#but i still think its a very interesting insight to his character

[wraith-caller]

D, Beholder of Death, or Devin, is probably among one of the most hated NPCs in the game. Which is amazing because he has barely two minutes total of dialog which is easily missed if you don't do things a certain way. We know very, very little about him, and hell, some people don't even realize he's an entirely separate character from his brother Darian(D, Hunter of the Dead)! So what can we glean about him from his beyond-minor appearance in the game? A surprising amount! 🚨🚨SPOILERS AHEAD🚨🚨

I. A Recap Devin can be found at the Siofra Aqueduct in Nokron, just before the Valiant Gargoyle fight. If you find him before Darian has been killed, he'll be asleep and unresponsive. Once you return to him after Darian's murder, he will be disoriented and awake, and you can hand off the Twinned Set to him. This allows him to be summoned for the Gargoyle fight, and will move him to Deeproot Depths. There, he will show up after the Fortissax fight to deliver a monologue to Godwyn(and Fia's corpse) before disappearing, presumably having killed himself. II. The Silver Twin

The Twinned Set i a piece of armor made specifically for Devin and Darian rather than standard garb of the Hunters. While I've seen claims that the twins' soul is in some way bound to the armor, this assumption falls apart on closer inspection. There are pragmatic concerns about how such an arrangement worked out for a pair of shunned newborns. But there's also the far more straightforward fact that Devin can wake and speak to us before receiving the armor, so long as Darian is dead. He can also jump up and aggro us without having the armor if we killed Darian in Limgrave. So it's fairly clear that their soul is linked to their body rather than their armor, and it is their state of consciousness which allows for movement of the soul between their two bodies. Still, the armor is plenty specific to these twins, displaying two intertwined figures which are worn by one body. The armor is symbolic of their inseparable soul, each half representing one of the two twins. The golden one stands taller, carrying its own weight as well as that of the smaller, silver one which clutches it. While the golden half is modeled as fairly straightforward plate armor, the silver half is made to resemble an unarmored body, dressed in flowing robes instead, and thus, the more vulnerable of the two. Which half is which? A side by side comparison of the twins' skin and hair color may provide some insight.

<-- Darian's skin and hair RGB Devin's skin and hair RGB -->

Darian's is warmer, and just the tiniest bit more saturated. This results in Devin's tones looking cooler and grayer in comparison. Naturally, we can use that as a bit of a reference point to make the claim that Darian is represented by the gold half and Devin by the silver half. This can be supporte further by little tidbits about the characters - Darian is met above ground, beneath the golden light of the Erdtree, while Devin is met in the city of the Nox, who are associated with silver.

But perhaps most interesting are the implications provided by their character traits. As mentioned above, the gold half of the armor exudes strength and stability. It stands on its own two feet and is the main component which the silver half leans on for support. This is reflected in Darian's behavior when compared against Devin's. Darian is stalwart, steady, calm, ready to protect. Devin is, at least in the moment in which we encounter him, more emotionally fragile, broken, delicate, clinging tenaciously to life only long enough to have his revenge against his brother's murderer.

Could this give us any clues about the dynamic between the twins? It's hard to say, given that we don't exactly get to know Devin until after one of, if not the, worst day of his life. Maybe before Darian's death he was just as calm and amicable as Darian. There's reason to think, though, that much like the golden half of the armor, Darian was the one to primarily care for and protect his other half. For one, in spite of being twins, the game makes sure to specify to us that Devin is the younger. This automatically evokes a certain dynamic, the assumption being that the younger sibling may rely on the elder for guidance and protection. Then there is Darian's apparent choice to keep Devin's existence something of a secret, even to a long time traveling companion. Rogier's note tells us that "it seems" Darian has a brother, indicating Devin is someone Rogier hasn't known about until recently. He doesn't even mention him by name in the letter. Darian made a decision to keep Devin a secret, and it could have been to protect him. The protector/protected dynamic is further enhanced by Darian's idle stance which often shows him cradling the head of the silver twin, the bust serving as a reminder of his younger brother who he took it upon himself to care for in a world where no others would.

So where would that leave Devin? It's possible that a pattern of dependence could have emerged, given the nature of their curse. Only one can be awake at a time, and if Darian were to preside over the daytime hours as implied by their 'day/night' duality, this would have left Devin alone in the night. It'd be less likely that he is the one performing necessary daily tasks, as the rest of the world would be asleep at this time. He'd be left to his own devices, and free from obligations typically undertaken during the day which would risk interaction with a populace that was entirely hostile to them. Would Devin have come to see Darian as something of a barrier between himself and this world that hated him?

III. The Golden Order

I've gone over how monumental the acceptance of the Golden Order would've been for this pair of shunned twins in my post on Darian. As a refresher for anyone unaware, what little info we get of the D twins tells us that they were born cursed, sharing a single soul between themselves. As a consequence of this curse, they were rejected by all societies except the Golden Order. That should make it pretty clear as to why the D twins serve the Golden Order with such fervor. They haven't really got any other option. It's also bound to be pretty world-changing for them to be told that they are worthy of acceptance by the empire founded by the goddess of the world herself. Who could possibly be a higher authority on the matter than that? After a lifetime of shunning and rejection, these two pariahs have finally found a place that will let them call it home. But nothing in life is free, right? The pair are put to work, or perhaps volunteered themselves. We can't really know, though there would have been a pretty intriguing implication about this if the original 1.0 text had been preserved for the item description of Devin's clothes, which indicates the twins could have been slaves at some point. At any rate, Darian is specified to now be a Hunter of the Dead, while Devin's role is more ambiguous. It's commonly held that he takes on the same job, which is a fair enough assumption. It could also be possible that he is set to scholarly tasks, given that "fundamentalism is scholarship in all but name". This, in some ways may be corroborated by Devin's use of fundamentalist incantations not used by Darian, who primarily uses beast incantations, as well as the fact that Devin is equipped with the Golden Order seal, which demands a higher INT and FAI stat than the Clawmark seal used by Darian. Regardless of any of that, Devin appears to have been sent on a new mission, something related to but not altogether the same as Darian's weeding of the deathroot. Rogier's letter tells us of Devin's location within Nokron, mentioning, "And it's said he stood before the Prince of Death not far beyond that spot." So Devin has clearly been to the roots of the Erdtree. We know this isn't a place one can just wander into - it's highly sacred, so much so that not even the other demigods slain on the Night of the Black Knives were interred there. It was an honor reserved only for Godwyn. It's a tall order to rationalize a random Tarnished no one like Devin being permitted to go there without invitation, especially not under Morgott's watch. The path through Nokron is wholly inaccessible until Radahn's death, with the Fallen Hawks, who have wandered the city for god knows how long, being unable to find a way out, and Ranni being unable to find a way in. So it's fairly unreasonable to think Devin somehow managed to get into Nokron when no one else could. This leaves only one alternative path, which is taken via Leyndell, and it is certainly not one Devin chose to take on a hunch or a whim for his own interests. IV. Plumbing the Depths of the Order

Beneath Leyndell, we can find the Shunning Grounds of the Omen living within the sewers. Traveling deeper still, we can find the Cathedral of the Forsaken, guarded by an illusion of Mohg. Press on past this, and the way is blocked by a seal placed by Morgott himself. So long as he is alive, the seal remains. What's beyond it is a truly terrible sight, hundreds of anguished nomads crammed into catacombs, driven to utter despair in this inhumane prison beneath the earth. And at the farthest depths of this hell lay the altar of the Three Fingers, vassal of the Frenzied Flame and god of chaos, a threat so dire to existence that Melina all but begs us to reconsider multiple times before we even approach it. It's no walk in the park, that's for sure. But it's also the only other way into the Deeproot Depths prior to Radahn's death, and so it is the one Devin most likely took to reach the Prince of Death. This also means Devin must have had Morgott's express permission to do so. His seal prevents anyone from reaching the illusory wall which allows one passage into the Depths from the Frenzied Flame Proscription. While I won't claim Morgott is the one to have requested Devin to do this, the fact still remains that Morgott must at least be aware it is happening, otherwise, there's no reasonable explanation for Devin getting to Godwyn in the first place. This further strengthens the claim that Devin was not merely wandering or seeking something of his own accord - he was explicitly sent. And I think this assignment broke him.

Let's take a moment to backtrack to the outskirts of Leyndell, and the Minor Erdtree church. In it, we find 4 items, three of which are explicitly linked to Devin. There's a Golden Centipede, associated with hunters of the dead. There's a Golden Order seal, used by Devin. And there's a gesture, Outer Order, which directly mirrors the gesture received from Devin, Inner Order. We get the Outer Order gesture after listening to spoken echos of Marika, which are as follows:

I declare mine intent, to search the depths of the Golden Order. Through understanding of the proper way, our faith, our grace, is increased. Those blissful early days of blind belief are long past. My comrades; why must ye falter?

How is this relevant to Devin? For one, the twins are associated with the ranks of the Hunters, who Goldmasks laments have strayed from proper scholarly fundamentalism to blindly seeking out an absolute evil to oppose. This illustrates how they have strayed even from Marika's own vision of the Order with her call to examine the tenets of the Order and one's own faith in it. The word choice also, whether intentional or not, mirrors Devin's own literal searching of the depths of the Golden Order. To reach Godwyn, he descended beneath the Order's capital, going from this noble, golden city bathed in the warm rays of the Erdtree, down through the sewers where cursed children grew up and now eke out a miserable existence, through an internment camp full of suffering exiles, to finally confronting the greatest failure of Marika's Order and the source of the monstrosities which Devin and his brother are assigned to destroy. Marika says, "Those blissful early days of blind belief are long past," and this becomes true for Devin. He has confronted not one, not two, but three layers of deceit and depravity perpetrated by the Order he has agreed to serve. There is no lie to hide behind, no place for faith in the Order to do what is right, no way to any longer deny the imperfections and cruelty of the Golden Order. And that same Golden Order told you that you were not an abomination. That you were worthy of life, even if the entire rest of the world believes otherwise. The bliss of that acceptance is now stained with the horrific reality. Devin has reached the depths of the Order, and he has found only misery and abuse, decay and brutality. And at its very center, there lay the once golden and perfect son of that Order, the poster child of all its promises of glory, strength, and goodness, now twisted into the very thing the Order has instructed him is responsible for its ills. I do not think Devin merely shrugged his shoulders and got over it. In fact, his vicious diatribe against Godwyn makes it pretty clear how deeply this all impacted him. While he has plenty good reason to despise Fia for murdering his brother, Godwyn would have had no involvement in that, and Devin would know. Devin would have seen the lack of response and the lack of awareness in Godwyn as he removed the cursemark from his corpse. So why blame him for anything to do with Darian's death when it's Fia's plot that necessitated it? He's not condemning Godwyn for Darian's death. He's condemning him for sullying the purity of the Golden Order. In his mind, which has been broken by this one-two punch of witnessing the brutality of the Order followed up by Fia's murder of his brother, he's scrambling to hold on to meaning in a world where he is rapidly forced to face his meaninglessness.

So he rages against Godwyn, rages against Fia and her plans to enshrine the undead spawn of this blight on his faith. If he externalizes that rage, he can, for a time, escape his own miseries, and even justify continuing to believe in the virtuousness of the society which gave him and his brother place and meaning, and deemed them worthy of belonging.

[pettyprocrastination]

I know the quote “We don’t hurt little girls in Dorne” “Everywhere in the world they hurt little girls.” Is said so that it can be mirrored by Ellaria killing Myrcella but I think it definitely gives this interesting insight into oberyn’s character and his sort of. self-righteous ignorance to the reality of the world. 

Like we know oberyn is incredibly intelligent. But he’s also still a man, and a prince no less. So he comes from this place of privilege and confidence (since he sees dorne as superior to everywhere else in westeros) that he can say with confidence that children are not harmed in dorne when Cersei, albiet a cruel character but still a woman and a mother in her own right has to tell him that no, children, especially little girls are hurt and preyed upon every corner in the world because that’s just how the world is. 

And yes Dorne is leagues ahead of other places in talk of equality. Given that women can be warriors, rule the country, and (if i remember correctly) take their husbands to court for domestic violence charges. But to say that there is no pain or suffering there that young women face is incredibly ignorant and shows that his perspective is one that comes from a very different world than the ones that women must live in. 

I think it’s the same reason that Oberyn has never married. He gets the choice to push off marriage and travel the world with his lover, meanwhile a woman at his age would be well into her marriage with multiple children. Cersei for example, at the same age and social status is being forced to marry a second time, despite her power as the queen regent she cannot stop the process, even when she begs her father with tears in her eyes because she knows the reality of marriage for a woman, even at her status, is one that is quiet dark because her role as a wife isn’t one with much power or safety. 

[the-judicial-assistants-notebook]

why didn't they just use franziska for literally all of this.

[toxycodone]

𝘸𝘩𝘰 𝘵𝘩𝘦𝘺'𝘥 𝘧𝘢𝘭𝘭 𝘧𝘰𝘳 !

𝘤𝘸. 𝘯𝘰𝘯𝘦

𝘤𝘩𝘢𝘳𝘢𝘤𝘵𝘦𝘳𝘴. 𝘭𝘢𝘪𝘰𝘴, 𝘬𝘢𝘣𝘳𝘶, 𝘤𝘩𝘪𝘭𝘤𝘩𝘶𝘤𝘬

Laios:

I genuinely think Laios is attracted to the unconventional or stereotypically attractive. Anyone with unique features, personality quirks, etc. If you don't fit in, you're more willing to catch his eye.

He finds it difficult to really like? Gain an interest in someone who doesn't really "stick out". I think it's clear with the way he treats Kabru that like! People kinda are a blur to him! So! anything that makes someone stick out will catch his interest and he'd be more willing to remember them + actually continue to think about them.

MUST. Share his interest in monsters/animals. This is very important. Like there must be a shared interest there whether its just about anatomy, behavior, etc. I just think he needs to be accepted to talk about this and share fun facts. He likes it. Cooking or an interest in food would also be another plus.

Also just? He likes really easygoing people who aren't super judgemental. Laios is really unapologetically himself and he gets chewed out for it by his friends enough. He's very self aware when it comes to his own issues (esp by the end of the manga) so. Yeah. Just someone who he doesn't feel the need to mask around.

Honestly, maybe someone childish would fit his vibe too? I mean this in a more lighthearted sense. Like someone he could play tag with or goof around in the woods with. He missed out on being a kid for a while, and he's still kinda interested in stuff like that (bug collecting, cool rocks, etc.). Even in post manga he still wants this.

Also uhhhh beastkin/monsters/whatever of any kind get bonus points. Do they have to be this way? No. But. It would definitely do some favors to be feral/wild in some way like this.

Kabru:

Okay I am not saying this is healthy or anything, but Kabru is ridiculously attracted to fixer-uppers. The main character/savior/hero complex kicks in and he cannot help it.

This can either be super good for him if the person is like. not terrible and is actually okay with this. but uh. that isn't always the case. Bro is often setting himself up for some sort of situationship most of the time. He cannot catch a break.

But he totally needs to be confronted about this to have a relationship work out. Hope you can be at least a little assertive!

Oh and the people pleasing. It's going so far. Please, I-....

He needs to be stopped.

Ultimately. He's gonna go after the people who show the least interest in him and this SPECIFICALLY comes from his own insecurities as a person.

But in the end he's gonna truly fall for someone who can put their foot down and confront him about these issues. He's so insightful and perceptive when it comes to others and can easily point out and help you with you're own shortcomings. But he is super blind to his own faults. Legit does not. Even realize.

He honestly needs someone to help him grow, because in my eyes I can see him like even post manga being pretty stagnant here so . Yeah. You don't need to be like some badass assertive person either. As long as you can just sit down and have a serious conversation w him about this I think it'd go well.

And he'd fall for you because I think it's the first time he genuinely sees someone who recognizes things that are bad about him + still loves him despite that + wants him to grow as a person and assert his own wishes and needs more. Yeah. I just have a lot of feelings about that.

Chilchuck:

This goes two ways.

Non Toxic Route

He'd easily see himself falling for someone mature and responsible. It would start out as just a professional admiration but it would slowly become more intimate as Chilchuck starts to enjoy their more unique personality traits (and even ones he'd consider annoying) --like being feisty, or maybe they're picky, or they can be silly sometimes. That type of thing.

It's a total slow burn with him.

But he also likes people who are more lowkey. Chilchuck is not a "falls for you immediately/puppy love" kinda guy. He's jaded and has a past and has KIDS so. He needs to be treated gently and not rushed into things. Anyone who lets him come to them and start to be more affectionate without demanding it...yeah. Handle him with care PLEASE.

And speaking of this...he wants to keep up appearances since he does value his professional life and has kids and an ex-wife. So he wants someone that can blend into this life without causing drama or more headaches (his party gives him plenty. pls.)

"Toxic"/Not Gonna Last Route

Chilchuck is easily motivated by the more basic pleasures of life, so I can definitely see him having a bootycall that becomes some weird "what are we" type of vibe.

He's like...in the back of his mind the type to enjoy a "dirty little secret". Something he thinks only him and this person know about. But as time goes on he eventually gets emotionally involved with them and is like "we need to cut this off".

It is an extremely painful breakup on his end for sure and makes him more jaded when its literally! His own fault.

[tanoraqui]

Dungeon Meshi Liveblog: "What did [orcs] taste like?" {*distant sounds of tanoraqui going feral*}

I'm enjoying Chilchuck more in the manga because I notice him more, because he's less front-and-center talkative but in the background he's visibly thinking about things. I certainly noticed and enjoyed this moment in the anime, too, but it's a good example: Chilchuck is by far the best in this party at people, in terms of reading a room, understanding long-term group dynamics, and considering larger social questions like morality. His pattern recognition skills are obviously superb, and he applies them to dungeon navigation, trap- and monster-disarming, and social dynamics. He understands and gives practical advice on the relationships within a successful vs unsuccessful dungeon parties, and the skills of leaders thereof. He can often be seen eyeing the terrible new food consideringly before eating it. He's the one most often calling Laios out about No Eating Humanoids, including picking up on the fishmen eggs. When Laios complains that that's just based on a "feeling", Chilchuck does think about it - but still, when Marcille says of the dryads that maybe it doesn't matter if the plant is humanoid, Chilchuck says with concern, "Marcille..." He's the first to wonder how to make money from the dragon, but it's a practical concern, not greed. He's the only who realizes and convinces everyone that they have to turn back.

It all adds up to a guy who's never read a textbook of moral philosophy or the makings of a stable society in his life, but who could probably expound on them in layman's terms while drunk off his ass in a bar. He's responsible, including wanting to look out for his people, and very practical, and genuinely whip-smart. I'm not at ALL surprised to learn that he observed the systemic abuse of halffeet in the dungeon-delving trade and organized a union against it.

.

Shuro: Just say the highlights, alright?

Laios: We killed the red dragon, got Falin out of its stomach and resurrected her, but then we ran into the Mad Mage ad were separated.

Shuro and Kabru:

...actually, it's interesting how surprised I am, and was when I watched this, to see how...Normal Human Interaction Laios is in this moment? Upon request, he handily gave an efficient summary of exactly the highlights that needed to be shared - both what the others needed/would want to know, and not what they didn't need to know, lest Marcille be arrested for dark magic. Is he more relaxed around his usual crew, and thus acts "weirder"? Is this just a very specific circumstance, ie, it's reasonable to think the whole party has been considering exactly how to describe their adventures to others?

Maybe more notably, he left out monster-eating, which is also a cultural taboo but one that he's shown no sign of respecting so far. One must ask, for a moment: wait, does he respect that it's taboo in polite company? It's true that Marcille and Chilchuck, who'd both dungeoned with him for [mumblemumbletime], didn't know until the start of the story - he's clearly only just started unleashing all this culinary glee, even if he probably did already share infinite useful monster(-killing) factoids. Or is he aware and respectful of the fact that Shuro's definitely of "highlights" definitely only includes What Happened To Falin? This, too, is a level of character insight rarely if ever seen in Laios before.

.

Laios is like a deer in front of a lion... Yeah maybe I do want to watch Kabru flirt with him and Laios get completely flustered... Only if Laios turns it around by (later, after fleeing the initial scene) bluntly asking if Kabru wants to go on a date and/or have sex, and Kabru.exe stops functioning.

.

One must ask, for a moment: wait, does [Laios] respect that [eating monsters is] taboo in polite company? -my considerations 10 seconds ago in in-canon time

nvm, he's back on his bullshit! :) <3

Which! Indicates that his summary WAS intentionally geared toward Shuro's known preference, with maybe a dash of responsible dungeoneer team leader-to-team leader "fyi the Mage IS around"!

.

Ok now for the bit I'm particularly obsessed with...

Shown: man forcibly slamming down an impenetrable mental barrier called "Doing What I Must" in between Traumatic Memories & Moral Qualms and Words, Tone, Facial Expressions, Body Language & Anything Else Someone Else Could Sense:

Shown: Man with aforementioned barrier firmly in place [but still possibly seeing horrors on the backs of his eyelids]:

(Also shown: Man increasingly wishing that this is all some sort of elaborate hallucination brought on by sleep deprivation and stress:

.

Then this!

Until proven otherwise, I'm pretty certain that this last panel is the exact moment Kabru's brain started bouncing like a yo-yo wrt Laios. Because!

Kabru invited himself into this conversation as part of his overall quest: to look for a decent King for the dungeon. [ABBA playing faintly in the background] He's officially given up "finding" rather than "becoming", but he hasn't 100% ruled it out as an option - the goal is to get one.

Imagine that Kabru's brain includes a little hexagon like the food matrix, but for necessary aspects of the new King of the Golden Kingdom. In order, Laios goes...

- up several notches in "Likely Ability to Kill Mad Mage" by having defeated the red dragon and met the Mage

- down probably 1 notch in Trustworthiness/Honesty(/Readability to Kabru Specifically, who is prepared to Manage a mediocre candidate if that's what it takes)

- plunges down in the meta-category of Will Prevent Another Utaya by plummeting like a Boeing in the technically-not-on-the-chart category of Triggers Kabru's Trauma by admitting - bragging! delightedly! - that he eats monsters. Kabru's trauma is centered around monsters eating people. What sort of horror is a person who eats monsters? (Yet, perhaps already starting to yo-yo: if monsters eating people is the ultimate evil, what is this reversal...?)

Then Kabru asks a few innocuous, friendly questions about this Absolute Horror, because that's what Kabru does: he lies through his teeth about his own opinions and discomfort in order to put others at ease and (thus) achieve his goals. Laios gives innocuous, friendly answers.

THEN: ORCS. This whole comic, we've had the debate about whether it's okay to eat humanoid monsters, with Laios begrudgingly agreeing to his party's refusal. And orcs aren't even humanoid monsters, they're full-on demihumans! Second cousins of tallmen!

Kabru actually has to take a moment to process this new depth of depravity which he swiftly assumes Laios has sunk to. I imagine WWII air raid sirens are going off in his brain. Laios is But then he leaps this horrific chasm, too, itchy though his knife hand may be - interestingly, his face isn't shown in the comic, but in the show, Kabru retains the exact same friendly, eagerly interested tone of voice when he asks, "What did they taste like?"

- (Sidenote: truly, in all of this, I'm most obsessed with Kabru's ability, willingness and determination to seemingly-blithely hopskotch and/or outright running-jump over any moral qualm for long enough to get the other guy to dig their own grave and/or let down their guard. Who even are you under your infinitely shifting mask, sir. Do you even know? Because I think some of what we've seen that's more "real" is part of the mask you wear to be the Hero Who Will Be King.)

And Laios realizes what he'd implied and says, alarmed at the misunderstanding (though it's not clear if that's for moral reasons or social awkwardness) but still smiling with excited pride, "No no!! We didn't eat them! Due to circumstances, we're currently working with them!"

With them! Laios is yoinked out of, if not the depths, then at least the utmost depths - while also snapping unexpectedly upward in Alliance-Building (pref. Interspecies, Local-Centric). Laios had already rated a 2, maybe 3/5 for his party makeup, but given his known lack of people skills, I can't imagine Kabru expected him to go any higher than that - and with orcs! Orcs who are maligned by everyone else; for whom the Island Lord regular offers a bounty!

Now, this IS predicated on the assumption that Kabru considers orcs a people who should be treated with like a legitimate, well, people, rather than killed like vermin. But I think I'm on solid ground, considering a) Kuro the kobold being a (mostly) respected member of his party and their secret late-night study-friendship; b) Kabru's harshly learned skepticism of the stories Elves tell about themselves and other races, which is where we've seen the heart of anti-orc sentiment; and c) Kabru thinks the Island Lord is a moron.

Mind you, I think the yo-yo-ing is relatively subconscious at this point, and won't start reaching an audible fever pitch until Kabru learns about the black magic in, oh, another 5 minutes or so.

...but I really need to go to bed, so I'll see what overanalysis I make of that tomorrow!

[abnomi]

random assorted headcanons for Turbo because I like thinking and having fun !!!! 🎉

Read More to Find Out...or are you too scared?... i bet ur too scared ahaha youre too scared Lol! Hahaahaaa!!!

The steering wheel of his kart is covered in bite marks, similar to how one would bite their favorite pencil. he bites things to mark his territory because Nobody is gonna touch that unless they want all of his diseases (150+).

i just know he was fighting to restrain himself not to chew on any of the candy civilians

when it comes to music, he doesn't see the point of listening to it. he doesn't have enough patience to really take it in; to him, it's just a thing that exists and not much more than that ¯⁠\⁠_⁠(⁠ ∵⁠ )⁠_⁠/⁠¯

adding onto that point, this guy listens to metal clanking sounds and loud engine roaring for entertainment because he likes things that would overstimulate any normal person. turbo is incredibly sensory-seeking and will do anything for The Sensations

someone should take him to a heavy rock concert i think it would change him a little. keep that thang on a leash

related to being sensory-seeking, i think he would absolutely love running his hands over random textures. if anyone has run their hands along a wall while walking alongside it...He does that...If u know u know... he is SO stimmy its unbelievable. Unreal.

very pain-tolerant. he'll whine and complain about it for attention, but physical hurt really doesnt bother him much until it gets in the way of what he wants to do.

funnily enough, he is very picky when it comes to temperature. he can handle getting ran over but if its 1° too hot or cold he'll start nagging and nagging for it to go back to normal. turbo really needs his own enclosure i think it'd do him a lot of good

this is a more popular headcanon and its canon-leaning, but he's an artist :-] he usually sticks to graffiti art because its generally considered more "rebellious and cool" but he also sketches cars, design decals, and other stuff when hes alone!

i would love to see his process of character designing king candy because i dont think he really knew what he was doing

he was just like "ok what does a generic king look like. uhhhhh.... 1, old and jolly like santa claus.... 2.... uhh crown..... 3......... purple.... FUCK YEAH im so good at this!!!!🔥🔥🔥"

i just noticed how his design has like 0 actual candy motifs aside from his bow being a candy wrapper and his shoes having those little gumdrop end pieces. what was he THINKING

while King Candy has a lisp, i think it's a coverup for his actual voice because of how goofy and recognizable it is. Overall its the same as his regular voice, he just gets silly with it. i noticed that he still does retain some of his lisp when hes screaming his lungs out at Vanellope, however, so maybe he genuinely does have a lisp that makes itself known when furious :3

another thing i noticed is how he hisses his S's. very cool very cool the reptilian

@/tasticturbo made a post abt how he has tinnitus from the constant noise in his game and i couldnt agree more

AND THE PRESCRIPTION GLASSES. where did he get those...he needs to See

side note, the aforementioned account has made so many interesting analyses on turbo and theyre all so insightful. i recommend u check them out

i think he gets migraines from stress. constant buzzing or pain flood his head but hes like "IDGAF i need to DO something at ALL TIMES no matter what"

hes like a shark in that way. if hes not moving he'll die instantly. idk a lot about sharks or if thats how it works srry but im going off of what the Worms are saying to me and i dont have much to work with

i think a really big contributer as to why he lacks in the self care department is because he fails to notice that something in his body is wrong. hes far too distracted on something he thinks is more important than remembering to Eat Food or Drink Water or Wash Himself or

he's like "WHY DO I FEEL LIKE SHIT ALL OF THE TIME!!! I HATE MY LIFE" and he hasn't slept in 4 days

hes so me. Sorry.

i dont think turbo is necessarily suicidal, but the way he behaves shows a clear disregard for his own safety and wellbeing. he thinks that he knows what he needs but he really doesnt :-[ i think he has some kind of immortality complex, feeling untouchable and like nothing could get to him. as scared as he was when ralph was about to turn him into sloppy mush, he didnt take the threat very seriously. like it was some kind of joke

his kart regenerates every time his game starts up, so what if he smashed it into buildings for fun. He's the number one fan of car accidents. he is all about that shit

i think his living space would literally be a garage btw. its a place to sleep and a space for his car all in one!! he thinks its very convenient and awesome but i think he is coping. he has some old dingy stained sheetless mattress that he has never washed in his life and its covered in dirt and smoke particles. no wonder he has such heavy eye bags Dude Please

the turbo twins have a garage used in a similar way, and while its still pretty shitty, they still at least TRY to maintain it. they just fight a lot over who has to care of it. nobody taught them how to take turns ever

but this aint about them. maybe another day

i think that turbo would find comfort in garbage and keeping it around because its familiar to him. a big clean empty space would make him so mad and if anyone moves even an inch of scrap off to the side he will throw a fit. he generally doesnt pay attention to his surroundings but when its his personal space he is 1093 times more neurotic

i think the big empty castle he stole wouldve been a big transition for him. maybe it helped him clear his mind a little more to practice his tricky schemes...it helped him get more subtle

thats all i have for nowww ty for reading ^_^ if anyone else has any wacky ideas pleeeease tell me i would love to hear them!!

[thosewickedlovelies]

A guide to writing fics set in museums / with a museum worker character

Hey hi hello it’s your local museum worker here, offering you some insight and tips to writing museum-related fics! This is primarily organized as a list of different jobs you could have in a museum and what their duties entail. This post might also be useful to you if you’re considering working in museums and want to know What Goes On In There. Let’s go!

For simplicity/fic-writing purposes, I would divide museums into 2 very rough groups: large national or city museums that Have Money (think the Smithsonian or British Museums, or the Chicago Field Museum or the Royal Armouries Museum in Leeds); and smaller local museums. These could be local industry and culture/history-of-our town museums, historic houses, or  really niche subject museums run by One Person With A Passion.

Big national museums have a fuckton of staff and money (museums can never have enough money. But these places are very well-off compared to somewhere small that might always be hustling and writing grant applications). If you work here you’re likely to have a specific role in a particular department, and you probably won’t do much outside this role (ex., if you work in collections management, you probably won’t also design exhibits)

The smaller the museum, the more varied your workload will be/the more likely you are to be doing a little bit of everything. You’re probably organizing collections storage, manning the front desk, and desperately running fundraising efforts, all at once. 

To this end, smaller museums are more likely to be closed one or two days a week- you’ll be there, probably cleaning displays or managing storage, but visitors won’t be.

A lot of (most?) universities also have museums, so a college town setting is also doable. But the same big vs small museum disparity is still possible! At Penn State University, for example, the Palmer Art Museum is its own (recently redone iirc) building in the center of campus with a lovely plaza out front, while the Matson Museum of Anthropology is uhhhhh a couple classrooms in the Anthropology Department (which they’re currently rebuilding tbf, so we’ll see what they’ve done with it in 2025).

Types of Jobs

Curator

The one museum job that everyone can name. Nominally the person in charge. Probably laments that their job is way more admin than fun hands-on stuff now.

Actually this is the role I have the least knowledge of, but I think that’s partially because this job might vary the most from place to place? Structural organization can vary a lot between institutions, but I think the higher up you get in any field, the more your job tends to consist of meetings/overseeing, designating, and ~liaising~

A list of things a curator might do:

Planning or approving events and fundraisers, schmoozing with donors and members at said events, approving or designing a schedule of exhibits, publish outreach/advertising or research materials, oversee hiring, approve new object acquisitions (or de-acquisitions), generally make sure that the museum is working within the scope of its mission and if necessary, change or refine their mission

The curator might not necessarily control a museum’s funds; in this case they’ll liaise with the people who do, likely a Board of Executives or Board of Trustees. Once they get the money from these people, though, they could potentially redistribute it as they see fit.

 If you work in a fuckoff museum like the BM, you could also be the curator of a specific department, arranged by overarching subject, geographic area, time period, or even object type (eg Curator of Archaeobotany, Curator of Korean Collections, curator of coins from the medieval period). These categories can be more or less specific depending on what kind of holdings your museum has. I think these types of curators would still be able to do interesting things, as they aren’t the ones who Oversee The Whole Place.

You can also be an assistant or associate curator, like being an assistant manager.

Education/Engagement

These are the people who design fun extra activities (esp for kids) in the galleries or relevant events/workshops/lectures the public can attend. They might be called Engagement/Education Officer or Events Manager or anything similar

Again, the bigger the museum you work at, the more specific your role is likely to be. You might focus on web content/outreach and social media, manage the ‘friends/members of the museum’ program, or engage with shareholders, etc

Or you might do things like develop content and events to engage adult audiences. Workshops or lectures connected to new exhibits, after-hours visits. These people are also probably the ones with an eye on accessibility- you’ve probably seen advertisements for museums’ early or late hours for older visitors, or ‘quiet hours’ for people who might be overstimulated by normal museum hubbub, or tactile workshops designed for visually impaired folks.

I think most places would try to have someone specific for kids activities at the very least. They’ll be designing little activities or dress-up stations for the galleries, kiddie mascots or scavenger hunt trail kind of things, as well as, potentially, activities for any digital elements in the museum. They probably also coordinate school visits and act as a tour guide for classes, and will lead the kids in specific workshops or lessons in classrooms attached to the museum.

As a note on technology- some people would probably say that integrating digital elements into exhibits is the ~next big thing~, that museums have to get with the times in this regard, but opinions vary. Big science and technology museums are the most likely to have the most digital and techy elements in their exhibits, so if this is your setting, your character could also be a generic “tech person”. I would go so far as to say the smaller/more local the museum, the less technology you’re likely to have, but smaller museums are able to get grants, some of them potentially for specifically this type of thing, so it’s totally possibly that they have a few tablets with integrated activities, or some other Digital/Screen Thing.

Engagement Officers are probably the most likely people to be drafted for out-of-hours events, so that’s a potentially fun thing for your character to do. Some museums, particularly bigger ones, have event spaces attached that anybody can rent out, for weddings, galas, markets, etc, so they might also take care of these bookings as well.

Exhibit Design

This role has a lot of nebulous terms: exhibit coordinator, design constructor, exhibit programmer- but these are the people who design the exhibits. They’ll come up with a theme or narrative, a design scheme, choose the objects, write the text. They’ll probably come up with some marketing material as well, that matches the design scheme, or they’ll liaise with the marketing people who will.

These people might not be as familiar with the collections as the collections management folk (below), depending on how strictly divided your roles are, so they’ll likely consult with the collections people on choosing objects for a particular exhibit or theme (they say that good exhibit design builds an exhibit from the objects up, but I digress).

These people will also direct and participate in the install and deinstall (the actual terms) of exhibits- putting the objects on the right plinths/stands and arranging everything just so in the cases. Genuinely there’s a lot of psychology behind exhibit design- colors, lighting, the way you might design an exhibit to be navigated vs the path people will actually take through the gallery, people’s sight lines and where their eyes go first, how the display of any given object affects people’s perception of the importance of that object. Fascinating stuff, many books on the subject. 

There are also a lot of accessibility concerns to be considered here- how bright is the gallery, how large is your display text, at what height is the central eyeline of your cases?

Museums often loan objects to and from each other’s collections, so if you’re building an exhibit and you’d really like to include X type of object but your museum doesn’t have any, you can borrow some from another museum (this isn’t necessarily a guarantee- museums are allowed to say no to these requests, but I think manners would dictate that they should have a good reason)

Museums sometimes tour whole exhibitions as well- the objects, the text placards, maybe even the stands for super special or fragile items- and exhibit coordinator people are the ones who would handle those arrangements.

Potentially good opportunities for angst stories here- wow things come to life at your museum, you fall in love with a statue but oh no it’s only at your museum for three months

Collections Care

People who work in Collections Management have the most direct contact with the museum objects themselves. You probably work here if you prefer objects to people. When a museum gets new material, these are the people involved. They might not always initiate acquisitions, and the final approval is probably down to the relevant curator, but 98% of the time they’d be consulted (I hope).

A mind-boggling statistic is that most museums only have like 10% of their collections on display at any given time. Yeah. Forreal lol. But collections folk will know where the other 90% is and what’s in it (particularly the longer they’ve been there). 

There’s usually a head Collections Manager. Other workers might be a Collection Assistant/Associate, Collections Officer (we like calling people Officers for some reason), Registrar, or some variant of these depending on the specific flavor of your duties. 

Main job duties can be divided amongst documentation and database work, organization and storage of objects, and lite conservation. Just how much/how technical the conservation work depends on your own training, but also on the size/funding of your museum. The more money, the more likely your museum is to have its own lab with people specifically trained as conservators. More on them later. 

Here’s what happens when a museum gets new stuff!:

Ideally, it goes to a ‘quarantine zone’ first. This is a separate space or room where the objects can relax for a few weeks to a few months (ultimate best practice is actually a year, but, you know. that’s a long time) to ensure that they’re not harboring anything icky (bugs, mold, etc) that will infect the rest of the collections. It’s ideally super-sealed and climate-controlled, but the primary feature should be that it’s away from the main collections store.

Collections folk do the paperwork. They’ll give each individual object a unique number (following their preexisting system that will allow it to be identified distinct from all the other objects in the collection). They’ll create a ‘collections record’ for the object- documentation containing any and all information about the object. This includes the accession paperwork (everything that says ‘we legally own this now’); provenance info (all previous owners and everywhere else the object has been in its life); measurements and description (in painful detail); and conservation history and concerns (ie ‘there’s a crack in the side so pick up with care’, ‘this was repaired in the 70s so that glue is gonna fall apart any day now’).

(I'll say as a fic writer that this would be an great time to wax poetic over a beautiful statue or painting; you can’t write “This golden crown deserved to be worn by a great king, or maybe by that broody Roman general in the painting in Gallery B” in the collections paperwork, but you can think it.)

For fiction’s sake, your collections records could be either paper or digital, but in an ideal world a museum would have both setups, for security’s sake. So you’d fill out some long forms and/or input all the information to the digital collections management system (‘the CMS’, or referred to by your specific software’s name, as there are many out there). The CMS is not a static archive, but rather a living register that’s updated every time an object is interacted with. The object records also include where an object is at any given time (‘normally in Case E in the Fancypants Gallery, currently in Conservation Lab A for repairs’).

Once the objects are done in quarantine, they’ll go to storage. If they’re being displayed immediately, they’ll probably go to some interim storage space/shelf with other objects for the same exhibit and in that case only get a temporary setting. Every object will get labeled with their object number (directly on them, with a special pen that’s safe for this. Or if it’s really tiny, like a coin or jewelry, then their own tiny box will get the label). Small or fragile items, or items grouped together, will go in their own boxes (made of acid- and lignin-free cardboard or polyethylene plastic, like Rubbermaid totes; lined with polyethylene foam and then acid-free tissue paper). Stable ceramic vessels might sit directly on lined shelving, particularly if they’re very large or heavy, like many stone objects.

Listen, every type of object has a particular way(s) of storing that’s best for them, you’re gonna have to look that up yourself or consult someone if you need that level of detail

Ideally, before being stored away, objects are also photographed. This could be part of the Collection Officer’s duty, and/or your museum could have a photographer on staff. (say it with me:) This is more likely if your museum is really huge and/or has a backlog of unphotographed collections and has hired someone specifically, even if temporarily, to improve its collections documentation.

I would say a collections person, or anyone with a museum studies degree, should have some minimum amount of conservation knowledge that includes basic storage standards for different object materials, how to spot potential preservation problems (like if your bronze axe head is actively oxidizing or if that green spot looks the same as it always has since starting and pausing decaying), and maybe how to give objects a basic clean or deal with certain types of problems. But the nitty-gritty science is more the realm of Conservators, someone with a degree that ends in -Sci or who’s done some other certification course.

The general collections store should always be dark, slightly too cool for prolonged human comfort, and labeled to high heaven. Objects will most likely be grouped by material- ceramics/pottery, metals, precious metals and stones (jewelry or beads), stone, glass, wood, bone/ivory/other organic material like feathers or teeth or anything that can be decorative, textiles, paintings. A museum often has some paper material/documents, usually part of or related to a group of objects they acquired, but generally paper and photographic material is the realm of archives and archivists. Yet again, the bigger/more well-funded the museum, the more likely it to have a separate archive department, so your character could also work as an archivist in a museum.

Another thing the collections care folk probably do is ship objects. Remember how I said that  museums loan objects and exhibitions to each other? The stuff’s gotta travel somehow! If things are being shipped internationally, they’ll go in big wooden crates, with specifically dimensioned partitions inside. Then it will be lined with our favorite foam and tissue paper, cut so the objects sit snugly inside. I haven’t personally worked anywhere with a possibility of local shipments, so I can’t say where the threshold might be as to when a museum would just pay an employee to drive the objects over vs ship them with a shipping company. But the preparations would be similar, minus the big wooden crate but with extra-careful packing (and paperwork and insurance etc)

Conservation

Conservators are the people who work in labs with fancy equipment. Not every museum will have a formal conservator or a lab of any kind; sometimes the collections care person fills this role, or if something urgently needs care beyond the abilities of the museum’s equipment, they might send it away to a lab elsewhere, the same way you can send your old VHS home videos to a professional archive to be digitized.

If an object is actively deteriorating in a way that could harm itself or other objects (as opposed to like, at risk of fading bc the lighting is wrong, which is a straightforward fix related to the environment), that’s when a conservator would intervene.

Some methods/machinery by which you can analyze objects:

Ultraviolet (UV) and infrared (IR) light - Different materials absorb and react to light differently, which you can use to identify them. Useful for seeing things like the different layers of paintings

Stereo-microscopy (microscopes, of varying strengths)

At magnifications of x5-x100 you can see things like tool marks from an object’s manufacture, traces from wear, deposits, and coatings

At x50-x500, with a thin sliver of a sample, you can see (and hopefully identify) fibers, layers, particles, metallographic structures 

You can get information from objects without taking samples, but samples are usually worth the information. 

energy dispersive x-ray fluorescence spectrometry (EDXRF) - EDXRF allows you to identify the elemental composition of the surface layer of an object. So it might tell you what a tool is made of, and also the composition of the objects it was used on, if they left traces

scanning electron microscopy (SEM) - an SEM uses a focused beam of electrons to produce a magnified, high-resolution image of the surface of an object

X-radiography, both film and digital - X-rayy are beneficial for objects that might be covered by dirt or corrosion and can show you details of an object’s construction or hidden structural weaknesses

I’m not a conservator, so if you want more hard science-based info, ask one of them lol

Listen to me. If you take nothing else away from this post, let it be this:

 Once an object is in a museum, it is never seeing natural daylight again. Sunlight is the ultimate enemy of every object’s lifespan. If you need to see an object in the sun or moon light for ~magical spell reasons~, you will straight up be stealing that object to smuggle it outside.

Okay. That being said, you do hear (and could probably google) stories about museum employees stealing things from their museums on purpose to prove a point about security or insurance to their higher-ups, so like. Depending on your type of museum, it might not be impossible to steal from lmao. (Don’t tell anyone I said that.)

Possibly the most useful advice for you to keep in mind when writing your conservator or collections care characters would be that touching objects hurts them. It might not hurt them now, it might not even hurt them in ten years, but every time you handle an object, there’s a risk that you’ll damage it. Not on purpose, obviously, but to err is human. The simplest, most effective advice my conservation professor ever gave us was “don’t handle an object if you don’t have to.” That means don’t move an object without a plan and a place to put it, first examination should always be visual, not tactile, etc. Unfortunately, that means that your character cannot walk around lovingly handling and caressing their favorite objects (unless this is a Night at the Museum situation where the objects are caressing them back, ykwim)

Museum Technician

These people probably have a lot of different names, but basically, technicians are the background muscle of the museum. They do the technical construction of bigger pieces of exhibition material, up to and including the exhibition cases themselves. 

So they wouldn’t deal with the small mount that the object rests on, but they might build the big plinth that the mount sits on. They’ll help move things around the building, particularly big heavy things, hang big framed works, assist with exhibit installs, and generally do most things which might involve power tools/equipment or heavy lifting

I worked in a big museum that hired a third party company to supply their technicians; I interviewed at another place that hired their own. If you’re a small museum, you might just have a freelance person that comes in once or twice a week to help move things.

Other

Other miscellaneous roles one could have in a museum: researcher (for exhibits and/or collections), gift shop or cafe worker, security guard, room attendant, translator, archaeologist, consultant

Honestly, TL;DR? Just have your character be a consultant of some kind. “Oh no, I don’t work here, I’m Y’s friend. They called me in to provide some expertise on X subject that they’re doing an exhibit on.” This could work for literally any subject- history/archaeology/anthropology, art, transportation, science and technology, anything you might find pictures of in an archive, idk. This could get you into an office or meeting room of some kind in the ‘employee only’ space of the museum, or potentially all the way into the collections store if you’re giving them information they were missing about some objects. Otherwise you’d probably (hopefully) need a key or some other kind of security clearance to get into the collections store.

Whew, that was a ride, huh? I hope this guide was useful to someone! I’m always open to answering questions if you think I forgot something or if anyone wants more details <3

[misterxsamsa]

I think the JTHM universe's versions of heaven and hell are very interesting. They're evidently not based on mortality persay, not even just an objective measure of intelligence. It's very nuanced, and specific, and the introduction of it acts a good narrative conclusion to Johnny's character progression.

We're introduced to heaven first, and an evidently very flawed God. He's portrayed as all grotesque, and lazy, and funny-looking — not answering any of Johnny's questions, or doing anything about the the world's suffering. However, in relation to heaven's inhabitants, the concept of "content" is stressed above morality. There's nothing enriching in the enviorment, just chairs to "bliss" in, but they're all completely at peace and given immense power alongside that.

We're not given incredible amounts of insight into the people residing there. However, it seems some of them were likely quite unpleasant in character, like the crabby old woman. Through all this, the notion of morality not being the determining factor of where you reside in the afterlife is established. So, if it's not morality, subjective or otherwise, then what is it? Well, it's not any one thing, and the answer to that question is left somewhat open-ended and subjective.

When catching a glimpse of hell, the characters of its residents are just as mixed as heaven's — some nice, some mean. The shared trait between all of them though is a preoccupation with the inane. They're cartoonishly reactive to the smallest of inconveniences, materialistic, superficial, or lacking in attention span. We're told many of them are driven to neuroticism by an eye in the sky that they all simultaneously believe to be watching them specifically. To me, this is a barely symbolic representation of an obsession with appearences: the judgements, opinions, praises of others.

Personally, I interpret the determining factors for the fate of your eternal soul in JTHM to be that of priorities and perspective. To be specific, what you allow to consume your thoughts — the things you value and pursue during your life. By choosing [or rather prioritizing] contentment, the residents of heaven decided that it was more worthwhile than wasting mental energy on fleeting negative emotions, or other base things. It's not that their souls are being judged from some detached perspective outside of themselves. They're determining the course of their own afterlife, and hell is effectively just a self-imposed state of mind.

That's all intriguing from a lore perspective, but this system is a backdrop meant to emphasize the themes of Johnny's narrative journey. The idea that "heaven" and "hell" are states actively sought rather than assigned is meant to highlight Johnny's agency in his own deterioration. He's chosen to prioritize his misanthropy, and homicidal tendencies, over his art and relationships. By seeing himself in the residents of hell through their shared flaws, he's forced to internally take accountability. That's what ultimately drives him towards a pursuit of contentment in Issue #7.

What's interesting though is that the notion of what exactly "contentment" entails is left purposefully vague. Why wouldn't it be? The concept of "contentment" is subjective and self-determined. That's why Johnny continues to kill, and overall be very morally dubious even after his change in perspective. He's choosing to make it about his own amusement and enrichment rather than centering it in exhaustive hate. Hey, everybody finds happiness a little differently, I suppose, it's still tangible progress nonetheless.

There's an interesting dichotomy to be found between God and Senor Diablo. Upon a first glance, I've seen many take their portrayal [and differences] as a cynical, but straightforward poke at organized religion. That's probably the case, but I see more to it than just that. In JTHM, the systems of heaven and hell are meant to reflect and support Johnny's character progression. As such, I'd make the argument God and Senor Diablo could be symbolic of the judgements Johnny would normally make on others.

Senor Diablo is very distinguished, intelligent, and he loves the word "DOOM". He's seemingly well-off compared to the God of this world, and Johnny respects him significantly more [relatively speaking] as a result. However, he's unhappy with the people he rules over, and exhausted by their repetitively short-sighted tendencies. In some respects, you could view him as Johnny's parallel, both are cynical enjoyers of suffering looking down on idiots who they view as beneath them. Perhaps, by a subjective character evaluation, and on aesthetics, you could say he's above his heavenly counterpart. Still, that judgement would bring him no joy.

It's emblematic of the lessons Johnny has to learn about himself and others. He's not better than humanity for constantly engulfing himself in the sufferings and injustices of the world, ones he only pretends to truly care about. His intellect is only valuable for as much as he can properly utilize it to better his own circumstances. With God, he's greasy and ignorant, but he's completely happy, or content. He's a representation of all the traits that motivates Johnny's hatred of others — he's all fleshy-like, and completely unconcerned with his sorroundings in any deep sense. It makes sense for humans to be apparently made in his image, since he's a fucked up interpretation of the quintessential human.

Still, by the end of the comics, Johnny learns to appreciate his love of content, rather than fixating upon his numerous detestable traits. In life, you'll encounter many people you'll find to be as disgusting as that lumpy God-dude in his chair. Regardless, it's in your best interests to only allow their bad qualities to occupy your thoughts to a limited degree. By learning to internalize to philosophies of people different from him, or particularly flawed, Johnny's learned to become a more well-rounded person. Again, relatively speaking by the standards of a homicidal maniac. Rome wasn't built in a day!

[dalishious]

Veilguard Companion First Impressions

So, I’ve finally recruited all the companions for the Veilguard! And as such, I thought I’d share my initial thoughts on them each.

Please keep in mind that as the title says, these are just my first impressions. I am nowhere near finishing the game yet. My thoughts very well may change after getting to know the characters more as the story progresses. Also, please do not take any opinions you do not share as a personal attack against you.

Bellara

Bellara might be my #1 favourite.

I’ve seen some people just say Bellara is “a Merrill rip-off” but I don’t think that’s fair at all. If all it took was a few similarities to say a character is a rip-off of another character, than I can think of so many boring white cishet male characters who would be guilty of that. But heaven forbid we get more than one elven woman who is passionate about her people’s culture and history!

Frankly, I think Bellara is a breath of fresh air in terms of Dalish characters specifically. Finally, a Dalish elf who isn’t punished for being proudly Dalish by the narrative.

I also really appreciate that so much of her can be easily understood by her backstory, too. Like, her feelings of never being good enough is reflective of the very realistic grief she is experiencing.

Lucanis

If Bellara isn’t my #1 favourite, then Lucanis is. They really both dominate that spot neck in neck. I can’t decide if I want to put him in a jar and shake it to see what happens, or wrap him up tight in a quilt and give him some good coffee.

I’m just a sucker for Lucanis’s character archetype, is the thing. I love taking him out simply because he’s so much fun to have around. And in terms of companion arcs, his is the one I am most intrigued to see where it goes.

Taash

(While I haven’t personally gotten to Taash’s non-binary plot yet, I am aware Taash switches to they/them pronouns, so that’s what I’ll be using.)

The moment I met Taash felt my heart skip a beat. The only thing hotter than their appearance is their voice. I know BioWare probably left Taash out of a lot of the advertising because they wanted to keep Taash’s gender stuff a surprise, but oh my god, because of this I was taken by quite the surprise. And so far Taash seems to be the type to keep a hard outer shell to protect a much softer side, and that is yet another character archetype I really love.

Davrin

My initial gripe about Davrin’s writing being so exclusively about Assan rather than Davrin himself is slowly peeling away, I hope. While I still think its bullshit that you can welcome Assan into the Veilgaurd but not Davrin, at least I’ve finally gotten a few bits of dialogue to get to know more about him finally. I just want to keep this momentum! Because Davrin as a concept has so much potential, in my opinion, and what little bits I have gotten from him have captivated me. But I can’t tell yet if it’s intentionally part of his character that maybe he’s just a closed off person who takes a while to trust others, (a little like Taash?) Or if the writer just cared more about griffons than the actual guy. I’m really, really holding out hope for the former.

Emmrich

Emmrich is so much more charming than I expected, and I found him instantly endearing the moment we met him. I also really like that we’re finally hearing some different stances and insight on death and necromancy than we ever had before from a companion! It makes him feel so fresh and completely new!

Harding

I’ll be real with you: I was not anticipating caring about Harding so much. She was who I was originally least interested in, when the companion line-up was announced. But the direction they’re taking her in has me questioning so much about bigger lore questions.

Unfortunately, I still don’t see much in her except being a vessel for those bigger lore questions, though. Like, Harding as a person has me mildly curious at best.

Neve

I’m really sorry Neve fans, but I just find her really boring so far, in comparison to everyone else. She doesn’t have a lot going on, and what she does have going on, doesn’t really captivate me much. Maybe I was just hoping she’d have stronger stances on things than she does? I don’t know.

It could be that I just really fucked up with Neve, and it won’t be until another playthrough that I’ll get to experience more that will change my mind. Because I will admit I am very good at picking choices she disapproves of, with my first Rook.

[raven-at-the-writing-desk]

⭕️👋Hi I’m new, I really like your character analysis, world lore analysis etc,…I think they’re very accurate and provide more insight into the twisted wonderland world,

do you think NRC gets enough funding cause they’ve been losing to RSA for like almost 100 years now and the Magift incident where the recruiter’s and scouts probably didn’t really pay attention to most of the players cause of Malleus .I know they probably get funding and tuition and stuff from affluent parents who care about the quality of education & environment of their children but is that really enough? Is Crowley secret Stressed about funding cause of their losing streak to RSA???

I just wondered what your thoughts were on the matter

Hello and thank you very much ^^ It always warms my heart to hear that people enjoy my more analytical writings!

Now to answer your question, I don’t think NRC is hurting for money. Like, at all.

You did bring up a fair point about NRC’s almost a 100 year loss streak to RSA + the lack of interested Spelldrive/Magical Shift scouts in book 2, but that’s not enough of the big picture. RSA is only one rival magic school out of several. Just because NRC is not doing well against one other school doesn’t mean that NRC is suddenly deemed “lesser”—NRC is still considered a top arcane academy and eclipses other magical institutions like Noble Bell College. In regards to the pro recruiters, I don’t think it has a huge impact?? Sports is only one sector at NRC; they’re still doing relatively well outside of it (such as in academics, extracurriculars, and connections for internships) in the grand scheme of things. Things like not winning VDC and not being noticed by scouts seems to only really impact the career prospects of students who were interested in the entertainment/sports industries; I doubt that this would seriously hurt whatever funding NRC is receiving.

Night Raven College is a private school, so they are most likely receiving money from tuition and not the government. Though tuition is not explicitly mentioned in TWST (at least not that I am aware of), if we assume the average cost for one student to attend a British boarding school—for which NRC is modeled after—that means 25,000 pounds per person, PER YEAR. Let us assume that NRC had only 800 students (this is the rough estimate TWST provides us). That means, from one year’s worth of tuition alone, the school is raking in 20,000,000 pounds or 4,058,310,000 madol. Note that this is just money in, not yet factoring for expenditures, taxes, etc.

The school also receives 10% of Mostro Lounge’s proceeds, and while we cannot put an exact number to that, we do know that most menu items range from 600 to 1500 madol. The lounge must also make significant enough money to pay for its ingredients, nice silverware (something which Azul stresses to give customers a high class experience), and even provide pay to workers (Ruggie would not be doing labor for free and refers to his time at Mostro Lounge as “a job”; see: his Ceremonial Robes vignettes). While this doesn’t make up a large part of NRC’s money, it’s still a nice little bonus to account for.

NRC also has many, MANY wealthy students, including literal celebrities and royalty. In fact, the upper middle class to flat-out rich make up the majority of the main cast (close to like 70-75%). If this is also the case for the regular mob students, then there are many other ways for the school to get huge donations. In the main story alone, two significant donations are mentioned: Kalim's dad gave enough money for NRC to completely renovate Scarabia and the Shroud parents paid for all the damages caused to the school's buildings. Additionally, Crowley says that the Shrouds made "substantial contributions toward expanding [NRC's] facilities."

Please note that this is just donations from current students’ families. Think about potential donations coming from NRC alumni too!!

It should be noted that NRC has the financial power to spend liberally, and no one really says that this will put the school in a touch spot. For example, Crowley literally buys up Sam's entire stock of goods during Ghost Marriage... and if you know anything about Sam, it's that he can magically keep things "IN STOCK NOW!!" Crowley even indicates in one of his voice lines that he is in constant competitions to buy out Sam's stock and has scarcely managed to one-up him--so the fact that Crowley does buy out Sam during an event is meaningful and speaks to how much of the school's money he is throwing to save it. He also tells Sam to bill the school for the cost of the fairy dust in Fairy Gala.

Both times, Crowley complains about how he would rather not spend money, but he does so anyway. This in of itself does NOT prove that NRC is in need of money, this is just proof of Crowley's cheapness. (We see many other examples of this greed and stinginess of his; he guilts Yuu for spending money on them, constantly tries to get free food and souvenirs from his students, and cuts costs for Halloween candy.) If NRC were truly hurting financially though, then they would not be able to throw lavish events or donate back to the community, both of which still happen multiple times. For example, NRC holds a huge Halloween event every year in which they open their campus to outsiders. This event is entirely free and involves a budget large enough for each dorm to create intricate decorations and costumes for 800ish students. There is also enough money to throw a celebration party for the students at the end of it—and let’s remember, NRC has the money to afford five star ghost chefs to regularly cater, serve in the cafeteria, AND teach their Culinary Crucibles/Master Chef courses.

While explaining the nature of the Halloween events, Crewel cites that NRC has survived this long in part due to the "While explaining the nature of the Halloween events, Crewel cites that NRC has survived this long in part due to the "understanding, cooperation, and subsistence of Sage's Island locals." This implies that the immediate community on the island also supports NRC in some ways. Perhaps it isn't financially, but it's clear that NRC still has social capital and a good reputation in spite of its losses to RSA.

In Port Fest, Crowley states that setup, food supplies, and all other expenses will be covered by the school. Half of the proceeds will then be donated to charity and the other half will be granted to the students to celebrate their hard work. Again, would NRC be giving away this money if they really needed it for the institution itself? They're not obligated to give money to the students, yet Crowley easily agreed when Azul asked for an incentive.

And let's not forget the school cultural festival, which was largely open for the public to attend. If they choose to spend on additional things (such as food and drink or VDC tickets, which are a "hot commodity"), that's on the individual. The school itself is hosting the event for free.

Yuu is offered a large sum of money (if the NRC tribe wins VDC)... and Ramshackle renovations (from Crowley) in book 5 in exchange for letting the boys host their training camp in their dorm. Look at how old and run-down Ramshackle is; there is no doubt that such repairs would be pretty expensive—but Crowley doesn't complain about the cost, he's not above bribing someone to make himself and his school look good.

Crowley caring about his reputation isn't new either, it's a pattern. We see him getting upset at NRC's loss in book 5 and lamenting bad publicity/being excited about good publicity in numerous events (Ghost Marriage, Wish Upon a Star, etc.) The school has been under his care for a long time, so naturally he will feel proud and/or slighted whenever NRC is involved.

This leads me to the conclusion that Crowley, the figurehead and headmaster of NRC, and his own personality quirks are being misconstrued as an indication that NRC is in a bad financial spot. His own fixation on triumphing over their rival school, acquiring and maintaining material goods for himself, and wanting positive attention do not reflect the state of the school. Notice how no one but Crowley whines about the financials and how while Crowley still complains about spending money, he has no qualms with spending lavishly himself on school events and holidays. This means NRC has money to spare, but Crowley is just stingy about how those funds are allocated.

[applestorms]

ok, well. if last time i talked about parallels between near & light, i guess it’s only fair that this time i talk about parallels between mello & misa. yap central on this blog lately.

the main thing that stands out the most about mello & misa, and the reason why i will forever Defend them and their place in the story, is that in my mind they both function in a similar way on a narrative level: namely, both of them are incredibly active wild-card characters that keep the action going and the story moving forward when the other main characters like light, L, & near start getting too passive.

notably, while i often see this trait praised in mello, usually in the context of a comparative criticism of near for his overly-abundant passivity, i have also seen it used as a criticism of misa's character, that she breaks up the status quo of DN too significantly and thereby makes the story feel less realistic. this last point in particular is an odd argument to make imo, as if anything misa's presence only increases the realism of DN by adding some extra luck/random chance into the story in a way that is ultimately still character-motivated and thus easier for the audience to go along with-- something DN in general is very good at, often introducing elements through pure chance but keeping them grounded in characters enough that you almost don't even notice.

take light meeting naomi misora, for example: the only reason he runs across her at all is because he offers to run an errand for his mom on a bored laundry day, literally stumbling across her right at the exact moment she is divulging important insights she is literally the only person capable of making about kira. yet this moment does not stand out as particularly aggravating or out of place in the story, as ultimately the only reason why light is able to get out of that situation is his own quick thinking and ability to calm himself while under immense pressure, squeezing his way out of a potentially run-ending situation he didn't even know existed moments prior.

(not a fan of that big joel video, if you couldn't tell. lmao.)

point is, mello & misa both fulfill about the same narrative function in the story by being so aggressive in their actions, catching the others off guard even if their plans aren't as well thought out or careful as they could otherwise be. they're both incredibly passionate, dedicated characters as well, tough enough to take the hit when it inevitably comes, and in my opinion neither of them are nearly as stupid as the other MCs like to make them out to be. to some degree, i think both of them are aware of the fact that they can't win at the Mind Game Cold War Bullshit the others are inclined to get involved in, so they instead choose to carve out their own place in the story through sheer perseverance alone.

which, speaking of passion: one of the most interesting parallels i think you can make between mello & misa is the ways in which they idolize their respective heroes, misa's obviously being light while mello's is L. allow me to elaborate.

as this post points out, DN has some very interesting use of its religious imagery & theming, and in particular its use of christian/catholic gothic imagery in its story and especially its art. however, as op notes, a lot of this is quite superficial, ascribing to an aesthetic of "kitschy Catholicism," that was characteristic of a lot of early 2000s japanese goth style. yet, while i admit that a more serious consideration of religious elements in the art & story could add some interesting flavor to the story, i also think that, regardless of intention, the superficiality of DN's religious elements works really well in the context of this particular story. as i stated in my tags on that post: light is a superficial god. he is a fake, a scam, some idiot human that stumbled across the powers of a real shinigami and got his head up his ass about it. and a lot of the arcs of other characters in DN is about their reaction to light's claims-- whether they choose to follow him (e.g. misa, mikami), follow somebody else (e.g. mello), or follow nobody at all (e.g. near, also kinda soichiro?), and the implications that has for their lives and personalities.

this is all to say that while you can, on a surface level, connect misa & mello pretty easily as the two aggressive, fashionable blondes of the series, i also think that these somewhat superficial traits betray a greater connection between the two of them. if we understand the christian/catholic elements of misa & mello's fashion as a demonstration of their connection to not just a higher power but a lie, a superficial deity simply reflecting the sunlight of powers greater than himself, then i think we have great insight into another key element of both their characters.

do not forget: in the world of DN, heaven & hell do not exist. at least in the context of death itself, the realm & lore of the shinigami reign supreme, a point which the DN musical makes even more overt: "Isn't it a laugh? / Isn't it a shame? / Thinking there is someone in heaven to blame?" and "Going through the motions / as if there will be a reward / Oh, while we stay eternally bored!" (BEST SONGGG.) everyone is destined for the same fate of MU, the same void of nothingness awaits all. no reward, no punishment, no greater deity looking down upon us than the bored, slothful shinigami, lazing about in their realm and picking people off only when necessary (for the most part).

misa & mello are thus dedicating themselves to false idols, and we can see the negative effects this has on them in almost every facet of their character-- particularly for mello, who is perhaps more self-aware and has more of a mixed emotional outlook on his idol, but maybe even to a more extreme degree for misa. i keep going back to this idea of equating boredom with depression in DN, but where light/L/near are all "bored" in a very quiet, passive, stewing-in-bed late at night kinda way, misa & mello are characteristically a lot more aggressive and intense about it-- while neither of them are super overtly suicidal, necessarily, their actions still betray a distinct lack of care for their own safety or lives, expressing the same thematic sentiment as the others. even if they still don't straight up say it, through their actions they're a lot louder about not liking themselves, and seem to take the problems they see in the world more personally, shouldering the blame as a failure within themselves instead of projecting it outward like the others: e.g. light taking his unhappiness at the emptiness of his life at the start of the story & placing the blame on the world for "going to shit" & humanity's moral failings, versus misa being willing to literally & figuratively give up her life for KIRA the second he demands it, whether that be in the form of shinigami eyes or killing her own friends w/o second thought-- all because he was the only thing to bring justice to her own parents' deaths, an almost undoubtedly traumatizing/horrible experience for her considering how much value she places on KIRA/light afterwards.

to clarify, this is not to say that all of these characters are actually and literally depressed and/or suicidal, though you could certainly make that argument for some/all of them-- this is just one way that i think you could interpret their roles in the plot, and their thematic attachment to the story. even if DN isn't all that interested in considering the True Moral Answer to ethics/the justice system/human society/etc, it definitely takes at least some interest in the emotional viewpoints of characters in relation to those concepts, so i think this is a fair enough approach to take. or to say this another way, it's less about justifying the claim that "the world is shit," and more about trying to understand the emotional motivation & experience of feeling like the world is shit, if that makes sense.

that being said...speaking more on the whole "not liking themselves," thing: even if she doesn't say it aloud often, if ever, i think that misa is deeply aware of the fact that she was not supposed to live this long, that her existence at all is a pure stroke of luck that let her live on past her destined date. she dedicates herself to light so fully, not even necessarily expecting reciprocation (though she at least reserves herself the possibility of such), because being a disciple to her god at least gives her life some kind of purpose. similarly, i think mello is also aware of just how out of reach the one thing he wants is, how his desperation in and of itself is ironically the one thing keeping him from surpassing near and truly being #1. it's important to note that pre-time skip misa & post-skip mello are almost exactly the same age, around 20 years old at the time of their main arcs. they're immature, and in the case of mello especially, are lashing out at the world in whatever way they can because they know they don't quite fit into it in the way that they want to or should. regardless of the intent behind it, mello & misa both still make the conscious decision to kill with the DN-- perhaps in a way that still keeps their humanity, at least following near's logic, but it's a decision to end a human life either way.

anyways, going back to my previous point, this "worshiping of false idols," idea has some interesting implications-- for misa & mello yes, but also for L and the ways in which he contrasts again light, as under this logic mello's treatment kind of inherently gives L a similar status as a sort of false god/idol. which-- actually makes a lot of sense? or at the very least, viewing wammy's house as a kind of mystery cult a la the eleusinian mysteries is a neat approach to take. L & light's mutual alienation from humanity fits them both filling a false god status, anyway. also there's another thread of analysis you could follow here where near is instead fit into the role of the person mello is fixated on which AAAAAAAAA has interesting implications but jesus fucking christ, this post is long. some thoughts for another time, i suppose.

[philosophicalpug]

Ship whiteknight?

Why white knight? Well let me show you

So, we will start out with the obvious: beacon. why would I ship this annoying dork with a girl that is clearly not interested and has rejected his advances multiple times? It’s simple, I don’t I ship the jaune that helps people,

See he’s a dumb teenager, they both are, but the key here is that jaune matures, sure the intended comedy left more than a little room for sour interpretation, he stopped and saw that she wanted to be with another, and promptly ceased his advances, this is very key to his characterization that we must forget, he genuinely wants her to be happy. And when Neptune beefs it because of his own insecurities? Jaune doesn’t come in for the rebound or any opportunistic sense, no, he confronts him and makes sure Weiss has a good evening.

Not only that, he follows up on his promise to Pyrrha at the dance, this once more highlights his good qualities, he may not be particularly clever or insightful at times, but when he gets it, he gets it

At his heart, he’s someone who tries his best and wants only the best for others. Rocking the dress while played for laughs, still shows that he will go above and beyond because people matter to him

(Also doing this in front of Weiss is important too, he’s not afraid of acting the fool to his crush, not at all! Hes been setting aside the macho bravado, which is a good thing if he’s ever to be in a real relationship) Now onto some Weiss analysis from the beacon era, pompous, classic rich girl, doesn’t have time for all this nonsense and is a career girl through and through- and though she would never admit it, she’s just as much of a dolt as those that surround her,

But we know she’s come from a terrible household, cold was putting it nicely, her fathers a terrible man who doesn’t love anything except money, her mother is an alcoholic that didn’t love them enough (if at all) her older sister being the only member of family where she’s had  a consistent positive relationship, and she ended up running away to the military, leaving behind all the eldest daughter shield duties and trauma to her, which, boy that was a lot. And her little brother, her father’s favorite, she’s not anywhere near mature enough to confront, separate and acknowledge her feelings for said brother who is being raised to be exactly as detestable as the man that sired him. And what choice does Whitley have? He was so young, and he was left behind. Its safe to say she wants a normal, loving life. Desperately. It’s easy to see it in things like Zwei, how over the moon she was for the little guy, and in winter, how she comes to idolize her and seeks her approval over anyone’s. This girl is STARVED for affection.

With beacon being her chance to spread her wings a bit, it’s also natural to see that she would be interested in pursuing a romantic relationship, at her own pace. It’s no wonder that at first early volumes Weiss didn’t like Jaune-she doubtlessly dealt with the bravado of a dozen boys trying to gain her favor because of her status and wealth. Additionally, jaunes impostor syndrome ultimately bled into his interactions with Weiss as well, he was faking it all in beacon, what’s a little more to impress a girl? it’s not like shed like the real him, right? This and Weiss’s self-image of needing to be this pristine, perfect princess is also a huge factor as to why white knight wouldn’t work at beacon, its simply too early, Jaunes attempts were at the height of both their respective character flaws/failings. There's no WAY it would have worked.

Which is why she gravitated to Neptune, I think it was her trying to get out of her shell and try new things, yet still in the trappings of the “need to be pristine” persona. Thinking about this, seriously, yeah of course she was going to get a crush on Neptune, it’s what she knows except she’s convinced herself that its “different”. This suave guy that’s well dressed, knows what a perfect contrast to jaune doing is. It’s not like Weiss really knows Neptune but she thinks she does, at this stage of her life she’s really ruled by her first impressions of people (Ruby Pyrrha Jaune are some examples)

Back to the dance, an entire night worrying, feeling all sorts of emotions after what is likely the first time she opened herself up to a relationship and she’s been left behind. But of course, she must act like it doesn’t bother her, she’s Weiss Schnee, she’s above little insecurities like that. And along comes Jaune with the dress, she saw him make himself the fool in front of everyone laughing along it was a good time for all.

Lo and behold! When Neptune came back she started asking what happened, that she thought he was too embarrassed, Neptune says that it was Jaune that convinced him to come. The boy she’s rejected time and time again, the one she likely thought no more than a nuisance at best, took it all in stride and made sure she had a good time, he definitively proved himself as someone trustworthy, especially with how “an arc never goes back on their word”. It’s no wonder that at this point many people think it could potentially work out, they both have matured, and Weiss finally sees that while Jaunes attempts were annoying and grating, they were always sincere, especially when you consider he had no idea the significance of the Schnee name before.

This is all a solid foundation to work with, they’ve matured a decent bit from where they started, both now able to see each other in a better light. Its not that they are head over heels for each other, but you can’t deny this works as a solid foundation for a possible relationship down the line

But of course, it’s not all gumdrops and Weiss-cream

FALL OF BEACON Moving onto the fall of beacon the first person jaune calls for help with Pyrrha is Weiss, in his most vulnerable moment he reaches out to her, now could this just be how the writers decided the order of things would go? Sure.  But consider this

I think he believes Weiss to be the best among them, someone who he sees as levelheaded and skilled to do something about it, since her semblance is the most flexible one of them all. If theres anyone who can do something, it’s her.

POST FALL  

They’ve both are in their lowest point, truly where the new versions of themselves are put to the test, and oddly enough, both share a parallel with returning home both wouldn’t choose to go home, but one of them was forced to. Jaune decided to persist with his dream and followed through to help his friends, his loyalty is almost second to none: he was a hack, a fraud, no business being amongst his heroes, a dork at the best of times. The easiest thing he could do is return home. No one would blame him. But he didn’t.

Jaune is loyal, astoundingly so, he has a family, with 7 sisters, he could have gone home after the fall, no one would have thought twice about it. Instead, he stuck through, traveling for weeks through monster infested terrains for his friends with whatever they needed. At this point has been steadily improving, no longer just some punk that doesn’t know what they are doing.

(mans stopped a whole ass charging man-devil-horse -hybrid dead in its tracks, noodle boy has been promoted to Pasta with Beef) And yet...he’s still very affected by the fall, mourning. In the battle of haven he was recklessly pursuing cinder, he’s someone with a lot of pain, someone who clearly doesn’t think themselves as important as those that surround him.

Meanwhile everything in the Schnee manor is shit show, Weiss is back in the middle of her family dynamic, looking to be free once more. She ends up struck by her father, disowned and generally treated with scorn, then she gets kidnapped by bandits afterwards. Theres really nothing Weiss wouldn’t do to find real family. By the time they are all reunited, I think she will notice just how the members of Team J_NR are people to trust and confine in.  Knowing what we know, Nora and Ren  didn’t really have anywhere else to go given they are orphans, so it would make sense for them to follow ruby to haven. But once again, Jaune demonstrates true courage and chooses the hard path. That means something for sure. Skipping to the haven fight again, this is another heavy moment, particularly when Weiss-

Well, Weiss was nothing less than struck down. And what is Jaunes immediate response? The only one he seems to have, to be there, no matter what. And in that instinct to protect, in caring for others, he unlocks the mystery of his soul.

At his core he only wants to help, a selfless desire so strong, so literally suffused in his very essence of being that it actively manifests itself in the world.   

You can’t tell me this means nothing to her. For a girl that has lived in a stifling coffin of a home. To find someone who’s so selfless and caring, despite never once needing to. Finding someone that manages to see her for who she is, who cares for their happiness without asking anything in return. Someone whom despite all they have suffered, still pushes forward to be there every moment they can in service for others. Someone who reached out with their very soul to halt the hand of death, fueling your own to give you the strength to come back, to your loved ones, never once even mentioning it. Is it any real surprise that love is in the cards for these two?

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ What makes this ship work is all the post beacon stuff, they both have suffered terrible losses yet they still need to push through, they both have matured and see each other for what they really are,  they can both look back on their beacon days and reminisce, laugh about how stupid they were, mourn lost friends and in that, they find comfort.  They have both been given the space to improve and be better, and it’s not hard to see the qualities they would see in each other Jaune is a loyal and loving person, he knows about family and would sooner suffer ills before ever breaking a promise, someone who WILL love someone to the fullest. Weiss may be cold, but she’s a sweetheart under all that, she’s been hurt and desperately wants to love and be loved, something jaune wouldn’t hesitate to do.

[middle-earth-mythopoeia]

No, Amazon’s Rings of Power is not “woke”

It annoys me so much when people complain about Rings of Power being “woke.” First of all, because of the way they overuse the word, woke has become a next-to-meaningless term that can be applied to anything conservatives don’t like. Second, Rings of Power is only progressive in the most surface-level way; underneath that it is in fact extremely regressive. People who whine about Rings of Power being woke are not only annoying, they’re also just plain wrong.

Ever since the casting was announced, right-wing idiots have been shrieking about Black actors being cast in Rings of Power. These trolls have made all kinds of dumb statements about how Middle-earth = Europe, but they seem willfully ignorant of the fact that Europe has never been exclusively white, and there is no reason to exclude people of color from the cast of any Tolkien adaptation. Still, this didn’t make the show progressive in its casting (which was tokenistic) or its writing (which ranges from bad to horrible).

For instance, the only storyline Amazon writers could apparently think of to introduce Arondir was literally him being enslaved. I mean, really? Is that really the best plotline to go with? To be clear, I’m not criticizing the actor, I’m criticizing the writing. In addition, Amazon cast actors of color overwhelmingly in parts invented for the show—rather than as actual Tolkien characters—which more easily allows them to be sidelined by the narrative, and the casting overall was in no way diverse enough. So I find it bizarre that people criticize the show for its so-called wokeness, when very little effort was made from a diversity and inclusion standpoint.

Right-wing nutjobs also threw a fit about Amazon portraying Galadriel as a warrior, to the point where they started calling her “Guyladriel.” They whined about Galadriel being too feminist and too masculine in the show, but that’s the opposite of what happened and betrays a fundamental misunderstanding of Galadriel as a character. First of all, she fought at Alqualondë in one version of the story, so no one should have a problem with her wielding a sword. What IS a problem is everything else about her portrayal.

Amazon’s writers took one of Tolkien’s most interesting characters and stripped her of her power, her authority, her gravitas, her wisdom, and her ambition. They had Gil-galad, her younger cousin, order her around. They had Elendil compare her to his children, even though she’s older than the sun and moon. And they made her a petty, naïve, incompetent brat whose entire first season involves being manipulated by Sauron, and as if that wasn’t bad enough, having a bizarre will-they-won’t-they relationship with him. In addition, Galadriel is canonically tall and strong, and one of her names means “man-maiden,” but they made her short and waif-like instead.

Galadriel in Amazon’s show doesn’t even resemble the character Tolkien wrote—the character named Nerwen, who never trusted Annatar, who certainly never had some creepy Reylo thing with him, who was powerful and wise and authoritative, who had a marvelous gift of insight into the minds of others—not a quippy, rude, annoying idiot who is constantly being controlled by the men around her. I don’t know why anyone would look at Rings of Power and think this portrayal is progressive. It’s actually a failure of imagination: Amazon’s writers literally cannot conceive of a powerful woman even when all of the work of imagining her has been done for them.

In addition to the faux-feminist-and-actually-sexist portrayal of Galadriel, Rings of Power is also on the whole weirdly regressive from the standpoint of gender roles and gender expression. Tolkien’s Elves are canonically tall, beautiful, and long-haired, regardless of gender. Tolkien’s Dwarves all have beards. So what did Amazon do? They gave most of their male Elves short hair, while the female Elves still have long hair, and they did away with female Dwarves’ beards. They patted themselves on the back for “letting” Galadriel fight, but don’t show other female warriors—in battle scenes, for instance, why are all the soldiers male? In general, they made their characters adhere to conservative gender roles and gender expression, which is especially glaring because it contradicts what Tolkien actually wrote.

On top of all this, they decided to throw in some anti-Irish stereotypes with a side of classism, just for fun. They had the ragged, dirty, primitive Harfoots speaking in Irish accents, while the regal, ethereal, advanced Elves speak with English accents. None of the actors playing the Harfoots are Irish themselves, to my knowledge, which makes the choice to have them speak this way especially questionable. Seriously, who thought this was a good idea?

All in all, it makes absolutely no fucking sense to criticize Rings of Power for being woke. It may look progressive on the surface because there’s a Black Elf and a woman with a sword, but that’s as far as it goes. The show isn’t particularly diverse to begin with, and it treats its characters of color poorly. Galadriel’s portrayal is disgustingly regressive, as is the show’s overarching take on gender. This is to say nothing of the caliber of the writing in general, which is unsurprisingly low. There is so much to criticize—like the nonsense about mithril, or the fact that Celebrimbor of all people doesn’t understand alloys, or the fact that you can apparently swim across the Sundering Seas now—which makes complaining about the show’s supposed wokeness especially irrational.

I also have to wonder if the people still whining about wokeness know anything about Tolkien’s works. Do they know that the crown of Gondor was based on the crown of the Pharaohs of Egypt? Do they know that Tolkien considered Byzantium the basis for Minas Tirith? Do they know that female warriors already exist in Tolkien’s books? Do they know when they rant about how much they hate “Guyladriel” that Amazon’s portrayal is actually too feminine? Ultimately, people who complain about wokeness in Rings of Power—or any Tolkien adaptation—are just betraying their own idiocy. I honestly think if Tolkien’s books were published now conservatives would scream that they’re woke too.

[witchhuntress]

Mai: Analysis of a Psychic (aka word vomit 😆)

The usual consensus of Anime Mai is that she’s stupid and often annoying😅 While she has the qualities of Light Novel Mai (who can also be stupid, yes), Anime Mai needed frequent particular explanations, w/c Naru usually singles her out for. She also often makes mistakes on idiomatic expressions for comedic relief. These don’t really often happen in the light novels, and it might be because of the usual shoujo trope to make female anime characters more clueless back in the days or the fact that the audience has to have someone as a layman’s guide, through that someone being the person who needs extra explanation. Hence, Anime Mai is an obvious foil to Naru and the others, but Light Novel Mai can feel less so because there are as many times that Mai knows more than Naru and the others as much as she doesn’t know some information in parapsychology.

I think it’s easy to cast Mai as uninteresting and annoying. After all, at the start, everyone else in SPR has extraordinary skills & knowledge that an ordinary high school girl like her does not have. However, as I said before, Mai does have a particular advantage in knowing urban legends, particularly where horror stories & the occult are concerned. While terminology can still confuse her and she makes blunders, she does have a great memory, and it’s also hilarious how Naru thinks her “jokes” can also be a case for study because Mai often says things lightly but what she says ends up as an important insight at the end.

Just think about it. Bou-san has his musician job and lives quite an isolated life outside of everything else. Ayako has other stuff to do in her life that keeps her busy. John is a translator while at the same time an exorcist and a helper at a clinic for less privileged foreign workers. Masako has school like Mai but she’s also a celebrity with her own duties and schedule. Yasuhara has college among other things. Overall, everyone else might not know all the current urban legends and or horror trends at present because they’re wrapped up with many other things. Naru and Lin have been looking for a certain place in their spare time, so they definitely might not take notice of all the occult practices in Japan as well.

This is where Mai comes in. Mai who’s sociable with everyone. Mai who has had many experiences telling horror stories after school. Mai who’s interested in learning about the latest urban legends & horror mysteries out there with her friends. Mai who actually has dabbled in the occult as a pastime. Mai who takes in information wherever she can get it, even knowing ventriloquism which she said to be rarely seen on TV. Mai has a curiosity for all things paranormal and unusual, so her knowledge for those can be as extensive as a common folk largely attuned to her neighborhood or society. She’s always carefree, but Naru has also paid attention to what she says more and more because she can say quite the most surprisingly inquisitive things.

This particular advantage of Mai has been set up from the very start when she was telling horror stories with her friends after her classes in the first ever Ghost Hunt case which happened at her school—when she asked Naru what he was doing there and when she noticed his demeanor and replies are weird. Throughout the light novels as well as the anime, we see bits and pieces of Mai’s knowledge subtly revealed—such as when she knew about the common patterns for Kokkuri-san or about Qi-gong. Her “muses” almost always end up leading Naru and even Lin to realize what curse or problem they’re dealing with.

While Mai’s perspective is how we learned about everyone & the cases, she’s not simply a bystander who works separately while others do the exorcisms. In fact, there’s much to be said about Mai’s development throughout the light novels, which the anime could only show partially due to its early end. Mai’s post-cognitive dreams have become more and more important in the anime too, but what the anime lacked due to its early season cutoff is that Mai’s growth as a psychic only ramped up from there.

If we think deeply about it, Naru actually hit the jackpot by employing Mai. After all, Mai’s psychic powers have been dormant for long and seems to have only awakened when she met Naru (and Gene) and started working with him. Of course, this is Ono-sensei’s plan for the story, but let’s just think of the implications for a moment. Since Mai started working with Naru, her psychic powers developed little by little. She does not only have post-cognitive dreams, she also has come to have precognitive dreams as well as ESP and astral projection ability. When you think about it, what are the chances really that Naru would hire a multi-faceted psychic like Mai? To see a truly latent psychic develop before his very eyes also can be quite interesting for a psychic researcher.

This leads me to the very thought that from the start of the story, it was actually Mai’s dormant powers that possibly led her to working with Naru. Once again, let’s trace back to how Mai actually injured Lin accidentally. She wasn’t supposed to go to the old building, but she did due to her curiosity & possibly “intuition.” In fact, from the first chapter of Volume 1, Mai clearly said that she had a “sudden” feeling of “seeing the old building.” I think what this inciting incident tells us from the get-go is that Mai has a really keen sense. She has always had it, but something called her to go nearer the old building at that instance as she was passing by. We can call it her ESP now, but at the start, it’s easy to think of it as her being stupid and curious.

Now, looking back at the following volumes, we see Mai’s keen sense and intuition being amplified and literally becoming crucial in Mai’s decision-making and solving the cases that followed. And the more cases SPR took, the more we see Mai grow into exorcism-lite to full-fledged purification in Forgotten Children.

Mai’s growth from being a simple assistant to someone who becomes more involved in spiritual activities feels so natural and meticulous. What really are the chances that this random girl Naru hired would suddenly show signs of being a latent psychic? It’s next to none to be honest. To see her growth can make anyone proud because while most of the characters are somewhat the same, Mai continues to grow with her abilities.

I think it’s no wonder why Naru continues to employ Mai. He’s actually getting more out of it in the long run lmao. Can you imagine how absolutely valuable it is to have someone who not only has post-cognitive dreams but also has precognitive dreams for every case? If you think about it, there are a lot of psychics and exorcists in the SPR team already (i.e., monk, medium, Catholic priest, etc.) that one or two are redundant, yet Mai still found a good spot in it where she ends up actually indispensable. As Gene’s messenger in a way, she is also getting information from a different source. Thinking about it, to be a consistent messenger of a medium’s ghost is also shamanistic.

Furthermore, Mai has also learned seals from Bou-san and Ayako, and she has also come to use them more and more throughout the series. In all honesty, isn’t that amazing as well? Because she’s always actually fusing Kuji-in (from Ayako) and Acala mantra (from Bou-san). The former can be taught in Shintoism as well as Shugendo while the latter is in Buddhism—different religions and practices overall. We see Mai go from not quite confidently fighting a Kodoku spirit in Yasuhara school’s infirmary to confidently saving Naru from a possessing murderer during Akumu no sumu ie. As Naru once said in After-school Hexer/Spellcaster, superior psychics can be “superior spellcasters,” and I think this applies to Mai now as she has grown so much as a psychic.

There’s another psychic ability Mai has that is rarely or hardly talked about. I like to call it her bat signal 🤣, but in parapsychological terms, it’s called emotive telepathy. Every time Mai is in danger, someone always comes to the rescue. In the anime, it’s always after she calls for someone to save her, but in the light novels, even if she doesn’t think so in her mind, her feeling of dread seems to always bring someone to her rescue. I believe this is a case of emotive telepathy.

I think this ability is closely linked with her “animal-like” senses as well. Recall that Mai has tested -100% in Naru’s ESP test for her. That’s a really interesting result because while you can think that she’s 100% always wrong, you can also think that 100% she always “chooses” the wrong answer—which, in other words, means she knows the right answers “unconsciously” but always goes for the wrong one. So to speak, it’s almost like she’s drawn to the wrong choice all the time, but we can also interpret this as her always being drawn to what her senses feel is wrong, like a negativity bias but stronger. In this way, she can tell a friend from an enemy, and to be able to tell an enemy with that 100% accuracy, that’s what I think makes her abilities actually impressive, although hilariously so.

There’s also this case where two people have a strong connection that makes this emotive telepathy possible. I think this is what Mai and Naru have. During the After-school Spellcaster/Hexer (Kasai Panic case) and Forgotten Children’s cases, Naru had sensed when there’s something wrong. What are the chances that Naru would pass by such a remote area that Mai had decided to explore when she was about to save a child in a manhole? The timing was impeccable, as we can say so. It could be a coincidence, as we can say so. But that’s not the first time it happens.

Recall that Naru also went to help her at Yasuhara’s school before a ceiling fell down again. Naru has strong psychic abilities, and because of that, I also think he and Mai could form a strong telepathic link, an emotive one at that. In Forgotten Children, when Mai sensed something wrong about the number of vehicles, the “children” wanted to isolate her immediately. That’s because they knew that she could be dangerous to their goals. Mai’s sense of something being wrong seems to immediately have been perceived by Naru. He was adamant that she shouldn’t go with the children. At that moment, I think Naru and Mai really were on the same wavelength of foreboding, and that really has become possible with their continued interactions throughout the series.

Now, let’s talk about the kind of exorcism or rather purification Mai can do. We know the exorcists in the team have different skills and knowledge. For Mai, it is similar to Masako and Gene’s. In particular, Gene taught Mai how to do a purification, but even so, it actually can be hard to think how anyone can do it without showing pity or sympathy. Gene didn’t really guide Mai word-per-word on what to say; she figured it out herself during the Forgotten Children case. Naru himself told her that she could persuade the teacher the same way she has always scolded him lmao. If you think about it, Mai is actually great at persuasion and she has always done so throughout the series. How many times has she persuaded Naru to believe her? And how many times has Naru clung to what she said?

That’s why, when she ventured to try purification as Naru and Gene encouraged, it seemed just natural how she would do it. Her sincerity always touched people so it just seems like her to be able to do it. I feel like it’s possible that she has always been a “guiding light” (not only to Naru) in the story even before she did her first purification, and this is probably why Gene met her. Just as Gene has been said to be her guide, it seems logical to think that Mai is also Gene’s guide in connecting with Naru.

As we all know, Naru and Gene had this twin channel for so long, but then it was not possible for them to communicate again (though indirectly it was through Mai and unknown to Naru for some time) until Mai came. This is where a lot of questions come from, but also come to make sense. Gene could have only been haunting the lake where he was thrown into, so how did he reach Mai? I feel like for a while Gene has been called to Mai’s dreams by following her “light,” and only when Naru found Gene’s body were the twins able to connect again. This “light” we can also call wavelength.

In any case, Mai’s growth throughout the series is really a sight to behold, but even more so, her connections with everyone are so dynamic and interesting. Gene had said in Akumu no sumu ie that Mai was easier to reach because of her wavelength, and at the same time, I think Gene was able to connect Mai’s dreams and Naru’s visions because her wavelength also more easily reaches Naru. While we can say that Gene lends Mai his powers, it’s also evident throughout the series that she has grown as a psychic and paranormal investigator herself, and her ability to hold the same wavelength as Gene is still commendable because clearly not everyone can do what she does.

There’s also a lot to be said about Mai’s mental capacity. It’s not easy to see gory visions in many cases. It’s also easy to lose hope in humanity from all the atrocities people can commit in real life to curse someone. However, it’s a relief that Mai is not alone, and I think having emotional support in the SPR team also helped wonderfully in her growth as a psychic. What a great found family TT

In summary, Mai is not the typical foil we often see in detective stories nor is she the typical orphaned heroine. There is a lot to be said about how untypical Ghost Hunt as a series is to be honest, and indeed, even now, we still don’t know what other psychic abilities Mai could possess or how they often work. For one, her astral projection ability has been there time and time again, and the fact she can transport a physical object to Masako that one time also is an unexamined case. We often think of Naru as mysterious, but I can say the same for Mai. After all, isn’t discovering a psychic randomly in the wild absolutely mysterious? And just when Naru needed a psychic like Gene too🥺It seems like Mai eventually answered Naru’s call to the universe in some way as he did hope for someone like that in After-school Hexer. Mai is definitely quite an unexpected discovery😅

[kcokaine]

You're one of the very few prominent sukuna x gojo shippers, can you please give more insight on why you love this ship so much? Like what made you think "damn they would be so good together" cuz outside of their parellels in the manga + fight, there isn't enough content about them to ship 😶 like what made it click dat it'll be a good ship

What do you think of satosugo (aka the most popular ship) and their shippers? There are also ships like sukuna x megumi and gojo x yuji which are pretty famous 😭 eek I'm talkin a lot i just wanna know your opinions on said ships

Its because Sukuna's whole theme is about love and lonliness, while Gojo's is mainly lonliness and trust issues. They are both so isolated, their personalities clash well, they both enjoy fighting, they are both total freaks. Sukuna was so mesmerized by Gojo he said he will think about him as long as he lives and its showing (he cant stfu about him in the manga still) They find solace in their mutual isolation. Sukuna finds someone who is his equal, could be his equal, not like any other. Someone who was ostricized and mistreated for their power. They can relate well. Gojo is also so not scared of sukuna, he has indominable spirit and strongwilled mind, Sukuna likes a challenge he likes that Gojo doesn't submit to him, fear him or let himself be thrown around by him. I also think Gojo doesn't fear death and after all, looking at Sukuna is like looking at the eyes of death.

Their whole dynamic is also so Ying and Yang. Its the tiger and dragon, two masses, one is sky one is earth, they cant exist without each other. Unmovable object and unstoppable force. Satosugu is good! Its cute, it has significance its important for both gojo and geto as characters. I also interpret satosugu in all my ships, geto had big impact on Gojo and that shaped him. But to me stsg is pretty plain, its mainstream ship which is fine, i just prefer more toxic dynamics. Also i see no real passion in stsg, its very one sided after geto loses his mind. Same cant be said about Sukugo, sukugo has very toxic burning passion and i really fw that type of stuff, love on astronomical levels. Stsg is surface level love, a cute teenage romance ending up tragic but there is no deeper connection in my eyes. Geto cannot get to Gojo's strength level, he cant understand his lonliness, he cant get to care about him even through his trauma, same as Gojo cant help geto with that said trauma because he himself is traumatized, they are broken people that ended tragically and i think thats beautiful. But what i prefer is lovers that end in death and colide in every universe. Sukuna's love is so interesting to me, the romance of wanting to become one with your lover, open their ribcage and eat their heart but savor them because you dont want to be without them. Its sooooo... Also i dont like proshits, keep minors away from adults thanks

[tumblingxelian]

Tyrian Callows - The Master of Murder, Mayhem & Multitasking!

So, I recently saw a post discussing Tyrian Callows and I wanted to go into why I find him quite interesting despite his overall demeanor seeming to be that of a nihilistic serial killer.

Off the cuff, when I first saw Tyrian I hated him, "Oh good, another cackling serial killer, I hope e only exists to die & be replaced".

Then he ambushes RNJR & suddenly, oh suddenly I'm having fun!

Because he's not just cackling & killing, he's bombastic, spewing purple prose and strutting around like he's on a stage, then flinging himself through walls for dramatic poses. He waits after receiving major surprise attacks to reveal they didn't hurt him.

He is in essence, a theater kid who happens to also be a cultist and serial killer and I think that is incredibly entertaining if nothing else.

Beyond that I find his fawning behavior on Salem intriguing. Like, even beyond his failure, when Salem is growing in fury & others like Watts & Hazel know to get the fuck out. He starts irrationally offering her acts of service in a bid to make her happy before fleeing as well.

Like, whatever is going on there is interesting if nothing else, I think.

Then there's the fact he is far more insightful than characters like him are usually written as but, its not at the expense of is manic disposition as it often ends up being with say, Joker, bleh.

What I mean is, Tyrian is very good at analyzing people, what they want, what they feel, what will hurt them the most, what above all drives them & can articulate it very easily. Ala his confrontation with Mercury only knowing violence & being too afraid to leave it.

Yet at the same time when out under pressure by Clover, Qrow & Robyn he very quickly starts losing his cool, his mannerism and behaviors become more unhinged & wild, he is legitimately not all there. & it is isn't until he's had time to cool off in the airship that he's back on his game.

Finally there is his 'rivalry' qith Qrow.

To me the fun thing is that there is zero rivalry on Tyrian's end.

Qrow is just someone who he met in V4 and knew to be a capable fighter & important enemy agent. He was excited to fight & kill him & was briefly knocked off his game when disarming Qrow did nothing to slow him down.

Most Hunters based their fighting styles on their weapons so disarming them tends to be a winning move unless they are Hazel, Tyrian or Yang style combatants.

But he was back on his game in short order and still having a great time and even managed to essentially score the win... Right until Ruby dismembered him & he did not take it gracefully.

To say the least, Tyrian is definitely arrogant, I think that much is self evident.

It makes sense, it took a cooperative operation of Mitral Hunters & Atlesian Specialists to take him down. The Queen of Grimm came to collect him herself. His Semblance lets him take Aura out of a fight. & by all accounts he definitely seems to be among the most dangerous combatants on Remnant even without said Semblance.

So yeah, not surprised that he was both knocked off his game & angry about the injuries but after that he doesn't seem to dwell on them much the way Cinder spent several volumes seething over the damage Ruby did to her.

His little foreshadowing moment to Ruby before the election massacre & enjoying Qrow's suffering during Volume 7 very much seem like things he'd have done regardless cos he's just like that.

Tyrian will however exploit the idea of a rivalry to his advantage.

What I mean is, Qrow makes it clear when ambushing him with Clover & Robyn that he holds a grudge over their last fight. Tyrian doesn't utilize that in the three on one beatdown he gets, he's barely keeping his head above water most of that fight.

But once he is back in the game he's cheerfully egging on the break down in the Atlas and Mantle alliance. He's completely ignoring Qrow until the man jumps on him & even then doesn't offer him any unique attention.

Its only once he's established that things with Qrow and Clover have degraded as far as they have that he jumps in. He avoids starting off too violently to see how things go & is well pleased by Clover's dogged commitment to his orders.

Also likely dismissing Tyrian as just a violent lunatic.

It is then and only then that he leans on the idea that he actually wants a rematch with Qrow. But even then he still patiently waits for Qrow to float the idea first. He is playing into Qrow's grudge & Qrow's belief in a Shounen style rivalry & with it the belief that Tyrian will ignore Clover themoment he is not interrupting the fight and duke it out with Qrow.

But Tyrian only plays along with that and instead uses Clover's defeat to end his fucking life and frame Qrow for it.

He certainly has fun twisting the knife but again, this is stuff he does with everyone when he gets the chance. & it serves to make things more complex for Atlas and the now rebellious heroes than it would if Clover & Qrow had died together. Especially as enemy reinforcements are coming.

After this, again, neither Qrow or Ruby warrant a mention from him.

This is his job, they were parts of his assignments and Tyrian just happens to love what he's doing. Which humorously aligns very well with the life advice he gave Emerald and Mercury. Even if that was just because he thinks it'd be fun to be given the chance to kill them.

Anyway those are my takes on Tyrian Callows, evil as fuck, but smarter & more interesting than the usual portrayals of his archetype!

Thanks for reading!