#but like. I would too for vi
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tillykitty10 · 2 months ago
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Ambessa when she finds out Caitlyn folded after 1 ‘cupcake’ from Vi:
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proxycrit · 2 months ago
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I interrupt my zelda posting with caitvi because Arcane changed my brain chemistry
(ight, now i go back on hiatus! If you want to see my sketchbook which I WILL be posting until the day I wither, check out patreon! Now excuse me as i crawl back into my warm little den)
((Im also currently significantly more active on my instagram posting commission work, if you wanna see it :0))
Edit: ah dang it the hyperfixation’s set in.
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therealneilperry · 3 months ago
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VI SOBBING WHEN CAIT HIT HER AND THEN JUST LEFT HER </3
I feel so fuckin bad for her, just watching Cait walk away after she promised she wouldn’t change, the gasping breaths, the despaired but resigned little sobs—like she knew this would happen but she hoped it wouldn’t. And now she probably feels so stupid…
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natalievoncatte · 2 months ago
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Spoilers for Arcane Season 2. Ending Spoilers.
The tables had turned, and now Vi was the one waiting. She was so tired, so utterly absolutely tired of being the one to helplessly watch. As she waited she flexed her fingers and tugged at her wraps, sometimes rolled her shoulder as if, suddenly, there was something she could do with all her strength. Her knuckles were still sore from punching the wall in Jinx’s cell.
It had all happened so fast. How long had it been? The sun had set, but she’d lost track of time. She wasn’t leaving this room, no matter what.
Part of her had almost run. When she lurched down from the hexgate, limping and dragging one depowered gauntlet with the other, spotting Caitlyn alive had made her heart sing, a bright spot that kept the hollow in her chest from collapsing in on itself and pulling her on with it. She had someone. She had a reason.
Cait saw her, took two steps, and collapsed in a heap, bleeding profusely from her left eye, her uniform soaked in blood from a gash on her flank.
Vi didn’t think she had it in her to run that fast. She’d ignored her own injuries. Nothing mattered but keeping Cait safe. Picking her up and carrying her left Vi herself covered in blood. There was so much, but somehow Cait was still breathing.
She lay in her own bed, chest softly rising and falling. She looked like she was merely asleep, unbothered even though the left side of her face was a mass of bandages and there was a bottle of fluids feeding into her arm.
Vi felt the silent presence in the room and glanced towards the door.
Tobias.
The last thing she remembered him saying in her presence was “what is she still doing here?”
He hadn’t said a word to her, even though she stood by for hours while he and the other doctors had worked on Caitlyn. Barely even looked at her. He wasn’t even the one who handed her a cloth mask to wear over her face and he said nothing to her of Cait’s condition or her prognosis.
It was the same when he came to stand by the bed. An awkward pall fell over the palatial bedroom and Vi couldn’t look at him. The man has already lost his wife and his daughter lay maimed in her bed and might not wake up. What was there to say?
He shuffled awkwardly and Vi noticed he was carrying something. He put the bundle on the bed.
“Clean yourself up. You’re filthy.”
Vi blinked. She’d discarded the jacket of her uniform, but the blood had soaked through to her undershirt, and she was battered and bloodied herself. She’d almost broken her arm and her right shoulder was screaming. Her clothes were crusted with dirt and other people’s blood.
He was not wrong.
“I brought you these, they’re mine. I don’t think anything of Caitlyn’s will fit you.”
Vi muttered a soft, confused “thank you” and took the bundle of clothes, briefly wondering where she should go, before she remembered that Cait had her own bathroom.
As Vi walked inside, she felt a cold rush on her skin. She still couldn’t comprehend that she was allowed here, among all this marble and brass. Cait’s bathroom was big enough to live in. The shower alone was as big as the hovel she’d been living in between bouts and binges.
As she began to undress she realized how tired she was. Every movement was stiff. As she peeled herself out of the uniform she unwrapped bruise after bruise, bloodstain after bloodstain, a road map of agony from head to toe.
The water was a revelation, almost unbearably hot. Old blood and grime sluiced between her toes as the water scorched her back and soaked her hair, the remaining dye sluicing in dark tendrils down her skin.
I don’t deserve this, she thought. I failed everyone. Vander is gone. Jinx is gone. I thought I could be free if I could let Jinx go, but am I free or just empty.
It should have been her.
Even Caitlyn’s towels were luxurious. She’d never felt anything so soft in her life. The heat had loosened her up a little but she still felt creaky and her joints ached. She picked up the shirt Tobias had brought her; she thought it was meant to sleep in. The fabric was even softer, and it felt alien on her skin. It hung too low thanks to Tobias’ height, but it was big enough for her save where her arms and shoulders strained the fabric.
Once she was dressed, Vi returned to the bedroom. She hoped desperately to step out and see Cait sitting up and talking but she was still just lying there, steady but shallow breaths and all, Tobias seated on the edge of the bed and fussing over her.
Vi took the same chair and sighed softly, feeling not much better, just cleaner.
“Let me look at you.”
His voice startled her so much that she simply meekly complied and let him examine the florid bruises on her hand where her knuckles had crashed into the cell wall, even when he gently cupped her chin and turned her head this way and that, staring individually into each eye.
“I know you must hate me.”
His hand fell away. He would no longer look at her. He stood up and turned around, peering through a gap in the curtains.
“I did at first. At first I was so angry. Her whole life, Caitlyn has been obsessed with these notions of justice and progress, with making the Enforcers honorable and just and helping the Undercity, making amends and rebuilding. She’s always had such a kind heart. Then this happened. The Undercity killed my wife, and to me you were the Undercity. Not to mention that every single time you bring her home she’s hurt, and worse than the last time.”
A cold ball clenched in Vi’s gut. He was right. How many more times could this happen before Vi was bringing him back a body and not his daughter?
She was the jinx, wasn’t she?
Tobias’ shoulders hitched and Vi realized he was crying softly.
“I lost one of the two people I live for in an instant… and then began watching the other slip away, piece by piece. Caitlyn became harsh and cold while you were gone. She barely spoke to me, instead spending all her time with that Noxian bitch and her pet whispering poison into her ear. I thought I’d lost her.”
He turned. “Then she brought you in her half dead and begged me to save you and she was just my little girl again, just for a moment.”
Vi’s head snapped up and their gazes briefly met before he broke away.
“Is she going to be okay?” Vi asked softly.
“Okay?” said Tobias. “Okay? I had to remove her eye, Violet. She’s lucky the dagger didn’t pierce her gut or she’d die of sepsis. Now you ask me if-“
He froze, giving Vi a shocked look before his face fell.
“I don’t know what things will ever be between the two of us, but we have her in common, I can see that. Yes, I think she will. My daughter is stronger than you think.”
“I know.”
He turned to leave, saying over his shoulder, “I’ll return in an hour to look in on her. I know what you’re thinking. It’s safe.”
After he left, Vi had to ponder what he meant by that, then it struck her.
Carefully, Vi climbed on the bed, settling beside Cait, nervously settling her weight into the impossibly soft mattress. The bed was so enormous that she had plenty of room.
All she wanted was for Cait to wake up, to hold her again. She had to settle for reaching across the bed and curling her aching fingers around Cait’s limp hand.
She was so tired. Fatigue pressed down on her like a weight and sank her into the bed. Before long, her eyelids grew heavy and she began drifting off despite wrestling to stay awake.
She woke in full dark, the lights doused. Someone had thrown a blanket on her and the bottle of drugs hanging beside Caitlyn had been replaced. Vi sighed, starting to pull her hand free of Cait’s.
She found she couldn’t. Cait’s grip was alarmingly strong weak but her fingers had curled around Vi’s palm and held fast. Her good eye was open, glittering brilliant blue in the dark.
“Violet?” Cait murmured, her voice small and parched.
“That’s my name,” said Vi. Her voice was thick and she choked up a little. “I’m here, Caitlyn.”
“Good,” Cait sighed. “If you’d died I’d kill you.”
Vi snorted.
“I didn’t say this before. I was afraid of what might happen if I did,” Cait rasped. “I love you.”
She squeezed Vi’s palm, not very hard but enough.
“You’re in love with an angry oil slick?”
“My angry oil slick.”
They were quiet for a moment. Cait turned and looked at the ceiling.
“I would understand if… if you feel differently after everything I did to you. I’m sorry, Vi. I’m sorry I hit you, I’m sorry I did those awful things.”
“Cait.”
“I was so angry, I couldn’t-“
“Cait,” Vi insisted. “I love you, too.”
Cait closes her eyes -eye- and smiled softly.
“So you’re in love with an unhinged mongoose?”
“You’re never going to let that go, are you?”
Cait laced her fingers through Vi’s and squeezed, hard.
“No. I am not letting go.”
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lonesomenecromancer · 8 months ago
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mothiva gains a new fan (well kind of)
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proxythe · 15 days ago
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can u feel it too ❤️‍🩹
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blueggrass · 6 months ago
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i know theres not much of a fandom here for the will of the many but ,,,.., i just finished it and.,,,,, im in shambles. life is moving around me and I'm still in shock. I have things to do but i cant even think. what,, am i supposed to do. just go on? pretend im okay with this till the next one comes out??? I FEEL LIKE A ZOMBE. I FEEL LIKE NOTHING MATERS. ALL I FEEL IS-
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i dont think ive ever been hit by a book hangover as much as this like wtf even was that /pos HELLO??? CAN ANYONE HEAR ME??? LKSJFLSKJBFLKSJBFLKSBFK:BSF:KBSF:KJBHSF:KJ
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tackykachowch · 26 days ago
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By the way, did we ever talk about how stupid it is that they made Silco the reason Felicia died? I don't mean that he killed her personally, but that he jumpstarted violence on a peaceful protest. Because that's sooo who Silco is, right? A character who makes impulsive and poorly thought out decisions, right? A character who goes into a fight headstrong without carefully planning his moves and strategy and just YOLO-ing it, right? Right?? ......sigh
And don't even THINK about giving me the whole "wElL hE cHaNgEd SiNcE tHeN dUh" crap. Even s2 is smart enough to show us him writing something in a notebook in a flashback, which implies that he was the brains behind the Lanes' creation/revolution as a whole. And if he was he would never sabotage his own plans with something so stupid as throwing a single molotov at enforcers. Literally who does that???? Silco we know would probably organize an attack under the guise of a peaceful protest, but not just. Straight-up ruining just a regular peaceful protest. That's stupid. And Silco is the last character in arcane that would do something stupid. Literally the whole plot of season 1 relies on him being intelligent and sneaky with his plans are you kidding me.
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teleportationmagic · 2 months ago
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The thing about Jayce and Mel is that like. She does not view him as an investment. That is just certifiably false. You have to skip over all her scenes to believe that.
In the beginning she does! She absolutely does! She conceives of their relationship as a business one - where she makes profit off his inventions, and he profits from her business and political acumen, both monetarily and powerwise. And overall, she believes she's fulfilled her half of the bargain.
It's only when he comes back to her after Viktor gets sick that she realizes he believes this is something deeper. And it's notable that she responds to that emotion - she opens up about herself too, comforts him, and expresses real emotionality about it. It's then that we see his ideals start to influence her - especially reawakening in her a desire for nonviolence.
Wanting to do things peacefully is something that's been with her since she was a child. It is what guides her away from Noxus, because her pacifism just does not fit there. It's why she loved Piltover so - they aren't a violent expansionist empire, which is a really low bar, but that's what she's grown up in.
She never finds the violence in Zaun, because she never goes looking for it. This is her fault, and her flaw, let me make that clear. She has some of the most power in the city, and should know about what kind of violence is holding up, and work to resolve it, truly. But she doesn't, because she's focused on her own exploits, and has so insulated herself away from the class struggle that it does not register for her until it grows to violence.
And then, once that violence comes, she maintains that pacifism with an iron grip, more than Jayce himself. It is Jayce who constructs (almost) all the HexTech weapons that are used in the Undercity, in Caitlyn's police squadron. He betrays the oaths that he's made to his partner, where Mel keeps the promise she's made to her's. She is the only politician left to try to tamp down on the worst of Ambessa's instincts, and her removal from Piltover is what marks it's descent into militarism.
She is ultimately a complicated woman, with a bunch of interesting relationships to Piltover and Zaun. I think you can divide Piltover as a city neatly between her, Jayce, and Caitlyn - each of them standing for some of Piltover's best instincts, and some of its worst.
#telespeak#mel medarda#jayce talis#It's why I find Mel discourse so tiring. Like.#This is a show full of complicated characters.#If we are willing to look beyond Victor emptying people and Caitlyn becoming a puppet dictator and Jayce literally killing a child#and see them as full and complicated people who are trying their best with worldviews that are influenced by their circumstances#why is she where we stop. I mean I know why. but still.#I don't even like MelJay. But like. It's there for a reason.#sidebar I find the notion that Jayce of all people should hold her accountable for Zaun just. exhausting.#Jayce is a piltoverian through and through. He loves someone from Zaun yes but that relationship is soaked with casual classism#There is a lot to be said about Mel ignoring Zaun! But he does too#it's something she reflects in him#The biggest critique of her arc I have is that someone in Zaun shoud've taken her to task#(My vote is on Vi just because she should get to confront the head of the faceless machine that's produced every tragedy in her life)#(But any Zaunite would do honestly. Just not heckin. Jayce.)#I do want to make a post about how Jayce Mel and Cait kinda cover all of Piltover's values#Cait as their enforcer arm Jayce as their scientist and Mel as their businesswoman/politician#but that's for another post. really this is two posts squeezed into one#I am just exhausting seeing people who do not care about Mel in her tag. Like. She exists outside of JayVik. the show is not subtle with th#arcane
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lvckheart · 2 months ago
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sometimes i think about the fact caitlyn's accent gets stronger when she's mad and maybe just maybe vi teases her a lot about it
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Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.
Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.
I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.
However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.
You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.
Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!
That's always the conclusion, right? One good, one bad.
This is incredibly limiting and it drives me nuts.
They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.
One is not good and the other bad, they're different, and I think that's worth exploring.
Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.
Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.
However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.
Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.
Marlon and Minerva are also reflective of Clementine's worst outcomes.
Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.
After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."
When she chooses Louis, he does for her what he never did for Marlon: he steps up.
Clementine proves she won't become Marlon just as she proves she won't become Minerva.
After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.
When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.
They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.
Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.
What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.
Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?
So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.
Actually, let's talk about that a little more.
In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.
An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.
On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.
These are interesting to me because I get where they're coming from... but they ultimately miss the point.
The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 
Louis is about challenging Clementine's perception of survival, and Violet is about validating it.
Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”
Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  
This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.
Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 
Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 
But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.
Except it’s really not.
Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.
Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 
Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 
He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 
That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 
By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.
They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 
People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 
We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.
Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 
While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."
That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 
There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”
In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 
The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 
It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 
All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 
I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 
There are several more examples of how this all fits together, buuuuut–
Ya’ll wanna compare some allegories?
Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 
You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 
I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…
And that makes me fucking feral. 
But I'm also so normal about it.
As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 
Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 
Now, look… you might think I’m going somewhere not great with this but hear me out. 
I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 
I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 
Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.
It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.
Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 
This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 
If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 
Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 
But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 
And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 
Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.
Okay just let me talk about their reactions to Tenn's death and then I'll shut up.
This makes me want to gnaw my own foot off, I can barely handle it.
AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.
When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"
AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."
If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"
If Clementine says nothing, Louis says, "Tenn was just a little boy!"
The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!
When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"
AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"
If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"
And there it is.
Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.
This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.
Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"
Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."
As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."
"So you're mad, but sad."
"Can I be that for a while?"
And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.
Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.
Let me put it to you in simple terms... they react the same.
After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.
The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.
It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."
Do I need to say it again? I'm gonna say it again.
One is not good and the other bad. They're different.
There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!
That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."
Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.
There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.
I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!
I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.
I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"
So yeah, that's my ramble for the night.
I'm gonna go replay TFS for further research.
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astralnymphh · 2 months ago
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and if i start writing for vi because of act 3...
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brionysea · 2 months ago
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I'm trying really hard not to just be The Complainer because that's an energy I don't want to bring here when I love (present tense; I rewatch it like 5 times a day) arcane season 1 so much but does anyone remember when powder was taken in by silco and being raised by this very utilitarian merciless 'the ends justify the means' type character made jinx turn out violent and merciless as well. and vi was horrified by her and the lanes were terrified of her and piltover was falling over itself trying to scapegoat her as the one bad apple of the undercity to kid themselves into believing that everyone else was perfectly fine with being treated as less than. and that contrasts vi after vander etc. died because she was raised by him and internalised the idea that no one wins in war and fighting back against systemic oppression isn't worth the damage it causes to your own community which is why she ended up working with cait and the council like vander worked with grayson. the people who raised them shaped them into who they are today but then in season 2 jinx has a daughter and she's suddenly completely normal and well adjusted and her attachment style isn't digging her nails in until she draws blood at all. like What. what happened. didn't things used to mean something
#arcane#arcane critical#powder was raised by vi more than vander#she barely spoke to him#and powder always cared more about vi's reaction than the dead parents on the ground 2 feet away from her#which does a lot to explain 'I am the monster you created' when season 1 was so heavy on children being shaped by their parents#vi did eldest daughter syndrome too hard. vander told her it was her fault if things went wrong and then most of her family died#vi having a momentary bad reaction to her little sister causing all of this and realising that vander was right about violence#because she's so used to it that she just hit powder in the face and made her nose bleed and it seeped into every aspect of her life#and needing to step away for a moment and just feel and cry and be a child#ruined everything and it's always framed as her 'abandoning' powder (which I understand how powder would see it that way#because I'm such a youngest sister that's my first thought too. I have to remind myself that's Not What's Happening. also powder has bpd#she demonstrably cannot handle what she perceives as rejection or abandonment or betrayal or the truth being withheld)#vi has to do So Much. why is everything her fault. I so adore how much she wants to look after powder because of course she does#but jinx isn't seven anymore. she doesn't want to be treated like the helpless little girl she was that day. she's an adult#she had to nuke the council for vi to understand that she isn't the same anymore#and she's responsible for her own actions#ITS ALL SO GOOD ITS SOSOSOSO GOOD I LOVE SISTERS#*correction: I believe jinx is vaguely a teenager in s1. not an adult (being imprisoned by piltover would be as wrong as when she was 7)#but not vi's kid sister anymore either
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tbhshaped · 10 days ago
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who in arcane would actually survive squid game
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bookdragon-shenanigans · 6 months ago
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The character I relate to the most in the empyrean is Mira because I too, like her am the eldest daughter with a chronically ill/ disabled sibling who's 6 years younger than me AND DOESN'T LISTEN TO A SINGLE THING I SAY FOR FUCKS SAKE
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ninkaku · 3 months ago
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strange behaviour from the arcane fandom when a woman that has relations with another woman goes down a darker path and people condemn her whereas if she was a man in love with another man this would be lapppped up as “toxic yaoi”. please get a grip
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