#but i feel like she thinks I’m weird

[gaysforbyler]

I thought I made a friend but I think I autism’d and fucked it up

[lesbianjackies]

i did NOT just see someone complain that s3 is “reducing lottie to her mental illness”……….. oh my fucking god two episodes in and the horrible takes are already rampant

[callmeakblr]

Went from you don’t want me to be your friend >:( to oh shit you’re pregnant?! Well don’t worry I’ll help raise your kid :) real fast

Like “okey dokey, as long as you still like me!”

[joshuaalbert]

thinkin again about the secret more interesting version of the seska arc where they find out she’s a cardassian and have to actually deal with that for a while. and like ideally this happens further in so she’s actually like…a valued crew member who maybe has made a significant contribution to trying to get them back to the alpha quadrant faster, even if it’s potentially just for her own selfish ends. like she was planning to betray half the crew and for all they know she could betray all of them if it would serve her interests BUT she hasn’t actually technically done that, just infiltrated the maquis, which tuvok also did, so what do you do with her? and maybe she’s formed real bonds with the crew after being in forced proximity for so long so maybe she wouldn’t betray them, but she also hid being a cardassian for years so how can they trust her? like idk it just seems like there are more interesting things they could’ve done than “she was shady as hell from the start and immediately betrayed them”

[dykedvonte]

No but like imagine all female crew minus like Jimbalaya lol

I like this thought but like I imagine you mean Jimmy is also the only guy vs like everyone being girls with Anya.

Cause then it becomes how different women react to when something like this happens. Like I think Curly’s reaction would be different if Curly was a girl on a fully female crew. I think those behaviors and comments towards Anya Jimmy would make wouldn’t fly so much. Not just because Curly can tell they aren’t his usually “harmless” teasing but because there’s other women that are reacting. She’s seeing how bad those reactions are and is second guessing how much she let slide.

Daisuke would be a young woman, likely more conscious and aware of guys like Jimmy since she would be considered a party-girl. He’s like the guy you have to watch your drink around, gets to close and “accidentally” grabs or touches something, factors she would mentions to Curly. Swansea is an old gal, knows men that think they are owed something when a lady is nice to them or just because. She still has the same past and can see that selfishness in Jimmy, likely tells Curly to get some sense about her friend, not just for their sake but for herself.

Again, when I talk about Curly being marginalized gender wise and having that experience I don’t see it as her not getting it, but simply wanting to believe Jimmy is one of the nice guys… well nicer guys… well okay guys. And then she still has to think about that. Having all the other women point out all the signs makes her tip her rose colored glasses a bit, sees those red flags for what they are. I don’t think it’s easier for her but she’s more willing to act out of her feelings.

It would bring up a part of rape culture that doesn’t get depicted a lot of how woman can accidentally or even purposely enable it against other woman. Internalized misogyny, slut shaming and just the assumption of trust. Curly wouldn’t think it was Anya’s fault but she wants some type of hope to exist Jimmy isn’t that sort of man, it’s an internalized denial that slows her movements because this was a man she trusted, a man she had put her safety in, gave so many chances to to… she wouldn’t like thinking about it, but she has to as the Captain, as a woman and as Anya’s friend.

It’s a very harrowing situations especially because they are all women with one guy but it feel like it is resolved quicker and the horror aspects and context surrounding it centers on the crew slowly coming to see Jimmy as a figurative monster and the literal monster he is.

[androgynouscatwasteland]

Every time i think about how Misty was supposed to be obsessed with Jackie I’m like damn that would’ve been wild to watch I love that! I then have to think oh. yeah. They absolutely had to drop that cause that girl wouldn’t have let Jackie die! she would’ve started a fire or brought her inside or stayed with her and died too even! But like no way she lets her die! Especially alone and cold!and even if it by some fucked up evil miracle happened anyways, Misty would probably go catatonic and either off herself or Shauna or both and then everyone would’ve been fucked! no medic! no butcher! and the other gays would’ve been like dropping like flies losing their little weird violent crushes at the same time cause we all know at least a few of those girls would’ve died of a broken heart if Shauna died, melissa and probably Lottie included! tai would’ve been ripped tf up too and like nat wouldn’t have her weirdo either in Misty and yeah I get it I see the vision over why she couldn’t have been in love with Jackie like she was w Ben I get it! but like OW!!! LET MISTY BE WEIRD AND GAY PLS SHE ALREADY IS BUT I NEED MORE AND MISS RICCI IS READY AND WILLING TO MAKE THAT WOMAN A LESBIAN

[oddly-casual]

Fiona and Cake spoilers seriously

(Something I noticed abt Betty and Simons relationship)

I love Betty and Simon’s relationship, I think their back story is so cute and romantic and all that lovely stuff don’t get me wrong.

But there’s this under tone of Betty constantly giving things up for Simon and we don’t really talk about it a lot???

Like, Betty let Simon have his moment with the artifact and the pubic, she also doesn’t go to her trip in favor of going on an expedition with Simon. Then when she goes to leave again she stays for Simon.

Even Fiona is like “you went with her on the bus?” And Simon just looks all confused like “what? No, why would I do that?” Like- hello???

Then after that she gave up her entire life and mind to get Simon back to the point where she literally says “I don’t know who I am without him anymore.” And that just sucks! Since the beginning Betty has been the one giving up the most, her mind, her own possible career, and it’s a story of love of course and it’s very sweet but it’s also a story of sacrifice.

Their love wasn’t a perfect solution, it was already sort of imbalanced when it started and I lowkey love how we see those cracks even before they’re together.

Again, I love their relationship and I think it’s sweet. I just think we should talk about Betty’s side more, especially when she tells a story of what most women do in relationships, sacrifice.

[thequeendomeffect-noah]

What is HAPPENING???

[tempestmothstorm]

Ok but why is Natsuki the only character to get one pair of casual clothes. Like her Sayori and Yuri get their weekend outfits but those two also get another outfit in extra artwork (the overalls and the black dress) and while Monika gets nothing in game her twitter gives her both her white dress and sweater outfits. So everyone gets like an indoor and outdoor outfit but Natsuki apparently owns nothing else and just wears a shirt skirt combo forever. She is the universe’s least favourite child just give her something please

[barnabyboppins]

Hopefully lukewarm take (i haven’t checked)

I recently finished reading the Heroes Of Olympus series (having read pjo immediately prior) and I think it’s pretty shitty that the worth of all of our good guy characters are, to a notable degree, measured by their ability to find and engage in romantic relationships and are then greatly defined by those relationships. (Disclaimer; I don’t think I’m in a justified position to discuss lots of the racial criticisms for HoO but I do agree with a lot of em and that aspect does factor into this topic)

7+ important recurring characters is quite a lot of people to balance, even in a five book series and all of the non-pjo characters suffered immensely for it. But one character arc I anticipated over and over again that never ended up happening was any one character finding fulfillment from the non-romantic relationships around them by de-prioritizing the idea of a perfect someone in favour of accepting the support of their friends/comrades/campers/family/etc. (Second disclaimer: I don’t expect a novel saga from 2010 to have characters declaring their orientations (or lack thereof) aloud but the idea of a character learning to define themself by or through something outside of romance isn’t a new one)

I think Percy and Annabeth are very cute and work well as a couple (are they the only white couple?) and I don’t really see any chemistry between Piper and Jason (I feel like they’re on very different paths from each other and Piper stagnates greatly in favour of supporting jasons development) but I think literally every other Good Guy character had the potential to not need romance in their arcs. Frank could have been raised to praetor by consensus and recognized by his peers and grandma, actively validating his growth rather than him achieving great feats and no one noticing or really caring except for Hazel. Hazel could’ve been shown learning about the modern day with Frank and Nico during downtime and reconciling her identity and trauma with the diversity of today while discovering a new freedom in acceptance (from the Seven) of who she is from back then and who she may yet want to be (and also not dated a 16 y/o at 13).

Leo, Reyna and Nico were the main ones I was thinking would forgo the need for a partner at least as a necessity for their growth/healing as all three have severe familial trauma, are distanced from other demigods socially somehow, and all were explicitly ousted from conventional romance in-writing.

Initially with Leo I had hoped he would confront his struggle being the “seventh wheel” by expressing how he was feeling overlooked as a friend (and as the ONLY shipwright) in favour of everyone’s romantic interests, which would lead into further emotional vulnerability in the party but, that never happened save for a few stoically non-communicative gestures of support to Frank and otherwise weird hang-ups on Hazel before he fucked off to Calypso, letting his friends think him dead for weeks. Leo lacked connection and felt inferior and less important than the rest of the Seven and the narrative validated that by only fulfilling him through an a Rapunzel-like hot babe trapped on an island who is physically dependent on his emotional dependence on her. That’s not a recipe for healthy relationship! I related to Leo initially as an aromantic person with 9 siblings, half of whom are already coupled so it was very disappointing when I realized by the third book that RR just didn’t take what was to me the most obvious arc for a character who is vitally important to a team but least noticed. Also the Hazel-Frank-Leo pseudo-love shape didn’t need to happen, at least in the way it did, and I think the Leo-Hazel-Sammy weird love thing was stupid.

I think Nico and Will are a very cute couple and I’m looking forward to reading their book when I come around to it but I felt unsatisfied that the thing that got Nico to stay at camp after 5 books was a guy who had little significant presence until the last book and not like, any of the other deeply important connections he made during his journeys? Nico’s been talking about never returning to either camp for a while and none of the Seven or Reyna (I think) thought to check in with him? I get that Will is supposed to be like the first person to insistently want Nico around but if Will really is the first then that’s kinda fucked up given the whole like, eight books worth of people he’s met. It’s a bit fucked up that after years of Nico’s presence, seemingly the first connection to anchor him down is an unspoken suggestion of a romance

Reyna’s character journey confuses me because I don’t if I missed or forgot it but I don’t remember her having a conclusion to her internal struggles. Aphrodite telling her she’s doomed to singledom gets brought up again and again and it’s mostly just to make you feel bad for her. She doesn’t tell anyone else. She doesn’t seek fulfillment in the platonic or familial connections she has. They visit her house, trauma dump about her abuse AND fakeout her sisters + the hunters + the amazons deaths just to have Reyna be even more hurt. Reyna and Nico come to understand each other while they’re travelling but by the conclusion of the series she’s just gone back to her isolating and stressful role as the praetor, but now with more work to do! Aphrodite’s words are never explained and their veracity is never tested and all it serves is to give Reyna more misery porn.

I guess what I’m saying is I think the story would have been better if The Seven & Co had a little more connection with each other and not just with their respective partners and if we could have seen some internal growth come from that.

[thebestusernamepossible]

I’m mostly staying off the Mouthwashing fandom bc I personally don’t want to put myself through whatever discourse is ever going on there. But know I love Anya and Mouthwashing is one of the best games I’ve played that had an SA survivor AND was respectful about it!! The abuse Anya suffered is never portrayed as a spectical for the audience to leer at. They use the art of implication VERY well, and in the end Anya gets to go out dignified. She’s not just Jimmy’s tradgic victim, she’s her own character who makes her own decisions. Jimmy doesn’t get to kill her, she expresses her own agency to do so. She’s also the one who kept the gun away from him for so long. Also she’s SO fucking strong, she’s so cool. Anya I love you.

Also the game’s overarching (but subtle) commentary on rape culture, enabling, and how capitalism almost makes a set dressing for it is peak.

[butchrindou]

when i don’t see ran in outfits like these when she’s out of that sweater i feel like popping a blood vessel. She would not wear frilly skirts and stuff that’s cropped she wants to look expensive!!!!

[idontmindifuforgetme]

.

[twojamie-o-clock]

(this is going off of the s6b route in my head that goes from “save yourself” to “world game” (which I think is a pretty common path) but!!)

Do you ever think about how the first s6b companion DIES & how that sets the tone for the whole ‘season’……..like how Jamie is chosen maybe practically because he is allegedly “good at handling the rough stuff” or also somewhat selfishly because the Doctor knows it’s going to be so much more dangerous now……

and how that would explain why Zoe never crops up in s6b eu much until bigfinish steps in??? Like not just that she is so much safer than Jamie atp (on the wheel vs you know. a plantation or other consequences) but also bc s6b will lead to so much more danger and the Doctor knows this.

They actively know what they are roping Jamie into, and how that could go to show this sort of. “I love you enough to be WILLING to put you in danger” and this insane trust between them & the guilt the Doctor probably feels over all of it - but also the way they’re literally saving each other? Because Jamie was going to be unsafe either way, and in this the Doctor can, you know, be with him while experiencing different dangers. Working for the Time Lords of course won’t just be the odd visit here or there to save a planet but truly disgusting work that they care enough about to interfere with but are just ashamed enough to use the Doctor for it.

And all of this strikes you in the face and leaves you stinging because Serena died. Just like the Daleks’ Master Plan - which, like, outside of the show of course was the chaos of Doctor Who itself changing - starts off a very dark streak of companion deaths and chilling narratives through eu & tv canon until Steven’s eventual departure.

I wasn’t awfully attached to Serena, but it really shows Two how far the Time Lords will go & how little they care. The mysterious Players are never expanded upon but they don’t really need to be. This is a mission - approached as the Doctor’s first, I’m assuming was Terrance Dicks’ intention - where the Doctor’s assigned companion is another Time Lord. And yet she dies.

But it’s not just kicking off this era with a death that hits, it’s everything she represented - the narrow minded typical Time Lord who meets the Doctor & is so changed and enchanted by them that they begin to understand and unlearn their own programming. The hope that the Doctor might feel when they begin working for Gallifrey - maybe it will be alright after all, maybe they can make a difference, maybe being home doesn’t have to be so different from, say, their past family of Jamie & Zoe, because they too unlearned their own programming by traveling in the TARDIS. And then Serena dies. And while it isn’t entirely gloomy or haunting -

The way this ends is so….of course it’s intended to lead into the Two Doctors but it really says something to draw a reference to the dead companion who represented so much of the shape of s6b right next to Jamie….not to mention how quickly the Doctor uses her death to bargain for Jamie….god I really can’t say anything coherent about this. I just think Serena should get more of a highlight not just as a Time Lord “swayed” by the Doctor’s,,,eccentricities but as someone who affected them so much and their ensuing, new-ish relationship with Jamie. Again I think this can also sort of explain the general lack of Zoe in s6b even though it feels like wasted potential (I’m working on a Zoe s6b fic and,,it’s rough. I love her post-TWG eu so it’s a Time…) - not just because the Doctor is only allowed one companion, but because of this darker tone, for the plot and season as a whole as well as the Doctor and the foundations their reunion with Jamie is built on.

I’m not saying this is like my main headcanon for s6b of course, but it’s an interesting thing to entertain imo

[devilsskettle]

i’ve seen + heard people say that they thought norman bates was creepy from the beginning of the movie but that’s not my interpretation at all, i think now that that everyone knows the plot of psycho as pop culture trivia, it’s impossible to watch psycho the way it was meant to be seen (hitchcock basically changed how movies were shown in theaters so that audiences would see the whole movie from beginning to end and wouldn’t see the plot twist first, for the sake of suspense! now there’s not the same kind of suspense because every single person in the audience knows who the killer is). i think there’s clear foreshadowing and the whole vibe of the motel is creepy, but norman himself, while a bit awkward, i think comes across as endearing and kind but extremely lonely. obviously as certain things are revealed, he gets creepier, but imo the truly bad thing that he does consciously is cover up his “mother’s” crimes but ofc he has to try to protect her. none of what happens in the movie is premeditated or malicious or even intentional on his part. he’s not even a good liar. idk i really think you’re supposed to see his narrative alignment with marion and feel sympathy for how completely trapped he is in his life, while also being scared of him, at first as someone potentially predatory, then as an accomplice to murder, then as a murderer himself. but not until AFTER his conversation with marion!!

[himblebo]

She’s married she’s married she’s married she’s married (to a man to a man to a man to a man)