#but i still don't get how it's popular

[astrolavas]

my art style is too simple for this but just know that when i draw post-ttt hunter, in my mind he has central pink-brown heterochromia. like this, kinda:

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[florenceafternoon]

You're not less of a marauder fan for not having read/ not liking popular fics btw

[chaos0pikachu]

man some of y'all have never learned the home training of "keep your hate/critique out the main tags and on your own blog or in critical tags" and then wonder why ppl be vagueblogging or reblogging with disagreements like you didn't show up to the crochet lovers group telling everybody how crocheting was actually Not Fun At All and really hard and doesn't make sense to enjoy, or Problematic, actually instead of keeping it in the group chat with the haterella besties

[galadriel-blue]

I want to talk about Celadriel compared to Haladriel/Saurondriel and the reasons why I want Celeborn to appear in the show, but I am terrified of the hate I might receive-

[citycrows]

Completely correct itfs fan: Oh neat an itafushi art blog.

The blog:

*terrorizing a different fandom* Look at my son! Look at my son the background character who I have to take screenshots of MYSELF because there are NONE!

I promise I've got itfs in the works I just need to get this out of my sytem

[introspectivememories]

NICO: WE SHARED THE LIFT THIS MORNING! I WAS GOING TO THE POOL TRAMPOLINE WITH MY TWO DAUGHTERS AND HE WAS GOING TO THE RACETRACK. PINKHAM: VERY DIFFERENT LIVES YOU'RE CURRENTLY LEADING.

[rafyki]

I really can't understand why, but there's so much useless discourse in the pjo fandom - about ships, about interpretation of characters, about headcanons, and all stuff like that. Like, are most people in this fandom unable to have fun?

I mean, I've been in the fandom for ten years now, and (maybe it was bc back in the day I was in the Italian fandom) but back then there wasn't this much discourse???

Please, just learn to have fun, that's literally what fandoms are made for

[die-with-me-dazai]

Everyone out here "omg the anime cut this omg the anime cut that how COULD they omg I hope they don't adapt this LN or I hope they do adapt this LN....." etc etc and I'm just here like "damn I'm so glad bungou stray dogs has an anime and we're getting new seasons"

I'm just genuinely happy to have anything at all

Is the anime adaptation perfect? No of course not

Am I just happy the anime is still ongoing? Absofuckinglutely

[piracytheorist]

You know what, I don't like to complain about stuff like this. I don't want to sound ungrateful of the attention my posts are getting.

But you know how there's a lot of talk around tumblr, from creators talking about how other tumblr users like their stuff but almost never reblog? Well, there's just something here.

That's a 1-to-5 ratio. And like, you know what? I get it. That one was a meta post with only two images on it, and I understand there are people who aren't interested in having long text posts on their blogs. I get that, and respect that. And hey, it's over 1k notes overall. That's something, right?

But in the SxF fandom in particular, I've noticed a kind of pessimistic stance since a big meta writer left the fandom after they received bullying. And I'm not saying we should ignore or forget the reason they left... but like, if you want to see people write metas, you can support meta writers.

Sadly I notice similar ratios in fanart posts. But I am motivated to keep writing metas because I am certified Analysis Gremlin™ so I'll keep writing no matter what; similarly, fanartists whose posts easily get 2 and 3 thousand notes are motivated to keep going even with such low ratios because hey. 3k notes, right?

But I acknowledge I am an outlier in this, and that there are meta writers who are just (or more) knowledgeable and capable of doing this, but for one reason or another, their posts don't get a lot of attention. Similarly, an artist with the same amount of skill and expression as the popular fanartists could have their art forgotten because people don't bother reblogging stuff they like. Both cases can lead to creators not sharing their creations anymore.

And yeah, metas might not be cool fanart, or heart-wrenching fanfics, or whatever, but meta writing still takes time and effort and we like interaction and acknowledgement just like any other creator out there. It's not like "I'll sit for hours to write this post after I've already sat for hours watching every little detail of the story, and I'll post it online not caring at all how much attention it gets." Whenever I see someone reblog a meta of mine and add the tag "great analysis!" or something similar, I get as giddy as I get when someone leaves a comment on a fanfic of mine. Just because a meta is a little more detached and may appear more "formal" than your average fanart or fanfic, it doesn't mean we as the writers of them are detached from the meta itself; we crave acknowledgement just like any other creator out there does.

So like, yeah. I'm not saying people should find this exact post I'm talking about and spam it with reblogs, nor that they should change the way they work and organize their blog. It's just that, as someone who joined tumblr ten years ago for the sole purpose of writing meta, I have noticed across all those years a big separation in how people interact with meta, and how they interact with fanfic and fanart. And by all means, fanfic and fanart deserve their praise! I'm not saying they don't. But meta posts do too. Literary analysis is a different kind of skill than drawing or creative writing, but it's still a skill, and treating meta posts as those you can just leave a like as a thumbs-up and then completely ignore... that's how you lose meta writers. When you show people that their posts aren't worth reblogging, eventually they stop making them. And can you blame them?

And to be honest, in comparison to my standing as a meta writer in my previous fandoms... I have the impression I'm among the "popular" meta writers in this fandom, despite being anime only and having less than half of the context manga readers have. Still, my posts get a "1 reblog for every 5 likes" ratio. Like, if my posts get such a low ratio, what chances do less popular blogs have?

So if you want more meta analysis, from people with various points of view and experiences, show your support by reblogging their metas.

[mostofthingsmostofthetime]

Hey, so I know it's been a long time, but I suddenly felt inspired to make some Annie Cresta Picrews. So here you go & I hope you like her as much as I do.

Pre games

Parade outfit

1st Interview

Training

Games

Victory interview

District 13

Post war

[kyouka-supremacy]

People seriously be thinking Akutagawa is the brain in sskk like?????? Uh??????? Dude was born with half a brain cell and was probably tricked into donating it to Dazai when he was 16?????????????

[miodiodavinci]

i saw that you used to hint at oc stuff on twitter (don't ask me why im digging im looking for zola stuff lmao) why don't you post more about them?

i am simply terrified that if i post oc things online someone will steal the concept and run with it faster and better than i ever could have and then i will be devastated forever and ever

more seriously i have very little to show for any of my oc things (adhd brain making life difficult as per usual awawawawawa) and every time i've shared oc things in the past i've ended up never following up on it and it makes me feel bad and guilty so i've just convinced myself i will Never talk about my ocs until i have something substantial i can put out there

[rawliverandgoronspice]

hey! do you have any thoughts on demise as a looser/more fluid/symbolic/metaphorical figure in the context of the story of the series- like thoughts on what he represents, and stuff like what his curse could mean thematically rather than the more essentialistic absolutistic "literal satan" interpretation that most of the (at least western) audience seems to take?

i know he may be somewhat contentious as a choice introduced by the writers especially considering from an outside perspective what he kind of did to the majority of fandom analysis and discourse, but i've been thinking about how it's quite possible the writers had a more paganistic approach to what it means to be a deity and how demise doesn't even really have a NAME so much as he is supposed to be some sort of manifestation/personification of the concept of demise, and maybe also of hatred, and also i don't know, like, what the point of that hatred is or why there has to be demise/what implications there could be of this worldbuilding

hope that was coherent enough to make sense of anything i just said but yeah i was just curious if you do!

Heyy sorry never replied, replying now!! Thanks for the ask!

Yeah it's exactly how I'm taking Demise, and I think what you mention connects more to what little I know and understand of shintoism.

In French, Demise has an absurdly long name and is basically called "The Avatar of the Void", which I think is... interesting? It makes me extremely curious as to how Demise is called in original japanese --because to me, "Void" is about the absence of things more than their destruction. It's about the absence, not the inevitability of things crumbling down that comes with Demise. I don't know which of these concepts are the closest to the original vision (if it's Void rather than Demise I think it recontextualizes everything we thought we know about this world and characters, but in my opinion it feels too incoherent with the rest of the world, so my guess is that it was a poorly thought-out translation --but I might be wrong!), but to me it's all in the title: Demise. The curse is that every golden era must end with a reckoning.

I think the curse is extremely compelling in that mythological sense, the way Demeter and Persephone's tale is about the joy and pain of passing seasons; it's the given cause for this world's fate as it is condemned to rise and die continuously; and that their eternal, bright future will always be opposed. To be honest, I'm not even sure it's a *bad* thing. Conflict is not only inevitable, it needs to rise to the surface instead of being suppressed to ensure things do not remain stagnant and shortcomings are being acknowledged and addressed --which is also partially why the suggestion of TotK's golden forever after really doesn't sit right with me, especially since nothing was learned and nothing truly changed in the course of its runtime.

I think the curse sucks when people think it means that Ganondorf is a generic evil demon man without motive of his own. It especially grinds my nerves since I somehow never hear this argument being made for *any* other villain in the franchise. I know they look alike the most (and TotK didn't help matters here), but I never *ever* saw people arguing that Vaati doesn't have motive, for example. Or Majora. Or Zant. Or even literal nothing characters like Bellum, who by all means looks more like a primal demonic evil acting on instinct than anyone else. Somehow, we get to assume they have internal motives that, while obviously wicked and self-serving, are their own! But somehow, Ganondorf, the actual main antagonist of his series with the most amount of games hinting at his backstory and internal moral code, gets flattened as an evil puppet with no internal life whatsoever. It's genuinely bizarre.

Anyway sorry sorry! Thanks again for the ask!

[hellofeternity]

ORV transcends language | how ORV is kind to readers (1.1k words)

the difficulties in analyzing text are already numerous without a language barrier, the way one word can mean 5 things and when you put it in a sentence suddenly it can mean 50 things and put that sentence in a paragraph? go further and put that paragraph in a page? construct a whole world around it, weave it into the fabric, and suddenly you are painting with words.

ORV is a daunting text, it calls and references so many mythos world wide, greek, roman, indian, chinese, japanese, it plays with meaning and intent and uses gaps in our knowledge like weapons, making us extrapolate our own meaning between the sentences, it is a tome of knowledge when it comes to histories and philosophies it feels at times like I will never understand all these things inside it.

One of the difficulties of reading a translated text is that when we analyze a text the authorial intent weighs very heavily in our minds, sure we can immerse ourselves in the world but once we start picking apart at the threads we hit a wall pretty soon when we start asking ourselves "what did the author mean by this?" however in a translated text there is an obvious gap, a game of telephone, did the translator actually capture the authors intent? or are we just reading the translators perception? sadly I don't know korean, and I cant say I have the drive to learn it, as such I know there will forever be a side of ORV that I will never be privy to - however I am bilingual and had the pleasure of reading two translated versions of ORV, an English translation and an Arabic translation, I didn't finish reading the said Arabic translation but a couple things stood out to me when I briefly did ORV is very kind to readers, following along in other stories can seem confusing at times, the pacing might be too fast and you might miss some details in a characters actions, the wording might be too vague and ah damn 20 pages later you realize you don't actually know why the characters are doing what they are doing. A big writing adage that you will see a lot is "show dont tell" and it holds merit, but ORV doesn't subscribe to it, because ORV shows AND tells. ORV built a world around readers and reading, and it makes sure that there is clarity every step of the way on what is happening, first by starting out as a homage to the isekai genre, and not deviating too much at the start, making the readers feel at home in a worldview they are familiar with, systems, leveling, videos games etc, and when it starts deviating it explains things with clarity that no matter how bad the translation is you understand the general intent, and secondly by being VERY blatant about the names of things and having a built in "story" system that is built on common story tropes and names the themes for you! take for example "unbroken faith" and "Blade of faith" both of these are two translated versions of dokja's sword. I will never know which one is closer to the original authorial intent, but I can tell you something, dokja's sword is symbolism to the faith he is wielding. (CH386 vague spoilers) or the entirety of "the great war of saints and demons" being about the concept of good and evil fighting and how kimcom aren't just above being good and evil, they are both. By using story tropes that we are familiar with to explain the complexity of situations in a simple forms you no longer have to worry about losing you readers understandings through language barriers. Every story in the world in every language knows what good vs evil is, every language has the words to explain them. and therein lies the beauty of ORV. But of course this isn't to say translations don't matter, it does speak to the strength of an original texts clarity when it accounts for the big things by making them simplified, but when we get down to the nitty gritty it starts to lose form take for example

"Tell me, you fool. If I continue to regress, will I ever get to meet you again?"

this person here has a great write up explaining the translators thoughts behind this specific line

but it has spawned a lot of debate in the English speaking fandom, as to the strength of its translation, I remember when I first saw someone claiming that its a mistranslation and "you fool" isn't part of the original, my first thought was "and so?" I do not mean to be dismissive to the original text, but I do not exist in a space where I can appreciate it in the original korean, I do not exist in a worldview where I can understand the historical implications of a lot of the characters, and even when I try to research it in English sadly the resources do not exist yet and its even more laughable to think of finding these things in Arabic. (Goryeos first sword doesn't have an English wikipedia page as a clear example) a lot of people have issues with the most popular English fantranslation of ORV - and I can understand why, being bilingual I have a lot of opinions on how a lot of things SHOULD be translated most of the time, and have done my own translation work but as I sit and think about this popular translation I cant help but just feel love for it, it might be lacking to some, it might be inaccurate at times to others, but its just enough for me to paint the gaps in the text with my perceptions, the words used are tied to my affections the Arabic translation of ORV is clunky, it is messy, it doesn't have as much grace as the English translation of ORV does, the words barely string together cohesively, but it has enough clarity, enough intent, and enough love for its readers, to catch their hearts, their attention and their energy

and so I want this to be the first post on this blog because, the author is dead here, not because I buried them, but because the tower of babel fell down a long time ago, and all we have is rubble and each other. a lot of the analysis on this blog will try to be respectful to the korean original wherever it can, however my words will be coming from an anglosphere perspective, and build on other English reader's perceptions of a text translation that a decent amount of people don't think is adequate, but just like ORV is kind to us, we can be kind back, I will quote the most popular version because its what connects us together, and while the authors intent might be lost, we can share our own meanings with each other, and build our own intent from the rubble.

[necrotic-nephilim]

i love your fics and the ideas you describe for the ask games. i'm especially fond of your takes on the rarer pairings and i always smile when i see your posts in the ship tags <3

and don't stress too much about not posting anything, real life is important and participating in fandom should be fun, not something you have to force yourself to do. god knows fandom burnout is real, especially if you feel like people are expecting something from you. just keep doing what makes you happy :)

ghgfhgjhkjhjhg this was so sweet, thank you so much! i *love* talking about rarer rarepairs, especially if it gets other people to ship them too. the popular ships are fun and all, but i truly love spreading rarepair propaganda.

that's very reassuring, thank you <3 i've loved everything i posted here so far and have not felt pushed to post anything i haven't enjoyed, but sometimes i forget i can like. use this blog for whatever i want and not *just* headcanons/fics/mets/etc lol. and i also forget i don't have to rush myself. it's annoying to want to write and either not have time or not have the words work. i used to run a fandom blog in my teens that got very large and felt like a chore and i was so stressed about the need to perform and the numbers and all of that. like if a fic didn't do well i saw it as a personal failing and forced myself to write popular headcanons just for the numbers game. was not fun or sustainable in the long run and i think it contributed to me no longer having any taste for the ship i primarily wrote for. so for too long i treated existing in fandom like a job lol. i've mostly gotten it through to myself that this is a space for me, but i occasionally forget when i'm so caught up in all the things i want to get to for this blog. my to-write list is a mile long and i need to be bonked with a paper towel roll, i think. so it's very kind of you to say this bc the reminder is nice <3