#but i felt a connection personally

[leechfur]

icl the episode ‘a swedish science thing and the equation for toast’ (s2ep22) in young sheldon honestly made me emotional, especially this part: :'-d

"but in that moment, i felt like a neutrino. destined to be alone. forever."

i think it got to me because, as an autistic person, this part felt relatable. he genuinely believed people gaf, lol. i know his lack of self-awareness is meant for laughs. we're supposed to find it funny how clueless he is about others lying, their tone, even when they're clearly annoyed or bothered by him. most of the time, those moments are funny to me. but with this final scene, it definitely  hurt X-D . like hes just like me omg. i think every autistic person can relate to not fitting in, being seen as odd, and not realizing just how strange others find you until a certain event brings it to light. then you feel embarrassed, like a fool, questioning why you're so different and why no one seems to like you. it really does feel like you're going to be alone forever just because you're a too weird. this is why i cherish the early seasons of young sheldon. while they play on sheldon's social ineptness for laughs, there are these moments where they delve deeper and truly make us actually empathize with him. sadly, i feel they lost that touch in the later seasons (like 4-7), making him more grating and insufferable, and it felt as if everyone actually just fucking loathed him. it was sort of the ongoing joke, but it felt like it was taken to the extreme... haha.hahaha

but returning to the episode clip, the montage (?) with the tbbt characters as kids and then the "...thankfully, i was wrong" (linking back to the neutrino quote earlier)... AGHH, screamed whimpered internally. it made me think of my friends and boyfriend, and it just made me incrediblu happy. Its a good reminder that no you should embrace your quirks, and that there's a place in this world where you belong, surrounded by those who cherish you just as you are

this isnt even GOING into the dr sturgis stuff holy shite

[dumblr]

We never touched but I felt you.

[slfcare]

the most difficult thing about growing as a person socially, as in getting out of your shell and noticing that you are, is that there will still be times when it doesn’t feel like you’ve grown at all! times when you can’t really connect with anyone around you, times when you fail to enter into an existing conversation, times when you say the wrong thing (or nothing at all when in hindsight you probably should’ve). but that’s also kind of the best thing, because that’s the thing that helps you realize that sometimes, it’s not you or your lack of skills or any shortcoming. sometimes certain environments just aren’t for you and certain people aren’t your people, and that’s okay. that’s human. it’s okay to not feel the progress you have made all the time.

[teacupsandcyanide]

Something I miss from earlier eras of the creative side of the internet was things just being unabashedly low-budget. Just all unashamedly amateur, unprofessional, ‘I don’t own a good camera but I have a story to tell you’, ‘I can’t afford a good mic but I have a song to sing for you,’ ‘I don’t have any kind of background in editing or lighting and I only just picked up this guitar last Tuesday but here’s an entire musical me and my friends wrote about our favourite book, we filmed it on a potato and put it up on YouTube in ten minute segments because we thought it was pretty funny.’

[adustoflove]

Having bpd to me is like I'm the loneliest person on the planet, no matter how many people I talk to, no matter how many connections I make or have, I'm a lonely void who will die alone. I have to be talking to someone or with someone every second of every minute of every day. I love people so much, I need people. There's so many people out there with different things to teach you. And then, if I have to talk to one person for more than 6 seconds today, I'll kill them. I'll kill myself. I need to be left alone for the rest of the day, I need no one but myself to be happy. I don't want to partake in anything with anyone because it's all draining and taking out of my alone time. Everyone is the same, they're all boring and self-absorbed. Every conversation feels like I'm forcing myself to be actively present. I just want to be alone in my room with nothing or no one. I don't see a future where I'm happy with anyone other than being by myself.

[huginsmemory]

Just. percolating thoughts about Bill, denial and his lies are lies. Bill as a character I'd say is characterized by deep deep denial. He's a character that's both aware and immediately not aware of his feelings and his situation; it's all very doublethink. It's about denying everything and drowning it all out (yeahhhhh big partier? Alcohol and drug abuse? Totally a result of being healthy; not to mention the dissociative episodes he APPARENTLY GETS???).

Because essentially, hes constantly warping his perception of everything occurring around this glass tower he's built of who he is, a ruthless, unfeeling tyrant of a monster, akin to a god (and beloved by humans when he deigns to charm them). This persona is something that he's made in response to his own belief that he's a monster, his own deep insecurities for being a freak and wanting to have proper connection, care and vulnerability with someone that he's lacked. It's a persona built upon self destructive tendencies, denial and the pursuit of pleasure for the purpose of drowning out anything uncomfortable, that he's practiced for trillions of years. And at the same time these insecurities that built this persona are all deeply denied in the way he'll deny that Ford meant everything to him but also when asked if Ford meant nothing to him, backtrack. He's both aware and not aware; he'll never have a thought of 'oh I loved Ford' because that is IMMEDIATELY repressed. He can't even admit that. It doesn't fit who he's supposed to be, it's vulnerable, and we can't have that. This triangle is more repressed than a fucking gay Catholic priest. He's both emotionally literate and completely illiterate because any emotions or situations that don't fit his fictional self gets immediately suppressed/skewed in perspective.

And that's how he's both good and terrible at manipulation, because he knows how to play people and can be very good at it, but his denial gets in the way. That's why you see him not talking about his dimension unravelling to Ford to ask him to make the Portal, instead of pulling the rug out under Ford; because it's vulnerable, it doesn't fit 'him as a monster' and even if it would get his way he can't do that. He mentally cannot even conceive of asking that and can't even in a way to himself accept that his dimension is unravelling and he can't do anything prevent it, can only take over earth instead. And he assumes that Ford will simply just bow to his will because that's what's supposed to happen, right? And it's the same as his lies about all the people he contacted over human history that were annoyed by him; he's too far in denial to even acknowledge that they didn't like him because hes supposed to be loved by all he tries to charm, that's why he puts the pages in to TBOB because he thinks it makes him look good, even if anyone looking at that goes 'yeah that's not what's happening'.

And this is all the most obvious with what he did with his dimension, his guilt around it because if pressed he will never admit those feelings, and he doesn't even admit it too himself; in fact when it's brought up by others such as time baby he gets angry, because his denial over the situation becomes questioned. And it's only ever one instance, that you see Bill admit to vulnerability, to admit to being actually aware of any of all these underlying feelings, and that's the moment that he shares unprompted about Euclydia with Ford, in response to Ford's own vulnerability... in which he indirectly calling himself a monster.

And it's all so fascinating, because if his denial is ever properly cracked enough, oh BABY you know that glass tower is going to shatter, everything is going to come down like a house of cards, and Bill will be left in the wake of everything that he's done, with nothing to shield him emotionally. And so isn't it better to be in denial? To deny he killed his dimension? Doesn't it hurt less than to admit all along it was guilt, it was insecurity, and that after his dimension burned, he's razed civilizations to the ground in denial and self-destruction?

post previous to this (similar vein)

[leciraofthewilderness]

So, despite some faults, I really enjoyed totk, and on its anniversary I want to say something about it. Other people have said similar things before but it’s really important to me and actually a big part of why the story of totk was meaningful to me, so I want to also say it:

Zelda needed to come back from draconification. The story needed that. It wasn’t lazy and just ignoring “consequences” because (imo) that was the *point*

The point is to feel like there are going to be terrible consequences and then say actually, no. You can come back from this, with the help of other people.

To me at least, that was the theme of the whole story.

If botw was about how the world goes on past loss and grief and starts to heal (how flowers grow in the ruins and the world can be beautiful again, be worth saving, even if it has changed)…then totk was about a more personal kind of healing.

The weight of the world should not be on your shoulders alone…you, alone, should not have to fix everything…you should not have to sacrifice yourself, but when you do, someone will be there to save you from it.

This turned into a really long ramble so:

You (Link) gained so much and now it’s gone. It feels like you’re back to where you started and yet you know you have to do it all again…you were weak and you failed and you’re weaker now…but

You go down to the surface. Monsters swarm across it once again. Other people are fighting them too though. You help, but it’s not just you…

You go to the Rito, the Gorons, the Zora, the Gerudo…just like with the divine beasts, there are friends who help you save each region. But this time, part of them comes along with you when you leave. It’s nice, you realize, the first time one of them protects you from a monster you weren’t prepared for. You’re still weaker than you were before, but someone has your back…

When you go up to the sky you see a strange new dragon there. There’s something about them that feels familiar. You try not to think about it.

You go down to the depths too. It’s terrifying at first. You hate it. You only want to get what you came for and get out of the dark….but slowly, the light grows. You get stronger. The dark feels like a challenge you can face (and someone has your back).

There are spirits down there. You don’t know when they’re from, but some part of you wonders…are these all the people you let die in the Calamity? (You help them find rest from their wandering. The weight on your shoulders feels a little less heavy).

There’s so much gloom. The first few times the sky turns red and hands chase you (a reminder of what you’ve lost, how you failed) you just run. Eventually though, you have to fight. It feels like the (second) worst day of your life again. But you manage to get free of the grasping gloom and stand and fight, as wild and desperate as it is. Beneath the manifestation of your worst fears, there’s another thing to fight, but this time it has a face (a voice in the back of your head says…you know this isn’t all on you and your failure…it’s really Ganon’s fault right?). You get through it.

At every turn in your travels, it seems like something reminds you of Zelda. Her passion, her curiosity, her kindness. You miss her.

At first, the tears you find reassure you. She may be in the past, but she’s safe. She’ll come back somehow…but then you hear the word draconification for the first time. You want to believe she wouldn’t do it but you know her and the fear sits cold inside you. (Zelda is a lot of things. She’s been allowed to be more of them, since she was freed from her hundred year battle, without her father holding her back. But deep down inside her, there’s a vein of self-sacrifice that still runs strong. It’s what saved the world before, after all).

She did it. She really did it. She’s gone from you (from Hyrule) forever, and it’s all your fault. If only you hadn’t failed so utterly in the battle (you can hardly even call it that) under the castle. If only you’d caught her. If only you hadn’t let the sword break. You should have protected her you should have been better it’s all your fault and now she has to live with the consequences, forever. Everything really is on you, you should have been better.

(Zelda POV: you couldn’t call upon Hylia’s power in time, you were too content to let it wither and fade away from you, ready to be free of it. You shouldn’t have. He got hurt, the sword got hurt, it’s your fault…Sonia and Rauru help you channel it again, Sonia helps you learn how to turn back time…but you don’t save her. She dies because you couldn’t save her. Rauru dies not long after. There is no one left to guide you, once again. You could spend years trying to figure it out on your own. But you did that last time. It didn’t work. Self-sacrifice, stepping in front of someone you love, that worked. (You do what you can, to call upon the sages, to help Link in the future, first). And then you swallow the stone. You’ve come a long way, in the past five years, allowing yourself to exist. But in the end, self-sacrifice worked last time. It’ll work this time too.)

You (Link) go down beneath the castle. You were supposed to bring the sages but you didn’t. It’s nice, for someone to have your back. But no one else should get hurt to fix your mistakes.

They follow you anyway. They fight with you, against the hordes, against the greatest enemies you defeated together, along the way. They’ll have your back, even if you don’t think you deserve it.

You fight Ganondorf, and then the demon king, in the hardest battle of your life. You think it’s over and then the demon king decides it’s better to lose himself completely than let you win. You’re exhausted and afraid of yet another battle, but up there in the sky, when you’re falling, the Light Dragon catches you (you wonder why she changed her path to catch you, you wonder if there’s still something of Zelda left in there to save). With her help, you win.

And then you’re in some other realm. The spirits of Sonia and Rauru are there. You remember how the two of them and Zelda channeled such incredible power together. You think about Recall. Turning something back to the memory of what it was before, like Sonia said. You stand with them and you allow yourself to hope. Maybe the Light Dragon can remember the form she took so long ago, the person that she was.

And then you’re falling, and Zelda is falling, but this time you catch her. You catch her. She’s back home with you, finally, finally.

And maybe, one mistake doesn’t have to be the end of the world. You don’t have to be perfect. Sometimes, someone else can stand with you, and it’ll all turn out alright. (You can put the weight of the world on your shoulders, you can sacrifice yourself, but someone will be there to catch you, someone will be there to pull you back to yourself, when all is said and done).

[wizardsisananimal]

Every day I think about the little Wizard I got tattooed on my ankle over 2 years ago. Me and my sister affectionately refer to him as The Man. I think about the wizard quiz every day since I took it (over 3 years ago). Idk I just reinstalled tumblr and wanted to let you know I appreciate him.

is yours the one casting lightning ? i remember there was an ankle wiz like that 'd been trying to find a picture recently in fact; what a fond memento to have regardless, so happy to hear it keeps you company i'm sure the wizard appreciates a kind host <|¦•)

[ndostairlyrium]

reddit user LadyNorbert told me personally to stand there to unlock banters and I will forever be grateful

[mueritos]

started a new job recently as a research assistant for a gay Latinx professor in my grad program, and while I definitely don't have the time to be doing my own research, working with this professor on his book projects has been so affirming and healing. i'm working on a book he hopes to publish soon that is full of interviews of gay and trans Latine men...and it is so fucking awesome. I feel so seen by the words I am reading, and I feel tears spring to my eyes looking at the photographs of these men. They look like family members, distant cousins, and family friends. They look so happy and full of confidence. I see myself in their eyes, recognizing the "fish" shape in our eyes that is so distinctly tied to Latines. One of the men in the book is a pup! And it is so beautiful seeing his smile as he holds his pup mask.

I have met very few queer latines. I don't know what it's like to have the tio or tia that has some secret aura to them, that "no se habla" vibes where everyone knows they're queer but just won't acknowledge it. Hell, this professor I'm working with is the first gay Latine man I've ever spoken to. I wish I had a community of gay Latines. I hope I am able to access that one day :)

[boyfriendgideon]

as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.

and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.

and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.

and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).

but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.

and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.

it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.

and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.

[aroaessidhe]

2024 reads / storygraph

Outdrawn

f/f contemporary romance

two cartoonist who’ve been rivals since uni, and now have competing webcomics online, have to work together on the relaunch of a cult classic at the comic press they both work at

they both struggle with art-related physical and mental health issues, and complicated families

[necrotic-nephilim]

for the ask game (3)

au where all robins develop a mental link after fighting some magical criminal of the week. what would they see in each other's minds? what secrets and repressed feelings do they discover? how would they deal with it?

for the ask game!

oooh, i love telepathic links that end up revealing secrets. especially with a family like the Batfam, who are usually so convinced they're good enough at reading each other to not have many secrets kept. so weird reveals are always fun

if i did this, i'd do DamiTim. just because of all the like, "deep dark feelings that are being hidden" for Robin shipping, DamiTim is the most fun for me. you expect DickTim or DickJay or JayTim, even DamiDick. but there's something that's so enjoyable about Damian having his feelings forcibly outted. not just to Tim, but to everyone. the way it'd be an active landmine none of them knowing what to say but all feeling each other's reactions. i honestly think Damian would try to punch somebody about it. (also, if you do a history of TImSteph where they've had sex, Damian would be directly linked to Steph's memories of how Tim was in bed, so that's fun as both something horrifying and enlightening just to screw with his feelings some more.) would they end up together? in my head probably, but it'd be weird and likely toxic bc how do you date someone you know inside out and know exactly what they think of all your flaws and what parts of you they obsess over. the answer is not very well but hey, the sex is good-

i think Jason *directly* feeling how everyone felt about his death would really rock him. he's heard all the apologies, but part of him isn't convinced there's truth to them. so to be crushed by Dick's *grief* over his death would be a come to jesus moment for him. but on the less fun flipside, you have him feeling how Dick feels about him *now*. because Dick doesn't really *like* Jason and deep down, sees Jason as a lost cause. that's his "deep dark secret". and Jason would feel and know that from the one person who he still wants to believe in him. i really do think Jason would have the Worst Time with all this, overwhelmed with everyone's intimate and complex feelings over his death. Jason is a very defensive person when it comes to his death and how reactionary he gets when other people make it about them, not him. so for Jason to have to constantly deal with that in his head, i truly do think he'd lash out a bit. the arguments. yelling at Dick and feeling Dick's guilt and snapping bc Dick has no right to feel guilty now. feeling that Tim viewed Jason as a failure. it's just a damaging mindspace to be in and man do i think Jason would take a While to recover.

oddly though, i think it'd be a good bonding moment for Steph and Jason. we really don't get much exploration of Steph and Jason bonding over dying. bc sure, Steph didn't actually die, but she *did* experience the social death where everyone believed she was dead and mourned her as such for a good while. she also felt *directly* responsible for her own death. a lot of blame falls on Steph for War Games (for the Doylist reasons of sexism but yk) and Jason feels responsible for his own death for walking into a trap. but unlike Jason, Steph had no suit in a case, no memorials, her name held no infamy. so i think she deserves just a bit of righteous fury about how dramatic Jason can be while she just has to move on bc hey, it's not like she *really* died. and she buries those feelings well, but not well enough to hide them from a mental link. and Jason, who hasn't really considered Steph before because he was so wrapped up in his complex over Tim, confronts those feelings with her. if anyone is going to know how he feels, it's going to be her. you could do it platonic or romantic, but i do think when Jason sinks to his lowest, she's the one who snaps him out of it, both with tough love and genuine compassion for his situation.

for the less serious crack of it all: they're all going to have far too intimate knowledge of each other's sex lives. everyone's gonna know Dick has fucked Slade. everyone's gonna know Jason has fucked Talia. in my heart, i believe Tim has slept with Anarky (Lonnie, not Ulysses) and everyone would *know* that too. absolute judgment all around. it's the spider-man meme of "wait you've done WHAT with WHO" and honestly, it gives a nice distraction for the more serious feelings. it's a palette cleanser they can default to. like when the fighting gets a little too serious and they're cutting too deep for comfort, someone's going to blurt out "well at least i didn't fuck Deathstroke." and the whole moment goes awry with laughter. bc i do think, at the end of it once they get through the worst of the angst, they'd be closer for it and self-aware of the ridiculous nature of all this. it's enlightening, in a way to see how they all felt about their time as Robin and the baggage/trauma they hold. even the ugliest feelings they hold for each other don't completely suffocate the fondness/respect.

that said, knowing the baggage/trauma. oof. i don't think Dick has ever fully opened up about his history with Mirage/Tarantula/Liu and now it's forced to sit in the open. Damian has never admitted the worst of being raised in the League. Tim hasn't fully faced the suffocating image of his dead father and his deep-seated want to kill Boomerang. all those ugly truths they stamp down bc well, either you're a vigilante or you're a well adjusted person, are out in the open now. and it's ugly and gruesome to force those thoughts to be shared. they all want to comfort each other for different reasons, while simultaneously not wanting their own trauma to be acknowledged. it'd be fun to see who'd instinctively react to whose trauma first. because it's an overwhelming rush of information, and you just naturally get pulled in certain directions. i think Damian would react to Dick's history of sexual abuse first, whereas Jason would be reacting to the murderous rage TIm is trying to fight off. Tim is reacting to just how much guilt Steph carries about War Games and all of it is very crunchy. there's so much they'd all have to talk about and it'd take days for them to address it all, between the arguments about the ugly parts. would they come out stronger for it? yes. but only if they didn't kill each other in the process. i hesitate to do a "and they come out one big happy family" ending, bc it's not very in canon, but i do think the bond of the Robin mantle is something special. even when the link is broken, they hold onto a freakish understanding of each other. they react and move in sync, can fight together without needing words. are they emotionally on the same page/have they forgiven each other for the worst of it? absolutely not. but they've got each other backs. it's a very much "if you called i'd drop everything to save you. but also we don't have it in us to hang out casually." bond, which i think is deeply underrated in fanfiction. sometimes, you can care about people but you have to do it from a distance.

[coleramse]

when you grew up like we did, it… it impacts how you see the world. everything is filtered through a very specific lens. and ward got that.

i think it’s important to realize you can miss something, but not want it back, paulo coelho.

[adustoflove]

I always think well if I dated a man, I wouldn't feel as insane. I wouldn't feel so awful or jealous. And then I remember why I came to the conclusion that I'm a lesbian. I just wouldn't care if it were a man. I just can't bring myself to care about men like that 😔😩😭

[ourchunkysalsa]

yes medusa could’ve turned them to stone but as a new york boy? percy knew it was worth it to go in for the jersey bagels medusa had. also because his mom was a feminist, i guess.