#but obviously that is a headcanon

[rainbowcarousels]

What are some of your headcanons about Trinity Gate as a place of healing for Armand, Louis, Daniel, et al?

So I like this idea that Trinity Gate was initially set up as a place for Armand to deal with his shit at the same time as keeping Benji and Sybelle safe. It just happened that Louis had his Merrick-era meltdown and Lestat left not that long into it all happening, so Armand flew out and picked up Louis and it ended up becoming a place for all four of them to deal with some pretty big changes. Benji and Sybelle were newborn vampires, it’s a process that can be difficult especially for people prone to obsession like Sybelle is and Armand always prioritises safe spaces for loved ones first. 

As such, I think Trinity Gate has been a place for healing from design to current day. I think that when he found out about Daniel, he wanted to bring him there but didn’t want to make things worse for him so there has been a place for him for years. The same is true for Lestat, they were often worried about him and wanted him to come home, so there was always a place for him too.

In terms of specifics:

Louis spent most of the first time he was there in the libraries, but he branched out into the gardens as time went on. Armand invested in chairs for him to read in most of the communal rooms including the music room so he can listen to Sybelle play. There’s a lot of time spent without words when it comes to Louis, they understand each other well enough without it and as their romance blooms again, they start taking the steps forward together.

The garden has been Louis’ domain for a while; there is something about investing in helping something grow and the feeling of being part of the earth that helps ground him. I think he struggles with isolation when left to his own devices, so Armand begins dragging him out into the world before long and he begins to feel more like a person than someone who haunts the house. 

Armand for his part doesn’t think of himself as healing there, but he does – he finds his reasons to go on in his children, in falling in love again, and from there, begins to work backwards in dealing with his feelings about himself and his own autonomy. Trinity Gate and NY in general are his bubble in those years and he has the time to really settle down and consider himself, to confront things he hasn’t and admit things to himself that he has had trouble doing before. 

I think Armand finds himself thawing from a numbness he’s struggled with on and off since he was mortal in his little family era here. It makes him more comfortable when people begin to show up in Prince Lestat, it makes it easier for him to be open to what Gregory says and to know he doesn’t want to be the core. He’s learning about his own voice, his own autonomy and in some ways, this is something that he never gets to keep – the eras of Daniel and Louis are the closest, but he was catering more to their lives than his own, not ready to face it. His autonomy has been repeatedly lost ever since he was down in the caves, since the kidnapping, even to a degree in the erasure of his past identities both in Venice and under Santino and even though it was necessary, through Lestat. Getting time to be himself, feel his own emotions whether they’re good or bad, has been good for him. He’s learning.

Daniel at Trinity Gate is a case of learning to trust himself and his instincts. I think as much as he tried as a baby vampire, he struggled with being overwhelmed and this is the era where he starts to explore and really enjoy what it means to be an immortal. He floats from one thing to another, just trying to see what he wants and experience things as a vampire or experience things he has no history of like modern smart phones or VR. Armand helps him a lot with that and the humour of the role reversal isn’t lost on them. 

For Daniel, Trinity Gate is the place where he doesn’t so much fall in love again as feel ready to address it as a whole person when he’s been feeling fractured for so long. It’s a time for reunions – they go on dates, they’ll skip off to Miami or Tokyo for a week, they’ll spend nights curled up catching up on streamed television shows as Netflix becomes more of a thing. It’s an era of Daniel learning to feel comfortable in himself and his place, knowing he isn’t reliant on someone but instead is choosing to be there. I think that in my headcanon for their relationship, this is the turning point for it being a little more ot3 than otp because he and Louis come to their own understanding of their dynamic.

Lestat’s time at Trinity Gate is on and off, not unlike his relationship with Armand. He doesn’t know where he stands at Trinity Gate, he is The Prince, he is Louis’ maker and he and Armand have their on again/off again thing. I think the important part is when he stops looking at himself as his roles and starts figuring out how to just be who he is, not the roles he tries on like clothes and he gets scared to interact like that for any specific amount of time. It’s hard for him to shed that armour and not worry he’ll be abandoned or ridiculed – so he doesn’t really know what to do when he’s accepted into the Armand Bed Pile without question. Okay, maybe one question and it’s ‘can you get your hair out of my face’.

I think it helps him open himself up more - this makes their relationship less of a dalliance and more something they’re actively pursuing for both Armand and Louis. Daniel’s just along for the ride, it’s Lestat, but they do bond over the more difficult moments and build forts downstairs. They like to listen to music on shared headphones/pods and Lestat loves an audience that will listen to him ramble on and Daniel is a good, engaged listener. For Daniel’s part, Lestat’s happy to show him how to do a few more ‘tricks’ and help him gain confidence with what he has. Lestat had to figure his shit out alone, so having another chance to help someone else is good for him too – especially when it’s Armand’s only fledgling. It feels like coming full circle from Nicki.

On a similar vein, I think Antoine’s time here gives him a level of support he didn’t really get due to the circumstances in which he was made. He has a kindred spirit in Sybelle for music, and though he does follow Lestat to France, I think there had to be a small period of reconnection for them here. 

I want to believe Bianca stayed here for a while after losing her fledgling. Not right away, but perhaps a couple of years later when she’s trying to rebuild. I like to think at first, it was like having a sleepover, Bianca and Armand getting some time to reconnect with older parts of themselves, then Armand dragging her out to see the world she’s not familiar with. I want to believe Riccardo came along for the ride and for a couple of months, the three of them are thick as thieves. Playing games, running around in the world to bars and clubs and private establishments – it’s a time for them to reconnect as people.

It gives them all a chance to finally talk through their losses and experiences – Bianca leaving in Paris, Riccardo having been unable to corporealise but wanting to stay with him as much as he could but being unable to communicate and Armand talking about losing himself. They start their mourning process together, for their lives, for the boys, for what they lost along the way, but also learn to celebrate some that they’re here together. It makes all three a little more childish and silly, there’s multiple chases throughout the house and mucking around and it’s good for them to just feel young and free for a while. It’s a side Armand’s partners so rarely see of him and they love it, especially when Armand loses races down the stairs because Riccardo can teleport his way there by going incorporeal. (Armand insists it’s cheating, but his sulking just leads to more silly stories about his teenage years.)

There are others who come and go – Marius is there sometimes and not others, but he isn’t really ready to heal completely. He is learning more about flowers from Louis and spends more time around Daniel there than anyone else, but it’s a foot in the door when he’s ready. They have Pandora there for a bit when she needs time away, giving her the space she needs from the world while still keeping her in it until she’s ready to move on. Even Mael has crashed there, talking quietly about his experiences with going into the sun with Armand before retreating but seeming a little lighter for it. Jesse spends some of her grief there, talks about how the family that used to feel like it spanned the world feels like it’s dwindling and leaves feeling renewed by the way people make their own families in their world.

The tl;dr of this being that Trinity Gate is the Vampire Chronicles equivalent of going on a life changing adventure with Zuko. 

[anotherpjofan]

I love how Percy is genuinely like wtf when Luke says Annabeth - who’s twelve - is head counsellor so he’s under the impression that annabeth is ridiculously powerful when in reality her older cabin mates just wanted to spend their time coming up with ways to hack the government instead of assigning cabin chores

[squeakyducky]

Things I find cute that the OM! cast would do

- have a picture of MC inside their wallet

Lucifer, Mammon, Beel, Diavolo

- associate a character they like with MC

Simeon, Satan, Levi, Mammon

- the type to spam MC when they leave them on read

Mammon, Thirteen

- writes a love story based on MC and him

Levi, Simeon, Satan

- MC's personal space is his second home

Asmo, Belphie

- tell dad jokes

Solomon, Diavolo, Raphael

- likes to cook for MC

Luke, Barbatos, Solomon

- likes to cook with MC

Simeon, Solomon, Levi, Satan

- nags MC like a mom

Satan, Luke

- has an album dedicated to MC in their phone

Lucifer, Mammon, Beel, Asmo

[nerdy-hyperfixations]

“Pain is hilarious!”

C’mon guys he had to learn that his eye regenerates somehow!

So fun fact! You know that thing people, perhaps parents tell you? That if you smile it tricks your brain into being happy? Well don’t do that in traumatic moments! Because if you do, your brain mixes wires on how to process shit and when you’re under mental turmoil you might start laughing maniacally! I may or may not know from experience!!! 😃

[melonsharks]

like a thing, make a character lineup to figure out how i would draw them. thats the way my brain works! you can find close-ups under the cut!

these were fun :] theres a lot of characters in this show that would be fun to draw, is there anyone you guys wanna see next? 🤔

[potato-lord-but-not]

someone asked how the boyfriends would be with Faroe after Kayne brings her back, and sorry for being a downer but I’m on the “Arthur doesn’t get Faroe back” hill so I initially wasn’t gonna ponder about it.

And then I started pondering. weeks later. and decided I can indulge just this once because tbh I need more adorable Faroe in my life (we all do). I indulged a little too much tho and decided to make an actual post instead of answering the ask so HERE WE ARE

[demigods-posts]

been thinking about that scene in chalice of the gods when percy and annabeth are singing karaoke together. and it's so funny bc percy "if anything, i should be getting a scholarship to NRU" jackson is just stone-faced, fed up with this bullshit and just sings the song bc dammit this might as well happening. and annabeth "this quest is the least dangerous things i've had to do in my entire life, and i'm trapped in my eight-year-old body with no guaranteed that i'll return to myself" chase is just singing her heart out, adding a ridiculous amount of riffs and runs, and is definitely off-key and off tempo. like, percy could not be more pissed off about how stupid it'll be if they don't survive, and annabeth could not care any less about how they win as long as they do. this is a hilarious visual. hats off to rick.

[reginalusus]

Just a sketch that I was too tired to finish... And since it's Father's Day I'm just gonna dump a bunch of my more silly (mostly) headcanons about their dynamic below, teehee.

General - They argue. A lot. About anything. Jason is the instigator. Harvey is almost always correct. - There has been a karaoke battle at some point. - They smoke far too much and smoke breaks are common occurrences during anti-hero outings. They are no longer mere breaks; they are rituals. - One of the only things they are comfortable openly bonding over is their alleged hatred of Bruce - and weapons. - Actually work very well together in combat. Jason's accurate, hard-hitting martial arts expertise and agility compliment Harvey's more elegant and violent approach. Gotham's scumbags are cooked. - They were both slain by Gotham, and reborn. They are now both living their second life - neither want to admit to each other that they find comfort that they're not alone in this. - They will take any opportunity to bring up each other's past interactions; the two-toned car, the two-story building fiasco, the kidnapping, anything. - Jason's biological father is the root cause of their most explosive, brutal fights. Both of them, however, are exhausted and have other shit to worry about, so they avoid this topic as best as they can.

Jason's POV - Teases Harvey about twos, duality and doubles to distract from the horrors. - When angry, will call Harvey 'Apollo' to piss him off. Sometimes it's 'Ex-District Attorney', with emphasis on the 'Ex'. - He doesn't like it very much when Harvey attempts to get close/connect with him; relationships are transactional. At least that's how Jason views them. - Hates being passenger in Harvey's car because he doesn't get any say over the radio. - He does view Harvey as a parental figure, or something like it, but he's conflicted. - Actually appreciates it when Harvey helps him through PTSD episodes. - Sadly, he isn't very good at helping Harvey through dissociation/depressive episodes yet. He sort of stands there like the man emoji. - Will randomly come out with courtroom related lines when Harvey does something bad, like: "Your honour, my client would like to plead Gemini," or "Your honour, in my client's defence, he didn't know the safety lock was off." - Makes jokes about Harvey's thugs all wanting to have 'a night' with Harvey. - Absolutely refuses to call Harvey "dad", even jokingly. He will have sightseen everything in Hell before that happens. - But at the same time he cries out for a father figure, one that is proud of him, that loves him. He secretly loves it when Harvey pats his shoulder or gives an approving nod.

Harvey's POV - Will make jokes about Jason being alive again to distract from the horrors. - When angry, calls Jason 'Robin' or 'Pup' (name of a baby bat) to piss him off. - Tries to bond with Jason - he *wants* to - but he's a big dumbass about it. - Does not understand Jason's music taste and doesn't have any desire to. - Views Jason as the child he never had the chance to have. In a sense, that makes him quite protective of Jason, but he hides this. He tries desperately not to be like his own father. - Is quite good at understanding Jason's emotions; he knows how to deal with his attacks and does, begrudgingly, use tips he learned from his previous therapists. - Doesn't wish to burden Jason with his own episodes. Unfortunately it's not always possible to hide them. - Just as Jason tortures him with puns, Harvey will do it right back. He'll come out with things like, "We only put up with you because you were the SECOND Robin," or "How would you like to die a second time?" - He will stand and stare awkwardly when Jason brings (sneaks) lovers back to the hideout. But he minds his business. - May have accidentally called Jason his son a few times. Or his "kid". But not to Jason directly, only in his talks between himself and Two-Face. - He likes seeing Jason happy. So many kids and young people are let down by Gotham's corruption and he'll be damned if Jason becomes a victim of it (again).

[xxsabitoxx]

Megumi is the type of man to get really shy during acts of affection like hugging, holding hands, kissing, etc. But won't show any signs of that shyness when he pounds you disrespectfully into the mattress.

You hadn't expected it. Hell, he had been too shy to even initiate half of the "firsts" in your relationship. You still recall how red he was when you kissed him for the first time, how his lips wobbled when you pulled away because he didn't want it to end just yet.

That didn't stop Megumi from being the one to initiate your first time together. It had been full of flushed faces and mildly awkward fumbling but it was great and you enjoyed every second.

You still smiled thinking about those first times.

Those nights where you felt like the only two people in the world as you learned every single inch of each other's bodies. You still could feel the butterflies in your stomach as you two experimented to figure out what you liked and what you disliked.

Now, you could proudly say you knew Megumi's body like the back of your hand. You knew what got him going, where he was sensitive, his deepest and darkest desires, everything that made up his essence.

Which is why, when you had finally convinced him to be a bit rough with you, you had been mildly shocked when he didn't hold back. Not that you had wanted him to, fuck no, you had been very adamant on him giving it his all because you could take it.

But you had still expected him to show some restraint.

Megumi, on the other hand, threw every ounce of self-restraint he had out the window when you had begged him so sweetly.

He had seen you in battle, over the years he had learned you really are durable. Which was why his lust clouded mind didn’t bother holding back when you asked him to be rough.

Megumi felt guilty when you could barely walk the next day, but at the same time he felt pure satisfaction because of it.

[the-great-kraken]

if you see a male character kiss a male character, you assume they are gay.

if you see a female character kiss a female character, you assume they are a lesbian.

if you hear a character say they don't feel like their gender, you assume they are trans.

so why do a-spec characters have to jump through so many loops?

a character saying they've never had a crush or don't want a relationship or that they don't understand romantic love is so often ignored or used as fodder for other queer or autistic headcanons (reinforcing stereotypes that aroace people are secretly gay or always autistic)

why is it that our stories are always "up to interpretation"? why do we have to wait for the words aromantic or asexual to be said to be taken seriously? why is it that even when characters say they don't want relationships, fans will scream and cry about sex/romance favourable aspecs and qprs?

when it comes to gay and trans characters, even the likes of bisexual lighting is often treated as though it canonises their sexuality. for aroace characters, even the most explicit coding possible is swept under the rug in favour of other "interpretations"

i'm so tired of fighting for representation just to have it ignored and minimised by fans. let characters be aroace. please.

[woozivrsefactry]

random kim mingyu bf texts [crack + suggestive + fluff]

[pearlynia]

Conversation I had with my friend as marauders era:

James: *video call Regulus*

Regulus: *declines*

Regulus: Shhhh my daughter's sleeping

James: wha-

Regulus: *sends a photo of a tiny kitty sleeping on his lab*

James: AWWWWW

[cairafea]

they're matching costumes.

[steddieas-shegoes]

Just started thinking about labor and delivery nurse Steve Harrington having to fill in for his best friend Robin in the ER at the last minute on his off week

And who stumbles in (comes in on a stretcher) but rock star Eddie Munson who fell off the stage at his show just because he’s incredibly clumsy (this isn’t even the first time it’s happened). His leg is very obviously broken at the knee because he broke his fall with it and he’s struggling to focus on questions because of the pain.

One of his bandmates came with him, Jeff, who Eddie keeps referring to as his mom on the road. Jeff calls Eddie’s next of kin so they can focus on giving him a scan, pain meds, and setting his leg as soon as possible.

The pain meds kick in fast and he’s flirting with Steve nonstop.

And he’s good.

He hits all of Steve’s buttons: the obnoxious pet names that should be annoying but aren’t, the casual touches to his hands and arms as he gets him comfortable, the lines he’s using that are stupid but adorable.

He has no reason to stay after they take care of his major injury and the one spot on his arm that needed stitches. He didn’t hit his head and passes all the concussion protocol tests, his stats are normal, his pain is being managed with a prescription of Tylenol with codeine. He can go home.

But Eddie insists he should have Steve’s number in case he gets worse (he won’t) or has questions (google is available). Steve gives him his number.

He texts him almost immediately.

And keeps texting him for days.

Weeks.

Calls him every morning before Steve’s shifts. Every time his post-show adrenaline matches up with Steve’s lunch breaks. Every time their schedules sync up.

And then he shows up randomly to get his cast removed.

Steve reminds him he could’ve gone anywhere, especially because he was working his usual floor.

Eddie reminds him that he wanted an excuse to see him.

Steve manages to grab a 30 minute lunch break when all his fellow nurses and doctors find out his Eddie is visiting.

When Eddie leaves, it’s with a promise to be back when tour ends in less than a month, a promise to take Steve on a real date, and a promise to be the best damn boyfriend Steve’s ever had.

[delulluart]

Surprise, Secondo! I always see him as a bigger guy with a tummy (instead of a bodybuilder type, because this man does not cut calories)

these are the full versions, but for uniformity I also added them on AO3

All of Ghinktober 2024 here

[pseudowho]

You both forget. Every time.

Everything within you clenches, shivering and coming down from your high, in time to hear Kento gasp behind you, drowning in euphoria.

Cursing under his breath, Kento's thrusts become slower and shallower; he barely pulls out, groaning as his cock jerks within you, filling you with sluggish, sticky stripes of his seed. He gasps, face contorted in bliss, his powerful body buckling under the force of his peak. You only wish you could see his face, eyes closing to imagine it instead.

You couldn't move if you wanted to; the primal breeding centre of his brain urges his fingers to grip your hips with stunning force, holding you back onto him. You're vulnerable, impaled as he fills you, balls clenched tight and pulsing.

You grin, face down and goofy with pleasure, that core part of you satisfied to feel him spill himself inside you. You can almost hear the sanctuary in your belly, calling him home, drinking him in.

Every time. Every time, you forget.

Your husband finally comes back, behind you, having been replaced by a beast for a moment. You call out to him, your voice sweet and dopey.

"Hi, Kento."

"...y-yeah...hi."

"Hi."

Kento chuckles, low and breathless, holding you back onto him as he threatens to slip out. He realises.

Every fucking time.

"Shit, have you-- have you got anything...anything to hand?"

"Err..."

You hear him huff behind you, turning into a laugh. A low rumbling reassurance.

"Alright...move with me."

You giggle, moving your arse with his hips to keep him plugged within you. Kento splays his hand over the bed, hunting, hunting--

"Every time," he grumbles, floundering as his softening cock begins to slip out of you, "every fucking time-- been years-- think we'd remember--"

"Clearly my pussy game is just too good--"

"You're fucking right, too good-- distractingly good pussy game-- a-ha!"

Kento's hand clasps his discarded shirt, and you squeak when he claps his hand between your legs. You're laughing as you crumple forwards, his cock slipping free and his shirt being squashed between your legs. A telltale trickle of cum soaks into the soft fabric, just in time.

Every time.

You feel a trail of lazy, open-mouthed kisses down your spine, your hips, your sacral curve, squealing and laughing as his teeth nip into your bottom. You wiggle, certain you're still alluring with his cum-stained shirt between your legs. You're right; you are. It earns you a gruff little slap to the arse and you laugh again.

"...hang on--" Kento groans, wobbling on cum-drunk legs, his cock still half-hard, as if he'll have any life left in him before he passes out, face down on your breasts. "Hang on...you deserve better...than a fucking shirt."

"Noooo!" You cry, grinning as you snuggle under the duvet, your eyes drooping. "I love ruining your shirts."

"That's because you're tacky. And classless."

You laugh again, knowing he's right. You're protesting without protest when Kento returns, smirking and battling your legs open to retrieve his shirt and replace it with a warm flannel.

He wouldn't have it any other way. Every fucking time.