#but i just. keep. seeing. these posts. ugh. and it's not what i want to see.

[hwaslayer]

wildfire (cs) | 10.5

—spotify playlist | series masterlist

—summary: assistant professor in bioengineering, incredibly attractive, lonely and divorced; that’s how most people describe san. but despite the events that have happened in his life, san has a lot going for himself. he’s a successful, sought out professor due to his brilliant contributions to science at just an early age of 32. he worked hard to get where he was now; head deep into his research, his publications, building his lab and creating a name for himself. everything was good and smooth sailing— until it wasn’t. because when he meets you, a bioengineering grad student interested in rotating in his lab, he finds himself ready to risk all the blood, sweat and tears he put in throughout the years just to keep you close— his need for you spiraling out of control like a wildfire.

—pairing: asst. professor!choi san x grad student!f. reader

—genre: (18+ - minors dni) strangers to lovers, grad school au | fluff, angst, smut

—word count: 2k

—chapter content/warnings: cussing, mature language/sexually implied content, infidelity, flirting, kissing/making out, there is trouble everywhere quite frankly…. gonna dip once i post bcos i know this is bad but there’s def another future 0.5 chapter that might be worse

⇢ POSTDOC | YR 2.5

"Babe." Iseul whines a bit, making San mimic her pout before tapping her nose.

"Love. How about I take you out this weekend to make up for it? We can go somewhere, just us two."

"Okay, but it'd be better if you could do that and come hang out tonight, too." 

"I'll try."

"San." 

"I'll try." He chuckles. "I should really finish up behavior tonight and that review for the paper we're working on. I'm already behind."

"Who said? You still have time."

"I have to get this done by next week." He gives her a sympathetic smile before placing a kiss on her forehead. 

"Next week."

"I'll try and get it done so I can hang out with you two, k?" He cups her cheeks. She can't help but continue to pout and cross her arms, even when he kisses her on the tip of her nose and on the lips. Part of her continues to have a soft spot for her man, the love of her life. 

Part of her wants to continue being supportive because she loves seeing San excel in his craft, she loves being by his side throughout all his achievements and vice versa. She feels like together, they can conquer the world together— be unstoppable, reach the top.

The other half, maybe more than half at this point, is sad. Empty. She longs for the man she fell in love with, she longs for his company. His time. His effort. 

His kisses, his cuddles. Everything.

Iseul never thought the lines would blur.

"Okay?" San repeats, causing Iseul to return her full attention on him. She gives him a small smile and nod, San's thumbs caressing her cheeks. "Better." He subtly bites his lip before caressing her chin. "C'mere." He leans forward to peck her lips again, and again.

And again.

Before they're both standing near her car, kissing under the late afternoon sun. Iseul tugs on San's shirt, deepening the kiss as she pulls him closer. He softly groans against her lips, Iseul's hand slowly traveling down to his belt. 

"Baby." He pulls back and chuckles. 

"We can be quick." She chases after his lips and presses small, repeated kisses against them before he's gently prying her off and shaking his head.

"I'm sorry, baby. I gotta go." She whines again before he's kissing her one last time on the lips and forehead. "You can have me all you want later tonight. And tomorrow. And the weekend."

"Ugh. I hope you know how much I'm sacrificing so you can hurry and finish." He laughs.

"I love you."

"Love you, too." She sighs, watching as San waves before doing a light jog back to the building. She slips into her car and connects a call to the bluetooth just as she pulls out of the parking spot.

"Yo!" Yunho answers the call almost immediately.

"Hey. What can I bring to your place for tonight?"

"Hm. Soju? I think I'm almost out." Yunho hums. "Chips and any other snacks."

"Okay, so everything? What do you even have at home?"

"Me, myself and I." Iseul laughs. 

"Uh. So much for inviting us over when you don't even have anything ready."

"I'll whip something up, don't worry! Why the doubting?"

"Alright, boss. Counting on you then."

"You know what else I need?"

"What, Yunho?" He chuckles.

"You." It’s meant to be a lighthearted joke; nothing more, nothing less. But, it does something to Iseul and Yunho knows it well enough by this point.

"You're so sappy. Quit it." She blushes to herself, biting her bottom lip even though she playfully scolds him.

"Nah. It's kinda fun seeing you all flustered."

"Hate you."

"Sad. I don't." She shakes her head and smiles. "Sliding through soon?"

"Yeah, I'm just gonna freshen up and change at the house first after grabbing groceries."

"San is coming?"

"He said he'll try and wrap up quick so he can join."

"Ah, okay." Yunho sighs a bit. It's been awhile since he's been able to hang out with his bestfriend, but he understands how important his work is right now. He tries to be, at least. He knows how it all goes. 

He just wishes San would give himself more time to relax. Enjoy life a little bit, just like he used to.

"I'll see you in a bit then."

"Mhm. I'll text you when I'm on the way."

"How exciting."

"Shut up." She ends the call. Suddenly, those dark, sad feelings she felt earlier are gone. Suddenly, she's happy. She feels a bit giddy. Excited.

Iseul isn't really sure when the line started to blur. 

But somehow, they're here and Yunho isn't sure how they'll go back and undo whatever they've created between each other. He knows this shouldn’t even be a thing. He should feel like some sort of last resort, a rebound— like he's the cushion that keeps Iseul company solely because San isn't around. Yunho knows there shouldn't be much to it.

So, why is there more to it?

It must have been all the kick-its with friends, all the lunches and casual dinners. It must have been the exchanged texts with stupid [but silly] memes or tweets the other would appreciate. It must have been the calls just to check in with each other. It must have been the subtle, lingering looks. 

Accidentally brushing hands.

Teasing and poking fun at each other.

Flirty undertones.

Saying shit to make the other smile or laugh.

San would have just assumed they were being normal around each other. They had always been close anyway, but he says that because he doesn't catch the small acts in between. 

The very small, but clear and intentional acts.

For a minute, Iseul thought it was a phase because Yunho was there like he had always been. But then, the feelings and the thoughts stayed for longer than a phase; piled up over weeks and weeks.

Until she realized what it meant.

So, she tried to distract herself and force herself to understand that it was truly just a phase. When San was around, she'd affectionately hug him. Kiss him. Cuddle him. Pull him to bed and make him cum over and over again to feel satisfied, to feel like she was still wanted by her man.

His moans and the loud calls of her name the only thing granting that satisfaction. Even though, could she say the affection behind it was genuine?

Clear, intentional?

Who's to say?

Especially when she's happily skipping down the aisles in the grocery store, grabbing the soju that both she and Yunho like; the one that San doesn't really like as much but he'll deal and make do. Especially when she's throwing on a form-fitting zip-up and leggings, trying to come off as comfy, but alluring. Especially when she sprays her perfume and dabs on a bit of lip gloss for a lazy kick-it that’s staying behind doors and enclosed walls.

Especially when she walks through the door to greet Yunho with a big hug— one that has him swinging her around before they plop onto the living room floor and get started on the drunk, scary indie movie and short film marathon the three agreed to do as a way of de-stressing.

Especially when Iseul gets the dreaded but expected text from San, and she can't help but welcome back the same feelings of emptiness and disappointment from earlier.

san: running behind. i don't think i'll make it, love. i'm sorry. tell yunho i’m sorry, too.

san: i'll be home tonight - i'll make it up to you. this weekend, too. 😘 i'm all yours.

"He's not coming." Iseul says, taking another huge swig from their third soju bottle of the night, making Yunho nod silently.

"I'm sorry—"

"It's fine, don't be such a debbie downer." She laughs, playfully punching him on the bicep. Yunho catches her hand in his when she attempts to pinch him the second time around, making her pout in return. "Ouch!"

"Says you who was just about to punch me on the bicep, meanie." She giggles when he lets go of her hand. "I'll let it go. At least you're laughing and smiling."

"Yeah." She looks up at him. "You surely do make me laugh and smile."

"Good or bad way?"

"Good. How could that be a bad thing?"

"I don't know, you could just think I'm stupid." She snorts.

"Never."

"Well, good." Yunho smiles. "I like it when you laugh and smile."

"I like it when you make me laugh and smile, Yunho."

"Yeah?" He drunkly rests his cheek on the palm of his hand, elbow on the surface of the table. "What else do you like, Iseul?"

"A lot of things."

"Mhm." He hums in a sing-song tone before leaning closer to tease her a bit. "What are a lot of things? Name a few."

"Yogurt soju, melon bread, being in bed after a long day and letting the sheets engulf me. Reading in a hot bath with candles lit up. To name a few." She leans forward to match him. "I don't think I can say anything else."

"Why not?"

"Because other things could be bad for me."

"In what way specifically?"

"Just cause." Her voice is barely above a whisper, lips only inches away from Yunho's.

"Just cause? How bad could it be?" She subtly shrugs before her eyes are dipping down to his lips, back up to his eyes. 

"Dunno. You tell me." She distractedly says. 

"What if.. maybe.. it isn't a necessarily a bad thing at all?" There's a thick silence in the air, but no one wants to address the tension, the elephant in the room. So, after a few minutes of said silence, Iseul leans forward and just kisses him— somehow thinking it could address the tension or whatever elephant is hiding in the room.

And at first, it shocks Yunho.

He freezes because he knows this shouldn't have happened. It fucking shouldn't have happened and he should’ve put a stop to it ASAP. Because Iseul was San's and vice versa, they made vows and devoted their lives to each other in front of him, and they were good together.

Yunho isn't really sure when the line started to blur. 

But then, he finds himself chasing after her lips to kiss her again, and again— until things can't be stopped and San's texts are going unanswered while Iseul's phone sits on the coffee table and vibrates away.

Her and Yunho are no longer sitting around watching the short film that's on. It eventually plays a random video next because no one is paying attention to what’s happening in the background. Empty soju bottles are spread across the surface of the table, along with open bags of chips and empty bowls. TV serving its purpose as background noise, almost fighting with the loud kisses and subtle moans leaving their lips while Iseul continues to make a place for herself on Yunho’s lap.

Meanwhile, San tucks his phone into his pocket, shrugging off the entire thing after he had sent her a few more follow up texts with all his ideas on how to make up for tonight. And tomorrow. And the weekend. He felt bad, but he was genuinely excited to do things with Iseul. To take her out on dates, travel near and far with her just to be alone. Rekindle the flame. Bring back that love, passion, that had been slowly dying because of his own fault. 

It wasn't entirely uncommon for Iseul to let texts go unanswered, but he was only worried because he knew that initial 'sorry can't make it' text upset her. She was probably trying to distract herself and lean on Yunho. Which, San can't help but think that Yunho does a way better job of being there for her than he actually does as her husband. It kinda aches him to think about it, and he's not sure how to navigate his own feelings when he keeps replaying that bar scene in his head.

For San, there’s no use in figuring this out because he knows they're good friends. They get along well, and he should be glad that they do. There isn’t anything to worry about despite his mixed feelings and confusing thoughts.

But for Iseul and Yunho, there’s no use in figuring out when this all happened, why this all happened— because everything has become perfectly clear and defined. 

The small acts gone unnoticed no longer small and unable to be hidden.

Clear, intentional.

Now, the lines are no longer blurred.

—taglist: @asjkdk @interweab @woojirang @svintsandghosts @cheolliehugs @persphonesorchid @mxnsxngie @jycas @cowboydk @vcutparis @chngbnwf @struggling101 @sanhwalvr @angelqueendom @barbielibra @brown88 @choisansplushie @yunhoswrldddd @hyukssunflower @vickykazuya @lucid-galaxys-world @jaytheatiny @pommelex @thechaotictheoryy @vixensss @santineez @nopension @domfikeluva @in-somnias-world @my-atiny-kookie-rkive @mountiiny @naoristerling @onmymymyway @thecutiepieme

[sowrennie]

Okay so I’m currently in Love and Deepspace hell and now it’s everyone’s problem. I may not entirely ever understand what’s going on, but that’s okay I’m still going to give my two cents on what Caleb may bring to the table. Please correct me if I’m wrong😭

LOVE AND DEEPSPACE MAINSTORY SPOILERS AHEAD!

1. Ties to EVER

Hear me out here. I know this is a common speculation but I want to delve into it and lay out the facts where I can see them. We kind of know what EVER’s goal is, we also— according to the notes we collect— know where their investments lie. They play a dominant role in biotechnological developments, aerospace, Evol energy, and international trade. We also know that Caleb works as a fighter pilot for the Deepspace Aviation Administration. He attended the Aerospace Academy in Skyhaven: an artificial floating island above Linkon. From what I gather, Skyhaven is powered by a protocore— and EVER is known for their involvement and use of protocores in modification/advancement. With what is made known to us it’s safe to conclude that Caleb is an affiliate. It’s hard to say whether or not he knows about the aether core, assuming he does though, he knows that upon the experiments— MC is basically immortal. She would be an asset to their research, and goal of extending lives. I wonder if Caleb feeds them this information, but at the same time— I’m just… not fully sure, seeing his particular niche and all. It does feel like they have their eyes on mc, though… I don’t entirely remember, but in awaited revelry, doesn’t Sylus imply that Josephine and Caleb have malicious intentions…? That being said—

2. Caleb’s return..?

I have a speculation that, like many cases we see (albeit some failed ones), he’ll be resuscitated via protocore; EVER can’t lose a valuable asset, after all. It fits thematically, and can further establish Caleb’s character as a character foil to Zayne (who despite his regrets, feels that death is a necessary part of the human existence.) An apple a day keeps the doctor away and all! This is the first ML we know that actively has interacted with another, and I genuinely can’t wait for what this means for Zayne’s story, even if EVER isn’t behind Caleb’s heavily implied return. He’s still facing what should be a dead man, and ugh. I KNOW his emotions are going to pile up. Staring directly at the Mt. Eternal anecdote. This could be a stretch, but— Carter, Xander Sciences trying to rope Zayne into their projects over and over— MC is the perfect bait, and bringing Caleb back may establish MC’s direct involvement and have Zayne be enticed by proxy. Caleb does play the role of the forbidden (potentially), and this could be how that motif comes into play.

3. Snake Motif…

Okay so I have yet to do my research on this entirely, but like— I just think it’s so interesting that they released Sylus during the year of the Dragon, and then potentially Caleb, during the year of the Snake. That aside, though— the clear biblical connection between the snake and the apple and potentially being that lure— what snakes generally symbolize (mystery, deceit…), and I saw this floating around somewhere, but apparently in CN he calls the MC ‘little tail’? I’m so interested in what this could mean symbolically with all his apparent affiliations, buuut that’s for us to see.

I’m looking forward to that livestream and tbh idk if anything here made sense but I’m so normal about this game (even if I likeee barely understand it.) What are you going to do Caleb. What’s happening. I know this is different from what I usually post here but I NEEDED to yap or else I might go insane idk

What are you hiding.

[emilyartstudio-s]

Style (Stan x Kyle) please?

Here's a doodle I will finish for patreon :,)

[statementlou]

.

[sydney-carton-of-sour-milk]

The Many Illustrators of A Tale of Two Cities 7: A. A. Dixon

"'Collins' Clear-Type Press, let me ask you a question.'"

This is a very long post.

This week's edition has, in my research, become quite the edition.

Sadly, this image is the best source for the cover wrapper illustration that I could find.

You are likely familiar with Arthur Augustus Dixon's illustrations for the 1905 Collins Pocket Edition of A Tale of Two Cities. Several of them are very common to find in Internet searches and articles about the book, if not other editions of the book itself.

But the question raised by my research for this week's edition is: Are you familiar with all of them?

Thing is, as the source above states (read the whole article if you have the time, it's very interesting!), Dixon created twelve illustrations for this novel.

And sure enough, this source from the Internet Archive and this source from @oldillustrations (hello!) both have eleven of the same illustrations - with the twelfth presumably being for the wrapper, as seen in this source (previously cited) from the Victorian Web.

Alright, so that's three separate sources, all with (effectively) the same set of elaborate illustrations from 1905. Neat!

...

...but if you start counting...

...you'll notice that this seems...

...like a lot more than twelve!

Basically, there are five illustrations by A. A. Dixon that are completely unaccounted for in any of the three sources previously cited.

For the purposes of this post, the cover wrapper is considered #0 and is not pictured in these banners.

In full-size set of illustrations in this post, this source from Google Books is the source of four of those mystery illustrations:

#3: "'He stared at her with a fearful look.'" #6: "'Drive him fast to his tomb.'" #7: "He said, 'Farewell!'" #12: "'She appeared with folded arms.'" #9 ("'Patriots and friends, we are ready!'") and #11 ("'You are consigned to La Force.'") are sourced from Google Books in the full-size versions in this post simply because the Internet Archive versions of those two illustrations had cropping issues.

To me, this is mystery enough on its own. Why would another version of the book suddenly have more than the originally-stated number of illustrations by this artist? Especially considering that the Google Books source does not have #13 ("''I know you, Evremonde!''") - why would it be missing one of the "main" set?

It gets even more interesting.

As you'll notice in the banner, we're still one off: Keen-eyed observers of the full-size set of illustrations might have already noticed that #14 ("'Carton and the spy returned.'") looks a bit different than the rest of them - a bit like what happened in the previous edition of this series!

That's because that Dixon illustration comes from this completely random source - a post from a blog called the Paperback Palette dating back to 2018 - that I happened across on Google Images of all places while sitting on an airplane trying to set up this post last week!

And to top it all off, that source is missing #6!

At this point, if your first instinct is, reasonably, that perhaps Dixon didn't actually illustrate these extra five and that it was someone imitating him for later editions, then know that that was my instinct too - until I (dare I say it again) checked those signatures!!!

(I edited the colors to prevent flashing.)

All five of those illustrations bear Dixon's signature, so it's safe to assume that they are A. A. Dixon originals - from 1905, even.

Interestingly, #s 1, 10, 13, 15, and 16 don't have signatures! Does this mean anything? Probably not - as an artist myself, I often forget to put my own signature - but still, I can't resist mentioning it!

So the most likely explanation here is simply that the publishing house originally commissioned A. A. Dixon for more than twelve illustrations and then held on to some of them, eventually choosing to publish them in other editions. Still, we can't say for sure.

And as to why some are missing from the more "complete" sets - human error, most likely!

If you scrub through the Google Books source, you'll notice that #s 11 and 12 actually repeat (one even changes color, which I have no explanation for) - it's most likely either that the book was accidentally printed with repeats of #s 11 and 12 where 13 and 14 were supposed to go or that the person scanning this edition made a similar error.

As an aside, it's so interesting that the illustrations are evenly spaced throughout the book - I had not noticed that until now!

And as for the Paperback Palette source, it's most likely that the blogger accidentally skipped over an image while combing through their edition or just glossed over it when posting the batch (I understand that from experience!) We can see this by adding up the letters in some of the illustrations' captions - doing so reveals that the letters are meant to go to P, the sixteenth letter of the alphabet.

Thus, one must be missing! Case closed!

Except... It's actually (going by both the chronology of the book and the order in which this set was found in Google Books) missing the wrong letter! Here, it seems that In the Google Books source, #7 in the full set is given the seventh letter in the alphabet, G - whereas in the Paperback Palette source, "#7" is labeled as the sixth, F:

This implies not only that #6 is absent from the Paperback Palette source but also that there is a missing mystery illustration located between this source's H and K - that is to say, before or after #9!

EXCEPT... For one, this isn't the only inconsistency I've noticed - there are several places where the letters seem shifted in a strange way. I've seen #2 listed as "C" and #9 listed both as "H" and "I2i" (???), just as two examples. (My theory is that the cover wrapper and the frontispiece may be at play here, but who knows?)

More importantly, though, it seems that, for some mysterious reason, all of the sources with relatively consistent use of these letters (i.e. all but the Victorian Web) - even the sources with only eleven interior illustrations - still give #15 in the full set the fifteenth letter, O. Which, of course, may make all of this pretty moot anyway.

Dare I say..."Oh."

Suffice it to say, just as much as major sources like the Internet Archive and Google Books are vital to this sort of research and preservation work, so are smaller websites and bloggers! After all, without the Victorian Web and the Paperback Palette, we as collective netizens likely wouldn't have ever known about the cover wrapper or illustration #14 (not to mention that the versions of the illustrations from the set posted by @oldillustrations have by far the best image quality and standardization that I've found! Please go check them out if you haven't yet!).

As for the reasons behind Collins' Clear-Type Press not publishing all of the illustrations from the beginning (if that's the explanation we're to go with here), I suppose the question I'd like to ask is:

why? why would you put us through this?

& the standard endnote for all posts in this series:

This post is intended to act as the start of a forum on the given illustrator, so if anyone has anything to add - requests to see certain drawings in higher definition (since Tumblr compresses images), corrections to factual errors, sources for better-quality versions of the illustrations, further reading, fun facts, any questions, or just general commentary - simply do so on this post, be it in a comment/tags or the replies!💫

[sainz100]

2024 Singapore GP | x

[tricksterlatte]

Anyone else think short form social media based on algorithms designed to promote topics that create more engagement instead of more joy, the idea of fast fashion but conveyed through social media, and the fact you can monetize suffering and outrage better than ever has largely resulted in the death spiral of media literacy and the mass emergence of bad faith readings?

[derpinette]

girls being nice to me gets me higher than ecstasy ever could

[sysig]

One better (Patreon)

[sayheykid]

i genuinely don't think a story's worldbuilding and lore has ever drawn me in the way that check please did. it's been years and i still think about it every day. the characters and plot were always superb but i think what has stuck with me the most is the depth of the settings and how everything feels so lived in and tangible. everyone wants to make a fake world and town and university but no one else has EVER done it that well

[risingsunresistance]

damn i kinda dont like it here anymore

[eclarinet]

same soup... different day

[starchild--27]

yk what. i'm gonna say it.

i hope pcy1 comes soon. we need new things to talk about besides how hot he looks like oooomg i am sooooo tired of that i want his MUSIC ok i want to LISTEN to him damnit

[haven-gum-rockrose]

going through it lately. and by it? i mean absolutely nothing actually.

[bangcakes]

.

[waywardsalt]

thinking abt linebeck’s coat. something very alluring about it for some reason. so im just gonna ramble about it here instead of in the tags for once

you can probably start a fight between the people who think it’s a coat and people who think it’s a jacket but i think it’s a coat moving on

the character designs are interesting to look at due to the proportions and art style so it is hard to imagine how long his coat would be but i think it would go down to a bit above ankles because i think that’s good. it’s a bit more dramatic a bit more impressive(?) that way and would probably lead to problems tbh

based on some of the official art i imagine that the stripe at the bottom might’ve been a late addition since it’s missing in the bit of official art most used to represent linebeck. tbh linebeck is inconsistent in very tiny ways in the official art but that’s mostly if you’re gonna be nit-picky or bored enough to notice

his coat is so good it’s simple but very recognizable and stands out among the other character designs in ph and its just. yknow good character design

its also surprisingly good for headcanons and stuff and because i mostly take a lot of canon as suggestion i have a good handful of headcanons tagged specifically onto his coat (one of which is the length of it ig)

i like to imagine that he made it himself. i’ve seen stuff where people write linebeck as being able to fix link’s tunic when it gets torn and i feel like the logical extreme of that is that he made his own coat. i think that adds a layer of. importance to it? it’s unique it’s solely linebeck’s it’s tied to him because he made it with his own hands and maybe it can represent something about him that way?

i like to imagine that in addition to the normal pockets one the outside he’s got a whole lot of little pockets on the inside of the coat, like so many pockets that he hides little trinkets or tools or things he steals in either to keep or to take back to his ship for whatever reason. some of the pockets have little flaps of whatever they’re called that can be secured in place with a small button to keep stuff in

he’s got like pencils and a compass and little notes and tiny figurines and cool rocks and feathers and all kinds of little things he thought was worth keeping around and due to that his coat is uncomfortable sometimes but if he knows for certain he’s going to be busy doing stuff he’ll empty out all of the pockets and only leave the important stuff so that it’s lighter and less uncomfortable. link finds his coat lying around at some point and is caught so badly off-guard by how surprisingly heavy it is with all of the bullshit he keeps in all of his pockets

i also imagine he values it a lot, maybe to the point of being really possessive and protective of it, not letting link touch it and if it gets torn or stained he shuts down and has to fix it before he can move on to anything else, and if he can’t fix it at the time it leave him kind of overwhelmed or upset until he can fix it. he has a lot stocked-up materials specifically for his coat to avoid a situation where he has to go for while with his coat damaged

backing away from headcanon territory, his coat is just a cool bit of character design and has just been lodged in my mind for a while. its cool and never brought up within the game (obviously) and i guess a last little closing thought is that in the cutscene where oshus teleports link above linebeck it kinda looks like his coat moves when he tries to catch link and i think that’s cool