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lightseoul · 1 day ago

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CHAPTER 4 | ALL OUT OF LUCK

w.c. 5.0k (can you see the trend)

tags. fem!reader, pro-hero!katsuki, aged-up (26), still a lot of cussing, some mature themes (no smut, sorry), we're finally in the headquarters!, the story moves significantly along here (i think)

a/n. this one took a second to get out, but i hope the wait was worth it! we're going knee-deep into the storyline, so brace yourselves for the nitty gritty. the dialogue here was too fun to write tho lol

links. masterlist, ao3 (coming soon)

Neither of you says anything about what happened.

After you used your quirk on Masaki and the rest of his crew, eventually convincing them to let you take off the bugs and censor the cameras in the evenings, you and Bakugou were briefed about a few more details before you went your separate ways, returning home to pack up your things and spend your last night alone for the foreseeable future.

The trek back to the subway station was quiet, with Bakugou leading the way and you trailing a few feet behind. The silence that enveloped the both of you bordered on tense more than awkward, and you itched to confront him about unceremoniously jumping you, but restrained yourself at the looming thought of the trackers planted firmly against your chest.

As much as it pained you to think about it, from this point on, you have to work double time on biting your tongue and watching your words. Just your words and location—if you’re lucky—but your facial expressions and movements, too, when there are cameras around.

Fortunately, there weren’t any when Bakugou didn’t step out of the carriage just as the automated voice announced his stop, nor when he wordlessly got out of the train beside you at yours. Your face contorted in evident confusion in those two instances, to which he only tossed you silencing looks. It didn’t take long for you to realize it’d be suspicious if Bakugou didn’t see you home—his alleged girlfriend—this late into the night.

And so you rolled with it.

You even went ahead and thanked him with the sweetest possible voice you can muster when you reached your front door, as well as wished him a safe trip back home. You think you caught him off guard, but he was able to quickly gather himself and mutter back a few words of gratitude before telling you to get a good night’s rest.

You couldn’t.

Aside from the paranoia that came with knowing someone or some people were listening to your very breathing, the anxiety about this whole mess that you’ve walked into was too palpable for you just to ignore. You tossed and turned for what felt like hours—brain buzzing with a hundred what-ifs and hypothetical scenarios—before you eventually knocked out at around 3 AM.

You promptly woke up at 7 AM a few hours later, albeit begrudgingly and all thanks to your bothersome alarm tone. You had to show up at work, despite it being a Saturday, to file an indefinite leave as soon as possible. Annoyance shot through you as you remembered Kouki’s dismissive remark about your job in contrast to Bakugou’s.

You shook it off.

There were more important things to deal with, such as the guilt that bloomed in your gut as you turned in the paperwork to Yuzuki, your school’s HR personnel, who, at the sight of them, visibly deflated.

“You’re going on a leave?” she asked that cool morning, incredulous and tone somewhat begging you to say no.

“Yeah…” you replied, rubbing the back of your neck sheepishly.

“But why?” she pressed, sitting up behind her desk that’s riddled with knickknacks and picture frames of her and her toddler. “You never take off from work. And,” she enunciated, “…the kids need you, Y/N.”

Your polite smile faltered at the mention of the kids.

“Yeah, well…” you started, unsure of what to say next. “I’m sure you’ll have no problem finding a temp, what with the recent licensure exam results. The kids won’t even notice I’m gone, I promise.”

She cocked her head to the side, frowning. “I highly doubt that.”

It didn’t matter if she had her doubts, though, because this was happening. You braced yourself to tell Yuzuki just that, but to your relief, she didn’t push further after that exchange, opting to half-heartedly process your request instead.

By the time lunchtime rolled around, you were already cleared by her department and now officially on a short indefinite leave without pay.

In an attempt to take your mind off of potentially losing your job, you stopped by the grocery store on your way home and picked up a few items, such as toiletries and other things you may need for your stay in the headquarters. There was no telling when you’d get to shop for your necessities again, so you went full ham and spent the money you usually budgeted meticulously to the nearest cent. Besides, if you succeeded in this mission, you wouldn’t have to worry about finances for the next year, at the very least.

You were about to head to the check-out counter when your eyes caught the display of…house slippers in the back aisle.

You paused at the sight of them.

If you were going to be under house arrest, you might as well be cozy while doing so.

Before you could talk yourself out of it, you grabbed a beige pair for yourself, and a black pair for Bakugou. You had no idea what his feet size was, but those were the largest they carried, and so that’d have to do. Plus, you doubted quirk supremacists were mindful enough to provide their hostages with comfortable footwear.

It was already around 4 PM when you arrived home with your arm-numbing groceries and takeout dinner in tow. Setting them aside by your kitchen counter, you quickly got started on gathering your necessities. You blasted your favorite album as you packed your suitcase partly to make the arduous process more bearable, but mostly to drown out the voices that fought to take the reins in your head. You were nervous—very much so—but there was no going back from this.

And so with a heavy heart and a churning stomach, you swiftly got to work, and by dinner time, you were already packed up and ready to go. After going through your checklist one more time and confirming that everything was accounted for, you got changed into fresh, more appealing clothes and scarfed down the meal you purchased to-go after shopping.

You sat in your living room with all your things stacked beside you on the couch, waiting, though it didn’t take long for Kouki to materialize by the kitchen with that irritatingly haughty expression on his face.

You tried to ignore the disgust that sprung as you watched him step on your freshly washed rug with his booted feet, choosing to shift your attention upwards instead. You observed him as he eyed your belongings with mild disinterest, before shifting to regard you.

“Ready?” he asked, holding up one hand for you to take, while the other moved to touch the pile of stuff.

You didn’t bother to verbalize your consent, resorting to just nodding as you gingerly took his hand. Your surroundings instantly morphed the moment that you did, and you found yourself going through the now-familiar motions, emerging smack dab in the middle of your floor’s hallway a few seconds later.

Kouki was gone just as quickly as he arrived, apparently way above helping you move your things to the space at the end of the hall. The same goes for the twins, who only watched you as you lugged your baggage into the room.

You locked eyes with the female guard, and for a second, you debated engaging her in conversation.

You already knew what to say. You’d ask her if they were sure about you staying in, when Kouki can just teleport you to your respective apartments at the end of each day if they’re so worried about you getting spotted.

Besides, you thought as she glared at you with seemingly unfounded hate, that means we’ll be out of your hair.

But as tempting as it was to bring up that alternative at the moment, you ultimately thought better against it.

You already used your luck to convince them to turn off the trackers at night—something they probably wouldn’t do if you and Bakugou lived outside due to the lack of backup surveillance. It simply wouldn’t be smart and cautious of them if they did. You also didn’t want to undo that already tall order of a bargain when what you needed the most was the privacy in which you could discuss the mission and steps moving forward.

Besides, you bet your money it’s not just that. The teleportation quirk of that old geezer has to have a limitation somehow…

You let all these simmer in your head as you settled in for the night. To your chagrin—you wanted at least one night where you get to sleep on the decent-looking bed—Bakugou showed up not an hour later with his own luggage.

You didn’t say anything to each other aside from brief ‘Hey’s’ as he entered the room and unpacked his belongings, as well as when he disappeared into the small comfort room and showered.

You decided then and there that you both had to work on your conversing skills if you wanted a shot at making this ruse believable for the sake of the mission.

By the time he stepped out of the bathroom, decked out in lounge clothes and haphazardly drying his ash-blonde hair with a towel, it was already 8 PM sharp—your agreed-upon time to retreat for the night and consequently, remove your trackers.

And so you wordlessly filed out of your room, only to see the twins already at your front door, waiting. You doubted they ever left their post ever since you arrived.

You eyed the male twin as he sashayed into your room before his sister called you to attention. Other than that, the exchange was nothing but silent and perhaps a little bit hostile as the woman roughly stuck her hand up Bakugou’s shirt then yours, similar to last time, and removed the devices. You fought back a wince just as she ripped it from your skin, leaving a stinging feeling in its wake.

You could tell she was resisting the urge to shove you back to your room when the deed was done. You didn’t want to risk being her punching bag, so with a curt nod, you promptly turned back and once again entered the room, with Bakugou following you just as the other twin exited and closed the door behind him. Looking up, you immediately registered how the cameras were now facing down—covered—and the red, flickering lights were nowhere to be seen.

An instantaneous wave of relief flooded through you.

Bakugou must’ve noticed, because he whipped to face you, and the disturbed expression on his face was enough to shut you up.

He tilted his head, perhaps gesturing to the rest of the room, and it took you a second, but you eventually managed to make out what he was trying to say.

Shut your trap, his icy stare told you. Check the room for bugs.

And so with a nod of understanding, you tossed him a look right back before quite literally turning the room upside down. It probably took you at least 10 minutes to uncover and check every surface, nook, and cranny, but by the time you both were pretty sure you were safe, you were already stifling a yawn.

And having a hawk eye must come with the job description, because that didn’t go unmissed by the pro-hero, who wordlessly took one of the two pillows from the bed, as well as the throw blanket on top of the actual duvet cover, before tossing both on the brown couch.

You were just about to thank him for preparing your ‘bed’ for you, but you didn’t get to, because you were very much robbed of all words when he plopped himself down on the couch, wrapping himself with the quilt.

“What are you—”

“Don’t argue,” he cut you off, his commanding tone comically juxtaposing how snug he looked with his head barely peeking out of the cloth. You’d laugh at the way his large feet were poking out at the end of it if you weren’t in a contentious mood.

You frowned. “You’re the guest of honor. I should be the one sleeping on the couch.”

“If it bothers you that much—” Bakugou piped from where he laid comfortably on the (p)leather furniture, “—we can take turns. Tomorrow, I get to sleep on the bed, and so on.”

“But—”

“Conversation’s over. ‘Night.”

With that, Bakugou flipped on his side, turning his back against you, effectively shooting the conversation down in its entirety.

You stood there for what felt like a couple more minutes, keen on shaking him awake, maybe even yanking him off the couch and planting yourself on it before he could wrap his head around what was happening, but you ultimately decided to let it go, at least for now.

You wished him a good night as you turned off the lights and snuck into the queen-sized bed a few moments later, although you bet he was already fast asleep based on the lack of a reply.

Which was good for him, because he needed the rest for what was about to crash into you the next day.

Apparently, Masaki wasn’t kidding when he said groups like theirs needed the space to conduct their activities, because they sure handle a lot.

At 8 AM, you were roused awake by a violent knocking on your door, and you could tell Bakugou was awoken by the very same thing, because he shot up in alarm just as you did. You quickly got up and padded to the entryway, trying to ignore the silly embarrassment of being seen in your threadbare pajamas in broad daylight, before whipping to look at the man. You didn’t have to say it, though—Bakugou was already grabbing his pillow and blanket and plopped into the bed, lying down as if he was there the entire night. Only when he was fully settled did you turn the knob open, only to see the female twin scowling at you. Her hand was held up, on top of which were two trackers.

“It’s breakfast time,” she spat out—literally, some of her saliva landing on you. She looked over your shoulder to glare at Bakugou. “Hurry up and get ready. You’ve got a full day ahead of you.”

Behind you, a distinct grumble sounded out across the room, and you glanced back to see Bakugou getting up from the mattress and folding his blanket, a deep frown etched on his sharp features.

Looks like someone’s a morning person, you thought to yourself.

Not wanting to aggravate her even further, you wasted no time in getting dressed and presentable enough. You debated on whether or not to spend five minutes putting on makeup, ultimately deciding to do so, with you ending up patting on just enough product to look eye-catching before you and Bakugou went down to the mess hall to eat breakfast.

Immediately upon entering the space, you found yourself thankful for that extra five minutes because all eyes were on you. Well, maybe more on Bakugou, but they inevitably drifted to you, the person who walked next to him side by side. You could hear the people whisper to themselves as you moved to sit at the table near the back, before it hit you and you froze.

“What?” asked Bakugou from across you, who followed suit and paused, butt hanging mid-air.

“Come and sit next to me,” you blurted out, and before he could react in a way that would incriminate you both: “I want to sit beside you, babe.”

Bakugou’s eyes widened ever so minutely at the pet name, his face then sobering up as if he just realized what you were trying to do.

You wished you could spell it out for him, that couples tend to sit next to each other rather than across, and…you needed to seem like one who is head over heels for each other around these people as well. Thankfully, you didn’t have to, because Bakugou merely nodded without question, before rounding the table and seating himself right next to you.

You did your best to tune out the looks and murmuring throughout the entire meal, after which you got swept to one of the halls for an introductory talk for the new members. There were eleven of you in total, including you and Bakugou, the rest of whom you didn’t recognize. They didn’t even hide their surprise and awe when the two of you walked in and sat yourselves at the farthest row beside each other. You tried to radiate an aura of friendliness, smiling at the others when they looked at you, and then beaming at Bakugou whenever you caught him looking your way.

You could tell he was having a hard time playing the part, his smile strained whenever he attempted to return the motion. It was probably after the third time of trying to get a reaction from him when you mustered the courage to bring a hand to his shoulder, kneading the muscle as a form of an affectionate gesture, but mainly to get him to relax. He initially tensed at the contact, but eventually loosened up as you continued the action.

Soon enough, the talk commenced, with someone you didn’t know presenting himself as Kazuma, one of the officers of the organization. He went on to formally introduce the association, named The Quirk Coalition, as a group of like-minded individuals who aim for a future where quirks are nurtured and fostered to their fullest potential in a democratic society that puts a primacy on said powers. You noted how they conveniently left out the part where they detest the weak and the quirkless, although you did not comment on it. You only glanced at Bakugou one time, who looked onto the stage with tight lips.

Kazuma also went through the hierarchy of the organization, starting with Masaki at the top just as you suspected, then Sayaka and Kouki, followed by Hiroto and Omiru—the two who you recognized as the twins, looking like they just got their mugshot taken in the photos. Kazuma sat there at the lower tier alongside several other officers, under which were the regular members, totaling about 70—some of whom live in the headquarters and most going in and out, having normal jobs during the day and families to tend to.

You don’t know how they got it, but at the bottom row of the chart was a picture of you, right beside Bakugou dressed in his full hero gear.

You let the reality sink in as Kazuma droned on about the group’s beliefs, how they equally valued their ideals and the people who carried out these ideals. You made a mental note of this piece of information, before accidentally zoning out for the rest of the lecture.

The next seven days went on roughly the same way, with either of the twins serving as your unfriendly alarm to demonstrating PDA in the mess hall during breakfast, lunch, and dinner, with talks, history classes, support group sessions, and even quirk training nestled in between mealtimes.

You and Bakugou went through every single thing together, from sitting out the ‘classes’ where the teachers essentially waxed poetic about rewritten history with a strong bias against the quirkless, to attending what felt like group therapy where you each took turns sharing your ambitions and goals as members of the organization. Bakugou even partook in one of the quirk training sessions, wherein he practiced shooting precise targets while propelling himself in the air.

You couldn’t decide if he was trying to act all serious for the mission or was just showing off—could’ve been both, really, but regardless, his efforts were enough to catch the eyes of the fellow members working on their respective quirks. You, on the other hand, sat to the side and watched the pro-hero do his thing, not being able to ‘practice’ anything without a partner to ‘boost’—or really, manipulate.

Needless to say, you’ve both been busting your ass pretending to be eager, dedicated members, but aside from the information readily provided in the forums, you haven’t had much luck extracting details that could prove to be useful for the mission, a fact that you’re now planning to bring up with Bakugou, a full week into moving into the headquarters…

…After you finish checking the bedroom for bugs.

It’s become some sort of an unspoken nightly routine for the both of you. The second the door shuts behind you after the trackers have been taken off and you’ve checked that the cameras are pointed downwards, capped, and are not blinking anymore, you go to your respective halves of the room and thoroughly check each inch for a wiretap. Neither of you dare to say anything compromising until you’ve completed the survey, and even then you’ve telepathically agreed to watch your choice of words.

Still, you can’t deny the familiar sense of reprieve whenever this time of the day comes along, and you’ve since associated these moments with Bakugou with comfort.

Which is probably why you have the audacity to joke around.

“Are they comfy?” you ask just as you plaster your butt down into the couch. You’ve had your fun yesterday, sleeping easily in the soft bed. You watch Bakugou as he eyes you warily, sitting on the edge of the mattress, facing you.

He huffs, crossing his legs. “Are what comfy?”

You point to his feet with your lips. “The slippers. They were buy one take one, you know.”

At that, he smirks. You can’t help but feel your own smile growing.

“I don’t think that’s something you should be bragging about, princess.”

Flying right past the tail end of that sentence for your sanity, you force a frown on your face. “Why not? It was a great deal. And, I’m sure yours are comfy. Mine are.”

He leans back on his hands that are firmly planted at his sides. He’s still smirking. “So why bother asking me in the first place if you already knew the answer to the question?”

You open your mouth to retort a witty comment, but come up short. Bakugou’s smirk morphs into a grin when you do. You wrinkle your nose in disdain, “I was just trying to make small talk. You’re welcome, by the way.”

The pro-hero only chuckles at that, before sitting up and bringing his hands forward, one holding and wringing the other arm’s wrist.

You study him for a beat, and then the cameras, which are still turned down and capped with a lens cover.

And when he only continues the rotating motion, you finally speak up.

“…What are we gonna do now?”

Bakugou’s eyes shift upward from his wrist to look at you, the softness that was just in his gaze a second ago now replaced by his trademark caution. You try not to focus on the disappointment of having caused that, as well as the misplaced longing for what was once there.

It takes him a while to reply, his features contorted into a look of deep thought. But when he does so, he straightens his back. “We—”

A barrage of heavy knocks resounds from the door, startling both of you and cutting Bakugou off. It’s immediately followed by a gruff voice, which you can now easily recognize as Hiroto’s.

“You’re not making any noise,” comes his bite, although it’s slightly muffled. “You better think twice about planning something behind our backs, you two.”

You roll your eyes. You understand any hostility coming from the members, as you and Bakugou come with risks that can potentially harm the organization that they hold dearly. But even you can say that the twins are taking it a bit too far with the harsh treatment.

If you didn’t know any better, you’d think their being extra hard on you has something to do with Masaki agreeing with the off-surveillance.

“Fucking relax,” Bakugou seethes in their direction. “Just because we’re not audibly having sex doesn’t mean we’re talking shit.”

You snort. Bakugou whips to look at you, the corners of his lips upturned.

That seems to put a plug on Hiroto, because the man doesn’t say anything after that. Once again, you’re met with silence, with you and Bakugou sitting on your respective furniture, looking at anything but each other.

It’s him, though, who finally breaks it a few minutes later with a clear of his throat.

“We keep at it—” Bakugou starts carefully, “—is what I was trying to say earlier. They’re gonna discuss the plans with us sooner than later.”

…Patience, huh?

You can do that.

Nodding, you adjust your position on your seat. You don’t dare to ask him to expound or add your own thoughts on the matter. Better to be safe than sorry, even though you’re pretty sure your room is free of bugs.

So instead, you finally give in and steer the conversation to something that’s been plaguing your mind ever since the commission kidnapped you a little over a week ago.

“Bakugou,” you begin, and he looks at you expectantly. You gulp. “Can I ask you something?”

He doesn’t miss a beat. “Depends on the question.”

“…So might as well shoot your shot,” he finishes when you don’t say anything.

Well, then.

You blurt it out before you can talk yourself out of it.

“Don’t get me wrong, alright? I know you’re strong and all that. But…” you trail off, fixing your eyes on him, “Why did they specifically want you of all heroes?”

Almost instantly, Bakugou’s smug expression is wiped off his face just as it falls.

You scramble to backtrack.

“Sorry if that’s too invas—”

“Are you sure we were batchmates?” he cuts you off, a brow raised in question. “Back in UA?”

You stare at him. Where is he going with this?

“Yeah?” you reply, not at all willing to try and jog his memory with the only prominent exchange between the two of you. So instead, you toss the query back at him: “Why?”

“Because if we were, you would’ve heard about the rumors about me, unless they weren’t as widespread as I thought.”

You feel your brows furrow. “Rumors?”

He peers at you for what feels like an eternity, before shaking his head in what you think is resignation. His body language has changed drastically, you note—the distinct confidence from earlier now long gone, having been replaced with…shame?

He heaves a deep breath.

“I was a bully,” he finally declares, meeting your gaze. “I bullied someone for being quirkless. I guess you could say I had a…” he hesitates, as if he’s trying to filter his words,” …certain mindset up until late into our first year.”

He shakes his head again, which is now bowed down toward the floor. “I did some pretty…awful stuff, to say the least.”

And before you can say anything, he beats you to it. “And don’t ask me about what I did.”

“I wasn’t going to,” comes your speedy response. That causes him to look up again and at you, a surprised look written on his face.

“Well, that’s a first.”

“I don’t have to know,” you reason, schooling your features into a neutral, even sincere expression. “Besides, I can clearly see there’s remorse. There’s no need to reopen that can of worms, especially if you’ve tried to make amends.”

You pause, eyeing him. “Have you?”

He tosses you a look of offense, as if you just accused him of being a serial killer. “Of course. And he’s forgiven me. What do you take me for?”

“Someone who feels remorse—” you chuckle, “—just like I said.”

He shoots you a glare, although it’s playful and has no bite to it. “Smartass.”

You grin at him. “I am smart, aren’t I?”

Bakugou doesn’t verbalize his agreement, but he doesn’t deny it either. Instead, he turns the table on you.

“You’re a guidance counselor, aren’t you? You use your quirk on your clients?”

You gasp, insulted. That grants you a smirk from him. “No! Of course, not. What do you take me for?”

He shrugs, “What? It makes sense to me.”

“So should this thing called ethics, which I follow and is very important, especially for people like me who work in the mental health field.”

That doesn’t seem to convince him. “Why’re you in this field, then? If not for its compatibility with your quirk?”

You think about it for a beat.

“I guess you can say my quirk did play a part in all of this, but not as my crutch,” you eventually explain. “Using it made me realize how much I like making people feel and do better, which is something that I now do with evidence-based techniques as a counselor. Plus, my job trains me in identifying emotions, which, you know…”

—helps with maximizing your quirk.

But you don’t say it out loud for fear of getting exposed, and it seems like that’d be unnecessary, because understanding flashes across Bakugou’s eyes. He nods, and that’s all you need to know he gets what you’re leaving unsaid.

“That’s a pretty noble cause,” he offers, although it comes out a bit awkward.

Still, you flash him a genuine smile. He looks away.

…Right at the wall clock, which now reads a little too late o’clock.

“You should get some sleep,” says Bakugou just as you are about to tell him the very same thing.

And when you don’t respond: “Are you sure you wanna sleep on the couch?”

‘What, are you proposing we share the bed?’

…Is what you would say if you were a fucking lunatic, which you’re glad you aren’t, because you don’t know how you’d survive this hell of a mission if you were.

Instead, you nod, shooting him a grateful look as you move to lay back and drape the blanket over your body. “Bask in the luxury of a proper mattress, your highness.”

You don’t get to see his reaction anymore in your new position, but you bet your cheap but surprisingly ergonomic slippers that he’s grinning with the way he snorts loudly.

“Stupid.”

˖⁺‧₊ as always, reblogs, replies, and tags are appreciated <3 feel free to drop an ask, too—i'd love to chat with you. have a nice day!

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littlxpxtal · 2 days ago

Text

Puppy Grin

TYRANTS || STORY MASTERLIST

PAIRING: rafe cameron x fem!reader

WARNINGS: MDNI 18+ Content, swearing, sexual content, drug and alcohol use, violence

WORD COUNT: 3.1k

I'm alone, to beginning

Just sat right here with my puppy grin

For you and your sneaking on holidays, holidays

What fun to be had

When you've got me here to hit right back

Just some Polly parroting on and on and like you want

What's up with you?

It's never been like you to be back and begging

I've been no good at acting as I should

New Years Eve

My boots clacked against the pavement as I walked to Sabrina’s house, book bag filled to the brim with everything I needed to get ready for tonight. I knock on the large front door and am greeted by Sabrina, wrapped in a robe with her makeup half done and her hair up in a towel.

We greet each other and she leads me upstairs to her room, clothes sprawled out everywhere. I trip over a pair of heels and she profusely apologizes, throwing them across the room, landing on top of a pile of purses.

“Sorry I can’t fucking figure out what I wanna wear, which is preventing me from starting my eye makeup. Can you help?” I nod my head and start picking up dresses from her bed, inspecting each one.

“Ooo what about this one?” I ask, reaching back behind her bed. It was a black sparkly mini dress that she bought online a few months ago but never wore. I remember watching her buy it off her laptop in second period.

“Oh my GOD yes!” she screams, giving me a hug. I help her shove all of her clothes into her closet and start setting up my own little station by her mirror, applying my makeup.

“So who do you think you’re gonna kiss tonight?” I finally ask as I wrap a piece of hair around the hot wand. Sabrina peaks out from the bathroom and smirks.

“Haven’t decided.” she says before spraying hairspray on her head. “I’ve been hooking up with DJ Gabe for only like a week but there’s no strings attached.”

“What about Topper?” I ask, quirking an eyebrow at her. He was the host of tonights New Years Eve outing.

“What about him?” she responds sweetly, admiring herself in the mirror.

“What do you mean what about him” I say with a laugh, finishing up with the last strand of hair that needed to be curled. I spritz some hair spray on it then run a comb through the curls to loosen them up.

“No idea what you’re talking about” she says with a grin on her face. She walks out of the room and I roll my eyes, grabbing my dress and begin to slip it on.

The description on the website I found it from was “Femme Clubwear Gold Sequin Sleeveless Halter Backless Mini Dress” I hadn’t tried it on since purchasing so I was praying it would fit fine. If it didn’t at least I knew Sabrina had plenty of extras to let me wear.

Sabrina’s hopes for the night was to go home with the DJ from my birthday party. I had no motives for the night except to get drunk.

As if she read my mind, she reentered the room with a champagne bottle and two flutes in her hand.

“God you look so good!” she exclaims. “I have to put mine on now.” she shoves the bottle and glasses into my hand and runs to her bathroom to change. I pour the glasses full and hand one out to her when she exits.

“You look perfect.” I compliment her.

“Dude I know.” she says, walking over to her mirror and taking a selfie. I giggle at her and pull out my phone. It was 9:33 and I had a text from Rafe.

What’re you wearing tonight?

Something sexy

Send me a picture

You’ll have to wait till you see it on my instagram

You’re such a tease … Give me the color at least

Gold

Wow that is sexy

What’s your plans for tonight

Slummin it with Sarah while she whines about not getting a New Years kiss with johnbee

:( Be nice to her

Only because you told me to.

Top’s throwin tonight we’re about to leave

Im jealous

You should be :p

Shut up

Make me

Dont ask for things you dont actually want

What if i do

“Who’re you texting?” she says, taking a sip of champagne trying to peak down at my phone.

“No one important.” I say, clicking my phone off.

“When are you gonna tell me whats going on between you and Rafe?”

“Dont know what you’re talking about.” I say, mimicking her response from my probing questions earlier.

“I see the way he looks at you. And the way he touches you. He doesn’t do that with anyone else. And I mean anyone.” She pours herself another full glass and tops mine off.

“We’ve known each other for a while. I grew up around them so he probably just thinks of me like a sister or something.” I say shrugging.

“You and I both know he does not treat Sarah the same way he treats you so don’t even try that.” she says, with a serious face this time.

“Why does it matter Sab?” I ask, my face getting flustered. I let the topic go earlier about her and Top, but she wasn’t letting this one go.

“You guys would be cute.” she finally says after a few seconds of silence. I roll my eyes and walk over to my bag, pulling out my heels.

“That’s not what it is.” I huff.

“HA so something IS going on!”

I decide to give in. I knew Sabrina wouldn’t tell anyone and it was getting hard to keep it a secret from her anymore.

“Fine. We slept together. A few times. But that’s it.”

“And you’re texting.”

“He’s in Bora Bora.”

“He’s on vacation .. and hes on his phone texting you.”

“Its barely a conversation, let alone an intelligent one. No substance. He’s just bored.” I say defensively, buckling the clip of my heels on and standing up.

“This is so hot.” she says with a huge smile across her face. “I can’t believe your fucking Rafe. Is he good?” she asks.

I down the flute of champagne, pouring myself another glass before answering.

“Yea it’s pretty good.” I state. I check my phone to see that Rafe hadn’t answered. I frown slightly and look back over to Sabrina.

“Ready to go?”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It was 11:45 and I was alone. A bottle of champagne in one hand and a joint in the other. I had stolen a few cigarettes from some random pack that was left unattended on the bar. Everyone was hammered, the music was too loud and I didn’t feel like talking to anyone. I stumbled down the hill of Topper’s backyard and made my way to the pier, walking closer to the edge by the water. I sit down on the edge and light both the joint and the cig.

The bass of the music rumbled down to the deck, vibrating the water below. I checked my phone again and saw that Rafe still hadn’t texted me back. I chugged a mouthful of champagne back and opened the spotify app. I was in the mood to listen to anything else other than house music.

The first song that plays on shuffle was Ribs. I laughed and turned the volume up, taking a drag from each of the lit sticks in my hands.

“What’re you doing out here?” The voice makes me practically jump out of my skin. I hadn’t heard the footsteps due to my intoxication and music rumbling around me. I turn my head to see the dark figure walking closer. The light at the edge of the deck where I sat illuminated their face.

It was Rafe.

“What are you doing here?” I squeak out.

“Dad had some business he needed to get back to so I hitched a ride with him.”

I rose to my feet and he walked closer to me.

“How long have you been home? How long have you been here?” My heart was racing and I felt insecure, realizing at the sight he was looking at. Me, crossed and alone on new years, listening to Lorde.

“We landed around 10, I got here around 11. ’ve been lookin for you. “

“You could’ve texted me.”

“That would’ve ruined the surprise” he says with a smirk, stepping closer. He takes the bottle out of my hand and takes a swig. He then takes the joint out of my hand, taking a long drag. “Looks like I have some catching up to do.” he chuckles, and sits down next to my phone on the pier.

After a few seconds, I sit next to him, about a foot of space between us. I stare out into the water, finishing up the cig, passing it to him for the last hit it had. He takes a drag and bums it out on the deck. He passes me back the bottle and joint and cracks his knuckles. I take a few sips before breaking the silence.

“How could you leave Bora Bora a week early?”

“Didn’t want to be alone on New Years.”

“Like I am” I snort. He looks over to me. For the first time, his eyes are soft. His pupils aren’t dilated like they usually are when we’re at events like this, an effect from the white powder he snorts. I never see him sober anymore.

Hurricane by Halsey starts to play from my phone, filling the silence that had fallen between us again.

That’s exactly what he made me feel inside. Like there was a fucking storm brewing. I wanted to run and hide from the way he made me feel so I didn’t have to accept it. Like I had whiplash from his emotions. I never knew if he was going to say something nice or something mean. I never knew what mood he would be in. He was always lingering, I never knew when to expect to see him. Like tonight. He just appeared. He tore me open, left me devastated. And I liked it.

“Well now we’re here. Not alone anymore.” he finally says. A shiver runs up my spine and I hand him back the bottle. I had reached my limit for the night. The world felt like it was spinning, his surprise appearance leaving me in a haze. A dreamlike state. I wanted to pinch myself to check if this was even real or if I blacked out and this was a dream.

A countdown from the house rumbled through the air. Rafe put the bottle down and inched towards me. My breath hitched and I felt my hands start to shake. His hand reaches up to cup the side of my face and I look at him. His eyes still soft.

When the crowd chants Happy New Year, he leans in and presses his lips against mine. Its the sweetest he’s ever kissed me. My shaky hands trail up and hold his neck, pressing myself up, deeper into the kiss. When we finally break free, he keeps his face close to mine.

“Happy New Year.” he whispers. Fireworks erupt from someones house across the water, lighting his face up with color.

“Take me home.”

Rafe led the way up the hill back to the Cameron estate, holding my hand and the other holding onto my heels that I had taken off.

When we walk inside the house is quiet and dark. He grabs two glasses of water from the kitchen and we go upstairs. We turn left at the top of the stairs, instead of my usual right to Sarah’s room. I held my breath when walking in, it felt odd going into his room. I haven’t been inside of it since I was like 11.

It looked vaguely familiar from all those years ago, posters of his favorite artists and cars he liked, his desk with random papers piled on it. His closet door was closed, a few jackets hung from the back of the door. His floor was clean, which was a nice surprise from a teenage boy. His sheets were black and had a white knitted throw blanket on top.

He sat on the edge of the bed and reached his arms out, pulling me onto his lap, brushing a piece of hair behind my ear.

“This dress is breathtaking.” he whispers. His hand trails from my cheek, fingers hovering over my bottom lip. I stay as still as possible, keeping eye contact with him. His thumb holds my chin, pulling my face closer to his.

“What do you want pretty girl?” he says, his breath lingers over my mouth and I hesitate for a second to answer.

“I want you.” I finally say, releasing the breath I had been holding. He presses his mouth against mine, I part mine open, letting his tongue circle around inside. I begin to unbutton his top, and unbuckle his pants. When they fall to the floor, I go down with them, on my knees in front of Rafe. He visibly gulps and I begin to palm his length on the outside of his boxers. They were Calvin Klein this time. I start to pepper kisses along his happy trail, teasing the band of his boxers, I can feel his abs flex, and he runs his fingers through my hair.

I finally pull his boxers off, his cock slapping up against his abdomen.

“Hold my hair for me?” I ask, battling my lashes up at him. He nods his head feverishly, swiping it all up into his grip in one go. I spit on the top of his tip and hear his breathing get ragged.

Taking him in slowly, I wrap my lips around his tip, letting my spit drop down his shaft, using my hand to spread the saliva around. I swirl my tongue around his tip and look up at him, his eyes are squeezed shut.

I push myself down his length, trying to my hardest to make it down to his base without gagging. He bucks up into my mouth, making his tip hit the back of my throat. Tears brim my eyes and I feel drool dripping from the corners of my mouth. His eyes are still squeezed tight, his chest glistening against the warm light shining from the corner of the room.

Rafe’s hand pulls my hair up and he pushes back down, bobbing my head on his cock. I let him take over completely, and his hips start to thrust up into my mouth, his bottom lip tight between his teeth, he grunts loudly with each thrust.

“Fuck ‘M gonna cum.” he whsipers, a soft whine coming from his mouth as hes unable to keep his composure before filling my mouth with his cum, shooting straight down the back of my throat.

I swallow everything he released into my mouth, wiping the outside corners with the back of my hand. Rafe releases his grip on my hair and I sit up on my knees, batting my eyelashes up at him for my next direction.

“I’m sorry I might be out of commission for tonight.” he says sheepishly, pulling his boxers back on and scratching the back of his head.

“It’s alright. I owed you anyways.” I respond before standing up and walking around to pick up my shoes. From the corner of my eye I see Rafe frown, and rub his hands on his face.

“You headin out already?” he finally says after a few seconds of silence. I nod and walk back over to the bed, sitting on the edge next to him, attempting to put my shoes on.

“You know, you can stay here if you’d like. Its dangerous out there.” I chuckle at this and look up to meet his eyes. They’re soft, and he has a vulnerable look on his face, something I haven’t seen in a very long time.

“I dont know Rafe, we usually don’t do that.” I say, trying to respect the non existent boundaries of our relationship. We’ve never even talked about what this is, let alone what was allowed. He chews on his lip nervously, another few seconds of silence linger around the room.

“But I want you to stay.” I stop fumbling with my shoes when the words come out of his mouth. I internally debate on what this could mean. It was a line that seemed like it shouldn't be crossed, but looked so inviting to try.

“Can I borrow some clothes then?” I ask. He smiles and jumps off the bed, walking over to his dresser and tossing a pair of boxers and a t shirt. He walks to the ensuite bathroom, rummaging around in the cabinet and pulls out a toothbrush in its packaging.

“You can use my toothpaste. I dont got any makeup remover, but I have some face wash and lotion” he says into the room before starting to brush his own teeth. I slip off the dress I was wearing and place it onto his desk chair, placing the heels under his desk. I plug my phone into the closest outlet, and change into the clothes he provided. When Rafe steps out of the bathroom, I go in after him, using the toiletries he provided me to freshen up.

When I enter back into his bedroom, the last light that remains on is his bedside lamp. Rafe laid flat on his back, with his eyes closed. I crawl onto the bed, coming up beside him. He peaks one eye open and smiles, reaching his arms out to grab and pull me closer, pressing a kiss on my forehead.

I cuddle up against his chest, and he runs his fingers through my hair, falling deeper into sleep with each breath. I wasn’t sure what possessed Rafe to fly home early, and invite me to stay the night at his house, but it worried me that this might mean we had to have some sort of discussion about what was happening. I had no experience with a situation like this before, and Sarah’s words about Rafe and his ill intentions haunted my thoughts.

I thought about what I wanted. I wasn’t actually sure to be honest. I’ve known Rafe forever, I felt comfortable around him and he knows me well. But I also consider that he’s still just a guy with needs and maybe just wants a friends with benefits situation. Which I would be alright with, as long as if he gets to mess around with other people, so do I.

Before I could work myself up anymore about the thought of me and Rafe, soft snores escaped his mouth as he fell asleep. I clutched the side of his body tighter and kisses his cheek, whispering goodnight before resting my head on his chest and falling asleep.

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felassan · 3 days ago

Text

Some snippets from DA dev Luke Barrett on the unofficial BioWare forum, cut for length:

DA:I -

User: "I am still convinced that Bioware cut the healing spells and went with barriers instead because of the Multiplayer." Luke Barrett: I can't speak to any other games directly but I can give a bit of historic context for DAI. The game was initially a more dungeon/linear delving - see how far you can get - experience and there was no barrier of any kind. As a side note: healing has always been a hot topic in design because as soon as you include it there are many other conceits you now need take into consideration for the gameplay - one of which I will call 'the Anders problem'. Anyway, as DAI got the date moved and shifted more into the pseudo-openworld the concept of attrition (see how far you can get before having to return to camp) became less relevant and we needed to help the Players have more moment-to-moment agency around their survival. Unfortunately for various reasons (one of which is the sad reality of designing a game with a shifting timeline) the healing couldn't be re-added so we ended up with more of a mitigation strategy in the barrier system. It went through a lot of iterations but eventually landed on what it shipped with which I would call... acceptable (but just barely). Now, I will concede that a part of the reason it didn't return after that shift was an aversion to holy trinity gameplay specifically for MP but it wasn't the core reason. As a side story, trying to balance the game (as that was my job on DAI - and yes, it could be much better haha) we had to all but force Players to take barrier. It is intentionally the first skill in the first tree for the Mage and all the autolevel (I also handled that) is designed to get it right away." [source]

User: "Merry Christmas Luke! Sooo what was the hardest class you had to balance? [DA:I]" Luke Barrett: "I feel like anyone who was around for the post-launch content will already know the answer to this as it was the bane of my existence when I got put exclusively on MP after launch but the Knight-Enchanter barrier absorbing was a pain. Stuff like that is very challenging to feel good without being broken as they are relative to damage so scaling is fairly open-ended. Too little and the casual players won't get use out of it, too much and the character builders will be wildly OP. We actually had a 'no nerfing' guideline for the SP side so it was a hard battle to fix that silly thing 🙃." [source]

"As a fun fact, I did all the logic for autolevel on DAI and the guideline I was given was literally "make functional builds, but don't make something optimal that you'd play"." [source]

DA:TV -

User: "If you can, say thanks to the people making the no die option possible." Luke Barrett: "Done! My team handles this stuff so I let them know 😊" [source]

"Comically, I designed the majority of the items and skills and I am still finding it fun making awesome builds (been almost entirely doing playthroughs lately" [source]

"Was really important to the team that everyone could play the way that felt best to them." [source]

"Each specialization has a focus around a few specific mechanics, some of which are the weapons or damage types but you can go off script and make it work for sure (this was intentional in the designs)." [source]

"I designed all the skills and so they're each enjoyable to me to some extent. I have been playing through the game over and over the last couple months for balance purposes so I've played them all fairly extensively." [source]

User: "Necrotic sounds like it could be either Spirit or Nature." User: "For Rogue, it replace "poison". For Mage, it replace spirit (Spirit bomb). For Warrior, it's more spirit (especially Reaper), but some skills could work as poison too. So basically they merged spirit and nature." Luke Barrett: "Thats pretty close to spot on. They were actually heavily iterated on throughout development - I can't (at least currently) go into specifics as to why though." [source]

"the target for the progression vision is that you can make a viable build out of almost** any aspect of the gameplay." [source]

"As for timelines, We started DA4 in October of 2015 roughly. The entire team was moved to MEA for about 3-4 months to help it ship and I also spent all of 3 weeks helping out on Anthem. But otherwise I've been on some incarnation of DA4 for about 9 years now - pretty ready for it to release 😅." [source]

"yes, years of working on the same thing can cause some burnout but I've played through the full game probably about 8 times in the last few months and it's still fun (though some of the specific levels that haven't changed in a long time I've done 50+ times easily and I could do without ever seeing them again 😂)." [source]

User: "I do kind of feel that at this point the DA team has put so much work into creating and improving their tools and learning the ins and outs of Frostbite [...] But who knows what the devs in the trenches really feel" Luke Barrett: "I will say it does some things very well and some things poorly, relative to other engines. Personally I really enjoy Frostbite but I've been using it since 2012. In an ideal world, many engines would be viable and developers would make games suited to the strengths of a specific engine." [source]

User: "Since this game is much more stat heavy than prior titles, specifically when it comes to skills and gear, there's likely a need for some balance changes to be made post-launch. Does the game being playable completely offline hinder the data capture side for your team (in terms of analytics), or is this a non-factor?" Luke Barrett: "Generally speaking, most people leave data analytics on so we get more than enough data coming in. Additionally, I'll personally be watching several channels for things that are underperforming (relatively speaking) and not have to nerf anything. The rpg side is vast though and I'm sure people will find OP combinations/synergies that might need 'adjustments' but as long as it's fun and not an "I win" button that trivializes combat I'm pretty cool with it." [source]

Luke Barrett: "I can safely say there are many builds for each class that will feel very powerful if you're not on the highest difficulty 😉. What I'm really excited for is when the guides comes out that show people the fastest way to get some of the uniques that unlock 'special' gameplay 😊. Let's just say I love the feeling of rushing to Patches in DS1 and kicking him off the bridge for the Crescent Axe (iykyk)." [source] User: "Speaking of guides. Will there be a guidebook like there was for DAI? " Luke Barrett: "Not that I'm aware of but I'm happy to help feed info to somewhere like fextralife or the dragon age wiki after a week or so to help with those pursuits. Have to leave some time for exploration and discovery before the optimizers streamline the experience 😉" [source]

"Effectively, at least until the game launches (and likely a week or so after), you won't get anything interesting out of any of the devs save Mike Gamble or John Epler. Longer term I hope to be very active, at least for build mechanics and all the combat/rpg nuts and bolts conversations." [source]

"I started "da4" in October 2015 and so after 9 years of effort (minus 3 months on Andromeda) I'm quite excited for tomorrow and the launch week. I don't know if I'd say nervous, I feel pretty confident in the product, but definitely that eager kid before Christmas feeling 😊" [source]

"As the person who did all the balance, I will say that if you are comprehending how to make a cohesive build and understand the combat mechanics, you should play on Underdog. One of the downsides to having a lot of power growth vectors is the difference between people who engage vs those that don't becomes a chasm quite quickly. If you start blowing enemies up rapidly, turn up the difficulty (or play on nightmare where that will not be the case) - basically if it ever feels super easy or like enemies are health sponges you're probably on the wrong setting for your skill level. The custom difficulty settings are there to make the gameplay enjoyable (for whatever that means to you)." [source]

"As a tip from me, the balance is subtly tipped in the players favor until the last fight of the 3rd combat mission. Be warned if it's feeling too easy you may want to wait until after that to decide." [source]

[on DA MP] Luke Barrett: "It was actually pretty fun but very much not what most people wanted us to make (including internally). Also we had, let's say, limited staff who had a passion and background in MP so it was definitely the right call to go SP only. Now, it would have been nice had we just started that way but so it goes sometimes." [source] User: "You still play it yourself from time to time (DA MP), or have you left it be?" Luke Barrett: "After playing variations of DA4 for so many years (9!!!) it's hard to go back to anything with DAI controls/gameplay speed. Even the initial Joplin prototypes I was doing were much more snappy/twitchy - for everything good about DAI the combat was definitely in the middle of two different styles." [source]

[on aiming bows] "we actually used to have separate buttons for ADS and ranged attack but it was wildly overloading the controller. These RPG games need controllers with at least 2 more buttons (fingers crossed for the next gen)" [source]

User: "After the last few games, I'm really surprised by the current skill... tree?" Luke Barrett: "I call it a skill graph - aside from the beginning where you have 3 choices the entirety of it is 2 choice splits and it'll essentially make a build for you. Just go a little at a time and aim for whatever specialization seems most fun to you 😄" [source]

"Loot is not random so theoretically guides with drop locations should appear pretty soon." [source]

"Yep, Spellblade is the only spec that directly impacts fire damage but you can get benefits from most of them and still go fire. As for the specs, yes it would have been nice to support all of them but just wasn't in scope unfortunately. Mage has Mourn-Watch, Shadow Dragons, and Antivan Crows specializations - only the Rogue has a Veiljumper one. Deathcaller left side you can go beam based and use a Fire weapon. Evoker you'd likely need to do a hybrid ice/fire build." [source]

User: "Bit of a side question, but for those who intend to make more characters, is BioWare considering upping the amount of playable character slots you can have (currently at 3)? Or is there a hardware restriction here given the game is offline playable?" Luke Barrett: "Don't quote me as I don't handle the technical side of this but my understanding is we have to allocate a specific amount of HD space on the consoles so we basically have to pick a limit, relative to our save file sizes, and then divide that by number of careers. I'll inquire if this is something we can increase with an optional download or something but I suspect consoles are stuck that way, unfortunately." [source]

[on Patch 1] "It's been awhile since I actually did the content for this patch so I'd have to check but I have a pretty anti-nerf policy for SP games. I know I fixed up a couple enemies that weren't as hard as they were supposed to be and definitely boosted a bunch of synergistic things though. I'll take a look tomorrow but for those that don't know, the turnaround time on these things is about a month of it's not an emergency due to certification process with consoles. Longer term my goal is to keep an eye in telemetry of any underused abilities and items (or enemies with too many kills under their belt) and audit them just to double check if they need a boost or if people just haven't figured them out yet 😉." [source]

"The equippable items are all predetermined with a minor exception*. Some items are class specific (all the weapons, a small amount of armors and accessories, 2 runes) so when you play a different class you'll see your classes 'version' of that item. Things that are random (from a table/pool) are valuables. Exception: Near the very end of the game we do a few checks on what equipment you haven't acquired. A bunch of those final drops, and inventory on the final merchant, simply find stuff you don't have and give it to you. That's basically the only major RNG we have with loot. If you notice even 99% of the skills and item mods employ an effect after a condition is met X times rather than a more traditional 'proc chance'." [source]

[on modding] "Once this starts to pick up, feel free to PM me if anyone needs help 'finding' assets or has questions about how one might mod something. We don't officially support mods buuuuut we don't have any kind of anti-modding stance either" [source]

"To give the high level gist of the resource economy: - each class starts off with minimal ability usage, this is intentional to force people to learn the other combat mechanics as they're a necessary skill and it's easy to lean on a crutch like ability spam and kiting - abilities are designed to feel powerful on use, thus they all have a decent cost and can't be spammed* - weapon attacks generate your resource - in the bottom right of the center skills area is a node to make each class's resource easier to manage - halfway down all starting segments (N, SW, SE) there is always a node that boosts generation - there are +max nodes on all sides of the skill graph for each class, this is particularly important for the Mage as they start each fight at max - each class can build into being ability focused but starts intentionally rounded - loastly, the first ability is always a resource spender and 1 or 2 of the next available ones will be cooldown gated. It is recommended to have at least one cooldown based ability slotted" [source]

"So loosely the rogue momentum works like this: - each ability costs 50 momentum - hitting enemies generates ~2 momentum per hit (base), you get extra for bow weakpoints - when you are directly hit, you lose 15% of your current momentum, this means the more you hold the more you will lose (this loss has a small cooldown so you don't lose a whole bar when you get hit rapidly) - momentum carries forward between combats (compared to warrior rage which decays when out of combat) If youre having issues, make sure you get that skill in the middle section that reduces momentum loss when hit. As a helpful tip, the Quicken buff generates small amounts of momentum each second so it's a good way to get more if you're having issues." [source]

"I highly recommend using the belt that grants Quicken early game until you can generate momentum faster yourself. And yes, the time dilation affects everything in the world except the Player so all your buffs and things still tick at normal speed" [source]

User: "If I knock an enemy off an edge, if they were supposed to drop something will it appear on the edge, or is it lost for good?" Luke Barrett: "It should appear on the ledge. I will say the 'real' loot from enemy drops are all hand placed. The actual random stuff is just valuables and materials." [source]

" The way it actually works is very complicated with a lot of necessary exceptions but loosely - each ability has a base damage and ones that hit multiple times have an offset multiplier. - That value is multiplied by the sum of all your stat bonuses, conditional bonuses, resist and layer modifiers. - We then subtract enemy defense and multiply by 1-resist (with penetration being calculated here). - this new damage then gets multiplied by 1+crit+weakpointpoint (so those bonuses always feel meaty) and then multiplied by a random number between .95 and 1.05 just to give a little range to the floaties (basically just a presentation thing) - we then multiply again for buffs and debuffs so they, again, always feel meaningful - lastly, we take all added damage and add it flat on top" [source]

"Specific enhancements make enemies immune to the matching affliction. For example, Fire Enchanted enemies are immune to burning. Juggernaut enemies are immune to being staggered but otherwise it should work in everything." [source]

#dragon age: the veilguard #dragon age the veilguard spoilers #dragon age: dreadwolf #dragon age 4 #the dread wolf rises #da4 #dragon age #bioware #video games #long post #longpost #mass effect #mass effect: andromeda #anthem

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drenosa · 17 hours ago

Text

Jaune & Juniper on regular lazy day:

Jaune: *Relaxing on a hill in a pleasant meadow*

Juniper: *Approaches him before letting herself flop down with a thud*

Jaune: Hey girl. Have you been enjoying yourself?

Juniper: *Let's out a long breath of contentment as she stretches her limbs*

~~~~~~~~~~

Jaune introduces Juniper to his girlfriend Velvet:

Jaune: Now, just so you know, she can be a bit shy when meeting new people. Just take it easy and it'll all work out just fine.

Velvet: I somehow feel like this isn't the first time you said that.

Jaune: *Has said the exact same thing to Juniper just before bringing Velvet over* No idea what you mean. But for real, she'll like you. I'm sure of that.

Velvet: *Sees the big fluff that is Jaune's Jackalope* I... take it that's her.

Jaune: It's her. Juniper! Come here and introduce yourself!

Juniper: *Lumbers over cautiously, sniffing carefully, let's out a huff before flopping over with a hefty thud*

Jaune: She likes you! Man, and here I was worrying for nothing. Right, I'm gonna go get the picnic basket. It's a nice day to just do nothing in the pleasant sun. *Trods off with a big smile*

Velvet: *Has been standing rigidly still since Juniper looked her over, now locked in a staring contest* I might not be your buddy, but if you think you're above me, I'll remind you that I am still a very kickass Huntress.

Juniper: *Stares in derogatory from her position on the ground, huffing in contempt*

**Fun Fact! Whilst the so-called "Bunny Flop" is a sign that a rabbit is feeling incredibly comfortable and safe, it does actually have contextual differences. A rabbit might "flop" next to another rabbit not out of a sense of safety, but to say something like "you're not important" or "you're not a threat at all"

#rwby #rwby shitpost #jaune arc #juniper #velvet scarlatina #velveteen knight

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aerequets · 1 day ago

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Ur art is such an inspiration and motivation for me, as a fellow artist. I’ve been following ur stuff for a bit now and I was wondering how you decided to draw loid, yor, and anya the way you do. I say this bc I really want to start making my own fan arts, but i struggle to take this anime style and have these character read as [insert character] without it being in a “anime style.”

And I guess this applies to any character you want take from a media, and translate it into your style. Bc i don’t necessarily think ur art style is considered “anime” i kinda just see it as an abstraction ig. But even if it is, it isn’t in the style of anime show is yk? Yet the characters read as who they’re supposed to be.

And I think a while back you u mentioned that you were struggling on decided how to draw loid. ig i wanna know How did you come to the decision that “yes, this looks correct and I wanna draw him like this.”

Is it finding defining feature and proportions? Just messing around until you figure something out? And I assume you make a character sheet to keep it consistent?

Like i literally go to art school but cant draw anything without a reference photo and it killing me 😔💀💀

Sorry for the yapp i’m just down bad rn and really love ur work. Please help be get out of the reference photo trap😭

Also sorry if this reads weird and has errors i’m sleep deprived and can’t bring myself to go back and reread

WHAIUGOUGH???? UR TOO KIND??? THANK U

i will try my best to answer below, but i dont think it is anything profound or super secret lmao

so i think that artists get really caught up with finding/establishing a style when they are first starting out. i say this because i was no different. to me it was like 'oh if i have a style then i am a Real artist instead of just a copier'

but like, i think that order is backwards. like the more that you draw things you enjoy, the more those drawings will become your own and in your 'style' if that makes sense. heavy emphasis on the quantity here. you just gotta go really at it. and the best way to do this is through sheer quantity tbh.

however at the same time, i dont really agree with the whole 'draw x things per day every day' thing cuz sometimes thats just hard man. i mean you mentioned you were in art school so you're probably drawing every day anyways, but for a hobbyist or fanartist (me lol) its mostly based on whether u feel like drawing or not. Which is why its rlly cool when you have a show/book/movie/anything you're really into which makes you want to draw more! it becomes something fun rather than a chore.

so basically, dont view a style as something you have to develop right away, or turn drawing into a chore, because that will be very counteractive trust me.

another important thing i wanted to mention, you said "reference photo trap" but ITS NOT A TRAP! USE REFERENCES!!! REFERENCES ARE IMPORTANT AND GOOD (i am assuming you already know this, but using references is not the same as tracing. just to make it clear)

this is another thing common with newer artists (and of course how i used to be), where you feel like you have to draw 'from your mind' for it to be an indicator of any skill. NOT TRUE!! you need to use references to get better!

lastly, to answer your question (as best i can lol) there was never any point when i decided 'yes this is it' when drawing. you just draw and draw and keep changing and growing. it is a little of everything you said (defining features, proportions, messing around) but it is also just drawing a lot and having fun! :D oh and i definitely do not have a character sheet. i am not anywhere near that organized LMAO

#dia talks #spy x family #my art #art advice #i guess? LMAO #asks

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lumineary-arts · 2 days ago

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Can you explain more about the Thuzi relationship in your murder drone swap au please? I am in LOVE with your AU and while i am a Nuzi shipper for life, i am interested how Thad and Uzi relationship is like with them being in V and N’s role respectively.

This is gonna be a DOOOOZY so sit back and enjoy the essay!

Back in the mansion, Thad and Uzi 100% had mutual crushes on each other. Uzi was the tomboyish maid who didn't always love doing her duties and she ESPECIALLY didn't like being bossed around, but there were a few things making it worth it. For one, there was her bond with Nori, there was the fact she needed to look after Doll, and then there was Thad.

In the mansion he was always super friendly and chill. Very outgoing despite their situation. Even though Lizzy gave her shit a lot of the time just for being.. her, Thad was extremely kind to Uzi. He'd lightly flirt with her a lot, they bonded over her interests, and it was obvious to both of them that they had a good thing going.

When their memories got wiped and they got turned into Disassembly Drones, his personality seemed to do a 180. All of a sudden, though he was still outgoing and flirty, he was also violent, smug and acted, for a lack of a better term, like a douche. She still liked him though, she felt like she could kinda see beyond that. I mean.. sure they spent less time together, given how he spends a lot more time ripping the entrails out of whatever poor worker drone he set his eyes on... but he was still Thad. They had a.. thing going on... she thinks. She can't remember. But, she still liked him.

But when she met N, this sweet and nerdy worker drone who actually got along with her really well and seemed to always have his heart in the right place, she really started to tolerate Thad's "bully" behavior towards him a lot less. N wasn't really throwing punches back in Thad's way so that made it hard to watch. She was usually the mediator between them and being way more hot-headed than N was, she often got into arguments with Thad every time it happened. By Episode 3, she realized she wasn't crushing on him like she was before.

Even with that though, she still cared about him so much. When he sacrifices himself in Episode 6 she's beside herself. Overall, Thad's still extremely important to her and she does love him, just not in the same way she did before. They're very very close to this day.

On Thad's end of things, his personality change after their transformation was more of a facade than anything. He took on a violent, macho persona because it made him feel safer and more in control of himself, even though he still had the traumatizing memories of the mansion. He remembered Uzi and their mutual crushes, his feelings for her hadn't went away. But for whatever reason, he found it was easier to push those emotions away because they just reminded him of the mansion and what Doll did. And THAT, he couldn't handle.

He prioritized killing worker drones because in some ways, it was fun and he was at the top of the food chain. If he did that, he'd survive, so would Uzi and Lizzy, and he could get a sadistic kick out of ripping his prey apart. Something that he used to cope. This was his life now, he might as well enjoy it.

But then there came N, convincing Uzi to make peace with the worker drones and somehow Thad ended up.. "allying" with them in a way. N was scrawny and an easy target and so obviously had a thing for Uzi, it was lowkey annoying. Thad played along with their truce, but he still took the opportunities to mess with and pick on N since he felt a weird bit of antagonistic hostility toward the little guy.

I think Thad could sense Uzi's feelings for him fade over time, with every moment he stayed uncooperative and antagonistic, and it lowkey saddened him. But he couldn't really change how he was acting. It was his way of coping and if it meant losing Uzi overtime, then.. so be it.

But luckily for him, she never seemed to wanna drop him completely. She still cared about him and he still cared about her. His romantic feelings for her faded over time, especially after she and N started dating for real. Besides, he's alive, they're still friends, he has another friend in J.. he can finally kinda start living a normal life.

So they're good. He and Uzi are alive, and they're good. <3

chat its 2am does any of this make sense to you

#glitch productions #murder drones swap au #lumi answers!#lumi rambles #uzi doorman #thad murder drones #thuzi

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mysteryanimator · 2 days ago

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Breaking down Castlevania Nocturne Season 01 - Episode 04 "Bedroom scene" (almost) shot by shot!

Breaking down episode 06 / Breaking down episode 08

(Word count 6.3k I am so sorry HAHAHA)

I was heavily considering not going through episode 04 mostly due to being in the public eye but I like talking about shows I enjoy, regardless if my writing is shitty or not. By the way, the title says almost go through this shot by shot only because there's a 30-image limit. This scene is LONG so I can't catch everything but I can catch most.

By the way, before we start, a massive huge thank you to the Nocturne people, i don't think they'd read this, but if they do, all the scenes are really well crafted and interweave soooo nicely to their next point of interaction. I would love to know everyone who worked on this section, but if not I do hope they hear my utmost thanks and applause from all the way from Australia.

(Actually, just everyone who worked on Nocturne take a standing ovation from me lol, the show actually changed my life lmao, but I digress)

To introduce people who may be reading my analyses for the first time:

I implore you to rewatch Nocturne after reading this and make your own thoughts because while this is an analysis, it also comes through my own lens. These are just my thoughts and by no means end-all-be-all!

These are just observations based on my special interest and study in the field of in media production and analysis (i haven't been in that field for a while but I'm trying to get back into the swing of things HAHAHA)! Despite all of that, this is for fun, which is why I will be writing a lot more casually, so please don't take this too seriously! This not only helps me out as a student to become aware of how stories are put together and, in turn, how to apply them and make my own, but it also allows me to impart that excitement to you! Shot choices matter, especially when you have only 8 episodes, a deadline, a budget, asset restrictions, and so on. It all has to count. Everything matters.

Passionate creatives care and there is more than "the curtain is blue just because." The times when things slip under the radar and are put there just because are mostly due to executive meddling, budget restrictions, and deadlines.

With that said, this is actually a lot more thicker than previous breakdowns, WHOOPS. So please feel free to read this in chunks, and I will warn you that my grammar is not the best so you might have to bear with me here! As a warning, I will be using the words like sex, genitalia, etc. I only mention the actual acts of sex when presented as a joke.

Why am I putting in this last close shot of Tera? It is important because the whole scene beforehand has us mentally prepared for a fight or something a lot more action-like. The walls behind Tera and Olrox's room are REALLY similar, therefore once we see this inn room, we make a split-second assumption we're jumping forward in time with the protagonist. A picture says a thousand words.

Right up until the Olrox and Mizrak scene, our protagonist and antagonists both have very distinct places of associations and visuals, which often give the audience clues about their roles. They're established immediately from episode 01 and don't divert that line, that is until inn room. You can argue the line waivers in the courtyard, but the distinction is made REALLY clear in this episode.

The main cast, aka our protagonists, their places of association are usually amongst nature and people. If they're inside buildings, it is small cramped space, very much lived in and not completely upkept BUT it is what makes them very human. Our antagonists are associated with grand buildings and detailed windows that almost touch the ceiling. Gold trimmings. Vibrant rich colours that could only be afforded by the rich. If not the massive chateau, we have larger-than-life catholic churches, with stone walls higher than the eye can see. Our antagonists are congregations and establishments. Our protagonists are individuals.

I'd love to put some examples but I've used up my image slots, which means I'm making you rewatch (jokingly you don't have to) Nocturne from ep1-ep4 making you really conscious of the backgrounds

We as an audience have already slotted Olrox with with high-class, even though we as an audience know there's more to him. Olrox is designed with visual cues of the antagonists. His clothes literally could be wallpaper for the chateau. Not only that, the way he stands and holds himself very much leans into some of the stereotypes and tropes of the upper class that are often shoved into the media we consume. Then Mizrak, we do not see Mizrak anywhere besides the church, just strictly following the commands of the Abbott. We as an audience already have preconceived notions about religion, especially catholicism in the real world. Also, we have an established view of how Castlevania goes about religious characters from the previous series. Mizrak appears to have no other purpose but to be one of the main antagonist's guards.

This is a subversion.

Subtly this is going to tell us there is so much more with Mizrak and Olrox, and how their values align more with the protagonists rather than the villains and antagonists of the show. However, since they already began as oppositions to Richter and co, they need to earn the trust of the audience first so then they become more likable whenever they do have to earn the trust of Richter and co. This is our first building block. A step towards trust towards us and a step towards trust between Mizrak and Olrox.

(The location of their private conversations is REALLY important because they also tell us a lot about the characters, but I'll save it for the ep 3 breakdown when I get to it)

The sequencing and length of these shots are really important for the first half of the bedroom scene because we have exposition to get through. The scene has to be set out very strong from the start BUT, it also has to ease us in because this is a drastic shift, not only visually with naked characters but also a shift on the audience's expectation of already established characters. This is why we need this window first. We need to ease into this bedroom scene, or else we're going to be way too distracted by what is about to be shown.

Going forward SOME of these will be gifs to help illustrate my point. After all this is an animation! This is really important to show you in motion.

This pan down, oh my god this pan down. Camera pans help to reveal new information off-camera or to showcase a shift in tone/perspective. Suffice it to say THAT IS A LOT OF INFORMATION and a new shift in tone. This long shot is here to help establish our setting more clearly, what characters we're following, and what is happening. What are we establishing here? Mizrak and Olrox had sex in an inn room, that's all this shot is. It doesn't have to be anything fancy, other than the fact Olrox is censoring his own and Mizrak's crotch but that's it. As simple as it is, it is extremely effective. Yet it's so pulled back and obscured by the flower we can't be completely certain which is why we need the midshot of them that follows after, which helps to continually ease us into the scene. It tells us so much with so little. Show, don't tell is not only a powerful tool in visual arts. It leaves the audience to their imagination and I'm pretty sure a lot of us can fill in the gaps (I see you writers, I've seen everything on AO3).

This a midshot of Mizrak blankly staring up at the ceiling. Then they both turn to each other before Mizrak leaves and Olrox watches. In silence.

It's simple.

It's straightforward.

It makes you throw your arms up and go "what the fuck is happening???" It works. We're easing into this scene which is what we need. We're distracted by our own shock. So we've gone from our establishing the bed to establishing in our faces that, yes, it is indeed Olrox and Mizrak and they are both naked. That yes, they had sex and that Mizrak decided to stay for the night. Reasons? No clue and it's not important plot-wise, we just need to wrap our heads around that it is THESE TWO. It needs to be simple.

The lack of dialogue gives us room to breathe and to think. This is why this shot feels and holds on for what feels like a long time, in silence.

It might've changed but last I recall on average, shots will hold for 2-3 seconds. This is due to preventing the audience loose interest because the unchanging visual stimuli (and let's be frank attention spans are shortening, therefore media will change to reflect that). HOWEVER, a shot length heavily depends on the context of the scene and what you're trying to specifically say with a single shot, therefore making it super short OR super long. This one shot is six seconds. It allows for the dramatics to be amped up and it allows us to get through our shock for a bit longer since we're only TWO SHOTS into this scene, and right after this we're jumping straight into exposition and their deeply intricate dynamic. This is out six seconds to scream our heads off in shock and laugh in disbelief before we get hit with Mizrak's existential crisis.

The silence and the simplicity of it all also strengthen their mysterious characterization that has been established in episodes 01-03. We never see how they got here OR the act itself. However, what is really telling of these characters is their lack of body language and facial expressions. From episodes 01-03, Mizrak and Olrox have been seen to be very reserved characters until their fight in the courtyard. Their last scene together was fighting, in a courtyard. Now we're seeing them, post-sex, with neutral expressions and body language? The lack of any answers, the lack of anything dynamic happening from this shot and the last shot makes the audience absolutely learn for an answer. We're now invested in this side plot. What got these two men to be in this vulnerable state? How do we get the answer? We sit, we wait, we watch that vulnerability get earned. Mutual vulnerability that is.

This gets into personal opinion here so feel free to skip, but I really really enjoy how we get absolutely no answer or visuals, which might be a strange take for someone who does of fan-anims and fanart of them coughcough. We as an audience can get through literally two images and understand they had sex. We don't need to be spoon-fed. Media is in my personal opinion is more fun to engage in where we get just enough to know what going on, but we can fill in the blanks ourselves. We can read between the lines. This is adult animation. This is not to say I'm opposed to an explicit scene with them later down the line, I just think this is a very good way to establish the dynamic they are going to have. It has me way more emotionally invested in these characters which I believe is far more important because it tells me we're in it for the long haul and we're going to see a relationship actually develop in real time, both their high points and pitfalls. Also, I personally feel this whole scene is building towards something we have yet to see. I do not believe this is the last time we will see them put in a situation like this due to the whole emotional weight of them being naked, but that's theory territory LOL. I'm so happy to be proven wrong though.

This long shot is slightly tilted up to help to censor genitalia but it is again a REALLY SHOCKING SHOT. I personally don't know any recent Western animated media that has done this, especially of a male couple. Even if there are some animated examples, this is not a very common thing, especially to this extreme.

Now we're actually getting into the meat of their actual discussions, knowledge, if you will.

By the way, the question Olrox is presenting, is already information everyone knows. Actually, a better word is presumed. We saw the abbot in episode 02. Olrox explicitly states it in episode 03, asking "Why is your abbot forging Night Creatures for the Vampire Messiah?" There's technically no reason to say this BUT for this scene, it works because we're still distracted visually. We still need to ease into this, much like how Olrox needs to ease himself into this conversation before getting what he wants truly. Mizrak's opinion.

This midshot of Mizrak's back is so much important then you think.

I can be wrong, but I feel like you're supposed to be half-distracted or get whiplash by Mizrak's back. Frankly, we're supposed to get major whiplash from these two characters naked for a moment. These characters are usually completely covered from the neck down. This also makes the conversation they're having to be put under a way different lens. If they were clothed for this entire scene, the emotional weight would almost be non-existent.

Nakedness/lack of clothes is vulnerability, especially for a knight. Especially for a guarded vampire. I will be talking A LOT about vulnerability, so I hope I don't wear out the word too much.

You can perceive this shot in two ways and I think both work in this scenario. It can showcase even when naked and vulnerable, his unwillingness to open up, unable to fully face his own truths, the truths Olrox lays out for him. Yet, you're also having your back to a vampire, a perceived threat, which is a very vulnerable position to be in. You can't see your opponent.

It shows Mizrak trusts Olrox physically, but not emotionally. Not yet. We're going to watch Olrox earn it and for Mizrak to reciprocate it back throughout the series. Also just in general, sex requires vulnerability, choice AND trust, therefore even the implication of sex, those meanings get slapped down onto these characters. It means that they have the means to trust, be vulnerable, and have a choice with each other physically, but emotionally, they're building up to that.

This medium shot will be the ONLY SHOT we get of Mizrak in his boxers. This is plainly in part of the fact he's hurriedly getting dressed BUT we need to see his hesitation, him slightly lowering his clothes, him actually listening to Olrox.

Olrox is right.

Though Olrox isn't here to converse about other people to Mizrak. He wants his opinion.

Close-up shot of Olrox!

Close-ups are used to make the facial expression of a character the main focus. It gives us clarity on the character's thoughts and feelings on a particular subject, even when lying it can already tell us a lot about a character in the moment. The character themselves are the sole focus of the shot, nothing else. The same goes for objects. This also means when you do the opposite and obscure the face...

(drum roll to the next shot)

This is a great close-up shot to cut to because this has Mizrak fully turn AWAY from Olrox, put on his armor, and paired with the line "I don't know what you're talking about." We're getting visual and audio confirmation that Mizrak does not want to acknowledge his own thoughts, in turn, he will not face Olrox and the audience.

He is actively putting his guard back up as soon as Olrox prods for his opinions. From episodes 01-04, all we have seen him do is be at the church and stand alongside Emmanuel, that's it. He is not a leader, a pillar of the community like the Abbot, he is a follower. A guard dog ( like Drolta Tzentes, though she has way more personal agency than Mizrak). He never voices his own opinion, his own thoughts. To do that would need you have the strength to be

VULNERABLE!

By this point in time, he's not fleshed to the same degree as most of the other characters. Richter gets the episode 01 prologue with Olrox being his main point of trauma. Tera gets her speaker backstory fleshed out along with establishing Drolta and Ezerbet's longstanding history. Annette and Edouard get a really well-established (btw beautifully done too oh my god) flashback as Annette recounts the past. While Maria has no flashbacks, her character gets to have her individual values and attitudes fleshed out due to her screen time and her connections to Richter and Tera.

Mizrak though?

Not much is known about him besides the church. We put this label on him simply due to what the show has given us, but through Olrox we're getting information out of him because clearly Olrox has seen there's more than meets the eye. Especially when Mizrak drops the line "when the world abandons you." Olrox's investment is also now our investment in discovering who Mizrak is.

Mizrak however, does not want to get personal feelings in the way of duty, a common trope in media for knights, soldiers, and religious people. So he shuts him out.

Multiple.

Times.

This shot pans up, moving Olrox from lying down, which is more casual to more structured sitting pose. Specific movement is IMPORTANT to capture, so instead of just cutting to another shot, you move the camera with it. There's a tone shift. We need to see him go from lounging to making a very direct statement. Mizrak is ignoring his question so Olrox has to be more blunt with his statement because he needs him to listen- so the camera and the his body language have to clearly state "I'm not joking or fucking around anymore, just listen."

What he says is absolute truth though, this is exactly what happens in episode 08. "They're revolutionaries, Father. We're here to crush them."

The stark difference here is crazy in this medium shot.

Mizrak. His head is purposely cut off, he's practically clothed, with his chain mail on. He's standing up and his posing is quite stiff with his hands almost balled into fists. You also might be thinking, why is his chest and boxers the only things we see???? It makes him appear so much more clothed up and, therefore a lot more guarded. Cutting off the face means we don't get to see his emotions, he's trying to ignore personal feelings on whether it's right or not.

Olrox on the other hand, is full body, we see his face, naked, and despite his very direct statement in the last shot, he still somewhat casually sitting. Olrox is STILL trying to get Mizrak to be vulnerable and trying to get HIS opinion.

Funnily enough, I've talked about this close up shot before in BOTH episode 06 and episode 08's breakdowns. However, I've never actually discussed this initial way Olrox approaches him.

Olrox again, prods at Mizrak and this time Mizrak does have to sit with that thought. "Do you think he's right?" "Are you sure this path is right?" He's asking if what Mizrak is doing is good. If the horrors committed are justifiable. Both the way their expressions tell us that Mizrak does not think it is, and Olrox KNOWS. This close-up is INTIMATE. We're getting deep into personal matters (well try)

Side profiles not only give an air of drama to a scene, but it usually means there's more to the bigger picture since we're not seeing a person's full face. We're deliberately only seeing one side of the picture.

This is a split-second shot and I've discussed it briefly in another breakdown, but now I can get to discuss it more in-depth now as it's own shot!

This is a top-down shot, putting these characters in a place of vulnerability and weakness. Olrox is put even lower than Mizrak in this shot, he's far smaller and takes up less space in this shot, therefore giving him less presence and less power. Episode 03 had established Olrox was the man (or should I say vampire) in control of the situation, hell, the shot just before this one had Olrox wrapping around Mizrak, again trying to get under his skin. Yet now he's suddenly placed the lowest in the power dynamic.

Not only this, the camera is packed in so tightly and close, it's practically suffocating. We have no visual room to breathe, almost like we're suffocated with the evil that prevails in the world and suffocated with the weight of the question "Are you sure this path is right?". Olrox's eyes are the only aspect we see of his face and Mizrak's eyes are the main focus of this shot.

And they both look horrifically sad. An emotion we have not seen either of these characters make.

This shot does not last long but it shifts the rest of the section completely, even when the moment of concern is gone. It lingers with us when dismissed because it does not match any other scene we've had thus far or what we have known of the characters.

This one specific close-up is very important because it comes back to us in episode 08 and episode 06.

It's the holding from behind and the very concerned look from behind. Mizrak only ends up mirroring ONE of the behaviors. It's the concerned look from behind in episode 06 (timestamp is 19:25). They're put at the same heights, both talking about the evils of the world. Tin foil hat here, Mizrak may end up doing the other behavior, holding from behind, in another season.

The weight of this shot is so heavy that it is treated so differently amongst all of the other shots in this entire interaction. It also holds on for much longer. It holds for 5 seconds. This is important. There are little character moments from Olrox, like how Olrox looks up at him and he holds onto Mizrak as long as he can before has has to let go and watch him walk away. Duty, before desire.

A moment that Olrox has to go through once again for episode 08.

In response to a line. "So we use our heads." Olrox jokingly goes "Or lose them."

This long shot is not only tilted up but it's on the slightest of angles as if to showcase how we're shifting the mood and tone of the scene. We are losing the gentleness and sincerity of the moment, back to the very conveniently placed knee to censor Olrox. We have Mizrak pulling up his pants. Whatever vulnerability they had, it's gone.

I don't think either of them wants to sit in the thought of their existential crisis because not only Mizrak is clearly going through one but Olrox is too. While I'm sure they were sitting with their own thoughts for a long while before meeting each other, it's only forced to be on the forefront and confronted after meeting each other.

So the "lose our heads" line ends up coming back around to where someone actually ends up losing their head in the same episode.

While first, it is very comical because I've seen so many people make the joke of "Olrox gave Mizrak head" (which doesn't help because Olrox smirks at him after passing him the head), it also solidifies Olrox's truths to Mizrak. People will lose their heads under Ezerbet, and there is evidence not even hours after their discussion. Despite the humor, Olrox is deeply concerned.

Olrox is always right. Whenever he makes a statement, he has always been right and has always been proven right. The only thing he hasn't been right about is episode 08 when he says "If you go back, she'll kill you." However, in terms of technicality, Mizrak hasn't gone back to Ezerbet/Sekmet. This will be addressed in season 02 most likely and even then I think Olrox will be proven wrong. Maybe? We shall see LOL.

Which while we're at it:

He eyes Mizrak the ENTIRE time during this very small interaction, and while he eyes him, we get a close-up of the book somewhat revealed before hiding it under his coat- silently communicating to him. This will eventually lead to episode 06. All interactions lead to effecting the next time they meet. I just really like this detail, though that might be a corn plate moment I'm not sure HAHAHA

Ok lets jump back to the bed scene!

So this follows up the "So we use our heads." "Or lose them."

This is said insincerely, so Mizrak jabs back at him with the same insincereity and less seriousness of this scene. Coupled with the fact we have a panning shot of Mizrak pulling his pants up, aka, pulling up his guard. Important note again- his back is STILL FACING HIM. Even with the chainmail fully covering him.

Also, I just really enjoy the animation here, like the way his arm goes from in front of him and straight, and then goes to being pulled back and bent, but that's a side tangent.

Low-angle tilted down shot. It ends up placing Olrox in a lower position of power than Mizrak in this current interaction, coupled with the fact that Mizrak towers over Olrox when he's standing up.

Despite us not seeing much of Mizrak besides his chest- he's fully clothed with his tunic FACING Olrox. While Olrox is STILL naked. Mizrak is shielding himself behind the cross. His faith. Olrox still is trying to delve into Mizrak's vulnerabilities and Mizrak won't give in.

Props to everyone who worked on this shot he just looked really pretty here.

This shot is tilted up and a close-up, an opposite shot to the previous one. It feels daunting, coupled with that line especially. Unlike a tilted-down shots, which make a character appear more vulnerable and weak, a tilted-up shot can make a character feel more in control of the scene. It makes him appear unwavering and solid in his stance Also, this is so specific but we haven't had any solely focused Mizrak shots for a hot moment now. The last time we had it was when he had his back turned to Olrox- now he has all his clothes on and is fully turned towards Olrox. Say it with me !! Mizrak's guard is up !! He's shielding his vulnerability !!

He feels way more emotionally safer to face him guarded up and a lot of his language has very very subtly shifted from when he had clothes on versus off.

Also thank you to everyone who worked on this shot, Olrox is very pretty here too.

Instead of having a tilted-down shot to do a verse version of Mizrak, it's pretty much straight forward close-up shot, which means the equal power dynamic in this conversation has returned. Simply because Olrox begins to prod at Mizrak again with the line "Who pays for it? Will you?"

Oop naked Olrox. However, despite Olrox's ass being very clearly on display, he's not the main focus since his face isn't shown. He's only here to showcase the visual contrast of him being naked to a fully clothed Mizrak. Even his dagger is strapped to his thigh, which only means there's even more layers to his protective bubble he surrounds himself in.

This close-up is important because it's a declaration of how much Mizrak doesn't care in the slightest. His facial performance, aka what we're focused on, doesn't look like he's lying or secretly worried either, he's genuinely disinterested. He just wants to get dressed and leave because Olrox keeps prodding at HIM for his opinions. As disinterested as he is for whatever Olrox has to say, he's disinterested in shedding his opinion.

This midshot is so casual. He is very non-nonchalantly leaning back with a smile and jokes about demons. The camera moves with Olrox. Camera pans normally mean revealing new information visually, as if something is off camera, similar to the bed reveal at the beginning of this whole scene. What Olrox is doing is revealing new information. Also, he is on the very right of the screen then slowly gets pushed a little more towards the center, but still on the right. Having a character placed on the very cusp of a stage makes the visual balance feel really off, therefore as an audience, we feel really off-balance. So couple that with Olrox's humourous attitude with an information dump...

This so interesting because it sprinkles in that Olrox knows a lot about the forge master ability, hell itself, and a lot more we don't get privy to. He knows way more then he lets on.

This ONE LINE gets three different shots. The very casual, humorous sentiment gets interrupted visually with extreme close-ups of Mizrak who is clearly peeved and tense about this. The quick succession of jumping to different images makes us tense up. This is due to the timing suddenly speeding up AND where the camera is placed is so drastically different.

He's reacting to the conversation unlike how he has before.

Now Mizrak's hands are fully covered, the last part of his skin, the last part that Olrox used in an attempt for vulnerability. Mizrak's guard is now unwavering, covered head to toe. He's gone from reserved and quiet to angrily guarding again.

Lol you thought I was done talking about divides and boxes, you are WRONG.

Mizrak is boxing himself into all his preconceived notions of religion. This is the only time he's been aligned inside of the door frame. Mizrak is done with this conversation and he doesn't want to hear anything else.

Also, funnily enough- Olrox takes up the amount of space in this shot as to Mizrak and the door. Compositional it does make it feel more filled up rather than empty, showcasing Olrox is listening, peeved, but he is listening. It also might hark onto the Olrox God connections that are being subtly slid to us, though this feels like a slight stretch. There's a stronger Olrox God parallel I talk about later, so pocket that thought!

I have to skip some of the shots because of the image limitation, but thought this one needed to be addressed!

Not only does this wide shot make us feel really pulled away and disconnected from whatever private conversation they were having. It also makes us feel like after this interaction, whatever same understanding they had, is gone (well not completely gone, it has to be rebuilt again). Mizrak's unrelenting faith in one God is causing a rift, a divide if you will between the both of them. They feel so separated, so distant from each other because Mizrak is still really stubborn.

Then after all is said and done. After Mizrak has the final say. He leaves and Olrox watches. Like episode 08. Again.

Olrox is pushed into a box, which funnyily enough, Olrox tends to be seen in a lot of boxed-up framing to the right of the screen. You can see a visual collection of it here. Whenever he's from the left of the screen boxed up, it's usually turned towards himself like an inner reflection.

Ok, I have to skip some more shots to get to here.

"One God. And you think he can protect you?"

This is major foreshadowing but the one God, that Olrox scoffs about is himself. This close-up solely focuses on how he looks down and watches Mizrak from above. Much like how God is described in scripture.

Psalm 53:2 NIV: God looks down from heaven on all mankind to see if there are any who understand, any who seek God.

Psalm 102:19 NIV: The Lord looked down from his sanctuary on high, from heaven he viewed the earth,

Olrox looking at Mizrak from above as a protector happens numerous times in episode 08.

There are also a ton of bible verses about living under the shadow of God, it's considered a positive thing because God's shadow covers the entire body, therefore a person is fully protected.

Psalms 91:1-2 NIV: Whoever dwells in the shelter of the Most High will rest in the shadow of the Almighty. 2 I will say of the Lord, “He is my refuge and my fortress, my God, in whom I trust.”

Psalm 36:7 ESV: How precious is your steadfast love, O God! The children of mankind take refuge in the shadow of your wings.

(i do realize now all my examples are psalms i hope that's ok to prove a point LOLOL)

Olrox is the sole protector of Mizrak to the point where he even drags him away for his own safety. The shot choice when he says it is a close-up shot of his face and his eye is slightly glowing, making him appear way more supernatural, almost god-like in a way.

It hasn't been confirmed (or denied for that matter) if Olrox's creature form is the Quetzalcoatl (an Aztec deity), but the god parallels are very apparent from the get-go, and a lot of the fandom (aka the audience) who are invested in Castlevania have placed this label onto him not only for the reasons mentioned above BUT also due to his association to Mizrak, who is a man who fights for God. However, this aspect doesn't get fleshed out like their vulnerability because Olrox only goes into this protector role at the very end of the season. After all, that is when he has a change of heart, much like Mizrak. This means this will not be the last time we will see Olrox in this role even after the break-up.

To wrap this up, vulnerability as showcased in episode 04 does appear in episodes 03, 06, and 08! I personally believe though that episode 04 however really hammers you on the head with it because you're able to play around with someone's literal nakedness as a visual metaphor. This episode is supposed to make you really conscious of them and the decisions they decide to make going forward. It is the bridging point between episode 03 and episode 06. It's a stab in the heart when you watch episode 08.

Vulnerability and the ability to open up is a massive thing between these characters and it's only going to get more raw and more human as the series goes on. We see it happen when Olrox is the one to open up first. One thing I noticed from both Castlevania and Castlevania: Nocturne is that love can be the most damning thing or it can save you. The choice, however, is up to you. However, to love is choosing to be vulnerable. By the way, love isn't just romantic it can be very much platonic and familial as seen with practically all the characters, both current and past... Olrox and Mizrak though are just really complicated and messy. Aren't all characters though? Isn't that what makes them human, even if they've lost it centuries ago? HAHAHASBDHADSB

(ok so the paragraphs below is my personal opinion but i think they're a good ending note/side tangent)

If we ever actually get an explicit scene it's going to make a specific commentary on how these characters have developed from season 1 to whatever season they have sex in, especially how they go about sequencing, pacing, and shot choices, especially with Netflix censoring and rating requirements. Limited things you can show, and limited things you're allowed to even imply, so everything has to make sense to what they want to portray AND say. Even simplicity requires a lot of thought. They can do some really cool stuff with it in which vulnerability, both physical and emotional, gets explored between Olrox and Mizrak. Sex is actually a very interesting way to explore a dynamic, I feel it's really underutilized, though it's mostly in part to a societal downpour view on it. With Mizrak and Olrox, two very withdrawn characters, you could say something really interesting about them as individuals and as a pair that you might not be able to do when clothed. The commentary may be as simple or as profound as the creatives behind this want it to be.

A counterpoint though is that you can very easily make a non-explicit scene feel really explicit and sensual without sex or kissing. While yes, we want confirmation through that means, don't get me wrong I love when queer love is straight-up told to us, there's something about telling a story of intimacy between characters that will often engage us first into a story. Phrases like "This is gayer than gay sex" are coined due to the emotional connection a character has, leaving a far more profound impact on an audience. Things like non-explicitly romantic touches like hands, the way the character looks at a person, communication, etc etc, are ways countless media have explored intimacy. Which Mizrak and Olrox already have. Why not build upon a solid foundation?

Whatever the pathway is, it will fit inside the themes of Nocturne and its aspects of revolution, freedom, and choice which is crazy to think "Olrox and Mizrak intimate scene??? meaning-" YES, it can (like sexual freedom, though I don't think it would be explored, it's just cool to think about). All of their scenes serve to strengthen those show's themes since they're a side plot. But I digress! I'm excited to see how they further Mizrak and Olrox's dynamic in a visual manner!

Okay, with that all said, I'm done with episode 04! One more episode to go! This was all for fun and to be silly about a show I really enjoy, but I hope this gets you to rewatch Nocturne! Apply this to other scenes! Enjoy the craft of animation!!

#mystery talks #mizrak #olrox #i didnt think it would be THIS LONG??????#long post #olrox/mizrak #analysis #geniune yap session my bad everypony i hope u enjoy ur morning reading

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alaskan-wallflower · 2 days ago

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i agree with this— i kinda wanna add on smth-

i don’t think it takes away from a characters complexity to admit that something they did was wrong. because yes, i think telling your friends to beat up some guy because he doesn’t like you, is wrong. but admitting that doesn’t take away from her complexity. her complexity can be thought of when we’re talking about like…why she did what she did. because those thoughts she had are complex. but i think we should hold characters accountable regardless of who they are.

idk—i would be saying the same thing if someone brought up dallas winston and how he jumps kids and stuff because jumping kids is also wrong. the reasoning behind why he did that makes him complex, but holding a character accountable is still important-like if you know me at all you know i don’t condone dally doing stuff like that, and in defending cherry i’ve made that clear, however i don’t think we should be overlooking angela’s flaws in order to ‘keep her complex’ y’know?

i dunno, i guess what i’m saying is a character can make bad decisions and still be complex-it isn’t sexist or anything to hold a female character accountable for her actions and i feel like sometimes we do run into that double standard. we shouldn’t excuse stuff like dally jumping kids or two bit stealing for fun, but i also don’t think we should excuse stuff like cheating and what angela did yk? am i making sense like im not trying to argue with your points, i think we do need more complex female characters, but we also need to accept that what some characters do is wrong yk?

(tbh it’s the same thing w dally and sandy-like it feels like teh fandom either acknowledges sandy’s actions were bad (no matter what you say it cannot and will not make cheating not bad) but then ignore things like dally jumping people and two bit stealing or they’ll be all up dally and acknowledging what he does is bad but then go ‘oh but sandy cheated cause she was scared and then ran away because she was scared’ like both characters have done bad things but you need to acknowledge the fact that what they both have done is bad—and i don’t think it’s misogynistic to admit that a female character has done smth wrong—this turned into a rant mb)

are we js gonna move on from the fact that angela had a hit out on ponyboy???

#like i guess this kinda goes for sandy and sylvia too like cheating is bad—and i feel like sometimes people forget that #angela shepard #like idk but people being like ‘oh dally jumps kids he sucks booooo’ but then being like ‘sandy cheated cause she was scared’#like both are objectively bad and we need to acknowledge both

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beefscrap · 1 day ago

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I say “maybe someday” but I get scared someday never will come. So I’ll be brave and speak

“A dream come true” is a phrase I’ve said here before, but that doesn’t even graze the surface. I’ve been writing stories and drawing since I was very young. It’s all I’ve ever done. And for years, one of my biggest wishes was to collect a fanbase for at least one of my stories. Calling my followers a “fanbase” seems really intense, though. I hesitate to call my readers a fanbase because I don’t feel I deserve it. “Fanbase” feels like it’s for someone who made something AMAZING.

I started making TBoFS at the beginning of this year. I’d work on it whenever I got sad, and it turned out to be often. It was just for fun, and something to escape to. Every time I make a story I think to myself ‘I’m sure it’ll pass’, because they usually do. It’s hard for me to finish things in general. So, I thought nothing much would come of it. I never would’ve imagined it’d get as much attention as it does.

No, maybe it’s not a LOT. No way in hell I’d call myself popular, or anything CLOSE. But there are people now who comment, react, interact, theorize, make art, etc for this story. I’ve never felt so special. I never felt like anything I’ve done ended up with any significance. Even if it’s a small amount compared to other online creators, I feel like I have a fanbase. If it’s not considered one, I don’t care. To me it’s one of the biggest, most important things that happened to me. If you couldn’t tell I was dramatic before, you’re finding out now!

I started with low hopes and just made shit for fun. This doesn’t even feel like a very GOOD story half the time because it was so casual at the start. Like, what am I doing to deserve what I have?

I still come to this story and these characters when I’m sad. This year was rough. The people here have helped. And I have a little bit of hope now that someday I can make something totally my own that people will like. That’s always been the dream. But THIS is more than enough.

I’m so lucky to have people who care here. And I thank the people who cared when it was only just beginning, too

I’m not gonna add tags or anything cuz I feel annoying and am a little embarrassed 😭 if you see and read this then hopefully it wasn’t too weird

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poeticpomegranate · 2 days ago

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How to get your life together: Student edition ᯓᡣ𐭩

Mindset

As cliche and redundant as it sounds, it's important to be positive, as well as realistic, about your academic life. Understand what you want to achieve, what you're capable of, how to effectively push yourself and how to rest. This is the recipe for success.

2. Goal setting

Bouncing off of the mindset step, focus on what it is your want to achieve in your academic life. Be very specific with these goals. Understand and set your yearly goals, quarterly goals, as well as monthly and weekly goals. This will help you plan your days and have a realistic sense of time in terms of how much work needs to be done in certain subjects, how much rest can be had, and how often breaks should be taken.

3. Discipline & self understanding

Understanding who you are as a person and how you learn, process, and retain information can help you effectively practice self discipline.

Questions to ask yourself:

+ What type of learning style do I have?

+ What time of day do I work best in?

+ What environments do I work best in?

+ Are digital or physical notes more comfortable and effective to me?

+ Have I established a pleasant relationship with my instructors and at least one peer in all of my classes?

+ What subjects am I strongest in?

+ Do I learn best in a group environment, one on one, or reviewing notes independently?

+ Am I easily distracted when studying? If so, by what, and can these things be easily prevented?

+ What are specific triggers (if any) that help me get "in the zone?"

+ When are my typical rest days, or times of the week/month/year that I like to rest (no work at all, or very light reviewing)?

4. Daily schedule

Now, create a schedule around your answers to the previous questions and make certain tasks "non-negotiable." (Whether this be "I must brush my teeth and shower after waking up," or "I must study from 6-10 every night," is your decision.) Be realistic with setting these non-negotiable tasks, but also believe in yourself, and try and push yourself a little out of your comfort zone. You know what you're capable of, and if you want to achieve something you feel you're just not ready for, practice,- and build up your stamina!

Things to always include in your daily schedule:

+ Wake up time

+ Getting ready/ commute time

+ At least two meal times

+ At least an hour of leisure time

+ At least seven hours of sleep a night

+ Do your homework the day it is assigned

+ Give yourself a daily reward

Things to always include in your montly schedule:

+ At least one date with friends or family

+At least one date with your significant other

+ At least one phone call with long distance loved ones

+ At least one study date a week with peers or friends

+ At least a certain time during a certain day of the week to completely unplug and rest

+ Read the syllabus and log every important deadline and exam

Other useful tips:

+ Keep your workspace tidy, inspiring and organized

+ Changing the scenery when you work can be a nice change of pace

+ Breaking big tasks down into smaller chunks can feel less overwhelming

+ Plan meals ahead or small snacks so you won't feel hungry/forget to eat

+ Use materials that are effective and fun for you

Studying time frames:

Study time - Break time

20 min - 5 min

30 min - 10 min

45 min - 15 min

1 hr - 20 min

1hr 30 min - 25 min

2 hr - 30-45 min

When should you study?

+ Never the night before

+ Exam - 1 week before

+ Test - 3 days before

+ Study first thing when you awake

+ Review complicated concepts before bed

#academic validation #academic weapon #studyblr #student life #dark academia vibes #studying #coffee #studytips #study tips #study blog #study aesthetic #study modivation #books and libraries #study notes

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aspenlovesmedia · 2 days ago

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The difference between Sasha and Jon as the Archivist (at least in context of my au vs canon) is so funny to me. Shifted Gaze Sasha genuinely gets close (or at least as close as she can) to the archival assistants because she’s nice and while she is their boss, she also does want to be friends with them. Now, it’s debatable on how close she gets with both Jon and Martin, as Jon keeps everyone at arms length (Martin is the only exception sort of) and Martin because frankly he’s just a bundle of anxiety combined with people pleasing so would rather die than admit how he truly feels about something, but she tries and that’s what’s important.

Honestly Sasha being good socially actually changes the plot a lot. I was surprised how well a Sasha Archivist au melded with a Web avatar Jon au. As it turns out Jon being a Web avatar helps with so many things I’d have to figure out if he wasn’t.

This au is very fun for me to write lol. I am having a great time.

#the magnus archives #sasha james #jonathan sims #martin blackwood #shifted gaze au

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raven-at-the-writing-desk · 3 days ago

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heyyy I'm the anon who was kind of freaking out about the yuus in the anime 😭😭😭

you're right, I should probably just focus on my enjoyment and not the fandom- it's smth I've always struggled with. but I just saw ppl who clearly never had heard of twst saying "reverse harem" stuff and that's why i started panicking 😭

but yeah... I guess we'll have to wait and see. thank you for ur opinion and for your advice 🫂

[Referencing this post!]

Hello and welcome back!! Thanks for checking in. I hope that my response helped to ground anyone who might have been having similar thoughts or feelings. I know I can come off as stern or even disappointed in my advice posts, so 💦 if you got something out of it, then that makes me glad.

I think it's safe to say that fandom is a double-edged sword. It offers a community of people with the same interest to talk, interact, and create with--but in fostering that community, we can sometimes become so obsessed with defending it or caring about that community's opinions. It's important to draw the distinction between yourself and the fandom you engage with so you can still enjoy Twst on your own terms, separate of fandom. Otherwise, we may take things too personally and react very emotionally when we perceive others as treating Twst or its community in a way we don't approve of. Again, you should definitely prioritize yourself because ultimately we're not in fandom to argue with people, we're in fandom to have fun.

I've said this before, but I'll say it again because it might be helpful for those moments when panic strikes again. When you see someone making a claim about your fandom or related projects that makes you upset:

Stop yourself before you say or type something you might regret later.

Take a deep breath. Maybe sip some water.

Ask yourself questions like:

"Is what I'm about to say/write based on evidence or is it based on a gut feeling or a strong emotional reaction I'm having?"

"Am I expressing my opinion in a way that may be perceived as unfriendly or hostile?"

"How would I feel if I saw someone else assuming this about something I care about or was considering getting into?"

"Do I know the person misinterpreting my fandom? Whether yes/no, do I, on an individual level, care what they think? Why?"

"Does the person misinterpreting my fandom alter my own enjoyment or understanding of it? If not, what might the source of my anger and upset be?"

"The block and mute buttons exist. Is this an issue using one of those might resolve, or is it something that must be said or interacted with?"

Of course, I don't mean to police how you act and react in this space. These are only suggestions based on what I like to do. These strategies may not work for you, or you may not be interested in them at all. And that's okay! The only takeaway I'll ask of you is that you continue to navigate the Twst fandom in a mindful manner :>

#twisted wonderland #twst #notes from the writing raven #disney twisted wonderland #disney twst #twst anime #twisted wonderland anime

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cynthiav06 · 3 days ago

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Annabeth stans and Percabeth shippers are talking about how ooc Annabeth is in WOTTG with her thinking Percy is stupid as if she hasn't constantly made fun of Percy's intelligence since the very beginning. As if she doesn't do it in every book, multiple times. Rick's characterization of Annabeth isn't changing, people are finally just growing up and realizing their fave ship when they were 12 isn't healthy. But instead of actually acknowledging that it's a bad ship they just blame the author.

Warnings: This is going to be a rant; bear with me. People from the "take everything as a personal offense" group stop reading. Will give us both the luxury of a peaceful mind.

It's easier to blame Rick, I think, given his series of shit decisions. The Wrath of a Triple Goddess is a complete abomination, and so is Chalice of the Gods in many ways. But at least it has helped readers understand the glaring flaws of Percabeth as a ship. How Percy's character is butchered to hype up Annabeth.

And I am completely exhausted of trying to get any of them to think rationally and in an unbiased manner. I can't make a willfully blind individual see sense after all.

But yeah, Annabeth has many, and I mean many character flaws throughout the series. The number of times I have made a post on Annabeth's flaws or even why Percabeth is incompatible.... At this point, I believe open-minded and careful readers are going to see and make their own conclusions, and the blind shippers will keep doing their own thing. This , I think, was my most recent post and will probably be one of my last ones on a similar topic. Unless I get newer asks that have some different viewpoints that I can actually explore cause, all has been said so far, I think.

I had a feeling that things would get better as they got older, more mature, you know, an Annabeth character arc of some sort. Maybe exploring the positive and negative nuances of Percabeth or even Percy's suicidal thoughts, non existent self esteem and how Annabeth has been unknowingly feeding into those.

She is one of the more iconic characters to people even outside the fandom. One from a very, very , and exclusive pool of actually strong female characters and the way her character is devolving isn't helping anything.

-------------------------------------------------------

All of Riordan's characters have such high potential, and the amount of plots he could explore is staggering, and yet he still dishes out the same generic plot again and again. He is in it for the money now, has been for a while, and so there's no hope there.

This might be a very hot take, but I think romance ruined the series. Rick kept slapping romantic relationships on every character as if that would suddenly make things better. Give them a relationship rather than explore their trauma. I guess it's the easier of the two.

But seriously, Caleo? Jiper? Solangelo ? (I can see the hate comments already). Whatever he was doing with Reyna, but at least she wasn't completely butchered.

Rick's problem is that he keeps giving more importance to romantic relationships and makes that the entire personality of a character.

He butchered Percy, even Jason at times, Leo bloody Valdez and Nico more prominently.

The way Percy and Nico's very deep and volatile bond and heavily dynamic relationship was butchered and distorted to feed into Solangelo and Percabeth, and I can't possibly understate how highly that's been going on.

Then Luke and Thalia's relationship was completely butchered for no absolute reason. I have no idea why. They were in love or at least had romantic feelings for each other, and Thalia just woke up and wanted to kill him? He literally gave all the angst to Annabeth even though Thalia had known him longer, and they had a more nuanced bond.

Jason's relationship with Camp Jupiter individuals was completely scrapped, his and Reyna's dynamic completely watered down, or even his and Leo's great friendship discarded all for Jiper or whatever else was shoved at him.

-------------------------------------------------------

As opposed to this whole shit show, I loved the relationships in the Magnus Chase series and Kane Chronicles. That was good stuff. Both character relationships and romantic ones even though I am pretty sure he got a lot of diverse representation wrong or so I have read recently.

Then there's the stupid, blind, bigot part of the fandom that just can't help themselves. I mean dumb Percy takes, Annabeth stans ruining Percy's character arcs and overinflating Annabeth's character, which in turn made Rick do the same.Then the boring Jason thing? What the hell was that? It's like everyone missed the point of why Jason is the way he is. I am going to make a post on that soon, but seriously, the shit that's been going on.

Then the shippers. Solangelo stans and Percabeth stans. They have single handedly ruined the ships for me with their distorted ideas of character dynamics. And their blatant and brutal hate against other Percy or Nico ships is just ridiculous and heavily toxic.

It's a fandom, not a monopoly. Everyone can have their own little thing as long as you don't meddle in someone else's own thing. Let everyone enjoy their own thing.

And for all our sakes, at this point, just pick your own version of canon. Choose which books to stop at. Trust me, it's less frustrating that way.

#annabeth chase #percy jackson #nico di angelio #jason grace #leo valdez and jason grace #Annabeth chase character study #rr crit #rick riordan critical #percy and annabeth #percy and nico #luke Castellan #luke and thalia #thalia grace #the seven #anti wottg #reyna avila ramirez arellano #percico #perachel

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championofthefade · 5 hours ago

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Thinking about Veilguard sometimes really makes me start picking it apart.

Yes, I did like it for what it is. But as someone who played the three games for the first time this year, I found it disheartening at times.

Long story short for those who rather not read my rambling: I liked Veilguard, but there are parts that just don't feel right and that everything we've done in Thedas the last three games were all for naught. (I'm yapping about my complaints, might make a more positive post later)

It's a mixed bag, really.

While I liked the gameplay, there are things that just don't rub me the right way.

The first immediate example is how the (only, in my opinion) major choice we are presented with is choosing Treviso and Minrathous. We have the choice to harden the other companions in spirit, but the only ones that actually are affected are Lucanis and Neve.

While I have done both paths, I can't say that one is a better choice over the other. Shadow Dragons are decimated if you choose Treviso, Treviso is blighted if you choose Minrathous. I think that it's fair that Lucanis doesn't want to romance Rook if you choose Minrathous, because he wants to save his city from dying. He trusted you to follow through, while Neve expects that you won't since she's a cynic. Which makes sense why she's willing to still romance you if you choose to save Treviso, although it'll be a bit more challenging to, because you were presented with an impossible choice. I don't mind that he ends up with Neve, even if the romance for all the companions kinda fall flat if you think about it too much.

Another thing is Taash. Their identity is important to their story, but having Rook (us the player) choose how to deal with their cultural crisis doesn't make sense and makes me not want to repeat those quests. Why is there no option to embrace both the Qun and being Rivani? Why am I the one choosing how Taash chooses to express themselves? Relating back to the city choices, Lucanis and Neve both choose their hardened options with Illario (getting jail) and Aelia (being given to the Threads). With Taash, the choices are a little less clear to me. I think we shouldn't be able to dictate one's cultural choices.

One of the worst choices that we have to make as Rook is Harding vs Davrin. Thinking about the amount of people who are saving Davrin just for Assan is actually crazy to me. I love Davrin, but he's reminding me of what happened to Wyll in BG3, and it's not a fun time. (I can barely pick up BG3 for various reasons and this is one of them.) I'm glad Bioware doesn't pander to the fans that are loud, because I don't have to worry about everyone's favorite white boy getting more content than the only black companion (saying this as a white person myself). I will always save Davrin because he is a compelling character even without Assan. I love the feather-brain but I feel like I want to know Davrin more than his mythical son.

I hate that we only got three world state choices, two of which don't really matter since it's more flavor text. It doesn't matter if we disbanded or merged into the Chantry, we don't see the consequences of those actions. It doesn't matter if your Inquisitor wants to Stop Solas at All Costs, because apparently they feel responsible for Solas being... Well, Solas. And our romances, outside of Solavellan, were reduced to a codex entry and sidelined.

Yes, Solas is important, and yes, I expected his romance to be given more light. I'm in the camp of people who feared that was going to be the case. And it was.

Yes, I agree that him getting a Good Ending with his vhenan is one of the better endings, but his friendship one and facing his fear of dying alone is also important. I liked playing a Rook that tricked him, I liked playing a Rook that chose to fight him as well. I'm glad we have at least those aspects that we can control.

As someone who has romanced Lucanis and Neve so far, I wish there were more little cutscenes, and not just for Lucanis. I'm just okay with how things are, even if they're a bit empty in comparison to what we could've had. That being said, I think that there's always room for improvement to have a more fulfilling resolution to the romance in the game the devs claimed was the most romantic. I wish there was more, I wish that there had been more to support that claim. I want to feel closer to these companions, and I am sure that I will as time goes on. But as it stands, for now after sitting with the game for nearly a month (11/29), I wish we had gotten more.

I would like to say that it really doesn't feel like the most romantic compared to the other three games. (Blackwall's "heart laid bare", Dorian's "you're dreadfully dull and I hate you", Josephine's letter of "let me make a promise to you here. I dream you will say yes", Zevran's "I'll storm the Black City for you, never doubt it", Anders' "ten years, a hundred years from now, someone like me will love someone like you, and there will be no templars to tear them apart", just to name the few that feel more romantic than what we're sitting with for Veilguard romances. And one of them is a codex entry.)

I hate that we have to learn through missives that the South is gone, save for Skyhold. I hate that we had no power to help the South, and that the last three games were all for naught. It's upsetting to know that Ferelden is gone. RIP Orlais, you slayed too close to the sun. Kirkwall being empty is a scary thought, but it's gone too.

It makes me wonder where HOF is. Did they ever find a cure? Are they even alive? What about a Hawke that didn't get left in the Fade? You mean to tell me that they wouldn't be out there in the frontlines doing something? You mean to tell me that they're sitting on their asses?

Varric dying is something else entirely, but it's just gut wrenching that we don't even get to mourn him. A second playthrough was mindbogglingly eye-opening. Harding was mourning when you check on her in her little room. Neve reminisces about how Varric brought her onto the job and she wishes that she didn't take it. They were mourning while Rook probably looked like they were in the denial stage of grief. What killed me inside was the fact I caught it the first time when Bellara name dropped Varric like she didn't know he was there. That's when I started thinking maybe he was gone, but I didn't want to believe it. I had to step away from my computer when the reveal happened because I was devastated.

We don't get to see just how the team made the fake lyrium dagger, or how they even managed to find Rook in the first place. We don't get to see the love interest's reaction, only the aftermath where they are still registering that Rook is there. We don't even get an explanation on how those things were possible. To create a perfect lyrium replica and locate someone in the Fade? Knowing that we could've had a mission to save whoever was left in the Fade hurts. RIP to those left in the Fade.

The secret ending is just... Bewildering to say the least. What do you mean that there's an even bigger force that has been controlling the narrative from Across the Sea? What do you mean these incredibly well written villains had no agency in their choices and were being used to orchestrate whatever the hell the Executors wanted?

Again, what do you mean that all that we've been through in Thedas just doesn't matter anymore?

#dragon age #dragon age the veilguard #datv #veilguard spoilers #datv spoilers #da rook #gnawing at the bars of my enclosure #gathering my thoughts #long post #dav critical #dav spoilers #yapping #is this anything #what a time to be a writer

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