. i sort of wanted her to look doll-like and have a cupids bow lip, but otherwise i got NOTHING girl. shes got pearls and shells in her hair to allude to her connection with the sea though. also roses because i wanted to put in one more symbol and that was a nice way to get a bit more red in there.

hera: im the least happy with this design, almost entirely because of the coloring. i sketched it being more purple, but then i realized that 1) peacocks are a lot more green and 2) IM STEALING FROM JUNE AGAIN!!! THATS HOW JUNE DREW THEIR OC IN A MIRACULOUS AU GODDAMNIT. so the colors are traditional peacock and im NOT happy with them at all. the design is also still basically stolen from june once again i am SO sorry their work is just so integrated into my mind that its a part of me now i do it without thinking. very little notes here otherwise unfortunately,,,,

zeus: weirdly enough i think this is my favorite design? which is WILD because i basically thought of it on the spot like two or three days ago for a shitpost based on a silly manwhore au-adjacent fic i read. the design over all is inspired by neal's? but honestly i think ive done my own thing with it a bit. i didnt really want to do clouds in his hair because id associated that with aeolus in my head, but then i thought of it fading into a dark grey like stormclouds, and having his scarf like lightning? and then he appeared fully formed in front of me. bro is BARELY dressed dude put a shirt on. also his eyebrows are cloud shaped like ursaluna. i fucking hate this dude but im happy with this design

poseidon: OKAY SO POSEIDON IS THE MOST OUT THERE DESIGN HERE I THINK. hes definitely the most inhuman looking one despite us having literally a bird right there, but that was somewhat intentional? and also somewhat because i had a very clear vision of him and needed to make it real exactly as i first thought sorry. anyways, for some characterization, i think with my idea of the gods choosing their appearances and poseidon being a lot more monstrous, you could say he CHOOSES to look unnerving. side note, this is very personal to me but i really like the idea of athena looking more like poseidon than any of her other family. i dont know WHY i just got really attached to that idea. so they have the same hair and somewhat similar faces i think. the resemblance isnt major but it is THERE for sure.

and thaaaats all the gods! i hope you like them :] im going to go review for a test i have tomorrow now

[eddieswritinghell]

I have a request!!

Can you do headcanons and/or a short blurb for König, Soap, and Price with a fem!s/o who constantly gets hate and bullied online for no reason? She hasn’t done anything wrong she just likes to post things that she made and is proud of, like photography, art, edits, etc. They see her reading comments and trying not to cry, how would they be in the moment?

It’s totally fine if you don’t want to or if you need time there’s no rush!<3

Added a read more because I got super into this and the post is very long. Hopefully, this is good to read, definitely had fun writing it! 💚

König:

"What is wrong, mein Schatz?" The man seemed greatly concerned upon finding you with tears in your eyes while looking at your phone.

"Just some... mean comments. Nothing bad." Your hand reaches up to wipe at your eyes but König stops you. He settles down next to you and the pad of his thumb gently caresses your cheek.

"Nothing bad? Anything mean towards you is automatically considered bad. What is it about?" His brows furrow in concern as he tucks a strand of your hair behind your ear to better hold your face in his hand.

"Just some bad reactions to a photo I posted. It wasn't the best photo, but I was proud of it and I think that's why it hurts a bit more."

"Oh nein, nein, nein. Nothing could ever be bad if it came from you. Creativity should not be judged and ridiculed, no matter the person. And it definitely shouldn't be yours either." He holds out his hand and makes a grabby motion. "Give me your phone. I will get rid of all the comments so you won't have to look at them and I will replace them with my own."

"You don't have to do that. I just need to get over it."

"I am still going to do it. Gib mir jetzt das Handy." He makes the hand motion and you hand over the phone. The man seems a bit upset about some of the comments, but he happily deletes them as he pulls you closer to him with his free arm. "This happens again and you come to me, ja?"

Soap:

"What has you all worked up?" He raises an eyebrow as he sits down on the couch next to you. You gladly lean into the arm Soap wraps around your shoulders.

"It's nothing really. Just... need to get over myself." You sniffle and move to tuck your phone away but he's much quicker. Soap snags it out of your grip as you exclaim at him to give it back.

"Nah. Nope. Not giving it back till I know what has you all worked up. Can't stand to see you upset like this, lassie. You being sad makes me sad, and that's a crime against nature."

You fight back a sniffle as you watch him scroll through the post you had open of a picture of a painting you and posted because you were rather proud of it. "You don't need to worry about it."

"Oh, I absolutely need to worry about it because it's my right to worry over my girlfriend." He begins to scroll through the comment section and his smile drops. "Is it the painting you posted? The comments from the asses?"

Your silence is greeted with a grunt and a few pings from your phone of Soap deleting the comments. You sniffle and press your face into his shoulder.

"Boom. All gone. I'd have a go with them if I could. Smash all their faces in. Your painting was absolutely stunning. Right bonnie like the artist who painted it."

Price:

Price wasn't sure what had you crossing you phone on the nightstand with a huff, had you crossing your arms and deeply sighing with a shaky breath of air. He wasn't as attached to the device like you were, didn't quite understand the importance of it other than for communication. "Did your phone die?"

"No. Still at sixty percent, just... upset over something."

Price hums in acknowledgement as he removes his shoes before sitting on the bed next to you. Rolling to face you, a hand rests on your hip and rubs soft circles into the sliver of skin that showed. "Care to share with the class?"

"It's... I made a post about this edit I made. It was the first edit I made in quite some time. It wasn't the greatest edit ever, not viral-worthy either, but I was proud of it."

"An edit?"

"Like... a series of clips of a TV show or movie or video game set to music. It's... I can't explain it well, but that isn't what mattered."

"Well, regardless of what it was, in sure it was great. You're a creative person, and if it made you proud then it made you proud. It doesn't matter what anyone else thinks if you enjoyed it and had fun with it, then that's what truly matters. I'm sure people liked it, but comments usually come from people who are jealous of your abilities. Don't let them get to you, love." He smiles and pulls you closer to press a heavy kiss to your neck. "And certainly don't let them have the satisfaction of knowing they got to you. I'll fight off every one of those... haters? Whatever they're called, they don't deserve to know you."

[liacademia]

i could never associate myself with any other form of academic aesthetics than chaotic academia. this is literally the only 'aesthetic' i can abide by, because why are there so many books scattered on my bed, i sleep alone on a whole queen size bed but cannot fit in because after a whole day of studying,books.are.everywhere.

and for some odd reason i refuse to arrange them, it somehow makes it harder for me to find them so i just don't, i have the tendency to make the most important notes on scraps of paper??? though i end up collecting all of them and now i have a stash of notes only i can understand because they are so damn context less.

i always wanted to associate myself to dark academia, because omg i wanna be mysterious so bad, but omfg when i start speaking :D there's literally no stopping me.

my hands, ALWAYS STAINED WITH INK, like i'm EMBARASSED so so embarassed, that i'm a legal adult with pen stains on my clothes, blankets, pillow covers, body and what not.

it is not as pretty or put together as it seems when you study, but it's fun, there's fun in learning i literally just had a mental breakdown over physics but it's a privilege, a privilege that the only thing i'm stressing over is acads, we should probably enjoy the process of learning more than raving over the outcomes, hopefully that makes the process more enjoyable and well, easier to an extent.

anyway, it's 5:20 PM and am off for a nap, b-bye :3

[wlwsoccerfics]

Lifeline (BethMeadXVivMiedemaXMeadReader)

AN: this Is Just my Personal experience. It can be very different for someone else.

Warnings: Teen Character is autistic, this includes some personal experiences with autism. Short OS.

You knew you could always count on Beth & Viv. These two were your Safe space. Beth was your older sister so that's why you could always count on her & Viv came into both of your lives making both of you feel really loved.

Viv & Beth both were really protective of you. If people didn't knew better they would probably think they were your parents. Which was (kind of) true in a sense.

Your autism was diagnosed by the age of 10. So 5 years ago. You often get told that people don't notice you have autism when they see you. Which always resulted in you thinking that it was an odd thing to say. But then you remember you became quite good at masking.

People close to you, like your Viv and your Bethy, knew your routines and things you needed to do or needed to have to be comfortable. Other people that were close to you were Jill(Viv's fellow dutch teammate), Leah, Lessi, Kerstin(also one of Viv's fellow dutch teammate) & last but not least Wally.

You sat in your room doing your homework before you would leave for practice with Beth. You practiced with the Arsenal Senior Team alot. But also with the youth Team. Getting in as much practice as possible.

"Y/n, we have to leave soon! Are you ready?" your older sister asked you. You turned around in your Chair, nodding your head.

"Give me a few more minutes to finish this! I want this to be done now! Before practice starts! I always finish homework before practice!" You Tell Beth.

"I know you do, Love Bug!" Your sister replied. It's a Nickname she has given you when you were really little. And you very much liked it when Beffy or Viv called you that.

"I will be done soon!" You told her and you finished the rest of your within five minutes. So you grabbed your things and sat down in the passenger seat of Beths Car. You called Viv right away because you always did that on your way to practice and it was your ritual. It wouldn't be a good practice If didn't call her.

"Hallo liefje love!" You hear Viv say on the other side of the Phone. Her voice was always so welcoming and warm. She always managed to make you feel loved and welcomed.

"hey Viv. I finished all my homework before we left cause you know how important it is to me!" You informed her.

"I do know that! You always are quite fast though! I could never do that!" She told you. Beth was smiling, she loved the bond you had with Viv.

"oh Viv you are so smart and you could do it too! Everyone is different. I may be faster then you when it comes to this but that's okay. My brain is just wired differently!" You tried to explain.

"thank you for calling me smart, liefje love!" She answered and giggled softly. So did you. You knew by now that when people giggled at something you said that they weren't making fun of you. The people you knew and loved you could read by now.

"you are welcome. Did you sleep well? How are you feeling?" You wanted to know.

"i did sleep well. And i am great! Better now that my favorite Mead sister has been calling me!" She said, knowing Beth could hear her.

"hey! Excuse me?!" Beth replied, laughing though. You smile at that.

"i am fine with being the second favorite mead sister, as long as i am your favorite liefje love!" You let her know. Being serious about it. Cause you really loved the nickname.

"of course you are my favorite liefje Love! You are the one and only!" She explained. Sounding just as serious. She asked you how you were and you told her that you were good and excited for practice. You really missed having her at Arsenal though. It was a big change for you but both Viv and Beth made sure you didn't feel like something was missing. You talked on the Phone or Facetimed multiple times a day. So things were easier for you now.

When you arrived at practice you went to greet all the Girls individually, some of them you invented Handshakes with.

"how are you, little Meado?" Alessia asked. You smiled at her.

"i am good! Finished all my homework before we came here!" You proudly tell her.

"of course you did, you are the smartest on the Team!" Leah answered. You nodded your head in agreement.

"possibly. In a lot of things. But not all of them! Mostly just good at things that interest me!" You explained. Smiling gently.

Wally was smiling at that. She thought your rambling about certain topics was cute and she always said If she ever has Kids she hopes they are just like you.

Practice started and you were very focused on the drills. Enjoying them. Glad to have found a safespace with your sister and Viv and with the Team. They were your Lifeline.

[capseycartwright]

inspired by that social media trend about taking your younger self for coffee. am feeling existential what can i say.

i met the younger version of myself for coffee, today. she was twenty minutes early, i was ten - some things never change, though i reassure her that her own time matters too, and she doesn’t always need to be so anxious about being left behind if she doesn’t get somewhere on time. the people who love her will wait, an extra five minutes.

she orders a flat white - i do, too. some things never change, though i try more new things now. i’ve recently gotten into matcha, i explain, and she furrows her brow in confusion, and i get it, really - coffee makes her feel more grown up in a world of adulthood she doesn’t feel ready to be a part of yet. it still does, in lots of ways, but she likes matcha now too.

i watch, as she picks at the skin around her fingernails and pinches the delicate skin of her wrist, an anxious tick that leaves cuts and bruises that take days and weeks to heal. you learn how to not do that, i promise, her head ducked with embarrassment as she tries to hide the fact she’s made her fingers bleed. you figure out better ways to cope.

she tells me about the boy she has a crush on - I don’t have the heart to tell her that he doesn’t feel the same, that he’ll only ever be a friend. that he’ll tell her he loves her, as a friend, in a crowded nightclub, and she’ll learn that sometimes people love you but don’t want you back. she sees the claddagh ring on my finger and frowns, at the direction it sits - she knows what it means. you’re single, still? she asks, and i nod - yeah, you are, and it’s okay, really, it is. i want to tell her that she does fall in love and she loses it and somehow it’s still one of her fondest memories, but i don’t want to spoil the experience of living it for the first time. i don’t want her to know how much it hurt, when it was over. instead, i reassure her she’ll turn the ring one day for the right person. we know who we’re looking for now. there’s peace in that, too.

she names her closest friends. i tell her they’re all doing so well - that years and distance and life pulled in different directions hasn’t changed the love she has for them. i tell her there’s new faces in her story too - friends from a year abroad that changes her life, friends from the place where she builds a life all on her own. i promise her she’s got a future filled with love, platonic, beautiful, magnificent love, the kind that always answers the phone when she calls, crying because the world feels so overwhelmingly lonely.

you’ll feel lonely sometimes still - but everyone does. i promise her she learns to find peace in the quiet of her life, and i don’t tell her much more. i want her to learn it for herself. there’s also some things i can’t bear to tell her - how bad, it’ll get, how she’ll lose one of the most important people in her life, not to death, no, but to disinterest, and how that feels worse, sometimes, because they chose to leave. i can’t bear to tell her that there’s times she’ll wonder if the cavernous ache in her chest is simply a part of her being, a pain no medicine can fix.

i don’t tell her any of that. instead, i tell her about her flatmates - the place she calls home and the girls she’s made a home with. i tell her she’s a really good cook, now, and that food is easier, now - fun, even - and she still reads at least one book a week and she’s got people to share her recommendations with. i explain she has a job that gives her such purpose and drive in life - and it’s not quite what she expected but it’s better, and it’s brilliant, and it changed her life when she took a chance on the interview all those years ago. i tell her she falls in love with writing, again, and she doesn’t lose that love this time. i tell her she’s got enough money to spend on all the makeup and skincare she wants and she does - she definitely does.

you’re almost 30, now, she points out, and i nod. aren’t you scared? she asks, still pulling at the sore, tender skin of her fingers. i wish i could reach out and get her to stop.

no, i promise. I’m not scared. i’ve built a good life - a good career. i ticked off the goals she’d shakily written on a list as she tried to figure out a path in life when she started at university. i don’t have a new list now - i’m taking it as it comes. that terrifies her, i know, but i think it amazes her, too, to know that with age comes confidence, a sense of calm - she needs that. i’m excited to grow older. she didn’t always want to.

she’s slow to drink her coffee - i am, too. we had lots to discuss and plenty i didn’t tell her. she’s got some of the best years of her life to come - and the worst, too - but there’s light at the end of the tunnel and not much left in the end of our coffee cups.

she shuffles awkwardly, as we move to leave. you’re happy? she asks.

i am, i promise. it just looks different than how you imagine it right now.

her shoulders are hunched, as she walks away, nearly 20 years old and uncomfortable in her own skin, desperate to hide, to make herself invisible. i’ll see her again, i know - in another 10 years, maybe, and she’ll be different then too, but she’ll still order a flat white and life will still be as beautiful as it is painful but she’ll learn to live in the light, most of the time.

i love her, in ways she doesn’t love herself yet - but she will. i hope i get to take her for coffee again soon.

[hellodarling1357]

More Than A Moment: Part 1 - Cassian x Reader (AU!)

What? A post? A whole new fic? After months of broken promises (rip me)?

I sporadically got the inspo to write today and this idea just flowed on out and all but wrote itself!

Is this a stand alone? A multi-part (I hope so)?

Who knows!

Either way, I hope you enjoy 🥰

Summary: After a drunken night between friends, just friends, nothing more, Y/N and Cassian’s lives end up changing forever. But maybe not in the way they had originally expected.

Word Count: 1.5k

“Cassian!” You shout through the door, one fist pounding on the wooden frame as the other, hidden away in your coat pocket, held tightly to what had felt like a lifeline since you had raced to the store just over an hour ago.

“Cassian! I swear to god if you don’t open the door right now…” You took a step back as your fist met the air, the words dying in your throat as a girl with sleep mussed hair, wearing nothing but an oversized t-shirt that you knew belonged to Cassian, stared back at you with a look of distaste.

“What?” The girl asked, stifling a yawn as her eyes blatantly looked you up and down, a smirk spreading across her lips as she took in your frazzled appearance. “We’re a little busy here, so…”

You blinked at her before pushing past and making your way inside the small apartment, ignoring the girl’s protest as you beelined for Cassian’s room, stopping momentarily as the door opened before you could reach it.

“Y/N. Hey,” the man in question was straightening out a tight black t-shirt, having clearly put on the closest items of clothing he could reach. “I didn’t expect to see you today, especially not at 8 am on a Sunday morning…”

“We need to talk.”

“Okay, alright. Could this not have waited until a more reasonable time?”

“Cass, please…”

Clearly picking up on the slight plea in your voice, he nodded, a slight furrow to his brow as he studied you a moment longer before turning to the girl who remained bristling by the front door.

“Hey,” he started, beckoning the girl towards him, you cringed as you took a seat on the couch, not wanting to be a part of the scene that was about to unfold. “So last night was fun, yeah? But I think there’s a few things I need to deal with here so we should probably wrap this up for now?”

“Oh? So you want me to leave?” You rolled your eyes as she clung to him, battering her lashes in hopes of changing his mind as he led her back into his room to help her collect her things, not missing the daggers she sent your way when Cassian’s back was turned.

“It’s not that I want you to leave… But I’ll call you. Soon, alright?”

“You better.”

Barely managing to conceal your scoff you busied yourself with your phone as she pulled him down into a lingering kiss.

“Alright, well get home safe and thanks again for last night…” Cassian trailed off and your attention flickered over in disbelief as he clearly tried to scramble for the poor girl’s name.

“Rebecca. My name’s Rebecca.” Her icy tone was a stark contrast as she moved out of his grasp.

“Of course, I know your name. How could I forget? I was just deciding whether I wanted to start calling you babe or baby.”

You didn’t attempt to hide the disgust at your friend as he shot the girl a charming smile that had her swooning as she said her goodbyes - all iciness melting into a flirtatiously shy smile as she stared up at him from under heavy lashes.

“You really can be a pig sometimes, you do realise that?” You said without looking up from your phone once Cassian had shut the door behind the girl.

“What?” He asked, voice laced in indignation as he slumped onto the couch beside you.

“Oh I dunno, do I call you babe or baby? Of course I remember your name, random-girl-I’ll-never-actually-call.” You lowered your voice into a mockery of his own before being met with a pillow to your face as Cassian got up and headed towards the bathroom.

“Hey, I just got rid of a perfectly nice girl for you. No need for the disrespect. What’s so important anyway? You know I love to see you and all that, but usually not at this time.” He leant against the bathroom door, toothbrush sticking out of his mouth as he stared at you waiting for an answer.

Right.

You had almost forgotten that you were here for a reason other than witnessing one of your closest friends be a complete dick to a girl he’d spent the previous night with.

“Oh… Um yeah it’s all good. Get dressed or whatever then we can chat.”

Cassian stared at you for a moment longer before shrugging and returning to the bathroom. You slumped back as soon as you were out of sight, squashing the pillow Cassian had previously whacked you with against your face as your thoughts raced through your head. Fuck. Fuck. Fuck.

By the time Cassian was ready, you had had enough time to work yourself into a somewhat frantic state as you paced back and forth, trying to figure out how to even bring up the reason why you had almost knocked down his door on a seemingly normal Sunday.

“Jesus, what’s up with you this morning?” Your head whipped around to face Cassian, freezing mid-pace to stare at him like a deer in headlights. When the only reply you could muster was the very unsubtle opening and closing of your mouth, Cassian let out a sigh as he reached for his shoes. “Well, seeing that you appear to have a whole heap of pent up energy, we’re walking to the cafe down the street. Your shout for waking me up and prematurely ending what was sure to be a very satisfying Sunday morning.”

You scrunched your nose but nodded all the same as you silently headed towards the door, missing the concerned look on Cassian’s face as his eyes trailed your retreating figure before he jumped up to follow you out.

——

The ten minute walk was silent except for the slight crunch of autumn leaves under foot as the pair of you narrowly avoided the early risers who were jogging past along the footpath and manoeuvred around the copious stream of families with young children enjoying the crisp morning air; your heart rate soared as you tried to control your breathing

Cassian managed to score a secluded table tucked away by the window, thanking the waiter for the menus and water as you stared past him in a daze, your mind reeled of how to approach telling him what had happened, what had resulted from…

A large hand waving in front of your face had you blinking in surprise.

“Y/N?”

“Yep. Hi.”

Cassian gave you another quizzical look but was halted from saying anything else as the waiter returned, asking about coffee and food orders.

“Just a long black for me, thanks.”

You could hear your heartbeat and wouldn’t be surprised if everyone around you could as well.

“Y/N?” Cassian gave you a soft kick under the table, pulling your attention to the waiter who was looking at you expectantly.

“Oh, um… Just a latte. Thank you,” Shit. Could you even have coffee now? “Wait. I mean, no. Just a tea. Peppermint, please. If you have it. Sorry.” Your voice trailed after the waiter as he nodded and walked off with a shake of his head. So far, this was not going well.

“Alright, what has gotten into you?” The immediate retort of ‘um you?’ was held back by a bite of your tongue. “You better not be here confessing your love for me. I mean we spoke about this, right? It was just a one off, drunken night between two friends who both happen to be very attractive.”

Some of the tension left your shoulders as you offered a small smile in appreciation of Cassian’s attempt to lighten the mood.

“You’re not actually in love with me are you?” You rolled your eyes at the slight panic in his expression, deciding not to take it as an insult. “I mean, I love you, but, you know, as a friend. Because we’re friends. We’re all friends; me, you, Rhys, Az, Feyre, Mor…”

“Cassian,” you let the smile grow a bit as he prattled on. “I’m not in love with you.”

“Oh, thank god. No offence.” He offered you a guilty looking smile which softened as he nodded in encouragement for you to continue.

“But I did want to talk about that night…” You trailed off, trying to gauge Cassian’s response as he quirked his head to the side and furrowed his brows in confusion. Well, here it goes. Taking in a deep breath, you reached into your pocked and placed the pregnancy test on the table.

“Cass, I’m pregnant.”

----------

I have so many ideas for this and how I want to continue it but would love to hear your thoughts!!