#but thank you for telling me about this!

[spectraling]

Hi-- just an anon here with a small thought! A bit of context-- A friend of mine brought up the idea of men not knowing about the eating habits of hobbits, and conversely, hobbits not knowing about the eating habits of men. Thus, to a man, a hobbit's appetite must be bountiful and to a hobbit, a man's appetite must seem rather meager. I bring this up to you specifically because this made me think of Merry and Eowyn sharing meal together, yet having vastly different ideas of what a 'meal' is

It's just a constant misunderstanding lmao. Merry having to remind himself that Éowyn didn't hate that entire chicken he made for her just bc she didn't finish it, it's just that men eat like hobbit children. They're enormous but they eat hardly anything to maintain themselves...... This must seem as magical to hobbits as their ability to disappear seems to men.

Éowyn making a meal and Merry's like "ah you brought a refreshing snack". This is fucking dinner??? If she ever went to the Shire she'd have a minor heart attack when she gets to witness a true hobbit feast. Where do they keep everything? Like not even the stuff they put into their bellies, but all of the food at all times?? Half of their houses must be dedicated to the preservation of it (and probably is).

It's a funny idea, but I actually don't remember if it's ever specified that hobbits eat in as big or even surpassing the quantities of men (someone please remind me it's been a hot minute since I read the books) or if it's one of those things that got feet of its own, kinda like well. The idea that hobbits have huge feet, which doesn't seem to be part of Tolkien's canon lol. It says that hobbits love to indulge in the pleasures of life, such as food, and that they would have six meals as often as they could. But that doesn't mean that those meals were equally big or that each meal were the size of what men had (or that they had them all the time).

But again it's ofc funnier to imagine them being able to hoover up insane amounts of food and having some crazy hobbit metabolism, just like their anatomy is distinctly different from (and quite perplexing to) men in some other ways. No wonder they spend most of their time growing, preparing and eating food lmao.

I read a theory that said that since hobbits are so small they have to eat more often to regulate their temperature, similar to what smaller animals do compared to larger ones, and it's adorable and makes me think of Merry loving to snuggle up to Éowyn bc she's like a furnace to him.

Speaking of food I also love the common fanon idea that hobbits - being canonically way more resilient than men - can eat pretty much anything, and this meaning that Merry wouldn't even be phased by Rohirric cuisine, which in my head includes things that are....foul to other cultures, based on Scandinavian cuisine which I don't think is too far off from what the Rohirric equivalent might've looked like. The PJ movies made a nod towards this?? (I made a post about it here), although maybe it's just a jab at Éowyn herself, but anyway I love the idea of Éowyn being stoked about Merry enjoying their strange and off-putting ways. Maybe this means Éowyn has a strong stomach herself.

And now I'm hungry

[andstuffsketches]

girl who lives in a cave

[tio-trile]

@scorpling: *galaxy brains* someone should draw the TLT necromancers as their corresponding Sailor Guardians

Me: Oh that sounds like a great idea. Too bad I've actually never watched Sailor Moon tho

Me:

Me: Palamedes in a miniskirt tho.

[poorly-drawn-mdzs]

For moment, you are home.

[First] Prev <–-> Next

[remxedmoon]

i hit 1k followers recently!!!! yipee!!!!!!! thank you all!!! so in celebration here’s all of my completed isat doodle pages, from oldest to newest. go nuts with them!! and maybe don’t look at the first doodle page too closely. it’s Old.

(no greyscale version below for once! just some mushy ramblings. you don’t have to read them don’t worry)

hhhhhha?? so many people. where did you come from. how did you all find me.

ok but seriously, thank you all so much for all the support. i never really. expected to make it this far? like, ever?? i’ve mentioned it a few times on here, but i’ve been a lurker for the past… 2 years, i think? and even before that, i never gained much traction outside of a couple posts. so this has been. very new to me!! in a nice way!! it’s weird to feel like an actual member of a community!! that people know about!

the idea of finally coming back to social media was Daunting (i literally got stress hives writing my first post lol) and the warm reception really. meant a lot?? i don’t think i would’ve ever gotten the courage to come back if i hadn’t been encouraged to by the people over at the isat discord!!

the fact that people actually care about my art still doesn’t feel real?? seeing people take inspiration from my art is just. surreal. just. auagssh. thank you all so so much for everything, i really do appreciate it!!! i’m really glad to be in this community. sorry if this all sounds sappy and long winded i’ve just got a lot of emotions about this whole thing!!

(also as a bonus for reading all this or whatever. here’s a concept page for isatscryption! it felt a little out of place next to my normal canvases so i’m putting it down here! yipee! sorry my notes here are so disjointed auauau…)

[shiriartz]

One more

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[batwynn]

Shout out to @thebibliosphere for existing, and for being open and honest about health stuff in addition to writing some amazing sexy vampires, all while suffering some of the most terrible health stuff. I know I’m not the first or the last person to say this but: uuuh you’re literally the only reason I was able to get an MCAS diagnosis after having this *mystery illness* for my entire life and the past few years having it kick up to 11 and almost dying so many times now all while forgetting how to feel like a person so much that my second dose of cromolyn felt like I woke up from the Long Sleep.

So, yeah. Thank you.

[theotherbuckley]

incorrect tweets pt 17/?

[shepscapades]

Xisuma, why in the world were trying to fix your helmet with TAPE?? I thought the superglue idea was unhinged but THIS IS A NEW LEVEL

(I know that it's probably not holding itself ONLY on tape, but the image in my head is too funny)

What's next? You tell me he attached Doc's new arm to his body with tape and glue too??

THIS RESPONSE WAS SUPPOSED TO BE COMICAL but I let it get away from me;;

[heymrspatel]

hey, have you ever thought about the fact that ian gets the courage to come out to fiona while sitting in his little twin bed? the same little bed he sits on to get ready on the morning of his wedding? to yank his fiance forward? to kiss him and promise him their future? hmm?

[comingdownwithme]

if it’s okay….some Ticcijeff art?….. I LOVE THESE TWO AAAAAAA I LOVE YOUR ART

Im starving, suffering from school and You're enabling me, OFC I'D BE DOWN TO DRAW TICCIJEFF

They're keeping me sane istg istg

[astral-herald]

Viktor's (subverted) Aristotelian Tragedy

A common sentiment I’m seeing throughout post-finale Viktor discourse is an understandable concern or distaste for the element of choice lost throughout his story. I know a lot of us – myself included – expected more time spent on his transformation, along with emphasis on the anger/rage/betrayal fueling it. But seeing him allow Singed to “begin the process” in episode 8 reminded me of Arcane’s origins – tragedy. Bear with me for another long analysis :)

Aristotle wrote the following on the tragedy: “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself…with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” He also emphasized that the true tragic hero couldn’t be perfect, and his downfall into such catharsis-inducing circumstances was reliant on a fatal flaw, oftentimes pride.

Viktor fits this mold, as do many Arcane characters, and it stands to reason that this was intentional since the writing team has reiterated that the show is a tragedy, at its core.

Regarding Viktor’s fatal flaw, I’d argue it’s pride, but it manifests very uniquely. He never makes any grand declarations about his success and doesn’t draw attention to himself in any clear way throughout season one (“Progress Day” comes to mind). Instead, his pride manifests as staunch independence and self-reliance that lead to his downfall; his unwillingness to break his stoic mold arguably led to his use of the Hexcore…so it goes.

Fascinating caveat: Viktor’s pride is a defense mechanism, a necessary tool he built in order to survive and succeed in a hostile environment to people of his station. His self-reliance is increasingly desperate as his illness worsens. He’s cornered by fate but banks on the sanctity of choice at every turn – in season one, Viktor is bound by the conviction that we all have a choice. It’s why he’s so distressed when Jayce makes the wrong one regarding weaponizing Hextech.

“There is always a choice.”

Viktor’s choice to fuse with the Hexcore is the classic Aristotelian fatal flaw moment, the singular incident that opens the flood gates for eventual catharsis. We watch Viktor make an irreparable choice, one that we know to be bad, and endure the repercussions. He then makes the choice to abandon the Hexcore, and end his life, but audiences can’t shake the feeling that those consequences aren’t leaving anytime soon.

So why is Viktor so anti-choice in his final season 2, act 3 form?

Choice is Viktor’s weapon. Pride is what leads him to abusing it. Despite how uncomfortable and depressing it is to watch, Viktor’s slow descent into the Herald is a perfect twist of fate. The Arcane is even so insidious that it meshes with his original intent, to help those suffering in the undercity, while convincing him that their subservience is healing. He becomes responsible for their choices. He knows what’s best because he’s relieving the Gloriously Evolved of their suffering, right? The utopia is for the greater good, yes?

Admittedly, it was really hard watching act 3 Viktor descend fully into his choiceless ethos. But we can still relate it to his tragic flaw – his pride has mushroomed into coldhearted omniscience; not only does he know what’s best for everyone, evolution, but he also has the sense to make the choice for them to supersede their “baser instincts.” The grief we feel upon seeing this perverted, violent version of himself, as far removed from Viktor as possible, is the culmination of Aristotle’s treatise on tragedy. The catharsis is the rock-bottom Machine Herald.

"Choice is false."

But then Arcane decided to basically make Jayvik canon (get out of here, Christian Linke) and destroyed the early drafts of this post. I’m going to rapid-fire this next bit:

Jayce forces Viktor back to life. Viktor has no agency in his season 2 inciting incident. Again, it’s distressing when we mourn his agency, but it remains in accordance with Aristotelian tragedy.

Viktor clings to humanity as long as he possibly can. When Jayce calls out Viktor’s trajectory, alleging that his old partner had died in the Council chamber, whatever is left of Viktor gives way to the Arcane because his last tether has been snapped.

Jayce knows the game – Old Man Jenkins Mage Viktor told him so. Jayce becomes the linchpin in subverting Viktor’s tragedy. He knows what must happen. He understands now.

Machine Herald Viktor is given the chance to undo his fatal flaw, to reverse the catharsis, when he sees Old Man Jenkins Mage Viktor. With Jayce’s help, he takes it.

Given that it’s a version of Viktor who ultimately frees him from himself by empowering Jayce, we can gather that Viktor has liberated himself from his tragedy.

Aristotle’s catharsis is rapidly transformed from something based in release to something healing – Viktor’s tether to humanity returns. He grasps it. The walls of his pride and self-reliance collapse. He accepts Jayce’s help, finally being seen as the full individual he is. Catharsis ensues, for sure, but I don’t think it’s based in the typical tragedy genre.

All this to say, I think Viktor’s arc was, in fact, carefully constructed. He represents the Aristotelian descent into a fatal flaw and that’s very distressing to see unfold, especially since he embodied the tragic hero archetype so well from day one. However, Jayce undoes this narrative and we’re given an incredibly subversive ending that I, personally, never saw coming.

I’m sure that Mage Viktor has a much larger bearing on this analysis than I’m accounting for. But for now, suffice to say that he is Viktor’s way out of the tragedy. TALK ABOUT CHOICE!

This doesn’t erase anyone’s discomfort for Viktor having less and less agency, but I’d like to emphasize the logic and literary precedent behind the story decisions.

PS: here's a quick source I looked at about Aristotelian tragedies. I hope to re-up on Greek tragedies so I can get more specific about the parallels Arcane draws from them.

[remxedmoon]

save me bonnie isat… bonnie isat… save me…

woah what!!! isat fanart with color??? preposterous. greyscaled versions under the cut!! (and also the last doodle without the crusty old drawing next to it!! incase you want to use it for anything)

anyways. uh. scampers away like a little rat

[doctorsiren]

I loved your headcannons about inukawa, reigen and reigens sister and I would really like to see what you think would happen if mob and reigens sister met and I was wondering if you could possibly draw them :D

hello yes I accidentally made a comic after seeing this ask yesterday 😁 bro psychoanalyzed her 😨

[literaphobe]

You Didn't Tell - Abby S.