#but no they were just an asshole :

[shikai-the-storyteller]

Not to crosspost someone else's tweet but this made me laugh because they're 10000% right about this

[momentomori24]

THEY ARE SO INSUFFERABLE AND HORRIFIC AND AWFUL BUT SO AMAZING AND DORKY AND THIS PART IS SO UNFAIRLY FUNNY AND CUTE AND WHOLESOME-- PLEASE, PLEASE HAVE MORE SCREENTIME IN S2. PLEASE LET THEM TAKE OVER THE SHOW. I KNOW THEY'RE HORRIBLE PEOPLE BUT I NEED MORE OF THE VEES.

And the most important scene of them all (to me):

First of all, how is Vox doing that. Second, you just know that these two douchebags are going to bang so hard with Alastor getting his ass kicked replaying in the background after this. I hate them so much.

[clowndensation]

thinking about connor in prague saying "dad's theory was you got two fighting dogs, you send the weak one away, you punish the weak one." in relation to this episode, and the way the siblings view abuse inside their own family.

shiv and kendall and their belief that connor and roman are the weak dogs that got the brunt of logan's worst behavior, because abuse is reserved for the kids who can't behave - the ones who aren't smart and mature enough to make it in the world. abuse evokes pity, because abuse is what happens when you expect too much from people who obviously aren't capable of more.

and then they go forward in life, believing that they're just naturally more intelligent and more capable than connor and roman, as if being raised seeing what happens to you if you aren't a perfect child wasn't the entire point of the "punish the weak dog" mentality that logan instilled in them. the looming threat implied behind any praise they do receive that tacitly tells them "you're not like roman and connor" because everyone knows what happens to roman and connor.

the absolute height of the rich capitalist mindset. "we're succeeding because of our own merit, and other people fail because they don't have what it takes" when in reality they're succeeding because of arbitrary rules made up by someone who knows that infighting makes meaner dogs.

[puppetmaster13u]

Prompt 198

Now Bruce was not expecting to reincarnate upon his death. At least he thinks he died, he’s pretty sure he did. There wasn’t any other reason for him to be a well, literal baby. Around two he thinks, which fits well with the fact that it’s around that time that babies start forming memory recall, if he, well, remembered correctly. 

But while he knew about reincarnation thanks to Shayera and Carter, he’d never exactly given it much thought towards himself. Because seriously, what were the chances of such a thing as him being given another chance? 

So he was quite surprised at his situation, experimentally opening and closing pudgy hands that looked well, just a tiny bit off. He’d never been that pale before, he thinks, even back when he never went outside like, ever. 

He turned his gaze towards the mobile above him with a sort of idle curiosity- a mixture of bats (ha) and other trinkets he wasn’t familiar with. It also caused him to get his first good look at his parent, asleep on a rocking chair right next to the crib. 

Huh. They had the same pale skin he did, albeit in the light it looked like it was slightly tinted blue, and while their hair was white they didn’t exactly look old. They looked surprisingly well rested for raising a toddler too, unless they had a nanny or something similar… He rolled over, managing to very shakily push himself to his feet with the help of the crib. 

Why was standing so hard as a toddler? And why did he have his memories of everything except how he had died anyway? 

His head whipped up from where they were staring at his feet when he heard a snort, finding his parent awake and standing. Somehow silently enough that he hadn’t noticed- or he was that easily distracted by the unfamiliar giddiness bursting in his chest. 

“Morning little bat,” his parent easily picked him up and held him while he inwardly sighed at the nickname. Of course his bat motif would follow him into this life. A low rumbling almost caused him to jump, his body relaxing before he could fully register the sound. The… purring? 

Oh. 

He wasn’t human this time around. 

[uncanny-tranny]

Hey, if you have speech impediments, you are so amazing.

If you stutter or have a lisp or misspeak easily or you have a flat affect or a limited verbal vocabulary or if your voice is AAC or if you just have a difference in your vocality, you are so incredibly important and amazing.

Just know that your voice is yours. Nobody will ever be able to truly take it away. Your voice is part of you, and you deserve to make it as true to you as you deem fit. I hope you have the space to grow with your voice and whatever about it makes it unique.

[papanowo]

Through out your posts you indicate that you head-canon Rex as gay, but who’s he got a crush on and or how’d he figure it out?

he likes anakin. hes not happy about it either lmao

[zivazivc]

my brainrot about these two can be measured in liters

[deoidesign]

Can you tell who my favorite character is right now...

[rocketbirdie]

chocobo breeds based off of real life chicken varieties :>

[asterlark]

me and den @unloneliest were just talking about murderbot and ART's relationship and i want to discuss how they quite literally complete each other's sensory and emotional experience of the world!!

there's a few great posts on here such as this one about how murderbot uses drones to fully and properly experience the world around it (it also accesses security cameras/other systems for this same purpose). but i haven't seen anyone so far talk about how once MB stops working for the company and consequently doesn't have a hubsystem/secsystem to connect to anymore (which for its entire existence up to that point had been how it was used to interacting with its environment/doing its job), after it meets ART, ART starts to fill that gap.

ART gives MB access to more cameras, systems, and information archives than it would normally be able to connect with while MB is on its own outside of ART's... body(? lol), but also directly gives MB access to its own cameras, drones, archives, facilities, and processing space. additionally, so much of ART's function is dedicated to analysis, lateral thinking, and logical reasoning, and it not only uses those skills in service of reaching murderbot's goals, it teaches murderbot how to use those same skills. (ART might be a bit of an asshole about how it does this, but that doesn't negate just how much it does for murderbot for no reason other than it's bored/interested in MB as an individual.)

we all love goofing about how artificial condition can basically be boiled down to "two robots in a trench coat trying to get through a job interview" (which is entirely accurate tbh) but that's also such a great example of ART fulfilling the role of both murderbot's "hubsystem" and "secsystem", allowing it to fully experience its environment/ succeed in its goals. ART provides MB with crucial information, context, and constructive criticism, and uses its significant processing power to act as MB's backup and support system while they work together.

from ART's side of things, we get a very explicit explanation of how it needs the context of murderbot's emotional reactions to media in order to fully understand and experience the media as intended. it tried to watch media with its humans, and it didn't completely understand just by studying their reactions. but when it's in a feed connection with murderbot, who isn't human but has human neural tissue, ART is finally able to thoroughly process the emotional aspects of media (side note, once it actually understands the emotional stakes in a way that makes sense for it, it's so frightened by the possibility of the fictional ship/crew in worldhoppers being catastrophically injured or killed that it makes murderbot pause for a significant amount of time before it feels prepared to go on. like!! ART really fucking loves its crew, that is all).

looking at things further from ART's perspective: its relationship with murderbot is ostensibly the very first relationship it's been able to establish with not only someone outside of its crew, but also with any construct at all. while ART loves its crew very much (see previous point re: being so so scared for the fate of the fictional crew of worldhoppers), it never had a choice in forming relationships with them. it was quite literally programmed to build those relationships with its crew and students. ART loves its function, its job, and nearly all of the humans that spend time inside of it, but its relationship with murderbot is the first time it's able to choose to make a new friend. that new friend is also someone who, due to its partial machine intelligence, is able to understand and know ART on a whole other level of intimacy that humans simply aren't capable of. (that part goes for murderbot, too, obviously; ART is its first actual friend outside of the presaux team, and its first bot friend ever.)

and because murderbot is murderbot, and not a "nice/polite to ART most of the time" human, this is also one of the first times that ART gets real feedback from a friend about the ways that its actions impact others. after the whole situation in network effect, when the truth of the kidnapping comes to light and murderbot hides in the bathroom refusing to talk to ART (and admittedly ART doesn't handle this well lol) - ART is forced to confront that despite it making the only call it felt able to make in that horrifying situation, despite it thinking that that was the right call, its actions hurt murderbot, and several other humans were caught in the crossfire. what's most scary to ART in that moment is the idea that murderbot might never forgive it, might never want to talk to it again. it's already so attached to this friendship, so concerned with murderbot's wellbeing, that the thought of that friendship being over because of its own behavior is terrifying. (to me, this almost mirrors murderbot's complete emotional collapse when it thinks that ART has been killed. the other more overt mirror is ART fully intending on bombing the colony to get murderbot back.)

in den's words, they both increase the other's capacity to feel: ART by acting as a part of murderbot's sensory system, and murderbot by acting as a means by which ART can access emotion. they love one another so much they would do pretty much anything to keep each other safe/avenge each other, but what's more, they unequivocally make each other more whole.

[adustoflove]

No one understands guilt better than a girl with emotionally immature parents

[salteytakesonmanga]

BIG DISHONORABLE MENTION FOR THIS WORD CHOICE. Zoro does not call Nami a “scheming woman.” What is with the translators making Zoro into a complete hater towards Nami?? Vivi says she can’t understand what Miss All Sunday is thinking, and Zoro replies “we’ve already got that type of person on this ship.” He never said anything about women at all! If you think of someone on the ship whose thought process is completely incomprehensible…

…HE’S TALKING ABOUT LUFFY.

[theheartofmar]

Next time I post an update it’ll be done I promise LMFAO

[gonnahaveabigtalklater]

shoutout to the absolute Biggest Dick moment in the entire game

[kastheory]

steve did not bully eddie in "the past" steve was a grade below him for 3 out of 4 years of his high school career freshman steve heard this weird loudass sophomore talking w his friends at 100 decibels in the hallway about fighting elves in the woods or something (steve did not know what larping was nor care to find out) and then he went to class bc are you insane hes not fucking w a sophomore you dont normally fuck w people ahead of your grade especially if they yell at people and wear chains and get into fights in the woods (with elves?) and you dont even have classes w them. you dont even care much about them in the first place beyond passing gossip like HAVE YOU GUYS EVER BEEN IN HIGH SCHOOL. sorry. anyway.

then steve keeps catching this guy in his periphery over the next two years shouting about board games and controversial food opinions and metal bands that steve likes a few songs from but could not ever imagine giving that much of a shit about. like at all. and by (steve's) year 3 the motherfucker is bouncing off the walls giving speeches about what the hell ever and saying he cant fucking WAIT to get out of this FUCKED UP PLACE!!!! YEP ITS TRUE IN LESS THAN ONE MEASLY YEAR ILL BE SAYING MY SWEET SWEET GOODBYES TO THIS BRAINLESS CONFORMIST PRISON!!!! and hardly anyone reacts beyond rolling their eyes or snickering to their friends about it and this includes steve because who cares literally who cares. this guys been causing a ruckus since the beginning of time and hes weird and unpredictable and not worth trying to shove in a locker he would probably evade the attack anyway like a nimble mouse or squirrel he might even try to bite you. and steve didnt shove anybody in lockers in the first place so who cares and yeah he has pretty eyes and a funny way of talking and moving around but WHO CARES

and then steve goes through the first round of nightmarish shit that would become a yearly ordeal and then wraps up junior year in a perfectly normal not haunted whatsoever fashion. and then hes a senior and in his subtly cringefail era (ongoing) and that freak guy is STILL HERE for some reason and kinda pissed off and possibly a bit devastated about it so okay great now steve has a few classes with this angry weirdo loudguy but. crucially. he has had a lot of OTHER SHIT to deal with lately (MONSTERS ARE REAL) (GIRL DIED IN HIS POOL) (GF RESENTS HIM) (HAS NO FRIENDS) (COLLEGE APPS) so the only effect eddie's constantly loudmouthed & often unwarranted input during class ever has is that it adds a little flavor to the constant metaphorical and literal headache of steves life.

and then he goes through round 2 of shit and finishes his senior year with little hope for a satisfying future ahead of him and never once thinks about that guy again except when his fellow grads whisper about oh my godd did you hear that the freak flunked out again hahaha and yep sure enough eddie's not there at the graduation ceremony. and he thinks huh i wonder what his fucking problem is and then he MOVES ON. the end. thats the extent of """their past""" at least in terms of any actual interactions btwn the two of them i promise okay listen to me. i was there

[wilsonsmcgillsweatshirt]

"Deep inside, Wilson believes that if he cares enough, he'll never have to die."

What the fuck were the House writers on