#but i'm also not kidding in the sense that. well. points at my post and then scratches my head like um.... 🤨❓

[mirai-e-jump]

Bakuage Sentai Boonboomger Character Book Final Ignition: Best Bakuage Graffiti Main Cast & Voice Actor Interviews (translations below, long post)

Publication: February 7, 2025

Iuchi Haruhi x Hayama Yuki

"Please tell us about your first impressions of each other, including how they've changed."

Hayama: When we met at the audition, Haruhi and I were seated next to each other, and I thought his voice was so quiet since I couldn't really understand what he was saying (laughs). At that time, the judges started talking to us about our outfits, and then we'd each take turns presenting our fashion points.

Iuchi: Yeah, that happened.

Hayama: When Haruhi was presenting, there was some dust on his left arm (laughs). I wasn't sure what to do, but I thought I'd make a good impression there if I brushed it off for him (laughs), so that's what I did. At the time, I had the impression that Haruhi was a very innocent kid, however…

Iuchi: However?

Hayama: My impression after passing the audition together and him filming as Taiya Hando for a year was that in his private life, he's the youngest who has a gentle, airheaded and healing personality, but once he entered the set and became Taiya, he was someone you could rely on. Throughout the year, I think I finally understood why Haruhi was picked to play the role of Taiya. I also think he's an actor who's careful about when to "switch on and off." I have nothing but respect for that. There are so many things that I've learned from Haruhi!

Iuchi: We had a really good time. I also remember the audition, and I had the impression that Yuki-kun was a "cool looking slender guy." I also felt that he maintained his personal space and seemed abit scary. During the audition, he was really good at playing a cool character, and I thought that was the kind of person he actually was, but…well, he turned out to be the complete opposite (laughs).

Hayama: In other words, you didn't have a good first impression of me, but then it gradually got better?

Iuchi: Yeah (laughs). What I gradually came to understand is that he's someone who loves his role, and would think about various different things he could do for it. Without any hesitation, he'll say, "I love Ishiro," which I think is a wonderful thing.

"Next, let's talk about your roles…generally speaking, both Taiya and Ishiro can be classified as cool types. Did you have meetings or share opinions with each other on how to differentiate between the two?"

Hayama: We never discussed how to make a difference like that.

Iuchi: We didn't. When we were acting on set, we'd talk about things like, "I want to do this scene like this, can we try it?," but we never talked about how to make sure our characters didn't resemble each other.

Hayama: At a glance, both Taiya and Ishiro look cool, but Taiya's the charismatic type who moves forward and says, "Follow me." Ishiro however isn't the type to try and lead the Boonboomger members by himself, but is the type to just pull along those who are behind him, he's instead more interested in supporting Taiya Hando, the person who fell in love with him. The coolness of being his right hand man, or rather, the quality of his coolness is different. I'm sorry for talking about Taiya like this for my own gain, but that's what I think.

"Taiya and Ishiro are a pair that have had alot of dialogue together, but which scenes in particular were most memorable?"

Iuchi: The flashback scene from when Taiya and Ishiro first met. There was a small one in Bakuage 2, with the proper one being depicted in Bakuage 29, but since they hadn't become friends yet at that time, I was conscious of my gaze and voice so that he wouldn't look like the usual Taiya. Ishiro also had eyes that didn't trust him at all. Aside from that scene, the only person Taiya sees before him is his friend Ishiro, so it felt pretty rare. In that sense, it left a lasting impression on me.

Hayama: It'd probably be the last scene in Bakuage 37, when we're on the rooftop. The exchange of, "As expected, the one I fell in love with never fails me," and "Cranked up, isn't it?" It was very fitting. Director Hayama's direction was stylish. The Director was grinning when he told us, "(whispering) Let's go in a sweet direction" (laughs). Also, I got goosebumps in this episode when Taiya was talking with the "fake Ishiro." He didn't make eye contact with him even once.

Iuchi: Yeah, they were completely out of sync.

Hayama: I was impressed by the detailed setup. When fake Ishiro touches the computer console to activate the system, Haruhi kept looking down. I thought, "He's angry~" (laughs). Still, when I looked at the footage, I could see that although he looks like Ishiro, he perceives him as a stranger, and I learned alot from the way he used those expressions. Also in Bakuage 37, there was something that Haruhi suggested to me. For the "I trust him (shinjiteru)" line between Taiya and Ishiro, we say it at the same time towards the end, but in the script it was originally "I trust in him (shinjiteiru)." It's not an unnatural word for these two to say, but I thought it'd be more appropriate if the "i" was left out, and since Haruhi thought the same thing, we decided to change it to "I trust him." That also left an impression on me. (*it's the same meaning, but the one they went with is casual while the original is formal speech)

"In Bakuage 43, Ishiro betrayed them, and in Bakuage 47, it was revealed that it was a plan to defeat Waruido Spindo. How did you feel about that kind of development happening towards the very end of the show?"

Iuchi: I thought it was interesting. It's good when the story advances without a hitch, but since Super Sentai is a team hero production, it's exciting when the story has the team fall apart atleast once, and then has them overcome their differences in order to strengthen the bonds between them. I thought it'd be exciting for the viewers to see that happen in the final stages of the story, and we were also excited to perform it.

"What were you mindful of with that development?"

Hayama: Before filming began, Director Nakazawa told me to "trust Taiya 100%," so I continued to perform with that same unchanging trust. No matter what words Ishiro uses, Taiya's able to fully grasp what he says, so I wasn't concerned about trying to include any hidden meanings.

Iuchi: What I was conscious of was to make sure that the viewers wouldn't figure it out. Taiya knows what Ishiro's trying to do, but if he doesn't go along with things, the enemy will find out. It was difficult trying to find the right balance there. One way of putting it is I had to trust my friend while simultaneously looking into the eyes of the enemy…I was curious to see how Ishiro would act since there were so many characters involved. Then, when I saw the footage during the recording session, I saw the expression on Ishiro's face and thought it was really good. Because of Bakuage 37's "I trust him" line, I thought, "It's alright, Ishiro won't betray us," but he had a really evil look on his face, so I started to have some concerns. After the truth was revealed in Bakuage 47, I wanted to rewatch Bakuage 43 to see the expression on Ishiro's face, and I hope that all the viewers do so as well.

"Are there any scenes that you'll never forget due to them being difficult or painful?"

Iuchi: In the very beginning, I had a hard time making Taiya look mature. The age of Taiya's character is older than I actually am, and even Director Nakazawa, who directed Bakuage 1-3, told me to be more mature. As the story progressed, it was Bakuage 45 and 46. It's right after Ishiro betrays him and Boonboom is taken out. I wondered how I would present Taiya, who's now totally different from before after unleashing his raw emotions, and how far I should let him "fall." He hasn't fallen to the dark side, but he's being consumed by dark feelings. Still, I thought that if I expressed things too negatively, it would stray too far from Taiya, and with such positive lines like, "I have no regrets" and "I trust him," I had to keep the passion burning. On set, there were some parts that required many takes, so it was still difficult.

Hayama: I had alot of trouble with Bakuage 14's aquarium episode. I remember it took me awhile to understand Ishiro's feelings during the first flashback scene, and the scene in the beginning where he's watching the sea lion show. I know I shouldn't be judgmental, but normal people don't cry when they see fish, right?

Iuchi: Well, yeah, that's true (laughs).

Hayama: At the time of Bakuage 14, Ishiro's foundation had yet to be completely solidified and was still being explored, and then the setting of him crying at the aquarium was added. I was confused with, "What do you mean by crying?"

"As a spy, Ishiro must've had a tough life up to that point, so much so that it'd be hard for those with normal perspectives to grasp it. In the flashback scene, he was covered with scars."

Hayama: Yeah, his body jolts from the slightest sounds. I felt pressure because I knew that I couldn't compromise this scene, as it would lead to the present day Ishiro. I was incredibly nervous right up until the start of filming. No, I wasn't nervous, I was scared. I felt that if things didn't go well here, it would affect the future of the show. He's usually cool, but feels relaxed when looking at fish, however, if he laughs too much, then that's not Ishiro. I had alot of trouble making adjustments. One more thing I'd like to mention is the scenes with Horibe Keisuke-san's Tokoyari Eiichiro, which started to increase around Bakuage 29. It was a valuable and rewarding experience for me to work with a veteran actor, but the pressure almost overwhelmed me. However, if I was overcome by Horibe-san's presence, the footage would look as if Ishiro was intimidated by Tokoyari. At the same time, it wouldn't be good if I were overly confident. Making those adjustments was also difficult.

"In this character book, the six Boonboomger members are divided into three pairs, and each pair will be asked to talk about another pair. We'd like to ask you about Suzuki Miu-san and Saito Ryu-san. It can be about your impressions of them in their private lives or as actors."

Hayama: I was impressed with how quick of a learner Ryu was with action. He practiced diligently, but he was able to handle it well from the very beginning. In his private life however, he's the youngest just like Haruhi, so his smile is absolutely adorable. There are all sorts of gaps with him. From the point of view of someone the same age, what do you think?

Iuchi: Him just being there brightened up the set. I'd talk when I had to, but there were also times where I'd just sit around without talking (laughs). With Ryu however, he'd always be talking with a smile on his face.

Hayama: He'd talk right up until the "get ready!" yell to start filming was heard. I'd occasionally get angry at him for that (laughs). But that's also one of Ryu's specialties, as it makes everyone around him feel at ease.

Iuchi: Miu-chan has…a broad perspective.

Hayama: She really does, doesn't she? She's always looking at her surroundings.

Iuchi: She tells us what she notices and will bring everyone together. Thanks to her, I feel that I've enjoyed my work.

Hayama: This is just my assumption, as she never said anything like this to us, but among the six Boonboomger cast members, she's the only female member. I think the five of us were able to consult with each other because we were all male, while on the opposite end, I'm sure that there may have been things that Miu-chan wanted to consult with us about but couldn't. However, she'd never show any signs like that and would always keep the set in harmony. She's a tolerant and incredible person. And, she's the same as Mira too, don't you think?

Iuchi: She really is.

Hayama: If you asked me, "Which part of her?," I'd say it's everything.

Iuchi: Ryu and Jou also have some parts that overlap between them, but Miu-chan seems to be Mira herself.

"You've been working with these friends to create this production, but what did you learn from your role throughout the year? In addition, how do you feel you've grown as actors?"

Hayama: I was tasked with a role that I would continue to play for a year, and it's an experience that I may not be able to replicate in the future, where I can take the time to develop my role. I was also able to perform action scenes and learned alot of things that can only be learned on a set like this, such as the unique way tokusatsu productions are filmed. More specifically, there's a Director, Cameraman, lighting crew, sound team, costume designers, makeup team, artists, and so on…I'm embarrassed to say that I now have a better understanding for the reason why these types of work are divided up. I want to continue to be an actor, and for that reason I learned some valuable basics. Honestly, I don't know if my acting has improved. That's for the people around me to judge. However, I have grown in the sense that I've learned the basics and gained a real feel for what acting is like.

Iuchi: Since this was my first time filming a drama, I didn't know how to ask questions or express my opinions even if I had questions or didn't understand something. To begin with, I thought anything I'd say would be wrong. However, the Director would ask me what I thought, and I learned that it was okay to look at all my costars and voice my opinion. I learned the basics of how to act on a set, and it was a fulfilling year for me.

"This book will be released before the final episode. What are some highlights of the final episode and your message to the fans who have supported the show for the past year?"

Hayama: There's the final battle with the Hashiriyan boss, Waruido Spindo…or rather, that's the main thing, as the battle scenes are a bigger highlight, but I think you'll enjoy it even more if you pay attention to how each character spends the final episode, or rather, how they're portrayed. And! There's also some highlights for BoonBlue, played by myself and Suit Actor Yoneoka Takahiro-san, so I hope that you'll pay attention to that.

Iuchi: Thank you for loving Bakuage Sentai Boonboomger and all of us in the cast. The Super Sentai series will continue into the future, so I hope you'll enjoy that as well. I also hope that you'll be interested in the actors of Boonboomger's cast and continue to support us. I'd be grateful if you'd keep an eye on us and see how we progress. _

Suzuki Miu x Saito Ryu

"What were your first impressions of each other?"

Suzuki: Ryu-kun was sitting near me during the final audition…I think Haruhi-kun, Yuki-kun and Satorun were also there, right?

Saito: Yeah

Suzuki: Out of everyone, Ryu-kun in particular left an impression on me. This is because I had fun doing our performance together. We played the roles of Mira and Jou respectively, but Ryu-kun was beyond perfect for a role like Jou. My first impression was that this person would without a doubt be selected. In addition, he talked about how confident he was in his muscles at the audition, and someone had to stop him when he suddenly said, "Can I take my clothes off?!" (laughs). I was also impressed by his eager attitude, which still hasn't changed.

Saito: The only impression I had of Miu-chan was ramen (laughs). When the topic of liking ramen came up during the audition, Miu-chan told the Producer that she "likes well arranged and beautiful looking ramen," but the Producer, who liked hearty ramen with tons of ingredients, replied to her with, "That doesn't sit well with me" (laughs). Still, I thought she had good communication skills, as she was able to skillfully respond to them and their conversation went on naturally. After that, when we were both selected to appear and were set to meet for the first time, Miu-chan arrived alittle late.

Suzuki: Yeah, I was.

Saito: All four of us guys were there, and as we were all thinking, "I wonder who this last person is?," Miu-chan arrived and I was like, "It's the ramen person!" (laughs).

Suzuki: That's how you remembered me? (laughs).

Saito: I think this happened after that, during costume fitting. Miu-chan came to our dressing room and asked, "Should we go out for a meal together?" Up to that point, us four guys hadn't been communicating well, as we had just been glancing at each other to see things would play out, but thanks to Miu-chan, we all started talking to each other. People tend to say that the Boonboomger cast get along well with each other, and I believe it's thanks to Miu-chan.

Suzuki: That makes me happy!

"It may be similar to her relationships depicted in the show. Mira treats everyone equally and doesn't distance herself from any of the other members."

Suzuki: I don't think that Mira and myself are as similar as people say, but after listening to what Ryu-kun said, I guess I might be abit like Mira. I definitely thought that I approached everyone pretty aggressively (laughs).

Saito: Still, I was really grateful for that personally. Haruhi's the same age as me, so I felt somewhat at ease with him. Satoru-kun's eight years older than me, while Yuki-kun's three years older than me, so I wasn't sure how I should treat them. Well, as you can see, we're now talking to each other on a first name basis.

"Soma-san and Miyazawa-san said that they were constantly teased by the younger members."

Suzuki: It's because of the tolerance those two have. It was helpful.

Saito: I went to Satoru-kun's place yesterday and ate some oden.

"Didn't you visit him just the other day?"

Saito: At that time, I did muscle training at my place and then went to Satoru-kun's place for a meal. He had asked me, "I've got some extra food, do you want to come over?" I don't have to worry about who I'm with now that I've gotten along so well with everyone.

"Both Mira and Jou are neither wealthy nor aliens, they're both ordinary people who share a common perspective, but did you ever feel that your characters were similar to each other?"

Saito: They're similar in that they both have an honest way of thinking. Another similarity would be that they don't know anything (laughs). They both didn't know the secrets that everyone else shared or sensed.

Suzuki: Neither of them ever made deductions (laughs). Also, they're similar in the way they expressed their feelings in a straightforward manner. However, since Jou's a police officer, I think he had a greater sense of responsibility as a member of society compared to Mira, and I think he's a character who had the belief of "I'm a police officer" at his core.

"Because of that, his decision to quit being a police officer in Bakuage 46 carried alot of weight."

Suzuki: He said, "If I can't help those who are screaming, then I'll quit being a police officer." Since the viewers saw how things unfolded up to that point, they know what he did wasn't a reckless decision.

Saito: Quitting being a police officer is a big decision for Jou, so I consulted with Director Hayama and thought about it as I performed. But then there was the line, "I don't have to be a police officer to protect those who need protecting." It's true, being a police officer is just a profession, and you can quit and still protect citizens. I felt like that line represented Jou's growth.

"Can you tell us what you think is great about each other as actors?"

Suzuki: Ryu-kun's honesty and pureness overlaps with Jou's passion, which is very emotionally appealing. The episodes with scenes of Jou being emotionally charged are all excellent. I thought the Keytarou episode (Bakuage 15) in particular was a divine episode. I cried.

Saito: What I admire about Miu-chan is her ability to instantly change the atmosphere of the scene. In the scene where Boon-chan talks about his past at the Deliverer's garage, and the scene where everyone talks after Boon-chan is defeated by Spindo, the atmosphere instantly changed when Mira said her lines. When Miu-chan spoke, it tugged at my heartstrings. The atmosphere changing also made it easier for me to perform.

Suzuki: I'm glad. Alright, here's one more wonderful thing about Ryu-kun. Expressing your emotions is naturally important, but since this is a hero production, I think it's important to look like a hero in the footage and to learn how to use your body for that purpose. In the beginning, Suit Actor and Action Director Jun-san taught me how to stand like a hero, and told me to learn how to use my body throughout the year. People have said that my movements look stiff (bitter smile), but Ryu-kun uses his body well, and his movements are sharp and cool. When you look at the footage, he's able to do movements that'll make you think, "Ah, he's a hero!" without even realizing it. That's why I consulted with Ryu-kun when I was set to get up from a crawling position after being attacked by an enemy. I'd ask him how I should angle my legs so that they don't look awkward, and how to stand up so that I look like a hero. He's like my nearby Action Director.

Saito: It's not that big of a deal, but I've loved heroes since I was little and used to play pretend. It may be ingrained in my body.

Suzuki: You've been practicing alot of action moves lately. You even did a forward somersault.

Saito: I practiced under the teachings of all the Action Team members, but they were good at giving me compliments. They'd give advice like, "That was good! But, you could do it abit more like this." I felt motivated by their encouragement.

Suzuki: His motivation is amazing! It doesn't matter what it's for. I know he's probably thinking that it could be useful in the future, but he practices action all the time, even after filming finishes, so I respect him for that.

Saito: Miu-chan would ask the Director detailed questions during postrecording. Things like, "What kind of CG effects will be used?" and, "What kind of attack will be shown that knocks me down?" As a professional, she never left out any details. I tended to act based on whatever came to my imagination, but Miu-chan listened to what the Director said, and she thoroughly incorporated it into her work as set tasks.

Suzuki: That makes me happy. I wish we could hold these kinds of "mutual praise meetings" atleast once a month (laughs).

Saito: They'd really increase our motivation! (laughs).

"Please list some memorable scenes of each other's character. We got the impression that Mira and Jou were often together at the Deliverer's garage. When Boonboom Marine and Boonboom Safari were activated in Bakuage 13, Mira said, "Let's see who can get the approval first," to which Jou agreed."

Suzuki: There were definitely alot of scenes like that.

Saito: We were given alot of freedom, as the Director's instructions were sometimes as simple as, "They're both really excited" (laughs). Then we'd talk about what we were going to do and act it out.

Suzuki: The beginning of Bakuage 25 left an impression on me. After Jou said, "The firework festival is finally tonight" we were instructed to "make it look like they're both having fun," so we did some cheering and went, "Boom boom" (laughs).

Saito: Another memorable scene was when Mira's tears fell onto Nicola's pendant in the warehouse during Bakuage 45. I couldn't see Miu-chan's face from where I was standing, but I knew that she was crying the moment she started speaking. And, when they got the take, I saw that she had real tears in her eyes. I had a really hard time trying to cry during the Keytarou episode. Miu-chan however was able to cry immediately.

Suzuki: No, it was because we shot that scene atleast 3 times. The first time we shot it, I still hadn't sorted out my emotions, so I thought that I wouldn't cry, but the instant they got the final take, Ryu-kun turned to me to check my face (laughs). I felt that Ryu-kun was acting pretty childish (laughs).

Saito: I'm sorry. I was just so curious.

Suzuki: At that time, Mira was looking at Taiya, but due to the angle, Taiya wasn't in frame, so the scene was just of me. Haruhi-kun was still there performing with me, and he gave me some great facial expressions. Without him there, I'm sure that I wouldn't have been able to cry.

"In this book, we'll also have you talk about the pairs featured in the other interviews. We'd like to ask you about your impressions of Soma Satoru-san and Miyazawa Yu-san as actors, along with some behind the scenes stories about filming. First, please start with Soma-san."

Suzuki: Satorun positioned himself as the silly one, making us laugh with his ridiculous jokes, but when we'd borrow his scripts to check his lines, he wrote detailed notes on every page, stuff like, "I think this is what Genba's feeling at this moment." During the time he took on the appearance of Genbard in Bakuage 27, he was watching the monitor closely as Suit Actor Ono-san performed as BoonOrange after transforming. He was trying to get into character as Ono-san did his role so that they'd overlap. An attitude like that is something I want to emulate as an actor.

Saito: Well then, I'll tell you about his private life. His room is very clean (laughs). He doesn't have much stuff. He's a good cook, and he has his own particular way of thinking, which he's uncompromising and thorough about. I think that comes out in his acting. That being said, he's usually calm and kind.

Suzuki: He's in the top three of kindest people I've ever met in my life.

"What about Miyazawa-san?"

Suzuki: I guess you could say that Zawa-kun's a level headed person. He treats both his superiors and those younger than him with the same attitude. When we'd go out for a meal after filming finished, he'd give us advice like, "For that scene, it would've been good if it was done like this, don't you think?"

Saito: He's a big bro you can count on. When I was alone with Zawa-nii, he'd never tell me what he thought of my performance, but when I requested it by saying, "Tell me what you thought," he'd give his opinion with, "That part was good, but I think this part could've been better…" I can tell that he's doing this job because he loves acting, as what he says is always precise.

Suzuki: It's easily understandable, isn't it?

Saito: It's like he's "Google" Sensei (laughs). He's able to teach me anything. Also, he's really good at making keema curry (laughs).

Suzuki: I can't imagine him doing detailed work like that (laughs).

Saito: That's why I had jokingly said to him, "You can't make meals that look like this" (laughs).

"And now finally, please tell us about the highlights of Bakuage 48's final episode, as well as a message to the fans who have supported you for the past year."

Saito: The part in Bakuage 47 where they stop Mira and Spindo's wedding deeply moved me. The scene is like a homage to Bakuage 1, but in Bakuage 1, only Taiya showed up at the wedding hall, in Bakuage 47 however, all of her friends rush in. I think it once again depicted how the Boonboomgers have grown over the past year and what kind of team they've become. From there, the final episode will be about how they'll defeat Spindo. I think many people are wondering what'll happen to the Sanseaters, and of course what'll happen to the Boonboomgers, so I hope that you'll watch and see where each and everyone one of them ends up. It's meant to be the next episode after Mira's wedding was stopped…but even though it's the final episode, I think of it as the second episode, or the beginning of a season 2.

Suzuki: I have a message for all the fans. Thank you so much for your support over the past year. When I first heard the title Bakuage Sentai Boonboomger, I thought it'd be a happy, cheerful, and energetic Super Sentai, and it definitely was just that. But that's not all, as I think that the viewers enjoyed things such as what each character had been carrying on their backs and the type of justice they wanted to uphold, as well as the depiction of the human drama, one which you wouldn't expect based off the show's title. And…(she turns to Saito), is there anything else you'd like to say?

Saito: Tons of people came to the events, and it became a hot topic on SNS, with words related to Boonboomger trending after each broadcast, so there were alot of people who liked it. I'm glad that I was able to be apart of such a production. Or rather, that's what Miu-chan wanted to say (laughs).

Suzuki: (laughs). I'm happy that this production was so well loved. _

Soma Satoru x Miyazawa Yu

"What were your first impressions of each other?"

Soma: That he was "the most intimidating guy" (laughs). His appearance left an impression on me, and I think the other members felt that way too, but still, I thought he looked scary.

Miyazawa: Did you think I was gonna yell at you? (laughs).

Soma: However, my impression changed when I actually got to know him, as he was overflowing with kindness and consideration for others.

Miyazawa: Thank you (laughs). When I first met Satoru, I thought he was a "fluffy" person. My first impression of him was that he "seemed kind and had some soft vibes," and that still hasn't changed. It's like he's Buddha. He's always smiling.

Soma: Thank you.

"You two are the oldest out of the main cast members, so did you take on the role of being their big brothers on set?"

Miyazawa: They knew we were the oldest, and yet they mistreated us, isn't that right?

Soma: (he immediately takes over) That's right. I think we were the top two when it came to being teased. Well, I do think it's good that the younger cast members were able to be so carefree.

"If it's just between the two of you, who's the funny guy and who's the straight man?"

Miyazawa: I'm totally the funny guy, right? (laughs).

Soma: It's either hit or miss with you (laughs).

Miyazawa: The two of us are together quite often, wouldn't you say? We go to bathhouses together. We're easy going people. On days when we finished filming in the morning and had free time in the afternoon, we'd go to an onsen and enjoy the ganbanyoku.

"Now then, we'd like to ask about your impressions of each other as actors."

Soma: When it was time to screw around, Zawa-kun would screw around. When it was time to perform, he was completely focused. There was a clear contrast between the two, which made me feel like I had to act the same. He has alot of experience, is passionate about acting, and has a wide range of skills, so there was much to learn from him. When I saw Zawa-kun's performance, I thought, "I see, so that's how he expresses it. If that's the case, then I'll do it like this," and from there, I begin to think about things more thoroughly.

Miyazawa: The atmosphere changed tremendously when it was revealed that Genba was an alien and left Boonboomger in Bakuage 27. What I felt most at that time was that Satoru was thinking deeply about the role of Genba Bureki, and how to convey the character of Genba to the viewers. He would discuss things with the Director, including how to express himself, and wrote alot of notes in the script. Those around him were inspired by that, and it caused them to bring out the best in their own performance, so I'm very grateful to him for that. Being able to work together with him made me happy.

"We got the impression that Genba had alot of scenes with Sakito during his withdrawal, but when filming scenes with just the two of you, would you discuss things beforehand?"

Miyazawa: We'd talk about what we were going to say, but we didn't want to force it. We didn't talk about specifics like, "I want to take it in this direction, so here's what I'm going to do," but rather, how I would respond to the Genba that Satoru had in mind. I wondered what kind of expressions he'd use and how I'd respond to them.

Soma: That kind of attitude was very important to me. When I spoke my lines, I'd carefully watch how Zawa-kun responded to them, and if he responded to them in "this way," then I'd "go with this." We made it a point to express exactly what we were feeling while acting.

Miyazawa: Our characters didn't exactly have a close relationship with each other, so I think we had to explore them even more.

"When it comes to memorable scenes involving Genba and Sakito…"

Miyazawa: It's the sumo match during Bakuage 32.

Soma: Yeah. I'm sure some of the viewers watching may have been thinking, "Why sumo here?" (laughs). It was hot during that shoot, and we had to use every muscle in our body when performing, so it was difficult, but it also brought out more emotion in us, which made it easier to get into it.

Miyazawa: We got so into it that we ended up getting brain fog (laughs).

Soma: We were like, "What do we do next again?" (laughs).

Miyazawa: We were both sweating so much, that we could squeeze out the sweat that had soaked into our clothes. It was really hot, in part because we were standing on concrete. Still, even after Genba left Boonboomger, Sakito would often show up in front of him just to mess with him, so that sumo match left a strong impression on me due to the fact that it was the only time they both seriously discussed their feelings with each other. Up to that point, Sakito had been saying some nuanced things in order to get him to return to Boonboomger, but Genba wouldn't listen. Then, Nijino Akira appeared and they decided to wrestle, and he was finally able to express his true feelings in a straightforward way.

Soma: It's because Sakito kept digging into him that Genba was also able to vent his frustrations. He left Boonboomger to not get them involved in his plans for revenge, and even though he wanted to go back, he couldn't let himself do it. But when Sakito, whose sense of distance is different compared to the other four told him, "Quit being stubborn and just go back to them," he was able to once again validate his feelings. I think it was a big deal for Genba, as he was able to do it once he truly spoke his mind.

"Speaking of, Soma-san was told from the beginning that Genba was an alien, right?"

Soma: Yeah. Still, all they said to me was, "We want you to be aware of it, but we don't want to make it obvious, so we may make small mentions of it in future lines." In the beginning, they apparently hadn't decided on the development of his withdrawal, and I wasn't informed of his Burekiian form until shortly before it was set to happen. Then he was removed from the opening credits…

Miyazawa: Seems like it was pretty intricate.

"Another time the two of you were featured together was in Bakuage 41's soccer episode."

Miyazawa: We were very grateful for that. I was happy that there was an episode where the two of us were the main characters. Since we're both experienced soccer players, we were invited to participate in a collaboration event with Shimizu S-Pulse in September 2024. After that, Producer Kuji-san said to us, "We can probably include a soccer episode somewhere."

Soma: I had the opportunity to meet head character designer Shimamoto-san, and at that time I told him how I'd "like to do a soccer episode." At that time, I was just talking about my desires, but then it became a reality.

Miyazawa: During filming, we had our first experience with napalm explosions in the scene where flames rise up from behind us while we were dribbling the ball. We kicked the ball in the shoes of the Boonboomger suit, which are usually worn by the Suit Actors.

Soma: It was hard to kick with them (laughs).

Miyazawa: The top of the shoes are large, which made it difficult to catch the ball. However, as expected of Satoru, he was able to do "keepy uppies."

Soma: No, no, it was still difficult with the napalm.

Miyazawa: The path also had quite abit of gravel.

Soma: I was worried that the ball would bounce and that our dribbling would become out of sync, but we managed to pull it off somehow. If I was going to be involved in a tokusatsu production, I wanted to experience napalm, so it was a good experience for me.

"What's the most memorable scene that doesn't involve Genba and Sakito together?"

Soma: In Bakuage 18, when Taiya says, "I can hear Sakito's screams" Sakito responds with, "I hate it. Guys like you who sugarcoat crap." Him being able to express his true feelings left an impression on me. I love that scene. I'll often rewatch it just to see Sakito's expression.

Miyazawa: I liked the scene in Bakuage 33, where Genba goes to the Deliverer's garage while everyone else is away and stares at the Champion Jacket that Shirabe-san hands him. But, the best scene was the last scene in Bakuage 26, where he confronts Disrace and jumps at him. Genba exploded with the emotions that he had kept bottled up, and it left a huge impact on me, as the impression I had of his character changed all at once in that scene. The atmosphere Satoru created was completely different from the previous scenes.

"When you feel that kind of change, the atmosphere of the cast members around you also changes, right?"

Miyazawa: Yes. What I thought was amazing about everyone is that when it came to scenes that were important to someone else, or scenes that depicted strong emotions, they'd think about the actor who would be performing in those scenes.

Soma: We all create an atmosphere where we could concentrate, right?

Miyazawa: It was a truly wonderful set.

"We'd like to ask you about your role in the scene where you jump at Disrace."

Soma: Genba had never really shown his emotions up until that point, but after hearing about the appearance of Disrace, his destined rival, I wanted to show a contrast in his personality. This is why I was conscious of having more fun performing in the episodes that had comedic elements, such as in Bakuage 21, in which he calls himself the "candy detective."

"Were there any scenes that were difficult for you to perform, or that you felt helped you grasp your role better?"

Miyazawa: Sakito's a character who tends to be loud and childish, but he's also quite sensitive, so I found those parts of my role as a good challenge. However, I think that how he understood people's emotions and how he expressed what he was feeling was a theme I struggled with until the very end. Like in the scenes that involved Genba, or towards the end of the show, when everyone was in shock over Ishiro's betrayal, only Sakito expressed his anger. I tried to be conscious of that when performing.

Soma: I wasn't able to express my emotions until about halfway through the show, so I sometimes wondered whether it'd be better to suppress my expressions "here" or not, but if I suppressed them too much, nothing would be conveyed, so I guess you could say I struggled with that. However, after separating from his friends and coming back, I changed it to show alittle more emotion. The turning point of the story also became a switch to change up my performance.

Miyazawa: Can I add one more thing? Rather than myself, there's a scene where I felt that Sakito had grown. It's the scene in episode 45, where he's harshly critical towards the citizens. When Bundorio was defeated and everyone looked down on the Boonboomgers as the enemies of Earth, he shouts, "Didn't the Boonboomgers save you?" and, "I won't tolerate you guys calling them villains!" If it had been Sakito from around Bakuage 18, he would've never said that. He left Earth once, but now he loves his Boonboomger friends who he met on Earth, which is the reason why he spoke so sharply against the citizens. That was really passionate.

"Since you've brought up the topic of character growth, do you feel that you yourself have grown over the past year?"

Soma: I feel that I have. It's not often that you get to work on the same production for a whole year, so it was great to be able to experience that. In the past, I was often led by my seniors, but in this production, I was working with people who were younger than me, so I felt that I had to be more reliable, and I think I've grown in that I've become more aware of the need to lead others.

Miyazawa: I learned alot in the very beginning, such as how to behave towards cast members on set, and I think it'll definitely be to my advantage on the next set I participate in. As for my performance, I only joined midway through, but even so, it was a rare experience to play the same role for more than half a year, so I felt that I've gained alot from it, and that I'll make use of it in my next job.

"This book will feature interviews between three pairs. We'd like you to talk about the changes you've seen in the Iuchi Haruhi-san and Hayama Yuki-san pair over the past year. What do you think?"

Soma: First, Haruhi became more responsible as Red as the show progressed, and he consulted with the Director more frequently about his performance, so I could tell that his confidence was improving. In the beginning, I had the impression that he was timid, but in a good way, he started insisting on doing things his own way, and in the latter half of the show, the number of times he asked for advice increased, which made me happy.

Miyazawa: Well then, I'll talk about Blue's Yuki. He was always thinking about the role of Ishiro Meita, and he would perfectly embody that role on set. He made us realize just what kind of person Ishiro is. That's what I like about him. On the other hand, in private, he's got abit of a junior like quality to him, which makes me want to look after him (laughs). Still, he's got his own opinions, and could say what he needed to say to his seniors. That's the kind of thing that helped us out too. I'm confident that he'll continue to absorb alot of things from now on and become a wonderful actor.

"This book will be released just before the final episode airs. What are some highlights of the final episode and your message to the fans who have supported you over the past year?"

Miyazawa: The highlight will be the final battle of course, but also what'll happen with the Big Bang Grand Prix, which Taiya and the others have been aiming for, and what'll happen to Sakito. All I can say is that it's gonna be hot! I think it's because he became friends with the Boonboomgers and spent time with everyone that this is what happens. I hope you'll look forward to it.

Soma: Yes, that's exactly right (laughs). Now that all the highlights have been said, I have a message. Tons of people have watched the show and visited our events over the past year. Multiple people commented on SNS, which made me realize every day that this show was loved by so many people, and I can only be grateful for the happiness I felt. After the final episode airs, I hope you'll be immersed in a sense of Boonboomger loss…although, it's strange to wish for loss (laughs).

Hashiyasume Atsuko

"There's only one episode left in the story, but please tell us again what your impressions were when it was decided that you'd play the role of Saibu Shirabe, as well as some of the things you discussed with the Directors and Producers about your character's image."

Hashiyasume: I don't think there were many requests for me to "do things like this." When I first received the script and read it, the impression I got was that she seemed cool and cold, but as I read further, I learned about her interesting parts and unexpected side, and realized that she was a woman with an incredible gap in her personality. I had a feeling she'd become more involved with all the Boonboomgers in the future, so I decided to keep her cool image during the beginning, but as the story progressed, I played the role with the hope that she'd slowly warm up to everyone and that tensions would gradually melt away like ice.

"That kind of gap was wonderful for Shirabe, don't you think? How did you decide to act out the cute part of her that radiates love for Boonboom?"

Hashiyasume: Every time I'd go to the set, I had my own image in mind of what I wanted to do, but when I actually did it, the Director would give me advice like, "Wouldn't it be cuter if you did it alittle more like this?" (laughs). I think this part is where I got the most advice on my performance.

"Can you give us some examples of the advice you received?"

Hashiyasume: The Director himself gave form to these ideas by saying things like, "I think you should act more head over heels with Boon-sama" or, "Move your body more like this!" (laughs). The direction was that it was "fine to make it more exaggerated" than what I had in mind. The Director also suggested the scene where I become excited with Boon-sama and spin around while saying, "Alright!," and so, Boon-sama and Shirabe spun around in circles together (laughs). This was how new ideas like that were created on set.

"Was there anything memorable regarding your performance with Boonboom?"

Hashiyasume: In the film "Promise the Circuit," there's a scene where Shirabe's leaning against Boon-sama underneath the shade of a tree, but I think I wanted to be embraced by him more softly…(laughs). No, he was naturally embracing me with his gentle heart!

"Hashiyasume-san, have your feelings toward Boonboom changed over the year?"

Hashiyasume: Shirabe was smitten with Boon-sama from the moment they met, so I personally didn't stop loving him throughout the year. Of course, it was Boon-sama who was on my phone background, Boon-sama who I talked to the most, and I was even jealous of Belora (laughs). From beginning to end, I've always loved Boon-sama, and my feelings haven't changed for the past year!

"This is Hashiyasume-san's first time taking on the challenge of working on a tokusatsu production. We guess you haven't had much opportunity to get involved with tokusatsu up until now…"

Hashiyasume: I naturally knew about the Super Sentai series, but I never thought I'd be cast for it, so I was very surprised.

"But since this was your first time participating in a tokusatsu production, we're sure you must've been surprised by tons of things, no?"

Hashiyasume: That's true. I was surprised to see more CG than I was expecting. In Bakuage 39, there's a scene where Shirabe gets into the Boonboom Car by herself to deliver the Changer to Taiya, and it was only then that I finally learned that the back of the Boonboom Cars were CG (laughs). Shirabe was often at the ISA headquarters or Taiya's house, so I'd often find out when something irregular was done, and there were many moments when I thought, "This was CG too! Modern technology is amazing!"

"It seems like you noticed something every time you filmed."

Hashiyasume: Everything felt fresh. This is exactly why I was so surprised when I learned of the existence of Suit Actors, because at first, I really thought it was the actors themselves who were fighting. I have no doubt that this was obvious to all the fans, but there were so many things that I didn't know about. I had no idea that so many people were involved in the making of this, so I was deeply moved by each and every one of them.

"How was the response from those around you when your appearance in the Super Sentai series was announced?"

Hashiyasume: I received many comments from those I worked with on variety programs saying, "I'll watch Boonboomger." I've had comedians, artists, actors, and so many others mention Boonboomger to me. In addition, people who were accompanied by their children would often say things like, "My son's watching Boonboomger. Look, it's Shirabe!" (laughs). Through Boonboomger, I realized that I had made myself known to a wide variety of people. When I appeared on variety shows, people not only responded to me as "Former BiSH member Hashiyasume," but they'd also say on SNS, "Shirabe-san's appearing on a variety show!," so it was very refreshing for me that people knew me from my role. I realized that I was receiving support from a new demographic of people, and I was again surprised by the power Boonboomger's show had.

"When people actually called out to you, it must've also given off a real sensation of "this child is watching me," huh?"

Hashiyasume: It did. Even during filming of the movie, small children would call out to us during the middle of filming with, "Wow! It's the Boonboomgers!" Unlike live performances, you don't know what kind of response you'll get from video work until it airs, so I would sometimes wonder if it would be properly received by the viewers…When I got to meet viewers like that, it made me happy knowing that there really was a wide age range of people watching.

"Once again, if you had to pick the most memorable scene you appeared in among the ones that have aired so far, which episode would it be from?"

Hashiyasume: The scene that I knew would receive alot of feedback was the one in Bakuage 39, where Shirabe rushes to the scene in the Boonboom Car without wearing a Boonboom suit. From the moment I read the script, I had a feeling that this would be a very important episode for Shirabe. I thought I had been recognized as a member of Boonboomger…it may be an exaggeration to say that, but I thought it was a scene where I had become one with everyone. Actually, after the broadcast, I received very warm words, and I felt as if Shirabe was recognized, which personally gave me a boost of confidence. This episode once again made me feel very happy to have been able to appear in Boonboomger.

"We became overwhelmed with emotion the moment Shirabe rushed to the Boonboomers without any hesitation. We also got the impression that Taiya and the others were surprised and happy to see her."

Hashiyasume: That's right. In the scene where Taiya catches Shirabe after collapsing, we talked alot about how I should fall over. We discussed it with, "How do people collapse when they lose their strength?," and then went into filming.

"The progression of Shirabe becoming the Boonboomger's friend is also a highlight, and one of the reasons for this is Bakuage 39."

Hashiyasume: That's true. Up to that point, Sakito would call her "Shirabe-chan," but after Bakuage 39 it became "Nee-san." It was as if the way they looked at Shirabe changed, or rather, everyone's consciousness changed from thinking she was "that ISA person," to "Shirabe-san (ISA)." While the Boonboomgers and ISA are two different entities, Bakuage 39 was like Saibu Shirabe had become a member of Boonboomger.

"As an ISA member who was there to investigate and monitor their situation, we're sure Shirabe herself must've felt conflicted about it, no?"

Hashiyasume: With her gradually becoming more suspicious of the ISA, Shirabe was always thinking about what she could do in the moment. Even with her position at the ISA, I think she was able to maintain a good balance while dealing with various conflicts. Her first priority was to protect the peace for the sake of Earth. And, I believe that she had thought, "Someday, I'll fight together with the Boobboomgers."

"In Bakuage 46, there was a line where she said, "I'm also a member of Boonboomger." It was a very moving line."

Hashiyasume: That scene was the moment when Shirabe made a big decision, and I said it with the thought of, "This might be the last time…" From the time I read the script, I knew it would take alot of commitment to say that one statement. Uttering those words in the midst of the Boonboomger's critical situation, all while each and every event that had happened so far flashed before her eyes, made me put all the feelings that Shirabe had felt up to that point into it.

"When you think back on past days, were there any parts that made you think, "That really happened"?"

Hashiyasume: It'd be something from the beginning, like when I started things off by grabbing Jou by his chin~ (laughs). Her role at the ISA was to eliminate the Boonboomgers, so that was the kind of determination she had. Looking back to the beginning, things have really changed.

"Shirabe has a cool side, but when she's in front of Boonboom, she shows her cute side, causing this gap to make her a memorable character. Still, we gradually got a glimpse of her passionate side, which made us think that she was a wonderful person."

Hashiyasume: We were just talking about progression, but when I played the role of Shirabe, I imagined that she would gradually become a member of Boonboomger, so in the beginning, I didn't try to get to know the other Boonboomger performers that well. I thought that'd be a better relationship to perform in. I thought it'd be wrong to get too friendly with everyone from the beginning, so just like the ISA and Boonboomgers, I kept a certain distance from them. As the story progressed, I felt that Shirabe and the Boonboomgers had gradually become one, so the seven of us would go out to eat together. From that point on, I was able to perform with the feeling that I really fit in as a member of Boonboomger.

"What are your impressions of the actors playing the Boonboomgers, and what was the atmosphere like when you interacted with them?"

Hashiyasume: From the very beginning, the impression I got was that they were really close. The five, and eventually six of them, always looked like they were having fun while talking. They were so close all the time, that you'd think they were siblings, and the things they'd discuss were things that young boys tend to talk about (laughs), it was so cute.

"What would they talk to Hashiyasume-san about?"

Hashiyasume: An example would be with Mira-chan, who consulted with me for advice by saying, "Isn't it difficult doing variety shows?," and we also talked about work. Jou-kun once suddenly asked me, "Wanna play a card game?" (laughs). In his role, he's a mature and dependable older brother! Behind the scenes however, I often got to see the boyish side of him. All of the fans would say, "The Boonboomgers are so cool!" and, "They're heroes of justice!" but in reality, they're all quite cute……sorry for thinking out loud (laughs).

"Hashiyasume-san's birthday was also celebrated on set."

Hashiyasume: It was a great celebration! I was very happy and thought, "When you end up doing this for a year, these kinds of things happen~"

"It must've been a rare experience to play the same role for a year, so looking back, what were your days like?"

Hashiyasume: Shirabe was a character that didn't appear every week, so there were times when I wouldn't film for about a month. When the time did come, I had to remind myself what kind of voice I used when performing. Shirabe's tone is slightly lower than my natural voice, so trying to fine tune it for filming was difficult. It was the same for my appearance too, as before we started filming, we always had to do things like adjust the length of my bangs and the shape of my eyebrows in order to make it to "Shirabe's specifications." It was only after being prepared by the makeup artist did I think, "My eyebrows weren't Shirabe's until now!" (laughs). After a month had passed, my eyebrows would go back to their natural shape. It was a strange year for me, as I returned to being Shirabe every time I went to filming. It's been a really long year…is what I want to say, but it went by so quickly that I thought, "Huh? It's over already?" When I heard about the end date, I couldn't help but say, "I thought we had atleast another 6 months!" It all happened so quickly.

"And now we're approaching the final episode. Finally, please give a message to the fans who have supported you over the past year."

Hashiyasume: First off, I'd like to thank you for your support of Boonboomger over the past year. In the beginning, some of you may have had a bad impression of Shirabe, or thought she was terrible. It was the Boonboomgers and Boon-sama who softened Shirabe's harsh side. More than anything, it's because of all the little and big friends out there who've supported Shirabe up to this point and shown her so much love that she's been able to become this kind. I don't think things would've changed this much if it was just Shirabe on her own. I'm sure we can win if everyone supports us, so I hope you'll support us to the very end. And, please don't forget about the Boonboomgers or the ISA's Shirabe. I'll also fight until the very end, with the feeling that I was the seventh Boonboomger member. _

Suwabe Junichi x Mizuki Nana x Morohoshi Sumire

"Everyone, this was your first regular appearance in a Super Sentai series. Please tell us how you felt when you were chosen to appear."

Suwabe: Before I received an official offer, Screenwriter Tomioka Atsuhiro-san told me something like, "I've been asked to work on Super Sentai, but I have a role I want you to play." I had voiced minor characters in past series, but I had never been cast as a regular, so I immediately said, "Absolutely!" I've been familiar with the Super Sentai series since I was a child, so I have a strong emotional attachment to it. I was very happy that what I wanted to do most became a reality.

Mizuki: I had previously been involved as minor characters, but I had dreamed of one day being a regular, so I was very happy. I'm secretly into cars (laughs), and many of my fans who support me are also motor sports enthusiasts, with some of them even coming to my live venues in their own decorated cars. Furthermore, I have a cat, so I personally felt that it was fate to play a character named Itasha with a cat motif (laughs).

Morohoshi: I was also very happy when I was first requested to play the role. I was also informed that I'd be playing something of a bad guy or enemy, and since I didn't have much experience playing roles of characters on that side, I thought it'd be a new and fresh challenge for me. My family lineage is female oriented, or in other words, I haven't had much of an opportunity to experience the Super Sentai series being mainly surrounded by girls, but a few years ago, my cousin gave birth to a boy. I was excited in many ways, as I was hoping to enjoy it together with him. The other day, I brought a Boonboom Killer Robo toy to my cousin's child to play with, and he seemed to be into it.

"How much was explained to you about the characters you'd be playing once you were chosen for the role? Please also tell us your thoughts when you were shown their designs."

Suwabe: The initial description of the Sanseaters was, "They're bad guys who aren't the capable type. They're the antagonists of the main characters, but they're a pitiful group that you just can't hate" (laughs). We saw the character designs in the documents we were given when we received our formal offers. They were more rough looking than I was expecting, but I was excited once I learned that they were designed by Shimamoto Kazuhiko-san.

Mizuki: At the time I was approached for the role, they told me the general setup they were aiming for were "enemies you can't hate, and to make them charming villains who, even if they fail, will spin their wheels with all their might." When I was shown the design drawings at the time, I thought they were "cute," and as I read through the script, I found them to be even more adorable (laughs). I was excited about the fact that there was alot of freedom in how we could portray these characters, and that we'd be able to try out alot of different things.

Morohoshi: When I saw the design drawings, I was told, "His voice should give off the impression of being babyish, and he's normally small enough for the other two to hold in their hands." I had almost no experience playing villains, so I wondered how I'd play the role, but I remember thinking that I could do it. After that, they contacted me and said, "We want you to send us some samples of your intimidating voice." They said, "We'd like a voice for if Yarucar is taken over by a bad guy named Madrex. Madrex is a rough man and head commander, so that's the kind of voice we want." I wondered what was going on (laughs).

Suwabe: This setting doesn't appear in the show.

Morohoshi: Yeah. I recorded multiple patterns and sent it to them, and they decided on the direction to take by saying, "Please use the most intimidating voice you can make." At that stage, I couldn't imagine what kind of character I was going to become, but on the flip side, I was still looking forward to it.

"When Yarucar inhaled Gyahsoline and entered into his reckless state, his voice becomes intimidating. So, with the take over setting being removed, it was used here instead? Does that mean you had trouble doing that voice every episode…?"

Morohoshi: No. It was a voice I don't normally make, and I was surprised at how frequently I went into that mode once recording began, but I wouldn't consider it something I struggled with. I had fun.

"Did Suwabe-san and Mizuki-san also receive instructions to be more intimidating?"

Suwabe: According to what Tomioka-san had told me beforehand, Decotrade was a character with pretentious vibes, but when I read the script that I received for Bakuage 1, he was totally different (laughs). I also took the impression his appearance gave off into account as I adjusted the direction I'd go in. I was glad that the performance plan I prepared was able to get an OK from the production side so easily.

Mizuki: Itasha always takes her job seriously, but things don't always go smoothly. Even if she made a cool entrance, her true colors would immediately be found out, and her distinct personality would be revealed (laughs). I was hoping that I could bring out that kind of funny contrast. It seems that my image and the Directors image matched up, as I remember that they immediately gave me the OK.

"We'd like to know if you had been influenced in any way from each other's performance."

Mizuki: Every time we'd watch the footage at the recording set, we'd see Decotrade's Suit Actor Ogura-san and Itasha's Miyazawa-san doing moves that weren't in the script…

Suwabe: They really did, huh? (laughs)

Mizuki: We'd check it out in surprise, thinking, "What is this scene?!," and then we'd do our actual performance immediately after the test, so our reflexes were tested every time. Suwabe-san would take the lead every time, and then Itasha and Yarucar…

Morohoshi: Would interrupt him (laughs).

Mizuki: That was the kind of balance they had. In Bakuage 38, it was revealed that Decotrade had asked Itasha and Yarucar if they "wanted to run together," and pulled them along, but it was also us actors who were being pulled along by Suwabe-san (laughs).

Morohoshi: We'd just sorta followed him (laughs).

Suwabe: No, no (laughs). I was always inspired by the characters that you both played so wonderfully. Well, I thought it was my role to throw in some comedic adlibs (laughs).

Mizuki: He even included puns that weren't in the script (laughs). I thought he was way too good at coming up with ideas after just one look at the footage!

Suwabe: When we'd watch the footage at the recording set, it wasn't uncommon to see people doing things differently from the scripts we were given in advance (laughs). They were more interesting, adorable, and lively in their movements. We thought this was a challenge from the Suit Actors, and so we, the Voice Actors, did our best to bring out the appeal of our characters.

"The "Ka-click" part in "Ka-click, Ignition" when Itasha inserts a key to create a Kurumaju was also a line that wasn't in the script, right?"

Mizuki: That's right. There was a short pause before I said, "Ignition." I thought that music and sound effects would be added for the broadcast, but I also thought that these were the type of guys to say the sound effects themselves (laughs). So when I added the "Ka-click!" and it was accepted, it then became standard.

"Moving on now, we'd like to know who your favorite characters are."

Suwabe: Mine are the Sanseaters. I naturally like Decotrade himself, but I'd like to support the Sanseaters as a set. I was moved to tears when Yarucar abandoned the road to becoming a super elite and returned to Itasha and Decotrade.

Mizuki: In that episode, the scene where Decotrade and Itasha declare that the "Sanseaters are disbanding" really hit me. I could really feel how much they cared about each other.

"Who was Mizuki-san's favorite?"

Mizuki: I also like the Sanseaters. I had the impression that we spent the year raising them, so I have a strong emotional attachment to them. All three of them were always positive. Even when things didn't go their way, they never gave up. Even though they're villains, they had cores similar to heroes. They cherish their bonds. I love them…I really do.

"Will Morohoshi-san also choose the Sanseaters?"

Morohoshi: That's right. They're villains, but you just can't hate them, and that's not all, as watching them made me feel energized, and I loved how positive and honest they all were. I also liked how direct they were in expressing their beliefs. The fact that they understood each other and balanced each other out well was wonderful, and I can feel the bond between them. Also, I really liked Ita-san's motherly side (laughs). I felt that she was very patient with Yaru-chan. And above all else, she's a young lady, so she's cute.

Mizuki: That makes me happy.

Morohoshi: Deco-san was also a very passionate man. He made alot of mistakes (laughs), but at his core, he had more passion and stronger feelings than anyone else, which I respect. Other than the Sanseaters, I was interested in Weiwei Yarucar, who appeared in Bakuage 38. I was surprised that he and Yaru-chan were of the same race, and I wanted to see the other Yarucars. He was a character I would've liked to have seen explored alittle deeper.

"Including Bakuage 38, which episode left the strongest impression on you?"

Suwabe: I'll mention one that's not connected to the Sanseaters, that being Bakuage 15. That episode between Jou and Kaseki Grumer made me cry. It was incredibly sad and memorable.

"What about Mizuki-san? As a viewer, Bakuage 42 left a strong impression on us."

Mizuki: I didn't expect to sing in such a serious way either (laughs). I was informed beforehand that, "There's going to come a time when Itasha will be in the spotlight, and it'll be like a musical," but I thought I'd just adlib and do some humming. But then I was surprised to find out that Itasha's singing part was fairly long.

Suwabe: Basically, when we'd record, we only watched footage of scenes where our own characters appeared. I wasn't able to record that episode with Mizuki-san, so I was surprised when I saw the broadcast. I didn't expect it to be a real musical (laughs).

Morohoshi: It was sung properly, don't you think?

Mizuki: Yes. My lines were recorded at the usual record, while the singing part was recorded in a recording studio, but just like in regular recording sessions, they placed a screen in front of me and I sang along with the actors movements. I was also impressed by the scene depicting the three's love for Madrex-sama. Madrex-sama became a star in Bakuage 33, and while the three of them don't know this, they decide to carry out what Madrex-sama left unfinished. That scene was sad and made me teary eyed. I could also feel Madrex-sama's manliness in the fact that he was about to self destruct, but flew into space alone, and I realized that this is why the three of them adored him so much.

"What impressed Morohoshi-san the most?"

Morohoshi: It has to be Bakuage 38. Yaru-chan's emotions were intense, and I felt like I was able to play a more profound role than I had ever played before. For the scene where he decides to take on the challenge of becoming an elite and is driving on the highway, but then remembers the past and hesitates, they adjusted the length of the footage on the spot. It's a scene that was recorded carefully and over a long period of time to make it easier to perform so that Yaru-chan's feelings would be conveyed more clearly. I was able to put so much emotion into it, that tears ran down my face as I performed, so it's stayed with me ever since. I also like the sports episodes (laughs).

Suwabe: Bakuage 23's baseball episode and Bakuage 41's soccer episode, right?

Morohoshi: That chaotic feeling, or rather, the feeling that anything was possible and went beyond your imagination was typical in Boonboomger. I laughed during the baseball episode, like when Yaru-chan drove recklessly (laughs).

"And now finally…Morohoshi-san, please give us your thoughts on the past year. It seems that you were confused by your first villain role."

Morohoshi: Looking back on it now, I don't have the impression that I had a hard time because I enjoyed every recording. Whenever I was shown the footage at the recording, it always exceeded my imagination. It was inspiring to see all the cast members and Suit Actors doing their best to match up with the others acting and movements, and being able to experience Suwabe-san and Mizuki-san's acting up close made me feel increasingly excited both as a viewer and as a fan of the Sanseaters. I'm really sad to see it come to an end, but I'm happy to have been apart of a production that never stalled and kept going at a high speed until the very end.

"Mizuki-san, what are the highlights of the final episode?"

Mizuki: I can't talk about specifics if we wanna avoid spoilers…(laughs). The conclusion for both the Boonboomgers and Sanseaters will be a hot development. The final lap of show, including the final episode, was full of many serious developments that included a variety of complicated speculation, such as the collusion between the Hashiriyans and those on Earth's side, and while it felt exciting to see the foreshadowing resolved, it's not aimed at being some kind of warning for modern society, but it wasn't just a refreshing story either. It wasn't just passionate and fun, as I think that this is what made it unique to Boonboomger, and will remain in the hearts of everyone who enjoyed it over the past year, especially children. Your children may not understand everything now, but someday when they look back, even if they have a passion for something, it can be difficult to do it alone, so it's important to keep running and not give up, and to find friends you can trust to help you do it. I hope that people will be able to rediscover the message we wanted to convey through this show. Make sure that even after you've become an adult, you'll rewatch it through discs or a streaming service (laughs).

"Suwabe-san please give a message to the fans who have supported you over the past year."

Suwabe: The Super Sentai series is a "path" that many Japanese children walk across…I personally believe it should be a required school subject. The time I spent as Decotrade was a wonderful memory that'll stay with me for life. The recurring phrase that appeared in this show was to "take control of your own wheel." In the current age of being overwhelmed with information and being easily influenced by others, I think it's a very important saying. I hope that the Boonboomger's passionate message has left a lasting impression on you that'll enrich your life for years to come. Unless Earth is destroyed, the Super Sentai series will continue to be available for viewing in some form or another. The characters will live on in these productions. The Sanseaters will also keep running towards the top that they're aiming for. That said, I'd like to ask for your continued support of Bakuage Sentai Boonboomger. And once again, thank you so very much for your support over the past year. Thanks for watching, and good work Sanseaters!!

[alisaint]

mr coriolanus snow did not live by "snow lands on top" + take pleasure in making sejanus squirm and having power over him (+ get thoroughly upset when he didn't) + spend every waking moment of his entire life scheming to be the top dog with all the power and control + fail and refuse to truly trust anyone + muse multiple times about wanting to put his hands on sejanus + get Uncomfortable whenever things didn't go how he specifically expected + behaved as sejanus's keeper that took care of him all the time for y'all to be calling him a sub bottom now... my fellow countrymen, you can't let the whole skinny, white, blond with light eyes combo fool you into such treacherous heresy. sejanus was his sweet, sensitive, wide-eyed, rabbit-like fool with soulful eyes! and he was his keeper! snow lands on top! on top, he said! t-o-p! 🗣️🔛🔝‼️

[ceramicbeetle]

i kind of hate to say it because i feel like i'll get pushback for it,,, but i kind of feel like if you're going to be making informational posts about autism online you do need to be reading actual autism research and literature. at least some of the times. like you can't just make things up and then present them as fact.

[icewindandboringhorror]

I occasionally wish to reach out to old friends/acquaintances I haven't spoken to since high school/some other even earlier time in my life, but I have SOOO little social energy even for required tasks (like making dr phone calls or etc), I never have any leftover for extra ones, and it would be very odd to message someone I haven't spoken to in like 5 years out of the blue but then take 4 entire months to respond back lol.. My natural curiosity with nostalgia/collecting details of the past/etc. (literally if I were born a little earlier I would definitely do scrapbooking or something lol) is very strong, but, alas, not strong enough to beat out the Social Issues Demons apparently

[sunnytaimi]

Where does one go to get diagnosed with "there's been something vaguely wrong with me since childhood and though I've been able to almost hide it it's been plaguing me all my life and making assimilating into society a very painful ordeal" disorder

[silverselfshippingchaos]

I just know that Ash pulling one of these would drive S.eifer nuts in the best way possible

[vadlings]

Represention of Autistic Frustration in Laios Dungeon Meshi

Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.

Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.

The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):

The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.

In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)

Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.

I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.

The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.

The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)

Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.

Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.

To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.

[tizeline]

Presenting: The AU I accidentally created OOPSIE!! 😬😬😬

And yes, I know, it's another Seperation AU, and yes YES, I KNOW, they're a bit overdone at this point, bUT LISTEN!! That's precisely how I ended up in this situation!!!

So there's a lot of Seperation AUs exploring a lot of different scenarios with the turtles being raised, well, seperately. I've seen quite a few of them at this point, and despite whatever the combination is when it comes to turtle + parental figure, I'm sure I'm not the only one who has noticed a pattern of specifically Donnie often being raised by a villain. Which makes sense, he has a tendency to put on this evil-mad-scientist-act in the show, so of course a lot of us want to see what Donnie would actually be like as a proper antagonist. But that just made me think think of the opposite possibility, of Donnie being the singular good guy while his brothers are all bad guys. Mind you, I'm sure SOMEONE must've thought of this concept before me, but I haven't seen it! So here we are!

In this AU (which doesn't have a name so don't ask!) Splinter only managed to yoink Donnie during The Incident™, so he ended up an only child, while Raph, Leo and Mikey were raised by Draxum. I also imagine Draxum being at least a decent dad considering the circumstances, so the kids he raised ended up with pretty similar personalities to what they have in canon.

Because of that we get Hero Donnie who acts all villainous cuz he's a total theaterkid, and Villain Raph, Leo and Mikey who act all heroic cuz they honestly believe they're doing the right thing in literally destroying all of humankind and as a result developed an intense case of main character syndrome.

Anyway here's some references-

I don't know how far I'll explore this AU. I fully intended to just make like one or two posts rambling about the basic concept, but when I was drawing these images my brain went into full Brain Blast mode and I started coming up with a bunch of other ideas so uh... we'll see how this turns out later I guess haha

[nanenna]

Jeez Louise This is a Mess

Sleepy King (Nenna edition) Master Post

Apologies in advance, I'm not very familiar with John Constantine, trying to do anything from his perspective is definitely an unwise decision. I have chosen it anyway. He's almost definitely OOC.

---

John watched the Fentons and the mayor just saunter through the brand new hole in the mayor’s wall like this was just a normal Friday for them. Considering how weird the town was as a whole, it probably was. And he meant that by the old meaning of the word and as literal as one could possibly interpret it. He’d never been anywhere where the veil was so thin over such a large area, with æther so thick in the air of course it was affecting the locals. Probably had something to do with whoever or whatever had cloaked the whole town.

John turned to Tall Dark and Broody, “So, what happened to all the bugs and trackers you put on them originally?”

Batsy frowned, “Danny’s are still in the Fenton residence, expected since he clearly changed his clothes. His parents’ trackers and bugs all went offline not long after arriving home, the ones I placed inside the residence are malfunctioning.”

“And that’s not the least bit suspicious?” John asked.

“It’s incredibly suspicious,” Batsy said with a completely straight face before turning and also walking right out the brand new hole. “I suggest you actually use the comm I gave you earlier, they’re explaining the situation to Masters.”

Unfortunately Mr. Gargles Gravel for Breakfast had a point, John sighed and did put in the comm, though he knew it would be spotty with the use of magic to follow the group. Batsy and Wonder Woman could follow however they liked, John did not have the energy for that.

The comms were staticky, cutting in and out even without John’s abuse of the thin veil to quick step around town. Not surprising, the amount of pure death magic radiating off the two dead-alive people in that tank would be enough to mess with most electronics even if the veil weren’t practically non-existent.

“Somehow this place feels cozy,” Boston commented as he followed John.

“You would think so.”

The conversation on the comm was getting worse, the bugs were clearly slowly giving up the ghost. John only caught a few words here and there, and those were only because they were Ghost Speak, something that shouldn’t be possible for flesh and blood mouths to speak. It’s just bits and pieces, names and titles mostly, but if he’s understanding this right…

“Huh, that may change the situation a bit.”

“What are you going on about?” Boston asked.

“It sounds like Pariah isn’t the Ghost King anymore. But Batsy’s bugs are losing the war against æther, so when we get there you’re gonna need to go spy on them.”

“Will that work?”

“Try to keep out of sight, but even if you get caught the worst they’ll do is kick you out. Undead solidarity.”

Boston grumbled, but when John met back up with Batsy and Wonder Woman staring through a window right to where the group was talking, Boston did as he was asked and slipped right through the wall and inside. John cast a quick spell to spy through Boston.

Boston floated slowly into the room, seemingly becoming braver as the Fentons looked right past him without reacting. Unfortunately, he got a little too close to the one person in the room that could definitely see him. The kid jumped out of his seat in surprise.

“Don't sneak up on me like that!” The kid whined as he picked himself up off the floor. Then he froze, eyes glaring at Boston. “How did you sneak up on me? You didn't activate my ghost sense at all.”

“Oh, you can see me? And ghost sense?”

“You don't know who I am?”

“Uh… Daniel Fenton?”

“Well yes, but ghosts don't usually call me that.”

“Then what do they call you?”

“How about you tell me your name first?”

“I’m Deadman.”

The kid burst into laughter. “Are you for real?”

“Danny, is it Youngblood?” The sister asked.

“Huh?” The kid looked to his older sister, then back to Boston. He gestured, “You can't see him?”

The Fentons all shook their heads.

The creepy mayor came back into the room holding a cardboard box, knocking a thin layer of dust from the top. “Here it is!” He looked up and frowned. “Who are you, and why are you in my home?”

“I’m Deadman and I’m uh… lost?”

“He didn't set off my ghost sense,” the kid added. He turned back to Boston, “Are you even a ghost?”

Batman, who’d spent the last few minutes getting into the perfect position while he waited for the most dramatic moment chose then to crash through the window. John started cursing as he rushed to climb in after the loon, already prepping a spell. The moment he had a clear line of sight he shot off the revelation spell at the kid.

It did… well not much.

Really about all it did was give the kid a couple extra accessories. He expected them, but he also expected it to somehow reveal the kid’s undead status too. Make him look all glowy and ghostly like he had when he’d first arrived last night, because John was pretty sure the kid hadn’t been kidnapped after all. Or at least not how they originally assumed, he was pretty sure some spirits considered an unwilling summons a kidnapping.

Still, there the crown was. Just floating over the kid’s head, toxic green æther flames around it like a death energy aurora. And like any teenager the kid seemed completely oblivious, having to be told the crown was even there. Once he got a hand on it though he said something odd, “Okay, crown retrieved.”

John just tucked his hands in his pockets, waiting to see what they were doing. Why did they think they needed to find the crown?

“We may have a problem,” The creepy mayor said as he pulled an identical crown from his cardboard box.

“What.” The kid looked back and forth between the crown in his hand and the one in the creeper’s. “Why are there two?”

And, well, John agreed. Why the fuck were there two? He already started muttering an identification spell as the kid turned to him.

“What did you do?!”

“I didn't do anything,” John protested, “that was purely an identification spell, it can't duplicate things!”

“Well clearly you did something wrong,” The kid’s mom said while glaring at the him.

Of course things got dicey after that, the kid and the creepy mayor got into a fight over the second crown, things turned into a right mess, and John was quite content to let them squabble among themselves. He moved to go stand next to Batsy and Wonder Woman, Boston with him, waiting to see how this went.

Of course the tussle then turned into fighting over the ring on the kid’s finger, still blaming John for just revealing the crown and ring the kid had apparently had this whole time.

“Alright, that’s enough. Shut up!” John may have put a bit of intent into that, and it worked beautifully. The whole group stopped and stared at him, finally shutting up. The parents managed to get between the kid and the creeper, each one still with one of the crowns.

The crowns he now knew were both, somehow, legitimate.

John pointed at the kid, “Just call the crown, it’ll listen.”

The kid gave him a disbelieving look. “Oh sure, I’ll just,” he hunched forward a little bit, clapped his hands, and whistled like he was calling a dog, “here Crowny, Crowny, Crowny.”

For a brief moment nothing happened, then the creeper mayor jerked forward as the crown yanked itself from his hand. It went to go join the other crown floating over the kid’s head, one of them grew wider so the other could nestle inside it, both spinning in place but in opposite directions.

Everyone was staring at the display.

“What uh… what are they doing?” The kid asked nervously.

“They… like each other?” The sister asked skeptically.

“Great, wonderful, fabulous, just what I need in my life.” The kid sighed and turned to glare at John. “What. Did. You. DO?!”

“I didn’t do shit,” John replied, much to the parents’ combined horror. “Looks like somehow they’re both legit, my best guess is one of them isn’t from this timeline.”

“Oh,” the sister said, grabbing everyone’s attention. “The Nasty Burger explosion happened after the fight with the king, right?”

“The what?” the kid’s parents asked.

“Oh,” the kid responded, “I’m starting to see why the council of eyeballs hates my guts.”

And wasn’t that a concerning sentence. John desperately needed a drink, thankfully he had a flask on him and chose that moment to take a swig. “Alright, so there should be a second ring too, no point leaving that on Dark’s finger in case he gets out again.”

“Vlad did it,” the kid said while pointing at the creeper.

“Excuse me!” Creeper actually put a hand to his neck, like some fainting Victorian lady.

“Vlad tried to steal the ring and crown, so he let Dark out of the sarcophagus and I had to go clean up his mess, like always.” The kid glared at the creeper, it was starting to paint a really concerning picture.

“I’m sure Vladdie was just trying to keep these powerful artifacts safe,” the kid’s dad said loudly and happily. Yeah, there was the concerning picture again.

“I’d believe it if all he took was the ring, but the crown was safely sealed away with Pariah and he let the guy out to steal it.”

“Just call the ring,” John said gruffly.

“Here Ragey, Ragey, Ragey.” The kid whistled and clapped his hands again. The ring showing up on the kid’s other hand was expected, the glowing green hell hound that came sprinting through the wall and practically tackled the kid wasn’t. “Cujo! Hi! Who’s a good puppy?!”

Keeriest, John needed a stiffer drink.

[fairytaleendingss]

Room for One More?

Chapter 7

Summary: The group Christmas party takes a few unexpected turns.

CW: Swearing, alcohol consumption, mention of boobs?, sexual references.

Pairing: Poly!Marauders x fem!reader

Chapter 1, Chapter 2, Chapter 3, Chapter 4, Chapter 5, Chapter 6

So I may have stayed up until 2am finishing this last night so that I could have it posted on schedule but it also might be my favourite chapter so far!

--

The apartment looked amazing. You'd gone all out with decorating in preparation for this evening's Christmas party. There were lights and candelabras adorning just about every available surface in the room. A garland was laid out across the TV stand and the table was set with your favourite Christmas place setting. You'd even hung mistletoe in the entryway.

You looked yourself over in the mirror once more. You were dressed in your brand new dress, your hair pinned up in a simple, yet elegant updo and you're favourite red lipstick coated your lips. It was important to you that you made a good impression tonight. Despite having already spent a significant amount of time with the group, this was your first time hosting and you'd put a lot of effort into making it perfect.

You took one last deep breath, adjusting your dress slightly where it sat on your shoulders and stealed yourself for an entrance.

The smooth notes of "Last Christmas" filled the air around you as you pushed open the bedroom door. You could hear voices drifitng from the living room. Your guests had arrived.

Exiting the comforting confines of your room, you couldn't help the nerves that wracked through you. That was only amplified when eyes fell upon your form.

"Oh my god!"

Mary was the first to speak, exclaiming loudly with that endearing enthusiasm that she always seemed to exude.

"You look incredible!"

She charged towards you and engulfed you in a warm embrace. You melted into her touch, her excitement helping to ease your nerves ever so slightly.

"Thanks, Mary. So do you!" you told her earnestly. She looked stunning in a silky, red, wrap dress.

"And look at this place!" she continued, pulling away and gesturing around the room. "Did you do this?"

"I had some help," you responded, glancing over at Sirius and James. They were standing beside the tree, chatting to Peter with drinks in hand.

It was at that moment that Sirius looked over to you and his eyes almost bulged fair out of his skull at the sight. He blinked at you senselessly for a moment, completely zoning out of the conversation he'd previously been a part of you. You chuckled lightly, winking and sending him a flirtatious wave across the room.

Unbeknownst to you, Mary was observing the interaction, a curious look of suspicion crossing her features.

"Well, then," She stated after a moment. "Shall we get you a drink?"

You nodded, smiling back at her. "I'd love that."

The two of you linked arms as you headed into the kitchen. Sirius' gaze followed you the whole way there.

--

The room was filled with people dancing and laughing and drinking. The party so far seemed to be a smashing success. You were sitting on the couch, positioned next to Lily while Dorcas sat on the oveseat, Marlene huddled in her lap. Mary was perched on the coffee table, engrossed deeply in a story about a man who'd attempted to ask her on a date in a bookshop earlier that week.

"I could tell he was hovering," she explained. "But I chose to ignore him for the most part. I was in the Crime and Thriller aisle when he approached and I kid you not, he looked me dead in the eyes and said 'I have a library card, can I check you out?'".

The group erupted into fits of laughter.

"But you weren't even in a library! It was a book shop right? That doesn't even make any sense!" Dorcas pointed out.

"I know!" Mary chuckled. "I just looked at him like he was crazy and told him I'm seeing someone. Not that I would've ever gone out with him even if I wasn't!"

"Ugh, men are ridiculous," Marlene remarked. "Luckily for me, they aren't something I have to worry about."

She leaned up and planted a sloppy kiss on Dorcas' cheek causing the girl to flinch away and groan dramatically, eliciting another ripple of laughter.

You took a sip of your cocktail. It was lovely and sweet; a combination of gin, prosecco and canberry juice. Mary had insisted on making them for the party. She called it a "Gin-gle Bell Fizz."

"So, y/n," Suddenly attention was on you as Lily piped up from your right. "Have you been seeing anyone recently?"

You inhaled sharply, accidentally swallowing wrong and causing yourself to sputter for a moment as you placed your glass down on the table.

"Oh no. Not at all," you chuckled, once you'd managed to regain your breath. "I've been lacking in the area of romance for quite some time, honestly."

"Really?" Dorcas pressed, and you nodded sheepishly.

"I'm surprised to hear you say that," Lily respoded kindly. You were sure that in the time you'd known her, you'd discovered the lovliest person on the planet. "You're so beautiful! Anyone would be lucky to have you!"

"I concur!" Marlene agreed. "You're a hit, babe. It's only a matter of time. I'm sure half of London has the hots for you by now."

You chuckled lightly. "Thanks everyone. Careful or you'll give me an ego."

"Don't worry. No matter how inflated it gets, it'll surely never be as large as James'," Dorcas announced, prompting another round of laughter.

"What's as large as me?"

As if on cue, James appeared behind you, leaning down over the couch so that his head was pertruding into your conversation.

"We were just talking about how hot, y/n is," Marlene chirped.

"Well you aren't wrong there," James smirked. "What'dya think I bought her that dress for?"

Mary raised a brow. "You bought her that, did you?"

He winked at her slyly. "Call it an early Christmas gift."

That's when Sirius appeared, Remus by his side.

"Speaking of gifts," he chimed in. "Who's ready for Secret Santa?"

"Oooh yes!"

That came from Peter, who was just returning from the kitchen with drinks for himself and Sybil.

"I call Santa!" James exclaimed, jumping up from his spot and rushing towards the tree as everyone took their seats.

__

"What on earth is this?"

James was surpressing a laugh as he ripped the last of the wrapping paper from his gift.

"They're shot glasses!" Marlene exclaimed as if that much wasn't obvious. She was leaning back in her chair, arms folded and a smug smirk across her face.

"They have tits!"

"I know! Classy aren't they?"

He held one of the glasses up so everyone could see and sure enough, they were shaped like the curves of a female body. You couldn't help but chuckle at the absurdity of the gift.

"And there are four in there, so each of you boys can use one," Marlene stated. "You know, just in case you were forgetting what they looked like-"

"Oh come off it!" Sirius responded, giving Marlene a playful shove from where he sat beside her as she giggled. "I get plenty of action, thank you very much. I'm the lead singer of a band, remember?"

She shrugged. "Sure, sure. Whatever helps you sleep at night!"

"Okay next!" James shouted, sitting his gift aside and rumaging once again under the tree. After a moment he retreated, his lop-sided santa hat (that he'd insisted on wearing) snagging on one of the branches and causing everyone to burst into a flurry of laughter.

"Alright," he announced once his hat was righted. "This one is for y/n!"

He passed you the gift, a small box wrapped in shiny gold wrapping. Excitedly, you pulled off the bow and began to tear into the paper, all eyes on you as the gift was unvailed.

Inside was a small, red box. On top of it was a tag, decorarted with the words, "For your new beginning here with us."

You pulled it open and couldn't stop yourself from gasping at what was inside.

It was a gold necklace with an ornate dragonfly charm, one that matched almost exactly with the orament on your tree. You pulled it out to inspect it closer.

"Oh my god! This is beautiful!"

Your eyes scanned the circle of people, looking for an indication of who might have given you the gift. You knew that your roommates were the only ones who new about your Christmas ornament so it had to be one of them. You already knew that James had Mary so that just left... Sirius. It had to be Sirius.

It made sense now as to why he didn't want to help you with your shopping. He apparently didn't want to give anything away.

You caught his eye across the room and sent him a genuine smile. One which he returned. You're heart felt fuzzy at the sentiment.

--

Secret Santa had been a hit, if you did say so yourself. Dorcas had absolutely fawned over the set of paintbrushes you'd gotten her and everyone else seemed reasonably satisfied with their presents.

You then sat down to eat dinner, and having each brought a plate of food, the meal seemed decently well-rounded. As you tucked into the turkey James had prepared, you said a silent prayer of thanks that you hadn't been made to serve this entire group. Let's just say you were a much better party host then caterer.

After dinner, your guests had retired to the couch where slightly tipsy game of 'Cards Against Humanity' had commenced (at Sirius' request, of course. According to Marlene, he'd been pulling that game out at every group gathering since high-school.)

You and Peter had volunteered to tidy up the plates before you joined them and ended up in a surprisingly interesting dicussion about the Botany course he'd briefly taken during University.

Towards the end of the conversation, you'd recieved a message from your Mum double checking the dates for your Christmas visit and you realised that your phone was down to 10%.

"Could you excuse me for a moment?" You asked Peter as you placed the last of the dishes in the dishwasher.

"Sure," he nodded gently. "If we're finished up here, I'll go join the others."

"Yeah, go for it. I'll be there in a second," you told him and quickly ventured down the hallway with the intent of plugging your phone in in your bedroom.

You responded to your Mum's message on the way and absentmindedly threw the door of your room open without even thinking to knock.

"Oh my god!" you shouted as you entered.

Mary and Lily pulled away from each other in a flash, from where they'd been interlocked in a passionate kiss only a moment prior.

Mary shushed you quickly, pulling you into the room and Lily rushed to push the door closed.

You all fell silent for a moment, listening as to whether anyone outside had heard you, however, a ripple of laughter told you that they were still absorbed in the game.

"What the hell?" you questioned, eyes wide as you looked between the two of them. Lily looked extremely embarassed, her face almost as red as her hair as she bit her lower lip.

Mary, on the other hand, just shrugged. "Surprise, I guess?"

"Are you two together?" You questioned, still trying to process the scene unfoldng before you. A realisation dawned on you a second later. "Mary, is Lily who you've been secretely seeing?"

Mary sighed, taking a seat on your bed as she thought over her next words carefully. "I wanted to tell you. We just weren't ready for it to come out in the group yet. We didn't want to make it a whole big thing."

You nodded thoughtfully, taking a seat on the bed beside her. Lily stood in front of you, fiddling with the rings on her fingers nervously.

"This is kind of new to us," she gestured between them and instantly you understood what she was referring to. "And we're still just figuring everything out."

You gave her a small smile, eyes drifting between the two girls. "Well... I'm really happy for you. You guys are a good match."

Mary smiled, wrapping a friendly arm around your shoulder. Lily seemed to relax a little.

"Thanks, girl," Marry said softly. "We appreciate that."

It was then that another, more invasive thought entered your mind.

"Oh god, Lily. James is going to freak out! He's been pining after you since forever!"

Lily let out a lofty sigh, looking immensely guilty. "I know. Which is why you can't tell him, okay? Or anyone."

You furrowed your brows. "Of course I won't tell anyone... but guys, these are your best friends. You can't keep sneaking around forever. You're going to have to tell them at some point."

"We know," Mary muttered. "We're just trying to figure out the right time to do it."

"But we promise we will," Lily added. "Soon. I mean, someone was bound to catch us sooner or later."

"Although, I'm glad it was you and not Sirius," Mary joked. "He cant keep a secret to save his life. Especially from James."

You chuckled lightly. "Yeah, you're right about that."

"So... you're really okay with all this?" Lily questioned. You could tell on her face that she was worried about putting you in an uncomforable situation.

You sighed and sent her a small smile. "Yeah of course. It's not my place to tell anyone about your personal situations. You have to do that when you're ready."

"Thanks, hun, you're the best!" Mary exclaimed, wrapping her arms around your shoulders and pulling you into a sideways hug.

You just chuckled as Lily gave you a warm smile.

"And just so you know, I think you guys make a really cute couple."

Lily turned bright red once more.

--

A few hours later, the party drew to a close. Peter and Sybil were the first to leave, followed shortly after by Dorcas and Marlene.

You said goodbye to Mary and Lily around 1am and the four of you who lived at the apartment stayed up a little while longer to tidy up before you went to bed.

Remus said goodnight earlier than the rest of you, as he was having trouble with his knee again. And you sent James off after him when you noticed how his eyes were falling shut while he was picking up wrapping paper.

Eventually, you and Sirius were all that was left. It was the dead of night by that point, and the city had grown silent. There was something peaceful about it, you observed, being awake while the rest of the world was sleeping. For a moment, it felt like you were the only two people in the world.

Sirius smiled when he caught you gazing out of the widow at the cityscape. There were a few cars still driving on the road below, a few stray lights on in apartment windows, a few little signs of life peering through an otherwise silent metropolis.

Sirius approached you slowly, coming to stand behind you as you looked out at the night-covered skyline.

"What are you thinking about?" He asked softly. His warm breath fanned the back of your neck.

"Those people down there, driving," you responded. "I wonder where they're going?"

Sirius chuckled. It was a deep, rich sound that welled from somewhere in his chest.

"It's a bit late for a drive, you'd think."

You hummed in response. "Isn't it odd to think about how life doesn't just exist around you?"

Sirius frowned. "What do you mean?"

You shrugged. "Like, the idea that every single person that you see through their apartment window, or pass on the street, or who's driving one of those cars down there, is living their own individual life. They each have their own stories; their own friends and family and lovers. There's just so many people in the world and most of them, we'll never cross paths with even once."

Sirius pursed his lips. "Wow. That is odd. I can't say I've ever really thought of it like that."

You turned around towards him, the countours of your face highlited in the dim lamp-light.

"Don't you ever wonder about your fans? Who they are? What their life is like? To think that there could be all these people out there listening to the music you created, and you may never even know their names."

Sirius pushed a low breath from his lips. "What a philosophical way to end a Christmas party."

You scoffed loudly and rolled your eyes. "Sorry to ruin the mood."

"It's no problem, love. As long as you had a fun time."

He placed his large hands on your upper arms and you couldn't fight the smile that arose. "I had a wonderful time. Did you?"

He returned your smile. "Best Christmas party yet!"

You giggled softely and he placed a kiss on your forehead. "Come on, it's getting late. We should head to bed."

You nodded and pulled away to gather your things. As you did so, your eyes fell on the box containing the necklace you'd recieved for Secret Santa. Another smile graced your lips at the sight of it.

"Hey Sirius?" You called out, just as the boy began to head towards his bedroom door.

"Yeah, doll?"

"I just wanted to say, thank you so much for your gift. It's so wonderful and thoughtful. I absolutely love it!"

A slight frown came over Sirius' face. "Uh... as much as i'd love to take the credit for it, I didn't get that for you."

Your brows furrowed. "Really?"

Sirius shrugged. "Sorry. I had Remus."

"Well then who..."

Your question trailed off as your eyes fluttered to the aformentioned man's door. No. Surely not. It couldn't be!

Remus?

He'd never get you a gift that thoughtful... would he?

You looked down at the necklace as Sirius bid you a final goodnight. Your finger gently drifted over the dragonfly pendent and then to the note that was stuck to the top of the box.

"For your new beginning here with us."

--

Taglist:

@hisparentsgallerryy @navs-bhat @shushbruv @magicwithaknife @eeviee4 @notapoetjustscar @gugggu6gvai @robertsmithclone @ilovesugurugeto69 @taytayy178 @its-notkiee @bugworldsworld @switchingfandomslikecrazy @evangelquill, @delusional-4-fake-people

[nagaytoe]

THE KID AT THE BACK

-theories

Did i sit down and analyze this game for 3 hours straight because I'm hyperfixated on it? Yes, yes i did.

This isnt proof-read and long as hell so buckle up for a joyride, y'all (by the way, there's another TKATB fanfic in the works as we speak and also some fanart, though I'm not sure wether to post it or not... well, we'll see!)

Some of these might not seem all too thought through (??) Since i was kind of grasping at straws here (and it was like 2 a.m. lmao), so if y'all have questions/need me to elaborate or have theories of your own feel free to share!

(There's some inspiration here from other people in the Fandom, most of them from the community section on itch.io which isnt available any more)

Sol knows the player longer than we think

My theory ->

-Fantasia stated that one of her 3 biggest inspirations was the game AMNESIA

-In amnesia the mc loses her memory in an accident. One of the love interests is her childhood friend and also the only yandere in the game (at least from what i could find out)

-She already drew Sol with Forget-me-nots and in the valentines day special the boquet sol gave us also contained Forget-me-nots

-In the book (this gallery thing with all the cutscene images) on the top of sols page is written 'Remember Me' which implies we forgot about him

-Annabel Lee Poem:

+The poem contains the line 'I was a child, she was a child' which furthermore implies that Sol and MC knew each other as kids

+Except for the last two paragraphs the poem is written in past tense, which could be talking about sols POV with us

Perhaps MC had an accident, as mentioned above, and MCs father (highborn kinsmen) tore MC away from Sol to the countryside

+The poem mentions angels killing annabel lee which could also mean something like this: MC doesnt die but, however, gets amnesia. That way, the MC sol knows and loves is dead because MC no longer exists the way MC did before (also the fact that she forgot him)

Some people theorize MCs farm is near the sea and that is the reason why sol hates the sea (i believe the city is near the sea and that's where MC 'died' (maybe MC almost drowned and got Amnesia that way?(apparently its possible for people who almost drowned to get amnesia)))

+"The speaker loves annabel lee to the point of death and even after death" (MCs view how to interpret the poem) (-> Sol loves MC to 'death' (the day they got amnesia) and even after 'death' (after MC got amnesia and 'died' in a sense, as a person))

-sol says he thinks death is beautiful, i didn't really know what to make of that, the only conclusion i came to would be: If MC actually did drown and lose their memories due to that, sol might have been involved in MC drowning (or at least blames himself for that) but viewed MC losing their memories as a 'second chance' with them, since they can start from anew (perhaps he made some mistakes with MC in the past which all eventually built up to MC drowning (it could be that we were already teens at that point)

-sol states afterwards: "But people refused them to let them be together, as if fate refuses them to die together" which supports my theory that MC was taken from Sol by someone (most likely the father after he witnessed Sols behaviour and his final straw was MC drowning because of him) the 'let them die together' could mean something like their relationship 'dying' and then starting over again or perhaps he tried to die with them, who knows (all this is really far fetched i am grasping at straws here lmao)

-in a really quick scene right after he mutters "I'm won't let it happen to me... not again" (some people view this as Sol already lost someone he loved dearly but it could also be the MC who was taken from him

ANOTHER THING I COULD IMAGINE -ABOUT DYING TOGETHER COULD BE:

MC almost died, Sol went after them but they were already saved, Sol just didnt witness that and almost died himself/wanted to die but was saved from that by someone (maybe hyugo? Though, he is an exchange student)

-Another theory on hyugo. It's canon that he is an exchange student, however i do believe he is from this city (since he knows about the hierarchy and his brother Geo apparently is no exchange student), moved away and is now back for business (relating to his 'mafia schemes' but under the disguise of being an exchange student)

Maybe he moved around the same time MC left or some time after that

-Hyugo mentions on the rooftop that we remind him of someone and the pronoun of the person he refers to changes based on the one the player picked for the MC in the beginning. It could mean we remind him of someone else entirely, someone maybe not even related to sol (though i doubt that) or to the MC and he knows them from back then but maybe thought MC died as well and cant believe they actually survived (maybe he want to spike MCs memory by doing that)

-A dream within a dream: MC mentions that this poem, at least to them, talks about the uncertainty about something, like life (which could also imply that they might be uncertain about some things in their mife because they simply forgot them due to amnesia)

-THE SECOND DAY 'THE KINGDOM'

+some people think the kingdom (by the sea) refers to MCs farm and implies its near the sea, however in day 2 we find out about the hierarchy in the city and considering my theory that MC actually is from the city and almost drowned there, i believe the kingdom by the sea is the city. MC does mention in the beginning that they lived on the farm ever since they were a child, however, it could very well be that we moved there right after the incident that caused MCs amnesia (if MC was akid when it happened it would really matter because then it would still fit with the fact that they lived there since theyre a child, however if they were already a teen, perhaps the father moved there immediately to cut off all ties to Sol and told us we have always lived there on top of that (considering the previous theories)

The father also didnt seem fond of the idea that we go to the city (the fact that he is is indebted to someone from high class could imply he might be from there), that could be because he knows how dangerous the city is (and how we could potentially meet sol again)

-maybe the reason for the debt is that MCs father suddenly bought the farm land to get us away from the city as soon as possible and had to take on a loan from one of his contacts in the city

-we know that this is MCs last year at the university, if we say shes minimum 22, and was already in the school for 4 years that would mean she got there at 18. If the 'drowning theory' events took place when MC was a teen (like 16 maybe) it would explain why the father was indebted (i also think 2 years is an believable timeframe a higher class person would give someone to pay off their debt)

-at the end of day 2 sol says he's sorry for leaving us and "i dont know what I'll do if..." which supports my theory that he lost us once (and he blames himself as the reason (again, MC drowning?))

-inspirations:

+ https://www.tumblr.com/sweet-herbal-peach-tea/746168072919023616/tkatb-theories?source=share

+ https://itch.io/t/3749638/whats-the-secret-between-hyugo-and-sol

Another theory:

Sleepy Hollow and The kid at the back

-In the nicknames the boys have for MC (fantasia released that on twitter and tumblr) sol calls MC pumpkin (like the pumpkin of the headless horseman (also in the gallery there is a pumpkin above the book)) and Crowe calls them '(star-crossed) lover'

Star-crossed lovers are people who love each other but can't be together

I believe this might imply that, even though Crowe is the second romance option, MC can't be with him no matter what they do

I also found out that the nickname is a phrase from romeo and juliet (which furthermore implies crowe will die)

We know what romeo and juliet is about: romeo and juliet cant be together because their families are enemies (some people believe Crowes father might be them man MCs father owes money to(i personally doubt thah though but it would support this romeo and juliet situation)) and at the end romeo thinks that juliet died, kills himself and then juliet turns out to not be dead but kills herself after seeing romeo dead

-Jericho Ichabod is a character from Sleepy Hollow, along Katrina (the FMC who owns a farm (what a coincidence)) and Brom Bones (its implied he is the headless horseman). In the story, jericho courts Katrina at a party, she rejects him and on his way home the headless horseman kills him (in the scene where Sol accompanies MC to class he says 'it's always been you ichabod' which could furthermore imply that crowe or his family have something do to with the fact that Sol and MC arent together)

In the library scene with Crowe he asks MC about their opinion on marie Antoinette and when MC says something negative about her, his reaction seems kind of strange. MC also brought a book about torture devices and execution methods and in that book is a picture of 'The Executioner' and he has scars on his arms, wears a mask and a chained collar. This correlates with some of sols features. He has scars on his arms (as seen in one of fantasias drawings), wears a chocker (he also wears a mask when he breaks into MCs room but that's really something anyone who does that would do). This implies even more that he will kill crowe.

[iscdisc]

Anyone who's familiar with my content on Insta / TikTok most likely already knows about this theory (But I guess you could consider it an AU of sorts??) that I have with 2012 Donatello post, "The Power Inside Her" (And yes, the only reason why I drew this / am talking about this is because of my previous post about Za-Naron, okay- Lmao) ! But because I haven't brought this to Tumblr, I'm talking about it again- 👍✨

Before I get into it, I want to preface this whole thing by saying that I fully acknowledge that this all could just be writing issues / faults with the writers and their lack of properly explaining anything or giving prior context to certain relationships / dynamics. I just want to get that out of the way immediately, since I understand some people brushing these things off as one of 2012's many notorious writing issues-

BUT.

I wholeheartedly believe that it's entirely possible that the Donatello we follow after the events of, "The Power Inside Her" is not actually the real Donatello at all and the real Donatello that we have been following before this episode legitimately perished. And let me explain why I say this- 👀

First of all, I want to establish some foundation for this possibility by pointing us in the direction of the episode, "Bat in the Belfry". During this episode, Mikey (Alongside Casey-) end up giving Wingnut and Screwloose temporary sentient life (With this only being temporary given the events of the episode-). Wingnut and Screwloose are previously established in this episode to be comic book characters / fictional characters, they were never real to begin with. Yet despite the fact that they have no prior existence physically or in any capacity of reality, the Aeon's power (Za-Naron's power-) was able to fully give them life and an established sense of self. We see throughout the episode that Wingnut and Screwloose fully believe that they're alive and well, not understanding when Mikey and Casey constantly try to inform them that they are just comic book characters and aren't actually real the way that they perceive themselves to be real. We also see the Aeon crystal / Za-Naron give sentient life to one of the villains from the same comic (Which is why I included a picture of that as well-), and we too can see that this villain acknowledges its existence, since it carries out it's normal activities as if nothing is strange about its situation at all.

I'm laying this as the foundation for this theory, because my main point with bringing this up is that the "fake" (you could say) Donatello would have no reason to question his existence or believe that he is not who he is. You know what I mean?

Another reason why I believe "fake" Donnie wouldn't question his existence is because the Aeon Crystal doesn't exist anymore by the time he comes into the picture "once again", which is another point that I'm going to get into right now.

The only reason why Wingnut and Screwloose became aware of their predicament / fully accepted the fact that they weren't real is because they were exposed to the crystal and its seemingly overwhelming energy. As you can see in the picture I provided, they became very distorted and deranged after being exposed to this. But with this "fake" Donatello, there's nothing Aeon related for him to be exposed to.

During the last minutes of, "The Power Inside Her", we see April use what was left of the crystal (Since she had broken it prior as a means of freeing Za-Naron / freeing herself from Za-Naron's control-) to bring Donnie back into existence. But that's exactly why I have this theory?? Not only is bringing somebody back to life an almost impossible feat, even for April (Which I know the show says that Donnie was simply molecularly scattered and not actually GONE gone, but I don't buy that for a second / I feel like they only said that to make the situation a little more "kid friendly". in my opinion, that dude perished, okay. LMAO), but I don't even think that the Aeons abilities are even capable of something like that. Returning life or performing resurrection is such a complicated issue, and I feel like the Aeons themselves would acknowledge that it's not as simple as just "bringing somebody back".

So because I don't think this is something that falls under the scope of what Aeons are genuinely capable of doing, on top of the fact that we've seen the crystal give sentient life to things that technically did not exist before this episode, I fully believe that the Donnie that we see get "brought back to life" by April is not actually him- Instead, this is a physical manifestation of how April remembers him being or essentially a Donnie that was "created" from her memories of him / experiences with him.

Point number three as to why I think this is not the real Donnie and instead a "fake" Donnie. April's relationship with Donatello drastically changes after this episode (At least, in my opinion-). Going back to when she "brought Donnie back to life", I wouldn't be surprised if she was envisioning all of the more positive interactions that she's had with him in the past and a lot of the attributes that she enjoyed from him, rather than the negative ones (i.e. Him disrespecting her boundaries a lot, him disrespecting her autonomy as a person, him stalking her, him constantly getting in between her and other people /primarily Casey but I digress- /, him feeling entitled to her as a person, him giving her pet names that made her uncomfortable and she clearly expressed that / Which this is kind of a niche example, but during one of the Xbox / PS3 videogame titles for this series, there's a dialogue cutscene where Donnie calls her his, "Chinchilla" for the first time I think?? But April very clearly expressed discomfort with that and asked him not to say that about her. Which it really pisses me off that he does it again in Season 3 when she's UNCONSCIOUS, and this game came out either during Season 1 or when Season 2 was airing- Like it's an old game. 💀 /, etc.), especially given that what caused her to break free from Za-Naron's control was Raph telling April to remember Donnie. During that montage, there were a lot of happier moments with Donatello.

I don't think it would be far-fetched to say that she essentially created her "perfect" or ideal version of him as a person-?? And I feel like this is heavily reflected through their dynamic post this episode.

April's not off-putted by some of his kind / caring gestures (Like the image example I provided above, such as him putting his hand on her back-).

During moments of intense grieving and stress, Donatello is giving her space and not hovering around her like he was more prone to doing in the past (In my opinion-).

Instead of it feeling incredibly forced by the writers, April being in close proximity to Donnie feels like a choice she's actively making or okay with. Prior to this, (to me) it felt like the writers would just put April in the same space as Donnie simply because they were pushing this romantic narrative between them. The numerous times that Donnie would have April in his lab during Seasons 1-2 gave off a vibe like he either pressured her to be there or it just felt difficult for her to decline-? Especially since there was a lot going on with her Father during both of these Seasons, and instead of that feeling like a reason she would want to be there on her own, it felt like an excuse to force her to be there- Does that make sense? Not to mention Donnie always being by her side coming across like he was crowding April instead of her actively wanting him there.

Donnie is more actively giving April her space at the same time too / not reacting when Casey is in closer proximity to her than himself. I'm not saying that this technically didn't occur before the aftermath of, "The Power Inside Her", but it just feels different now- I don't know how else to explain that.

I'm telling you right now, this moment from, "When World's Collide (Part 1)" is the first time I've seen them on screen acting this way. There has never been a moment like this one before, where April is joking around and laughing with Donnie and just being overall silly?? 2012 has never done something like this with these two on screen.

All of these instances lead me to believe that April (unintentionally) created her most ideal version of Donatello as a person. Taking away all the things that she didn't like or (rightfully) felt uncomfortable by, and only leaving the characteristics that she did enjoy about him. Which would obviously result in her having a much healthier / drastically improved dynamic with him moving forward.

There's also was only one moment that I feel Donnie was "weird" towards April again like he was in the past, but it didn't last long at all and it only happened once during Season 5 ("The Curse of Savanti Romero"-).

Another thing that I feel supports this theory is his relationship with Casey. From Season 3 to 4, it really felt like Donnie and Casey were forming a much better dynamic / their friendship had a steady progression. Sure, Donnie would still get annoyed with Casey from time to time, but it felt obvious that he viewed Casey as more of a friend / ally than a rival / "threat". Casey would also actively go out of his way to be around Donnie physically more, which I feel was a good sign of their friendship moving in a more positive direction. But then we get to "Tokka vs. The World", which takes place almost immediately after the events of, "The Power Inside Her" and it suddenly feels like Donnie's friendship progression with Casey just vanishes-?? Their dynamic feels like they're back in Season 2 again, minus the constant arguing about April (At least, from Donnie's perspective-).

A lot of the moments that we get with them during Season 5 kind of reinforce this for me. Donnie's reaction to Casey suggesting they get their hands on a couple of tanks during, "Scroll of the Demodragon", Donnie and Casey essentially arguing about how to deal with Kavaxas during, "The Forgotten Swordsman", Donnie's response to Casey in regards to his ghostbuster rip off inventions and how Donnie went out of his way to say everyone will get one except Casey during, "End Times"- Like, it really does feel as if their relationship regressed after the events of, "The Power Inside Her"- And while that does upset me, since as you all probably know by now I love those two to death, it does make complete sense in relation to this theory of this Donatello being "fake".

All of the progress and dynamic / friendship development Donnie and Casey went through? April was not privy to that. Like, at all. If my theory holds up and April did (unintentionally) "create" or manifest a version of Donatello from her memories of him using the remaining power of the Aeon crystal, then it would absolutely make sense why Donnie is treating Casey the way that he is during Season 5. I'm not saying that April didn't notice or acknowledge that they had a better relationship before the events of, "The Power Inside Her" happened, but she didn't know where that better relationship came from. So if April doesn't know, then obviously the Donnie that she (unintentionally) "created" wouldn't know either- Therefore, there wouldn't be a reason for him to have a better relationship with Casey / there would be no reason why he wouldn't continue viewing him in a similar way to how he did during Season 2. AKA, when he first met him / when Casey first came into their lives.

There are other parts of this theory that are definitely more speculative on my part, such as Donnie not having any memories of events that April wasn't there for- So for example, if the brothers are reminiscing about the Mousers predicament from Season 1, the "fake" Donnie would be confused and not know what they're talking about because April wasn't aware of that situation / probably only heard it through word of mouth if anything- Clearly nothing like this happened in late Season 4 to early Season 5 to support that kind of thing, but there also isn't any evidence to disprove it either. I just think it would be interesting for that to be one of the biggest tells as far as everyone else having their doubts about whether or not the Donatello they see before them is actually the legitimate one-!

This theory also makes me really sad as far as Casey and Donnie goes, because it really does feel like Donnie had to sacrifice one developing friendship for another. Like sure, his dynamic with Casey is all fucked up. but at least he has a better one with April now- 💀 Lmao || There could totally be some holes in this theory, I'm not going to deny that ! But so far, I think it kind of holds up and I just thought I'd share that today- 👍✨ Lmao

(There were so many more screenshot examples that I wanted to give, but I didn't know you can only include 10 pictures in a post- 😭)

Edit: I don't know why it took me so long to notice this, and I feel so bad because I do have a habit of mixing up the placement of certain episodes sometimes-! 😭

I just realized that my points with the episodes of, "The Super Shredder" and, "Darkest Plight" in regards to April and Donnie's relationship having a drastic shift are a little invalid, since I always forget that those episodes took place before, "The Power Inside Her"- I don't know how I forget something like that, but I did, clearly,, 💀 / However, I feel like you can glean some significant differences in how those two interact during, "Requiem" and "Owari" (Which I mentioned in my reblog post for this theory alongside screenshots-) and basically Season 5 as a whole ! So my point still holds up there at least-! I don't know if you could find anything significant with April and Donnie from the episode, "Tale of TigerClaw" personally, but maybe that one can count too? 👍 Lmao

[verdantmeadows]

So, in case you haven't heard...

Penny, from Scarlet and Violet is officially related to both Peony and Peonia (and, well, Rose too, since he'd be her uncle)! Peony is her father, and Peonia is her sister.

For those unaware, this is Peony.

And this is Peonia!

The woman in this image is (presumably) their mother (unless Penny is a half-sibling or adopted, which I don't think is the case).

And let me just say, this makes me so, so happy, seeing this visual/genetic diversity in a family.

So many people are completely ignorant to how genetics and biracial people can exist and have their genes expressed. Two siblings from a biracial couple, such as a black and white person, can look totally different. One could have curly hair and one could have straight! One could be super light-skinned and the other dark-skinned! Two kids from two parents doesn't mean that they necessarily just get a "mix" of how they both look.

Seeing this represented makes me so happy. I really hope more people realize just how different siblings from interracial couples can look. I really hope people don't erase this aspect of Penny's character, or think that she doesn't look Black enough or enough like a POC.

For a real life example, here are a pair of biracial twins!

(Lucy and Maria Aylmer)

So, basically, the point of this post is this:

Penny is Peonia's sister and Peony's daughter! This was my headcanon for a while, considering her name is Penny and based on Peony, but seeing it confirmed makes me so happy. I want this post to end on the note to inform people that biracial people can look like this. Biracial people can pass completely as white. White-passing biracial people can have dark-skinned parents and family members. Biracial people don't owe you passing as their ethnicity and the ethnicity/race of their family.

Please embrace this aspect of Penny and learn what being biracial can look like! Understand, acknowledge, and accept how biracial people can look! I've already seen people frustrated that Penny doesn't look "Black enough" or saying that her design makes no sense, or that she couldn't possibly be Peony's daughter, which is already a huge issue for REAL LIFE BLACK PEOPLE, who are told this!!! Even if you don't realize it, these thoughts and ideas ARE racist to have. How you view people when they're not real can often be indicative of how you treat them when they ARE real!

I hope that if you didn't already know these things, that you don't feel bad about it, and instead come away with new knowledge and understanding!

Edit: Also she could just be adopted? I meant to say that in this post and forgot. Like, adoption is a thing. Like, we know that Bede was an orphan and all... (I however don't think she was adopted based on her visual similarities)

Additional edit: I'm not trying to imply that their family is Black, either—I mentioned Black biracial families as an example, and also mentioned it at the end because I specifically made this post in response to people saying Penny "isn't black enough" and directing their racism towards Black biracial families. In all likelihood, their family is probably implied to be the Pokémon equivalent of Indian.

Other additional edit: Dialogue in game

Penny also frequently refers to her dad's behaviors that align with how Peony behaves

[jingler]

Wizard101 Pov: you're scrolling on spiralblr some point around arc 2

0 notes

👀 lail-brighteyes Follow

I'm never going on a field trip again THEY PUT ME IN A FUCKIBG ZOO

🌈 gayrizzleheim Follow

A field trip to a zoo doesn't seem too bad??

👀 lail-brighteyes Follow

No you misheard me. I'm not at the zoo, I'm in the zoo. As in, I'm in one of the cages and people are taking pictures of me.

35 notes

🏡 chillin-like-a-titon Follow

Can there stop being attacks on the spiral for FIVE FUCKING MINUTES????

140.1k notes

✅️ wiz-polls-daily Follow

8,341 notes

🪦 is-malistaire-dead-yet Follow

YES.

🪦 is-malistaire-dead-yet Follow

ARE YOU FUCKING KIDDING ME

33.2k notes

🌋 spawnofhellhound Follow

Idk if I'm just dumb but I truly don't understand colonization in the spiral. Like you travel through time and space and through the stars and find an entirely different world doing just fine and you say, "that's mine now" ???????

🕶 beyondbonetts-deactivated

spiralblr simplifying and overexageratting other worlds' problems. why am I not surprised.

🐠 luckyhooker Follow

🕶 beyondbonetts-deactivated

NOT WHAT WE'RE CALLED

12.3k notes

⚰️ wolf-deathsinger Follow

stopped by the back of ravenwood for the first time in a while and malorn ashthorn was there still lmao I guess it makes sense for the younger students to be taught there so they don't have to go all the way to nightside but what a flashback

☠️ malice-and-ash Follow

If you think I'm mentally prepared to take on the real world after Ravenswood you got another thing coming. I'm guarding that pit til I die.

⚰️ wolf-deathsinger Follow

ok first of all didnt know you have spiralblr hi second of all does....does ambrose know you're still squatting there teaching the younger students?

☠️ malice-and-ash Follow

Titan knows. I don't think that man leaves his office. I get a sack of gold each month but I think gamma is in charge of finance.

🧙‍♂️ wizardstrong456 Follow

The owl? That's why my student loans got fucked up 🤦‍♂️

🪸 coral-oceanswimmer Follow

ew, what is a specieist doing here

99 notes

🕶 beyondbonetts-deactivated

I am sick and tired of all you pretend activists calling me marleyboner. It's literally a slur. Idc if you think it's funny to shit on worlds you deem ~problematic~ but disrespecting an entire world's name like that is unacceptable.

🪩 spiral-gayte Follow

this you?

👑 amul3twh0re Follow

i love posts where you can see exactly why the op is deactivated

30.4k notes

🦀 underdaseamen Follow

listen i have nothing against wizards visiting celestia but if you do can you please use a mount that makes sense for the area. yall have no idea how terrifying it is when you leave your house with your crab friends and a fucking horse starts swimming toward you.

6 notes

🐷 randolf-spellshine Follow

about to go fight this wizard in the spiral cup ill post the video later

🐷 randolf-spellshine Follow

i got my ass beat bruh im not posting that shit

1,243 notes

🦡 baddestbadger-inavalon Follow

4,371 notes

🦋 ladyorielfan23 Follow

Why we should have expected the y**ng w*z*rd destroying Azteca (part 1)

yw crit under the cut

i have to put something here but i do not have the energy to write an entire essay from ladyorielfan23's perspective so imagine a super angry rant here about how problematic the young wizard is omg why would you say that ladyorielfan23 also my apologies for fucking up the lore in the last dashboard simulator i have no idea what this game's plot is

[foxtr0tstarcadet]

this ask is very clearly a new tumblr user bc when did people stop minding their own or using their head?

while you should exercise caution online because of evil people like they mention, i think its also awful to assume that harmless details like emojis/tattoos/sona details are red flags!

in my opinion if these small details alarm you- block and move on! if its something as small as that (ie. the tattoos or something like emoji combos) i dont see why you would bother yourself- or even why you KNOW about these dog whistles

there ARE undoubted symbols such as the z00ph1l3 one- i think its a z or something weird looking, and if some random animal themed account has that- YES! dm them! call them out! thats weird! use your discretion

but also discretion could be used to Not get innocent accounts in the cross-hair

NON ANON dms would be nice but sometimes ur identity is at risk so im not going to complain.

i mainly am irked by this user because there are people upon people that want to make my life harder because i couldnt mind MY own in hs and last year, so im mostly sure its one of those people, very unfortunate but who cares

but Anywayss the point of my post is just: the internet sucks, use your head, and stop giving p3d0s and z00s the leverage of demonizing your favorite emoji or making your completely mundane accessories into dog whistles.

its really weird that you gave your yume ship sona known zoophile related tattoos. the position of the paws implies mounting the owner so thats kind of weird and nasty, might wanna change that if it wasnt on purpose

Hey chat so those are MY tats

They don’t imply Shit and You’re a fucking freak for assuming they do!!!! They don’t mean anything more than anyone else’s womb tats do

I can’t change them, they’re mine. Paws and Stars being tattooed on my body doesn’t make me start assaulting animals because it’s a tattoo. They are inspired by the surge of star shaped womb and hip tattoos in the early 2010’s

I am a dog. Point, blank, period. I am a canine, I am not a human being. If you’re gonna say I’m being weird, it can be because I am a bodily therian, not just a spiritual one, and I am fully 1000 percent under the impression that I am an animal. I have a plethora of affirming tattoos, clothing, and accessories to make me feel comfortable in my body.

Don’t ever come in my fucking asks again telling me what I should do with my body and my art

If YOU put that together, that’s on you!!! Maybe stop knowing so much about people who fuck animals? Because nobody I know (ppl who live in the real world) knows what you’re talking about and thinks they’re cute

I think they’re cute, My Owner thinks they’re cute, hell my fucking mom thinks they’re cute,, and not a single person I’ve ever met has ever gone “oh did you know those are… gulp… zoophile tattoos?” Because that is not, despite whatever you believe, a “known” thing.

[endearing-dalliance]

Just like Piltover, Arcane's beauty hides its fundamental problems. Its ableist, antisemetic, acephobic, classist, and worst of all, it doesn't initially seem that way.

Firstly, I want to say that this post and my problem with all of this is due to the real-life references, biases, and viewpoints of the team people who created the show, made the design decisions, wrote the scripts, and continue to defend what many have pointed out are genuine problems in their stories and characters. This nothing to do with the VAs, individual animators, supporting crew, or even the characters themselves. I'm genuinely heartbroken for all those people who proudly worked on the show, did their parts beautifully, supported the viewers, and are met with a fanbase disappointed, hurt, and angry about something completely out of their control.

I wrote up a different post about Piltover vs Zaun in the original lore and how that version is such a different situation than we we got.

Despite everything they did to make the Arcane undercity/Zaun this horrible place, they keep referencing the positives of LoL Zaun (an equal and respected society) and attributing them to Arcane Zaun. All of this is straight from the AoA:

"When you look closely, Piltover and Zaun are not entirely dissimilar" (y'all literally designed them as polar opposites)

Zaun is a refuge for outcasts who don't have a home, and there is the thrilling sense that anything is possible. So pretty much the exact opposite of what Vi was trying to show Cait?

In Piltover everything is heavily regulated; Zaun is wild and more pure meritocracy. "its is not completely lawless, though there are some issues with the mob." That's certainly one way to put it.

Zaunites "make magic out of nothing. nothing is precious, everything can be recycled and be reworked to make it better" I'm sure it has absolutely nothing to do with the fact that people can't afford to replace things when they break. Nope. Completely plausible reasoning. No real life parallel at all.

One example of innovation is a jeweler from Zaun who makes unique gothic work. Not only did they never showed us this side of the undercity, I maintain NOBODY in Piltover is putting on a gas mask to go jewelry shopping in a slum.

"Even though they were oppressed, they can innovate in ways Topside can't. Like well let's take this freedom we have because they don't care about us, and use it to find beauty and innovation. That's where Ekko's little conclave came in." Did they forget the literal orphans he rescued from those "shady streets"? What were they free from, their parents? Cause Piltover's enforcers seem to kill a lot of those despite "not caring". This is straight from Ekko's LoL lore where he spent his days being a kid running around with the Lost Children and inventing for fun. Arcane Ekko got Misfit Toys as an intro song. The Firelights were called a gang. These are not happy, healthy kids enjoying their world. They're vigilantes taking care of other kids who have nobody else.

"Ekko emerged as one of the unlikely heroes of the show, rising to meet tough, sometimes heartwrenching challenges, and becoming a charismatic and beloved leader" His LoL lore is that of a self-educated genius described as "The Hero of Zaun's Youth". Beloved pretty firmly established already. Also charismatic...are we really not past the point where its not supposed to be a shock that a black guy can be articulate?

Sevika's arm is specifically described as "flamboyant", which was the same word used to describe Piltover's augments

This gave me the vibe that they were trying to glorify or romanticize Zaunites' suffering and environment, but on further reflection I think that's giving them way too much credit. Christian's reply below makes it pretty clear he doesn't understand his own story, and Alex's indicates they weren't even trying to tell it and are surprised by this interpretation. Because to them, the Zaunites were the bad guys all along.

(Cool cool name one team member who has personal experience with living in under an oppressive ruling class that is either ignores their suffering or actively worsens it. I'll wait.)

Also, I think its very telling that a cocreator admits to having difficulty distinguishing between a group of systemically abused people fighting for their right to live on their own terms and people breaking the law because want power and influence and money. I don't think Peaky Blinders and the French and American Revolution (among others) are really compatible stories.

"It was an impossible pipe dream if you ask me." Well then. All the nations that successfully rose up and freed themselves from their oppressive overlords were just flukes I guess. Also I'm not sure how they managed to figure out the alien invasion lack of relatability and not realize that's basically what they ended up with. Also, the fact that they keep framing it as a civil war rather than a revolutionary one is mindbogglingly out of touch.

So they were trying to comment on the two party system, but also the point wasn't to comment on the real world. They wanted to show the widening wealth gap in a "fun way", but also that's not what they were shooting for. Over and over we've heard about how the show is about duality, the struggle of Jinx and Vi and the struggle of the two cities. If they didn't want to comment on the real world, didn't know enough about politics to even realize what they were doing or what message they sent, DON'T MAKE A $250 MILLION STORY ABOUT IT. Thanks to their contributions, we now have a story about two girls brutally traumatized by their environment enveloped in a pro-oppressor, forgive your abusers theme. Well I aint forgiving any of this.

I get the idea of "show, not tell", but some things do need to be explicitly told. Oppression is objectively wrong no matter who the oppressed are should not be left up to interpretation. Its not the viewers' job to piece together that Zaun's problems are ultimately caused by Piltover, especially since what they are shown is that death of a child makes the world a better place. Not once in 18 episodes do they ever explicitly condemn Piltover. Not once did they validate Zaun's right to independence. We got "forgiveness" (forgiving your abusers? great message) and "finding your way back to each other" (which none of the duos actually did. They're all "dead"). And my personal favorite, the important lesson that asexual people do not have happy, healthy, nonplatonic relationships, so TAKE THAT JAYVIK SHIPPERS.

Since they ended Arcane with a reference to a Japanese proverb, in the spirit of duality I'm ending with a quote by someone who actually has personal experience on the subject:

“If you are neutral in situations of injustice, you have chosen the side of the oppressor."- Desmond Tutu