#but i see a lot of potential in them

[inkskinned]

in internet posts it is easy to cut them out of your life. they are hurting you! they aren't listening to you!

they held your hair back. they lent you lipstick. they held your hand at the train station and got you home safe. they rounded on your bully, got loud, said get fucked, spitting-mad in your defense.

they also cut the hair off again. told you that you should really think twice before wearing something like that. took you for granted. took your insecurities and threw them in your face again.

you know logically it should be easy. all the internet advice comments always read it will feel better. like an equation - if a person is rotten, you just remove them. you pull the tooth that's hurting.

but it was never a big flare-up moment. you don't live in a sitcom. they never tried to take your boyfriend or steal from your apartment. they showed up to birthdays and they wrote songs about you and bring you water without you asking. once you found out they carry an emergency inhaler for you, even though you haven't had an asthma attack in years - just in case.

where is the line? people fuck up. sometimes they fuck up badly. sometimes people have raw personalities, like a powerline, and being around them is dangerous. addicting. sometimes they can't help themselves, but you know they're trying. sometimes they are just rough-around-the-edges. sometimes they don't even realize how they sounded when they said that. sometimes it's just - you've both loved each other for so long now, the way this thing hurts goes back to the root.

and that's the fucked up part. you have pushed your fingers against the sweetheart of memory. things these days are electric, tense, harrowing. they didn't used to be. there were a lot of good days in there. sometimes you want to just close your eyes and say can this be over yet? do we still need to be fighting?

doing that would give up any chance you get of getting an apology, but you don't always know that you need an apology, you love them. once they flaked on your birthday party. once they told you to get over it, people are always dying. they also let you crash on their couch for a week after the breakup, handfeeding you when you were so sad you couldn't eat. they are also judgmental about everything, occasionally react to banal statements with an attitude that is weird and fiery. they also love you like a lighthouse sometimes, so strong they cut the storm like lightning.

but the problem is that you might be storm. you might be the thing that needs breaking. what if you are two forces who are desperately, horribly drawn to each other, shaped by the other person's passions, and both good for each other and bad in equal measure.

what if you're both just people, and you're no saint neither.

just cut them off! swallowing the saltwater, you catch yourself in the mirror. you've been shaking more than usual. there's an ache in you that is oblique, loud, impossible to soothe. is this what it looks like? when life is "easier"?

your mouth will always have a hole, is the thing, if you remove the tooth.

[nibbelraz]

A writer and His number one fan hater

[sophfandoms53]

Anyway shout out to Dewey who constantly looked like he was having the worst time of his fucking life in the pitches

Just an 11 year old pissed off at the world it seems😭

[bunni-art]

*casually death-grips onto the one person who makes her feel safe*

[ruporas]

i’ll find you again in every universe. let us be a little more honest, let us have a little more time.

[sysig]

Blind side (Patreon)

[shikisei]

great expectations

[poorly-drawn-mdzs]

Game night ruined.

[First] Prev <–-> Next

[whenthewallfell]

it's been like four months since i last tried drawing anything so here's a sneak peek at something i'm working on (because i don't have enough wips as it is)

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[incorrect-fnaf-quotes]

I have no idea if I’ll write it, but I started thinking of Springtrap x reader plots, and then I started talking to @ravenmccookies about like... the main idea that I have.

So, imagine: Y/N is one of those people who likes to restore old things. They never worked at the attraction, and never actually knew about it, either—but they heard about something burning down.

While out walking, they end up discovering Springtrap, and they’re like: “Oh, a cool robot bunny. I’ll take it back with me and fix it up. Should be fun.” And they drag him back home.

And they basically start streaming on what they plan on doing—and when they go to the room that they were sure they left the rabbit in... he’s just gone.

Y/N manages to find him, but in a panic, ends up hitting Springtrap with a bat that they happened to have brought with them.

And that’s just how the two actually meet. I have a ton of other ideas involving this potential thing—including ideas for how it could actually end. Something angsty, I’m thinking.

But anyway: shenanigans occur.

[remyfire]

Today's morning bubbling emotions are about Margaret who is the only one wearing a piece of protective equipment here, but Trapper who still keeps a hand on her back the whole time they're running, then not only tries to keep her a little covered when they have to hit the deck, but also dips his head to say something in her ear once he sees they're safe for the moment. Extreme husband behavior.

[struggling-jpg]

Aventurine and Boothill as a duo is just so funny to me. Boothill and Dan Heng already gave us the impulsive shooter-stressed guy energy so I imagine that Boothill and Aventurine are the impulsive shooter-amused enabler dynamic.

They both have concerning "good" luck and a willingness to risk everything for their plans/goals so just imagine that Boothill would have this wild plan that involves a staged hostage situation with only vague details and an even more vague backup plan, and out of curiosity, amusement, and the means to get themselves out of there if need be, Aventurine would be like "Yeah, sure, all or nothing, friend!"

Just imagine all the shenanigans these two would start on their mission to get revenge on Oswaldo. I hope Star Rail makes it fun and has all the emotional payoff v-v

[scificrows]

I am going over Murderbot's and ART's first interactions again and it's driving me crazy, so I really need to yell into the void about it.

Alright, so we have ART:

ART, a highly advanced deep space research vessel, who is very attached to its crew and seems to generally do what it's supposed to, especially when not doing so could endanger its mission - but ends up accepting a suspicious looking SecUnit that is lying about being a bot aboard itself. ART is evidently aware that it is directly breaking the rules in doing so. (Aside: How often does ART break the rules?) Why? All for that tempting media package that the SecUnit has to offer?

No.

It was sent off to do some work all alone and got bored and lonely. (I think there are different ways to intepret this, but looking at our super social raised-by-humans loving-its-crew never-shutting-up research vessel, I choose to think that is exactly what it was!)

Anyway, what does ART do now that it has this lying, potentially dangerous rogue SecUnit aboard? It

lets it know that it saw right through its lies and knows exactly what it is

intimidates and threatens it by showing off its own ridiculously extensive superiority (just to be on the safe side ofc)

gets bored after the SecUnit gets too scared to do anything interesting

asks the SecUnit to "stop sulking"

learns that the SecUnit has been through A Lot and seemingly understands how it made it feel and apologizes

gets bored again and starts lurking and harasses convinces the SecUnit to watch media about ships and their crews with it

[gets way too invested and agitated by the media, probably going through its first media-induced emotional crises (but gets through them with the support of the very patient SecUnit)]

tries to have a conversation with the SecUnit to get to know it better

gets offended that the SecUnit is not answering truthfully and won't share sensitive and very private information about itself

lets the SecUnit know it can see through its lies, calling it "inherently inferior" to itself and causing the SecUnit to sulkily shut down for four hours (lol)

immediately calls the SecUnit "unnecessarily childish" upon its awakening four hours later (referring to its own extensive experience with children to really get the point across)

And apparently all of this seemed to be a perfectly pleasant and normal interaction to ART, because:

That's how you make friends, isn't it?!

God, I love ART so so so much and this is SO funny to me! To be fair, I don't think anyone ever really prepared it for an interaction like this. (Probably because its crew did not expect it to pick up a stray rogue SecUnit and try to befriend it).

Bonus:

[spywhitney]

How I sleep knowing I'll never trust anyone that hates Sydney but worships Richie:

[tiny-feisty-gay]

man we all know charlie had an emo phase but I really wanna explore the possibility she wasn't always the charlie we see now. she wasn't always gentle or kind or optimistic and all of those things are hard-won after battling the opposite. that maybe at some point, bitterness and anger and spite started eating her alive and she changed for herself first. that her kindness is selfish at its root, that her altruism is self-serving above all else, because if she kept on the same path, there might be nothing else left of her. and at some point it stopped being about her and started to be about others.

and as a bonus? this version of charlie would pair perfectly with a version of vaggie who wasn't always guilt-ridden, who truly believed in her cause. who was lethal and ruthless and loved what she did because she believed and ultimately it was what did her in. who had truly never hesitated before that child, because extermination wasn't just a necessity, it was a game. entertainment.

idk I just. I love their dynamic already so much but the contrast of charlie becoming optimistic for herself vs vaggie developing guilt and shame over others, and both of them finding the harmony between those extremes?