#something came up and it got complicated
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going through it lately. and by it? i mean absolutely nothing actually.
#guys i need therapy#not that itll work#it wont#the last one didnt#and the ones before didnt but my mom only let me do one or two session each for those so i dont fault them#its been years tho so maybe?#idfk#i dont really care#i do#i probably do im just tired#yall know what type of tired#ugh i should really keep my vent posts to my vent blog so people dont have to see them#<- has made many vent posts here and actually not used the vent blog in months#my foot just fell asleep#yall lukcy i dont have a gun#i lied about quiting my job btw#something came up and it got complicated#it might turn out good tho#probably not#but if it does i might be able to move out and room with my oldest friend#oldest as in time known#not age (im older by like four months hehe(and like a head shorter but we dont talk about that shh))#but that would also mean rent which means philly will take a lot longer#and also ill have to look for shops in a whole other city so im putting off quiting for another month or two or three maybe#i dont like change. i dont like genuinely regularly thinking 'id rather die' to things that i really do want#tw vent#thats probably important#i dont like decisions#did you guys know Animal Jam got shut down?#i miss my necklace. everything else seems so- not barbaric but maybe unclean. which i guess is appropriate
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On my knees begging for anything trans!Obi-Wan :') love your work btw

your wish is my comand lovely anon, here's obi-wan having a nice peaceful moment training
#art requests#i got perhaps a little carried away i cant lie buuuuut im very happy with this#first thing ive really drawn in like 6 months#i came up with a silly over complicated lore for the tree in the background because .. well you gotta think about something when you draw#its a short lived species that picks a direction and grows in it until it falls over and dies and lots of smaller ones grow up in its place#and yoda plants them around the creche / training areas/ gardens / wherever and they act as a lesson in attachemnt for younglings :)#like yes this tree thats been around all your life (10 years or less) is dead but look it dying has made new trees and new opportunities#and maybe sometimes he gifts them to younglings he likes or ones he thinks could use the reminder sometimes that things ending isnt the end#new stuff happens after everything continues its all fine#anakin definitely recieved one or ten#probably was still recieving them into knighthood because yoda is a troll#he doesnt know theyre supposed to collapse and die though he just thinks hes really bad at looking after plants#anyways#yep#done with that#my art <3#cal draws#obiwan kenobi#trans obi wan#trans obi wan kenobi#trans! obiwan#star wars#star wars fanart#fanart
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this is my favorite scene in the game because its just italy trying to make things as confusing and frightening as possible for reasons that end up benefiting NO ONE in the end
#hetalia#hetaoni#hws italy#aph italy#hetaoni italy#ok but like.#this scene actually confused me a bit at first.#how i interpret it:#japan makes a mistake (forgets about prussia). ita is ACTING confused. he should know by now that people forget each other here#(funnily enough in loop 1 he forgot japan! haha!!!)#so is he just trying to fit in? act surprised by japan's mistake so he isnt ALSO seen as suspicious?#but then he later makes a fake mistake of his own saying that theyre not even looking for america bc he didnt show up at all (false)#'Yeahăwhy did you say France and AmericaăJapan?#The ones we have to save are Prussia and Franceăright? Why did you say America?'#...but WHY is he doing that#and then after jp gets confused AGAIN and says HE came here with america (he did Not. not this time anyway) ita seizes that opportunity.#even directing attention to him 'Wai-- what's wrong with you Japan? Don't you remember [that we...]'#yeah japan? dont you remember? hey everyone isnt is so weird that japan doesnt remember? hm? england doesnt remember either huh?#lets all argue about it. lets all distrust each other. lets all get reaaally distracted so no one notices how Blatantly suspicious im being#enough rambling. this is genuinly one of my favorite scenes in the entire game.#just. the weird anxiety. 1000 loops of memories... everyone fighting over what did or didnt happen... the psuedo alliances that form...#anger confusion disgust... distrust. why dont you remember? i remember something that never happened. i remember it vividly. ...why?!#AND ITS ALL ORCHESTRATWED BY MY LITTLE BOY!!!!!! <333 hehehhe itallyyyyyy#i mean.#assuming that uh. he. intended to do any of this.#and was not also suffering from the loops memory loss.#which i like to think hes not.#hetaoni italy got trapped in a murder monster timeloop#woke up on the morning of loop 5746546345#and said to himself âhow can i make this even MORE complicated in a way that benefits no oneâ
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Gnawing at the bars of my cage wondering what personal hatred Olivier is referring to here.
Does he mean hatred is "the reason he's standing here now" as in it's the reason he's reached his current point in life? The reason he's stayed with the chasseurs and become a paladin? Or does he mean "the reason he's standing here now" as in the reason he's still alive?
He brings up his own relationship to hatred in the context of people clinging to it for their very survival, but he also dismisses his own feelings as "trivial," so I can see an argument for either way.
Olivier sees himself in pre-trauma Astolfo, which means he must have grown up relatively privileged and comfortable. The tiny glimpse we've seen of his childhood seems to support that. What desperate straits did he end up in that forced him to rely on hatred? Was it despite or because of that privilege? Despite or because of his involvement with the chasseurs? He doesn't seem that intense in his hatred for vampires (not relative to some other chasseurs, anyway), and we've yet to see him express particular dislike for anyone besides when he got into a fight with Gano over cruelty to Astolfo, so it could be almost anyone that he's talking about here.
I was never that interested in Olivier before these chapters came out, but MAN I'm curious about his history now.
#I've been stewing on these thoughts since 59 came out and just never got around to posting them#I think I've seen someone theorize before that whatever he's referring to here has something to do with him threatening to quit#if roland didn't wake up that time he was injured#and whether it's a direct causation or just two symptoms of a complicated relationship to his job. that would be REALLY interesting#but I don't think we have enough evidence to say for sure that that's the case yet#so we're (I'm) still just stuck here wondering#vnc#vanitas no carte#the case study of vanitas#vnc spoilers#olivier#olivier my beloved#olivier of obsidian#english major hours#ID in alt text
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everytime i feel bad and stressed about my life i remember that i might be in a troubling situation and having a bad time but im not season 4 fiona gallagher in the clink after leaving crack on the counter which my 3 year old baby brother happened to ingest resulting in a fatal near-death experience thats wracked me with never-ending guilt and forever altered my life
#this storyline was stupid you expect me to believe two-apples-tall liam gallagher came close to the crack AND managed to ingest it?#the crack which is lined up on the kitchen counter?#Also i don't believe that fiona would be irresponsible enough for liam to have been able to be close to the crack#that was an ooc moment and not like âits ooc cause thats the point shes going thru a tough timeâ#morelike âso ooc that it seems like a discrepancy that was overlooked for the sake of drama and shock value#as an older sister i feel like being watchful of your younger sibling if crack is in their general vicinity is an unstoppable instinct#its just not a plausible situation sorry like this is coming from someone who wholeheartedly embraces the realistic idea#of fiona falling short sometimes and being very human by struggling to consistently maintain her doting attentiveness#but anyways it's complicated cause Fiona clearly put it somewhere he cant reach#so how did he get access to it????#its like getting mad at a parent for putting a glass of wine on the counter#not comparing that to literal cocaine obviously this whole situation was nonetheless messed up#but just for some perspective... the writers were clearly doing cocaine themselves if they thought that#liam was bungee-jumping onto the counter and showing off his skills as an apparent budding olympics gymnast#not justifying anything but. listen.#the fact that it was on the counter FOR A REASONNN shows that fiona was careful to keep it out of reach and NOT do something insane like#putting it on the table#liam somehow magically having access to it defeats the purpose of it being on the counter.#if they really wanted for it to be believable that liam managed to snort it they should've put it on the table#but we already know that situation wouldn't be believable in its entirety cause we know that fiona would literally never leave it there#WHICH IS MY POINT. LIKE THIS SITUATION IS JUST ANNOYINGLY UNBELIEVABLE. FIONA WOULD NOT DO THIS AND HOW DID LIAM EVEN GET TO IT??#theres like 39482939 overlooked discrepancies just for the sake of getting to the shock#just to circle back Fiona would literally never let liam go near crack no matter how far gone and fucked up she was#I KNOW THIS BECAUSE I AM AN OLDER SISTER.#its just so UGHHHHH anyways obviously i still think in canon yeah Fiona was at fault shouldve been more careful and watchful#no matter how you look at it its clear that a risk like this just cannot be taken and she had to be blamed to an extent#but me personally? i reject it because it didnt feel natural to me at all there were 394939 other ways to frame a Fiona downfall#And i loved all the other ways her spiral was shown like getting messed up and ending up in Sheboygan#all the shit she got into with robbie + the impulsive urge to ruin the good thing she had going with mike#so human and believable and deeply flawed unlike the liam situation which was horrifically OOC and unrealistic
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the downside to being a sitcom neighbour sort of person is that when rough things happen and emotionally fuck u up a lil bit, it also sounds completely made up
#bert's dead dad tag#found out today the way my dad told mom he wanted a divorce?#he wrote her a letter and left it on the dining room table for her to find on the morning of her fortieth birthday#who the fuck does that dead father#like that is the sort of thing i would entirely make up if i needed everyone at the table to fuckin hate an npc#and at least one person would go 'you're laying it on a little bit heavy'#i know he did work to become a better person as he got older#which is good because BOY howdy was that man a piece of shit in the early 90s#and we are having Complicated feelings about it tonight and also for the last nine months#something something when i was writing his eulogy i came across an old article discussing something he did in the 90s#YDIP (your dad is problematic)#like yeah this is the sort of thing that would have been vaguely acceptable in the cultural context#but like. still objectively bad. potentially ruining several lives sort of bad.#learned this and then wrote the rest of his eulogy about how he was a great guy and how i'm lucky to have been his son#(which was rough enough on its own because i've never said 'i'm [dad's name]'s son' as many times as i did that trip home)#but like what else do you do? i sent off a message looking for more information#and that information if it comes is just gonna sit with me i guess#sure as hell not telling my sister and this whole thing i've been getting through without really having anyone here for me to talk to#(hence the big fuckoff tag rant. your problem now losers who like clicking the read more button)#so even if i get all the answers i want about this one thing it's not gonna do any good except putting an end to one question#but part of having a dead dad who's been out of the business of forming new memories since you came out is having more questions#answering this one's just gonna add even more questions to the pile#but. got fuckall else to do
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How many times do I have to learn the lesson that I should start the story when the story starts instead of trying to tack on introductory worldbuilding?
Seriously. My instincts about when to start the story are almost never wrong. But I always assume the first scene in my imagination requires set-up that people outside of my imagination don't have. So I tack on an intro to set the mood and to set up the plot and characters and world. And it's boring. When I should have just started where I wanted to start so I could weave explanations into a scene where things are actually happening.
#adventures in writing#i decided to tackle that goose girl retelling i came up with earlier this summer#(the one that was supposed to be a simple short version of a fairy tale)#(but i got too attached to it and became paralyzed by the need to do it right)#it turned out that one big hurdle was the lack of names#so i finally just picked some and went with it#and then when it came to starting the story i thought that i needed to show how the mc feels lost and ashamed by her fall#and explain that she had a talking horse and it's dead now and all that complicated stuff#and then i remembered writing 'a day late' where i made sure the story started with the character *doing* something#which is a decent lesson but it wasn't quite enough here#the really important lesson i should have learned from 'a day late' is that you shouldn't start the story too early#i had tried a meandering scene of beatrice arriving at the castle and it was boring#and i solved the problem by starting partway through her frantic search#and then wove in the explanations about her situation#which is exactly what needs to happen with this goose girl story#i just need to start with her doing something and then weave in all the exposition bit by bit#start where i'd initially wanted to start and let the readers figure out all the backstory as i slowly reveal it#i feel like i've repeated myself five times so i'll stop talking now
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It's been wonderful being able to talk about these things for me too! I haven't really had the opportunity since Y7 came out, so I'm positively buzzing. And no worries about the tone of your post about Daigo's article haha, I appreciate it when issues are pointed that I might've missed otherwise since that's at least something actionable.
But I'm obviously not going to stop anyone from venting frustrations with the wiki or with Fandom as a platform; I frequently find myself frustrated too! It's one of the things that keeps people editing the wiki. I'm honestly fine with whatever as long as it's not accusing us of being fujoshi for the billionth time lol, but for better or worse I do like to clarify what we're trying to do if there's any confusion.
Speaking of, Mine's relationship tags are kind of a funny story! So a lot of them have these dotted underlines and question marks, right? You're supposed to be able to hover over underlined terms to see a short definition (on desktop) and click the question mark to see an article with all the definitions on mobile, since hover actions aren't possible on a touchscreen.
But since the article was and still is under construction, Fandom doesn't show the link to logged-out users. So I had no idea it just looks like we're saying the tag is ambiguous lol. It's up now though, so it's hopefully easier to understand what we're trying to do!
I just found it funny I specifically added that feature to reduce confusion. Half the grief we get over Mine's "romantic interest" tag is because people assume we're saying it's mutual (we chose the term to try and avoid the "mutual" connotations of "love interest," but I guess that didn't work out). I also thought it might help with somewhat esoteric tags like "co-parent" (which was put in place for Jo and Arakawa and then I kept thinking of others) and "surrogate son." Turns out it's tough to boil complex relationships down to one term!
I definitely have SO many questions about New Year's Day and I probably always will; for the space of only one night, it's a huge blank. I certainly do have to wonder if shipping Masato off to America was decided then and there. There's a lot that could possibly be expanded on in RGGO (further interactions between Arakawa and Jo included lol), so I've got hope for that too now that we're back to random events. I'd be really interested to see how you'd portray it someday!
Talking about Nakai and Tsutsumi reminded me, Nakai mentioned he read the whole script in a day so he "wouldn't do a disservice to Arakawa or Sawashiro's characters." That kind of stuck out to me precisely because there are so few scenes between them compared to like, Arakawa and Ichi, and they're all relatively low-impact in comparison.
Of course, it could be marketing on account of him and Tsutsumi getting to co-star again, or the scenes could simply have stood out to him more for that reason, or he could've had a different impression of the ratios having read the script rather than played the game. But the part of me that makes me want to go Off The Deep End speculating is kind of wondering if there were other scenes planned?
And absolutely! I'm not able to reblog often because the post editor's been crashing whenever I try to tag my posts, but I hope you know I love your work and I'll support pretty much anything you put out! I'm very excited to share my findings as well.
A lot of it's to do with Mine's relationship to Western culture vs. Japanese culture (his "westabooism," basically), so that's specific to him, but there a lot of interesting concepts and theories in Japanese psychology regarding familial bonds, met and unmet emotional needs. They work as an explanation for his probable feelings of alienation from Japanese culture, but I feel they would make for an interesting lens to examine the Arakawas through as well.
I actually hadn't ever considered the similarity with regard to Mine and Jo's dads, but that makes so much sense! If I were to take it a step further, I think feelings of "abandonment" by their fathers have had long-lasting effects on both them and Masato. Jo we've been talking about, his father was technically still "there," but he wasn't in his corner, which feels much the same as abandonment to a child.
I think Mine's internalized a lot of the same feelings even though his father never meant to abandon him (I guess Jo's may not have, necessarily; alcoholism can destroy a family whether the individual wants that to happen or not). Like, unfairness, displacement, lack of control, the loss of the only support you have and so on. I think dwelling on that is what sent Mine's mental state spiraling, and what made it imperative to just believe Daigo was "dead" to try and move on as soon as possible. He didn't want to be hurt the same way again.
It's also probably what he was projecting in his ridiculous villain speech during The Orphanage Scene; the reason offering kids support in the way Kiryu does is a form of "victimization" in his eyes, at that moment, is because that support can be ripped away from you at any time. The scene is kind of hilarious to me because it's like, "okay we need Mine to have a kick-the-dog moment, his actions have been too understandable," but I do get it from that angle.
Similarly, I think those feelings of abandonment are why Arakawa faces the brunt of Aoki's abuse, because it's like, "YOUR negligence is why I had to go through all of that." So I get why Jo, like your sister, wouldn't want the finger pointed at him, but at the same time⌠damn. Perhaps if Arakawa had never had that talk with Masato, things might've been different. I get the impression he wouldn't be able to endure keeping things to himself for as long as Jo, though, given things like the letter he sent Ichi in prison.
Oh, yeah, Jo is CRAZY protective of Masato too! "If anything happens to him, killing you a thousand times would be insufficient!" I think part of his overreaction to having Masato's money is also that if Ichi can't listen to orders that fundamental, who's to say he listened to the orders to keep Masato safe? I guess if you see Ichiban as incompetent to the point of almost being a malicious actor, you might think that.
I'm sooo so glad you've noticed the rest of those similarities haha, I've been rotating them around in my brain like a cube for ages. A Venn diagram would be so fun to see! That's such an insightful look at the differences between Mine and Jo's offices too. I was a little confused about the placement of the social spaces, or even that they're there, but if you look at it as clearly separate from his personal spaces, it does make sense.
Also, not to harp on the books in the offices too much, but I compared the textures a little earlier. Mine's are basically all (very expensive) encyclopedias and language phrasebooks in English, Italian, French, and German, in contrast to Jo's discrete hardcovers and series of art history books. They're probably all stock assets lol, but I think they're surprisingly good fits; Mine dumping considerable time, money, and energy into his fascination with Western culture and Jo being the type to not want people to know what he's reading totally works for me.
But yes! It's kind of funny, because Yokoyama wasn't much of a Mine fan in his early days, but I hope he and the others keep on writing characters like him. I think of it as Mine's "legacy" in a series where past characters aren't acknowledged too often; the most I can recall are that Hakuho mention in 4 and the fencing around the Touto roof perimeter.
Speaking of, I love Mine's missed shots in the finale specifically because he's an excellent marksman in his Okinawa character story. Why? How? Who Knows, He's Perfect. (Probably not as good of a shot as Daigo though lol)
And yeahhh, there are other interviews, but it ain't the same! It was the most in-depth one I know of. I think this is one of the only remnants, and I shall entrust it to you.
But yes, exactly! And I'm also glad Y7 introduced more people to them (myself included), Tsutsumi's my favorite actor of all time and Nakai's brilliant. They make a great combi! Of the things I've seen where they co-star, I think Princess Toyotomi and Hero SP are both solid; the latter is a special for a longer show, but I honestly didn't even notice lol. Musashi I wasn't personally able to get through even though I've read the book, so I'm not sure how it plays out between them.
Also I DIDN'T KNOW TORU DIED IN PURE??? That came out of nowhere oh my god T___T But if you're ever looking for anything rare, feel free to ask! I might know a guy (gender neutral) with a stash, Fly, Daddy, Fly included.
OH MAN MINE'S WIKI ENTRY I've definitely made my opinions about it known, but now knowing the truth behind it it's kind of funny and still so unfortunate. I'd almost want to recommend a section dedicated to the topic since it's such an integral part of his character, though I also understand wanting to keep the wiki strictly to factual information and to exclude speculation (or "speculation" anyhow- it's definitely more of a concrete situation, especially going off of the information provided in your pinned post on the topic. If anything, that sort of information would belong to the "Trivia" tab wouldn't it- but again, it's such a deep situation it can't really be summarized in one or two sentences) and the topic being too niche to have a page dedicated to it. It's nice to know that the subject isn't trying to be brushed under the rug though and it's just a matter of awkward formatting/incomplete work!
Furthermore on The New Years Event, I would LOVE RGGO to expand on the topic since they've been so liberal with the stories they make and the depth those stories add to the characters. Honestly, I was expecting Masato's card to have that as its accompanying character story, so it's unfortunate that he doesn't get it or any story as far as I'm aware (or maybe he does have one and my poor pull luck has just prevented me from getting the card to find out myself, but I've looked as much as I could and couldn't find an upload of it). Oh well, I guess it's the old "if you want something done you gotta do it yourself-" not that anything I could make could ever be up to scratch, so I'm glad I do have people interested in what I have in mind :)
About Nakai, I wouldn't feel wrong trying to accredit his comment to a time before he knew the full plot or saw the full game and was just debriefed on the general story/character relationships, and I also wouldn't put it past RGG to have deleted scenes/ideas (if those do exist, RGG please let me in your vault I'd like to take a peak...)!
The psychology of Mine is another topic I've been wanting to officially tackle for a while now, so I'm glad I have this chance to share some of what I have mental bullet points for.
Moreover, Mine's dad and how he "left" Mine undeniably impacted him significantly beyond physically leaving him alone, and it definitely manifests in The Orphanage Scene and his idea that killing Daigo would be "putting him out of his misery". In those instances, he sees Daigo and the orphans as victims of an unfair reality, Daigo being comatose, and the orphans having the endure the struggles of being orphans (and that added-on, projected anxiety that their comfortable lives now could vanish at any second like it did for Mine). Mine's mustache-twirling villainy is funny for its absurdity, but I also genuinely appreciate it since it lets us peak into his warps philosophy better. It doesn't justify his actions by any means, but it explains to us why he can justify his actions as from a place of love or pity as opposed to thoughtless evil.
To add on, Mine's relationship with his father, from what we're allowed to gather, was healthy and positive. Because of their positive relationship, the removal of such adds credence as to why Mine's desperate to get that love again. It especially makes sense considering Japan's horrendous attitude and negligence towards orphaned children that was even demonstrated during Mine's childhood while his father was alive.
And as an inverse aside, Jo's relationship with his dad was toxic, whether it was due to blatant abuse or combined negligence. It's fair to assume that Jo never got to experience genuine, secure love growing up, so as a result, it's not something he actively seeks out. He's been without it long enough that it's not something he necessarily craves like Mine who used to have it until it was taken from him.
Masato certainly makes it clear he felt isolated despite the efforts Jo and Arakawa repeatedly went through for him, and it's apparent it's an unfortunate side affect of internalized ableism. It definitely doesn't help anyone's case that Masato had seemingly been informed of the night of his birthday's events (from Arakawa's point of view, obviously), and it's clear that knowledge gives ammunition as to why he resents him.
You're right on Jo potentially seeing Ichi as a bad actor, it's not as if he has disdain for him for no reason! Like even if Ichiban hadn't taken Masato's money the way Jo could have imagined, the idea that Ichi can't be responsible in one avenue can easily lead back to Ichi having the potential to look after Masato, especially when he seems to be the one who predominately looks after him when he's tasked to.
I've already got my program open to make my little chart and have my reference pictures ready, so hopefully I can have that silly thing out soon haha- I'm glad you're interested in seeing it, and I hope other people will like to see it too! Jo and Mine really are my favorite antagonists, so it's funny (and I guess not surprising) that they have parallels to them.
To add on to that though, I think it's fun to look at the extra details, no matter how small; I'm probably more happy than I should be that you looked at their office's books, but I can't help be a fan of the details you found (whether they're generic models or not, I'm running with them- I've done more with less before lmao)! Mine having language books is definitely in-line with his interests, but Jo having art history books is weirdly endearing (and dare I say another point for "these are the same picture" comparing it to Mine's own love for art). Jo being so private to the point of blocking out the binds of the books he owns is so accurate to him and his secrecy, and the concept that he likes to read about art in his spare time is a new favorite concept for me.
Mine really isn't acknowledged much after 4; in comparison to Ryuji and Nishiki, he's remembered throughout the series the least (you can argue the same for Ryuji, but considering he gets a whole new life in Dead Souls, I think it's fair to say that makes up for the mainline series forgetting about him. Though I guess the same could be Mine getting a prominent role as Hijikata in Ishin... Definitely not as cool of a spot as to be a playable protagonist with a machine gun arm if I'm honest). In that, it's great that his likelihood can exist in future characters, and I hope they continue the trend of phenomenal antagonists in LaD8 and onward!
I'm eternally grateful for this frame you've gifted me thank you so much- Nakai's smile is such a blessing honestly, I'm glad if anything survived from the interview it can be this shot at least.
I've got Princess Toyotomi and Hero SP added to my watch list, DEFINITELY something I'll be excited to check out as a reward once I have all my important business taken care of this week! Honestly, I haven't seen Musashi either: while I was looking through their filmography I saw it was a project they did, but I've always been bad at watching long series so I didn't take the time to see their performance together.
For things I have seen though... yeah he dies SORRY IF THAT WAS HOW YOU FOUND OUT </3</3 Honestly I didn't expect myself to love the series as much as I did (admittedly it was predominately because of the leads and their relationship), but when it happened I was both- dare I say crushed- a little humored a little funny in a dark-comedy way.
And if you do have access to harder-to-get films, I'd absolutely be interested in hearing about it. One of Nakai's movies Good Morning Show has been haunting me for weeks: it sounds like such a fun movie yet I can't find it anywhere </3
#long post#fave#i have to fave these now because i be putting my essay notes in these OOPSIE#snap chats#the state of the arakawas is probably one of my favorite things to explain to people BECAUSE its so complicated#i showed my sister the ending of Y7 despite her not knowing anything about the series since i was talking about how upset it made me#and i tried to explain the whole family situation since it was relevent#just... yeah so the guy in blue was put in a locker by his dad and then he got saved by another guy#and he did that because he thought the guy in blue was his kid- who is actually the guy in red#because /his/ mom put him in a locker because of yakuza business and she couldnt take care of him#but now dad-who-put-a-baby-in-a-locker came back so now he co-parents alongside the guy who took his baby#but theyre not together they just. raise 'their' kid but the other guy doesn't know that his co-parent is the /actual/ dad#i know i already made a parody of it but it genuinely has the set up to some goofy slice-of-life manga i love it â ď¸â ď¸#its SO funny to try to explain its easy to understand if you put it down on paper or write it out but to verbally do it đâ ď¸â ď¸#moving on tho i'd love to know more about that japanese psychology bit#im asian myself and tho obviously not all asian cultures are the same they overlap#so im curious to see if i can recognize any of the issues i notice in my own culture with that which can be applied to the arakawas + mine#the bit on his western idolization is something im interested in too ! esp based on the books in his office it could be an interestin topic#man i just keep looking at that interview picture and it really does have the energy of a proud dad and his son#maybe thats just because nakai's smile reminds me of my dads#but yes yes thank you again for writing it ! i know i keep saying it but i cant stress how nice it is to take this extensively#especially because not only do i learn a bit more and learn some details i missed but it also helps me expand my own thoughts#that i hope to make into bigger posts#on that note though i have one more quick post to make after this one then i have to tend to some of that Important Business..#and thank you for being a supporter of me and my work ! sometimes i get a bit self conscious about it#i know i post a lot too and i never expect people to interact with my things so im grateful for the knowledge you enjoy it !
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ha-happy nano...
#:fear:#no but i can do it today#something just came up so my secret life fic will have to be posted tomorrow#cause i dont think i can finish it and post in the same evening bc i have to do smth after work#BUT THE REST OF THE MONTH....that scares me#i've even got significant work travel! i've got a complicated international trip to plan. i've got...many things#maybe the gov will shutdown on nov 17 lol
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stages of creating my dnd character for this mini campaign
oh I'll play a dark elf monk that'll be fun!! and I'll make them bright bubbly and a little naive since you don't normally see dark elves portrayed that way !!! and I'll be a noble since I never play nobles!!!! new things!!
oh we're playing in xorhaus!! okay well I've never really done anything in wildmount before but hey new things!! and the dm knows the lore so I can double check for stuff I dont know. itll be fineee
I'll just look up cities in xorhaus and be noble in one of those!! this cant go wrong
oh okay this is promising!! the guy in charge of this city is a drow I'll be related to him!! oh yeah DM his name is *checks wiki* verin Thelyss!! :D
What Do You Mean This Is A Major Plot Thing
Who Is Essek Thelyss DM
okay well apparently the guy I stumbled into at random is the brother of a major plot npc who is really important but like. the DM seems excited about it. he likes this Essek guy and having plot stuff pre set up is cool so I guess we're going with it!!!
okay so my character will be the younger sibling of these guys, sure cool!! I'll look into them a bit and try to think of what our family relationships are like and characters dynamics and such :)
aw man I made it angsty damnit
#it was completely accidental but it turned out so well#like imagine your dad goes missing in a cave after a fight with your brother and you are barely old enough to know why those things connect#then you grow up and your brother blames himself so since he is so smart he must be right so you blame him too because young kids copy#but you don't mention it because if you mention it you might fight and you don't want your brother to go away forever#like it got SO SAD#they love each other so much and its so complicated and they are never gonna talk about it#even if talking about it might make the problem better#precisely because they love eachother#and also imagine you are grown up now and your brother is a traitor and he dissappeared even though you didn't fight about anything#and now you kind of want to fight but you cant because hes NOT HERE#so you try to become even more well known then he was#you try to eclipse everything he's done and you feel like its impossible but the moon covers the sun even though the suns so much bigger#so maybe if you get close enough in perspective it will look like you covered it#and your other brother wont have to have so much pressure on him#because you can take all the eyes of the empire and make them blind to him so he can be your big brother again#and you just want to erase your oldest brother from history and make him look like a footnote next to you#because you cant fight him so you will be better then him#and then you'll feel better#(hopefully probably maybe)#and maybe in your dreams you're hoping you'll do something so good that the bright queen will offer you a reward of anything you wish#and you can have your brother pardoned and he can come see you again#and you tell yourself its so you can fight him#but if it ever happened you would probably just hug him#bacause if he came back and you fought he might dissappear again#my dnd characters#anyway they were so fun
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Bump in the Night & Sleeptober Day 10: Open Graves & Ascend
#6#Bump in the Night#Bump in the Night 2024#Sleeptober#Sleeptober 2024#Sleep Token#ITâS STILL THE 10TH#Augh Iâve gotta get better at this#The Sleeptobers are mostly done itâs the BITN that keeps coming for me#Um but yeah I wanted to do Hollow Moon by TCW with Lenore from Nevermore but like I already have a Nevermore prompt list so like#Felt strange doing that#And then I couldnât think of any other thing that went with this#Closest I got was the TMAGP episode âMarkedâ but thatâs general and not visual so I wouldâve need to come up with something#Donât got the time for that#So hereâs me falling into a hole#BUT THEN#omg I struggled finding the idea for this sleeptober. I wanted to use the avatar for the song but she ended up being too complicated#With her knight helmet and all so I scrapped her and then thought of animating a part I liked but that DEFINITELY takes too long#So I struggled and struggled but then I thought of the Red Rocks performance of Ascensionism and the way Vessel screams âascendâ#And then I combined it with the things the avatar was holding on the side#And OUGH it came out so good. Lighting and coloring chefâs kiss#Also this is like the best Iâve ever drawn Vessel. He actually looks like himself. I used Lenore as a base and then just put him over it#Which I didnât usually do before I tried to just straight draw Vessel but starting with his face made him look bad and was hard to do#But now I think we got the strat down so letâs see if I draw Vessel more#Ok bye!!!!
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sukuna never says âi love you.â
to him, the words are meaningless. heâs been alive for thousands and thousands of years, of course he knows what it means. heâs not stupid, but for some reasonâevery time it comes out of your little human mouth, his heart aches. you say it so sweetly with the cheekiest grin on your face, not a single care in the world. he hated it. three words, eight letters of pure rubbish. at least, thatâs what he thinks to himself. for sukuna, he expresses his love in a different way.
physical touch. flicking your forehead, teasing you, saying things heâd never say to you while you were awake. that was his version of love, he didnât need those stupid, stupid words. or did he?
âlove you, âkuna,â youâd pepper another kiss against his cheek. he tchs, the audacity for you to do something so embarrassing. he never says it back but you know deep down heâs got to feel at least something in that cold heart of his. he just has to, after all you did steal his heart in a way. and he stole yours. your eyes always had a glinting sparkle whenever those words would come out and he hated it. his response to you saying you loved him would always be the same.
âyeah yeah,â he gruffs. or a simple, âi know..â
butâ thereâd be a time where heâd regret not saying it back. a cold, cruel time where itâs just you and him, no one else. except, it would really just be him.
sukuna had a hard time at expression his feelings. itâs not like he hated youâdespite his rough, barbarous persona.
he didnât hate you but he did. it was complicated. it was a struggle trying to put it into words. all he knew was that he loathed how soft you made him, he noticed his behavior would change around you overtime. sukunaâs voice was get more gentle, his shoulders would relax, and heâd always finding himself flicking your forehead for some strange reason. itâs annoying,
youâre annoying.
the feeling was love though, it had to be.
had to be,
so the moment comes where he regrets not saying it back.
itâs something heâd continuously beat himself up over for. because now, here you are, laid all out near the ground in his arms. all four of his arms held you in a tight, cradling embrace and heâs got an expression you donât think youâve ever seen before. sukunaâs scarlet red irises were blown and fearfully dilated. his thin nostrils flared up and his slit brows contort in panic and confusion.
sukuna ryomen was scared.
âbrat. get up.â he murmurs, three simple words was all he said to you. three simple words but you could barely even hear them.
all you heard was a brief inaudible mumble. you saw his lips moving but barely any sound came out. your body felt crushed, the pain was excruciating. your limbs, they felt like they were on fire. getting up was the last thing on your mind and youâve probably sone the most careless thing imaginable.
you took a hit for sukuna, a deadly hit that was powerful enough to cost you your life. itâs funny thoughâall the talk of seeing your life flash before your eyes, and now, being snatched into the inevitable end, you were starting to really see it.
âget up,â he repeats, and this time, a single tear falls right onto your cheek. you meet sukunaâs gaze. the king of curses was a mere mess right before your eyes. he was like this for just you. teary eyed and sniffling, he canât stand this pain.
youâre being held in his lap and not once does his eyes leave yours. sukuna takes a while to speak again and itâs as if heâs carefully thinking of what to say. time was precious right now, but he didnât wanna think about anything. his focus was solely on you, his favorite little human.
âcan you hear me? say something.â
âyou .. youâre gonna get wrinkles if you keep frowning too much, âkuna.â you hum, a weak finger stroking against his cheek.
archons, for whatever reason, that little comment brought a smile to his face. you were so annoying to him and yet, he wouldnât wanna be in anyone elseâs presence. everything hurt though,
your body felt scorchingly hot, your pulse remains to ring through your ears and you were wheezing a bit. âhey, hey,â he watches as you try to cling onto his hand. sukuna didnât know what to do, he didnât know what to say - all he did do though, was hold you. it was the least thing he could do. your hand was so small compared to his, his long fingernails gently tickling against your skin.
he didnât have it in him to scold you for trying to protect him. as fragile of a being you knew you were, you did it anyway. you risked your life for him. sukuna let his guard down and you jumped right in the way without a second thought for yourself. thatâs what love was, his heart bleeds at the recent flashback before a shaky breath leaves his lips. âthis wasnât supposed to happen. you canât leave me like this, please.â
âiâm not l- leaving.â you reply, your voice weak and frail. sukuna knew that was a lie. the more you stared at him, how the look of worry on his face paints and marinates his features, he was really scared. you were his everything, his breath of fresh air, maybe even his one true love. ânever gonna leave you, sukuna.â
and sukuna lays there with you on his lap. you seem still - too still. right before his eyes, he watches as your bodyâs temp run cold, final breaths making its introduction. everything was going so fast. he barely had time to react before he realized,
you were gone.
âno,â he whispers under his breath. the demon was at a loss of words. the feeling in his chest, it was indescribable. painful, and tight as he watches the light leave your eyes, something within him leaves also. a part of him. you were drifting away and there was nothing he could do about it. âno.â he repeats against, feeling a dull ache run cold through his body. sukuna didnât know what to do. heâs seeing red, but perhaps that wasnât just bloodshed and anger. maybe, maybe it was the one true feeling he was denying all along,
love.
his breaths become heavy once he realizes youâre actually gone. no movement, no cheeky replies, no random âi love you âkunaâs,â no nothing. the tear in his heart was enough to make him see the light with you. it hurt horribly, a lump in his throat builds up before he starts to weep. one tear comes then multiple shortly follow, landing past the thin fabric of his sown kimono and onto your lifeless body.
sukuna hated you. he hated how you made him so soft, so vulnerable, so weak. you came into sukunaâs life, stole his heart, and also broke it.
as his eye twitches, his smile had already faded once you left him.
for the first time in centuries, sukuna was defeated. his enemy wasnât a sorcerer, a curse, or even himself who he believed was his true worse enemy. sukuna ryomen was defeated by four simple letters, love. not only did you leave him in tears, but you also left him with an engagement ring inside his right palm.
he was far too late, he was gonna propose to you. that way, heâd build up the courage to say those stupid, stupid words. opening up his right hand, he stares at the ring he wanted to give you way earlier before this incident even happened. sukuna waited too long, heâd actually plan this for quite some time but again, he was scared.
with a defeated sigh, he surrenders, glancing at you for one last time. no smile on your face anymore but he just used his imagination. there you laid, peaceful, almost as if you were asleep. taking a deep breath, sukuna gives you his last gentle forehead flick before finally telling you the words heâs been longing to say for years.
âi ⌠i love you too, brat. never leavinâ you either.â

#â
vegasbaby.#lol time to cry#sukuna x reader#sukuna x you#sukuna x y/n#sukuna angst#ryomen sukuna x reader#sukuna ryomen x reader#jjk angst#jjk x you#jjk x reader#jjk x y/n#jjk x gender neutral reader#jujutsu kaisen x reader#jujutsu kaisen x you#jujustsu kaisen x reader#jjk fic#jjk drabbles#jjk imagines
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wait for me (sinners)
!s: smoke x oc
summary: Rue has worked for years to forget Elijah Moore and what he left her with before he ran to Chicago. But when she sees his ambitious twin in the square, all of their history comes rushing back. (3.1k)
a/n: it has been so long, but Sinners is truly a movie in its own category. i also need to preface that i am black for this story. anyway, as always, ur interaction is greatly appreciated, ily<3
warnings: swearing, n word use (by smoke and stack), mentions of child loss, abortion, sex, racism
in this story, our characters name is: Rue

Elijah Moore and I never had a complicated relationship. Hell, Smoke might even say we had none at all. But for years after he ravaged me in that car outside of the bar, I thought about him every night. We were together, Iâd say â Boyfriend and girlfriend for as long as his grief consumed him. But the moment Annie found out, Smoke disappeared from my arms and was at her feet, begging for forgiveness. I donât blame her, not in the slightest â I can only imagine that those were some of their darkest times.
Elias, on the other hand, him and I had a complicated relationship. When I found out that Smoke left a piece of himself in me, there was no way I could tell him, not after what heâd just been through. So I went to the closest thing to him, Stack. And although what we had is never to be considered romantic, there was something there â Familial, even. He knew it, Mary knew it, and for that very reason I was never allowed within an 100 foot radius of the twins until the day they left, not if I wanted to feel welcome.
ďšďšďšďšďšďšďšďšďšďšďšďšďšďšďšďšďšďšďšďšďš
đ Train Station || 12:00pm
The feelings from all those years ago bubble up inside me and form a twist in my gut when I see that all-too-recognizable burgundy top hat. My feet move before my mind can stop them, and in no time Iâm approaching my old friend.
Stack flashes a gold toothed smile. âIâll be damned.â
I return the nicety, pulling him in for a warm hug.
âWord spreads fast,â I nod. âYâall still got the same appeal you had all them years ago.â
âYou donât have to tell me that, darling. I know it.â His cocky smile takes me back, the only thing differentiating him from his brother being his energy.
âDo I even want to know why you came back?â
âYou heard it as good as I did,â he gestures toward little Preacher Boy and the old man. âWeâre opening a Juke Joint tonight, right there down at the old mill.â
âYâall never could stay still. Chicago wasnât change enough for you?â
He shrugs. âFigured we should deal with a devil we know. Besides, we miss the tricking.â
âMmm,â I hum. âWell if Miss Pearline back there is singing, I might just pay this Joint a visit.â
Stack looks past me and at the polka dottted woman walking away from Preacher Boy.Â
âShit, if thatâs what it takes for you to come, itâs done.â
Always so charming.
He ogles me, his eyes scanning up and down my exposed arms.
âWhatâs this?â Stack rubs his fingers over the dark ink lining my skin â Art ranging from numbers to symbols to simple symmetric images.Â
âYou know Iâm an artist, boy,â I pull my arm back, scoffing. âFigured Iâd get a few permanent ones to remember a few things.â
âAnd you talking about we couldnât stay still. Iâll be visiting to get a look at those paintings of yours one of these days.â Stackâs grin begins to fade as he looks over my shoulder.Â
Preacher Boy walks up and nears his cousin. âThis white womanâs been staring at you-â
âYea, I see herâŚâ
He shoos Sammie away and tries to walk me off, but Iâm already well aware of what shark is in the water â I can hear her heels clicking behind me.
âNow is this Smoke? Or is that Stack?â
I turn my head. âHi, Mary.â
No response. Only a rough shoulder check as she stands in front of me and nears Stack.
He looks over her head and at me. âIâll holler at you, Rue-â
Mary interrupts. âNo, youâre not talking to fucking Rue right now. Youâre talking to me.â
Stack huffs, looking back down at the woman dressed in pink. I give him a âhave fun dealing with thatâlook before turning and catching my train.Â
Of all the women wrapped around the twinsâ fingers, Mary has got to be the most spiteful of them all. For no good reason, though. Contrary to her belief, I never once slept with Stack, never even thought of it. But as far as she knows, I kissed him all the way to where the sun donât shine, and then some.
ďšďšďšďšďšďšďšďšďšďšďšďšďšďšďšďšďšďšďšďšďš
đ Juke Joint || 10:00pm
This old mill has lit up under the construction of the twins. People hoot and holler as Pearline ignites the stage, turning into the musical beast I knew she would the minute she started singing. Having no dance partner, I simply clap along, moving my body to the beat alone. Out of the corner of my eye, I see the same damn burgundy hat that I saw only hours ago.
I can feel Annieâs eyes burning holes into my skull as I sit at the bar, Stack walking up to me.
âNow who the hell did yâall rob to afford this place? Ainât this being sold from the Klan?â I shout across the bar, my voice being drowned out by Pearlineâs Pale, Pale Moon.
Stack shakes his head. âNot klan, just crackers. You know we got money, girl. Donât do that.â
âYea, well blood money donât count. So how much you got now?â
He pulls his pockets inside out, amusing me.
I chuckle, placing my money on the bar. âYâall have blackberry bourbon smash?â
âI donât know if I can do that for youâŚâÂ
His fake frown quickly turns into a grin as he takes the money, relaying my order to Grace.
âFancy motherfuckers,â I mumble.
âWhat was that?â Stack eggs me on.
My eyes scan the bar, but all I can focus on is that hateful scowl on Annieâs face.
âI said all these women hate me.âÂ
Stack scoffs. âOnly those particular women.â
âThatâs more than enough for meâ I think.
He leans in, his lips grazing my ear.
âYou know none of these girls got shit on you, Rue. They ainât half as strong either.â
A small smile grows on my face, matching Stacks. He goes to hand me back my cash, but I slide it back to him.
âI donât need it,â I front.
âYea, well me neither. So you gonâ fucking take it.â
I roll my eyes, pocketing the change and standing with my drink. Iâve barely made it away from the bar when cigarette smoke cascades from over my head. Instinctively looking up, I finally see him.Â
Smoke stares down at me from the balcony with that hard expression he always wears. Itâs so strange, seeing that rock solid glare. When we first met in a dingy bar on the side of a dirt Mississippi road, he hung his head low and seemed to always have glossy eyes. I didnât believe him when he told me he was Smoke. When he fucked me that night, and many a nights after that, it was slowly â With passion, and often tears followed the act. But now his eyes are as dry as a dessert and they pierce a hole through mine.Â
He takes another blow of his cigarette before turning his back to me, retreating into a room. I have no choice but to follow him, even if itâs just to get yelled at to go away as he did the last time we met. I take my time, downing my glass of bourbon as I walk up the stairs. I canât pinpoint exactly why, but my heart thumps in my chest just before I open the door, all of the thoughts of what we couldâve had rushing back to my mind like they did eight years ago.
I enter the dimly lit room, closing the door behind me and leaning on it.
âHello, Smoke,â I say lowly, unable to read his face.
âWhy you here, Rue?â he grumbles, a roughness to his voice. âIâm already stressed the fuck out with this opening shit. Stack ainât helping.â
âI donât want no trouble. Just came for the music.â
âYou being here is plenty trouble enough.â He scans my body the same as his brother, blowing his cigarette again. âYou canât find music no place else?â
âYou want me to leave?â I ask honestly.
âYea, I want you to leave. You think those women down there want you to leave too or are we acting stupid tonight?â
âThey never even tried to like me, Smoke,â I sigh, my legs bringing me closer to him. I place my hand on his bicep, like I did all those years ago. âThey got no idea what we had.â
He puts his hand on mine, pulling it off. âThat was a moment of weakness, Rue. Whatever you think we had is gone now."Â
I blink to avoid tears from forming. My first ever love, my first ever relationship being chalked up to a moment of weakness chips away at my heart. If itâs what he has to tell himself to dig out of the deep guilt he feels, so be it. But he wonât sit in front of me and act like what we had wasnât real â Like it isnât still there.
âSo you're saying if the Juke was going good and Annie wasn't watching you like a hawk that you wouldn't entertain me? Wouldnât consider us?"
Smoke shakes his head. âNo, I really wouldnât.â His brows furrow as he looks at me, seeming to remember a detail that he had previously forgotten. âAnd your cheating ass can take your business elsewhere.â
I canât act surprised, not anymore. We allowed him to believe my infidelity as truth, Stack and I. Letting him think I went after his brother was easier than letting him know what Stack was really helping me doâŚAt least it was in the moment. But as he stands in front of me now, I want nothing more than to ease his pain, calm his anger, and tell him the truth â Even if solely to stop him from loathing me so greatly.
âI didnât cheat on you, Smoke.â
âBullshit,â he stops me.Â
âNo, listen,â I step toward him. âI respected what you and Annie had, Smoke. I really did. And I understood that the loss of your baby caused you to make decisions that you might regret, even if that decision was being with me. So when you told me to leave you alone, I did. But I didnât know if that still stood when I found out that we had a babyâŚâ
The words feel odd coming out of my mouth. I tried so hard at the time to disconnect myself from it, calling the baby a thing inside my stomach rather than what it was: Mine and Smokeâs child.
His brows have smoothened out now and heâs actively listening, his eyes flashing from my face to my stomach and back to my face.
I continue. âI didnât visit Stack all those nights to get at him. Smoke, I never wanted anybody but you. But God put it on my heart to give you and Annie peace, so we went at it alone. No one knew. He paid a few women to make the drink without telling them who it was for. It only took a few hours for the bleeding to startâŚâ
My voice trails out. Iâm unable to finish as flashbacks to that night replay in my head. My mama held me tighter that night than she ever had beforeâŚI hated Smoke that night more than I ever had before.
Tears line his eyes now.
He chokes on his words, his voice now much lower. âDonât you lie to me, RueâŚâÂ
âI wouldnât lie, baby,â I assure him.
I hold my arm out for him, revealing the tiny footprint tattooed on my wrist, a small E underneath it.Â
âWe couldnât be sure, but I had a feeling it was a boy. Ezra, I was thinking. Stack hated the name butâŚâ I shrug.Â
Smoke runs his thumb over the tattoo, holding my hand in his. He attempts to discreetly wipe his tears, but I see them all the same. Looking up at him, his face can only be compared to the face he made when we spoke about his late baby, which wasnât often at all. A mix of anger, sorrow, and fear.Â
Perhaps heâs considering what could have been, just like I used to â Just like I still do. I used to curse God for putting me in such a position. A second chance for Smoke to be a father, but at the worst of times. Iâd have dreams of talking to a clone of myself, telling her that she owed it to Smoke to tell him about the baby. Itâs only now that I really see the consequences of my decision.
Smoke looks at me, and then at the door. Itâs as if a switch has flipped and heâs forced all of those emotions to turn into oneâŚanger. He reaches for the door, but I lean against it.
âSmoke, itâs already done,â I tell him, holding my hand against his chest. âI just couldnât take you hating me no more.â
âMove out the way, Rue,â he says, not hearing a word I say.
âI donât want to cause a scene, Smoke. Please.â
âYou think I give a fuck about causing a scene? Move out of the fucking way.â
âSmoke, it hurts enough as it is-â
âYouâve got one more time, woman.â
âThereâs nothing we can do now!â
He wraps a hand around my arm, yanking me just enough to pull me away from the door and swinging it open. I run out behind him, but heâs already looking down the overlook.
âSTACK!â he shouts down, the name echoing through the building.Â
Everybody looks up, including Mary and Annie. Stack stares up at us, blowing smoke through his nose, before turning back to the crowd. He tells them to resume, nudging Sammie to keep playing. After a moment of silence and a few stray whispers, the music begins again and Pearline starts her singing. Mary holds Stack close, asking him not to go â But as always, the twins do what they want when they want. As Stack rounds the corner, I retreat back into the room, unprepared for what reaction he might have.
Heâs barely entered before Smoke pins him against the wall, his forearm over Stackâs chest.
âThe fuck?â
âIs it true?â Smoke demands, maintaning his cig in his pinning hand.
I close the door, shouting over the music. âSmoke, stop!â
He ignores me, continuing to press his brother. âUn uh, I asked you a question, nigga. Did you know she had my baby?â
Stackâs eyes shoot from Smoke to me. I can only nod, giving him permission to tell the full truth as I just did. Stack relaxes, putting his hands up.
âI only did it to protect you, mane.â
âThe fuck does that mean?â
âYou gonâ let me go so I can explain?âÂ
Smoke lingers before reluctantly letting his brother go with a shove. He puts a hand in his pocket, staring Stack down.
He gestures his cig at his brother. âTalk.âÂ
Stack smoothens his suit, lighting one of his own. âYou know I donât like that shit, Smoke-â
âTalk.â
He sighs, putting on a smile once more as he tries to explain calmly.Â
âWhen yâall two broke shit off, we had no idea we were even going to Chicago, Smoke. Shit, I still thought you and Annie were gonna get married and buy you a house. Rue said you told her to stay away to make that happen, so I helped her stay away. Now we both know sheâd never forgive you if you had a baby with another woman.â
âBut my baby is none of your fucking business, Stack.â
âI was trying to give you a life, nigga,â Stack urges. âAnnie is where that life was at. Fuck I look like throwing Rue back at you when you didnât want her?â
âMy baby, Stack.â
Guilt boils inside of me. I never allowed myself to entertain the idea of keeping the baby. There was no way Iâd bring him into this world without a father, and Smoke had Annie, so I thought I had no choice. But seeing him blink back his tears now makes me second guess every moment that the baby was inside of me.
Stack thinks carefully about his next words, his smile having faded as he sees how serious his brother is taking this.
âIâm sorry, man,â he shrugs, his tone softer now. âI did what I thought was safest for all parties involved, you hear me?âÂ
Smoke is about to speak when a hard knock pounds the door.Â
âStack?â Maryâs familiar voice rings out from the other side.
âNow I gotta get back to the Joint.â
I hold my head low. âBye, Stack.â
He heads toward the door, but not before turning to his brother one more time.
âWe good?â
Smoke looks from me to Stack, giving him a small nod.
âGet out of here âfore I say no.â
Stack only smiles, swinging the door open. I stand beside him, greeting Mary.
âOh my- Not this trifling bitch again, Stack.â She rolls her eyes.
âCome on, lay off, Mary.â
âI think you owe her a goddamn apology,â Smoke intervenes, standing behind me.
I mumble, âitâs fine, Smoke.â
Mary scoffs. âFor the fuck what?â
âFor how you been treating her all these years.â
âHow Iâve been treating her? Youâre the one who fucked her for a month before running back to Annie.â
âYou best watch your mouth woman,â he blows smoke toward her. âItâs not too late to pay one of them bitches downstairs to drag your ass out.â
âIâd like to see you try, Smoke-â
âAlright,â Stack interrupts. âLetâs go.âÂ
He pushes Mary away before closing the door behind him. I assume my previous position, leaning against the door â a much thicker tension in the air now.
âIf you hate me even more after this, I understand.â I break the silence. âI donât blame you, I just couldnât let the truth belong to me and him alone anymore.â
Smoke stares at his feet, deep in thought. Itâs become increasingly harder to tell what this man is thinking. He drops his cigarette, stepping on it.
âNow why would you do that on these new floors-â
His lips are on mine before I can finish, his hungry hands pulling up my dress. Itâs automatic, the way my arm wraps around his neck, my hand nearing his crotch. He begins kissing down my neck, but I pull away. He stares at me, eyes wide.
âThis isnât a moment of weakness, is it?â I ask.
He shakes his head. âI donât need a moment of weakness to do what Iâm about to do to you.â
I smile, bringing his lips to mine once more.Â
Annie will hate me if she finds out, she might hate Smoke even more. But like I told him before, she has no idea what we have. And if I want to fuck my sinner one last time in this Juke Joint, thatâs exactly what Iâll do.Â
#sinners#smoke and stack#sinners fic#sinners imagine#smoke x reader#stack x reader#sinners 2025#sinners movie#sinners oc#sinners fanfiction#elijah moore#elias moore#sinners headcanon
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Cherry (Joel Miller x Reader)
Word count: 3K
Summary: you didnât except that the first time joel said he loved you that he would mean he was in love with you. you did love him. like a friend. even a father. but you always wanted to hear those words, and you couldnât break his heart, could you?
Tags: (18+), cw: dark themes, age gap, biting, loss of virginity, unprotected sex, couch sex, complicated/unhealthy relationship, mutual desperation, not dubcon but heed the adjacent warning (joel doesnât know how yn really feels), sorry I donât know what came over me guys I wanted something with some insane desire, angst, and smut
A/N: guys⌠I havenât written for joel in almost 2 years thatâs actually crazy⌠how?? heâs literally my fave dilf ever?? what a fic for me to come back to joel with tho wow enjoy fellow freaks Iâll write fluff for him soon too
tlou masterlist + main masterlist
It didnât matter how long Joel had tried to convince you that he had just done the right thing, you still believed you owed him your life. Because he saved your life.
And after a period of Joel insisting you stay away from him for your own good, back when you lived in the QZ, he eventually took you under his wing. Now, he was intent on keeping you there.
It was his responsibility to protect you. It was his responsibility to make sure you had everything you needed. It was his responsibility to make sure you never got consumed by the darkness of this world like he had. It was his job to keep you safe. And you? You loved it.
More like you loved Joel, but you never bothered to separate the man from his actions. Why would you? You loved him. You really did. And he did the same for you.
The love you had for him was all consuming ever since he had told you, âI want you by my side, no matter what.â
Being in Jackson brought peace and security, and you were assured that your connection wasnât merely out of necessity. You continued to choose each other. You would always choose him over everything else. It was just what you did.
You loved him because he saved you, but it was more than that. So, so much more.
You loved him like a friend, who you could talk to about anything. Your age difference hindered your ability to relate to one another on a lot of things, like the way you looked at the world, or how you solved problems, but even when you werenât agreeing, you at least understood one another in a way no one else could.
In Jackson, it had been suggested that you could live with some other girls closer to your age, but Joel ended that discussion. Instead of a two bedroom house, he took up residence in one with three. You never wouldâve wanted to live apart from him and Ellie, but you were relieved he had been the one to decide. It reaffirmed that you were just as important to him as he was to you. You needed that reassurance more often than youâd ever let him know.
When you first arrived, before you found your place in the community, you would hide out in the house. It was hard for you to grow accustomed to the way of life here, and even harder to trust people. Joel made sure you never stayed alone too long. When Ellie was out, which was more often than you but less than Joel, he would end up returning. Some days you found yourselves talking nearly every waking hour, and laughing together more than either of you couldâve expected.
He knew you loved him like a friend, but you loved him like a father as well. You never told him that flat out. You could just hear the grumbly comments about making him feel old, and even though it would be light hearted jokes, you wanted to keep the relationship as it was.
Joel was a toughened person, but he treated you delicately when he could. It would get to a point where you thought the label âfragile: handle with careâ was printed on you, but he never talked down to you. You liked that he protected you and made you feel safe without controlling you like he would a daughter. Not like how he was with Ellie. You were fine seeing him as a father without him seeing you as a daughter. It was best this way.
Needless to say, you loved him simply as the person he was. It overwhelmed you sometimes.
No, not sometimes. Often.
Everything he did made you okay with the fact that he had never said the exact words. Heâd come close, had said them in many other ways, had proved to you that he did, but you never got the real thing. That was something you had thought you could live with as long as you could feel it. And as long as you could continue to love him as well.
So with Joel, now, sitting on the couch by your side, facing you and saying, âI love you. I have for a while,â your heart jumped from your chest. It changed everything in an instant.
You were smiling before you registered that he wouldnât meet your eye. And was that⌠shame, maybe, in his voice? The way he kept it low, like he wasnât sure he should be speaking.
Joel, in the distant past, would get frustrated with your naivety before it became a thing that endeared you to him.
It took you a long moment to get it. Then, all at once, you did. You wondered if he could read the shift in your face. From the moment your awe became tainted with understanding.
âYou donât have to say anything,â Joel continued. âBut you know I hate lying to you, and not telling you⌠it felt like lying and I couldnât do it anymore.â He swallowed. âI love you,â he repeated, to both you and himself.
Deep brown eyes that held years of life you couldnât even begin to understand met yours, and you couldnât seem to speak. Those words felt forbidden from him. You had spent so much time wanting to hear them, longing to hear them, before you made peace with the fact you wouldnât. You had become okay with never hearing them from Joel because he consistently proved it to you in every other way.
And now, here he was, telling you he loved you, and you hadnât leapt at the chance to say it back.
You knew why, and so did he. You could see him searching your face and with every second that passed, you watched his confidence crumble.
Joel was hurting. Your silence made him ache.
He took a long breath, bowed his head and shook it a little to himself. Experiencing regret in its entirety.
âIâm sorry,â he uttered finally. It felt like a knife to hear the defeat in his voice. He turned to face forward. âI- I shouldâve known better.â He dragged a hand down his face. âIâm so much older than you, and Iâve done things that I canât come back from, and youâŚâ Joel stole a lingering glance. âYouâre so perfect.â
You were the furthest thing from perfect, but you believed that Joel believed you were. It was the way he said it. He was so sure and you loved him for it. For seeing you in ways you couldnât even see yourself.
You watched him, knowing that the man you loved was hurting. It didnât seem fair to let him continue when you knew you were the only one that could make it stop.
It was almost an out of body experience, the way you moved. First closer to him, so close your legs were touching. Then your hand reached for his, your smaller fingers wrapping around it to squeeze. When he met your eyes, you saw the moment hope replaced pain, and you couldnât help but smile.
âI love you, too,â you said, because it was true.
It was both a surprise and not when he kissed you. It was soft at first, and it reminded you of the way he often was with you. When you didnât pull away, it ignited something in him. Suddenly his hands were on your face, deepening the kiss.
You kissed him back because he needed you to.
When Joel felt your lips moving against his, it told him two things. One, it told him what he needed to know, which was that you loved him. And two, it told him what you wanted him to believe, which was that you wanted this.
Joel grew a little more sure, pulling you closer to him. He couldnât get enough and was struggling to hold back. You could feel it. Both his want and his restraint.
You werenât sure what to do with your hands, so you put them over his shoulders, rubbing the back of his neck, letting your fingers card in the longer ends of his grown out hair. You always wondered what his hair felt like.
Joel liked your curiosity and let his own get the better of him. His lips trailed from yours down to the side of your neck. You sucked in air, your face hot as you tried to catch your breath, when all of the sudden his kisses were replaced with a small, suckling bite. You gasped. You couldnât help it. His hands moved, one resting on your back when the other held the back of your neck. Not hard, just keeping your close. You buried your face into his shoulder as he grew more confident with the use of his teeth.
The moan that escaped your lips when he soothed the harder bite with his tongue made his grip tighten. His breath hitched. You swallowed, flustered, unsure of yourself as your body shivered on its own. Joel pulled back to look at you, just long enough for you to see the desire clouding his eyes, and then he was crushing his lips against yours.
The weight of Joelâs body pushed you down onto the couch. You kissed him back, trying to keep up with his rough, hungry mouth, but your inexperience was catching up to you. Youâd only ever kissed boys before, and now you had a man on top of you, his body pressed firmly to yours, his hands running down your frame as he devoured your lips and nipped at your skin. Muttering about how beautiful you were and that he was trying to be gentle but that you could tell him to stop if you wanted. He didnât know you wouldnât because as wrong as it felt, you wanted to give him everything he wanted. In turn, all you wanted was to hear him say he loved you again.
You didnât need it before but now you couldnât get enough. It wasnât enough when Joel peppered kisses to your lips and neck. It wasnât enough when he pressed himself between your legs and caused you to dig your nails into his back. You needed more. You needed him to say it again.
You let him take off your clothes when he asked so, so sweetly. You knew Joel was going to admire you, and he did, and that look on his face was worth the uncertainty you felt. He wouldnât let you cover yourself, and it felt kind of nice when he kept your arms from crossing over your chest. It reminded you how strong he was, but how even with all that strength, and even when using it on you, he was careful. He didnât want to truly hurt you, and you loved him for it.
âIâm gonna take care of you,â he promised, lips against your ear as his fingers settled between your legs.
âI know,â you managed, breathless.
It made him smile, which made you smile. You couldnât stop staring at him when he lifted his head to look at you. That is, until he pushed a finger into you. Your eyes fluttered shut and he was immediately in your ear again, and you understood for the first time the term âsweet nothingsâ. His low, soothing voice against your ear helped you relax as he pushed in another finger, and after a few minutes, another.
You were wet, you couldnât help it. You found yourself apologizing, but he encouraged it. He liked you squirming beneath him, liked that your body was responding.
âItâs okay, baby, youâre doing good,â he groaned. âI want you to be ready for me
You didnât know what possessed you to say it, but the words, âI am,â slipped from your lips. It was all he needed to hear.
His fingers slid from your body. A little voice in the back of your head told you to get them back, but it was silenced when he pulled the rest of his clothes from his body. You felt the tip of his cock nudging at your entrance. You couldnât look down, and you were too embarrassed to look him in the eye, so you shut yours.
A hand touched your face.
âLook at me,â Joel urged. âDonât be shy. I wanna see you.â
You obliged, forcing your eyes open, watching him above you. You found it hard to believe you never fully saw how handsome Joel was.
When he began to push into you, the stretch was much more than his fingers. You had to open your legs wider. Joel ran his hands up and down your hips and waist, soothing you as he eased himself inside, telling you, âItâs okay, youâre doing great. Just relax. Youâre taking me so well,â and you couldnât help but bask in the praise. It hurt a little, but you were practically purring by the time he was fully seated inside. You didnât mean to, but your body squeezed him, and his cock throbbed inside you.
Joel made a noise of pure bliss as he let his weight rest on you. You were so overheated, sweat slick between your bodies. When he started kissing you again you almost forgot about it. He was a good kisser, which made sense given he had more experience than you. A twinge of jealousy ran through you at the thought of him with anyone else and you pulled him closer. It wasnât quite a laugh he let out, most just a sound of amusement at your actions.
âIâm not going anywhere,â he promised.
One of his hands found the back of your head, holding you so your mouth was his and he could have his way. The other hand ran over your ass and down your thigh, encouraging you to wrap your legs around him. You did.
He started to move, then. Pulling back a little and pushing in. It was such a foreign feeling. You couldnât keep your noises to yourself, but Joel savored them. When he started to move a little faster, his methodical motions turning into thrusts, he seemed to be seeking those reactions from you.
It was a cycle. The rougher he moved, the more whimpers and moans he pulled from you, and then in turn the sounds spurred him on. You were holding onto him for dear life by the time he was pounding you into the couch, groaning your name, telling you how good you were.
âItâs like youâre made for me,â he grunted into your ear, and you hoped he meant it, because you believed it.
âIâm yours,â you told him.
âTell me again,â Joel started in a grunt, thrusting forward. He held himself completely inside you for a moment, shuddering as your nails dragged down his back. It took your breath away, feeling so full. He pressed his forehead to yours as he said, âDo you mean it? You love me?â
âYes,â you said without hesitation. It was true. It was the only thing youâd known to be true and maybe this wasnât the way, wasnât something you imagined, but it didnât make that simple fact any less true.
âSay it.â
âI love you.â
Joel groaned, shoving his hips forward. You whimpered. He was already in you to the hilt.
âAgain,â he groaned.
He needed it just as bad as you did.
âI love you, Joel. I love you.â
He pulled out before thrusting back in. Again and again you told him, and he moved, building back up to an even harder pace than before. You could hardly stand it but you told him over and over again like a chant;
âI love you, I love you, I love you,â and even breathless you never faltered. Even when Joel kissed you rough and needy, like he was starved, you still got out the words, âI love you.â
Your legs were barely holding on despite your effort. Your hands began to slide from his back but you continued to grasp onto him. One of his hands found your wrist. You would let him if he wanted to, but you didnât want him to hold it down. You needed to touch him. Needed to feel him. Needed the security that he proved.
As if he could read your mind, he turned his face to kiss your palm, then let your wrist go. He gave you free range. You chose to run that hand fully through his hair. Every part of you needed to be touching every part of him. He invaded your mind and soul, the last step was your body, and he was accomplishing that this very second. You belonged entirely to him. Even as tears pricked in your eyes at how overwhelming it all was, to love and be loved by Joel was all youâd ever wanted and known for years.
He huffed out a half grunt half laugh when your body started to tense. He was pleased. Could read your body better than even you. You were so lost in the sensation that you let out a yelp when a hand moved between your legs, rubbing at you in tandem with his cock slamming into you.
âThatâs it,â he coaxed. âJust let go.â
And you did. It didnât even feel like a choice. It just happened. The pleasure became too much to handle. It rippled through your whole body as the knot in your belly snapped. You tensed and shuddered around Joel, holding onto him as your cunt clenched down around him, trying to keep him inside to allow you ride out the wave without feeling empty. Joel wasnât keen on denying you. His thrusts became shallow but hard, sending jolts through you until you felt it. With a groan he stilled inside you, and then warmth flooded your insides. He rocked his hips forward a little as he spilled inside you, and you felt like you couldnât breathe.
As the haze started to fade and awareness returned, something akin to dread settled over you. Everything became all too real all at once.
Joel kissed life back into you. His hand between your legs moved to run across your belly and thighs, while the other held your face so he had as much access to your lips as he wanted.
You started to move, feeling crushed, but Joel took care of that. He managed to turn your bodies so you were lying on top of him, but he was careful to not withdraw from you. He bucked his hips up a little and you whined. Joel chuckled as he wrapped his arms around you, hugging you to him. You turned your head to the side, your cheek resting against his chest. You listened to his heart rate come back down, unfocused eyes trailing around the living room. Joel kissed the top of your head and ran his calloused hands over your back.
âHow did I get so lucky?â he asked, not really looking for an answer. You didnât have one, anyway.
You wanted to crawl off of him. It was all becoming too much again. As good as it had all felt, it confused you, and you thought maybe you wanted to cry, but then came the words that had you subdued.
âI love you, Y/N,â Joel breathed.
You didnât think he understood the power he had in his words. As far as he knew, you loved him the same way as he loved you. You would continue to let him think that if it meant you could protect him from the heartache, and if you could keep hearing him say the words you craved. You knew, eventually, you could learn to love him this way, too. If he was happy, you knew you could be too. Being loved by him was all you ever wanted. It didnât matter how else you felt because that need would take priority over everything. You would always choose him over everything else. It was just what you did.

joel taglist: @the-ice-frozen-ground-red-rose @dontphunkwithmylove @cilliansangel @amethystwonders11 @frogsmuahh037 @andy-rocks @melllinaa @alitaar @melanie451 @b00kw0rmsworld @reverieisaway @avengersfan25 @aheadfullofsteverogers @strangeh0rizons @spideysimpossiblegirl @shannonmariebee @str84pedro @koukatsuki @darleneslane @larascorneroftheworld
I wasnât sure whether to use the taglist for smut since Iâd only written fluff for him before, so if youâre on the taglist and only want to be tagged in fluff not smut just lmk
if you would like to be added to the joel taglist just send me an ask or a message!
#joel miller x reader#joel miller x you#joel miller#joel miller smut#the last of us#pedro pascal#quin-ns writing
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in order to be âjest like yer deddyâ (the redneck fatherâs daughter), one must grow up glued to their fatherâs side.
my father was a redneck and i was glued to his side. which means iâve done a whole lotta redneck bull hockey and tom foolery in the name of spending time with dear old dad.
i spent a lot of my october and november weekends sitting on an upturned five gallon bucket watching my breath fog while waiting for the sun to come up so iâd have enough light to read whatever book my dad bought me to keep me quiet.
and he needed me to be quiet because he was dove hunting and i was seldom ever not in his line of sight, so iâd tag along and heâd indulge me and buy me stories even though i had no interest in the hunt.
iâm sure thereâs an irony in my loving my dad so much iâd sit in the cold just to watch him kill things, but thatâs not the point of this.
anyway. the sun would come up, iâd be placed a good ten feet behind all these men and their guns, my dad would make sure my earplugs were secure and my nose wasnât too cold, and then theyâd open fire.
once a bird was shot, theyâd go and get it. i canât remember what they did with them. that part doesnât matter.
but what i do remember is after the safeties were on and the shotgun barrels were pointed skyward, my dad would âletâ me run out and get the birds for him.
i say âletâ because when i was a kid i thought bird fetching was a very important and serious job.
he died a few months ago and our relationship got complicated in the way theyâre bound to do when daughters realize pain is something they inherit from their fathers.
when i was writing his eulogy i was thinking of happy childhood thoughts and i remembered the âhunting trips.â and how big and important i felt being the one who went to get the birds.
heâd shoot. iâd fetch. heâd tell me to sit. and weâd do it over and over and over again. and thatâs when the revelation came.
i was the fucking bird dog.
#rip joe#you would loved knowing we took you to the cemetery tow-strapped to the back of your bass boat#fun fact#you donât have to use a hearse if you donât want to#you can put your dead dad on his boat and listen to free bird on blast
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Imagine the six days scenario with the boys, but it turns out the mission was supposed to be done in one day, and the reader went through he'll to get out and is met with this reaction? Imagine when she finally tells the reason she was away, would they regret their actions? How would they react? Don't know if if you take requests, if you do, consider this one.
If not, I am glad I got to read this masterpiece, thank you â¤ď¸
Thank you so much for the request â I absolutely do take them, and I really appreciate this one! â¤ď¸
I tried so hard to keep it short, since the âSix Daysâ theme has already been thoroughly explored... but, well, I failed spectacularly đ
So hereâs another deep-dive into a what-if/imagine scenario â one that can be read as either an alternate branch of the original storyline or... something else entirely. Iâll let you decide đ
Iâd love to hear your thoughts if you read it â truly means the world to me!
Iâve received so many requests for continuations â especially for Xavier â and yes, his already has a full-length, dramatic follow-up (because how could I not?). This one here is more of a request-based scenario, but it can absolutely be read as its own kind of continuation. Think of it as an alternate path the story could have taken. (One day Iâll write full versions for all the boys⌠but for now, consider this a little taste.) Hope you enjoy â and as always, Iâd love to hear what you think! đŹđ Here are the links to the previous parts in the series, in case you want to revisit or catch up:
Original Post | Xavier's Story
CW/TW: Psychological trauma, PTSD themes, Forced isolation, Violence / combat injuries, Mentions of starvation, Emotional manipulation, Past emotional abuse, Mental breakdowns, Intense guilt / self-blame, Brief implications of suicidal ideation (in self-sacrificing context), Adult intimacy (emotionally driven, not graphic)
The Truth â What Really Happened
It was supposed to be one day.
A clean, strategic infiltration. In and out. No complications. No room for error.
But no one accounted for the Wanderer.
No one predicted that the targetâsome nameless, faceless shade masquerading as a rogueâwould be more than just dangerous. That he'd found a way to twist Protocore into something ancient and volatile. That he would trigger a fracture in time itself.
In a single blink, the world split. You fell into it. And the loop began.
Six days for them. Six weeks for you.
You lived, died, and bled your way through the same endless day.
Again. And again. And again.
Locked in a cycle of violence, decay, and despairâwhile everyone else moved on without you.
You clawed your way backâhalf-starved, half-mad, barely remembering your name. And when you finally escaped the loop, stepped back into their world, broken and still breathingâ
They were waiting.
Angry. Unforgiving. And utterly, terrifyingly unaware.
Until now. Until you tell them.
đ Xavier
It only felt right to write Xavierâs piece after the continuation I posted earlier. The original scene stood strong on its own, but this oneâthis is what came next. The moment after the storm. The truth laid bare. A quiet, alternate branch of the story, or perhaps a natural consequence of the one that already unfolded. Either wayâIâm glad it found its voice.
You donât ease into it. You sit across from him in the quiet of the morning, sunlight creeping up the walls like itâs unsure of its welcome, and you tell him.
Not six days.
Six weeks.
A loop. A fracture in time. An engineered nightmare that left you bleeding against the same hours, over and over, clawing through shadow just to return to him. Alone. Lost. Dying.
Xavier doesnât speak. Doesnât even blink.
But something in him breaks.
Not loudly. Not violently. Itâs quieter than breath. Slower than thought. His fingers slip from the edge of the cup in his hand, and it falls. Shatters against the floor with a sound so sharp it startles the silenceâceramic shards skittering like teeth across stone.
Still, he doesnât look at you.
He stands, but not with purpose. With instinct. His body moves before his mind can catch it. He turns, walks toward the far wall like heâs searching for air, like the room is suddenly too small to hold whatâs happening inside his chest.
You riseâhesitant, achingâbut he lifts a hand to stop you. Not cruelly. Gently. Like heâs afraid that if you touch him, heâll fall apart in a way he canât recover from.
He presses his palm to the wall. Just one. The other curls into a fist at his side.
âI thought you abandoned me,â he says at last, voice raw in a way youâve never heard from him. âAnd I punished you for it.â
He turns back.
And thereâs nothing left of the man who told you to ask again in six days. Nothing of the controlled strategist, the ever-collected ghost of war. His jaw is clenched too tight. His eyes are glassed over with furyâbut not at you.
At himself.
âI accused you. I mocked you. I dismissed what little strength you had left and threw my pain in your face like it was the only thing that mattered.â
He crosses the room again, slower now. Purposeful. His hands donât tremble, but his voice does.
âI let you stand there, in front of me, broken... and I thought I was the one whoâd suffered.â
He kneels.
Not dramatically. Not for effect.
He lowers himself before you like a man who no longer believes he has the right to stand. His gaze stays down. One hand reaches inside his coat, and when it returns, you see it:
A blade.
Polished. Ritual-cut. Ceremonial. One of the old onesâetched with language you donât recognize. But you understand that these words mean oath, atonement, belonging.
He offers it to you in silence. Flat in his palm.
âWhere Iâm from,â he says, quietly, âa wound like this is paid in blood. A betrayal like mine is not survivedâit is surrendered to.â
Your hands donât move. Your breath barely does.
âIf you want justice,â he whispers, âtake it.â
You stare at him. The weight of the blade between you. The weight of everything.
And thenâslowly, gentlyâyou take it from his hand.
Only to let it fall.
The sound is soft this time. Barely a whisper of steel on floorboards.
Then you fall with it.
You drop to your knees in front of him, wrap your arms around his shoulders, and let your tears fall freely.
âI donât want justice,â you breathe into the curve of his neck. âI want you.â
He doesnât pull away. Doesnât speak. Just holds you, arms banding around your waist, face pressed into your shoulder like heâs trying to memorize what survival feels like.
When he finally speaks, itâs not confession. Itâs surrender.
âAfter what you endured⌠after what I made you endure alone⌠I donât know what anything means anymore. Not the mission. Not the cause. Not the point.â
You pull back, just enough to see him.
His eyes are hollow with grief. But deeper stillâsomething flickers.
âI thought I understood devotion,â he says, voice barely above a breath. âBut I was wrong. What I gave you wasnât loyalty. It wasnât love. It was pride. Control. Fear, dressed in logic. And I used it to wound you when you were already bleeding.â
His jaw tightens. His gaze falls.
âI was cruel.â
Itâs not said for effect. Thereâs no tremble in his voice, no self-indulgent break.
Itâs simply true.
âAnd Iâm sorry.â
The silence that follows is soft. Dense. Not empty.
You brush your fingers across his cheek, tilt his face toward yours.
âI forgive you,â you say. Steady. Clear. âBecause not everything in this world is black and white. And I understand why you did what you did. I know the shape of your fear.â
Your thumb brushes beneath his eye. His breath catches.
âI didnât tell you to hurt you. Or to punish you. I told you becauseâŚâ You pause. Your voice thickens with truth. âBecause youâre the only one I trust with all of it. The only one who would understand. Who wouldnât fall apart under the weight of what Iâve lived through.â
You lean forward.
Kiss him. Gently. Not desperate. Not demanding.
Just there. Warm. Real. Home.
Your hands slide up to his temples, fingers massaging slow circles at his hairline, coaxing the tightness from his brow. You feel itâinch by inchâhow he softens beneath your touch.
âLet it go,â you whisper. âDonât carry this weight. Not for me.â
He exhales, shaky. Silent.
You hold him tighter.
âYou are my light, Xavier. You illuminate the path. You anchor me when everything else turns to ash. And in that placeâthose six weeksâdo you know what kept me alive?â
Your voice breaks, but you keep going.
âI couldnât bear the thought of you mourning me. Thatâs what kept me breathing.â
He says nothing for a moment.
Just rests his forehead against yours. One hand moves to your chest, flattening over your heart like heâs grounding himself with your pulse.
Thenâsoftly, firmly, as if carving the words into stone:
âYou will never carry pain alone again. Not while I draw breath.â
No grand vow. No poetry.
Just fact.
And somehowâthatâs what makes it a promise.
đ Rafayel
The morning sun slips in like melted gold, tracing the edge of the sheets, catching the soft arch of your cheekbone. You lie half-curled beneath the covers, his T-shirt clinging to your body like second skin.
And in that sacred hush before the world stirsâyou speak.
Not because he demands it. Not because you owe it.
But because somewhere between the echo of his heartbeat and the way his arms wrapped around you like the only anchor you had leftâyou remembered how to breathe.
You tell him.
About the mission. The Wanderer. The fracture in time.
About the loop.
How six days for him were six weeks for you.
How you woke up every day inside the same nightmare. How you died. How you clawed your way back. Alone. Over and over.
And when you fall silent, your voice scraped raw from rememberingâhe still doesnât speak.
He just looks at you.
Like the sun never rose until he saw your face again.
His hand brushes your cheek, feather-light. His voiceâwhen it comesâis almost a whisper.
âAre you ready to share the rest?â
You blink. âThe rest?â
âThe weight of it,â he says. âNot the facts. Not the fight. The dark. The ache. The part that still wonât let you sleep.â
His voice is gentle. Too gentle for a man like him. It trembles with caution, as if even asking is a violation.
You hesitate. The memories flicker like shadows across your mindâdistorted, aching, sharp.
âNo,â you answer truthfully. âMaybe not ever.â
His gaze doesnât falter.
He nods once. No protest. No press.
Then his voice, lighter this timeâalmost a whisper:
âThen Iâll just have to help you forget.â
And he does.
He lifts you carefully, as if your body might shatter beneath his hands. You expect the weight of a blanket, but insteadâhe wraps you in something else entirely.
A covering like seafoam. It feels like nothing youâve ever touchedâgossamer, weightless, but cool and smooth against your skin. A whisper of silk and tide.
âIt's from home,â he murmurs, adjusting it carefully over your shoulders. âWoven from the oceanâs first breath. They say it keeps sorrow out.â
Thenâhe scoops you up like you weigh nothing. Carries you to the kitchen with quiet reverence, as if this moment is sacred.
He sets you down on the marble countertop and kisses your knee.
Then he starts making coffee.
He hums as he movesâsomething aimless and tuneless and purely him. You close your eyes for a moment, letting the scent of roasted beans and vanilla settle around you.
And thenâ
âSo,â he says casually, not looking up, âa cat broke into the studio last night.â
You blink. âA cat?â
He nods solemnly. âOrange. Loud. Looked like he owned the place. Knocked over three canvases and nearly drank my turpentine.â
You raise a brow. âAnd naturally, you assumed this was my doing.â
âWho else would weaponize cuteness to such chaotic effect?â
You laughâquiet but real. âIâm not that cruel.â
âNo,â he agrees, turning to face you with a soft smile. âBut I do suspect youâre still hoping Iâll change my mind about cats.â
You sip your coffee. âI might be.â
Later, the bath is warm, the water laced with something lavender and soft. He sits behind you, your back pressed to his chest, his arms a steady weight around your ribs.
His fingers move slowlyâmassaging your shoulders, your forearms, your palms, like heâs trying to erase every echo of pain from your body with touch alone.
You both talk, but nothing heavy. Just stories. Old memories. Little things. The shape of the moon that night. The smell of burnt sugar in his favorite gallery. How he once mistook a mannequin for a person and apologized to it for five minutes.
You laugh again, softer this time. And it makes something in him melt.
He wraps you in the softest robe he can find. Carries you againâthis time to the bedroom. The ocean glows outside, waves catching the last of the sun like pearls tossed across the horizon.
But he doesnât stop there.
âCome,â he says, offering a hand. âTea. Sunset. Company far superior to mine.â
You smile. Follow.
And when you step onto the verandaâthere it is.
A small white basket. A red ribbon.
And insideâ
A snow-colored kitten, curled like a pearl in a nest, blinking up at you with impossibly blue eyes.
You freeze.
Turn to him, wide-eyed.
He shrugs, just slightly. Nervous. Like heâs bracing himself for mockery. For rejection.
You blink again. âYouâRaf, you hate cats.â
He exhales through his nose. âI fear them. Different thing.â
Your eyes shimmer.
He moves toward you slowly, hands lifted in surrender.
âI wanted to make you smile,â he says simply. âThatâs all. Justâsmile. Like you used to. Before Iââ He swallows.
He crouches down before you. One hand comes up to gently stroke the kitten. The other finds your knee.
His eyes lift to yoursâand thereâs no performance left in him now. Just Rafayel. Just the man beneath the glitter.
âI was so awful to you.â
You open your mouth, but he shakes his head.
âDonât say it wasnât that bad. I know what I am when Iâm scared. I threw wine over grief and laughter over longing because I didnât know what else to do. I ruined canvases with your name on my tongue and strangers in my house, and the whole timeâI just wanted you to walk through that door.â
His fingers tighten on your leg.
âAnd when you didâwhen you came backâI was so full of rage at the idea youâd left me, that I didnât even ask if you were okay.â
He breathes. One hand comes up, presses lightly to your ankle.
âI donât know if I deserve this. Any of it. You. The right to hold your hand. To be the one who touches you when youâre tired. Who makes you laugh. Who paints your name into the ocean.â
You slide your fingers into his curls, threading gently through the soft waves.
And he stills. Like heâs afraid to move.
You whisper, âI never wanted perfect. I wanted you.â
He exhales.
âI swear,â he says, softly now, firmly, âon every color Iâve ever touchedânever again. Iâll never put my pride above your heart. Iâll never leave you alone in the dark I made.â
Thenâhe leans forward. Presses his forehead to your knee.
The kitten meows softly, curling into the basket.
And finallyâyou smile.
Because this?
This is home.
đ Zayne
You expected something.
A tremor. A breath. A word. Anything.
Instead, Zayne listened. Like a doctor reviewing a chart. Like a man auditing loss.
He didnât speak when you finished. He simply noddedâonceâand turned away, reaching for the drawer by the bedside as though the moment hadnât cracked the very floor beneath his feet.
His hands, always precise, always godlike in their stillness, carried a faint tremble now. Just at the edges. So minor you mightâve doubted your own eyes, if you didnât know how obsessively exact they always were.
âI asked,â he said, adjusting a monitor. His voice was quiet. Neutral. Not for youâfor himself. âI asked if youâd caught a cold.â
He finished adjusting the drip, typed something into the tablet. Still no eye contact. Still no softness in his voice. But the line of his shoulders was off. A degree too low. A breath too far from centered.
Thenâhe turned back to you.
His gaze met yours at last. And though his voice didnât change, the words did.
âI would like to conduct a full diagnostic. Neurological, cellular, metabolic.â A pause. Then softer, with exquisite restraint: âPlease allow me.â
You hesitatedânot because you doubted him, but because you recognized the plea underneath the logic. He wasnât doing this for the data. Not really.
You nodded.
And he breathed again.
He worked in silence. Gentle. Thorough. Every sensor placed with hands that barely touched your skin. Each test executed with a reverence that spoke more than words ever could. He treated you like something sacredâsomething already broken that could not, must not, fracture further.
When sleep finally came, it swallowed you whole.
And when you opened your eyes againâthe world was still. Dim. The sterile light of early morning filtered through the blinds.
Zayne sat in the chair beside your bed. Unmoved.
He hadnât changed clothes.
The same shirt. The same faint stain near the cuff from yesterdayâs blood draw. One elbow rested on the arm of the chair, his fingers curved over his mouth, gaze lost in some calculation too heavy for paper.
When he noticed you stir, his posture didnât shift. But his eyes warmedâjust barely. Just enough.
âI cancelled my procedures for the week,â he said simply. âTransferred patients to colleagues. For now, my only case is you.â
You blinked, silent. Then your gaze drifted down, to the low table by the bedside.
There, lined with the kind of hesitant care that comes from someone unused to gifts, sat a modest row of familiar things. A bouquet of white jasmine, fresh and fragrant. Two of your favorite candies in delicate wrappers. Andâabsurdly, heartbreakinglyâthree new plush toys, small and soft and so clearly chosen by someone whoâd spent an agonizing amount of time in the gift shop second-guessing every decision.
Your heart folded inward.
âAm I dying?â you asked, quieter than you meant to.
He didnât smile.
But his voice, when it came, was soft and absolute.
âI wonât allow that.â
A long silence passed.
Then you shiftedâcarefully, your muscles achingâand reached for him.
âCome here,â you murmured.
For a moment, he hesitated. Not because he didnât want to, but because some part of him still didnât believe he deserved the invitation. But he came. And when he lay beside you on the narrow couch, his body held a tension that didnât ease until your head rested on his shoulder.
He stayed still. Let you move first. Let you curl against him the way you needed. His hand hovered over your back, uncertain, until you nudged it gently into place.
Only then did he hold you.
Not tightly.
Not desperately.
But with the kind of quiet conviction that said he would stay as long as it took.
You felt his breath in your hair before you heard his voice.
âI donât pray,â he said, low, clinical as ever. âI believe in medicine. In numbers. In protocols.â
A pause. His fingers brushed your spine, feather-light.
âBut if you hadnât come back... I wouldâve made an exception.â
You didnât answer. You didnât need to.
Because some things, even with Zayne, are understood in silence.
And in that silence, held against the rhythm of his heartbeat, you felt it clearly: you were no longer his patient.
You were his entire world.
â¤ď¸ Sylus
For a moment after you speak, the room holds its breath. So does he.
Sylus doesnât ask questions. Doesnât deny it. Doesnât demand proof or press for detail. He simply stands there, stone-still, with your words unraveling him from the inside out. The way you say itâquiet, unshaking, without accusationâis somehow worse than if youâd screamed.
His gaze drifts over you then, and you feel the moment the veil lifts.
Itâs in his eyes firstâhow they widen, flicker, and fixate. He takes in the shadows beneath yours, the pallor of your skin, the hollowness in your cheeks. His breath catches when he sees how your clothes hang looser than before. How your hands tremble faintly, barely perceptible unless one knows you too well.
And Sylus knows you.
His chest rises once, sharp and shallow. Then he moves.
Not fast. Not sudden.
But with purpose.
The next second, heâs in front of you, reachingâhis fingers brush your jaw, feather-light, as if afraid that even the weight of his touch might bruise. He doesnât speak as he leads you gentlyâgently, from a man whose hands have broken bonesâinto the nearest chair. One knee hits the ground beside you. He opens your jacket with slow precision, not to expose, but to check. To see. To know.
âYouâve lost weight,â he murmurs, voice rough and uneven, like gravel sliding beneath steel. His fingers glide down your arm, finding the sharp edges of bone where softness used to be. âWhy didnât I see it sooner?â
You try to speak, but he shakes his head, already rising.
He moves through the room like a storm with no windâsilent, but charged. Opens drawers. Pulls out clean clothes, a blanket, a glass of water. Then heâs back at your side, crouching again, one arm draped over your lap like a bridge between his fury and your exhaustion.
His hand wraps gently around your ankle, thumb pressing lightly against the bone there as he stares at it like it personally accuses him.
âI told them to take you.â His voice is lower now. Hoarse. âTold them to scare you. Make a point.â
He looks up at you. And for once, his face is completely unguarded.
âI hit you.â
It wasnât hard. It wasnât brutal. Not for someone like him.
But it was enough.
His voice falters, only slightly.
âAnd then I said I wouldnât look for you.â
He exhales, and itâs not a breathâitâs a confession.
âThat was the worst one, wasnât it?â he asks. âOut of all of it. Thatâs the one that stayed.â
Your silence says enough.
And something in him breaks againâquietly, like a structure folding inward with no one left to hold it up. His forehead presses lightly to your knee, his arm tightening around your thigh. You feel him breathe you in, like scent alone might bring you back from the half-place you escaped.
âI shouldâve known the second I touched you that something was wrong. I shouldâve seen it on your face.â His voice cracks, just once. âBut I was so angry. So fucking angry I couldnât feel anything but the space where you werenât.â
He pulls back. Looks at you againâslowly, steadily. And something inside him hardens, not with rage, but resolution.
âYouâre not lifting a hand again. Not for food. Not for water. Not for anything. I donât care how long it takes. I donât care what it costs. Youâre going to rest, and Iâm going to fix thisâyouâwith my own hands, piece by piece.â
And when he stands, itâs not the usual slow menace or calculated power.
Itâs reverent.
He lifts youânot like someone injured. Like something sacred. And when he carries you out of the room, wrapped in warmth and silence, there is no doubt in your mind:
Sylus will not let go again.
Not even if time itself tries to take you.
đ Caleb
You arenât even halfway through when it hits him.
Not like a punch. Not like a wound.
Like an organ failing.
He blinks once. Twice. And then nothing. No movement. No breath. Just silence.
Then, quietlyâalmost absentlyâhe mutters, âIâll resign.â
You look up, startled, and the absurdity punches out of you in a short, cracked laugh.
Itâs the wrong moment. Too sharp, too bitter. But it slices through the tension like a scalpel.
And stillâhe doesn't move.
His hands press against the table, white-knuckled. Not to steady himselfâhe isnât swaying. Heâs rigid. Locked. Like something in him has calcified to hold him upright.
âIâm not fit to lead,â he says, voice flat, low, scorched. âNot when I see betrayal in the only person Iâve ever trusted.â
Whatever breath of amusement you had left dissolves instantly.
âI didnât just fail as someone who was supposed to protect you,â he adds. âI failed as yourââ He stops. Chokes it down. His jaw clenches so hard you can hear the sound of his teeth grinding. âAs your Caleb.â
And thenâhe moves.
Quick, purposeful. Gone in a flash. You hear the kettle filling, the sharp click of a drawer, the dull thud of something fragile hitting the counter too hard. The way he clutches at control would be laughable if it werenât so violent.
Then the bathwater starts.
Hot. Too hot. Heâs not measuring anything. Just pouring. He throws open the cabinet, snatches towels, drops one, curses.
When he returnsâhis phone is in hand. âIâll call Dr. Navik. I want a full neurocardiac scan, and we need to rule outââ
He stops. Mid-sentence. Thumb poised over the screen.
You donât say a word. You just watch as something slows in him. As if time, for once, is merciful.
He lowers the phone. Turns toward you.
His voiceâwhen it comesâisn't clipped or cold or distant. It's frighteningly gentle.
âPip-squeak.â
He kneels before you, as if heâs afraid standing over you might shatter what little is left between you.
When he reaches out, itâs so slow. So reverent. The back of his fingers graze your cheekbone, barely there. Not because he doubts youâbut because he doubts himself.
âHow do you actually feel?â he whispers. âNot what I can fix. Not what the scans will say. Just you.â
You breathe. Only once. It shakes.
âLike roadkill,â you murmur. Then softer, almost smiling: âA hot bath wouldnât hurt. And sleep. Maybe a week of it.â
Your faint attempt at a smile breaks him.
Not loudly. Not outwardly. He doesnât cry. But something in his face folds in on itself, like itâs suddenly too heavy to wear. He draws a slow, trembling breath.
âI accused you,â he says, and now his voice is wrong. Hoarse. Quiet. Dismantled. âI accused you of being with someone else. After you went through six weeks of hell.â
You try to speak. He doesnât let you.
âI thought you left me,â he says, and this time his voice cracksâjust barely, but itâs there. A faultline in steel. His eyes are on the floor now, unfocused, as if heâs speaking to ghosts.
âI believed you would.â
His breath falters, like the truth is costing him oxygen.
âThat it made sense. That I wasnât enough.â
A pause. His throat works hard around the next words.
âOr worseâtoo much.â
His hand curls into a fist against his thigh, knuckles white. Not from anger. From restraint. From the effort not to collapse under the weight of everything heâs never said.
âThat youâd finally find someone who doesnât smother you with love that borders on obsession.â
He shifts, like his own skin is too tight. His jaw clenches. His eyes squeeze shut for half a second before he forces them open again, forces himself to keep looking at youâeven if it kills him.
âSomeone who wouldnât try to chain you close,â he whispers, âjust because heâs too selfish to breathe without you.â
He looks at you nowâreally looksâand the devastation in his gaze is endless.
His voice breaks on the last word.
âSomeone who wasnât⌠me.â
And for a moment, heâs not a soldier. Not a leader. Not even a man.
Heâs just Caleb. That boy who loved you before he had language for it. And who never stopped. Even when it ruined him.
His hands curl into fists against his knees.
âI interrogated you. Like a stranger. Like a traitor. And all the while you were trappedâalone, dying, fightingâand I was worried about your silence in my bed.â
A breath. And another. Like heâs drowning in air.
âI loved you before I even knew what that word meant,â he whispers. âI carried it for years, swallowed it, starved it. I told myself it was wrong. Forbidden. And the moment I finally had youâreally had youâI destroyed it with my own hands.â
He doesnât look at you. Not until your fingers find his.
Then he shudders. And looks up.
âYou always forgave me,â he says, voice breaking now. âEven when I didnât deserve it. But this time⌠if you donât. If you canâtâŚâ
His hand trembles in yours.
ââŚIâll understand.â
You shake your head. Just once.
And in that secondâhe folds into you, arms curling around your waist, forehead pressed to your stomach like a prayer he doesnât believe he deserves to say out loud.
When he finally carries you to the bath, itâs not in silence. He keeps murmuring thingsâsmall things, promises, broken confessions, names only he calls you. He doesnât try to be strong. He only tries to be there.
And when youâre finally in bed again, drowsy and warm, you find him already beside you. Fully clothed, facing the ceiling, his hand resting on the sheets between you like a lifeline.
You whisper his name.
He turns his head, eyes dim in the dark.
You reach for him, and he comes to you instantly, without hesitation. He lies down beside you, and when you press your head to his chest, he exhales like itâs the first real breath heâs taken in years.
His hand strokes your hair once.
And then, quietâso quiet it almost isnât realâ
âIâll never be the same.â
You donât respond.
Because you both know itâs true.
And because you both know he doesnât want to be.
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