#but she definitely has her moments

[sillyengineerperson]

Some people still need to learn to ask about BOUNDARIES before you potentially cross them!

[trappedinafantasy37]

POV: Evil murder kitten tries to evil murder you in your sleep. She's desperate for a reason not to evil murder you because she does not want to.

[molinaesque]

"What are you?" "Oh, I'm you, sweetie. You just... give it a little time."

[puppyeared]

I can teach you how to be just like me

crying all night, sleeping till three

[langernameohnebedeutung]

.

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[fizzytoo]

day 2 in granite falls is interrupted by rain

Moodlet: lovesick (from attempting to get over his crush). Description: The time Amaya spent away from Dalila only made his crush grow stronger. Her voice over the phone…it's cute. Amaya can't stop thinking about kissing her.

[swiggity-swexual-i-am-asexual]

DPxDC media story prompt

Okay first off, this sort of thing has been done before, but here’s a different version involving Jazz Fenton.

Popular in DPxDC fanfic is that the GIW have a media blackouts—or whiteouts, there’s kind of a difference, where whiteouts work more like… there is a file, but you can’t edit it or it may be locked out for certain users, or an edited version of events where things are ‘whited out’ like with correction paste, among other definitions.

Point is!

The GIW have a media restriction, and among these is social media, probably with certain words or phrases pinging to location restrict the post. There was probably a phase for a while where the A-Listers tried to get around it, but ultimately failed, and since they could only get information IN rather than information OUT, and possibly still a limited amount of outside information in the first place, social media didn’t take off as much in Amity Park than in other places in the world. There’s still a small local presence, but at this point it’s almost like a city wide chat room than actual social media.

Enter in, Jazz Fenton. She’s chronically behind on trends, so by the time she decides to get on social media, the GIW aren’t being as militant on it. And she has that habit of calling the ghosts by code names instead of their actual names, such as Crate Creep instead of The Box Ghost, or Ghost X instead of Skulker. By pure coincidence of her personal language use and Tucker messing with all of Team Phantom’s phone locaters for easier excuse giving, Jazz manages to dodge all the word censors.

She accidentally creates a whole online story community convinced it’s some kind of altered reality game or role playing game, what have you. Meanwhile, Jazz is letting off steam by ranting online with, of course, made up names of all the people involved. She doesn’t even notice the numbers, and that’s assuming the GIW didn’t just—region lock the ability to see them for whatever reason. The few Amity Parkers on social medias see Jazz, maybe look at a complaint post or two, then move on because this isn’t even an unusual video inside Amity Park’s social media sphere.

Heck, PHANTOM has a social media presence and he’s done several rant videos too! One particularly famous one is him complaining about keeping his boots and gloves white while being chased and one of the GIW agents actually stops and gives him advice before shooting at him again.

Those outside Amity Park, of course, only see Jazz’s videos. And she has no idea that she has an entire online presence and mild amounts of online fame. And again, almost everyone thinks the whole thing is just a fun little game, if oddly detailed.

Until, that is, a certain young man by the name of Bernard comes in. One of the few who are totally convinced this is real, he tries to also convince his boyfriend—Timothy Drake-Wayne. Who, in turn, finds it incredibly suspicious that it’s this hard to get news and posts from one random town in the Midwest.

[lynxfrost13]

LSTR-S2301 and the maintenance tunnel ARAR are best friends to me even though that Elster was only on sierpinski for a seemingly brief time, they’re bros who fuck around on the clock during work. I think Elster was probably more willing to put extra time in however she’s also very “okay you’ve given me a list of tasks I did them. They’re done and done well. That’s it, my time now.” Whereas I see Ara being more of a slacker (very valid of her) or at the very least just a bare minimum type of gal when it comes to work.

Idk I tend to imagine them fucking off in the middle of shifts to go find weird lonely corners of sierpinski to hang out in. They don’t even talk half the time but they love it.

[thebramblewood]

ANNIKA FUCHS for @simsdaughters' Rich Romance Bachelor Challenge

Annika is a rising costume designer whose astonishingly historically accurate pieces have quickly become the talk of town. Every Del Sol Valley director suddenly wants to meet her, and there's even Starlight Accolades buzz. Sure, she's a bit on the eccentric side, but isn't that practically a requirement of the industry? Okay, she keeps a little too much to herself, but doesn't that mean she's a driven career woman who has no time for cozying up to celebrities at debauched parties? Certainly, she knows nothing about the terrifying Victorian specter who haunts the Windenburg countryside, her gruesome attacks perfectly aligned with the wrap dates on Annika's films. Between work and play, she typically keeps herself far too busy for romance. But perhaps she's only been waiting to meet someone who can properly match her ruthless ambition.

Annika was turned in the 1830s after answering a job listing in the newspaper seeking a governess for a sickly child. The child was actually a vampire of mysterious origins who had been found on the streets and "rescued" by an ethically dubious doctor for the sake of scientific experimentation. One day, the vampire child attacked Annika, and seeing the potential for a new experiment, the doctor fed her the child's blood. However, he gravely miscalculated the power of an adult vampire, even one newly turned, and Annika soon made him her first meal. Meanwhile, the child fled, never to be seen again.

Nearly two centuries later, Annika still returns to WIndenburg in search of her former charge, donning the exact Victorian attire she wore the night she killed the doctor. She has yet to find the child, but she must admit she finds some pleasure in giving the otherwise quaint little town a good scare while she's there.

Over the decades, she's had many careers. As a human, she enjoyed painting, so she's usually drawn to the arts. While she finds her greatest fulfillment in creating, she's also had her share of brief but torrid love affairs with humans and occults alike. For a time, she dated a spellcaster who gifted her an enchanted ring that shifts color to match her eyes in both forms; she still wears it today. Despite her loner tendencies, she occasionally indulges dreams of finding someone to spend the rest of eternity with. Maybe one day she'll even find another child to care for, allowing her to finally put her lifelong search to rest.

[wisegirl-seaweedbrain]

and the crowd… exchanges confused glances?

[cankersaurus]

Toxic Yaoi

[gayofthefae]

Mike's surprise and relief when El says she missed him. He takes a deeep breath.

Bless him. She's not leaving you, bud.

The way he's so eased then. He doesn't initiate the serious part of the conversion, she does, which means she probably had more to say, but her saying she missed him gives him the strength to start to try to tell her the truth then.

He feels like maybe it will be okay. Maybe she'll stay. She missed him. Even when they were on bad terms, she still missed him.

It's so simple, but so common and easy to fall into. The idea that when she stopped needing him, she would leave him because nothing else was keeping her. But missing him was.

She didn't need him. I think he still knows that. The original monologue says that he could tell when she left, and they came up on her already having escaped on her own, only in need of a ride.

He knows she doesn't need him because he knows he didn't save her when he showed up. But he didn't know yet that that didn't matter to her.

He probably thought that because he failed to be a good boyfriend then failed to be her hero, he was confirmed as useless to her. They were having a nice time for now, but she could laugh with any other member of the party too.

But then she said she missed him. Even though he didn't save her.

Even if he doesn't know Will was lying, he knows Will was embellishing. He knows Will was telling him a story about her through his eyes, not quoting her. So "she needs you" was a mistranslation on Will's part, but what he meant remained. "She's not leaving"

Because Mike doesn't need to believe that El needs him. He needs to believe that she'll want him even when she doesn't. She needs to need nobody, which is where she is now. He only wants her to need him because he doesn't believe she'll want him.

But I think this tells him that she does. He hasn't told her he loves her since their fight. He hasn't righted his wrongs. She loves herself now. She got herself out. He didn't save her. Even when he was of absolutely no "use" to her...she still missed him.

Because she missed him. And the surprise is beautiful and so sad. Because he never thought of that before. He never thought that his use could just be sitting there with her wearing pizza box sunglasses and giggling and she'd stay for that.

But she will. And he knows that now. And that's what pushes him forward to start talking about it here. He could have been hesitant and let her lead the way and followed when she got there or corrected her or whatever she was gonna say, but at this point, he took the lead.

Because he trusted her. He trusted her to love him enough. To love this "loser" enough not to leave him. Because she missed him even when he hadn't done anything to earn it.

And so he starts talking. He starts telling her the truth because his deepest fear was that if he couldn't give her what she needed, she'd leave. But he couldn't, and she stayed. Because he's what she wanted.

He feels safer here. She asked him to do something. He can't do it. But she already thinks that. And already thinking that, she missed him. Still.

He was terrified it would be "since you couldn't say it, I'm leaving you", but it was "I missed you". Whether she was gonna break up with him or not over that, a break up doesn't mean leaving and she was never going to leave. And he knew that here. It would have been terrifying if she had said "say it now or I'm leaving" and he still couldn't.

But instead, she said 'I'm sad you can't say it, but you're still important to me.' And she might have at worst said 'maybe we just stop being the type of relationship where I want/expect you to say it'. From her surprised reaction when she thought he was going to a moment later, it's clear after their 4x03 fight she had no expectation of him suddenly being able to (logical, that's really television trope-y for the answer to be insecurity and not just not loving a person and that sucky).

She thought she had her answer. She thought he didn't love her and that meant she was unlovable. Now she's learned he doesn't love her and that has nothing to do with her. So she's telling him that she loves him but can't keep waiting for him because she loves herself too much for that. But she will not stop loving him in doing that.

And that is the best thing he could have heard. That's why he relaxes like he does. Feeling safe. Because in just "I missed you," she just said "thinking I knew for a fact that you didn't love me, when you were away, I still wanted you back in my life". So just as she is thinking "he doesn't love me but it has nothing to do with me, I know that now", he is now feeling safe to say "I don't love you like that but it has nothing to do with you."

THIS is what the monologue later lacked. He felt completely safe to tell the truth. She was not going to leave or die regardless of result, so the only choice he had to make was not "keep her or lose her", it was "tell the truth or don't" with no deeper bearing to those than on himself.

It's a sad truth to tell. So he looks a little sad. But notice how he doesn't look nearly as scared as he used to.

And getting these gifs, I also notice that this is reflected in the blocking! They are now sitting on an even plane, where she was above him before. Because he is not scared of her reaction and she is not dependent on whatever he might say.

[fishareglorious]

These two really are siblings they look like they haven't seen a comb in the past thirty years

[ickypuppi3]

Lucas On The Line // “For instance, the clothes she's been wearing lately have been... unusual. Old and oversize, and not in a good way. They remind me of Will's clothes, how he was always wearing something of Jonathan's, or even Mrs. Byers's.”

[allium-art]

I FINALLY FINISHED THEM

they all got redesigns :D and i got to make enot more creatur