#but it could be about anyone

[04tenno]

Why are you as a man finding purpose in life serving another man? 🤨

I love how I can't tell who this is about. Truly an all-encompassing statement when it comes to RGG

[parktheghost]

his stupid hair and self flagellation have beguiled me

[cl0ckworkpuppet]

btw enstarries it's totally fine if you don't care about a character enough to read every single story involving them, or understand everything about them in deep complex ways, or rabidly search for every piece of information about their character in order to characterize them perfectly: thats totally okay

but if you then start talking as if you completely know the character based on your very barebones knowledge then do not be surprised if producers of that character correct you

[gerrykeay]

did you know there's a day-by-day timeline of the plot in the dungeon meshi adventurer's bible and TODAY is when it all kicks off

happy falin gets eaten and the gang starts eatin' day :)

[poorly-drawn-mdzs]

Hey now, Let her cook!

[officialspec]

can i say something. for years i thought the joke of the song short skirt/long jacket by cake was that he wanted a woman who was hung like a horse. like i thought when he says jacket it was a last-second fakeout because he very obviously meant to say cock. and the rest of the things in the song were just her personality and interests. which were secondary to her awesome penis

[marsipain]

Norwegian Mikus :)

Left is Miku as a russ and right is Miku in a bunad!

[callisteios]

Hi, feel free to take my new uquiz to discover what kind of vampire you are!

[captainkirkk]

Concept: Peter actually got bitten by a totally normal spider. It's just a coincidence that his mutant powers were awakened around the same time

[hollowslantern]

giggling and whimpering are 2 of the most important sounds a man can make

[brownpaperhag]

if any non-palestinians, especially in ‘the west,’ especially in positions of bodily safety, especially especially whites, are still feeling hopeless and lost about the genocide, may i offer, as gently as possible... get over it. your body is safe. you have been told over and over and over exactly what you can do to help, in exhaustive detail according to your specific social and political position. find out what you should do and do it if you can. if you can’t, that’s on you. find something you can do. stop asking palestinians to tell you what to do; take what is already given. you can find the instructions that have already been so explicitly left for you. you are an adult. your job is to keep moving. you are not allowed to be hopeless — that is a betrayal of everything the palestinian community and its supporters stand for. keep moving. don’t let anyone tell you that anti-zionist means anti-semite. don’t let anti-zionists around you become anti-semites. don’t let islamophobia stand. know that propaganda works and it’s working on you right now. keep moving. you are an adult. your life is yours to care for — that means finding the support you need, which also means knowing the boundaries and needs of those supporting you. you aren’t special. you aren’t alone. keep moving. you are not a hero. you are safe. you have agency. there is nothing you can do that can’t be done by someone else while you recharge. you are part of a collective; no one is looking directly at you. do what you can, and if you can do nothing, make your peace with that. palestine has no time for your shame or your guilt. feel these feelings when they come to you and then move through them.

[xxplastic-cubexx]

something about first impressions idk

bonus:

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.

[phleb0tomist]

tumblr users will have the most inaccessible, unreadable, low contrast, flashing carrd you can possibly imagine, with a dni full of insider acronyms with no translation and numerous link buttons labelled with cryptic captions, and then go ahead and put “ableists dni and kys!” on that carrd

[void-dude]

“ And before I knew it, I agreed to things I shouldn’t have “

He’s just getting a TAD bit attached already haha

Anyways this is like, still in the basement and a more detailed show of how they started working together hehe

Edit: I'm a genuine believer that Bill is a NERD! Like straight out LOVES MATH AND SHIT IDK!!! BABY BILL WAS EXCITED FOR MATH CLASS WHILE TEEN TAD HATED IT LMAOOO

[a-multifandom-mess12]