#but i don't. think it's too much salt!

[scificrows]

Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.

Some Thoughts™ I had while putting this together (under the cut):

In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.

It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]

The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]

Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]

In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]

In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]

Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.

[yuseirra]

it's kind of funny how Ai of all people keeps complimenting his looks (she must have really liked it)

[carlyraejepsans]

ok i was gonna take a pic like look at my sad pathetic noodles boy but i took one bite and inhaled them so fast it completely slipped my mind. this is the best textured thing i have ever tried it's like ricecakes but long and potatoie

[slowdrippingnoise]

i like rose actually hes full of Concepts. i like how leon could easily remind him of peony and of himself (personality, talented champion / older brother, beloved golden child) and i like how bede could also remind him of them/what his remark about seeing himself in bede could mean if taken as truth (ignored child, desperate to prove his worth / uncompromising confidence, needs to feel in control, perfectionistic) so he gives them both important roles to keep them around. very normal very well adjusted good job man.

swsh should have had 500 more lines of major npc dialogue. also leon and marnie should have talked about the whole being a symbolic king/princess thing. or she could talk to hop about it and he could talk about how he thinks leon feels about it which could be interesting also. even more economic fuckery talk i know its a sports thing but leon's Sponsor Cape drives me a little nuts. catch him between his own hopes/the needs of the league/rose's ideas specifically. he's been champion since he was like 10 right. something like that. im going back in time sneaking into the swsh writers room and taping up a big poster of N Harmonia. how soon we forget Boy King Prime. also pokespe was right rose should just be Objectively Correct about the impending energy crisis, his problem is that he tries to solve everything by himself by manipulating everyone around him, and is cool with putting the whole region in danger if he thinks it will Solve The Problem. his problem isnt being pro-nuclear power his problem is he thinks like a king. ideal swsh is anti-monarchy as well as anti-monopoly it would make more sense.

[shikai-the-storyteller]

It's taking me ages to write this chapter because every time I look through old VODs / notes to check something, I come across moments like this that make me want to lie down face-first on the floor:

[Context: Pac commits to the idea of taking the Happy Pills so he can create a cure. He's about to write a note to Cellbit to explain his plan.]

Pac: If Cellbit puts himself in this position, it's worse for everyone, because Cellbit is smarter when it comes to coming up with strategic plans, so he is the thinking mind of the Favela Five group, so if he no longer has the mind, he’s not capable of solving this whole problem, you know? But if I put myself in this position to help Cellbit so he can get the cure... You understand? It's better if I'm the bait. Right? I can't- I can't carry things alone guys, I've already lost Mike [...] if I lose Cellbit and I alone had to carry things, I won't be able to. But I think Cellbit can manage better. He is more independent, and he has Roier. He has a husband. I'm trying to– to be lucid here, understand? That's all.

Date: September 11, 2023 || Timestamp: 03:10:10

[iniziare]

I want to make my severance to those who preach the opposite exceptionally clear on this blog, because I am not part of this 'sisterhood' that unites in battle like this. No, not ever, not at any point in time, will I require you to write with my female characters as to 'gain access to' my male characters. I will never ask you to write with one muse, before you get to do so with others. And quite honestly, I'll say it: I think that demanding the opposite is pretty close enough to abhorrent social behavior. This isn't morally okay, nor is it justified— it is placing a 'problem' with someone else while it instead, and I apologize that I need to break this to you in 2025: lies with you. I don't know what happened, or when it started, but the concept of respect doesn't even seem like it's entirely flown out of the window for many people, but it simply, point blank, has flown out of the window.

I genuinely harbor little other than intense loathing for this 'third wave feminism' that has been taking Tumblr by extreme storm, I can't even begin to convey it. But please know that I do not associate with this mindset in any capacity whatsoever. And I also would urge those who are considering such ridiculous rules to reconsider— you're not only going to further harm (monumentally so) this 'cause' that you think you're fighting for (many things to say on this), but you're also presenting yourself as a prime example of what's wrong in this society at present. This is not how us humans work, this isn't how you treat other people, this isn't how you handle your own problems, this isn't how you communicate— I'm baffled, I'm floored, but I'm mostly furious.

[tbob-enthusiast]

Messy school doodles HAHEHHE

Season 2 Robbie (not canon Robbie ofc, but rather the "S2" of my own fic which I may or may not ever finish). The lore is that his hair was MUCH longer than this, but it got shaved off due to Lore Reasons™ and now it's growing back :]

NOT STAN. That's my beta Dipper HAHEHHEE. My notes are just emphasizing how similar they look. Me, earlier today, drawing beta Dipper: "STAN PINES ?! 😨😮😮😨😨😨"

Perhaps. Gay people. I am thinking about it really hard fr

[yoinkschief]

I can't sit on this any longer I'm sick and festering and autistic so here

Warning: mild spoilers for the Deadpool and Wolverine movie below the cut

Also blah blah blah I don't support Marvel Productions, I haven't for a while, won't any time soon

Here's an interesting character analysis:

Nicepool

I think his joke runs deeper than people think it does

In the Spider-Man and Deadpool team up run of comics, the one where Itsy Bitsy -their pseudo daughter- exists, Wade is seen to have his old face back as he's trying to be a genuine hero to Spider-Man, not trying to kill people trying to actually save people, and it's supposed to be a reflection of how much he hates himself, that he could look normal and be normal if he held himself with a little more respect

Further, as he kills someone so Spider-Man doesn't have to ruin his image of not killing people, he goes right back to that ugly mug he can't seem to shake, going right back to hating himself again because god damn it same shit different day no matter what he does he always ends up killing people

And I think Nicepool might be a joke about that, that if Deadpool learned to love himself he would actually go back to being normal, completely normal to the point where even his meta jokes ("I can gently tap the forth wall too- *glances to the camera* The Proposal...") aren't as meta or impactful because he's lost that connection to being Deadpool, he doesn't have regen abilities, he doesn't have the ability to see the fourth wall as clearly, and he doesn't have the god forsaken annoying voice

And the only one who seems to hate him is Deadpool

Wolverine -as far as I remember- doesn't seem to mind him at all, going as far as to being the one driving the Honda Odyssey, a car Deadpool hates but Nicepool has, furthering my point that maybe this is the canon, that Nicepool is everything Deadpool isn't and is the visual show that if Deadpool didn't hate himself so much he could have a normal life

Honestly as much as Wolverine was the main reason for Wade to eventually sacrifice himself in the end I think Nicepool was a moment of clarity, because he is the visual representation of everything Deadpool isn't and wants be and hates because he isn't

[coldjustness-archive]

TAG DROP 001.

[ ooc. ] one. one thousand. two. one thousand. three. and now my patience is up.

[ ic. ] chase the right bastard through the wrong ritual it'll knock you right out. of course. you might wake up with a new accessory.

[ answered: ooc. ] it is better to ask a question than to sit on your hands and let it fester.

[ answered: ic. ] most papers don't say much but read between the lines you pickup a thing or two.

[ psa. ] hear ye! hear ye! use that thing on the inside of your head or be doomed!

[ saved. ] i'm like a dragon with the things I like. I'll horde them forever.

[ prompts / memes. ] im not picky. i got a cup and it does the job. that's all I ask.

[ reflections ] I'm fighting rook. sometimes it feels like the city itself stabs me in the back.

[ introspection ] its not what keeps me up at night. its not the quiet. I never could sleep once work gets in my head.

[ crack. ] sing your praises and you still want something! I'll find you a treat if you don't tell davrin. have we got a deal?

[ salt. ] that's the worst-case scenario. but all too often; the most pessimistic speculation turns out to be the closest to the truth.

[ birthday. ] it's my hatch day! Im allowed to be happy and irresponsible.

[ self promotion. ] apparently I could something clever here but I am too lazy for that.

[ promotion. ] I like this blog. I think it's neat. it deserve attention. everyone! look here!

[sysig]

Introducing Spinster Pepper!! 💕

I got a few pictures of him eating as well, under the cut if you’d rather not see!

You can see just how tiny he is here lol - he’s in his food enclosure, aka a salt/pepper shaker hehe ♥

I don’t know why he pulled the mealworm up the wall with him, he caught it on the floor of the shaker lol

Probably the best shot I have of his abdomen - look at those beautiful markings! 💖

World’s most wonderful little hunter <3

[unproduciblesmackdown]

@tinybigfoot no i love information! which is unfortunately often in conflict with "i'm not looking up shit," like might be found on wikis easily lmao, except for when i'm having an "i'm extremely looking up shit" moment. love the drama of the scene having a known time via Newspaper b/c of the accurate contemporaneous headlines rather than being able to simply read the date; didn't know about that event! and this is me just yesterday looking at bits of paper in the backdrop of one of the Introduction comic pages like ooh can i read this (no) imagine it if had Clues (don't think it would & doesn't seem to anyways)

another zany fact to remember that yeah according to those character profiles mitzi Would Have It Be Believed she's at all younger than mordecai, ft. the implication that since yeah he was born in '99 & mitzi Was born in the nineteenth century too, she's either the same age or slightly older. let's go Circa Thirty Characters....which is mostly just mitzi who'd deny as much & mordecai having a couple years to go, fingers crossed. then we leap over to people born in the '80s lol

[faaun]

think i like him a lot

[sl33py-g4m3r]

BS vs skill issue?

should know by now but what's an SMT moment and what's a skill issue?

was the slime x2/chagrin preemptive sweep of my team an example of this?

or was it a skill issue?

It happened so fast so figured that it was indeed an example of SMT BS ~~ but I'm unsure~~

baby's first SMT moment~~ was funny in hindsight~~

sorry if this is a stupid question~~ been watching so many SMT moments and I wanted to confirm before posting what I thought was an SMT moment but was just a skill issue~~ if/when i post more gameplay shenanigans~~

[pochapal]

girl with the most severe form of kidney disease forgets to adequately hydrate for six hours and starts to feel the Effects

[notmoreflippingelves]

Hi! I just read your post about Mateo recently. If I may, can you give me any specific instances in the narrative of the show where Mateo isn’t called out as heavily as they should have? I’m just curious?

During the Shuriki returns arc in particular, Mateo makes some pretty glaring mistakes that I feel like he should've gotten much more flack for (and based on what we see elsewhere in canon, I feel pretty confident that if Gabe, Naomi, Isa, or Esteban at least --and possibly even Elena-- had made these mistakes, they wouldn't have been swept under the rug nearly as quickly as they were for Mateo).

While it's unfair to completely blame Mateo for Carla's manipulating him during the "Rita" arc, I feel like it's reasonable to hold him a *bit* accountable. He did after all blab highly confidential information (on more than one occasion) to try and impress a pretty girl with how clever and important he was. (Something tells me that if any of the others had done likewise, they would've been called out for it. But because it's "beloved" Mateo, we don't even get "wait, you told Rita how to get into your workshop? And you've known her for only a few weeks? What were you thinking, Mateo?") Moreover, he never even apologizes for this or promises to do better/be more careful with such important, sensitive information in the future.

Even more aggravating is his behavior in "The Scepter of Night." Mateo is so eager to play the hero and claim all the glory for himself that he twice (!) disobeys a direct order/abandons the plan and goes looking for the scepter piece on his own. This directly leads to Fiero and Victor finding the scepter piece and (temporarily) stealing it. And it's really only due to luck and very conveniently-timed infighting amongst Shuriki's allies that Elena and co. are able to get the scepter piece back. While Mateo does receive some (brief) criticism, it's nowhere near the level that it should be.

Also noteworthy Elena doesn't really get particularly "mad" at him (especially considering how angry we see her get at other characters even for more minor things) . She's not truly, actually angry at Mateo (and Gabe and Naomi are only a bit angrier); she's just a little frustrated and disappointed at him in the moment. And apart from a (very short) little "do better next time" speech, Mateo doesn't face any real consequences or lingering resentment unlike other characters who do.

When Isa obeys direct orders in "Sister of Invention," she has to face consequences (Elena grounding her). Similarly, Elena holds a grudge against Esteban for days (if not weeks) after he interfered with the Feast of Friendship (a much lower stakes mistake than Mateo's imo). Moreover, it's possible to interpret Esteban's staying behind in Avalor when the others go to see the Norberg Lights as a punishment (either self-inflicted or imposed by Elena) for his actions in the previous episode.

In contrast, Mateo just gets a brief "I expected better from you" speech from Elena and Gabe jokingly assigning him push-ups as punishment (which he immediately takes back when Mateo tries to do them). I'll give Mateo a little bit of credit for actually apologizing this time (which he doesn't always do). But it's still frustrating that everyone is so ready to forgive and forget Mateo's missteps immediately while this same courtesy is seldom shown to others.

I think it's worth directly comparing a few Mateo-centric episodes with a few more similar ones that focus on other characters so that we can see how there does seem to be a noted narrative bias in his favor compared to the others.

Let's start with two "feeling kind of insecure" episodes: "Spellbound" for Mateo vs. "Naomi Knows Best" for Naomi. In the former, Mateo expresses doubt that he's capable of rising to the occasion as royal wizard. No one (except Gabe and he gets over it by the end of the episode) blames him for not having reached his full level of confidence and potential right away and not being able to immediately solve the problem. And Elena in particular (and by extension the narrative) gives him so much validation and support. Whereas in "Naomi Knows Best" (and to a lesser extent "Finders Leapers" and the "Carla-as-Rita" arc as well) the narrative "punishes" Naomi for her feelings of self-doubt. We're told that *if only* Naomi had trusted her gut instincts and stood her ground right away, Elena and co would not fallen right into the trap and that Naomi needs to screw her head back on straight and embrace confidence ASAP to fix her mistake.

When Mateo feels insecure, the narrative gives him every reassurance about how capable and special he is, that he can learn at his own pace, and his insecurity isn't really such a problem after all. When Naomi feels insecure, the narrative encourages her to get over her doubts as quickly as possible because unlike with Mateo, there's "no time" for her to wallow in self-doubt and actually the fact that she even had said doubt in the first place is what "caused" the disaster.

On a slightly different note, Naomi is also called out for taking a little free, fun time for herself in "The Last Laugh" when the group needs her, and yet somehow I have a feeling that Mateo would've been allowed to take a day off if he wanted without any protest. He complains about long hours in "Movin' on Up" and Elena gives him the big royal wizard's chambers for him to relax and unwind in. Naomi asks for one (1) day off to spend with her childhood friend for her birthday , and suddenly it's big drama. (And at the time, Naomi asked for said day off, all Elena needed from her was help doing paperwork. The Team Ash stuff came up unexpectedly.)

Similarly whenever Gabe and Mateo get their little rivalry on ("Spellbound," "Party of a Lifetime," "Captain Mateo" and a few other examples) , the narrative either presents them as equally at fault or Mateo as the only one in the right.

When Gabe brings in Bronzino to train the Royal Guards in magic, it's specifically because Mateo failed to explain how and why he was training the guards in the way he was. If he'd just explained how they were going apply the seemingly basic exercise they were doing to real magic, Gabe likely would've allowed Mateo to continue the training at his own pace.

(Also like. it's super hypocritical imo for Mateo to get annoyed at Gabe feeling impatient/impulsive about their apparent-lack-of progress when Mateo himself is easily the second most impulsive character in the show after Elena.) Mateo feels entitled to keep important information to himself (or blab it to a cute girl he barely knows) even when its no one else's best interest. He's only okay with being "cautious and patient" when he specifically is the one setting the pace. And yet, Gabe is the only one who is called out for his behavior in this episode--even though he might not have acted as he did if only Mateo had trusted him and the guards with an explanation in the first place.

And then there's just a few other "dude not cool" little moments that never really get acknowledged/Mateo never apologizes for. For instance, there a two low-key terrifying Mateo moments in "Captain Mateo" that are not only not acknowledged but are also framed in context as Mateo being just "so funny and quirky". Near the end of "Should be in Charge," Mateo magically gags Gabe so he can't protest anymore about Mateo taking over as leader of the mission. And this is after having already enchanted one of the stationary suits of armor to come to life and fight Gabe. (Gabe admittedly does lightly shove Mateo out of the way during his parts of the song, but that's still a far cry from literally drawing a sword on Mateo as Mateo does via magic to Gabe.)

It's played for laughs (The Grand Council is just smiling happily in the background throughout the scene which is so yikes), so it's easy to overlook what's actually happening. Frankly, it's pretty horrifying that Mateo's natural instinct upon his experience/authority being questioned is to literally attack and then silence. (And attack and silence someone who is supposed to be one of his best friends and closest allies at that!)

Rather than the narrative acknowledging that maybe it's a bad idea to immediately grant power to someone to someone who is so retaliatory against fairly minor criticism, the Grand Council just gives Mateo exactly what he wants and doesn't even offer a "maybe next time, let's not gag or attack our friends, okay?" alongside it. I mean sure Mateo does step down as captain at the end of the episode, but it's very specifically presented as his and Gabe's voluntary choice and not an order from Elena/the Council.

[iniziare]

/breathes in real deeply. I'm trying to sit on my hands, and I managed to sit on only one for the time being, but even that'll falter as I get tired. Ladies and gents, please hear me: Dorian Pavus was born in 9:11 Dragon, Veilguard takes place in 9:53 Dragon, that places him at the age of 42 years old. I will not, I absolutely will not stand to see people infantalize him in any way whatsoever, be that jokingly or not. Dorian Pavus' entire backstory up until his 'departure' from Tevinter, is ripe, and I mean absolutely dripping with everything starting from lack of agency, to a planned violation of self-autonomy at the hands of his father, and constant 'infantilization' by his mother; I will not see it continued. Have a little respect for a character (and his struggles) that meant, and mean, a great deal to not just his creator, but to many fans who are part of a community that hasn't had a character that hits this close to home.

And as a little addendum here: Necromancy is a specialization, which is not taught before anything else, and thus not at a young age. When you go to learn, or refine your use of magic, you first work on your basics, your chosen school of magic. The school of Power, consisting of Spirit, and Primal; or the school of Matter, which is sub-categorized by Entropy, and Creation. This takes up a substantial amount of your formative years as of potentially a child, until adulthood (if we loosely take the Circle's ages as reference). The specializations are not an addition pursued by all mages, and if one is pursued, they come after the basics, which means that no young child/teenager is dabbling in Necromancy, Rift Magic, Spirit Healing, the ancient art of Knight-Enchanters or anything similar. With which I aim to say that Dorian Pavus was not a teenager when he started his specialization into Necromancy, nor was he likely under the age of 20 when taught for one term by Emmrich Volkarin in Nevarra. Do not use that man to infantalize Dorian Pavus, do not use that man as an adoptive father figure, do not call Dorian your 'son', do not— Oooh, I feel strongly about this topic. It's so easy to preach respect, but it's so selectively applied in practice, and it bothers me greatly.