#but it is well written so far

[loumandforyou]

No but these two scenes make absolutely no sense if nothing else happened? Armand's words and adoring look, are not used to gain anything for him or even for Louis, really. Louis messing with Daniel's memories could have been what Armand suggested, to bring him back to "what happened next". But his interference with that, looking actually sad at Daniel, saying what Alice was thinking and instead of being cruel and telling him that Alice isn't thinking of him, he put an end to it. And of course what was the point of the first flashbacks (even though they were from SF) when they were talking about Alice?

And then the next day, we have the apology on Louis' behalf and this heart eyes look.

It's certainly something beyond attraction, we have seen Armand grinning and being cocky about his sexual and hunting endeavours, we have even seen him actually being attracted to Daniel.

But these two scenes really don't make any sense unless something else happened. And of course the scene that Louis tells him he could turn him now...

[benevolenterrancy]

finally in the process of reading the Guanyin Temple scene and holy shit if WWX isn't the protagonist of all time. We're in the Big Final Confrontation and so far my man has done fuck all except cuddle in LWJ's lap while everyone else is losing their shit and when he DOES finally do something he summons an army of naked, writhing, moaning sex corpses that even his allies just desperately wish Were Not There. stupendous, no notes

[lululawrence]

You Should Be Here With Me

A 2024 Advent Fic by lululawrence

Harry Styles/Louis Tomlinson | 34k | 26 Chapters

The festive period is a traditionally hectic one in the world of Premier League football, and this year is no different. A lot is riding on how Manchester United is able to come through the fixtures in the coming weeks.

Louis and his teammates know all too well the pressure that is on their shoulders. They need to prove, not just to fans of the club but the entire league, that they still have what it takes to be a team worthy of fighting for the top of the table.

Throw in the fact that Louis is all too aware that he's not getting any younger in a profession that demands your peak physical fitness year round and the incredibly fit Harry Styles, who is part of the club's social media team, and this year's festive period might just be the most important one yet.

🎄1 🎄 2 🎄 3 🎄 4 🎄 5 🎄 6 🎄 7 🎄 8 🎄 9 🎄 10 🎄 11 🎄 12 🎄 13 🎄 14 🎄 15 🎄 16 🎄 17 🎄 18 🎄 19 🎄 20 🎄 21 🎄 22 🎄 23 🎄 24 🎄 25 🎄 26 🎄

NOW COMPLETE!

[francesderwent]

thinking about snarky cultural/theological commentary and. the thing about snark is this: it’s easy, and it’s instant gratification. it’s easy because you’re playing to a likeminded audience. you get the way they think, you know the sort of things they find ridiculous, and so you know what’s going to play well with them. it’s not that hard to come up with a zinger that’s going to earn you applause from your own side. it’s also pretty easy to make another human being who’s not on your side look stupid, because we’re stupid creatures and we all have plenty of exploitable weak spots. it’s preaching to the choir, and it’s preaching meanly to the choir. and then, your snark bears all its fruit right away. you get the glowing feeling of having scored points against the enemy while being patted on the back by your friends for being so brave. if you succeeded in being snarky, you get the rewards of snark that very instant.

on the other hand, seeking to share the truth you possess in a mode in which it could actually be received—that is, says St Thomas, according to the mode of the recipient—that’s hard, and it’s so far from being instantly gratifying that you may never see the fruits of it in this life. not only are you not thinking about your likeminded audience, you’re not even going to trot out the truth simply in the way you understand it and call it your best effort. rather, you have to try to get inside your interlocutor’s frame of mind and understand how the truth you know is going to fulfill their own priorities and longings. you have to understand them so well that you see the truth of their position, even if that truth is buried very very deep, and then see how that truth connects them to the truth you see. you have to be insightful, and compassionate, and so, so patient. you don’t get to score any points, with anybody. your interlocutor might still get annoyed with you and turn around and make you look stupid. but you can’t just say “I’m going to speak the truth and I don’t care who hears and how they take it”—you have to care how they take it, because the truth is relational, it’s given and received, not just spouted into a void. and frankly you have to care how they take it because you have to care about their salvation.

don’t get me wrong, there are times in every person’s life when they will be called to stand up and be counted, to put fumbling words to what they hold most dear even if they can’t make everyone understand. but I don’t know that it’s a virtue to be always focused on being seen saying the truth, with no consideration given to who hears you and what they’ll hear in it—and it’s certainly not a virtue to be always focused on being seen saying the truth in a mean and funny way. “instruct the ignorant” is a spiritual work of mercy. but instruct the ignorant does not mean “instruct the ignorant while making the knowledgeable laugh and/or high five.”

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[iwritenarrativesandstuff]

On Kurapika's Self-Imposed Isolation

While I recognize that probably everything I'm about to say is going to be super obvious, I just wanted to briefly touch on Kurapika's self-isolation, and the reason behind his not picking up his phone or exchanging anything more than clipped words and business after Yorknew.

I think the obvious answer is that Kurapika doesn't want his friends in harms way, or to be used as a bargaining tool against him. This is an understandable and probably accurate conclusion. After all, Gon and Killua did get taken hostage, and Kurapika was forced to negotiate an exchange. Chrollo picked up on Kurapika's "weakness" right away - that he values his friends' safety before his revenge. Fortunately for Kurapika in this situation, Pakunoda was a whole lot more similar to him than he would've cared to admit, as she placed a value on Chrollo's life even though everyone in the Spider was intended to be replaceable. So, now that he's been through Gon and Killua having potentially gotten killed or seriously hurt, and Chrollo knows that he has a soft spot for them, it does make sense that he would try to push them away for their safety and for the sake of not having an exploitable "weakness" in future. He may also not want to burden them more when they have their own lives to live - he does slip off without telling Gon and Killua for the sake of not distracting them from Nen training, after all.

Except that he already tried all this earlier in Yorknew arc. He tried to tell them they shouldn't get involved, and they all agreed that the risks were massive - but his friends agreed to undergo the risks anyways to help him. Kurapika was even grateful for it - "I have been blessed with good friends."

So, for him to push them away solely for this reason after the fact, knowing that this was very much a likely situation to happen, is a little odd to me. Kurapika knows full well that Leorio would be frustrated, Killua would be offended and Gon would worry. So, I think there's a little more to it than that, and I actually would venture to say that "keeping his friends out of danger" is more a secondary reason for his actions - one that would come across as more of a reasonable excuse to others.

The primary reason is likely a lot more selfish than that. Kurapika has to ensure his mission comes first. And unfortunately, he is fully aware that his path and choice in abilities is deeply self-destructive.

Kurapika needs to make sure that he doesn't have exploitable weaknesses, sure, but he also just as much needs to purposefully worsen his headspace - and he can't do that with those three around.

Think back, what are the happiest moments we see from Kurapika in the series? The one that comes to mind first, and the one I'm sure most of us will think of immediately, is this:

[ID: A screenshot from the 2011 anime adaptation. Kurapika smiles - he looks at ease. End ID.]

It's one of the sweetest scenes of the series imo, right before the whole group is reunited for the first time since the Zoldyck Family arc, and it's even more notable because it comes immediately on the tail end of this...

[ID: Three panels from HxH Chapter 101. Kurapika removes his contacts over the sink. His expression is distant. End ID.]

...and this...

[ID: A panel from HxH Chapter 101. A close up of Kurapika's vacant and furious expression, his eyes wide and dangerous as he says "It might as well be you." Though the art is in black and white, it's apparent his eyes have gone scarlet. End ID.]

...and this.

[ID: A panel from HxH Chapter 101. A distant Kurapika speaks on the phone on a rooftop at night, the cityscape of Yorknew around him dark, but speckled with lights and stars. He says "The Spiders are dead." His face is not visible to the reader. End ID.]

This is, up to this point in the series, Kurapika at his lowest. In contrast to Gon, who is happy to hear that the Spiders are dead already because now Kurapika can focus solely on finding his peoples' eyes, Kurapika... is clearly not happy - and that's because killing the Spiders himself isn't just revenge. It's penance. It's survivor's guilt. Kurapika's powers, which Izunavi even comments sound much like he is chaining himself in the process of chaining his enemies, are oh-so-beautifully prophecied to destroy him - and Kurapika was aware of this from the moment he set off down this path of revenge.

(As a side note, this is why I'm really hoping we see Gon and Kurapika interact again after the Chimera Ant arc - while Gon has always been pretty attentive to Kurapika's emotional state, in Yorknew, he lacks a true understanding of why Kurapika would go so far... but as of now, he understands rage fueled by guilt and grief all too well. I know we're all rooting for Leorio to reach Kurapika, but barring that, I really think Gon could get through to him - after all, they are similar in several ways, and I find it fairly apparent that Gon reminds Kurapika of Pairo.)

But back to the main point here - I do suspect Kurapika expects (if not wants) his revenge mission to destroy him. I think a lot of times, we forget just how young Kurapika is, and how much his character is dictated by honour, and the abandonment of it.

Certainly, he can and will go against his principles for the sake of his mission... yet, almost paradoxically, he's bound to his promise to his fallen clan; a promise to avenge them made in anger.

But Kurapika... doesn't come across as a naturally angry person to me at all.

He seems like the stoic, vengeful type on his initial introduction... and then we get his panic at Gon's recklessness

[ID: A panel from HxH Chapter 2. Kurapika and Leorio wear matching expressions of panic in front of Gon, calling him out for his recklessness. End ID.]

...and his near-immediate forgiveness of Leorio after getting the first inkling of his character - of someone who cares just as fiercely as he does.

And after that point? Almost all through the Hunter Exam? Kurapika smiles so readily at them. He's sharp and funny. He mediates at times, but is stubbornly prideful in others. He's very amused by his friends' antics, and it really does seem like he starts to enjoy himself, with them. And, more than that, he counters Leorio's initial impression of him as an independent loner - on several occasions. He decides to follow Gon because Gon intrigues him. Asides from Gon, it is Kurapika who is the most unwilling to fight each other at the bottom of Trick Tower. Kurapika who makes the first move to team up with Leorio, even though that arrangement benefits Leorio much more than it does him. Kurapika who refuses to abandon Leorio to his fate in the cave, and who checks on Gon after noticing his bad mood. Who was furious enough watching him get beat down by Hanzo that his eyes went scarlet for the first and only instance outside of Spider mentions and Emperor Time. Who quite readily detoured to help rescue Killua.

[ID: Three screenshots from the 2011 adaptation Hunter Exam arc. In the first, Kurapika smiles at a sleeping Leorio. In the second, Kurapika stifles laughter as he pretends he's asleep. In the third, Kurapika has an open-mouthed smile as he acquires the airship tickets for them, Leorio and Gon standing behind him. End ID.]

Look at him! He's so bright! So happy!

...too happy. Too happy to do what he promised himself he would do. And that's his biggest fear, isn't it. Without his rage... what is he left with?

[ID: A panel from HxH chapter 2. A close up of Kurapika's eye as he says "I do not fear death. What I fear is that my rage will one day fade away." End ID.]

Kurapika is far, far less mired in anger when he's with his friends. I actually dare to say that at certain points, he was able to go for lengths of time without thinking much about it - alternating between almost forgetting in one instance and being hit like a sledgehammer on exposure to a reminder in the next. This violent swing is... actually the beginnings of the natural process of healing from loss and trauma. But to Kurapika, who's made a promise to his people's memories, this is not a relief. This is betrayal.

I think that actually scares him, that he can almost picture it. A life beyond his guilt. That he, too, could learn to be happy, even after unimaginable loss.

And so, as Kurapika continues his mission offscreen, finding more and more gruesome reminders of the cruelty inflicted on his people and losing more and more pieces of himself in the process (in his own words, no less), he prioritizes his responsibility to them, and pushes away his distractions. He cannot be a soul at peace until his work is done; he must be in turmoil. He pushes people away who he cares for, and binds himself, and keeps his people's eyes on him, quite literally, because respite, for him, is unacceptable. Perhaps that guilty part of him even hopes, by the end of this, that his soul will be so unrecognizable as to be fundamentally unsalvageable. But the truth of the matter is, or at least what comes across to me, is that Kurapika cares much more fiercely than he hates. He knows what matters most. And for as long as he does, he still hasn't truly lost himself.

[ID: A panel from HxH chapter 350. Kurapika looks down at baby Woble with a gentle, yet complicated expression. The inking is somewhat softer. End ID.]

Kurapika's soul is kind, really. And it wants to heal - but for the sake of his mission, he needs it damaged and bleeding. And so, he forces himself to exist in that pain. All alone.

[ID: A panel from HxH Chapter 344. Kurapika, dressed in a black suit, sits with his back to the reader, looking down at a photo in his hand. He is slumped a little before the church vigil he has prepared, all his clan's eyes lined up in their jars and honoured with flowers and candles. He thinks to himself "There is no home for me to return to... and nobody to welcome me back. I have nothing left." End ID.]

[kruspp]

Is Anyone Reading The Boy Wonder by Juni Ba?

I just read the second issue of Juni Ba's The Boy Wonder and was absolutely DELIGHTED holy shit. Is anyone else reading this run? Because a fairytale type story is such a good format to re-tell each Robin's origin and the tun is also such a nice Damian character study. I honestly feel like I understand Damian as a character so much more even just from these first couple issues.

And it's not just Damian either! Dick in the first issue and now the second issue with Jason. Through this fairytale lense Ba deconstructs each of them and really gets to the core of each former Robin in such a way that is so easy to understand and is absolutely true to their characters.

Like, Juni Ba GETS it, oh my god.

I literally CANNOT wait for the next issue which features Tim! (I'll admit he's my favourite).

And his character designs make me wanna eat glass because they're so good. Sincerely some of my absolute favourite Batfam designs like ever. Actually made me like the Red Robin cowl suit. Like...hell yeah. Speaking as an artist myself, his line work and inking is so beautifully stylized and so controlled that it takes my breath away everytime I look at it.

So I guess the tldr of this post is this:

If you are a fan of the Robins, this is a MUST read, and if you do, talk to me about it because I'm going bonkers over it.

[shit-talker]

i got bored and began writing an essay on charles, and now i have over 1300 words doing a deep dive of how charles is stuck in limbo

[trombonechurchill]

Cutting Out the Middleman

Taylor Kelly/Lucy Donato, 1,154 words, rated T

Deep down, she thinks both she and Buck knew they were fighting against the current, that their broken edges were causing more cracks the tighter they tried to hold things together. And she's relieved, in a way. Taylor's never been good at lying to herself and she has to admit that's what she'd been doing for a long time now.

Probably since the second Buck kissed Lucy, really.

For the @9-1-1-kinkmeme prompt: What it says on the tin. After she and Buck break up, Taylor decides she wants to find out what was so great about kissing that hot flight medic. Lucy's happy to demonstrate.

Read here or on AO3

-----------------------------------------------------------------------------

Taylor should be out celebrating. She just broke the story of the decade about a serial killer amongst some of the city's finest and yet she's here; haunting the same old badge and ladder doing a postmortem of yet another relationship crash and burn. Taylor Kelly, coming to you live from the smoldering wreckage of the last several months of her life. And she can't even really be all that mad about it.

Deep down, she thinks both she and Buck knew they were fighting against the current, that their broken edges were causing more cracks the tighter they tried to hold things together. And she's relieved, in a way. Taylor's never been good at lying to herself and she has to admit that's what she'd been doing for a long time now.

Probably since the second Buck kissed Lucy, really.

"What was it you said to me? 'I'd hate for things to get messy again'? I think you might have jinxed us with that one." As if summoned by some sort of karmic retribution, Lucy Donato swings herself into open seat next to Taylor at the bar.

Taylor fixes her with a tight smile, holding up her glass in a mock toast.

"If you're here to warn me off the 118, you can save your breath, I've learnt my lesson."

"The 118 can look after themselves, I am here to drink," Lucy says, enforcing the casual words with an easy sprawl of her legs. Out of the usual straight laced LAFD uniform or bulky bunker pants, Taylor supposes she shouldn't be surprised at the tight play of muscle under Lucy's jeans as she knocks her knee against where Taylor's are tucked up by the bar. Buck had insane thighs too, it must be a firefighter thing, she muses, taking another sip of her whiskey and polishing off the glass.

Lucy orders herself one of the beers on tap as Taylor considers her over the rim of her lowball glass, watching the smooth line of her throat as Lucy takes a long pull.

"Look, I'm not your enemy, I may have not liked how you did it, but I guess if the story had to come out, I'm glad it was you," Lucy says, apparently catching how Taylor had been eyeing her. She needed to work on her covert surveillance if she was being that obvious. Or maybe cut back on the drinking.

Taylor orders another lowball.

"I didn't say that you were," Taylor says simply, tilting her head and watching as Lucy's eyes follow the fall of her hair as it shifts over her shoulder. Time was, Taylor wasn't so sure if that was true. She didn't like it, playing the jealous girlfriend; feeling small and trapped and found wanting. Wondering what it was about her that pulled Buck across that line.

"You don't need to, your face is doing a lot of the talking for you," Lucy says back with a shrug, taking another long drink but punctuating the comment with a smile. Taylor does her best to school herself back into a neutral expression but she thinks maybe she's starting to get an inkling of what that thing may have been now.

"And what, exactly, do you think my face is saying?" Taylor raises a single polished eyebrow, an expression she's well perfected over the years, and feels a coil of satisfaction as Lucy turns fully to face her, giving her her full attention. Her eyes feel like a heavy weight on Taylor's skin as they trace across her face, down her cheek, her lips, back to Taylor's eyes. Taylor holds her stare.

"I think it's saying that there's something you want to ask me," Lucy says after a moment.

"That's presuming a lot." "Hey, I'm just calling it how I see it." Lucy's grin is charming, Taylor reluctantly admits, she can see the appeal. And Taylor's not blind, she could tell Lucy was attractive even sweaty and covered in soot, but it's different now, having those dark eyes turned on her, the full weight of Lucy's easy confidence and attention.

"So. What is it?" Taylor blinks, caught out staring for a second time tonight. "That you want to ask me," Lucy prompts again.

"I want to know why he kissed you," Taylor says, pleased to see that seems to have stumped Lucy at least for a moment.

"You know, I didn't expect you to actually come out and say it." Lucy scrubs at her chin, abashed but apparently not entirely ashamed for being called out about kissing someone else's boyfriend. Ex-boyfriend.

"I've found it's always better to be direct about things."

"Yeah, I'm getting that. For the record, I didn't know he had a girlfriend until after we kissed. It was all in good fun," Lucy says, still watching Taylor closely.

"No, I figured, which means something about you was worth it," Taylor surmises, leaning in closer. "If I could just figure out what…" Lucy's eyes land on her lips again and Taylor smirks in triumph.

"I'd be happy to demonstrate, you know, for science or whatever," Lucy says slowly, setting her glass aside.

Taylor's barely moved her own before she's stepping forward, high-heeled shoe placed firmly between the v of Lucy's legs as she shifts into her space. With Lucy sitting down, Taylor's just tall enough to be able to tilt Lucy's face up, nails carding and catching in the hair behind her ear as she pulls her to face her.

Lucy's mouth is warm and Taylor feels heat bloom in her stomach as she wraps a strong arm around her waist and pulls her closer, her other hand coming to rest with surprising gentleness to tilt Taylor's face and deepen the kiss.

Taylor chases the taste of hops and saliva as she presses in closer, her own lips already whiskey warm and tingling as Lucy's tongue brushes over the seam of her lips as Taylor opens her mouth for more.

For a breathless moment, it's all Taylor feels, the slick slide of Lucy's mouth, the hot brand of her arm across her back and gentle fingers against her cheek. She sees a flash of dark eyes watching her under long lashes before Taylor finally pulls back, wiping at the corner of her mouth where she's sure her lipstick's smudged and clearing her throat.

"Well, I suppose I can see what all the fuss was about," Taylor says belatedly, forcing herself back and out of the loose loop of Lucy's arm as she drops back into her seat.

They're both quiet for a moment, drinking in easy comradery even as Taylor can see Lucy watching her from the corner of her eye.

"You know," Lucy starts after a beat, "I'm happy to try it again, you know. If you needed to collect more data or something."

Taylor grins.

"I do like to be thorough," she agrees, leaning back in.

[crushingmagnolias]

I thought wed established that Doctor Who isn’t a sci-fi show. The critics about character dévelopement are valid I will give that, but I don’t agree when we start speaking about hard logic and the genre rules of sci-fi series.

Doctor Who is not Star Trek, it’s an adventure sitcom set in outer space.

I mean we all have different approaches and expectations when watching a show. But I promise, watching Doctor Who like it’s not a silly fun timey Wimey series will always lead to disappointment and plot holes.

[athousandbyeol]

of rooftops, secrets, and us.

[virsancte]

trouble in.. paradise?

you may not want to be here my friend.

[renirae]

FABLEHAVEN MOVIE IS REAL??? oh my god that is my FAVOURITE book series. please god I hope it ends up being good <3

(I'm keeping my expectations very low of course lmao, I've been burned wayyy too many times by bad movie adaptations. but honestly I'll just be happy if it brings more people into reading the book series!!

other than one or two things (*cough cough the horrific disaster of Brackendra cough cough*) it's such a SEVERELY underrated series and one of the only childhood favourites of mine that has actually held up enough that I enjoy rereading it to this day!!!) (also hands-down the best inclusion of indigenous peoples into worldbuilding that I've ever seen, which is really cool!!)

[inkperch]

Anyone have any recs for Agathario fics set in the Hex that don't butcher Wanda's character? :/

[desertsquiet]

Was re-reading the hunger games and well, the prequel couldn’t have come out at a more appropriate time

[shy-cryptic]

ah yes, hiley and ruey