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#but i digress. okay now i'm done.
ihopethisendswell · 24 days
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I love mistborn so far but I just. Can't fully get behind Vin and Elend man.
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cicadaknight · 2 years
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Rehashing a pain point with the Horizon franchise…
Why is there no mention of any real tribal nation in the game? No reference at all. The erasure of APOLLO didn’t remove the visions at the Grove, or any of the artifacts Aloy finds in her exploration. You’re telling me it makes narrative sense to have 30 minutes of Dutch artwork analysis and its historical significance, but not a single mention of any indigenous society? There are ZERO datapoints or ruins related to native people throughout the entire world that could have influenced Horizon-era culture?
😒 SIDE EYE 😒 It is that way because the devs made it so. Everything in a narrative is a choice.
#idk i love this game i’m just thinking thoughts#there are so many positives about horizon but i really want them to have more nuance in the 3rd game#not having ANY mention of the history of tribal nations in the US in a game specifically about fictional tribes is just… egregious#and there were so many opportunities to contextualize manifest destiny and our very real history of genocide#(ex. the red raids and the significance of the tenakth successfully defeating the carja i mean come on)#and on that note how about the ickiness of a tribal nation worshipping a US ex-military group#like… yes i love the tenakth and the world building#but………… imagine if the jtf-10 weren’t ex-military soldiers funded by a corpo rat?#what if they were a united front of native tribes of the southwest?#it’s such a simple change but it would give so much more depth to the tenakth and their traditions#also… the fact that you can just wear any tribe’s armor and paint as a cosmetic… grosses me out#they establish from the start that the clothing and paint from each tribe is rooted in tradition and meaning#treating it like a cosmetic is weird?? i get it for the Sake of Gaming but it seems so tactless#specifically that aloy gets tattoos that come and go when you wear tenakth armor#i feel like it wouldn't be as weird if there were quests where tenakth characters invite her to get tattoos after certain deeds#and then they stick with you on any armor#same with the utaru seed pouches#i digress#hfw#okay i'm done editing this post now lmao#my notes
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scrawlingskribbles · 7 months
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still endlessly fascinating to me that the whole "Casanova"/"romance" angle of Raymond's character is just a word-of-god informed trait that we never actually.... see, in-show?? Like, if you're Just watching the episodes without any other contact to fandom/Krew stuff, Raymond is purely just a haughty sports-themed bot with a bit of a flair for the dramatic, so Ernesto's jab at him in Let's Watch The Boxmore Show about needing to "pick a lane" between Sports or Romance feels like it comes?? completely out of left field????? 😂😂 (yes, sports pun intended lol) Like... is it just because of his whole roses/flowers motif??? Is that really all it takes to somehow constitute "romance" here?? Because I call BS on that honestly xD 'Romance' as a concept has way more depth/complication than simply "the existence of roses/flowers"; not to make another pun so soon, but It Takes Two To Tango as the saying goes, and the only person Raymond ever (sort-of?) tangoed with was Rad but that dance battle was definitely Not romantic-coded, so?? xD (Insert joke here about Second First Date largely consisting of a date-fight with a focus on flowers which Was supposed to be romantic-coded but SHHH x'3c) But at the same time, if the flowers aren't supposed to be the reasoning then W H E R E are we supposed to have seen any kind of ""romance"" from Raymond for Ernesto's line to make sense??? Please, I am genuinely asking to be shown the logical thread here, it's been killing me for years now and I simply Cannot see it jhgjshgkjsg x''3
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frizzyanya · 2 months
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I would like an apology from God that I went from perfect to lactose intolerant OVERNIGHT.
And that apology better be worth at least a million dollars.
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mcbitchtits · 1 year
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I'm fascinated by this shirt design for Helena. It
1) does a better job of understanding the B&W cinematography of Raiders than all of DoD did
2) highlights just how incredibly uninteresting Helena's costuming is, especially as a heroic character
however. it does feature the only background in this whole shirt series that doesn't outright suck, so. points for that
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hypnobrainwasher · 5 months
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So you're a virgin...
but you're also reading this, a post from a rather sexually-charged and fairly corruptive blog on Tumblr, a place well-known for blogs of this sort, which means you probably aren't interested in staying a virgin all that much longer. And gosh, I hope you're 18, because if you're not, you need to leave; what I'm about to say is not for little ears.
(Also, the concept of virginity is absolute hogwash and needs to be relegated to the dustbin of history, but I digress.)
I see you. I see you in my likes. I know what you're about, and you're just about ready to admit it. It's there, right below the surface, just a whisper away from getting out. I know you. You want sex, but not just sex. Not the kind of sex girls typically have on their first time, the awkward fumblings of two inexperienced people figuring everything out for the first time, the kind where he awkwardly blows his load ten seconds in and you're left to wonder what all the hype is about for sex. Not that sex.
You want to get railed. You want to get used. You want to be FUCKED.
You're tired of being a slut online but a virgin in practice. You've thought this through. It's time.
Maybe he's a little older. Maybe a lot. You've always known where to find him. He's definitely experienced. He will make you cum with his mouth and then pound your pussy until you can't form a coherent thought. He'll blow your mind, but that's okay, you're tired of thinking. It's just easier to listen and please him, and that feels right. You'll do the things you fantasized about for so long. It'll be depraved and wonderful.
Maybe she is a little older, or a lot. She'll leave your legs shaking and questioning everything you know. She'll make you wonder why you didn't do this so much sooner. And she'll smile at you as you have another orgasm and let out a moan the likes of which you've never heard before, and call you a good girl, and you'll nod as you gasp for breath. She's right.
Maybe one person isn't enough. Maybe you need two. Maybe you want to be spit-roasted for your first time, finally used how you're meant to be used after all these years. Finally where you're supposed to be, full, pleasing, of service. Finally home.
Maybe two isn't enough. Maybe you have that older friend who has done stuff like this, who knows a guy, who knows a guy. Maybe you want to go really big, and you want to have a lot of sex for your first time, with different guys, and this friend sets it up. They all come over. They all cum all over. It's your dream, finally realized, and you have to share it. You just have to.
You'll come back here, sore, tired, but feeling amazing. You understand now what the hype is about. You want to share it all with us, because we're the only ones who understand who you are, the only ones who see you, really see you. And we'll be here, encouraging you to be the best version of yourself. The version you decided no longer includes being a virgin.
We're so glad you're here.
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milkywaydrabbles · 1 year
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omggg your kinktober’s have my feet in the air 😣!! can i please request a #8 with Rindou Haitani ?
A/N: EEEEE i'm so glad you're liking the drabbles coming out!! Sorry for the delay in getting yours done but I have a lot of fun writing it! I hope you enjoy it!! MWUAH
Virginity x Haitani Rindou
“You’re kidding.”
“...”
“No, this has to be a joke.”
“..Rindou.”
“There’s no way!”
“Okay, Jesus Rin. Don’t make me feel weird about it!” You grumbled, crossing your arms with a glare. 
He put his hands up in defense, “sorry, sorry. Just like...never?” With a roll of your eyes you huffed. “No, Rin. I wasn’t ready when I was younger. I wanted it to be this beautiful magical thing. And then I grew up and realized men are fucking gross and wanted none of them to be that close to being on or in me. I don’t care about it, not now anyways, but you’re the first guy I’ve really dated since like..I don’t know. A long time.”
You’ve been dating Haitani Rin for a few months, and honestly you’re still surprised about it. Meeting him was a frenzy, at some club (that you now learned he owned) and drinking the night away. The two of you made out, and you gave him a blowjob in the back of his car, and somehow he actually texted after you drunkenly gave him your number when you were safely back home. You figured he’d just want to try to hook up, but he actually took you out on a couple dates. And you realized, oh, Haitani Rindou is actually really sweet. And caring. And he wants to be your boyfriend. After that it’s been honestly smooth sailing (outside of the fact he’s part of the most notorious gang in the country--but you digress). Any intimacy from there has been mostly you going down on him (you asked!) and him returning the favor with something always getting in the middle of the next step. But now the time was here and you two were heavily making out, touching and humping each other over your clothes on the couch, when you realized you forgot to tell him one teensy tinsy little part: You’re a virgin
You shrugged, hoping Rindou didn’t look at you any different. You were telling the truth after all: You didn’t really care about losing your virginity. Being as old as you were now you thought it silly to care. You only really told him to make sure he didn’t plow into you recklessly, you didn’t want it to hurt either. “It’s not a big deal, Rin.” You mumbled, somehow feeling shy about it. But what you didn’t know was that Rindou was going through a flurry of emotions. Sure he never really thought about taking someone’s virginity, he never wanted to be the person to do it anyways. There were too many emotions attached to that, he couldn’t be assed to get tied down that way. But now? Now he’s looking at you, the one he cares most about (besides his brother) and the one he’ll (hopefully) spend the rest of his life with and realizes just how fucking lucky he is. And now he gets to be the one to take your virginity. His horny brain can only take so much when the small bit of his mind screaming because he gets to pop your cherry is taking over the rest of him. He’s realized he’s kept too quiet when you stop looking at him and start staring at the wall. 
“Baby~” He coos, wrapping an arm around your waist and pulling you back into his lap. “‘M gonna take real good care of you then, yeah?” The way he’s whispering in your ear, rubbing your waist with one hand and your thigh with the other, has your skin on fire. “Gonna be my baby girl’s first and last if I have a say.” Rindou starts kissing down your neck, taking small nibbles on your skin here and there: silently staking claim on you. Your shirt is off in an instant, hands flying to take the remainder of your clothes off and keep you bare underneath him. You gasp, feeling your head spin when you realize you’re now underneath him. “Rin!” You squeal, his mouth and hands all over your tits, squeezing and biting whatever he can get his hands on. His tongue is flicking over your nipple, suckling lightly before moving on to the other to give it the same attention, hands constantly on the other. “Fuck, baby, can’t believe you’re a virgin.” You were going to tell him that again, it’s not a big deal, but when he looks up at you with messy hair and wild eyes, you bite your tongue and let him have this one. He gets to claim you as his in every way. 
Rindou starts kissing down your chest, around your stomach and leaving love bites as he goes, kissing and biting each hip before kissing right above your clit. Your breathing is shaky, bucking your hips in hopes that he touches you exactly where you want it. But of course he has to tease first. “Tell me what you want, pretty girl.” He whispers, kisses planted around your mons. You whimper, a hand carding through his untamed hair. “Rin, please, touch me.” He clicks his tongue, two fingers sliding up and down your slit with ease--you’re already a mess. “You can do better than that can’t you, baby?” You’re feeling desperate, not even having any frictions and still feeling like you’re about to cum. “Rindou please! Please eat me out, please, I need your mouth--ah fuck!” His mouth is on you in an instant, two fingers spreading your lips and tongue slipping in and out of your pussy. He kisses at your clit, licking around in circles before closing his lips on you and sucking--feeling you convulse above him. You’re crying out in pleasure as he continues to make out with your cunt, tasting your delicious juices on his tongue. “Fuck, beautiful, you taste so good.” He moans, fucking his tongue back into you. It’s not the first time he’s gone down on you, but now you taste even sweeter than before. Like he’s really tasting you for the first time--and he can’t get enough. He slips in two fingers with ease, tongue back on your clit as he suckles and licks around, fingers curling and scissoring to stretch you out, hitting that wonderful spot deep inside you that makes you squelch and clench. “Fuck! Fuck, feels so good Rinnie, a-ah, right there right there right--!” You’re crying, making a mess on his face and hands before you can even finish your string of sentences. “There we go beautiful, drench my fucking face” He smirks, eyes wide, lapping up everything you have to give him. 
He finger fucks you through your wave of pleasure, slowing down with each pulse he feels on his tongue and fingers. As tired as you are, you still try to paw at him, trying to get him to come back up. He complies, happily kissing back up your body until he reaches your lips, tongues melding together and drooling in each other’s mouths. He felt you humping his leg, hands reaching down to get to the buttons of his pants. Rindou chuckled, lightly smacking your hands away and pulling back, “you don’t think i’m gonna fuck you on your couch do you?” he picked you up with ease, having you wrap your legs around his waist and hands on your ass. “Come on, baby, I’m not a monster. Gonna fuck my princess on the bed.” You kiss at his neck as he walks you to the room, you can’t help but rub your sloppy pussy on his pants, wetting the crotch before he can even put you down. 
He grins like a mad man, taking his time to get undressed--he loved seeing you desperate for him like this. “Rin, please, hurry up” You whined, spreading your legs for him. “So fucking impatient.” Rindou slid his cock between your folds, gathering your slick as lube. You held your breath, now realizing that his size might be a tight fit. You’ve seen his dick plenty of times before, but it never occurred to you that one day he’d actually be inside you like this. Rindou could sense your nerves, his hands soothing your thighs. “Hey, look at me...I’ll go slow, okay? Just relax baby.” Hearing his gentle voice grounded you, letting out a shaky breath and nodding, ready for him. 
Rindou pushed in, taking in a sharp breath when he felt how tight you were. “Fuck, baby” He groaned, stopping halfway to let you adjust to him. Your lips were slightly parted, looking down at his cock splitting you open, feeling so full already. “You can keep going, Rinnie..” You whimpered, relaxing more to his touch as he steadily pushed in to the hilt, hips joined with yours. You both moaned, like ecstasy flowing through your veins. Nothing could have prepared him for the feeling of your virgin cunt, swallowing him whole and drooling your juices down his shaft. And nothing could have prepared you for the pure bliss of his cock rubbing at your walls, hitting every spot that sent electricity coursing through your veins. 
Rindou pulled back, hearing a whine coming from you before blurring with a moan when he shoved himself back into your pussy, steadily finding his rhythm impaling you on his cock. “Gonna make this pussy mine baby, gonna mold it just to take my big dick.” He mumbled, looking down at the juncture of your hips, pussy leaking all on him. “Yours, Rinnie, all yours,” you chanted his name like a prayer, Rindou leaning down to lean on his forearms and be infinitely closer to you--clawing at his back as he peppered kisses on your face and neck. “Cum for me, pretty girl. Cum on my cock, let me feel you around me.” You whimpered, grabbing onto his hand and holding it as he leaned back and licked at his thumb (for the first and only time of you two fucking--it’ll be your job next) and flicked at your clit. His cock rubbing at your walls, and the way he was sending lava through your veins rubbing at your clit has you gushing around him in no time. Your wanton moans filled the air as your legs trembled around him, body twitching while you rode out your high. “Need you Rin, need your cum.” You babbled, cockdrunk and still clenching around him. “Fuck,” He thought he’d be able to last longer than this, but your (not so) virgin hole and the way you were talking to him had his shooting his load in you after a few more pumps. 
He pulled away, scooping you into his arms and laying there in silence, the two of you sharing tender kisses and smiles--before he opened his stupid mouth.“So, was that good for you?” He snickered as you shoved his face away. “Ew, shut up!”
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etheries1015 · 7 months
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Imagine MC with a crush on Lilia, but Lilia is completely oblivious. When asked who MC likes, they're vaguely describing Lilia without name-dropping, and Lilia pouts over it because he thinks they have a crush on someone else
Cute! I can see it already...
*slumber party at ramshackle*
featuring ace and deuce, the wing men, who know you have a crush on Lilia. And Lilia, the oblivious old man who is utterly in love with you but can't seem to wrap his head around your hints. Thus, it was time to finally come clean to him!...to the best of your abilities!
Ace- Soooo...now that we're all settled in.....how about we talk about crushes and stuff, right? *winks at you*
Lilia- Ohoho!! I love a good love story! Now pray tell, (y/n), do you have a particular type or someone who has caught your eye?
Deuce gives you a thumbs up and a nod of confidence
MC, blushing- Hmm... well. I do, actually! He's shorter than average, and he's incredibly silly...He has the most beautiful ruby-colored eyes, and he never fails to make me smile.
Lilia was shocked to get an actual answer and analysis and is becoming increasingly worried. Who was this man?? All he could think of was the fact that you indeed had someone! The description didn't even phase him! He never thought you had a thing for him, but he thought he would notice the signs if you had fallen for someone, which he obviously missed! Woe is he, heartbroken and confused.
Lilia, sweating bullets- I see! He sounds...lovely. Does he go to this school?
Ace whispering to Deuce- Is he really this dense...? They practically described him verbatim!
MC, raising an eyebrow- He does. He's in Diasomnia-
Lilia, plotting for murder- Ah! Then I'm bound to know this person, as vice house-warden! Pray tell, who is it?
MC, confused why he hasn't gotten it yet- hmm. He's a fae.
Lilia, taken aback- A fae? Why, the few fae in diasomnia are... Ah! I think I have an inkling who this mystery crush may be.
MC, nodding and leaning in, getting excited- Yesss....
Lilia- Is it Sebek?
...how he came to that conclusion after the descriptions you gave, will forever be beyond me. And Logic.
Ace- oh come on bro even I'M not that dense! They like you, senile old man!!
MC- Ace!!!
Lilia was internally shocked about the "senile old man" comment, but I digress. Once you become that oblivious, how else could you justify it? You can't.
Deuce, getting up and rushing Ace out the door- Sorry, (Y/N). It had to be done. We are tired of you guys flirting and getting nowhere. Good luck!!
Ace and Deuce leave you and Lilia alone, Lilia with an excited and mischievous smile and a blush upon his cheeks (acting like this after the idiotic display...he has very limited brain cells, but it's okay. We still love him.) And then there was yourself, a blushing mess as the fae waited to hear your explanation... hehe.
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ach-sss-no · 5 months
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someone asked why i loudly asserted that the stewing rabbits bit of lotr is the opposite book vs. movie and i think it is time to move off of the giant reblog chain i'm making
The Premise: Sam, Frodo and Gollum are all doing the opposite of what they are doing in the book in some fashion or another
(first off: in the movie they abandon the stew and don't eat it. the book takes a lot longer with all of this, and they do in fact eat the stew, and I definitely understand the movie couldn't be as expansive with the pacing but it's just. funny to me. they don't eat the stew vs. they do eat the stew, there's your first opposite)
now. THE SCENE: Of Herbs and Stewed Rabbit
(Small disclaimer/disclosure: I referenced the script instead of a movie clip for this, so there may be some nuance missed in visuals or whatever but I don't think it would be enough of a difference to matter and hopefully you will soon see why not)
Frodo
Starting with him because this is simplest.
In the movie, Frodo is just sitting there minding his own business when Gollum dumps dead rabbits in his lap. (Then he doesn't interact with the ensuing conversation at all)
In the book he's asleep when Gollum brings the rabbits and does not participate in the scene. Okay, so he's awake vs. asleep. Easy.
(Also, book Frodo didn't witness the conflict between the other two characters and had no opportunity to intervene, which creates an interesting 'what could have been', but I am digressing. We are only 10% of the way in. buckle up)
Sam
In the movie, Sam is passive and reacting. Gollum dumps dead rabbits in Mr. Frodo's lap oh no what do I guess we'll cook them
In the book, Sam is active and orchestrating events.
Sam decides of his own accord that he wants to address their dwindling supplies:
Sam had been giving earnest thought to food as they marched. Now that the despair of the impassable Gate was behind him, he did not feel so inclined as his master to take no thought for their livelihood beyond the end of their errand; [in case you forgot. Earlier on Sam was like 'we won't have enough food for the way back' and frodo essentially responds with 'the way back. oh you sweet summer child'] and anyway it seemed wiser to him to save the waybread of the Elves for worse times ahead.
Note: This is all very good reasoning by Mr. Samwise and an excellent example of why he's so necessary to the quest! Yes, staying alive is step one.
But Where to get food? In both movie and book Sam is taking advantage of his resources (dead rabbits acquired via gollum), but in the book he's way more proactive about it:
An idea struck him and he turned to Gollum. Gollum had just begun to sneak off on his own, and he was crawling away on all fours through the fern. 'Hi! Gollum!' said Sam. 'Where are you going? Hunting? Well see here, old noser, you don't like our food, and I'd not be sorry for a change myself. Your new motto's always ready to help. Could you find anything fit for a hungry hobbit? ' 'Yes, perhaps, yes,' said Gollum. 'Sméagol always helps, if they asks-- if they asks nicely.' 'Right!' said Sam. 'I does ask. And if that isn't nice enough, I begs.'
In this point in the book Sam has now:
Decided of his own accord that he has a problem and that he wants to actively solve it
Arrived at a solution to the problem without any outside help or suggestions
Commanded Gollum to go hunt
In the point in the movie Sam has done:
Nothing
I'm not exaggerating. In the movie the scene hasn't started yet.
In both book and movie, rabbits are acquired a little while later. In the book this is a nonevent because Sam requested and expected rabbits. In the movie, the rabbits unexpectedly appear, and Gollum says they are for the hobbits to eat (Sam doesn't even come up with the idea to eat them on his own!)
They are young. They are tender. They are nice. Yes they are! Eat them! Eat them! [He bites and tears into the raw meat.]
GOLLUM SHOWED HIM HOW TO EAT THEM LIKE A MOTHER CAT.
Anyway, in the movie, we just cut to Sam stewing the rabbits after that.
But in the book, Sam isn't done arranging things:
He thought for a bit, while he took out his knife, cleaned and whetted it, and began to dress the rabbits. He was not going to leave Frodo alone asleep even for a few minutes. 'Now, Gollum,' he said, 'I've another job for you. Go and fill these pans with water, and bring 'em back! '
'Sméagol will fetch water, yes,' said Gollum. 'But what does the hobbit want all that water for? He has drunk, he has washed.' 'Never you mind,' said Sam. `If you can't guess, you'll soon find out. And the sooner you fetch the water, the sooner you'll learn. Don't you damage one of my pans, or I'll carve you into mincemeat.'
So now Sam has:
Decided of his own accord that he has a problem and that he wants to actively solve it
Arrived at a solution to the problem without any outside help or suggestions
Commanded Gollum to go hunt
Lovingly watched Frodo sleep
Collected rabbits after they were provided and begun skinning them
Assigned Gollum to fill his cook-pans
Gollum leaves to do this new errand and Sam starts building a cook fire.
He was just stooping over his fire, shielding it and building it up with heavier wood, when Gollum returned, carrying the pans carefully and grumbling to himself. He set the pans down, and then suddenly saw what Sam was doing. He gave a thin hissing shriek, and seemed to be both frightened and angry. 'Ach! Sss -- no!' he cried. 'No! Silly hobbits, foolish, yes foolish! They mustn't do it!' 'Mustn't do what?' asked Sam in surprise. 'Not make the nassty red tongues,' hissed Gollum. `Fire, fire! It's dangerous, yes it is. It burns, it kills. And it will bring enemies, yes it will.'
Sam has just been given a completely sane and rational reason why a fire is a bad idea (they are in a dangerous area and can't risk attention!) (as well as a reason that is less pertinent- it looks like Gollum is afraid of fire, and he may have sensible reasons to be afraid of fire because it is dangerous, but this is not Sam's problem)
Sam addresses the 'it will bring enemies' thing
'I don't think so,' said Sam. `Don't see why it should, if you don't put wet stuff on it and make a smother. But if it does, it does. I'm going to risk it, anyhow. I'm going to stew these coneys.'
And Sam is like, nah.
Now Gollum gets upset that he's 'ruining good meat' by cooking it
Now Sam de-escalates
Now, now! ' said Sam. 'Each to his own fashion. Our bread chokes you, and raw coney chokes me. If you give me a coney, the coney's mine, see, to cook, if I have a mind. And I have. You needn't watch me. Go and catch another and eat it as you fancy -- somewhere private and out o' my sight. Then you won't see the fire, and I shan't see you, and we'll both be the happier. [He still managed to slip in a 'get out of my sight'] I'll see the fire don't smoke, if that's any comfort to you.'
In the movie he just insults the quality of the meat:
SAM What's to ruin? There's hardly any meat on 'em.
...which I suppose is fair in this alternate universe where the rabbits were just dumped in his lap, unwanted.
Then in the movie they skip to the taters conversation, but in the book, there's more!
Back to the book:
Gollum withdrew grumbling, and crawled into the fern. Sam busied himself with his pans. 'What a hobbit needs with coney,' he said to himself, 'is some herbs and roots, especially taters -- not to mention bread. Herbs we can manage, seemingly.' 'Gollum!' he called softly. 'Third time pays for all. I want some herbs.'
Gollum says no.
'Sméagol'll get into real true hot water, when this water boils, if he don't do as he's asked,' growled Sam. 'Sam'll put his head in it, yes precious. And I'd make him look for turnips and carrots, and taters too, if it was the time o' the year. I'll bet there's all sorts of good things running wild in this country. I'd give a lot for half a dozen taters.'
Now Gollum asks what taters are, gets a cryptic answer, and is offered a kind of food he has just expressed he does not want (cooked food) and again ordered to fetch herbs. Gollum declines.
'You couldn't say no to that.' 'Yes, yes we could. Spoiling nice fish, scorching it. Give me fish now, and keep nassty chips!' 'Oh you're hopeless,' said Sam. 'Go to sleep!'
The movie finally has some of the same words in almost the same place:
SAM PO-TAY-TOES! Boil 'em. Mash 'em. Stick 'em in a stew. Lovely big golden chips with a nice piece of fried fish…. SM�AGOL [i'm not fixing it blah] [Sticks out his tongue in disgust] Pbbbttt!! [so now he's just devolved into making fart noises] SAM Even you couldn't say no to that. [He takes a sip of the stew] SM�AGOL Oh yes we could! Spoil nice fish... [scrambles up close to Sam] Give it to usss rrraw... and wrrriggling! [That line is not in the book. every time i see it quoted i age a year] [Makes sickeningly happy face.] You keep nasty chips. [Hops away] SAM You're hopeless.
The scene here ends in the movie.
In the movie, Sam has:
Watched rabbits be thrown at Frodo
Started cooking them after being all but commanded to eat them
Had some banter with Gollum
Left the scene without eating his stew
Sam is a passive character who is not orchestrating events, but rather reacting to them. A character being passive is not in and of itself a bad thing. I am only pointing it out because it is different from the book and a big change to this specific character (wanted to mention that because some people really don't like passive characters in general, I think they have a place. Frodo is rather passive in this scene but he obviously has a purpose.)
...In the book, Sam stews the rabbits for an hour and then eats the stew with Frodo
Frodo yawned and stretched. 'You should have been resting Sam,' he said. 'And lighting a fire was dangerous in these parts.
Wow! Was it? I feel like someone mentioned that earlier.
'Gollum! ' Sam called and whistled softly. 'Come on! Still time to change your mind. There's some left, if you want to try stewed coney.' There was no answer. 'Oh well, I suppose he's gone off to find something for himself. We'll finish it,' said Sam. [...] We don't see eye to eye, and he's not pleased with Sam, O no precious, not pleased at all.'
Whyever not?
To sum, book!Sam has:
Decided of his own accord that he has a problem and that he wants to actively solve it
Decided he's going to assign Gollum to the problem (This also demonstrates Sam's interpersonal intelligence. He notices what Gollum's capable of and understands intuitively how it can be turned to something industrious and useful) (Sam has made some missteps in other areas which are in the next section)
Commanded Gollum to go hunt
Collected rabbits after they were provided (according to his request), and began skinning them
Watched Frodo sleep
Assigned Gollum to fill his cook-pans, specifically because he does not want to leave Gollum and Frodo alone together, which is sensible
Threatened to carve Gollum into mincemeat, while holding a knife
Watched Frodo sleep and reflected on his poor health
Skinned the rabbits and put them in stew
Been told a cook fire is a bad idea and declined to stop what he's doing. A character being told to stop doing something & continuing with it anyway is another way for that character to show agency.
Asked Gollum to fetch herbs and potatoes (was refused)
Foraged a few herbs himself
Eaten lovely stew (while lamenting that there are no onions in it, and no bowls to put it in ;_;)
Offered Gollum stew long after (hours after) Gollum got angry and left
...all because Sam initially decided he wanted to acquire and cook food, and then took every necessary step to make that happen of his own accord.
Sam is an active character with high agency.
He is also showing more care for Frodo here (watching him while asleep and fretting over his health, lamenting that he somehow made rabbit stew from nothing by using his resources (which do here include another character- people are also resources!) but he can't put it in a nice bowl for mr. frodo- there's just a lot more here, which is natural because prose is a more detail-rich medium. Not all of this would have fit in the movie and I'm not saying it should have.
Even allowing for time, however, I do think there would have been a way to collapse this scene to the needed time requirement and still have Sam in charge of it instead of Gollum.
The scene finally ends on:
Then he noticed a thin spiral of blue-grey, smoke, plain to see as it caught the sunlight, rising from a thicket above him. With a shock he realized that this was the smoke from his little cooking-fire, which he had neglected to put out.
Did anyone foresee this?
Gollum
In the movie, Gollum is foisting a gift on Frodo and forcing social interaction that he doesn't want.
In the book, Gollum wants to go away somewhere so he can eat and is pressed into reluctant manual labor instead
Gollum is a little different from the other two characters in that his personality and motivations are also completely different here. (Where as Sam at least still has the same goals of looking after Frodo and making food.)
The scene is in Sam's POV so what Gollum is thinking and feeling has to be inferred from his actions/words/tone, but he's not exactly subtle.
The movie scene starts off with Gollum turning up with rabbits. He dumps them in Frodo's lap. He makes a spectacle of himself. He starts mauling the corpses.
The book scene starts off with Gollum trying to slip away somewhere to eat in private.
That's another thing. Gollum doesn't demonstratively bite into things Gollum always slips away somewhere to eat in private. Earlier:
It was actually not long before Gollum returned; but he came so quietly that they did not hear him till he stood before them. His fingers and face were soiled with black mud. He was still chewing and slavering. [He didn't bring food back on purpose. He's still chewing because he only has six teeth.] What he was chewing, they did not ask or like to think. 'Worms or beetles or something slimy out of holes,' thought Sam. 'Brr! The nasty creature; the poor wretch! ' Gollum said nothing to them, until he had drunk deeply and washed himself in the stream. Then he came up to them, licking his lips. 'Better now,' he said.
(Emphasis added.. Imagine you just recruited a serial killer to your D&D-party-in-real-life and he silently turns up covered in mud and won't talk to you. It looks like he's been eating bugs. He won't speak. he won't tell you what he's eating.)
Back to the scene in question: Gollum's leaving. Sam flags him down and asks him to hunt.
'Hi! Gollum!' said Sam. 'Where are you going? Hunting? Well see here, old noser, you don't like our food, and I'd not be sorry for a change myself. Your new motto's always ready to help. Could you find anything fit for a hungry hobbit? '
He asks in an insulting and confrontational way. ('old noser' + 'Your new motto's always ready to help' reeking of suspicion)
To be clear, I'm not criticizing Sam whatsoever for disliking and being suspicious of the known murderer he's traveling with against his will. but the way he talks to Gollum does have consequences.
'Yes, perhaps, yes,' said Gollum. 'Sméagol always helps, if they asks -- if they asks nicely.'
Gollum is reluctant and asks to be treated politely. I don't find this response disproportionate or unreasonable. Consider what would happen if anyone talked to LOTR-era Bilbo Baggins the way Sam just talked to Gollum. The ash would still be falling from the sky.
Anyway Sam's response is to mimic the way he talks.
'Right!' said Sam. 'I does ask. And if that isn't nice enough, I begs.'
Gollum leaves, and is gone a long time. While he's gone, Sam gazes lovingly at Frodo, and - this is not directly relevant but I wanted to note it:
Gollum returned quietly and peered over Sam's shoulder. Looking at Frodo, he shut his eyes and crawled away without a sound. [Seeing that Sam and Frodo are occupied, Gollum slips away without interrupting, which is also a different vibe from 'assaulting Frodo with rabbits while he's just sitting there.'] Sam came to him a moment later and found him chewing something and muttering to himself
Look! There's a character arc happening in the background [but not in the movies] It will reach fruition at Cirith Ungol [in the books]
Anyway, Gollum is chewing on something so he's clearly taken time out to hunt for himself as well (note for context: He's disastrously underweight and has been complaining of hunger).
On the ground beside him lay two small rabbits, which he was beginning to eye greedily. 'Sméagol always helps,' he said. `He has brought rabbits, nice rabbits. But master has gone to sleep, and perhaps Sam wants to sleep. Doesn't want rabbits now? Sméagol tries to help, but he can't catch things all in a minute.'
Gollum has brought rabbits on command, and he's reluctant to hand them over. This is the direct opposite of bringing rabbits of his own accord out of nowhere and forcing them onto somebody.
'Now, Gollum,' he said, 'I've another job for you. Go and fill these pans with water, and bring 'em back! ' 'Sméagol will fetch water, yes,' said Gollum. 'But what does the hobbit want all that water for? He has drunk, he has washed.' 'Never you mind,' said Sam.
That was a reasonable question, asked politely and prefaced by 'yes I'll do it'. There's no call for a 'never you mind' and there's certainly no call for this:
`If you can't guess, you'll soon find out. And the sooner you fetch the water, the sooner you'll learn. Don't you damage one of my pans, or I'll carve you into mincemeat.'
Gollum does the work and is careful with the pans as requested.
He was just stooping over his fire, shielding it and building it up with heavier wood, when Gollum returned, carrying the pans carefully and grumbling to himself.
He set the pans down, and then suddenly saw what Sam was doing.
Gollum discovers that 'Never you mind' meant 'I am going to do something you find dangerous and terrifying' i'm pretty sure this is what he's seeing in his POV
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He gave a thin hissing shriek, and seemed to be both frightened and angry. `Ach! Sss -- no!' he cried.
Gollum gets angry.
At this point in the movie, Gollum has:
Dumped rabbits in Frodo's lap
Told him to eat them
Played with the dead animals in front of Frodo
there's a cut to Sam cooking the rabbits- Gollum makes no comment at all on the safety or feasibility of a fire, but gets right up close to it to peer into the cookpot, so he must not be too scared of it.
In the book, Gollum has:
Tried to slip away, presumably to eat, because he's hungry. Or maybe he just wants alone time! Shelob is not in visiting range. He's not being dastardly. Leave him alone
He's been flagged down to do additional work, and interrupted from whatever he wanted to do
Went off somewhere. Caught two rabbits (with his bare hands, I assume??) Also caught at least one other thing, because he's chewing something when he comes back
Came back with rabbits
Left Sam to his tender moment with Frodo and went off for more alone time
Gently floated the idea that perhaps Sam doesn't want these rabbits anymore, surrendered the rabbits when asked
Agreed to another errand that is probably difficult for him to do, after hunting down at least two rabbits Up to this point Gollum has been called 'old noser', had his speech patterns parroted at him in a mocking way, had a polite question refused, and been told he will be 'carved into mincemeat' if he damages the cooking pans (does Gollum even know what a cooking pan is? When was the last time he's seen one? Was he just handed some foreign object and told 'put water in it and don't break it' 'of course! why?' 'stfu') Gollum has a whole long complicated history that would reasonably make him very prone to difficulties with emotional regulation. Severe trauma and centuries of social isolation are involved.
He only just now gets angry, now that he thinks Sam is going to start a forest fire and summon orcs and the first word out of his mouth is a relatively restrained 'Ach!' a word that doesn't even start with an F!
Gollum says fire is harmful and will draw enemy attention. Sam says essentially 'probably not but if it does that's too bad'.
Another bit of context is that Gollum has been presenting himself as the 'wilderness survival guy' and has obvious pride when he's talking about finding his way through the marsh. Sam isn't just being dismissive of Gollum, he's particularly dismissing something Gollum has real knowledge of and takes pride in that has nothing to do with being a corrupted evildoer.
Then Sam says he's going to cook the food.
'Stew the rabbits!' squealed Gollum in dismay. `Spoil beautiful meat Sméagol saved for you, poor hungry Sméagol! What for? What for, silly hobbit? They are young, they are tender, they are nice. Eat them, eat them!' He clawed at the nearest rabbit, already skinned and lying by the fire.
After all of that, we are at 'They are young, they are tender, they are nice. Eat them, eat them!' In the movie, the scene started with this line, apropros of nothing, and it's just. Yelled at Frodo. It's an invitation.
In the book: The same line is a cry of frustration. This isn't a non sequitur, this is a last straw! Gollum is hungry. He's been chronically hungry for a long time. The rabbits are exactly the kind of thing he likes to eat. They must smell amazing to him because now they're skinned. He had to turn them over to Sam after going to the work of hunting them (he didn't have to do this, he could have just not come back, or pretended he didn't find anything- whether or not his motives are pure, and they probably aren't, he's doing what he promised).
In return: Sam told him to do more work, and then started a fire- which Gollum seems to genuinely think is idiotic and puts his own safety at risk because he's stuck with these hobbits for the time being- Sam won't listen to reason and put it out, and to add insult to injury, that meat he insisted on?
HE'S JUST GOING TO RUIN IT
Imagine you were hungry and you brought someone an oreo (also you had to wander around in the woods and find the oreo and then surprise it from behind and break its neck), and that person just! scraped off the cream filling and replaced it with spray cheese! after that person called you a jerk and set a fire in a trash can! Maybe that person loves spray-cheese oreos! Maybe everyone but you loves them! I think you'd still be frustrated! (If you're the person who loves spray cheese oreos, pretend it's something else.)
On my first reading of the book this is where I got that sinking 'I am feeling a mite sympathetic to the horrible murderer that I know is just going to stay evil and die in the end' feeling. Gollum is being dreadfully annoying, but he's been pushed past his ability to self-regulate. It feels like the dynamic of antagonizing someone until they melt down and then criticizing them for melting down (Sam is not intending to do this, and doesn't even seem to notice that's what's happened, but the result is the same.)
Sam smooths things over and lets Gollum leave! until
Until
'Gollum!' he called softly. 'Third time pays for all. I want some herbs.' Gollum's head peeped out of the fern, but his looks were neither helpful nor friendly.
WHYEVER NOT?
'A few bay-leaves, some thyme and sage, will do -- before the water boils,' said Sam. 'No! ' said Gollum. `Sméagol is not pleased. And Sméagol doesn't like smelly leaves. He doesn't eat grasses or roots, no precious, not till he's starving or very sick, poor Sméagol.'
(Gollum was retching at the scent of flowers earlier. He may be annoyingly dramatic but I have no cause to doubt that they really did make him feel ill)
(also, I'm out in the weeds speculating now, but I just noticed Gollum is starting to spout off talking about himself and how he feels after Sam pooh-poohed his fretting about the fire, and it feels like a bid for recognition, did you notice Sam has not been calling him Sméagol? Sam isn't using his real name.)
The response:
'Sméagol'll get into real true hot water, when this water boils, if he don't do as he's asked,' growled Sam.
Gollum is here under duress and is cooperating with a quest that is in every way opposed to his personal interests and survival.
'Sméagol won't go, O no precious, not this time,' hissed Gollum. 'He's frightened, and he's very tired, and this hobbit's not nice, not nice at all. Sméagol won't grub for roots and carrotses and -- taters. What's taters, precious, eh, what's taters?
He hasn't had any rest because he was immediately sent off to hunt. I'll bet he is tired
Gollum is still willing to stop being angry because he saw a shiny new word, let's see how this goes
`Po-ta-toes,' said Sam. 'The Gaffer's delight, and rare good ballast for an empty belly. But you won't find any, so you needn't look. But be good Sméagol and fetch me the herbs, and I'll think better of you
Sam gives a cryptic answer and demands more work. 'I'll think better of you?' Lies! Gollum just did two errands and received nothing but more verbal abuse. Sam did not even thank him. This was where on my first reading I was saying to myself 'oh no Sam is mishandling this really badly and doesn't even notice'
I'll cook you some taters one of these days. I will: fried fish and chips served by S. Gamgee. You couldn't say no to that.' 'Yes, yes we could. Spoiling nice fish, scorching it. Give me fish now, and keep nassty chips! ' 'Oh you're hopeless,' said Sam. 'Go to sleep!'
Gollum doesn't understand what chips are. He just said he doesn't like plants or cooked food. He's tired and hungry and has been ordered around all day. He did everything asked up to now and in return he gets called hopeless.
Sméagol willingly, nonconfrontationally, successfully did two out of the three tasks, and when he refuses a third task after being demeaned and dismissed, he's called hopeless.
So Gollum leaves. That's the end of his involvement in this scene. he didn't hit anyone, bite anyone, or call Sam anything worse than 'not nice', 'silly' and 'foolish' (He does not call Sam a 'stupid fat hobbit', that appears to be a movie invention as well)
In the movies, he threw dead animals at frodo and some of this dialog was said without any of the context. haha funni.
The takeaways from the book version are that Gollum can understand and follow verbal commands and do errands (this is important because Gollum needs to be somewhat sane and lucid in order to satisfyingly be held accountable for his crimes), will cooperate when asked, communicates poorly, has trouble controlling his temper, and may at any time be in physical distress and not show it. (He doesn't give outward signs of fatigue.)
The takeaways from the movie version seem to be that Gollum is hyperactive, doesn't understand facial expressions, and finds cooking to be an alien custom. No one tried to ask him to do anything, so I have no idea whether he can understand requests and do tasks or not. May or may not be lucid.
Can we at least agree that Sam saying 'You're hopeless' after this:
Give it to usss rrraw… and wrrriggling! [Makes sickeningly happy face.]
is a different vibe from Sam saying 'You're hopeless' after hearing this?
'[Sméagol]'s frightened, and he's very tired, and this hobbit's not nice, not nice at all.'
Summary
Why is this scene the opposite?
Frodo has gone from being asleep but serving as an emotional anchor (both Sam and Gollum look at him and have some kind of emotional revelation, although the latter has his in private and we don't ever know what it is, the cad) to being awake but doing nothing and leaving. (He does go and find Faramir when the scene ends, but at that point, we are moving on to the next scene. so I don't count it.) Frodo has gone from affecting events while asleep to having no effect while awake
Sam has gone from being in charge of what's happening to passively reacting to a chaos gremlin
Gollum has gone from following orders until he can't take it anymore and suffering to being a chaos gremlin who does whatever he wants and seemingly having a good time? he's dancing around
The stew goes from eaten to uneaten
The overall purpose of the original scene appears to have been mainly to establish character and relationship dynamics. The movie scene... is doing the same, I suppose, but it's so brief and stripped of context that it almost feels like an homage more than a real scene, like it's there because they couldn't get away with entirely cutting it. And as every character is behaving contrary to what they used to in one form or another, the overall effect is:
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Thank you for coming to my TED talk. Ask me about the waterfall scene next
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bl00dst41ned · 1 year
Text
*.·:·.✦ my little secret (jude bellingham 'series' pt.2) ✦.·:·.*
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pairing: jude bellingham x female oc (Mariah)
summary: in which jude finds out what he's missing
author's note: part 2 is out, part 1 is here. taglist: @everlyjay, @barcagirly (don't know if you wanted to be tagged but didn't know what you meant with your repost) you can still ask to be tagged.
series masterlist
word count: 696
It was another day at St Georges’ Park. The English team was back for the international break. Jude sat at lunch, Trent at his left and Marcus and Bukayo in front of them, in the middle of a conversation.
“Aye, Jude, you remember Mariah ?” Marcus started as he kept his eyes on his phone.
Jude’s head rose, confusion written on his face.
“The girl you disrespectfully dumped after cheating on her” Trent described with no facial expression.
Even though Jude was his friend, he never forgot to remind him how wrong he was in this situation.
“Oh, umm yeah why?”
Marcus turned his phone around showing them an Instagram post.
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mariahsworld Self care day to celebrate Tamara’s five months of living. Thank you for choosing me as your mom, I love you 💕
Within a second, Jude had gone on her account via his spam since she had him blocked on the main page and viewed the post. He then went to click on her story seeing even more pictures and videos of her and her baby.
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Jude kept his eyes on the screen as if he was hypnotized.
"Waow, I didn- just waow" He mumbled, lost of words. "She definitely turned a new page"
He kept scrolling as Mason and Declan sat at their table. The two instantly noticed Jude’s concentration since he didn't even noticed them.
"Jude what's wrong?" Declan asked as the young man finally noticed them.
"Nun- his ex he threw away for a one night stand now has a baby" Bukayo cut him off with a teasing smile on his face, ruining Jude's attempt to change the subject.
"Mariah?!" Surprise was laced in Declan's voice at the mention of the girl. "This cannot be real"
Declan went on Mariah's page, seeing all the posts with the little girl on it.
"Five months...."
"Tamara is a such cute name" Mason intervened.
Declan had noticed a detail about the little girl's date of birth that rose his attention.
"When did you guys break up already ?"
"A little over a year ago, maybe a year and a month"
Declan's eyes widened as it all came together in his head. If little Tamara was five months, then Mariah had to get pregnant a year and two months prior. And if they broke up a year and a month ago...
"Mate," Jude nodded his head indicating he was listening "Is that your daughter?"
"Wh- No, i-it can't be, she didn't tell me anything"
As unbelievable as it sounded to him, Declan's theory had intrigued Jude. He stared at the picture of the baby while thinking. Not able to get his mind right, Jude needed external advice.
Jude
*sent an attachment*
bro look at this
Jobe
Mar had a baby ?!
waow didn't expect that
Jude
jobe, this might be my child
Jobe
……
Hahahaha
stop playing I almost believed you
Jude
I'm being serious
Jobe
How serious?
Jude
As serious as serious can be
Jobe
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ooh tell me all about it
Jude
stop joking pls I'm in deep shit
so Dec did the maths
the baby is 5 months
plus the nine months so we have 14 months right ?
Jobe
Good you can do basic maths
Jude
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anyways
we broke up around 13 months ago
therefore ?
Jobe
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mum's gonna burn you into ashes
and throw them in the bin
you're dead asf
Jude
no shit 🙄
but it's not what's important rn
I need confirmation
Jobe
for what exactly ??
you're the cheater from what I know
Jude
who knows ?
Jobe
bro you're nuts
she would not have done that
but looks like I'm an uncle 😝😝
Jude
jobe please be serious
you sound like liyah rn
she's getting into your head
Jobe
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what did you just say about my girlfriend?
Jude
you can't fight me
Jobe
for my girl ?
I'll beat you tf up 😍🥰🔪
your potential daughter looks so cute tho
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Jude
JOBE
we are digressing
what should I do ?
Jobe
bro….
text her
Jude
she blocked me
Jobe
okay ??
if you actually care, you'll find a way
Jude
why is everybody so rude with me ?
Jobe
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Jude
STOP WITH THE MEMES
you're becoming just like your girl
Jobe
as I should
Jude
….
bye
Jude exited his conversation with Jobe going to DM Mariah on his spam.
yo it's Jude
i think we need to talk
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like and repost for support (hope you enjoyed it)
masterlist for more
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royboyfanpage · 2 months
Note
Do it. Ramble. I adore when people go in depth in the tags. It’s my absolute favorite thing and I read them all happily 💕💕💕💕💕
Ah fuck lads I've been perceived
Right okay no Roy and Connor's 90s dynamic is one of my favourite things ever (currently writing a brothers fic about that exact period) and it's so underdeveloped but there's SO MUCH potential for it. Both of them have this need to be Ollie's son in a way that neither of them can be. Roy's the most vocal about his feelings especially in the scene you posted, and there are so many instances in other comics where you can see his need to be Ollie's son, or his need for the approval of a dead man. When Roy was a kid, before he ever met Ollie, he used to imagine Ollie was his real dad, and his greatest desire is Ollie offering him his legacy, even if he knew he'd turn it down. And to Roy, Connor's everything Roy wants to be. Ollie IS his "real" dad, and Connor DID get Ollie's legacy after Ollie died, but what's so interesting is that Connor doesn't feel the satisfaction Roy thinks he should. Obviously Roy cuts him off so we don't get to actually hear his thoughts, but it's clear that biology doesn't mean anything to Connor. In his eyes, Roy is Ollie's "real" son, Roy got everything Connor wanted- a father who was actually present in his life. Connor only knew Ollie for a very short while before his death, and most of that Ollie wasn't even aware that Connor was his son. I don't know if you've read the issue where Ollie confronts Connor about not telling him he's his son, I believe it's Green Arrow (1988) #97, but needless to say he did NOT react well. (Which I am blaming Chuck Dixon for more than Ollie himself, but I digress, it's still what happened.) And in the Arsenal #3 Roy points out that Connor's a better martial artist than he is an archer which is SO important to me in relation to this, because unlike Roy Connor didn't grow up around Ollie, he wasn't really trained by Ollie, so his fighting style is different but he's still aiming for that Ollieness because he feels like he needs to in order to continue the legacy of a father he never knew and. Good god. Have I ever mentioned I love these brothers? Okay I'm done now
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eponastory · 5 months
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So you can read Katara's mind now?
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Sorry about the big blue dot, but I had to fit all of this in one screen.
Let's start off with the fact that this person completely disregards the entire character arc of both Zuko and Katara to put this point across.
From what it looks like, Katara is actually okay with being in the Fire Nation. Otherwise, she wouldn't be very comfortable at the BEACH HOUSE at Ember Island, where OZAI laid his head, too. But yeah, let's just glance over that. She even goes to the same theater where the Royal Family frequented when Zuko was a small child and had no issues with it up until the last act of the play. I mean, she had problems with her portrayal, but that was the play. Not the place. She even has fun in the Fire Nation.
Why? Because the Fire Nation is not all bad people. There are a lot of innocent people in the Fire Nation. That's like condemning all Japanese for the bombing of Pearl Harbor... oh wait... that happened. Yeah, Japanese Americans were treated like traitors after Pearl Harbor, even after Hiroshima and Nagasaki. Some were forced to live in 10x10 horse stalls. But I digress. You realize what I'm getting at here don't you?
Probably not because you are naive.
I agree that Fire Lady is an irrelevant title. She wouldn't take it anyway, but instead, because she is very good in politics and loves her culture, she'd likely take on a more political role. Ambassador Katara is overused. But I do know that she is a guiding voice for Zuko (this is in the show btw) so maybe his right-hand advisor who gets shit done could work. Remember, they work incredibly well as a team. Plus he's the damn Fire Lord. He'd find a position for her that she could do some good. (I know this is kinda my headcanon, but it's based on information gathered from various source material from the franchise) hell, even a health coordinator would be in the cards.
Anyway, it seems you don't really understand her arc given that she is very good at politics post-war and has the capacity to FORGIVE Zuko and put all of that behind her. I mean... the way you guys make it sound is that she hates everybody. And that isn't true.
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TO be honest. I don’t understand what it means when people say Merlin was Arthur’s bane. Mayhaps I misunderstand but. Arthur was a bit of an assassination magnet (not to mention all those magical creatures and bandits... so many bandits), and Merlin actively prevented Arthur's death for years, which would have occured without him anway in the very first episode. I can see why one might argue that Merlin was just delaying the inevitable, or that he didn't succeed in keeping Arthur safe until Arthur could enact the golden age, but certainly I don’t see how he could have been Arthur’s bane.
Also, it’s implied in the last episode that the golden age does occur, but under Guinevere. Which makes sense as she knew Merlin was the sorcerer and that she was pleased about it (and I recall it was confirmed in interviews), so I also don’t follow the twin train of thought that Merlin was his own bane or even Camelot’s. Camelot was already bane-d(?) under Uther. But partly because of Merlin's steady friendship, Arthur matured into a king who was kinder than his father. He also actively sought magic's aid on multiple occasions, so he knew magic had potential for good (like healing his queen) without Merlin needing to tell him about his magic.
I don't think it's fair to say Camelot's laws on magic remaining relatively static was because no one close to Arthur came out as having magic. There was still much risk in that, and for Merlin a lot at stake, not just his life. A law change was still possible (and almost seemed to be set up that way) without Arthur needing someone he was personally close to having to do the work to humanize it for him (in the sense that the episodes with the druids, the druid boy with Elyan, and the dolma seemed like they were pointing to a law change because Arthur sees the diversity of magic and those who have it).
At worst Merlin’s efforts didn’t change the status quo, but we do have things indicating that they did. And Merlin was not single-mindedly serving Arthur at the expense of everyone else. He saved Camelot as a whole multiple times. He was also very willing to stick out his neck for many others even during the height of his anxiety and agitation in season 5. (Also only being slightly silly when I say this, but he was also THE wingman for Arthur when he was getting with Gwen, so in a way Merlin’s help led to their courting being a success and thus contributed to her being in a great position to change the laws. so personally I give points to Merlin for that). Most of the decisions centering Arthur's safety seemed to stem from the fear that Albion would crumble before it began if Arthur were to die, so he tried his best to prevent that from happening in any way he knew. (Like, when Arthur is dying, Merlin asks "So I failed?" regarding the whole golden age thing, which I think is telling that the prophesy and his role in it was still VERY much at the forefront of Merlin's mind).
And this is a digression but I know people think Merlin should have done more for Camelot, or for folks with magic (like, as a revolutionary or something akin), which I understand but no one reached out to network with him really? It'd require resources, people (always confused why there weren't a whole bunch more folks offering Merlin material/intellectual/emotional support if they thought he should be the one to bring about the golden age. all he was told was that the forseen way it actually happens succesfully is through Arthur), time (I doubt it’d have been much of a ‘quicker’ way necessarily), and incredible planning + foresight if it's meant to be something that works out effectively + long-term. Okay I think I've digressed enough now. This is a whole seperate thought that I don't think I'm gonna do any justice here lol, and I'm already rambling, so I'll stop now :,)
But anyway, in terms of being his own or Arthur’s bane, we know Arthur will return, and we don’t know how Merlin spent his years. His magic can play with time and maybe he learns how to control that, or he could have entered a stasis like in various legends, etc etc etc. And I mean it is tragic on many levels, and it’s sad we didn’t see Arthur’s arc completed, and that Merlin sacrificed so much for a goal that didn't get much acknowledgment by the show at the end, but still. I don’t think Merlin was Arthur’s bane, or Camelot’s, or his own.
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heart2beom · 1 year
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colon and a parenthesis
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pairing: bestfriend!beomgyu x f!reader
genre: fluff, light hearted angst/comfort, best friends to ...lovers? drabble (an attempt), best friends who live together!!
synopsis: getting played has got to be the worst feeling ever. for you, you go through that heartbreak every other month. and now you're wailing on your best friend's shoulder again, for the hundredth time, ruining his hoodie. again.
a/n: "he doesn't deserve you" i'm such a basic bitch because the way i squeal over this line...was watching this show that is totally devoid of any romance subplot but i was okay with it because its a good show!! then this cute guy playing the best friend role just says this and im folding. like im being serious, i would've asked what we were. anyways ahahahahahaha, enjoy this as i slave myself into finishing my other bf2l beomgyu fic.
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"Why do you look like that?"
You blink, processing his words before turning around, cereal box in hand. "What? What do I look like?" You pat your free hand around your face in attempt to figure out what incited that reaction. If it's an unwanted pimple, you're going to go insane.
Beomgyu huffs out a laugh through his nose, still eating his cereal. "I don't know, it's like you didn't get sleep for the past three decades."
He doesn't catch the roll of your eyes since he's focused on his phone, eating his breakfast but you still make sure to do it anyway. You pour the lucky charms in the bowl, the mention of your tired state gets you fighting the large grin overtaking your face. Reason?
You haven't slept a wink last night, inevitably a bad choice since you have morning classes, but digressing, it had to be the most magical of all nights. You recently got Mingi's number, the cute boy in your Music Comp class, who you've been notably crushing on for weeks.
Beomgyu knows this, obviously since you practically tell him everything, but what he doesn't know is that you've done some progression with your pining.
Other than the fact that he's cute, you find out he's also quite funny and witty, all throughout yesterday's overnight chat. Mingi's absolutely perfect. Like a prince charming. You don't even care that you have to spend extra time covering up your under eyes, it's what comes with the package that is Song Mingi.
You set your cereal on the kitchen island, sitting on the stool next to Beomgyu. Checking your phone for umpteenth time today, reading through the texts from last night still makes you smile a little too hard at the realization that yesterday night was in fact real.
You catch Beomgyu turning his head to you, brows furrowed like he was thinking of what to say, still chewing his food. "So?"
You lay your phone face down, "So what?"
"What happened?"
You realize he's talking about your dark circles. "Nothing, nothing happened. Was just studying all night," your eyes look up from your bowl of cereal to Beomgyu's doubtful eyes. "You know, pointing these things out to a woman is very disrespectful."
He laughs, and turns away shaking his head. Beomgyu was equally as tired looking so it wasn't like he had the right to make a comment. His ginger hair had strands poking out everywhere, dark circles even more evident under his eyes. It made sense, he worked late night shifts, and when he didn't, he'd stay up all night anyway, playing video games.
Yesterday he didn't have work, so you were very graciously blessed with having to hear his usual shenanigans through the walls of your room. He had an issue with keeping his emotions on the low when it came to games, which proved to be a nightmare. But thankfully, you were able to filter out his yelling with every response from Mingi.
"I heard you."
You furrow your brows, glancing to Beomgyu. "Huh? Heard what?"
He gets up, done with his breakfast, heading to the sink. "You were giggling all night. It was really weird," he mentions and your eyes widen, slowly chewing your food. Were you really that loud? How embarrassing. "Even weirder now that I know you were studying."
You throw your head back, groaning—of course he didn't buy your lie. "Beomgyu," you drawl.
"No, no, if you wish to keep your life private, keep it private." He was faking his hurt, but you also know there's some truth to it. Sharing things with each other, with no filter, has always been a staple to your relationship. And it's not like you were the type to be private anyway, so it worked out in the end.
"We were texting all night," you start, the dreamy vision of his face clouds your mind as your eyes sparkle at the thought, "Me and Mingi."
Beomgyu halts, his back faced to you— you don't read too much into it before he finally turns around. "Mingi as in... Music Comp Mingi?"
You flutter your lashes, nodding, barely biting down your smile. "He's a total A-plus heartthrob." you swoon.
Beomgyu lays his forearm on the countertop, standing across of you, tilting his head and a scrunch of his face like he’s willing to debate on that. "Yeah, but didn't Yeonjun happen like, two months ago?"
Yeonjun. The upperclassman you dated for six entire months, probably your longest relationship ever. Which is a little sad, at least for a sophomore in college. The added duration of your relationship made the breakup sting a lot more, as well as the fact that you wholeheartedly believed you'd end up marrying him at some point in the future.
Your smile droops, gaze fallen to the sad looking soggy cereal. "Hey, no, I mean, Y/N I'm just worried, but if you're—if you're over him, Mingi is good for you!" You slowly look up at Beomgyu, and you manage a smile on one end of your lips.
"You think so? Mingi's pretty nice, right?"
He huffs out a laugh through his nose again, he's been doing it a lot more often. "You stayed up all night talking to him, you're in love with him."
You break into a smile, eyes back on your spoon. "Shut up."
He points an accusatory finger, "Your ears just got red, oh my god, you are in love with him!"
You roll your eyes, quickly adjusting your hair to cover your ears. He shakes his head in awe, "You're actually hopeless."
"I'm sorry that he's literally the reincarnation of a prince charming. I can't help it."
"You say that about everyone." That was half true. You never said it about Sunwoo. "Anyways, you guys made plans, right?"
You fall quiet, eyes widening before quickly breaking eye contact with Beomgyu, clearing your throat. A few beats of silence and before you know it, Beomgyu grabs your phone, and is typing in your passcode.
You jump off your seat, "Beomgyu! Don't text him! I swear to god—" You have always made a mental note to change your passcode, but your memory fails you each time. And now you're bearing the consequences.
It quickly turns into a game of cat and mouse the more you go after him—each time, he's directly across from you as he focuses on typing as quickly as he could. Even when you calculate to run the opposite direction, Beomgyu is faster, quickly having the kitchen's island in between you both again.
"Mingi, the love of my life, I proposition you with a date at Gorae's—" he announces aloud, reading off the screen.
You rush to his side in his moment of weakness, reaching to grab your phone but Beomgyu's quick to react, raising his arm high enough for you to struggle to get your phone. God darn his height.
"Give me my phone you ass!"
"—and I want to marry you and have nine babies with you in a cottage far away from the world, my love!"
If he sent that, you'd jump off the balcony of your flat. No doubt. So, you attack him with your most effective weapon.
"And—shit. Oh my god, oh my god Y/N—" He wheezes, he's calm drowsiness dissipating, and he's quick to retreat, hands shielding themselves from your evil fingers. But you don't stop, a mischievous smile breaching your lips, because god is it fun to be the one to tease for once.
You aim for his sides, unprotected and perfect for your fingers to start tickling. His giggles are boisterous as he weakly attempts to stop your hands, but you don't let, "Punishment for being a little bitch."
"I'm sorry, I'm sorry— oh my god, have mercy!" he manages to muster between his fit of laughter.
His contagious laugh bubbles one up from you until you hear a ping, and you realize that he might've actually sent that in! In horror, you grab your phone from Beomgyu's loose hold, who was still attempting to calm his laugh down, wiping under his waterline.
You check your messages, and it's in fact one from Mingi. "Beomgyu! Did you actually send him something?" you yell anxiously, eyes wide.
You don't give him time to respond, deciding to rip the bandaid, clicking on your chat. Hesitantly you read the messages after the 'goodnight' you've sent yesterday.
Your brows crease flatten as you read the two messages Beomgyu sent.
"I had fun talking. Maybe we should hang sometime?" you look up from your phone, "Who says that?"
He shrugs, wiping his hand on his sweats, "Probably, I don't know, sane people. What'd he say?"
You smile, looking back at the text Mingi had sent in response. "I'd like that. He'd like that. With a smiley face."
A conflicting smile is on his face as he says, "He'd like that with a smiley face?"
You roll your eyes, it's a terrible attempt at a joke, "A smiley face. Colon and a closing parenthesis."
He lets out an oh of realization as if he truly did not know, nodding. "Good luck, thank me when the wedding happens." he comments, walking into the living room you think— you don't really care. Too far gone as you re-read three simple words. And a colon paired with a closing parenthesis.
You really wish it'd work out this time.
—------------------------------
You don't exactly remember when you started to consider Beomgyu to be one of, if not, your closest friend.
The time he had stayed on a call with you throughout the entire night, on a school night, falling asleep after the spell of drowsiness won against both of your wills to continue talking? It magically seemed like you could endlessly talk, about anything, everything and nothing at the same time, with Beomgyu.
The time your eyes miracally found each other, in heaps of awkward situations? Like when you both ended up being third wheels to your pining friends, or when a party seemed too much for comfort.
Or when Beomgyu confided to you that he spent days learning makeup through lengthy youtube tutorials to help you out with applying it for prom?
Maybe the time you celebrated your graduation by choosing to invite over Beomgyu's family? No, you think it's probably the time you realized the only person you thought of when meaning to ask someone to move in with you—possibly the biggest next life step— was none other than your goofy, sort of odd, friend.
Or maybe it's now.
When you open the door, a heavish Beomgyu with his chest rising and falling, like he just ran a marathon, iris darting quickly going over your state before crashing you straight into his embrace, a hand gently on the back of your head. "I'm here."
You were holding it before he showed up, really holding it. But the warmth of Beomgyu's body against yours is enough for you to break. Your shoulders shake as you silently sob onto Beomgyu's, and his hold on you loosens, the previous panic slowing as he pat your back soothingly.
You knew Beomgyu, he's always been hyper aware of feelings, his own and others. This time, he set aside his own to make it easier for you to let out yours—you always notice when he does this.
His breathing is unstable against your hair, still attempting to catch it. "Why are you here? Don't you have work?" your words come out as a muffle, especially with the way your head is buried against his hoodie.
"You called, idiot."
"I called to ask if you could get milk on your way." You were in the mood for hot chocolate, your comfort drink, but to your absolute dismay, there was no milk. And you strongly preferred your hot chocolate with milk.
Beomgyu only hums in acknowledgement as if to say, yes, you're correct. You did only ask him to get milk.
Your emotions are one of a rollercoaster, once again sobbing like a child, before you pull your head away slowly, sniffling as you look up at him, your hands still wrapped around his waist. "You called in sick?"
His silence makes you feel uneasy, he could just say yes. Or no. Your brows raise. "Did you just ...run out?" you yell, almost pulling away from him completely, but he has senses for things like this —quickly pulling your head into his chest again. You groan.
"Now's not the time to lecture me." he mumbles into your hair.
After a little thinking, you decide to not fight him, giving in to his embrace. You could talk to him about his rash decision skills later, now, you want to be a little more selfish.
You're not sure where it went wrong with Mingi, and you don't really want to think about it. Your lips tremble against the soft fabric, more tears spilling down your cheeks, snot running.
"Can I blow my nose?" you ask. Beomgyu's a tinge hesitant before he just sighs. "Be gross all you want."
It felt like eternity standing there, in front of your door, Beomgyu's hand wrapped around you, and yours around his. He doesn't ask questions, he only stays silent unless you said something first. Usually saying incoherent things about Mingi, how you thought it'd end well, how he was everything to you, your moon, the sun that shone brightly. All through the occasional hiccups and sniffles of your crying session.
"I swear, Mingi—"
Suddenly Beomgyu exhales, his hands falling from your back to pull your head away from his chest. You guess it isn't a pretty look, with your bloodshot eyes, and gross snot messy on your face. But he doesn't hesitate to rub a thumb over your cheek.
"You know he doesn't deserve a minute of your time, Y/N. He doesn't deserve you. Like at all."
You furrow your brows. You don't believe a word. "You've barely met him, how would you know that I don't deserve him? And he realized that, which is why—"
He cuts your self wallow of deprecation off with a violent shake of his head. "Stupid. I've met you. I know you. That's enough information for me to make judgement."
"That's..." tears well up in your waterline again before you bury your head in his hoodie again, "That's so cheesy Beomgyu. Thank you."
You can feel his smile, somehow, it's like you're both connected by a string. "I'm serious, you're the best person I know. Flaws? Everyone has them, you do too, but you're ...still somehow the best person I know. If Mingi can't see that— if, impossibly, no one else can see that, then they don't deserve you. You know that?"
You nod meekly, soaking up his words. Millions of things could be said in response, something that could tell him how much highly you think of him too, but the dry of your throat prevents you from so.
"Tell me a joke." you say instead.
He ponders a bit before landing on one. "Can I be the parenthesis to your colon?"
You look up at him, silent, before you weakly hit his chest, laughing. When Mingi asked you to be his girlfriend, he said those exact words, and you had came home, raving all about it to Beomgyu, even though deep down, you found it a little ...too cheesy for your taste.
Beomgyu held the same opinion, except he was vocal about it. Making fun of the line for an entire weeks worth.
"Too soon."
He scratches the back of his head, a sorry smile on his face, "Yeah?"
You don't know if this breakup would be worse than the one you had with Yeonjun—only time could tell. All you knew was that no matter what it'd feel like—hell, like you were walking on pins and needles, like drowning in hot soup; Beomgyu would be by your side. That alone is enough, something that reminded you that this feeling would go away eventually.
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ending a/n: you're done!! this might have to be considered the longest proclaimed drabble ever lol (2.6k words this is not a drabble) but anyways, like always, thoughts are appreciated.
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bingeeaterblog · 4 months
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// small warning big re touken hate it's a post on why I hate it and how I think it could've been done better BUT I encourage you to keep reading if you do like them and to give me your thoughts whether to tell me why you like them or why you think im wrong in some regards i love a good debate its why i joined Tumblr
I'm gonna start this off by talking about why I loved the original mangas touken.
They start off as strangers, them only having a REAL meeting when she saves his ass from nishio. Initially she was cold and rude, for every reason he was very disrespectful(also for good reason he was scared and all he knew about ghouls is that they are monsters who hurt people, one literally just had him in a choke hold) but I digress. Kaneki starts working at anteiku and he's shadowing touka much to her dismay she feels he can't do anything right and is just a know it all human.
Right off the bat they have a very interesting dynamic, touka learning to care for kaneki him starting to see her(and ghouls as a whole) as a person and not something he should be afraid of.
As time goes on, touka falls for him, it's what makes everything so hard when he abandons her. She feels betrayed he left just like ayato and her dad did no one ever stays for her? How could they? She makes herself so hard to love shutting everyone out. She blames herself partly, not being able to protect him from whatever happened at the aoigiri base.
When she does see him again she's angry! How dare he come back after all this! Why can't he just make up his mind! So she lashes out, she misses him so dearly but she can't tell him that? Let him know she cares? She hits him and tells him to never come back to anteiku (to her).
You can see why it's so appealing!! The angst!! The drama!!! They have it all! Toukas longing and kanekis isolation are what makes them so GOOD.
To explain why I don't like re touken we have to talk about why I don't like re touka.
Touka before was a very well rounded character, she was brash and a little impulsive, she loves the people around her even if its hard for her to show it in a healthy way. She'll do whatever it takes even if it means risking her own life.
Re touka, doesn't really have that. She's very... Water downed. I like to call it house house wife-ification. She's lost any semblance of her old personality. While I do like the idea of touka calming down and becoming more docile it's not done right, we meet her again and she's just... Like that? There's no character development of her changing it just happens! She's shaved down so she can be the perfect love interest for kaneki, it's even shown in her design! Her eyes are softer and she doesn't hold any of the same energy as old touka(this happens with a lot of female characters ishida just ended up giving them all the same face besides eto).
Kaneki is? Fine? I loved haise as a character and him and touka were sorta cute if u kinda ignore that fact touka isn't touka. Kaneki was fine and re and that's it, he's just okay. His Savior complex is removed and it's just "I wanna save people!!" The whole reason his savior complex is important is BECAUSE it ends up hurting more people he should've been developed to learn how to manage that and be the hero he could be.
Now for their actual relationship.
It's very.... Rushed? There's no tension no build up just "are you a virgin?" Which in my opinion is something touka would never say she'd stumble around it. they made her bold at the wrong times she's an awkward lil freak. And then boom! Sex yeah! And it's? Okay? It's not my favorite I felt like a sex scene between them should've been more desperate!! That's when the marriage bite should've happened! It should've bites and messy kisses and promises to never leave again! There was no passion! There was the "why are you crying" but that didn't really do anything for me!!
I do like the end scene where she was petting his hair that was very soft which is what he needs.
Then toukas pregnant!(Which is something I'll get into good another time) And it kinda feels like they only rush into the marriage because she is... Like I feel like they should've atleast had a dating stage y'know!! Everything just felt so fast with them and nothing like the original:(
The end credits scene feels nothing like touka, she looks dead that's not the character I used to know :( kaneki too only the scene with hide felt real
And yeah! I like ichika! But how cool would it have been if touka got pregnant AFTER re and in the end credit thing she was revealed! Another natural born one eyed ghoul!! Idk...
This is very messy sorry I had to get this out. if you like them? That's fine!! That's super duper cool its just not my favorite. Tell me why you think I'm wrong! Id love to hear your opinions
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fire-of-the-sun · 1 year
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Ilsa and Ethan: There's Still Hope
Spoiler Warning for M:I7!
I'm sure a ton has already been said about Ilsa in the new movie, whether it be lamenting her loss or developing theories as to her potential return in the next film, but here are some contributions I've been mulling over. This isn't going to be an exhaustive list of reasons why she's still alive, but I will try to address some and add my own thoughts into the mix.
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I agree with the discussion that one of the best clues of this all being a fake out lies in Ethan and Ilsa's reunion near the beginning of the film. Ilsa plays dead during the fight and Ethan momentarily believes it before she attacks him and reveals herself to be alive. As it stands, this looks like a foreshadowing to her eventual, real death, however, I think it instead acts as setup to her still being alive. I think it's clear that her death fakeout exists to give us clues to her eventual return as well as deflect audiences from even considering it as we're trained to accept that foreshadowed events that transpire in most stories would simply be the end of it, but this isn't a typical story, this is Mission: Impossible, and nothing is as it seems and this film establishes that that's more true now than ever.
And if you're really going to kill Ilsa off, why do a fake-out at all? Why not just have her die later without warning and really shock the audience? Why already have the fans ruminating on the possibility early on and telegraph it long before it actually happens? Consider Julia's "death" in M:I3. The film starts in media res and there's a strong sense of tension throughout the whole film knowing that that's going to happen. Julia is going to get kidnapped and possibly die no matter what, but it's okay to spoil this scene in advance because she doesn't die. Because why would you tell the audience that's going to happen right away unless there's going to be some kind of twist where she lives? What's the point in watching the movie if you know that Ethan is ultimately going to fail and it's going to have a tragic, unsatisfying ending? Julia's death fakeout is a tactic meant to trick him and the audience and make him feel like he's lost only for the twist to be that he ultimately wins and Julia remains alive. I believe a similar tactic is being used with Ilsa which has the potential to be a very well-executed plot twist rather than a disappointing one if done correctly and not completely abandoned in the next film. I actually think that without the fakeout and just a sudden and completely unexpected death I'd feel more worried but, as it stands, I think the choice (among many others) actually serves to legitimize this all being fake.
After all, the best twists are ones that you can see coming if you're really looking for it and that's okay. It's okay that we've figured it out - that means the director ultimately did their job right. Some viewers, especially more casual fans, are taking what they were shown at face value and not considering there's any more to it. They're falling for the trick and that's fine too, because a good twist is one that is set up in a way that leaves clues but also remains largely hidden especially as the audience isn't looking for it. A magic trick that deflects us from seeing what the magician is actually doing. When Ilsa shows up in the next film, some people will feel rewarded for their observations and others will finally see all the pieces click into place that they disregarded before and both be satisfied, but I digress...
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Another huge scene to look to for clues lies in the team discussing the severity of the threat and really cementing just how difficult it's going to be to trick the Entity before the party. I think it's very possible that there are missing conversations here that we will not be privy to until the next film as Ethan would never let his friends be in such danger without having a real plan on how to protect them and the audience always knows what the plan is so when things go awry we're aware the complications were unprecedented. In this case, we really have no idea what they're walking into, nor do we see them effectively prep for it. Unless I'm forgetting something, why did Ilsa need to be at the party at all? Why would Ethan put Ilsa in danger like that for no real reason especially after already enduring those brief, agonizing moments earlier when he truly believed she was dead and had to consider a world without her in it and knowing that Gabriel has taken someone from him in the past? Ilsa is her own woman and can do what she wants, but we don't see him even trying to protest her inclusion and voicing fear for her safety for her to even refute.
The scene where Ilsa meets Ethan on the balcony afterward is incredibly short and could feel tacked on given that there's no real lead up to it, but it could very well be the aftermath of a heavy conversation where - feeling burdened by the weight of what must be done - Ethan leaves the room to think and Ilsa follows. She looks particularly chipper here despite the seriousness of what's going on and I believe her benign comments about Venice are purposefully meant to distract Ethan in an attempt to cheer him up. Notice how he shakes his head a little after he answers, like he knows what she's trying to do before giving into her and hugging back. She's calm because she has faith in the plan while he's nervous about it. As a side note, I think it was a touching detail to have Ethan return to this same balcony to grieve (publicly).
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We also see Ethan and Ilsa looking at each on the boat before he takes her hand on their way to the party. This, of course, acts as yet another sweet gesture to showcase how strong their relationship is at this point but, again, Ethan doesn't seem that happy. This isn't a relaxing date (which they deserve), he looks tense as he takes her hand. Notice how he's fidgeting as he strokes her fingers and rubs his own fingers together in his free hand. It's like he's trying to hold onto her as much as he can knowing what's going to transpire and, once again, Ilsa looks like she's trying to comfort him by stroking his hand back, never taking her eyes off him. It's a nice continuation of the dynamic of their previous moment together.
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And, if this is truly Ilsa's last outing? Why hold back on basically every aspect of it? If it's truly Ilsa's last fight, why not make it her biggest, baddest fight yet that showcases all of her skill but also begins to feel truly unwinnable? We've seen her face intimidating foes before, so if she's truly going to meet her match, you really need to sell to the audience that all her usual tricks aren't working and let us see on her face that she knows she's losing this fight, which would also help build a sense of dread. I've only seen the film once at this time, but I don't recall her looking too worried at any point at the party or during her fight with Gabriel. She's a brave and skilled woman of course, but she seemed incredibly unfazed by it all, almost like she knew how it was going to go. I want to add that there's no way of knowing for sure when entering into any fight that you're guaranteed to survive. Gabriel could have stabbed her anywhere and there'd be no way to anticipate that beforehand but, as I've seen pointed out, her hand is also on the knife when it plunges into her chest. The only way to know for sure where the blade would go to look deadly but still survive it would be to guide it there herself and that seems like something the skilled Ilsa would be able to pull off.
And if it's truly Ilsa's end, why not go out of your way to make it as sad as possible? What if Gabriel leaves her just alive enough for Ethan to find her and they have a heartbreaking final moment together where they perhaps exchange a line or two before he watches her die? Of course, to add insult to injury, the grieving process is pitifully brief, focusing more on Grace's reaction than Ilsa's own friends. Why not have a stronger reaction from Ethan, Benji and Luther that absolutely breaks the audience's heart? Just compare Ethan's reaction to Ilsa's death to the assumed death of Julia in MI3, the other love of his life. Yes, technically, that was a very different situation and Julia was his wife after all and Ilsa isn't, but they don't even compare. Heck, we even get to see Ethan mourn Lindsey, a friend, in M:I3 longer than Ilsa. I understand that the movie can't languish in sorrow for too long and Ethan is used to compartmentalizing to get the job done, but this is also one of the biggest losses he's suffered and right on the heels of proclaiming to his friends how he'd never let anything happen to them. This is also the longest movie in the series so far and it has no excuse for skimping on the aftermath of the death of one of its biggest and most beloved characters. Ilsa's death is sad but leaves you feeling more empty and disappointed than utterly devastated - at least for me.
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We've also seen Ethan act before, as is a necessary skill for a spy, and I think the fairly subdued reaction to her death speaks to his ability to act realistically sad (he's had practice for this exact situation too as he's probably channeling all the awful things he felt when he believed her to be dead at the beginning of the movie) but also speaks to the fact that it's not actually real because if it was I think it'd be a far stronger reaction. Yes, Ethan could just be becoming desensitized to losing people after enduring it so many times but I don't think he'd hold back for Ilsa. His partner. His equal. Someone he loves deeply and offers his only chance at a life beyond this. That chance, that love, that happiness, are now gone forever and that's not something you just take in your stride.
And yes, maybe Rebecca needed or wanted out of this franchise to film other projects but that's only more reason to give her the best sendoff you possibly can and I don't think anyone, not even the director himself would be able to admit that this was worthy enough of her character and respectful to Rebecca. If even her final fight was, for whatever reason, purposefully undercut, then what else did the director choose to take away despite having so little to begin with and why? If, historically, it's not in his nature to pull something like this based on his previous work in the series and his own passionate comments regarding the character, why would he now? It's the overall lack of care in regard to her character all of a sudden that makes it all feel fishy.
And if this is it for Ethan and Ilsa, why not push the romance? Instead of just a hug on the balcony, why not feature their first kiss or, at least, a much longer conversation that cements where they really are before it all gets taken away? If the director attempted to include a kiss in the past but scrapped it because it wasn't the right time, he probably intended it to happen eventually. Why not sneak it in right before she dies if these are their last scenes together anyway? Maybe a kiss would only serve to telegraph her demise further by making the audience more nervous about her fate, but it also would have made it even sadder knowing they had finally reached that point right before she died. If the intention of all of this is truly just to make Ethan and the audience sad and it's going to hurt one way or another, you might as well push it as hard as you can to achieve the desired effect. Regardless, I believe that when she comes back in Part 2, they'll finally get that well-earned kiss and that's what the director is waiting for.
But why have Ethan lose another woman he loves at all? Why watch him go through an entire series where all he does is lose lovers only to have him ultimately end up alone especially after developing the perfect romantic partner with him and getting audiences on board with it over the course of multiple films? It all just feels unnecessarily cruel and, as it's nothing new for him, what is it really adding to the story or his character? Losing another lover is predictable at this point but bringing one back and actually letting him be happy? Now that would be a twist! What a triumphant moment it would be for Gabriel to see Ilsa return in the next movie (and perhaps have a rematch) and realize that he's the one who'd been duped? That the Entity is not infallible? That Ethan has been one step ahead of him this whole time?
I don't think I'm alone when I say that the best possible ending for the series and Ethan's story is to get to live his life with Ilsa given he wasn't able to with Julia, trusting the IMF in the hands of new operatives like Grace to carry on in their stead (notice how they focused on that other new recruit during Ethan's introduction as well like they're preparing him to pass the torch). He finally gets to go with Ilsa like she asked him in Rogue Nation and in Fallout and they both finally get out of the game and live happily in the peace that they helped ensure and so deeply deserve. Ethan has sacrificed his own happiness to save the world so many times, why can't he and Ilsa finally get to find some happiness with each other? This series has had it's bittersweet moments but it's never been a tragedy. The conflict is meant to feel insurmountable (it is called Mission: Impossible after all) but the heroes still win and get to be happy and I expect that to continue to be the case in the very end.
Now, I understand and agree with confronting real consequences as we face our final antagonist of the series, but I would honestly predict an actual death from Luther or Benji in the final film - staples of the series and longtime friends of Ethan - that would hurt the audience too but not steal a future from him and perhaps Ilsa's "death" is also meant to deflect from the real death that's coming which would still, naturally, makes things very bittersweet. That being said, if this series wanted to continue to lean into happy outcomes over sad ones, then simply having Ethan get to live peacefully in the knowledge that he was able to keep all of his friends safe would be enough for him and for me.
As of now, I'm actually feeling hopeful about the potential for Ilsa to return. I think there are currently more viable reasons for why she could still be alive than dead and I think it would vastly improve the story they're telling rather than take away from it or feel forced because, as it stands, the execution of her death does feel less than the caliber of what this series is capable of and a surprise return would certainly remedy that. It wouldn't feel like a gimmick given the nature of the series, nor do I think it would undermine the death scene we got since it didn't have any impact on the plot and barely any on the characters anyway. Ilsa returning would improve things, not take away and if this all works to bring her back, it will take what was a lackluster plot point and unceremonious exit of a major character to a brilliant showcase of subterfuge both for the characters and the audience and the latter sounds more like the Mission: Impossible I know.
The first time Ethan faked the death of a woman he loved to protect her; he lost her. Now he's had to do it again and this time, he'll get her back. There's still hope.
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