#but in the meantime. horror concepts

[demigod-of-the-agni]

The year is 20X1, 23 years since Polaris and Sigma Octantis were last sighted at the celestial poles. Intrinsic expansion of space has increased dramatically over the past few decades, leaving our bubble of the observable universe awash with infinite darkness, the light of every star beyond our reach. If you are lucky, you might catch a glimpse of the rings that now circle above us, accompanying networking satellites and casting a glow brighter than our moon. The shattered bones of Tara Devi, numen of stars, now orbit us in place of the long-gone celestial bodies. If you catch sight of her face, do not fear; simply return home and go back to sleep, and if possible, ignore the pleading that may accompany you.

by Dhruva V. | 29 April 20X1 Broadcast: Sundered Skies

[arolesbianism]

I am rotating Light so hard in my head rn girlies who just straight up fucking torture ppl cause she can

[thepandalion]

the universe doesn't feel appreciative/grateful enough that I never commit to making the horror webseries I can think up

[crimsonterror577]

Once the puppeteer, now the puppet. A Drone-Tessa concept I've been thinking about. Hopefully the 6 people who followed me after the 1st drone-Tessa post like this lol. If anyone here has any thoughts or feedback on this, tell me, I'd be glad to hear it!

A day in the Elliott manor,

It had been some time since Tessa had awoken. Or Cyn rather, as the Solver declared her name to be. Tessa couldn’t tell how much time went by in the ruins of Earth. The clocks hadn’t been working since Tessa awakened. And ever since the Absolute Solver broke Earth to pieces, the Elliott manor didn’t have a fluent day schedule. With each day having an sporadic length, sometimes lasting hours, minutes, or seemingly forever. Even during the night, light was still reflected onto the Elliott manor’s surface, but the other pieces of Earth. Ensuring there wasn’t any end to Cyn’s playing.

Tessa couldn’t tell whether she could call the planet Earth, anymore. The Solver turned Earth into a debris field, with its minor pieces orbiting its largest piece, which contained the Elliott manor, now Cyn’s liar.

“No, ‘the stage’ is a better name,” Tessa thought, while laying on her knees, scrubbing a rug with a sponge. “For a pointless house of living dolls.”

It was quiet in the Elliott manor. Cyn usually spent her time torturing someone, though not always Tessa. Cyn also played with possessed puppets on far-off galaxies, and now she was sitting dormant in Tessa’s old room, playing her game of cat and mouse with mankind. In the meantime, Cyn always ordered Tessa around the manor, cleaning it pointlessly. 

The first thing Cyn ordered of Tessa, upon her awakening, was to clean the blood leftover from the Gala event. Which Tessa did, cleaning the room roof to floor, yet the blood mixed very well with carpets, dragging Tessa to a stalemate.

“Dammit, If she hates blood so much, why’d she flood the back woods with it?” Tessa exclaimed silently, while looking up. “I suppose this must’ve been how she thought when I was free.”

Tessa sighed, and looked to her right, where her eyes caught a portrait of her old self, with her drones, all assembled together alongside her parents. 

“Ah, when I was free…” Tessa thought out loud.

Tessa looked at J's face, and smiled, thinking back to the laughter they once sang, and how eager they seemed to help her when her parents had seemingly left her.

“It was all an act,” Tessa thought, her smile frowning, as she turned back to the blood soaked carpet. “Just a mask.”

Tessa began scrubbing the carpet with renewed vigor.

“Mother was right, none of them really cared after all,” Tessa thought, remembering the emotionless look in J’s eyes when her builder got struck down. “Took my family, my home, even my whole name. Mother wasn’t even this cruel.”

Tessa’s scrubbing slowed.

“I really was just made to be someone’s fool, wasn’t I?” Tessa thought. “First pushed around by the parents, and now by an eldritch horror.”

Tessa stopped scrubbing, before slamming her fist down on the carpet.

“What am I thinking? I am still an Elliott, no matter what Cyn says,” Tessa thought. “And Elliott’s don’t quit.”

Tess’s face grew angry.

“Some day, I will get out of here. I have to,” Tessa thought, slamming the sponge repeatedly into the stained rug. “And when I do, I’ll burn this stupid blonde wig, I’ll call myself by my real name…” 

Tessa gave one last knock on the floor.

“And I will kill every last one of those 4 traitors,” Tessa thought.

Tessa’s momentum slowed to a halt, her eyes closed in contemplation. Finally, Tessa let out a sarcastic laugh, as she begrudgingly lifted herself up, and sat up against a wall, trying to breathe, yet her own metallic body failed to draw in air. Letting out a few shallow laughs, she felt an urge to cry, yet no tiers greeted her metallic face. Finally, Tessa sighed, and slouched back.

“But how?” Tessa said quietly.

[yujateaandpi]

This concept has been microwaving in my brain for so long— Sharkboy and Lavagirl but what if they were anticapitalist Polynesian demigods fighting big resort corps. Character bios below for anyone who’s interested!

🦈

Akamu is the son of Filipino marine biologist Joseph Ambong and Ka'ahupahau, the shark goddess of Pu’uloa. Raised by his grandmother after his father’s disappearance, Akamu is a PhD student working to protect marine macroecosystems. He’s professional and aloof at first glance, but only those closest to him know how reckless he truly is. He tries to act cool but he’s a bit childish and has a soft side for puns. He also has a cringe obsession with Jason Momoa.

His mana was inherited from his mother and gives him supernatural strength, speed, senses, and the ability to talk to animals. His demigod form is more natural so he takes time at night to let loose in secluded coves. After some slip ups, he’s accidentally started rumors about a horror cryptid named the Sharkman. He’s very proud of it, though Keahi scolds him to keep a low profile.

🌋

Keahi is the 140 year old reincarnation of the volcano goddess Pele. When she was ten, her village was raided during the overthrow of Queen Liliʻuokalani in 1893. She was tossed into the ocean and lay buried in her demigod form until Akamu found her in 2010. She awoke with amnesia. She stayed with the Ambongs for a couple years and became close friends with Akamu. After Joseph Ambong disappeared, she bounced around the foster care system both on and off the islands. Her powers manifested uncontrollably during this time, resulting in several arson charges.

After a tough few years, she returned to the islands to work, regain her memories, and reunite with her childhood friend. She still doesn’t remember everything, but she’s trying to enjoy her life a little at a time. Keahi is a peacemaker with a strong appreciation for the natural world. She has a cheerful disposition and comes off as naive sometimes, but deep down she carries the kind of wisdom that’s built from pain. She doesn’t like talking about her past.

Unlike Akamu, her mana was transferred directly from the soul of a goddess, making her essentially immortal. In a thousand years she will become the living embodiment of young underwater volcanoes and new islands. For now, she’s just trying to appreciate living a mortal life (and taking down some greedy tourist economies in the meantime).

I’m open to asks about these characters! I think about them. Every day.

[7-ferrets-in-a-coat]

(takes out clipboard) tumblr user 7-ferrets-in-a-coat. survey says that people wish to see the god in the machine narinder design. will you please the people?

*Kicks feet like a schoolgirl* Oh my goood haiii user spilycoris that totally doesn't know what nari looks like thank you for the ask

Anyways you also get the backstory to go along with the Narinder design

+ Bonus , His voiceclaim is Niel Cicierega Specifically from the song Redesign the Logo , the main vocals

SO. Narinder was an Ai originally created purely to see how lifelike an intelligence could be, but Shamura eventually got a bit attached and after the studies were completed they couldn't find it in themselves to terminate the lad. Which. bad choice #1. Bad choice #2 would probably be the fact Narinder got Unsupervized internet access after a bit of successful pleading to Shamura because he was getting bored.

Tip, don't give a conscious Ai access to the internet because Narinder saw all the horrors and aggression and hate on the internet and turned Very bitter.

In the meantime the scientists started collectively working on a robotic body for Narinder to eventually reside in after he is socially formed, but after witnessing how Narinder was starting to express wishes of anihilation directed at humanity they decided to lock him out of "Having a body" rights

So eventually Narinder, now bitter , manages to escape containment and into the world wide web and nestles himself in Ludo's computer, because they seem like a person who could help him get freed and get past the radars / firewalls / Barriers/ bossfights (Idk, words) the scientists set up (for which i already got designs but we won't see them for a While)

OK NOW color symbolism /reference :3333

So you know Jesus? yeah? You know Jesus paintings? Usually he is represented with mainly 2 colored veils on him, Red and Blue. Red represents the Flesh, the humanity of Jesus, Whilst the Blue represents godhood, holyness. So Narinder has red eyes and features because he is overall Made by humans, his consciousness tainted by it, his very own Core influenced and molded by the hatred humanity has. He dresses himself in Blue robes, he Is a god, he wants you to believe that but. At the end of the day he is Human.

Also the marking on his chest is something that came later when he decided to manifest himself to the lamb and wanted to appear even more holy (And also a callback to my main cotl au where Narinder is trans)

Me when Paintings symbolism

ALSO thank you to that one good friend that helped with Shamura, Leshy and Kallamar, they helped with the Narinder Concept as well :3

[m1lkyw4yw1sh3z]

MAD SCIENTIST SPRUNK IS CRAZYYY AND IM ALL FOR IT!!! I so wanna talk about itttt it’s been on my minddd

Yippee yippee yippee glad you enjoy the AU concept :) !!!

In this AU, Black/Hatter comes from a species of aliens that is known to travel across galaxies researching different forms of intelligent life. In 90% of cases said species' work is entirely benign and non-invasive, just driven by curiosity and a desire to increase their understanding of their universe. They like to observe, not to meddle-

What Hatter ends up putting the Sprunkis through is an EXTREME outlier, very much not the norm. Had his colleagues known what he was planning, he'd have never gotten away with it, even. We cannot emphasize enough that this is not normal for his species.

Hat's just got an incredibly warped view on ethics and a weakness for the sunk cost fallacy :(

Once he really starts making himself at home in the town, we think he'd get along best with Clukr and Garnold, since they're fellow scientists (albeit more so in the engineering/computer science realm).

They swap stories of their respective scientific discoveries, constantly trying to subtly one-up each other lol. It's all in good fun though!! Perhaps if circumstances were different, the three of them could have created great things together...

This post is already getting a bit long lol, putting the rest under the read more-

Warning for slight themes of psychological horror 👍

This version of Hatter does care about the Sprunkis on some level. It unfortunately just happens that his care for them is overshadowed by his desire to go through with his experiments. He's too stubborn to change his plans, too selfish even.

He cares about them, maybe even claims to love some of them (platonically)... but in the end it's more so as a cherished research project than as friends.

This results in his interactions with them being somewhat contradictory. He's manipulating them, but he shows no ill will towards those unwilling to trust him. He's not acting out of malice, after all, and he's perfectly willing to play the long game to ensure things play out as simply and painlessly as possible-

In the meantime, he can enjoy being around them, can enjoy pretending they mean something more to him than just mildly interesting samples on a petri dish.

Befriending them, learning about them on a more personal level, it becomes something of a side project to him.

He never does earn that trust, of course. A shame.

[professorspork]

Wicked 1/23/25, National Tour @ Hollywood Pantages in Los Angeles

HELLO FRIENDS.

I have just seen Wicked LIVE AND IN PERSON for the first time since *checks notes* holy shit six years exactly to the day, I saw Jackie Burns and Kara Lindsay on 1/23/19 in this very same theater

that's wild

anyway i was very disappointed in past me's note-taking so today i wrote down EVERYTHING

but also i didn't remember to pack my notepad like i thought i did so i ended up scribbling wildly on my hand, and then my arm, and then my ankle like i was possessed by some eldritch horror

no, i can't read a word of that either

anyway COME ON THIS JOURNEY WITH ME, SHALL WE?

ngl a massive reason I bought this ticket was to see openly queer Mullet Glinda herself, Austen Danielle Bohmer, so I happily took a photo of the company listing when I walked in:

...only to then be very put out when I opened up my Playbill and saw that in fact I was scheduled to see the second understudy, Allsun O'Malley:

I asked an usher if he knew who would be Glinda and he was like "I'm pretty sure the board out front is correct?" so I had to wait in feverish anticipation to know for sure

In the meantime I saw this note:

...which made me hope I might get to hear the audible electric guitar music variants in Dancing Through Life etc that the LA production used to do in the Eden and Megan days but alas, it did not happen

seeing Austen also did not happen, and I could tell IMMEDIATELY because when the bubble floated in there was a visible like EIGHT INCHES OF CLEARANCE between the top of Glinda's head and the bubble and i was like "well that ain't Tall Glinda"

(Allsun is very aware that she is a short queen, bless)

here's the thing about Allsun O'Malley: she has a DISTINCTIVELY naturally low speaking voice and she doesn't do a thing to hide it as Glinda. Helen was pondering aloud the other day if Every Glinda Does A Voice and I had speculated that yeah, probably, bc if they're not doing Billie Burke they're doing Cheno and if they're not doing Cheno they're doing The Concept Of Glinda and like. nah. she'd sing the operatic high notes and then talk with this brassy alto and it was SO distinctive and interesting. (this is also a surprise tool that will help us later)

i cannot explain why I feel this so strongly, but the closest analog I can come up with to the energy and presence of Allsun's Glinda is like. Nate Stevenson???? the comparison came to me IMMEDIATELY and I could not articulate just what it is if you paid me but i felt it in my bones

okay thoughts scene by scene that's how we'll do this

NO ONE MOURNS THE WICKED

I really liked how my Frex, Wayne Schroder, did "I'm off to the assembly, dear." It was like. Actually distracted and off the cuff like real married couples speak and not Hello I Am Union And Delivering My First Big Line and i appreciated that

Glinda got SO close to memory!Boq and almost touched his face, which moved me. Allsun's "it was a long time ago, and we were both very young" was satisfyingly near-tears

DEAR OLD SHIZ

tonight's Boq, Alex Vinh, had a ponytail! spoiler alert his Tinman did not have a silver tinsel ponytail which was a great disappointment

ROOM ASSIGNMENTS

Lauren Samuels is ALSO A SHORT QUEEN pocket sized gelphie made me feral. Lauren's portrayal of Elphie kind of faded into the background at times because Allsun and later Xavier McKinnon (😍🥵 MORE ON HIM IN A MINUTE) were both so charismatic but I did enjoy it very much

her "I'm beautifully tragic" was fuckin great, really leaned into the humor

when Galinda introduced herself as "Galinda Upland... of the Upper Uplands" she held out her hand like she expected Morrible to kiss it

Morrible did not kiss it

speaking of Morrible, Aymee Garcia has a SHOCKINGLY good voice and after seeing so many bootleg Morribles who don't bother to sing at all getting such a strong and lovely singer was a wonderful jolt to the system

Galinda didn't do a full trust fall faint at "something's wrong, I didn't get my way" (totally fair, not something I think is reasonable to expect from a second u/s) but Allsun still linked elbows with her friends, which is notable only because she did it later in the exact same way after Dillamond booted everyone from class like "Animals Should Be Seen And Not Heard" had also affected her (or admittedly possibly like she was worried she'd be blamed for it)

THE WIZARD AND I

Lauren did the thing where when Elphie says "when we work hand in hand" she holds up her best friend Suitcase by the handle and this is a Little Elphie Thing I always love

WHAT IS THIS FEELING?

rather disappointingly, this is one of the moments I honestly don't have big feelings about, which is telling. Allsun's G(a)linda is very obsessed with Elphie but enduringly, tragically straight about it and it was obvious to me as early as here I would not be Getting Everything I Wanted

HOWEVER

she did a full on Tevye-style shoulder shimmy for that last moment when Galinda's dancing and Elphie hip-checks her and it was very good

HISTORY CLASS/SOMETHING BAD

Kingsley Leggs did not get touchy with his students and did do the air quotes for "scapegoat" so perfect Dillamond no notes

I'm also not sure of most Dillamonds do this and it's not in the shot re: boots, but he explicitly shushed Elphaba before she could tell Morrible what happened from behind Morrible's back which I liked v much

DANCING THROUGH LIFE

Xavier's Fiyero is dreamy as fuck and can dance so well and can sing so pretty and i am SO VERY ENAMORED

srsly cannot overstate how fabulous he was, even though he's obviously a fiyeraba truther and not a thropple guy more on that later tho

bc i know my wife will ask, yes Allsun did the pokey stab at "sharp, doncha think" but did not do it hard enough for the hat to actually make contact w Lauren's stomach

Allsun was so short you could barely tell Xavier was dipping her lmaooooo

for the first time i noticed a sad wallflower dancer girl who's by herself near the stairs for most of the Ozdust portion and i want to know what her deal is

Allsun HUGGED Morrible at "how can I express my gratitution?" and lmao Morrible did not care for it one bit

Xavier did the cutest little shoulder nudge at "then what's the matter?" and at hearing "nothing" transformed into The Most Suave Man In The World for "good, let's dance" as like a SEDUCTION line it was great

Lauren's solo dance ruled, peak intense cringe

VERY striking to me that when Galinda first approaches Elphie, the crowd goes "yaaaaas!" like they think she's going to get off a really good zinger. they then LAUGH at "can I cut in?" as though that in itself is the insult they were waiting for. in the boots I've seen I've mostly taken this for audience laughter at that line, but tonight it was VERY clear it was from the ensemble

SECRETS/POPULAR

Allsun started the scene fully belly-flopped on the bed and remained laying down for "Your very first party?" which is the first time I've seen that

Lauren's English accent made its only appearance during the milkflowers monologue when she let out a "mum"

After the popular/LAR moment when Galinda has to dance cross the stage and then return to the bed, Allsun chose to do so by doing a lasso motion and pulling herself back to Elphie which charmed me utterly

Allsun did a full fucking split at "very very popular like me" it was damn impressive

I hope there's an Allsun boot someday her toss toss pose also involves particular foot placement and she MADE Lauren stand up and copy her

Lauren also fully tossed her hair entirely into her face so hard she had to pick it out of her mouth, I'm p sure she must do this every night it ruled

however this Popular still sealed Allsun's fate as Very Straight, the vibes were just. not there alas.

LION CUB

SINCE WHEN IS THERE WIRE WORK WHERE ELPHIE FLOATS TWO OF THE STUDENTS??? WHEN DID THEY MAKE THIS CHANGE??!?!?! i was astonished lmao

Lauren and Xavier really made a meal of "you think i'm really stupid don't you?" "no! not... really stupid" and I knew then for sure this was a Fiyeraba Truther cast

I'M NOT THAT GIRL

another "SINCE WHEN?" moment: the tour cheaped out on getting a bridge the cast could actually walk on, so the bridge is a flat set piece and then in the interlude Galinda and Fiyero actually just run onto the stage to dance in the rain and there's a spinning hug and it is DEVASTATINGLY EFFECTIVE at showing the two of them actually enjoying dating with Elphie on the outside looking in, I loved it, it should be like this everywhere

TRAIN SCENE

they modified the blocking so that rather than drag elphie back after she tries to run after Nessa, Allsun just body blocks Elphie completely from chasing by holding out an arm which I loved

Fiyeraba trutherism cont'd, Xavier *sprinted* past Allsun to give Elphie her flowers before having to cross all the way back for her. she then grabbed the flowers to offer them ALONGSIDE him at "we're both so happy for you" which charmed me but again, it read competitive not compersive

I can't explain how but Allsun delivered "I've always wanted to see the Emerald City" in this sweetly vulnerable way, like it was something she'd mentioned to Elphie before and she was touched Elphaba remembered

ONE SHORT DAY

Ever since Helen told me she heard an audio boot where Lindsay Mendez read the line "finally somewhere I belong" instead of "i belong" and I've wanted one ever since and Lauren delivered

in the long pause after "two BEST friends" it was Lauren who broke and reached first. this was repeated later in "I hope you're happy, now that you're choosing this" which is striking to me because I was/am going to make a punctum about how Annaleigh Ashford always did it the exact opposite, where she reached first and let her Elphies choose to take her hand

AUDIENCE WITH OZ

when Elphie was bowing during "I'm Elphaba Thropp your terribleness" Glinda was coaching her through doing it from the sidelines like Amy Poehler in Mean Girls

Blake Hammond's first two credits in his bio are Edna in Hairspray and Pumbaa in Lion King, and he plays the Wizard exactly how you would expect knowing these two things

A SENTIMENTAL MAN

yes Helen he did do "son or daughter" like Glinda was his son, as god intended

LEVITATION SPELL

Lauren was d e v a s t a t e d after "you have no real power," she wasn't even listening to "exactly, and that's why i need you" she was fully head down hair covering her face CRYING crying

DEFYING GRAVITY

Allsun's "STOP" was authoritative rather than soul-rending, but then she knelt down NEXT to Lauren and HUGGED HER AROUND THE SHOULDERS for "maybe you're not as powerful as you think you are"

Lauren delivered "come with me; think of what we could do... together" near tears and i loved it

this was the biggest moment Allsun's second understudy status shined through, for a second there she couldn't get the cape clasp closed and it was an UNCOMFORTABLY long fermata for the orchestra giving her the room to do it before transitioning into the Elphie gets to her feet drum roll

again, not sure if this was a Them Thing or if this always happens and I never noticed because boots are in closeup and I wasn't looking for it before, but at "and if I'm flying solo" Lauren did a full on goodbye wave to Allsun as like a farewell of forgiveness and understanding and Allsun reach-waved back

growl at the beginning of ~battlecry, ty Lauren for my life

INTERMISSION

it was my intention to spend my intermission beginning the draft of this post and frantically try and decipher the mad scribblings i'd made up my arms, but i instead spent most of it talking to the woman next to me, a gregarious mom who'd brought her two girls

she told me she'd only just seen the movie and then DIDN'T GO ON THE INTERNET bc she DIDN'T WANT SPOILERS FOR ACT TWO

!!!!

reader i loved her this woman made my night

she was so into everything and when I told her about how often I'd seen the show she asked me so many questions about what changed over time and was so impressed by what they managed to do on stage

also one of her daughters was like "mom, elphaba's FUNNY!" in surprised delight and uh yeah that is my greatest criticism of Cynthia's portrayal and the fact that these random normies could tell was. a lot. to me.

it was only at this moment that it dawned to me how FULL this audience was of kids and parents in this exact same position, people who legitimately did not know what was coming in act 2

the following are the moments that earned OUT LOUD GASPS from the WHOLE AUDIENCE due to this fact:

Tin Man reveal

Dillamond under the blanket reveal

"use her sister"

"things that don't belong to us" up through the slaps, gasps on EACH ESCALATING LINE/MOMENT

Fiyero turning the gun on Glinda

"she was yours all along" THEY. DID NOT. SEE. THIS. COMING.

anyway

THANK GOODNESS

pitch-perfect "not how you described it to me"/"not exactly but we'll talk about it later"

because, again, the bridge was not something the ensemble could stand on, everyone was just crowded around the platform for this, which made it feel (purposefully and effectively) claustrophobic. despite being an obvious Fiyeraba truther Xavier is so GALLANT to Glinda in this scene, because like-- when Morrible gets the crowd all riled up and they start choking in, he made this protective motion like he thought they were gonna grab at Glinda and he was keeping her safe

then after stalking off, he trotted back to give Glinda a chivalrous hand down from the platform like it was just pure instinct

SINCE WHEN DOES POPULAR MOTIF PLAY UNDER THE GLINDA AND FIYERO TALK???!?

however the fact that I have more to say about Xavier's choices in this scene than I do Allsun says all you need to know i think

WICKED WITCH OF THE EAST

Erica Ito hadn't made much of an impression on me in act 1 but she ATE in this scene. nessa was fierce as fuck and actually scared me at "lost your heart?"

also before that she did the thing Michelle Federer used to do and looked all paranoid over her shoulder after "i'm an unelected official" like people could be listening and i've missed it

Lauren did EXCELLENT reaching as Allsun and Xavier left the stage in the scene transition into Wonderful

WONDERFUL / FREEING THE MONKEYS / REUNION

sorry Mr. Hammond i have nothing more to say abt your Wizard

Allsun got big laughs on her pained, awkward-trying-to-be-chipper delivery of "we all went to school together"

the fiyeraba trutherism comes home to roost, i have never seen any fiyero burst out "i'm going with her" so fucking fast

his callousness there was balanced by how kindly he pulled off the "well it was -- but it wasn't" to both

still, he was fully out the room and expected elphie to just follow him after his exit bc he didn't grab her hand, so he had to COME BACK FOR HER and DRAG her away bc she wouldn't stop making eye contact w Glinda

Morrible did a full on evil laugh after "change in the weather"

AS LONG AS YOU'RE MINE

exactly as horny as you'd expect given everything else i've said so far but Lauren REALLY gave it her all on that front

the mom next to me literally said "spicy!" under her breath after "for the first time i feel wicked"

lauren was THIRSTY going in for that parting kiss after the Kiamo Ko invite

CATFIGHT

this is where it all fell apart a little, because Allsun being 2nd u/s just didn't have the chemistry there to pull off all the transitions

she also couldn't quite manage the wand twirl which was a bummer

i think this became a more common move for Glindas in the late 2010s but she went in to touch foreheads w Fiyero after "he loves her" and it killed me

NO GOOD DEED

not nearly feral enough for my tastes sry Lauren.

i will say a lot of this was not her fault, current tour choreo for stages without the trapdoor entrance demands she just HOLD the grimmerie for half the scene before awkwardly handing it off to Chistery and it is very distracting

MARCH OF THE WITCH HUNTERS

noose lady was VERY front and center my goodness

again bc tour Glinda and Boq had to enter via platforms being wheeled on instead of having the built-ins, and for the first time i noticed Glinda's is her Thank Goodness platform. that made me froth at the mouth.

aymee was PERFECT at "you've wanted this from the beginning and now you're getting what you wanted" but kind of undersold "so just smile and wave and shut up" tbh

FOR GOOD

helen has been keeping a timer of how long it takes gelphie to touch after the song starts in earnest at "i've heard it said" and tonight was zero seconds Allsun started out already gripping Lauren's shoulder

and here is where Allsun's deep speaking voice comes in, because it has this thing where instead of Glinda taking the lower harmony feeling like she's changed it feels like she's finally being honest/herself for the first time musically

FINALE

somehow DJ Smart managed to make "M-Miss? Miss Glinda...." sound not only like Chistery struggling to speak but like CHISTERY HAD A LUMP IN HIS THROAT BC HE THINKS ELPHIE IS DEAD TOO

NOT TELLING GLINDA AND FIYERO IS ONE THING BUT ELPHABA HOW DARE YOU NOT TELL CHISTERY

speaking of, Xavier passed on the Chain Of Forehead Touch from Allsun to Lauren at "no one can ever know" he was SO SAD and i prefer that so much to Fiyeros who are strident or chiding

SERIOUSLY ELPHABA YOU DIDN'T TELL CHISTERY YOU'RE ALIVE? GIRL.

anyway at curtain call Lauren made sure to do Big Gesture at Allsun bc she gets to do this So Rarely and i had an emotion

AND THAT WAS MY NIGHT oops this took me two hours to write and i still have work in the morning

oh well, worth it

[thedarkone121]

Dracula: Storm the Castle (Concept Poster)

Summary:

Wilhelmina Murray, a schoolteacher who goes by Mina to her friends, hasn't heard from her fiancé Jonathan Harker since he left on a work trip to Romania a few months ago. With no word and the months passing by, Mina has grown worried.

But then, a letter from Jonathan arrives. He explains that he is doing well and that he would like for Mina to come to Romania as a chance to scout the area out for their honeymoon. While suspicious of the contents, Mina now has proof that her soon-to-be husband is alive, and she knows his location. With her bags packed and a tearful farewell to her friends, Mina heads to Transylvania, Romania.

However, it does not take long for Mina to realize that something is amiss. How the townspeople react to the castle whenever she brings it up, the fact she is even having trouble to find a ride to the castle, not to mention the strange Ladies of the Castle who welcome her in... With no Jonathan in sight.

But Mina did not come all this way for nothing. No matter what horrors await her, Mina will find Jonathan and they will get married. They both waited long enough.

End of Summary

Hello fellow people of the Dracula fandom! I'm sure you all saw my draft ideas on how I would try to adapt Dracula floating around the tags. Being introduced to the pairing of Jonathan and Mina has done something to my brain and I felt compelled to get my ideas out there.

I would like to make this into an animated show since I am a storyboard artist but, in the meantime, I wouldn't mind posting all my concept art for my idea. Stay tuned cause I'm planning on doing concept designs for Mina and Jonathan, maybe the Vampire Sisters as well.

[david-goldrock]

You voted for, so let me translate the entire poem

Let us talk about god About blind faith, and cold logic, and a lacking purpose A pale alternative to a pointless and alienated existence About the mantle and the lady and all that is familiar And the bitter truth of the thorn in the rose And the dangers of sugar and the cold reality Let us talk about god dsgnruwhurjehgtsbvalk

That is what I managed to write before the cat jumped on my keyboard Glanced at the words, glanced at me, glanced at the words And turned to lick its own ass

"Well, what's your opinion?" I asked it, for it is known cats do not tend to spare criticism If you wanna hear "Wow what a beautiful song" go and ask the dog For the truth, turn to a cat

Left the ass, glanced at me Glanced at the words, glanced at me His entirety is a Nietzsche's mustache The eyes of the abyss that looks back at you Uberkatze that will soon herald that god is dead (supercat, a reference to Nietzsche's "uberman") Opens his moth to talk, and thus spoke Zarathustra: "For someone who claims that god doesn't exist, you write about him a bunch, do you feel threatened?"

What? Threatened? From what? A flying spaghetti monster? No I just think that faith and god is a cool concept

It scoffs and responds: What do you fuck about? You dig (talk an excessive amount about something) And are an infidel And forces to confront And freeze in your place From the horror of the truth Because Darwinist monkeys Tried to trick To pile stones That cannot be lifted And cells from a fetus And a fossilized snail And big bangs And facts that most, as all Dwarven (become small, as dwarfs) On the banks of the everyday Of 7 billion Yearning souls From the heart of each land To the shore of each sea Go and tell all these That god doesn't exist

And then it hit me: The religification has come to me in my home! Because of course, a cat that once in Ancient Egypt was a god Now that were back to writing in emoji hieroglyphs, and the cat-worshiping gets a rejuvenation on all the walls of the internet Of course the cat will stand up to the side of the messianics, the darkened, the preachers and return-in-answerers (to return in an answer is a jewish idea, which I am unqualified to explain, but in this context it means to become religious) Well - Not in my house I won't be silent and I won't accept Religious compulsion from the mouth of a creature that licks its own ass

And it tells me: From the perspective of a cat Things are a bit different There is no Damocles' sword of time that is ticking Death approaches The end of the movie And in the meantime, we eat, and fuck Without doubting The world, ourselves By Allah Ya Allah You digged With all that messing around with "purpose" We start, we decay There's no one above No stairway to heaven Hell has no elevator

Well, exactly, so why search for imagined meaning? Why not settle for what there is - We were born for a short existence, kitty Let us fulfill it instead of casting the responsibility on some kind of creator There are better things to live by

Like what exactly?

Yes The tree is but a tree And the sea is but a sea But has anyone ever Seen democracy? Touched an ideology (In order to get the feeling of its texture) Or grasped an idea? Just today I hunted justice And I held a vision I hadn't met a cat That had counted its steps By a measure of morality Or a written contract Ironically you with the brain You don't have smarts Just the mercy of words That will build you a dam To stop the nothingness And to act as a reminder But the nothingness is winning I am sorry to herald And yet there's no shame in filling that which is empty Even you -

Me? I am a nihilist anyway, I don't believe in anything

Even you Rise very morning to work For money, a feeling of recognition and honor Maybe money exists if people live for it? If people are held by it? If people are worth because of it? If people fight, vouch for each other, sacrifice for it? If there's money, then there is god, why not? Nations and peoples and states ignite Flames in tens of thousands of hearts As far as I am concerned if all of them exist than god does too

Let us ask the audience, we'll do a survey here Who's more real, god, or Brad Pitt? Sorry for shoveling messages down your throats But no one ever died for Brad, the poor guy Certainly hadn't lived for him What is true: You You examine in a magnifying glass A view that's seen by a telescope Fight for flags And scoff at a horoscope If faith is a perspective Then the world's a kaleidoscope If life is a raging sea Then god is a periscope One can see with him high up And all looks clear If you hadn't begun to sink by now For this pitcher is hollow Take the word of a cat Every time over You kill god To crown under him A different hollow pitcher

You wanna talk about god? Let us talk about love Where is this love that you talk about? That you sing it?, that you write it? That you live it, you experience it You die for it, you kill for it Where is the evidence to prove the existence of this love? This catalyst, this causer The motive, the engine of life The battery of the existence, the fuel of the soul Where is this love? If there is no god, what about your love? If there is no god, what about love? If there is no god, what about love? If there is no god, what about love?

Its mustache bristles, and his eyes are boiling fire He finished And returned to lick its ass

I should have asked the dog

[sleepyfan-blog]

On one hand, the reader having to carry whatever Typhus put inside her is a horrifying concept. But on the other hand I am a little bit curious if this whole thing will lead to her having his kids (since I’m pretty sure that’s what’s being implied in the fic). Because while there’s definitely the possibility of the reader’s child being some kind of horrible warp daemon in the guise of a newborn. There’s also the possibility of the opposite happening, the reader is a perpetual, which is something that can canonically be passed on from parent to child. So imagine a rotting, decaying, plague ridden Typhus hanging out with his kid, who is just completely normal. No diseases no infections no nothing, a perfectly healthy child who is unfazed by all the nurgle horror going on around them

These are some fun hypotheticals, anon! While perpetual!RT!Reader is carrying Something Else in the fic, Typhus would be... So Normal about his wife bearing him one/multiple children. So have a couple of non-canon snippets of Typhus, his child and perpetual!Reader!

warnings: body horror, kidnapping, lying

"Easy, Caeran, steady. Breathe in deeply, let your mind and hearts be still." Calas murmured to his child.

They held the training sword in both hands, trembling with effort, having tried and failed to overcome the shambling poxwalker that father had summoned for them to use as a training partner. "Yes papa." They panted out, leaning into one of his legs. They were frowning adorably in concentration.

An affectionate smile warms his face and Calas kneels before bending over and giving them a kiss on their forehead. "My fierce little warrior-priest." They had been blessed with their mother's eternal nature and had shown some additional psyker abilities. They were also, in his entirely un-biased opinion, the most wonderfully precious and precocious Aspirant to ever exist. Only a handful of his most trusted Brothers were even aware that Caeran was his son. Most of the others believed that he was merely a talented and very young psyker whom Calas had been led to by Grandfather's Will.

Caeran giggled and kissed their papa back on his cheek before returning to the sword-forms that they were learning. Several of papa's bees buzzed around them and landed on their head, watching and listening.

~

"But.. Why can't I play with the other aspirants, papa?" Caeran asked, a pout on their lips as they fold their arms over their chest, mimicking Typhus.

"Because you're stronger than they are, and you, like me and your mama, have psychic gifts given to you by Grandfather. The others do not, and psykery is often thought of as scary, especially from the awful world that I rescued them from." Typhus explained. He was not going to be moved by their adorable mimicry, nor their pouting. The newly acquired aspirants had been liberate from a corpse-worshipper world, and had yet to truly acclimatize to their new surroundings and liege lord. Ultramarines, even very young ones, were self-righteous and stubborn as fuck.

He had no desire for their foolishness to infect his child - especially as Caeran's healthy body and vibrant mind would make the soon to be converted Ultramarine Aspirants assume that they were also held captive aboard his fleet until they surrendered to Grandfather's Will.

Which wasn't true, but they had no way of knowing that.

"Mama said that it was fine if I played with them! So why are you saying no?" Caeran huffed, pouting more up at Calas.

He was not going to give into their pouting… And it seems he had a mischief-filled wife to gently scold. "Because they are confused right now. You will be able to play with them later."

"Awww… When is later going to be?" Caeran whined, looking up at him pleadingly.

"I can't say for sure. But I will tell you when you are able to… In the meantime, will you help me count the Little Lords who are wandering around on the upper decks? More of them have shown up recently." Calas asked, trying to divert his child's attention.

Caeran beamed and nodded "Yes I will papa! I love playing with them!" And they ran off to go chase the nurglings, giggling as they pitter-pattered away.

~

"-nd that was how I was able to convince the governor of Ablenshwein to join the commonwealth I once ruled over." Mama explained, smiling a little in the memory.

"If you have a commonwealth, why don't we ever visit any of those planets? Why are we always stuck on papa's ship?" Caeran asked, tilting their head a little up at you "I wanna know what grass feels like beneath my feet! I wanna know what it's like to be outside. How come we never get to leave?"

Mama's smile faded and she felt very sad for several moments before scooping them up and hugging them tight to her chest "I… Your papa is very protective over the two of us. He worries that if we go to a planet, we'll be lost to him, and he doesn't want that."

"But… But Papa says that you and I can't die. That we can't get sick, or be afflicted with the gifts of Grandfather Nurgle, like other people, which is why we look the way we do, rather than like papa or his brothers and the cultists." Caeran pointed out a confused frown appearing on their face. "How could papa possibly lose us, if we can't die?"

Mama was sad again, though she was still smiling at them. "There are other ways to lose people, other than death. He's worried that you and I would get separated from him. That he wouldn't be able to reach us."

"But that's silly! Even if papa isn't with us, some of his bees are, and he knows where all his bees are at all times." Caeran pointed out, still confused.

"Planets can be much larger than this ship, and his bees can only go so far away from him before they vanish back into the warp. Now, how well have you been able to sneak around, my heart?" Mama asks.

Caeran giggled "I was able to sneak through the vents for hours and no one noticed! I was also able to talk to the new people on papa's ship. The ones that felt scared and unhappy, like you told me to. They were really surprised that I was there, just like you said they would be! Their armor kind of reminds me of papa's, except that they're different colors and they didn't smell."

"Very good, Cae! Were you able to tell them what I asked you to?" Mama pressed, her eyes wide.

Caeran nodded "Uh-huh. I told them every word of what you told me to tell them. They thanked me for the message and were pretty confused about it. But I think that they'll listen."

"Good job. Now, you know that this is a secret between you and me. No telling papa or his bees or anyone else who obeys papa." Mama reminded them.

"Yes mama. I know mama. It's a secret surprise that you an' me are working on." Caeran huffed, rolling their eyes a little. Mama could be so silly about these things. Of course they were keeping this a secret from papa. Papa would scold him for going near the new people and causing mischief.

[xx-psych0-rabbit-xx]

How do u see zan n susie

yay yuri time ^_^

ive already yapped abt how i see them in my actual hcs (susies got some weird multifaceted crush that consists of multiple things like "shes so cool <3" "i can save her." "shes kinda sad to watch n its charming" "looked good trying to kill me" "huge cunt.this is a positive.", zan thinks of her as her least least favorite acquaintance) n i believe ive yapped before of why i think putting them together is appealing (similar core concept of "the best servant for their boss" (actually their dad), completely opposite character depths of "susie has what r called STANDARDS n took haltmanns shit behavior into her own hands.zan partizanne got sacrificed n got absolutely no red flags from that bc shes indoctrinated n codependent but also stupid(/aff joke))

so ship dynamic wise.i think theyre cute.they hold hands while throwing rocks at ppl for their own amusement n feed each others egos.i think susie ultimately has little concept of intimacy n attachment bc shes a v disconnected person from The Horrors so she exaggerates w how much affection she shows bc she doesnt know whats the "normal" level ones supposed to show, n shes also overprotective in a way? bc the one relationship she did have her whole life not only went to shit but haltmann died badly leaving her w zero till turns out kirby wasnt just letting her leave forever.so like dont want that happening again.zan in the meantime has horrid attachment problems n an odd craving for reassurance n attention (cant imagine who gave her those!) so susies kinda spammy behavior actually feels rly good for her ? n zans naturally VERY affectionate when she does get attached to ppl so thats also giving back.again the best way i can define this is "theyre matching each others mental illness symptoms in such a way this becomes perfectly functional".weird fucks.do not separate.

basically would they win codependent yuri awards.yes.but the only toxic awards theyre winning is towards everybody else bc good lord taranza hasnt known a day of peace since they got together.

[mothoscope]

This has been sitting in my sketchbook for a while gathering dust. I was intending to line/color it digitally, but with school going on that might take a good bit longer to actually happen. Might as well share the sketch in the meantime.

I've talked about this vaguely before but I think, despite their extreme differences, Ed and Double D have a certain overlap in their interests. Ed likes gory horror/sci-fi media and the concept of monsters/mythical creatures/aliens etc. Double D likes bugs/arachnids and isn't exactly skeeved-out by descriptions and depictions of less than stomachable medical ailments. Ultimately when hanging out these subjects will pop up on the frequent. Ed likes grotesque stuff and Edd knows a lot of grotesque stuff that people don't typically like to hear about. This means a fun time for them...excluding Eddy...

[not-terezi-pyrope]

My novel, Total Entropic Denial, is now available to read for free on Royal Road!

April Pearce's world feels like it just might be falling apart. Her restaurant job leaves a taste in her mouth almost as bad as the food they serve their customers, her kinda-sorta girlfriend is probably, almost-definitely mad at her, and despite her best efforts, she can't seem to stop her neuroses from leading her face-first into bad decisions and bloody accidents. But as if that wasn't bad enough, now it seems that there might be a very real chance that she's losing her mind. As a series of inexplicable and increasingly horrific occurrences lead April to question the fundamental nature of her reality, staring an incomprehensible truth in the face will strip her down to the deepest marrow of her soul, and leave her straddling a line between two twin terrors; that she's either going insane, or, even more terrifyingly, that the things she's been seeing are absolutely real. Following those questions to their conclusion will lead her to new horizons, throw her into conflict with unexpected enemies, and make her even more unlikely friends. As the boundaries of reality start to crack wide enough open to catch glimpses of the horrors that lie outside of their confines, the scope of her struggle starts to tend towards a yawning infinity. Wherever this path may end, one thing's for sure; once we get there, nobody will be able to shut their eyes and ignore the consequences.

Total Entropic Denial is my experimental Science Fantasy/Horror novel, with the guiding ethos of experimenting with high concepts while also getting extremely weird with it. This is the largest creative project I've ever undertaken, taking up almost the entirety of my 2023, so it'd really be cool if you'd check it out!

Total Entropic Denial features queer characters and relationships, alien worlds and creatures, and body horror. It is a mature work that at times deliberately seeks to provoke, so I will up front provide the following:

Content Warnings: Violence Blood Explicit gore Explicit sexual content Shocking content Situations of ambiguous sexual consent Depictions of homophobia Depictions of transphobia Death Existential despair

The book fully free and available to read online at the above link. I would have liked to have optional monetization, but unfortunately I can't add a PayPal donation link to the Royal Road listing without exposing my deadname. In the event that a significant number of people want to do that, let me know and I'll figure something out. In the meantime, please leave a review and/or share the book around!

Additionally, I want to give big thank yous to @ericvilas, @fipindustries, and @theothin for beta reading this for me, as well as other help and encouragement received!

[ataleofcrowns]

i know this is probably waaay too early for you to know, but do you have any plans for future projects after AToC’s completion?

I do!! The next IF I'm planning on writing will be much, MUCH smaller in scale and much shorter than AToC. Mostly to give myself a break after finishing this behemoth of a story, but also to experiment more with the IF format. It's easier to do that in short form than with a game that will probably end up being close to 1 million words lol

It'll also be very different from AToC in setting and tone, though it won't be far off from fantasy and it will definitely retain romance as its core. I have a basic concept for it in my head, and I can see it leaning towards dark fantasy/horror, but nothing is set in stone yet.

As such I also don't wanna blab about it if I end up discarding the idea at a later date, since we're still quite far off from AToC being finished, and I don't want to end up disappointing anyone.

But it's definitely marinating in my head in the meantime!!

[doodler16]

Okay, so I decided to actually probably reach out to Glitch Productions with the hopes of getting an idea I had shelved for awhile as a Indie Animation. Problem is, I am too shy to do so, I did have character designs and a plot in mind (Not gonna spill it.) but it is Psychological Horror.

The problem is, I have no idea who to consult to meet with them, I am not an artist nor someone big, just a writer with a small platform. But I do have character designs.

Main character of the idea (I redesigned him from his initial character)

The thing is, this was an ARG inspired by Harvest Moon, started off as a game now turned ARG now turned Indie Animation, the idea is self awareness Main Character I shared is Mateo, he's inspired by Monika from DDLC, but I am scared to pitch this idea because how does someone pull that off? like. How can you pull THAT off successfully without having any issues narrative wise? The only guy whose aware he's in a show, navigating through the show, as if he was normal.

The character designs are varied too. And DIVERSITY!

It’s a worth a try, Spark! Do you have a pitch bible along with several notes/concepts just in case Glitch is interested? I am sure they have a business email you can contact.

Even if you do get rejected you can still expand and work on your portfolio and build your audience in the meantime whether it’s on YouTube, Tumblr, etc. You can use that opportunity to ask Glitch questions too. Either way, we all have to start somewhere. Good luck though!

Here’s their website, they have a contact page: