#but i do like the phrase 'put them in situations' and i think it applies to my pokemon crochets
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Pokemon Arm Wrestling Match: Aegislash v Cofagrigus
(Sometimes I crochet Pokemon and sometimes I put them in fun little scenarios like this one! Both are fun but I don't have to as much time to do both very often anymore. Vote in this other poll to help me decide what I should focus more on! :D)
#pokemon#crochet#amigurumi#art#artists on tumblr#pkmnart#fanart#poll#plush#aegislash#cofagrigus#gif#i dont really got blorbos#but i do like the phrase 'put them in situations' and i think it applies to my pokemon crochets#its really fun to put them in situations! i have many idea but not as many time#anywayyy vote vote vote! :D#tomorrow will be an example of option 3 which is just a reblog of an older post#not sure if this qualifies but i will tag just in case#flashing#pokemon crochet
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get anything you desire overnight; what is SATS? how do i use it? — a quick guide.
STATS is short for “state akin to sleep,” a phrase used by neville goddard several times.
for example, one of neville's most popular experiments utilizing SATS is called the "ladder experiment". this experiement demonstrates how useful sats is.
what was the experiment?
1. During one of his lectures, Neville instructed his students to visualize themselves climbing a ladder vividly. He asked them to repeatedly imagine this scenario in detail each night before going to bed. They were to feel themselves climbing the ladder, using all their senses to make it as real as possible.
2. on top of this, Neville told them to write down or say affirmations throughout the day such as, "I will not climb a ladder." This was meant to consciously contradict their nightly visualizations, creating a sense of disbelief in the process. The challenge was to see whether their repeated visualization of the ladder would override the conscious denial of the event.
3. Many of the participants reported that within a few days, despite their daily affirmation of "I will not climb a ladder," they ended up encountering situations in which they physically climbed a ladder. The experiment was intended to show that the subconscious mind, which was being impressed by the vivid visualization during the SATS state, was far more powerful than their conscious thoughts or affirmations.
essentially, Neville wanted to show that imagination, particularly when focused in the relaxed state akin to sleep, could create real-life outcomes, aka — attract your desires instantly.
so . . . how do i use SATS?
1. relax. sit or lie down, and relax your mind and body. this method does not need to be used at night. many people have used it during the day and have gone to sleep for only a few moments before waking up with their desire. This is basically just a form of meditation. A similar mental state occurs naturally in the morning right after awakening, and in the evening before bed, hence why some may prefer to do this method at night despite it not being mandatory.
2. embody the feeling. now while in this state, visualize your goal. Feel your desire completely. want someone to text you? imagine yourself opening your phone to that text message. want a new car? imagine yourself feeling the interior, smelling the new car freshener, testing out the radio. whatever it is, fully immerse yourself in the desire.
3. focus and persist. loop this desire on repeat as you fall asleep, it should be the only focus on your mind. quickly shift any other thoughts that may appear, back onto your desire. the more you do this, the more you'll feel the desire completely.
brief comments;
1. over time, it becomes more and more natural. it's very easy to get into the habit of using SATS to manifest whatever you desire. i often find myself using it without even intending to, just randomly deciding i want something and it becomes all i think about as i fall asleep. it's a very natural method that's easy to custom to.
2. yes, you can use this for shifting realities. there's a reason why so many people "randomly" shift when they stop using long complicated methods and just go to sleep with their DR in mind.
3. you don't need to take action. you don't necessarily need to do anything when manifesting. this doesn't just apply for SATS, but any other form of manifestation. you don't need to take action or do anything further to get your desires if you don't feel like it. remember; they're already yours. they can fall into your hands out of the blue. you don't need to put in effort.
i used several different articles and videos for this to explain it in the most simple way possible, since i know a lot of people tend to struggle with understanding this stuff to the maximum!! so i hope this is easy to read! ૮ ◞ ⸝⸝ ◟ ྀིა
4. does this mean affirmations don't work?
no, it does not. affirmations DO still work for LOA. you CAN achieve anything through affirmations, it was never stated that you couldn't or that SATS is the only way. this only states that according to neville goddards experiement, sats appears to be a more powerful method than affirmations and that's how he viewed it. more powerful doesn't equate to the other method being completely incorrect or impossible. i also personally find this method to work a lot quicker as well.. similar to the void state.
edit; i didn't realize i wrote stats in the title and not sats lol, my mistake it was autocorrect
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Hey! I was thinking of trying to write something for you about DU Drow but after a trying to gather stuff about him via your page I’m struggling to get something substantial for his personality- like I get it mostly (I think?) but it’s hard to put into words (which makes it easier for me) so if it’s not too much to ask; how would you explain DU Drows personality and maybe some of his values? - if you don’t mind! I love your art BTW!
Man, this is a tough ask and I MADE the guy. The fic is definitely the best place to see his personality in action, but it is also 20 chapters long so far - and I'm a fairly reasonable man.
Before I get to any descriptions, there's two important things to note: A) Overwhelmingly, his looks do not match his demeanor. and B) DU drow is extremely hedonistic in practice. He might claim to have certain beliefs or standards but hardly ever practices them.
Anyways, I present to you: The guy, more-or-less summarized to the best of my abilities.
BEHAVIOR: Purposefully standoffish. He wants to be noticed, but he does not want to be bothered. He's a little bit stiff with his body language and mostly makes use of head/neck gestures to assert his sentences and signal his level of interest. On that note, me makes it extremely obvious for the socially-versed individual to tell what he thinks of them - he hardly ever tries to hide if he's disinterested, annoyed, or having a laugh at your expense. He expresses emotion through his face a normal amount, but his default look is eerily bland, and subtle emotions might go unnoticed because of his eye-color and thin brows.
As it is with most people, the more uncomfortable he is with a situation the more stiff and inexpressive he becomes, and vice versa.
SPEECH: DU drow is very much well spoken, and simultaneously very blunt. He abides by most conversational formalities (definitely more formal than you would assume him to be) and basic etiquette. He will greet you and he will say please and thank you even if clearly not meaning it or feeling like you're unworthy of the gesture. Sometimes, he does it just to be patronizing.
With all of that in mind, he has a tendency to use violent turns of phrase and analogies to express himself, this applies to both negative and positive feelings. That being said he's aware of social norma and knows full well when things are or aren't appropriate, even if sometimes he chooses to ignore that and be weird anyway - usually with the purpose of intimidation.
He is the most earnest and sincere with very close friends (quite literally only Astarion and Shadowheart) and rather curt with everyone else unless you catch him in a particularly good mood. He's a little chummier with dwarves and duergar (he finds them amusing and fun to hang out with) and reserves a slight bit more tenderness and kindness for children and mothers, especially if they're elves. He's also fond of animals. He is dismissive of gnomes, goblins, bugbears, half/full orcs and hobgoblins. He despises githyanki and drow. He treats humans fairly respectfully but thinks they are a far lesser race than pretty much all others.
He has a very dark/offensive sense of humor and a tendency to make well crafted, but cruel jokes or quips about sensitive topics. This goes for everybody, including people he's on good terms with.
VALUES: Here's where things get tricky. DU drow is both a hypocrite and a unreliable narrator of his own story, not to mention deeply unfamiliar with his own inner-workings and feelings. Politically, he would be the guy who doesn't vote, doesn't want to pay taxes and dreams of living off the grid, who thinks everybody should pull themselves up by the bootstraps and that it's a dog-eats-dog world. He hates systems of government, authority figures, hierarchical structures and archaic customs. He believes it would a chaotic but functional world if people governed themselves.
In practice, he doesn't stand for anything and gladly overlooks injustices and things that don't align with his supposed values as long as they favor him, or just don't get in his way, and easily makes exceptions for things on a whim. He's indifferent to slavery; unless it's Astarion's. - He thinks humans are a worthless pet-race, except for his dearest and nearest friend, the half-elf Shadowheart. He thinks Half-orcs are intellectually inferior, but he will gladly be chummy with them if they amuse him and make for good-company during a night-out.
INNER WORLD AND INTIMACY: DU drow is extremely unfamiliar with his own emotions and very often comes up empty when he has to justify or explain anything that is based on feeling, while simultaneously operating on impulse and instinct for the vast majority of the time. He is subject to fear, resentment, and insecurity as much as anyone else, but carries a deep shame in acknowledging his own vulnerability at all. He is very intense when it comes to love, however, and shows no reluctance in expressing it through his words and actions towards the people he cares about. He does care for the levels of comfort of those dearest to him though, and doesn't bombard them with it unless the moment is right, or if overwhelmed into doing so. The same applies to physical affection - he's extremely comfortable with it, but cares deeply for respecting the boundaries of his loved ones. When it comes to strangers, he only touches them outside of combat if there is some kind of power-game at play.
A couple of other things that might be of note:
-He likes creature comforts, but is also fine with going without them and won't ever complain about having to live, sleep, or survive in less-than-ideal circumstances as long as he feels in control of the situation. -He can be enticed by valuables and gold because they make the immediate future easier, but he doesn't seek a life of vast riches. -He is not an alcoholic but probably has a binge-drinking problem. -While he is fond and respectful of animals, he has no issues killing them if the situation calls for it. -He pretty much always believes himself to be the most impressive person in the room. -He is not a vain man, but very much likes the way that he looks and to have it be acknowledged by his partner. -He believes faith, religion, and gods to be a waste of time.
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☆━━━━━ ⋆⁺。˚⋆˙‧₊☾ ◯ ☽₊‧˙⋆˚。⁺⋆ ━━━━━━☆
✩ ‧₊˚ ⌞ CHARACTER LINES ⌝
sampo analysis m.list
— what the stars reveal: interpretative analysis, somewhat a character study, elation!sampo
— word count: 4.6k (oh my god i am insane. he makes me insane)
— overview: (as of 2.4) an analysis of sampo’s character dialogue outside of quests!
☆━━━━━ ⋆⁺。˚⋆˙‧₊☾ ◯ ☽₊‧˙⋆˚。⁺⋆ ━━━━━━☆
✩ ‧₊˚ ⌞ INTRO ⌝
I’m putting this here because I wasn’t sure where else to put it, I just wanted to point out that his character intro describes him as someone who “travels freely” between two places (in this case, the Overworld and Underworld, but could also apply to multiple states of being) as well as saying he “acts” like he is everyone’s friend (performance) and is “enthusiastically humorous” (very similar to “infectious enthusiasm”). Being good at bantering also seems very Elation-aligned. That’s all!
✩ ‧₊˚ ⌞ FIRST MEETING ⌝
Each character’s “first meeting” line is arguably one of their most important lines. Not only does it give you a baseline introduction to them and their personality, but it shows you how they present themselves to others (i.e. the aspects of themselves they choose to consciously, or unconsciously, emphasize when meeting someone). For Sampo, this includes all of the “perks” that come with knowing him. Business, chaperoning, conversation — these are all part of a “deal” to him, a transaction of knowing and being known.
I haven’t talked about this much in my previous analyses, but Sampo has a very specific mindset of viewing friendship as a commodity. This could easily be chalked up to his idea of business and transaction rubbing off on other parts of his life, but given the strange emphasis he places on “being friends” throughout his dialogue, I’m suspicious it might be more than that. It seems he either isn’t willing to or isn’t capable of seeing genuine human connection as any more than another deal, another façade to do business with. It may be his way of keeping people at arm’s length, or perhaps the Elation won’t let him view people as anything more than another joke, another transaction of language and Laughter to make at another’s expense. Whatever the case, he seems dead-set on including “friendship” in his package deal when doing business.
I also find it interesting how he isn’t wrong. For someone who has a penchant for distorting the truth on a whim, Sampo is, in fact, a “chaperone” and “problem-solving conversationalist.” (“Businessman” is a given, we all know how well that’s going for him given that he literally has an idle where he counts his big stacks of money.) Despite not really having to, Sampo goes out of his way on Penacony to take the Trailblazer around and show us the dream bubble — even if it’s not a “traditional” chaperone role, it’s clear he was trying to look out for us in his own way (same thing on Belobog with the smoke bombs). Additionally, he’s very adept at solving problems by sheer virtue of talking, as shown by being the archetype that’s able to talk himself out of a myriad of situations. So at the end of the day, I guess I’d have to agree with him: it is a pretty sweet deal.
However, arguably the most intriguing thing about this line is the meta aspect of it — the big picture of his selling point being multiple things “rolled into one.” I don’t want to read too much into it, but I can’t help but wonder if this “three-in-one” phrase refers to more than just his skills. After all, if a running theme of his character is being a businessman and a chaperone and a problem-solving conversationalist, who’s to say it doesn’t apply to him being a Masked Fool and an Emanator and an Aeon (or a part of one, or a creation of one, or an avatar of one — honestly, at this point I feel like we can mix and match). At the very least, it would match up with the rule of three. Food for thought!
✩ ‧₊˚ ⌞ GREETING & PARTING ⌝
The greeting here seems pretty standard — going into it assuming he’ll get paid, then waffling and thinking about backing out when he realizes he won’t. What’s notable here, however, is that he covers it up by stumbling out a “Not a problem!” and continuing on with us. I feel like this partially shows how much he values friendship (despite clearly still wanting a payout) while also not quite having enough spine to straight up say “no” to us. The only thing I’m not sure about is if the Trailblazer is special in this regard, or if Sampo would keep going with anyone else.
The parting is a bit more notable, especially the idea of “I’m not going anywhere.” It seems half-comforting, half-threat, like he’ll always be a constant in our lives, for better or for worse. In a way, he may be like a never-ending joke we just can’t get rid of no matter how hard we try. (Don’t worry Sampo, I would never think of getting rid of you 😌.)
✩ ‧₊˚ ⌞ ABOUT SELF ⌝
This line, despite at first seeming like a joke, feels more personal the longer it goes on. The first “I’m an easygoing fella” seems like exactly the kind of thing a shady businessman would say when trying to drum up clients: “I’m personable,” “I look out for people,” “I’m a community man,” etc. However, by the time the line ends, it very much sounds like he’s referring to something specific. The idea of getting “pulled into everyone else’s business with nothing to show for it” sounds like a passive aggressive dig at something or someone we don’t have the specifics for. Especially with the “tsk” at the end and the repetition of “easygoing,” it almost seems like he’s trying to vent his frustration about being constantly pulled into things he doesn’t want to be a part of.
Now that we know he’s an “old timer” within the Masked Fools, this line of thinking makes sense — he’s left behind his mask, meaning he may have gotten tired and fed up with getting roped into the Fools’ shenanigans. With how exasperated he sounds in much of his Penacony dialogue, I’m not surprised he said something like this.
Going a step further, this could even apply to an Emanator being burnt out at having to deal with the Elation, or even Aha Themself feeling the constraints of a compulsory existence. I feel like Emanator or Silhouette theories would work better for this particular line, although it’s possible that Aha could achieve this level of genuine exasperation through split/dual/separate consciousness.
✩ ‧₊˚ ⌞ CHAT: INTEL ⌝
Once again, Sampo shows how smart he is. He may be shady, yes, but he does know how to “maximize profit.” After hearing of Boothill’s run in with an Elation Emanator in 2.2, I can’t help but wonder if it was Sampo playing into this idea of selling information to multiple people — I definitely don’t think Boothill learning of the Emanator’s status was a coincidence, even if he says it was because he got it drunk. To me, this definitely reads as Sampo parceling out information in the right doses to the right people, “packaging” it in such a way that that person is none the wiser.
✩ ‧₊˚ ⌞ HOBBIES, ANNOYANCES, & SOMETHING TO SHARE ⌝
Despite only being one line, “hobbies” sticks out to me as a potential revelation. First, there’s no mention of the passion or creativity often associated with hobbies, it’s just him stating what he believes — there’s no indication he actually enjoys it deep down (compulsory existence mayhaps). Secondly, “small talk brings big clients” shows how he focuses on the details and minutiae of the larger picture; he may not be one for flashy entrances like Sparkle (hell, his big entrance in Belobog was when he was literally surrounded by smoke) but he does know how to manipulate the odds to be in his favor. I also find “big clients” interesting. While it could just be a reference to his dealings on Belobog, I can’t help but wonder just how far this might extend. What kind of “big clients” has he brought in? Is he neglecting to mention that he’s a “big client” himself? Is he used to shmoozing in the big leagues? Only time will tell.
In comparison, the annoyance line is fairly standard. It’s a link to his shady side, the idea that he’s just a poor businessman, *sniffle,* and how could someone be so mean to such a nice fella? He’s operating in technicalities here, full well knowing why he’s considered a con-man but intentionally being obtuse about it. It is very endearing to me.
“Something to share” almost seems Robin-Hood-esque. At first, I thought he was talking about more “business” stuff, the idea of “sharing is caring, so you should share your money with me,” but the more I re-read the more I realized he’s probably getting at the wealth inequality in Belobog. He’s technically affiliated with the Underworld, after all, and his closest friends seem to be there too. Behind the fixation on profit and only doing things if it benefits him materially, there seems to also be a genuine want to share himself, to “make up the shortfall.” Even if the “sharing” isn’t coming from his own possessions, he still wants to get the Underworld the supplies and means to live comfortably, which is a surprisingly sweet sentiment. He has a heart in there, I swear.
✩ ‧₊˚ ⌞ KNOWLEDGE ⌝
I feel like this line speaks for itself — the man is omniscient and he is toying with us. He knows way more than he’s letting on, even referencing the Astral Express as a “train” for shits and giggles. Your Elation is showing, king.
✩ ‧₊˚ ⌞ ABOUT SVAROG & CLARA ⌝
I don’t know what’s funnier: the implication that Sampo has tried to strike a deal with Svarog before, or the implication that he, Sampo “I can talk my way into and out of anything” Koski, failed. He was probably aware his conversationalism wouldn’t work on a machine like Svarog, but damn if he didn’t want to try anyways. I would pay good money to see that go down. Too bad Sampo exists in another universe and can’t haggle it out of me.
Alternatively, his line about Clara is pretty sweet. Referring to her as “our little girl” shows how he views himself as part of the Underworld — even if he came from beyond the sky, even if he integrated himself into Belobog for a larger purpose, he still cares. He sees himself as one of them. Behind the gaud and the glamor, we can begin to see that silhouette, that want for connection in the periphery, staying in the shadows because it’s afraid to step into the light. Yet, despite him even realizing it, he’s begun to integrate himself. Begun to see himself as more than just a means to an end, an instigator or a jokester or a clown. He has, in a sense, become part of the collective — a healthy collective, one big found family, and Clara is just one part of it. Beyond his knowing, he’s gone from “I” and “them” to “us.” To “we.” To “our.” (And he is also still eternally confused over how the hell to communicate with Svarog.)
✩ ‧₊˚ ⌞ ABOUT NATASHA ⌝
I like how naturally he describes the progression of their relationship here. While it may not be entirely truthful or accurate (who knows with Sampo), it at least seems like he views his and Natasha’s friendship as an easy progression from one stage to the next. Despite it being transactional, it doesn’t really feel like a transaction, just an evolution of something whose seeds were already planted. It’s also notable that he started with medicine — not intel, not materialistic wealth like relics or Shield, but medicine. His first establishing relationship with Natasha was literally bringing her life-saving medicine. It really reminds me of how he saved the Trailblazer’s life in The Moles’ hide-and-seek daily mission; it’s the things he does in the shadows that really count, really show that he does, in fact, care. Despite what he tells you, he still wants to help. “You know how these things work” is also so funny because it’s like… no, no the Trailbalzer does not know how these things work. (Also, “arrived” in the Underworld? Interesting word choice, bestie.)
✩ ‧₊˚ ⌞ ABOUT SEELE ⌝
I just think it’s really funny to imagine Sampo, either an Emanator or an Aeon or both, being constantly told off by some resistance fighter on a random snow planet. Like, Seele is really out here doing what 99% of beings can’t. (With Doll Theory, however, this is a bit… heartbreaking, especially “Can someone explain what I did to deserve her?” potentially hiding the deeper, more agonizing question of “Can someone explain what I did to deserve this?”. But I am choosing not to think about that right now for my own sanity.)
✩ ‧₊˚ ⌞ ABOUT BRONYA ⌝
He really has no self-preservation when it comes to scoring big, does he? Despite how carefully methodical his endgame plans seem to be, his omniscience doesn’t stop him from throwing himself out there when he feels there’s something to be gained. It’s okay, Sampo, she’s nice. You don’t need to risk getting beat up just to talk to her, I’m sure you can arrange a meeting. (Also, I feel like this mirrors his “painful introduction” to the Trailbalzer at the beginning of the Belobog storyline — sure, Sampo had to put up with Dan Heng’s prodding and Gepard’s arrival, but he made the biggest score of all: getting to meet us. So, maybe it’s not just “throwing himself out there.” Maybe it’s all one big calculation on his part.)
✩ ‧₊˚ ⌞ ABOUT THE LANDAUS ⌝
Gepard potentially triggering Sampo’s Elation instincts is hilarious to me. I’ll expand on it in a dedicated Sampard post, but it’s so in line with the Elation for Sampo, most likely a god in his own right, to find such catharsis in, what? Being chased around in the snow by a hot blonde guard? In terms of the wider universe, Gepard is literally just some guy. And yet here Sampo is, doing a little heehee haha and having the time of his life. It’s the little things, you know?
(On a more serious note, if we’re dealing with a Sampo who’s constantly felt like he has no control over his “enjoyment” of Elation — even a Silhouette or Doll Theory Sampo who is actively being harmed by “the joke” — then him gradually warming up to Gepard is surprisingly wholesome. Here he is, someone who has always found himself subject to Elation rather than naturally falling into it, finding a way to reclaim that enjoyment and find a genuine place for it within himself. Some sort of reconciliation, perhaps, a bit of happiness that’s his own and no one else’s, some part of a situation that he can control. The elation he feels here is not Elation, but rather a genuine feeling of connection, one not brought on suddenly by the punchline of a joke, but one that has gradually grown over time, matured, blossomed into something warm and real and comforting. Gepard has no idea, but he’s slowly mellowing out the “compulsory” of compulsory existence until it becomes nothing but a fading whisper. Anyways can you tell I love Sampard?)
I’m also interested in how Serval and Sampo used to be “good pals.” While Sampo’s idea of a “good pal” could be wildly off-base from what Serval experienced — with the likelihood that Sampo’s “we were besties” was Serval’s “he was an annoying guy who kept asking me for deals” — it makes sense to me that they might’ve gotten along at some point. Serval is a fairly casual and accepting person, so I could see her and Sampo being friends (although I don’t think she would have fallen for many of his scams). However, I definitely don’t think she’d agree with Sampo’s shady business dealings, so finding out from Gepard just how much of a criminal he is would definitely sour things. She would believe in giving the Underworlders the resources they need, for sure, but definitely not Sampo pocketing money for himself or scamming random people who’ve done nothing wrong. “Gepard’s bad word” probably wasn’t even that malicious, just a statement of fact.
(I, however, like to think that Gepard opened up about his crush on Sampo to Serval and her protective older sister genes kicked in. What Sampo is really registering is the change from “oh, you’re a chill guy” to “if you hurt my baby brother so help me god I will end your entire existence.” It is canon in my heart.)
✩ ‧₊˚ ⌞ ABOUT LUKA ⌝
This one is another tie-in to Sampo’s fixation on business and profit. I do wonder why and how Sampo missed out on making money here, though. Perhaps the timing was off, or he had bigger things to deal with, or Luka just didn’t want to work with him for whatever reason. Either way, it’s kinda funny that he knows Luka as “that kid I could’ve made money off of but didn’t”. I can just see him hanging his head dejectedly in my mind. It’s okay, Sampo, you’ll get ��em next time.
✩ ‧₊˚ ⌞ ABOUT SPARKLE ⌝
Sparkle is a unique case, being the only other playable Masked Fool and having a direct connection with Sampo through the organization. He seems to have a pretty good read on her, which would make sense if his status as an “old timer” includes having a lot of experience dealing with specific members of the Fools. He’s basically reading her like a book, saying: She’s all over the place, and you never have anything truly figured out. There’s also the meta commentary of “outwit herself,” referencing the events of Black Swan’s companion quest and an Inception-like folding in of all her personas. It also seems like it might be a bit of a projection: “Think you’ve got her all figured out, don’t you?” I didn’t say anything Sampo, but if this “you” is in the room with us right now, it’s okay, you can just say it. Perhaps he tried to understand her at some point in the past and it fucked him over. (Just speculation!)
✩ ‧₊˚ ⌞ ASCENSION & ACTIVATION ⌝
Whoo boy, this eidolon activation. It’s definitely suspicious, to say the least. There’s a reason I chose it as my quote for my Elation!Sampo masterlist, and that’s because it encapsulates so much about his potential identity. There’s the fact he’s not being direct about it, phrasing it as a question where he speaks in second person, trailing off at the end; even now, he seems unwilling or unable to face the truth with his full chest. There’s also the phrase “colorful past,” which just makes me ask: How much of a colorful past are we talking? This could range anywhere from Masked Fools shenanigans to “oh yeah, I used to be an Aeon.” The fact he’s so indirect about it makes me more suspicious — it’s an extremely leading question, very smug and taunting, which makes my mind just go up and up and up the power scale list, much like “old timer” caused me to do the same. There’s just a quality to this line that basically screams, “There is something large and powerful and dormant inside of him! Be careful!”.
The ascension once again links back to money, and his trace activation is about the transactional “business” of friendship. The last notable thing here is his “max level reached,” where he expresses disappointment over… hitting max level? “That’s it? *sigh* I was just getting started,” is not the kind of thing even a regular Masked Fool would say. Again, we’re given a hint of almost incomprehensible power, the idea that the limit of the game, of the universe, isn’t enough for him. In a strikingly eldritch way, our “max” is simply a small drop in his bucket, an ant he barely even notices. He really isn’t beating the Elation allegations, is he?
✩ ‧₊˚ ⌞ TEAMS ⌝
Since there’s five different ones here, I’ll go through them fairly quickly:
Natasha — Reminds me of Natasha’s own voiceline where she says Sampo doesn’t like owing people things. It shows that he really does try to pay favors back as soon as possible, keeping them present in his mind so they don’t go unresolved for too long.
Hook — It’s interesting how he reacts to her in a similar way he does the Masked Fools: exasperation, but still a little fond. There’s some care, some nostalgia mixed in there, but at the end of the day he still knows that something is getting blown to smithereens.
Seele — On his best behavior. He really doesn’t want her to get angry at him, does he?
Trailblazer — Interesting how he laughs at the beginning here. Interesting how he says, “Ha!” Interesting how this is only with the Trailblazer. Hm. That is all.
Sparkle — “Same rule as always” establishes a long-form relationship; it’s likely they’ve known each other for a long time, or at least long enough to have established “rules” for each time they fight or work together. The fact that the rule is “no backstabbing” is also fitting, seeing as Sparkle (and by proxy, the Masked Fools) are definitely the type to backstab at any given moment. The real question is: Is this rule simply a surface-level attempt by Sampo to stop from getting messed with, or does Sparkle actually listen to him?
It also sets up Sampo as at least pretending to be on the same power level as Sparkle — he’s in a position where he feels the need to be wary and on-guard around her despite occupying a potentially higher status.
✩ ‧₊˚ ⌞ COMBAT & MISC. ⌝
Reading through these, I just felt like I was getting smacked over the head with theories. It’s like he was repeatedly hitting me on the back of the head with a baseball bat or something. Having each line side by side really makes certain patterns become apparent. Since there’s so many, I’ll go through them fairly quickly (feel free to ask me to expand on any of these if you want!):
Battle Begins: Weakness Break: “Fun” links to Elation. “Just” is downplaying the severity of a Weakness Break, reducing pain/danger to yet another joke. A somewhat callous view of life, similar to the Worm Fiasco.
Battle Begins: Danger Alert: Endless pursuit of entertainment and Elation — “the stronger the better.” Like Aha, it’s less about winning or losing, but rather the challenge and thrill of the fight itself.
Turn Begins: Line 1 — The idea of “friends” again, showing physical protection and aid to be part of the “transaction”; however “takes care of” seems less transactional and more genuine. Line 2 — More transactional with the idea of “business”; perhaps refers to violence as “doing business” with enemies, or helping the trailblazer as “doing business.”
Turn Idling: “Bring out” and “big guns” links to hidden or increased power, something that needs to be revealed. Since this is his turn idle, it gives the implication that he is “waiting” to bring out this power until the right time (though he is impatient about it).
Skill: Argument One — Silly goofy behavior. Argument Two (Delusional) — “Size” alludes to the physical changing of size between mortal and Emanator/Aeonic form.
Hit by Light Attack: Seems somewhat performative.
Hit by Heavy Attack: Seems to be overly protective of his “face” — or rather, the potential physical facade he puts up to hide his true identity from others. Doll Sampo may be overly concerned with “breaking,” while other theories may be worried about something being “revealed” if too much of his physical form is chipped away. (In a way, the avatar of “Sampo Koski” may be a mask in and of itself, able to be broken.)
Ultimate: Activate: Again with the idea of “waiting,” man is impatient.
Ultimate: Unleash: If we’re going with an Elation!Sampo theory, it seems like he may almost be alluding to Aha as “king” here, which would center themes of betrayal and switching sides. It doesn’t seem personal in this case, but rather a power/money/profit-oriented standpoint.
Downed: *Puts on tinfoil hat* Sampo could actually be referencing a “loophole payment” here; as shown in the Curio Hacker Occurrence, one of the curios given to us by the blue-haired man is “Organic Heart,” a curio that removes the golden (powerful) dice face for four turns, destroys itself, then grants two cheat attempts — if we take this as an allegory for Sampo’s existence, then he may be paying a “price” as an Emanator or Aeon to escape an unfortunate fate later on (or accomplish something impossible). In this way, “This price was too steep…” may refer to Sampo being trapped in mortal form (a more vulnerable state) and realizing the “price” he paid upfront for those cheat attempts isn’t worth it if he never gets to see the fruits of his labor.
Return to Battle: This may also link to the Curio Hacker dice faces, as a combat “turn” could also stand-in for a dice “roll” — he has been brought back to fight, and so he will continue to participate in the cycle until his cheat attempts are granted. (Also, it links to the cyclical nature of the snakes, going from one turn to the next, never able to truly die.)
Health Recovery: Another mention of transactions, debt, and “owing” — according to Natasha’s voice line about him, this is not a phrase he says lightly.
Technique: Laughter, plan and simple. The Laugher, even, if we’re feeling frisky.
Battle Won: Probably one of the biggest clues in his voicelines. “How’re you gonna win if you don’t take any risks?” directly implies a “risk” at the core of his being, some dangerous change he is making to make sure he gets what he wants. May somewhat detract from Aha theories in that Aha doesn’t seem to care about “winning,” however who knows if that mindset has changed or if Sampo simply thinks that because he is currently in mortal form. Either way, it once again links to him paying a “cost” for those later cheat attempts.
Treasure Opening 1: Good old cash reference.
Treasure Opening 2: Kinda sweet that he lets us keep it, even though it’s only because he doesn’t have any use for it.
Precious Treasure Opening: … And of course he immediately shoves us aside when it’s something he’s actually interested in.
Successful Puzzle-Solving: 1: Pretty generic.
Successful Puzzle-Solving 2: Reference to his businessman persona and how he’s made a career out of “solving others’ problems.” It may be that he’s trying to solve a problem for either himself or Aha as an outside entity (or perhaps even a different Aeon of Emanator, who knows).
Enemy Target Found: Sounds almost taunting; there’s no vocal recording in this post, but if you listen to his English voice acting it sounds goading, almost like he’s daring you to start the fight. “I dunno” is a bit more reserved, like he’s hesitating a bit, but I’m definitely on the side of “he can handle this, he’s just fucking with us.”
Returning to Town: Another third person reference! Obligatory business reference.
And whew, that’s all of it! Every single Sampo character screen voice line as of 2.4! My main takeaways are definitely the third-person references, as well as the fixation on business and profit. The lines linking to Curio Hacker especially stand out to me — “risks” and “prices” remind me a lot of Organic Heart. But I’ll save that for its own analysis! As for now, I hope this was a comprehensive-enough coverage of Sampo’s voicelines. In my opinion, this man definitely has some Elation-related shenanigans going on.
☆━━━━━ ⋆⁺。˚⋆˙‧₊☾ ◯ ☽₊‧˙⋆˚。⁺⋆ ━━━━━━☆
.𖥔 ݁ ˖ જ⁀➴ thank you for reading to the end!
☆━━━━━ ⋆⁺。˚⋆˙‧₊☾ ◯ ☽₊‧˙⋆˚。⁺⋆ ━━━━━━☆
© analysis by sunderingstars. do not copy, repost, translate, modify, or claim my work as your own.
#⌞ ✎ sunder.writes ⌝#⌞ ✧ super.nova ⌝#⌞ 🎭 ⌝#hsr#honkai star rail#honkai: star rail#sampo#sampo koski#sampo hsr#hsr sampo#sampo honkai star rail#analysis#hsr analysis#hsr theory
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Crossposting from SV:
https://forums.sufficientvelocity.com/threads/iwiw-rwby.125050/post-32676154
Regarding the expectation of perfection, yeah, I don't think the team expected it. The one who could be arguably said to have put the most "pressure" on Ruby is Blake as we saw in V8, but having faith in someone isn't the same as demanding perfection. & Blake showed she was fine stepping up and trying to help or support Ruby when she needed it.
The others applied even less pressure, at least knowingly, but none of them are aware of how Ruby had internalized Ozpin's lesson (& from what I know of Coco Second Semester does not make his lessons better)
But Ruby definitely took a lot of these things to heart in a way likely never intended. & more to the point that likely wouldn't be nearly as bad if not for the trauma conga-line the last volumes have been.
For instance in V8 Ruby does seem briefly hurt by Yang noting that following her lead hasn't worked out, but Yang's language is still rather casual, this isn't her trying to deliver some cutting barb to wound Ruby's pride. & given their reunion in V8 it didn't have a lasting impact... Up until V9 landed because with everything that went wrong, suddenly those words pack a lot more sting.
In regards to Yang & Ruby in particular, one thing I find interesting is that in early volumes, even after Ozpin's leader talk Ruby was more comfortable showing uncertainty, discomfort, fragility and the like.
Especially around Yang. She was sulking in V2 about Blake not coming to the dance and feeling overtly helpless, she was fine with being uncertain about her decision to reveal the WF's location to Ozpin & co, also in V2.
But more integrally, in Volume 3, after everything had gone to hell what is the first thing Ruby did once she could move under her own power?
Was it go to her dad for comfort? Seek Qrow for advice? nope, those two came to her, with Tai mostly being used for an intel update and Qrow being prodded for info, and only seeing a flash of vulnerability.
The person Ruby went to was Yang, Yang who she was surprised to find wasn't in a good head-space, and who when Ruby asked what to do couldn't answer her, seemingly leaving Ruby unsure of what to do. In essence, there have been periods where Ruby also expected others to be more sturdy than they could otherwise be expected to be. This isn't a jab, just an observation.
More integrally however, in V4 we see Ruby really hit hard on the repressing.
Oh she did it before, the fact she's modelled her entire persona after her missing mother and was raised by a girl two years her senior should already make it clear she's gonna have some issues. But it becomes a lot more overt with her being all smiles around JNPR but sad when unseen until she's hitting a breaking point. One that is... Sort of countered though of questionable help by being told she's inspiring.
The time we really see it break in in Volume 5 when Yang & Ruby reunited, she cries, she fumbles her words, she gets a damn hug.
But then, the next day, she sees that Yang is not nearly as recovered as she's trying to act. When Yang is upset & removes herself from the situation to calm down and mourn silently, its Weiss who has to help her out of it, because Ruby has no idea what to do.
That's not just her sister in there, its the girl who raised her, & this stuff is not Ruby's forte, but more integrally, Yang is the one who has always been 'all right', the one who Ruby could turn to whenever she needed and who she never had to worry about in combat.
But she's not OK the one person Ruby could always rely on is more fragile than Ruby ever realized, and so clearly, Ruby can't go to Yang with her problems either.
& thus closes her final person to really, properly, well and truly reach out to.
& the thing is Yang would have no idea this is happening!
She didn't hear Ozpin's speech, or Ruby re-phrasing it. She wasn't present when Ruby was really building her walls in V4, and any that existed before that will have been interwoven with Yang's own issues and thus be something she deemed as normal the same way Ruby deemed Yang's self sacrificing penchant as normal.
Put simply, Yang isn't aware that Ruby's mental image of her has shifted and so is not aware that Ruby no longer sees her as someone viable to reach out to.
None of which is helped by the fact Yang canonically admires Ruby and so is prone to see the best, strongest, most idealized side of her, and so like Ruby would need to be told Ruby needs help before keying into it.
Both these girls are very traumatized and damaged and they care about each other so god damn much, but also just cannot wholly see one another.
Its agony, I love it.
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MBCC DATING SIM
Reasons to Date Raven
Raven had always been curious about the "MBCC Dating Sim" the staffs had invented. As the second person to participate after Cinnabar, she was eager to see what all the fuss was about. However, when you were given the task to go on a date with Raven, you were hesitant to show her the piece of paper that outlined the reasons why you should date her.
The truth was, you were afraid of what Raven might do with the information on the paper. The last thing you wanted was for her to write about it in the newspapers and cause a stir among the other Sinners. You knew that the staffs had warned you not to let Raven see the paper, but her incessant pestering made it hard to resist.
As you hesitated, considering whether or not to let Raven see the paper, you could practically see her mind working overtime, trying to figure out why you were being so cagey. In the end, you keep the paper to yourself, much to her dismay.
Reason No. 1:
Raven can always spruce up your resume for free!
Raven's face twisted into an exasperated expression as she listened to you explain that you wanted her help with your resume. "A resume?" she repeated, her voice dripping with disbelief.
"After all the work I've put into crafting sensational headlines and exposing the dark secrets of the upper class, you want me to help with something as mundane as a resume?"
However, her disbelief was quickly replaced by a flicker of amusement, and she shook her head with a small grin. "What a waste of my talents. But since you asked nicely, I suppose I could help you out."
She pulled out a quill and a paper out of nowhere, scrawling down the details you gave her in quick, 'neat' strokes. "Let's see... What kind of position are you applying for? A receptionist? An administrative assistant? A... a..."
She stopped and frowned, her quill pressing down on the paper, leaving ink smudges on it. "Why can't you get a real job?"
Me: CUT! CUT! THAT'S SO OOC! DON'T BREAK THE 4TH WALL
Reason No. 2:
Raven's hair is green, and they say looking at green is good for your eyes!
Raven's confusion was visible on her face. Her long, seaweed-like dark green hair was indeed striking, but she wasn't used to receiving this much attention from someone. The intensity of your gaze made her couldn't help but wonder what was going on.
"Are you... staring at my hair?" she asked, her mouth hanging open slightly. "That's a bit intense, don't you think?"
Then, you surprised her even more when you mentioned that someone had told you that green was good for eyes. Raven raised an eyebrow, visibly confused. "What does that have to do with this?"
Suddenly, it dawned on her what you were getting at, and she couldn't help but laugh at the absurdity of the situation. "Oh, I see."
"Well, you're in luck then," she said, sending you a wink. "My eyes are also green, so you might as well take a look at them too."
Reason No. 3:
You'll get to learn how to raise ravens!
Raven was excited to show you the pet raven that made up from her abilities. She was proud of the fact that the bird had become quite proficient in speaking and even knew how to say a few phrases like a parrot. However, her excitement quickly turned to embarrassment when the raven suddenly squawked out the words, "Lemme smash."
Raven was completely caught off guard and immediately tried to shut the bird up. "Please excuse its crude language."
"I swear I never taught it anything like that. He must have picked it up from somewhere. Please, just ignore him."
Despite her efforts, the bird continued to repeat the phrase, "Lemme smash."
"Please."
In the end, Raven had to resort to a stern glare and a "Shhhh!" to get the bird to stop.
Maybe you're not destined to raise ravens.
Image by PathtoNowhereEN on Twitter/X
Don't take the "reason no. 1" shenanigans seriously. I have a job, really. Also, I've never heard of this lemme smash bird until recently thanks to some blogs, now I know 👍 but I don't think it's funny enough when I wrote it myself 😭 HELP
Next victim is Dreya >:) but not sure if it'd be comedy like.. heh
#path to nowhere#ptn#ptn raven#raven x reader#path to nowhere x reader#mbcc dating sim#(ʘᴗʘ✿) brain juices.
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On unhealthy relationship dynamics
A little while ago, I stumbled across a post discussing Aziraphale's character on a meta level, and without knowing the content, I was completely unprepared when one single sentence pushed me from 'uncomfortable but doable' into 'triggered and panicking'. The post itself was triggering from start to finish, but that phrase stood out to me.
Why am I telling you this?
After calming down and thinking about it for a few hours, I realised what exactly my brain had reacted to—victim blaming rhetoric repackaged to fit Aziraphale and Crowley's situation. Victim blaming is, to provide a short summary, the act of putting blame for mistreatment on the victim instead of the perpetrator. It's a concept often used in r/pe discussions, but it can be applied to any abusive or non-abusive situation as long as a power imbalance is created, meaning you have at least one person harming another in whatever shape or form.
If you broaden the definition, you can apply it to more situations, including—and this is where we reach the actual topic—their relationship and the Final Fifteen (F15).
That is exactly what some people have been doing—putting all the blame on Crowley and absolving Aziraphale of any and all responsibility as if it were his fault that Aziraphale broke his heart
Before anyone runs to the comments, let me clarify what I assume will be the FAQ.
no, I do not think Aziraphale is abusive
I do not think that their relationship is abusive either
no, I do not hate Aziraphale
yes, I know what I am talking about
everything I will talk about is largely based on what we as the audience actually see and know, combined with interpretations of the intentional subtext Neil wrote into the show.
I have been actively in this fandom since the second season was released, and I have seen a lot of (hopefully accidental) ableist & generally insensitive takes. These are the ones I see the most and what I personally consider to be important topics of discussion, but the same logic I will be applying to these can be applied to many, many more situations.
Since my meta posts get very long very quickly, I will be posting them in parts and always linking back to the others, plus this one as the masterpost.
Part 1—Nice Is A Four Letter Word
The basic pattern is this:
Aziraphale refers to Crowley with a 'nice' term -> Crowley gets upset and tells him to stop -> Aziraphale hears him but continues anyway.
There are reasons behind Crowley's rejection, and I will go into detail, but I want to make one thing very clear: It does not matter why Crowley asked him to stop. He set a boundary, and Aziraphale repeatedly and intentionally overstepped it; this causes understandable anger and frustration.
Crowley does not owe Aziraphale an explanation, just like you would not owe someone an explanation when you don't want to be called x-term. Mutual respect requires the acceptance of personal boundaries like that, and by breaking them over and over again, Aziraphale tells Crowley that his own wants are more important than Crowley's needs.
In the 1827 Edinburgh flashback, we see the consequences of Crowley doing good/being called good (which are usually connected, meaning if they notice someone is calling Crowley good, he most likely did something to cause that) firsthand, and so does Aziraphale. He gets dragged down to hell and tortured for up to thirty years.
Even before that, Crowley expresses numerous times how hell punishes good deeds, and they are 'always listening' in on him. You would assume that Aziraphale would stop to keep him safe—and yet he doesn't because he cannot accept the reality of Crowley's situation and refuses to listen to him.
On top of that, Aziraphale only ever "praises" Crowley when he does something he personally sees as praiseworthy, aka something good/kind/nice/angelic/etc. but never when it is something that CROWLEY would like to be praised for, or at the very least acknowledged. We see it in season 2 over and over and over again: Aziraphale cares for no one's thoughts or plans except his own and has no interest in even hearing Crowley out.
Aziraphale calling him nice is not a sweet little gesture, it is an intentional overstepping of a boundary Crowley has been trying to enforce for centuries, and it reinforces the dichotomy of good angels/bad demons, with angelic existence being the ultimate goal. At the very least, it's disrespectful towards Crowley, and at worst, it is actively keeping Crowley in a trauma response, tugging on his leash whenever he tries to explain reality to Aziraphale.
To have a healthy relationship, Aziraphale needs to stop.
part 2 - part 3
#alex talks good omens#good omens meta#crowley meta#aziraphale meta#go meta#good omens#crowley#aziraphale#good omens season 2#go2#aziracrow#crowley x aziraphale#ineffable husbands#ineffable wives#ineffable spouses#ineffable divorce#the final fifteen
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Asking the Right Question for the Best Personal Readings—Part 1
Phrasing questions well is important whether you're a reader or querent. Confusion often goes back to the question. To avoid lack of clarity and be extra kind to your reader, keep these in mind!:
Ask exactly, specifically what you want to know; Ask from the most productive angle.
You may get “noise” or irrelevant info if you’re not precise. Many people get readings on feelings or the most changeable, abstract parts of a situation, when there's concrete things you can ask about. Here's a common example:
Querent A asks how their crush feels about them. It seems like their crush likes them and wants to make a move, but there’s mixed signals. Querent A just want to know if they’re planning on taking this farther. Ding ding ding, we have the issue. Querent A is interested in what their crush is DOING; the thing weighing on them is lack of movement and clarity. But, they asked how their crush feels. Someone can feel all sorts of things, but feelings and action are different questions. Reading into feelings does not necessarily provide insight on reality, especially if you're only getting a few cards pulled. Querent A could discover their crush has strong feelings for them, but with no further insight into the actual issue, this could be confusing. A better question would be something like, “what do I need to know about moving my relationship forward with my crush?” This addresses the root of their concern and also applies the wisdom of point 2.
When in doubt or if you can't make your question specific, asking what advice you need to hear about the situation is good. This brings in overall helpful messages as opposed to limiting yourself to one aspect. It's also great when you want a topic read but don't have specific questions.
You are not powerless
Your question should not remove agency from your life!! Questions that frame life as something completely out of your control or provide an answer you can't take action on can be mentally harmful. It's helpful to ask about things we can affect, remaining grounded in reality and responsibility. These questions also fall into the trap of point 1; asking something from an unhelpful angle. Notice how the revised question in example 1 puts the querent in a place to take action if possible. Example:
Querent B has been insecure about many different things, from work to relationship. They're getting 2 questions read, "will my girlfriend and I break up?" and "will I ever get my dream job?" Both of these treat fate like a yes/no scenario instead of something you co-create. If the querent doesn't hear what they'd like, they'll feel worse off. These questions are also not specific— if the answers are yes, that could be tomorrow or in 65 years. Questions like, "what do I need to pay attention to in my relationship?" or, "what can I do to improve my chances for my dream job?" support the querent in working on their life.
It's important to think about what answers you may get. Questions you're not prepared to hear tough answers for are best left for when you're ready or rephrased. If we focus on ourselves as the writer instead of a character in a story, we get better readings and better outcomes in all things.
Don’t ask the same thing over and over in a short span of time.
"Some of y’all bout to be real mad at me, but it must be said-" Asking the same question repeatedly is a recipe for disaster! Put the cards down 💥💥🔫!
Tarot is an introspective tool; it works best when we look within ourselves and the symbolism for meaning. The more reflection, the more learned. When we repeatedly read the same question in a short time, we get hungry for answers but not learning. It’s like reading a book and never stopping to think about it.
Often, we redo readings in two main cases. One, we're confused. The nature of tarot is any card can offer a truth about anything. Sit with the cards, research their meanings within your topic. Break it down into elements or numerology, which you can look up. Sometimes we need refreshers or clarifiers, but this is more reasonable for say a second reading after digesting the first, and not 4+ in a couple weeks (assuming this is not a routine, like daily pulls). Doing a lot of readings can be great for learning tarot—when varied.
The second common case is not liking what the cards said. Some say their cards never refer to the question asked. They don't believe the cards pulled can be their answer, or they're new readers and don't know how to relate the cards to the topic. Some try and try again for positive answers like slot machines.
Overdoing readings is draining to mental health. As a buyer, it also makes you susceptible to scammers who tailor messages to what you want to hear. So, approach with an open mind and sit with answers before asking again. As a querent, ask your reader if they could explain some of their card interpretation if you're confused! You can post in tarot communities and ask for opinions or education. Every reader has their own style, so different interpretations are normal as long as you can trace a thought process! If you feel your deck is hard to personally interpret as a reader, you may need to try other decks or readings that connect with your intuition, but don't forget to learn basics as well!
Thank you for reading!—Tip Link | Paid Reading Info in Pinned Post!
#tarot reading#paid tarot readings#psychic reading#divination#tarotblr#tarot community#oracle reading#free tarot reading#free tarot#free oracle reading#learn tarot#tarot tips#lenormand reading#intuitive reading#tarot cards#tarot game#tarot reader#daily tarot#tarot#tarotcommunity
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ok I'll bite. what are your thoughts on stewjoni biology?
Been waiting for a time when my frustration at the use of this trope (more than the existence of the trope) built up enough to be brave enough to answer. The usual disclaimer applies: people can write what they want. I'm not an anti. This is not a moral debate. People can have whatever kinks they want in fic. It's just my observations on how I'm seeing queer characters written in Star Wars fandom and how gender roles is being put into things based on what parts people have. Which, I thought we were not doing that anymore?
For the uninitiated, Stewjoni biology is a fanon concept where Obi-Wan is dual sex (he has a penis and a vagina and associated internal workings). The concept on it's own is fine. It's Star Wars! There is probably all kinds of biology and coming up with something for a planet with like, zero lore cause it was made up on the fly by George Lucas is creative! However. It's the execution and sameness of this concept that has started to uh, get under my skin.
So, I have a lot of thoughts on this, and they are two-fold and related. I think, likely without meaning to do so consciously, people are starting to assign personality traits to certain genitalia, and, in larger ways (due to other trends in Star Wars fandom) are re-inventing gender roles under the guise of queerness (which is, you know, kind of the opposite of the point of queerness!) Most fics I see with this concept (I said most, not all) simply ... have it there. There's not really an exploration of it so much from an intersex and/or trans point of view. How does this impact Obi-Wan's love life? Does it at all? How does it impact his life generally? What are his thoughts on his gender? Are dual sex people discriminated against in any way? I'm sure that is in some fics! But a lot of the time it pretty much goes down to "oh look he has a cunt!" Which I mean, that's not a mortal sin! I just think there could be things that are explored with it that aren't being explored. It's largely there to simply be another place for Obi-Wan to be penetrated.
The second, and likely more controversial part of my thought process, is that I find it. Kind of odd that it's Obi-Wan in particular this has been assigned to. Obi-Wan has what society might consider as more "feminine" traits. He's kind and he's patient and he prefers diplomacy over fighting. Now, this is not inherent to women, but society (and socialization) assigns these traits to women. So, I see a fic. It has this dual sex trope. Said dual sex trope LARGELY focuses on the fact that Obi-Wan, has a vagina. These fics are usually smut fics. Obi-Wan is usually a submissive in them (the conflation of "prefers to bottom" with submissive is a whole other rant and so is my Obi-Wan is sexually versatile agenda). Usually the other characters are, most of the time, a bit Super Masculine. The Super Masculine Man has a penis. The Less Masculine Man, Obi-Wan has a penis too but that's in the background. The focus is on the vagina. So it comes across as These Traits Are Assigned to These Genitals. It comes across as gender roles 2.0. The "feminine" one is the one who's submissive and has the genitals that are associated with cis women. He's the one who "takes it" as I've seen it phrased one too many times. Dirty talk in fic is fine! But the constant emphasis on that kind of phrasing in this situation has kind of off-putting implications as far as writing queer men goes, and kind of has some accidental misogyny in it to boot.
I will express again, these are deeply my opinions. No one who does this is bad or wrong and I have fic writers whose work I enjoy that use this trope. I just think that sometimes fandom picks A Thing To Do and then doesn't do it differently from each other, or take a step back and be like, huh, maybe we could examine this. I think it's one of those things that started off interesting and got flat over time. I'd love to see this concept explored! I'd love to see more trans Obi-Wan stuff! I just am not a fan of how this concept has been executed.
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Evolution of Brainy Smurf, Part 6
Years covered: 1986-1989
Picking up our Brainy Smurf journey from where it left off, we can now have a look at the latter seasons of the cartoon show!
You know that phrase, “jack of all trades, master of none”? Well, Brainy likes to style himself as a “jack of all trades, master of all”, but in the end, it just means he’s not actually good at anything beyond forever exhibiting severe cases of the Dunning-Kruger effect. One might be tempted to claim that the only thing he’s actually good at is pretending to be good at things, but in reality, he’s not even good at that, because everyone is almost constantly seeing through the illusion.
There have been a minority of occasions where other smurfs have taken Brainy at his word – and in practically every instance, they have quickly learned their lesson – that their trust is misplaced. Anything from other smurfs trusting Brainy’s insistence about knowledge of which way to go, to the smurflings trusting that he knew what he was doing with Grandpa’s hot air balloon.
The veneer, the illusion of expertise, is what seems to matter to Brainy – the notion that if he could simply get others to believe he’s an expert, it would automatically bestow legitimacy and corresponding skill upon him.
In fact, these tactics can work quite well in the Real World if applied effectively. Someone who is genuinely very good at something but doesn’t know their own worth or how to market themselves generally isn’t going to receive the recognition of someone who is constantly putting themselves out there even if their skills are significantly less than that of others in the area.
But that isn’t really applicable to Brainy’s situation. His sneaky tactics may work on occasion – see what I mentioned above about others extending their trust to him sometimes – but they just about always pay the price for it. Everyone ultimately knows the score.
Brainy Smurf is incompetent.
And he’s incompetent at covering up his own incompetence.
In All The Smurf’s A Stage, he dubs himself as “Brainy Smurf: Manager to the Stars!”. He promises much, but doesn’t exactly deliver. When it comes to undertaking negotiations in his managerial role, Brainy instantly falls flat and fails to secure any kind of good deal, instead declaring, “I’ll make you all stars of the play, but that’s my final offer!”. (“Final offer”… as if it’s any kind of hard sell!). That is not how you negotiate, Brainy! The others already weren’t going to put up any fight or seemingly make any demands at all, and then you went ahead and promised them above and beyond what was needed, not to mention that the play didn’t have three starring roles to spare. And yet, he’s totally clueless about all this. He thinks he’s doing a good job. He’s unable to properly step outside his own mind for a second and properly survey or even understand the situation. The scene is very deliberately written this way, of course – that’s the entire joke. The writers know exactly what they’re doing and they know Brainy tends to be rather hopeless in the skills department, in contrast with what he’d like to believe.
In Sassette’s Tooth, when the other smurfs find out about Gargamel’s plot, Snappy wonders: “But who’d be silly enough to fall for a trick like that?”
Cue the group collectively exclaiming in realisation: “Brainy!”
Yeah, they know the score.
When Brainy Smurf, by some miracle or other, is actually able to get his way, his suggestions, when implemented, do not work.
In The Answer Smurf, when the smurflings follow Brainy’s advice for building their treehouse, it’s obviously structurally unsound and readily crumbles. (Handy’s machine is also having issues thanks to Brainy’s input. Brainy’s advice backfires. A lot.)
And let’s not forget Papa For A Day. There is a rather amusing set-up wherein the ironic words of “how much worse can it possibly get?” are voiced. And then, of course, this is immediately followed by...
...Brainy taking his turn in the role of Papa Smurf. This juxtaposition between scenes is very intentional.
Brainy’s supposedly “easy, step-by-step” plans are contradictory, self-defeating nonsense. Nails are to be hammered into the very same place they are to be removed from – instructions that undo other instructions. It even proves to be dangerous, with his own instructions sending him hurtling to the ground!
“Oh, well, it looked good on paper…”
This is a smurf who really doesn’t know what he’s doing.
In Predictable Smurfs, we’re also treated to a scene where Brainy states: “Using Brainy Smurf’s Boat-Building Bible, I have perfected a pod totally impervious to water penetration! In short, this boat is –” (at this point, Brainy notices with some alarm that his boat is sinking) “-Unsinkable!”
Grandpa chimes in with the following response: “Yep, just like last year!”. Not only does Brainy run rampant with making mistakes, but he doesn’t seem to learn from them (and this is widely known and understood by other smurfs). He’s prone to making the same mistakes over and over. An example of this kind of thing which I especially liked can be found in The Smurf Who Could Do No Wrong:
“Face it, Grandpa, you were just lucky in our first 326 games, but now, I, Brainy Smurf, have finally come up with a foolproof strategy to win!”
THREE HUNDRED AND TWENTY-SIX GAMES. I love that. I tend to forget just how large the amount of games that have already taken place actually IS. And then the sheer size of the number always leaves me taken-aback. He seemingly didn’t win ANY of those games?? It certainly rules out Grandpa merely being “lucky”, but that doesn’t deter Brainy from claiming luck as a paper-thin excuse anyway, of course! (An additional fun thing to note here is that Brainy’s comics counterpart has also been depicted as losing at chess, but I digress!)
How informative do you think his endless supply of books on any and every subject really are? Not very. In Land of Lost and Found, he makes basic mistakes e.g. looking through the telescope incorrectly, despite having authored a work titled “Brainy Smurf’s Guide to the Stars”. That’s just the tip of the iceberg. Brainy boasting about authorship of a book with a subject matter he’s clearly inexperienced with is very par-for-the-course – we are especially stripped of any benefit of the doubt when he’s writing or in the process of writing book(s) on topic(s) he cannot reasonably know about if he has only just become acquainted with the subject at hand. Brainy’s vast library of literature writ by his hand is not indicative of knowledge (as he would be wont to claim), but is instead indicative of a kind of graphomania.
To help illustrate this, we can talk about Archives of Evil.
I don’t just want to talk about how Brainy’s typical approach of “doing things completely wrong/incorrectly with total confidence” is on stark display within this episode, I also want to discuss what the episode seems to (try to) do with its ending – the statement it seems to be making.
First, though: we are treated to some rather amusing scenes when Brainy misconstrues what he is reading, unable to realise that it’s not a book of spells, it’s a cookbook. One should think the difference would be obvious, but this is Brainy Smurf…
And then we get the ending, and the way that Nemesis is defeated. Papa Smurf bluffs about the value and power of the book in his possession, so naturally Nemesis steals it so that he can absorb its contents – this is precisely what Papa wanted him to do. The book happens to have been created by Brainy.
“I now possess pure-”
“-ignorance?!”
[...]
Papa: Nemesis thought he was absorbing powerful magic, but Brainy’s book was so full of, eheh…
Papa: ...pure ignorance, the evil knowledge Nemesis absorbed fled for its life!
Nemesis is defeated by none other than the sheer power of Brainy’s ignorance. That’s it. That’s the episode resolution. (I love it).
Brainy appears to remain largely oblivious (or should I say ignorant) to the actual implications of all of this. He puts on his usual self-aggrandising spin instead, choosing to proudly proclaim, “In other words, I, Brainy Smurf, once again saved the day! Naturally, I knew what I was doing all along!”
Brainy wants to be (perceived as) a fountain of knowledge, but in the end, he’s really a fountain of ignorance.
It’s interesting to note that in Reckless Smurfs, it’s Brainy and Snappy who are (initially) the only ones unaffected by the spell that makes smurfs reckless. As discussed in a previous post (when I talked about Love Those Smurfs), whenever the village falls victim to some magic or other, any unaffected smurfs will typically already exhibit the traits brought out by the spell in a significant enough capacity for ironic purposes, and this is no exception. Snappy in this episode had a clear theme/plot line of being too reckless as a tie-in to the overall story, but what of Brainy? Well, we already know Brainy has impulsive and reckless tendencies in general, but if that wasn’t enough, the story makes a point of calling attention to this – Brainy scolds Snappy for not thinking enough about the consequences of his actions, only to cause himself to become stuck and in need of assistance for failing to do just that. In fact, it seems that Brainy and Snappy remained exempt from the effects of the Daredevil Dust because of Brainy’s reckless lack of attention to his surroundings, as it is what causes their delay, preventing them from being amongst the victims at time of “infection”.
(And of course, Brainy’s self-perception continues to be hilariously inaccurate, as he can be found referring to himself as a “responsible smurf” in Jokey’s Joke Book, for example.)
Now let’s turn our attention to Brainy’s bureaucratic inclinations – this has been discussed in prior post(s), but these latter seasons of the cartoon show also offer up plenty more examples of it. In Smurfing For Gold, Brainy tries to deal with Gargamel by drawing up a contract.
(A side note, Papa also imagines Brainy trying to solve an issue through a contract (specifically, a treaty) in the season 5 episode Papa’s Day Off).
In Locomotive Smurfs, he writes a schedule for the train and checks tickets. In Gargamel’s Quest, he turns to petitioning as a means to attempt to achieve his goal at the time.
As also discussed previously, Brainy is someone who often likes to Get Involved with things (i.e. taking advantage of the latest fad in the village, so long as he’s not the designated naysayer for that episode), getting in on the “ground floor” and taking charge in some capacity – this is often combined with his bureaucratic leanings.
In A Hole In Smurf, Brainy doesn’t hesitate: he positions himself as an essential go-to, having a proper counter and set-up at the ready in no time to distribute the sheets that smurfs need to mark their golfing scores. He’s leapt at the opportunity to formalise it all, taking the idea of golfing that’s taken the smurfs by storm, and giving it more structure and sense of being official. He’s also involved in scheduling – what times courses are available, who golfs when, etc.
Unsurprisingly, he’s also taking the opportunity to hawk his new book on golfing as well.
In The Smurfy Verdict, it’s Brainy who takes it upon himself to start lawyering all over the place, etc.
He likes to be at the centre of things, such as the numerous instances where he takes on a detective role to investigate the latest mystery that has presented itself to the village. This allows him to take charge of a/the narrative, put a spotlight on himself while also trying to satisfy his own curiosity.
And in Season 9’s Like It Or Smurf It, we see Brainy’s sense of showmanship – something he’s exhibited before in the show, but it really comes out here, when he takes on a game show host-type role.
All in all, seasons 6 and beyond are very much a continuation of the character we have already been well-acquainted with from the previous seasons, and so we get to see more of the traits that have already been expressed before – such as carelessness, cowardice, etc. I’ve mentioned his tendencies towards melodrama and exaggeration before (just one example: in Smurf Pet, he claims, “I had to risk life and limb as I was attacked by vicious Nebbits”, which really goes beyond misconstruing what actually happened and reaches into outright fabrication), and this can sometimes combine with his naysaying – there are instances where he assumes The Worst in a given situation/crisis and reacts accordingly, assuming that they’re all doomed – in other situations his reactions may not be quite so severe, but he can still be quite negative in a more low-key manner, leaning into sarcasm instead to bemoan a given situation or other. He can be very cynical sometimes.
But all the groundwork has already been laid, in previous seasons. Seasons 6 and beyond are just a continuation. Brainy vies for power, Brainy is inclined to be sneaky and deceptive at times to try and get what he wants, he is unafraid to shift blame onto others for his own mistakes, etc etc etc.
Essence of Brainy is a great character study for how we can use it to reverse-engineer a description/analysis of Brainy Smurf. While stripped of his essence, he acts opposite to his usual self in order to serve as a narrative contrast, so by looking at his portrayal in the episode while stripped of essence, we can then ask: what does this tell us about Brainy in his usual incarnation?
Brainy as depicted without his essence is meek, lacking strong opinions on things, and polite.
So Brainy as a character is overconfident, opinionated, imposing, inconsiderate, overbearing and rude.
In the season 8 intro sequence, he really does just shove Handy out of the way so that he can look through the telescope instead, ahaha. And I just thought: isn’t that a small but good/accurate encapsulation of his character? He’s rude, he’s pushy, he’s self-serving, and so on and so forth. We know the routine by now, in the latter half of the show.
Take this exchange from Jungle Jitterbug:
Brainy: “[Vanity’s] back to normal, all right – the most self-centred smurf of all!”
Jokey: [chuckles] “Next to you, Brainy!”
Yeah, pretty much. :P
This post isn’t all-encompassing; there are many other episodes/scenes that could be discussed, but I’ve mentioned before that these posts are not meant to be a completely comprehensive rundown, but rather to provide more of a scaffold, an outline of the Brainy Smurf character and its evolution.
Finally, we have to mention the comics for a moment!
The Smurflings comic was released in 1988, and I daresay the influence of cartoon Brainy on his comics counterpart is quite palpable – for one, we get a being-tossing-out-of-the-village gag!
Brainy as depicted in this comic also seems to be quite mean-spirited in actively wanting the smurflings’ concert to flop.
And… Hmm, the vibes just feel different here compared with the earlier comics Brainy. I really think the influence of cartoon Brainy is seeping in – which would especially make sense considering that the episode of the cartoon introducing the smurflings came first, before this comic, so the situation is rife with opportunity for cartoon Brainy to have a bleed-over effect!
I just don’t think this would really be in the earlier incarnation of Schtroumpf à lunettes’s particular style/approach. I’m welcome to hearing other opinions on this, but yeah. (I think cartoon Brainy is a bit of a Bad Influence in this respect, ehehehe).
And… Well, I think that’s about it? Brainy’s famous 80s cartoon iteration sketched out – and a hint on how it’s even started to make an impression on other media he’s featured in, too!
The situation seems to call for some kind of sweeping summary/statement/conclusion, and there were some things I toyed with discussing, but ultimately, I really don’t know if I could do it all justice, so I’m going to be a touch light on closing off this post.
But this nevertheless certainly closes a huge and far-reaching, impactful chapter in the Brainy Smurf timeline. Next, we’ll take a look at how Brainy’s character/characterisation proceeded after the end of the 80s cartoon show! Thanks so much for reading! ^_^
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I've been thinking about the screwed magnetic fields of the grand line recently, and while that train of thought didn't lead anywhere, the phrase I liked - "an invisible birdcage" - really applied to Sabo's situation nicely.
I mean, it's obvious how much influence Sabo's parents have on him, but have you ever thought that Sabo never felt freedom while he was staying in Goa kingdom? And it's even before he was brought back to his family and properly realized just how messed up nobles are!
We've seen multiple times that his parents treat him as something they own, that he unquestionably belongs to them, and even after running away to the Gray Terminal the feeling of being tied down never went away. It seems like Sabo internalised that so much, that he didn't even realise that he was free this whole time! He was free to choose his future, he was free to choose his family! The only thing holding them down was that they were unprepared to set sail,amd even then they could always leave if they wanted! As Sabo did - by stealing the boat.
And yet he still longed for freedom, to be "anywhere but here". We can see it in his design - he lives among the 'scum' of the Gray Terminal, and yet he still dressed as a noble, he wears a waistcoat and a top hat which reminds us of the fashion of the high town and especially his father, and his cravat is tied tightly around his neck. His life really was suffocating for him. Even if he was physically away from his family he still could feel their influence, though he was outside the city wall, outside of their reach! And he ran away 5 years ago! He's spent so much time living there, that his noble upbringing has faded - he felt compassion towards the people of the gray terminal, which nobles don't even consider human; he even put someone else's happiness before his own - which is unheard of in the noble circles; he has defeated men twice his size, fearlessly charged into battle while nobles don't want to get their hands dirty. And yet he was powerless when met with violence from his father, showing that despite all this time, despite how much he's changed he still was in that invisible birdcage, unable to act under the influence of his father. (which is why he leaves again)
Even Ace and Luffy feel that:
And it's really sad that Ace says that Sabo was never able to grasp freedom, because even if briefly, he did. With you two :") But he could never feel freedom as long as he stayed in the country where people are treated no better than trash, and the shadow of his family and Goa's walls lingered above him.
And a couple of hundred chapters later we see the extent of his parents' grasp! Even with amnesia this deep-seated feeling of confinement never left him. (Though I do think that it's not just the abuse from his parents but also his disgust with nobles as a whole: the burning of the Gray Terminal and nobles' indifference to it clearly affected him a lot)
And what's worse, now he can't even identify what's wrong! I mean, it's clear that his parents were abusive, you don't need to be a Sherlock to figure that out, but the specific details are lost. Think about it! He ended up on a ship with people who at first didn't really want anything to do with him - not out of malice, they just have more important things at the moment; and then in an organisation(an army) where your value as a soldier is based on your performance(like rising through ranks and such). He doesn't know that his parents equated his worth with his usefulness, and the revs don't know that the boy being so eager to help isn't just a rightheous motivation. He needed to be sure that their efforts on getting him to health weren't in waste, to be useful, so that the only people he knows won't just leave him, plus pair it with his moral values, distaste of nobles, longing for freedom... – no wonder he is the second-in-command of the entire army by the age 22!
This guy's love language is acts of service, but no one (not even Sabo himself) realises that it stems from his screwed upbringing and fear of being cast away if he's not of use.
Ok, to be fair, it's mostly based on the flashbacks - I haven't finished my reread to look in depth at him as an adult yet! After all we've only seen point A(his childhood) and point B(adulthood) with the journey between them obscured. He does seem to be faring well tho! He takes his job seriously when needed, but also fucks around when he wants to - even if ppl around him show displeasure with that! Good for him.
Same with Koala actually! It's so nice to see her being able to express her feelings so visibly! Be it positive or negative. And I think it's cute, that while Sabo is both the common reason and victim of her outbursts of emotion, he never berates her for it! He's not thrilled, but he's not complaining either!
#all roads lead to Rome and all thoughts lead to Sabo so to speak#sabo#revolutionary sabo#one piece#karyss' rambling#oh now that I think Sabo and Koala share some parallels in their character development#the main one - they were forced to conform to extreme extent of societal norms: reserved emotions. tidiness#obedience. studies for future. living up to parents' expectations etc...#and by healing from that they both grew up insufferable to be around🫡
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Dear Reader (Zodiac addition)
✮⋆˙ Hellooo!!! My cute little🦇 bats🦇 ~ I want to try something new. I will be giving a message to each sign that I think best suits them. This will all be in light fun, let's get into it ✮⋆˙
Please remember: What I say may or may NOT apply. Please take what resonates and leave what does not. Thank you♡
࿓࿓༄༄࿓࿓༄༄࿓࿓༄༄࿓࿓༄༄࿓࿓༄༄࿓࿓࿓
Air Signsᯓ★
Libra ⚖
Dear Libras, you have a heart of gold. Sometimes, it gets in your way of growing simply because you see the greater good in most situations. It's okay to let go of what you've outgrown, people, places, and emotions. It's not selfish to think about YOU. At the end of the day, you still matter.
Gemini 𐦍
Dear Gems, you simply are gems. You are so insightful and smart that your minds are constantly on the go. You have big thoughts, and you love to share them. Sadly, this will have people trying to shut you down or out. Stay away from those people. Lean closer to the people who like to teach as well. Be teachable, Gemini. You love to be teachers, but you struggle with being the student (at times).
Aquarius ≈
Dear Aquas, people are going to judge us no matter what. We will always be seen as the black sheep, the weird one, the nerdy one, the socially awkward one, the rebellious one, the cold one, the shy one, the bossy one, the emotionally distant one, Etc. The point is that we are simply all of those things in one body, and that's okay. Being different is okay. Don't be so hard on yourself when others can't see the same vision you see. Just put your actions in motion.
𓆝 𓆟 𓆞 𓆝 𓆟𓆝 𓆟 𓆞 𓆝 𓆟𓆝 𓆟 𓆟
Water signs ⋆。𖦹°‧🫧
Cancer ☽
Dear cancers, Please remember that happiness is not a magical destination. You can arrive and end. No emotion exists in one solid place, and no person can stay in the same position forever. With that being said, you mustn't give up hope. You shouldn't stop reaching for joy, but if it leaves, don't convince yourself that it's due to your actions. Life is fickle - you can't change that.
Pisces 𓆛
Dear Pisces, Life is too short to wait around for the right moment. Let now be the time when you jump into new projects headfirst. This is the time to start a hobby or fresh routine and attempt confidence in your work and home life. There are plenty of opportunities for happiness awaiting you. All you have to do is reach out and grab them.
Scorpio ☠︎︎
Dear Scorpios, there's no need to rush. You will have time to do everything you want to do, and if you try to fast forward through the mundane, it will only lead to mistakes. It's a tired phrase, but "Quality over quantity" is something to keep in mind. Focus on each to -do list with patience and care. I promise it won't be like this forever.
♨♨♨♨♨♨♨♨♨♨♨♨♨♨♨♨♨♨♨♨♨♨♨♨
Fire Signs ☄
Leo 𓃬
Dear Leos, the world outside of your windows and walls have been calling to you. It's easy to get caught up in the non -tangible- digital media and relationships and ghost that haunt your subconscious. But there's a natural reset button only steps away. Try to spend more time in nature, and employ your senses and breath in this planet. Your problems will grow smaller in its wake.
Sagittarius જ⁀➴
Dear Sagittarius, You don't need to worry about how others perceive you. It is only the people you choose to cherish that really matter. Your attention tends to linger on the negative. This will result in little room for your heart to bloom. You will be happier and more content if you stop looking for the approval of strangers and begin nurturing compassion for your loved ones.
Aries 𓄃
Dear Aries, When people give you advice, please listen. I know this is a weird piece of advice to receive —"Listen to advice"— but we both know you often disregard others' thoughts when you feel you know better. Hear what your loved ones have to say when you seek them out to vent. They just might have the solution you need.
𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.
Earth Signs°❀⋆.ೃ࿔*:・
Capricorn 𓃶
Dear Capricorn, Alone time is more valuable than you realize. Lately, you've found yourself buried in a lot of social activities. You'll be required to put energy into pleasing others, leaving less room for your own self. Make a point to prioritize yourself, even when you're tired and especially when it's hard. Otherwise, you'd be headed towards burnout.
Taurus 𓃾
Dear Taurus, though I know you love the light of a good fire, it's time to stop burning bridges every time things fall apart. You never know when you'll need to reignite a relationship, that professional, personal, or otherwise. Taurus, it's possible to forgive and let go quietly. Your default reaction to interpersonal strife shouldn't be to cut people off completely. You can't live like that.
Virgo ❀
Dear virgos, you must be clear and concise with the people in your life. If you have any issues that need adressing, make sure to state them as clearly as possible . Misunderstanding is inevitable; meanings often become confused in the maze of language,but now more than ever, you must be direct if you want to avoid negative ramifications.
Thank you so much for reading my zodiac yap session!!! This was so fun to do and I hope you guys really enjoyed it, until next time -Gothica♡
#astrology#aquarius#cancer#aries#taurus#pisces#sagittarius#gemini#scorpio#leo#Zodiac advice#-Astrology#grunge#Gothica Astrology#astrology community#astrology aesthetic#zodiac observations#zodiac aesthetic
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hey i want to ask - in your view, how passing is "passing?" Like, in your view, do trans women who are publicly presenting female but do not pass (or who only sometimes pass) face misogyny in any meaningful sense?
this can shift into very complex territory very quickly– as there aren’t many reliable measures to decide how passing is enough passing. however, when i speak of trans women who face conditional misogyny (highest stage of transmisogyny, or concealed-type-of regular/female-specific misogyny– i don’t like calling it “misdirected misogyny” because that phrase to me feels extremely disrespectful & gross no matter who you apply it to, as people who go through their everyday life living as women will face misogyny & calling it “misdirected misogyny” just feels disingenuous. i care about everyone who experiences misogyny), i specifically speak of the trans women who have successfully assimilated into the socio-economic class of woman. this usually means that they are stealth (& if their biosex gets revealed, they stop facing female-specific misogyny & revert back to facing gncphobia, homophobia & social transphobia) & that nobody (apart from relatives, doctors & generally close people) knows of their male past. i speak of the trans women who go through their everyday lives living as women, of the trans women who get acknowledged as female & not merely as gnc men or *trans* women. i speak of the trans women whose womanhood is lived & experienced through social & cultural female-specific misogyny, of the trans women who indeed face risk of violent female-specific misogyny (not to say that non-passing trans women don’t also face extreme risk of violence at the hand of the cisheteropatriarchal upperclass, it’s just that the violence they face is not female-specific & is rather male-specific) & whose womanhood is neither internal nor purely based on how each individual chooses to perceive them (so, putting the “i think you pass because you’re my friend” situation aside, as well as the weirdos who say they’re trans-inclusive misogynists or whatever), but rather external & lived (no, i do not mean “fake” vs “real” womanhood– i mean that while the oppression is real & tangible, womanhood itself is not, which is why i do not use the word “real” to describe any womanhood).
if by “female presenting”, you simply mean feminine presenting, then no, a trans woman simply presenting feminine does not mean she inherently passes (& the reverse also is true; a trans woman can indeed be masc or androgynous & still pass, in which case she can be gnc in the way that women are gnc), and it actually can mean she gets through life living as a gnc man– in which case her struggles shouldn’t be labeled as misogyny (transmisogyny? sure; female-specific misogyny? no). if by “female presenting”, you are referring to the trans women who are out as trans yet are only respected & perceived as their desired gender class by their relatives & friends, while the outside world would see them as men, then again, no– they do not pass, and they do not experience female-specific/conditional misogyny. this group of trans women, however, are often the ones who face the worst transphobia, and we should be extremely sensitive & careful when approaching their very unique circumstances, even if their issues aren’t inherently feminist issues. as for the trans women who pass conditionally, or only pass 50% of the time– they fall in the middle of all this. they are at risk of facing conditional misogyny on the occasions where they do pass: such as, they might face social misogyny at times, but are still generally shielded from cultural misogyny & economic misogyny that assimilated stealth trans women are not shielded from.
– mod zoroark
#ask#mod zoroark#nuancefem#nuanceblr#poketext#radblr#tirf#trans#transmisogyny#tma#radical feminism#radical feminist safe#lgbt#queer#asks
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by Jaxson Kaplan-Rudolph
If you walked a day in the shoes of a Jewish high school student, regardless of which high school, you would be shocked by the number of racist tropes or casual references and off-color jokes to atrocities that have befallen the Jewish people you would hear.
“No one asked you, you dirty Jew.”
“I bet you can hear a penny fall from a mile away.”
“Go back to the gas chambers.”
At first glance, these sentences, with varying degrees of problematic content, sound like they come from a 1930s movie, Nazi propaganda or an interview with post-2020 Kanye West.
But these are all sentences and phrases I have heard directed at me or my Jewish friends in 2023, in a place that is supposed to be an institution of higher learning. When you hear people offhandedly mention that antisemitism levels are rising in America, that does not just apply to hate crimes like those tracked by the Anti-Defamation League. It also means it is becoming more socially acceptable for people, especially teens, to revive and repeat anti-Jewish stereotypes that have been around since near the beginning of our existence as a people.
If you walked a day in the shoes of a Jewish high school student, regardless of which high school, you would be shocked by the number of racist tropes or casual references and off-color jokes to atrocities that have befallen the Jewish people you would hear. Of course, in some areas, it is worse than others; as a kid in Metro Detroit, I shudder to think of the conversations in areas of Michigan where our communities are tiny or nonexistent.
Yet, even in an area where Jews make up a substantial portion of the population, this behavior is increasingly prevalent. So, what exactly is happening in our high schools, what do Jewish students do to cope with it and how can the community help us deal with this social burden and distraction from our education?
I go to a school where students routinely have some of the best test scores in the state and often garner excellent scores on history exams. We are required to take World History and American History courses where WWII, 9-11, American slavery, the Armenian genocide and other acts of brutality are well covered, and students seem to have no problem handling the moral weight and solemn attitude associated with discussing these topics in class.
Yet, it is shocking how my peers who will gasp with outrage if someone did make jokes about these topics or did not treat them appropriately will not intervene if the same thing were to happen with quips about the Holocaust or abusive Jewish stereotypes.
I’ve seen people jokingly form a Nazi salute at a poster of Hitler in a history class or repost a “funny” meme about Jews secretly having horns and wanting to eat Christian children. Now, there is getting to be a climate where these dangerous portrayals are somehow not only deemed OK, but also humorous.
Discussing this with my Jewish friends from Monday night school and around other high schools in the area, we were not appalled, but grimly unsurprised to learn that we were all going through similar kinds of situations. Even close friends who were not Jewish might call out kids for making uncouth jokes, only to make a comment about Jews or our Jewishness in private. I won’t get into every example of stories I’ve heard, but suffice it to say that we’d all seen or heard something, directly or indirectly, that ranged from uncomfortable to horrific.
It was at least reassuring for me to talk to my friends about how we are all going through the same thing, but it’s hard to find solutions for this issue.
Besides saying “that’s not funny,” or “what the hell,” it is hard to do much without putting a target on your back, because even in the schools with the highest Jewish populations, we are firmly in the minority. The way we are able to power through this casual adversity that people don’t think causes actual harm is by sticking together.
Over the past year or so, I’ve developed a silent understanding with other Jewish kids my age who I wouldn’t normally talk to: a glance across the room, a pat on the back or a nod passing each other in the hallway. With a lot of people angrier than usual because of the current situation in the Middle East, this only becomes more important as the feeling of isolation and targeting has compounded within the last couple of weeks.
Since many of our peers began to mercilessly attack Israel and Israelis after the reignition of the conflict and speak to us as if we are representatives of the Israeli government, remembering the words “Hinei ma tov, umah na’im, shevet achim gam yachad” (“How good and how pleasant it is that brothers dwell together.”) becomes more important than ever.
Even if we are treated like outsiders, whether we are religious or not, we must stick together with our tribe and treat everyone with harmony and respect, no matter what they say back to us.
The way the adult Jewish community can help us deal with this struggle is to do the confronting when we feel socially like we cannot. Parents, temples and Jewish organizations should be actively supporting and asking their high school kids if they need to share anything, because chances are, they probably do.
Problems obviously need to be worked out on a case-by-case basis, but most of the time it’s not the fault of a specific person or a few people; it’s a problem with the atmosphere or culture of the school or group.
Most Jewish kids I know are strong, motivated and intelligent, but it can be too much to ask for everyone to plan their own initiatives and reach out to create things like antisemitism seminars and panel discussions that help heal. What could be beneficial is if groups and congregations can provide opportunities to students that seem interested but aren’t sure how to take the first step to healing.
The next time you see a Jewish high school student you know, do not apologize or act super worried about what they’re probably going through now. But please offer them support to work toward the Jewish concept more important now than ever: tikkun olam, healing the world.
Jaxson Kaplan-Rudolph is a junior at a Metro Detroit public high school.
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Started watching the X Files a couple weeks ago and immediately it reminded me of Lockwood and Co. Anyone who has seen both please tell me I’m not crazy by seeing the similarities between Scully/Lucy and Mulder/Lockwood.
Like Scully is the serious, no-nonsense one who is careful and precise and grounds Mulder when his crazy theories lead them both into dangerous situations. Yet she’s willing to follow him anywhere and even though they don’t always agree (in fact they very rarely do, hence the premise of the show and their partnership) but she backs him up and believes in him even to always be there for him.
Mulder is always jumping into danger without blinking and putting his life at risk in order to find out the truth and get to the bottom of each case. He is often reckless and careless with his own life, but would do anything in this world to protect Scully and defend her, riddling himself with guilt and anger when it’s his fault she’s targeted or hurt.
Their partnership is so unique in that they are complete opposites, yet they work so well together by balancing each other out. They have so much respect for each other and care about each other so deeply (platonically at first but eventually romantically). As with Lockwood and Co, I originally watched the show and loved it for the romance aspect between the two main characters but soon came to enjoy it even without looking at it through a romantic angle. It’s truly about two people who come to know each other so well and love each other that they become basically two half’s of a whole. I hate the phrase “they complete each other” because it implies that they aren’t whole on their own (which all of these characters are - Lockwood, Lucy, Scully, and Mulder). It’s more like they elevate each other and make each other a better person. The person they want to be and who they can be. There comes a point where they become so intertwined in each other’s lives that though they can survive on their own, there will always be a missing piece where the other was.
I think this applies to both of the pairings (Locklyle/Sculder) and the dynamic along with the personalities are very similar. That doesn’t even begin to compare the plots of the two shows, which share the overall idea of the fight against the paranormal/supernatural and the affects that constant fight has on the characters, along with their relationships with everyone else.
…anyway, that’s been on my mind for a while since I started the X Files (I’m on season 5) and while I impatiently wait for the renewal announcement of Lockwood and Co season 2. (Which is going to happen. It’s going to happen. It’s going to. Eventually)
#anthony lockwood#lucy carlyle#locklyle#lockwood and co#lockwood & co#lockwood netflix#lockwood&co#lockwood and lucy#x files#dana scully#agent mulder#fox mulder#mulder and scully#agent scully#the x files
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I have, on a few separate occasions recently, seen the phrase "toxic boymom" used about Ursa, and aside from the fact that it's coming from the usual crowd of Azula apologists, I found it hard to articulate why I found that uncomfortable until I read more about the phrase, which seems to have originated on tiktok.
Oh, I could already pretty much guess what these "toxic boymoms" were like, and I'm not contesting that it's toxic (and sometimes abusive) parenting.
But there's also a certain undercurrent of misogyny present that actually hits the nail on the head with why I don't like seeing the term applied to Ursa.
I mean, aside from the fact that Ursa is nothing like these moms that openly admit to loving their sons more than their daughters (the claim that Ursa favored Zuko and neglected Azula can't be supported by the actual show), a lot of the critiques tend to focus on why it's toxic for the wrong reasons, and this is hardly surprising considering how much pressure society puts on mothers.
I saw, in particular, the claim that the reason this kind of parenting is toxic is because "he won't be emotionally mature enough to support his mother when he's older."
It makes me think of the term "momma's boy," and how there's often an insulting connotation there. The idea that a boy who is too close to his mother won't be able to grow into a "man" the way society says a man should be.
Of course, the goal of every parent should be to raise children that are emotionally mature enough to be their own person. I'm not arguing that there aren't parents who treat their children in ways that are genuinely toxic and even abusive by being too emotionally enmeshed, but I do have to question this toxic boymom thing when the focus seems to be on gender expectations. Especially when I see it applied to Ursa, whose only real crime was to try to protect Zuko from abuse as much as she could, to emotionally shield him in ways that he deserved to be shielded, and to teach him to be kind.
There's a certain undercurrent here that seeks to pathologize Zuko's emotional vulnerability as a child, to make it something wrong or some harm done to him by his mother. especially when contrasted with the gendered expectations of his militaristic nation and violent father. And combined with the fact that the abuse Zuko experienced from his father and sister centered around him being seen as weaker, it comes across as blaming Ursa for Zuko's abuse for "making him that way," for not teaching him how to be a real man (Ozai makes it pretty clear how he thinks Zuko should be raised when he says "suffering will be your teacher"), or for being too involved (see also Ozai using Zuko's attachment to his mother against him in DOBS because he knows it's something he can use to hurt him).
In any case, Zuko's story actually does a really interesting thing with the way his mom influenced him by having him take his heroic inspiration from his mom in a way usually reserved for dads in stories, when they aren't hyperviolent abusers like Ozai. It does this in a couple of ways, by having Ursa be Zuko's inspiration for "not giving up even when it's hard," and also helping him to remember who he is. Two things that Zuko does grapple with before really figuring them out. In the beginning, his tendency to not give up led him to get into some pretty dangerous situations and made him self-destructive, and when he remembered who he was in the Earth Kingdom village, they were less than impressed with receiving help from a Fire Nation prince. But once he does figure it out, he takes those lessons and uses them to build a more positive sense of self.
In conclusion, Ursa isn't a toxic boymom.
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