What about a scum villain Double isekai AU? So like someone reads svsss and majorly hates one of the characters and then gets transmigrated himself. So technically we have three modern world people running around, but two of them are also book characters, so who knows, and also outing yourself is forbidden.
I just wonder who'd be the best character option? My first instinct is LBH, but lbr that doesn't make sense lol
It should be one of the villainous characters, but not opm because fuck that guy! But maybe the little palace mistress? Or qiu haitang? Or mobeis shitty uncle? I guess tlj or zzl would also work, but are they really villains in the grand scheme of things?
Much to think about 🤔
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Speaking of a lesbian Shen Yuan, let's just get it out of the way this woman would NOT know how to act after transmitgation. Like, all it took for a male Shen Yuan to start acting like the world's biggest babygirl was dying and being reborn into a villain's body, what do you think would happen if he was a closeted lesbian who religiously consumed either porn or male centric media? She'd commit war crimes on the poor women who had the luck of interacting with her. This woman would squeeze Liu Qingge's biceps and playfully say she can always depend on her strong shimei to protect her, she'd U-haul a marriageble age Luo Binghe into her side room and treat her as one would a wife, she'd host her sect leader to talk about her peak's budget wearing exactly two layers because it's just so hot and we're all women here shijie, she'd invite Gongyi Xiao to her peak with a smile and too much subtext for it to sound like a simple discipline invite to anyone hearing it, she'd call Zhuzi-lang fascinating to her face with no type of irony or mockery. This woman would would do all that AND still think think someone means lebanese when they say they're a lesbian, again, the system doesn't know what type of evil they unleashed upon the PIDW world
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What if the plant body hadn't worked out, and the Holy Mausoleum solution had actually taken a long time to sort of "fix" Shen Qingqiu's body and fully call his soul back to it, so that hundreds of years passed and civilization in PIDW/SV world progressed to the point of something like the "modern era"?
Imagine Luo Binghe trying to delicately introduce his shizun to such strange concepts as smart phones and credit cards, while Shen Qingqiu is just desperately trying to figure out how dumb he should play this. Would it be believable for him to get everything on the first try? There have to be some differences between what he knows and this world's versions, right, because of the demons and cultivators and things? Right?? But it's not like any of this actually IS difficult for him to grasp!
Luo Binghe: Shizun already discerned how to type using a keyboard...?
Shen Qingqiu, sweating bullets: what, like it's hard?
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I've been running this writing experiment lately to cut out phrases like "I felt" in my fiction writing. Like I was looking at a sentence in a draft that said, "he felt as if character's eyes were pinning him in place." And then I was like, "well, does he think that or is it true? As a result of this person watching him, he's froze. It's not like a thing, it is that thing."
Oh and "almost"! I'm always going, "He felt almost relieved that it hadn't happened." Well, did he feel better that it didn't happen or didn't he? Or "somewhat", I'm always going, "she felt somewhat perturbed."
And like none of that is wrong, to be clear. I don't know if it'd improve your writing, I don't even know if it'll improve my writing, but I use this sentence structure all the time so every viewpoint is from a voice that thinks about what it thinks, hedges its statements, and offers the same ability for wry little jokes formatted in the exact same way. And I have a lot of writing like that and I think (!) that they're good, but read as a whole, I'm like, "god, they all sound the same." Like there's one melody that I write songs to, so even with different lyrics, it's almost (!) the same song. Something I've been struggling with in regards to my writing and why I've felt so blocked is how boring I found writing my usual way. I'd read something and enjoy the individual parts of it, but then I'd step back and I didn't like the whole. And I got good at this enough at seeing that I didn't like it to do it in real time as I was writing, which as you can imagine didn't improve the process of writing because now I was bored AND dejected about being bored.
There's this sentence-level structure fact that I use unconsciously. A pattern I find easy is short sentence, short sentence, short sentence, long sentence. So I write that. "He [verbed]. He [verbed]. Then he [verbed]. As he [verbed] to his [consequence], he [verbed] that [noun] was [statement of condition]." Which could work, it often does make for a nice rhythm, but it's something I reach for often because it's easier for me.
Just last sentence, I originally typed, "I find it easier for me." But if what I mean is "using this pattern is less effort than another pattern," then it's easier for me. One voice is hedging its bets and the other asserting. Either is fine! But they're different! And, again, GOD you would not believe how many words I've cut out of this paragraph as I write it. I'm so chatty. I love using twelve words when six will do. And that gives my writing a specific tone to my ear.
So if I am bored of that tone, why not try using just the six words? Why be understated? Why be afraid of stronger opinions? So right now with my fiction, I'm experimenting with cutting out as many self-reflective words as I can. Sometime you do need to draw attention to the face that this is the character's interpretation, but like you definitely don't need to do it as much as I naturally want to do it. You don't need to always go out of your way to allow the possibility that the narrative voice is wrong. During editing, I trim the weaker ones (I originally typed, "what I consider the weaker ones" Is that more accurate?). But I think them being there in the first place shifts my language which shifts my character's which shifts my plot. It's sentence structure all the way down!!
(this barely applies to my writing on here, btw. i try to do good but yknow this is a tumblr blog. i'm not trying to get a lit mag to accept it.)
Anyway blah blah (chatty!) the point is I've been trying to write in a way opposite of my interests. Something that doesn't take itself too seriously, that emphasizes EMOTION and ACTION instead of minimizing it, and that clips through scenes at a good pace. Doing this been amazingly fun. I've been having such a good time doing it. I am writing so much because I really enjoy doing it. The process of writing is so fun again.
This post is about two things. One is my new mood stabilizer and therapy day camp. The other is about the benefit of pretending to be MXTX.
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