#but his whole character development IS him trying to understand his past and facing it rather than running away

[fake-ascension]

people who scream 'dan heng is NOT dan feng whatsoever' yet always tag any dan feng content as 'dan heng'

[stagefoureddiediaz]

We’ve been looking at this all wrong the entire time...

So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!

This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!

Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.

Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past -  that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective. 

Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours. 

We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!) 

We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.

As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.

While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is  still reeling and incoherent so bear with me - I hope it all makes sense.

Right this post is super long so the rest is going below the cut! I hope you enjoy!

Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.

These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair) 

7x04 

at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans

at the court - light grey marl cut off hoodie and bright blue shorts

at Bucks loft - red/black short sleeve henley and stone wash jeans

7x05

at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)

coffee meet up - light grey henley and navy blue hoodie with mid wash jeans

7x06

karaoke club - navy blue short sleeved henley

7x10

light grey marl tee and greenish denim shirt 

So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.

Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!

Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)

Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.

Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different.  Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.

Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth  (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.

The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially. 

So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him -  but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life.  Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.

But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.

So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.

All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy. 

Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).

There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of. 

The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.

This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.

We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the  taylor ‘I kinda love you for it’ scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.

I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.

If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue.  Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer.  Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.

Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.  

Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.

The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.

At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post).  The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.

We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself.  He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.

Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.

Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.

We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season! 

The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.

Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.

Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there.  S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.

Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!). 

Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way.  This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!).  It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.

It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!

Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!! 

All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!

Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!

Tagging some people who asked (and some who didn’t but might be interested anyway!)

@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil

@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo

@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx

[aromacaque]

I have a question for you: Do you think the narrative treats wukong and macaque unfairly when it comes to Consequence or their actions ?,like mistakes they make in the series story,how characters treat them,like how wukong got called for the samdhi fire and not macaque that hurt Mei and tang,when he forced tang to Release it.

TLDR: No.

Macaque does get called wrong for what he does?? I've seen a lot of takes and stuff that get annoyed at him for having a redemption without him apologizing first and stuff floating around, but I honestly can't even understand those because he hasn't fully redeemed himself yet. His character arc isn't over. He hasn't even gotten enough time to develop that direction yet. He's very much an anti-hero narratively, always has been, and he's only just now starting to stray from that but I'm not sure by how much.

If he apologized at all in season 4 that would've been awful, out of character, and so forced. In season 5 not only would it still have been out of character and forced, but there was no time for that with everything else happening. I do not want to see him do that unless he works his way to it properly, which he hasn't.

He's a really morally grey character and the show isn't even trying to hide that narratively because he's always treated as his own unit separate to the others. That is only POSSIBLY starting to change after season 5 since he's getting more involved with the whole group, but we'll find that out in season 6.

But also I wouldn't be surprised if he never apologizes. I think the entire main cast has started to see him as "the weird emotionally repressed monkey who doesn't know how to talk to people normally and is a little bit of a freak about it" which like, y'know. Not a conventional forgiveness by any means. It's acceptance of him being there at best. I also think his actions are meaningful too. Red Son has also never apologized, and yet his actions have pretty much done it for him. Red Son feels easier to forgive because his antagonism was always on the more comical side, but I think that point still has standing.

I think there's an unbalance in how much of Wukong's side we see, but I don't think that's a narrative issue either. For one, I think they've been building up to it. These two aren't the main focus of the story (which only has 10 episode seasons with 4 episode specials) so it's gonna take a while. They're a B-plot at best, realistically probably more of a C-plot. Macaque is more willing than Wukong is to talk about what happened between them, too. Wukong tends to shut down when he's faced with things about his past that genuinely upset him. He doesn't talk about the pilgrims because he still grieves them. He isolated himself on his mountain for 600 years after imprisoning his last "friend" (DBK) that was still alive and came out of that isolation in hopes to "retire."

There are a lot of visuals and hints/clues to Wukong's sides of things and his feelings. With the rock of their painting still being there after all these centuries, knowing that Macaque is implied to be a large part of what he was getting stronger for (and what he sees as his worst mistake), the way he treats Macaque in general which is an exception to how he treats everybody else, etc.

I think, if anything, how closed off he is regarding information about Macaque reveals a lot about Wukong as a character because he's really avoidant. Which speaking of...

The main issue the others have with Wukong has always been his lack of communication with everyone, generally. Which is only made a big deal in seasons 2-3. He had a tendency to handle things on his own if he felt like nobody else could, but he does that without telling anyone what exactly his plans are. He shoulders way too much responsibility in season 2 and 3, which ironically makes him irresponsible.

Mei's issue with him in season 3 is that he was leading them into a very dangerous plan without telling them exactly what was going on, and also while withholding information from them. On top of his negligence in season 2 causing MK a lot of issues. Both are understandable things for Mei to get upset at him for. He makes up for it by apologizing to MK and being more communicative. Their relationship seems fine after season 3.

Pigsy is the only other one who had genuine issue with Wukong, which makes sense. He's MK's dad. He also feels like Wukong let MK down in season 2. He's the first to find out Wukong is withholding information in season 3. He still treats Wukong with respect, Pigsy is just like that and is protective of MK. He also doesn't like Macaque so it's not a Wukong specific thing.

Same with everybody else, his relationship to Wukong seems fine after season 3. They all help him with his house after it gets destroyed because he's their friend and they care about him. They wouldn't do that if they had a big issue with him still. Well, Sandy would, but more importantly Pigsy and Mei help with it. Tang gives .. moral support? But he's also there.

Wukong gets mad at Macaque for what he does during the samadhi fire, but Tang stops him because there was a part of him that felt compelled to do it, which is really important because it's part of establishing Tang's powers and connection to the golden cicada (reincarnation, descendant, whatever all of them are) but also Wukong attacking Macaque there wasn't gonna help anyone in that situation. On top of being in character for Tang to stop him, he doesn't like conflict much. He also learns a bit about Macaque in Benched and I think Tang is smart enough to know Macaque is a little more complicated than just being a villain because he attempts to talk Macaque out of hunting them down because he realizes that he'd have a better shot at defeating LBD with everyone. Which Macaque literally can't agree to because he CAN'T switch sides without getting killed, but I digress.

Not to mention, I think all of the characters are aware Macaque is on his own side. MK is immediately because he knows Macaque. Tang figures it out. There's always room to work with him if the right cards align, unless he's being forced on a specific side against his will.

I personally think it's made obvious enough that Wukong has good intentions with his mistakes. The fandom villainizes him a lot for some reason. Genuinely don't know how because the show certainly isn't doing that. It's also pretty well established, in my opinion, that Macaque is an unreliable narrator and what happened between him and Wukong is more nuanced than he makes it out to seem. That's PROVEN in season 4!!

Also not sure how Macaque is always characterized as the more mature one in the fandom. In the past? Macaque was more mature. Seasons 1-3? It was Wukong. Season 5? They're kinda starting to get on equal footing more... sorta.

In season 4, the brotherhood brings up a lot of Wukong's past mistakes, because that is what gets him imprisoned by heaven, but it also makes it really obvious how much he has changed over the years. To me, the way it comes across, is that the writers are putting emphasis on how guilty Wukong feels for his past behavior. They are not telling us that he's a bad person. Wukong constantly feels like he's making up for the person he used to be before he met Tripitaka and he spends the entire series trying to mitigate any possible hurt he can cause. That's why he keeps pushing them away at first and why he doesn't want MK responsible for LBD whatsoever.

And, to be honest, A Lifetime of Past Mistakes was largely about his and Macaque's relationship more-so than it was about the other things. It just reaffirms and pushes into the viewers face that the brotherhood is in the wrong with only a little grey area.

Azure shows up claiming to help, then pulls the rug out from Mei and MK's feet because he was manipulating them the entire time, and the only reason they didn't know is because Wukong literally was not able to tell them. A Lifetime of Past Mistakes basically just shows that Wukong became too power obsessed (anybody who has read jttw already knew that) and it reinforces that the brotherhood's intentions had been misguided from the start and Azure was the main contributor to that. Wukong played a roll, but it's not like Wukong lead the brotherhood astray. They were already doing that to themselves. Wukong was the only one to break out of that and change for the better.

Azure's issue with Wukong is unfair to him too! He blames Wukong for everything wrong that has happened, but MK is the one that points out how unfair that is by verbally telling them to his face, "None of this was Monkey King's fault." Because it literally isn't. Wukong isn't responsible for his past enemies mistakes. Any of them.

Even Macaque himself acknowledges that he believed (past tense) Wukong was a bad guy because Azure wanted them all to believe that, but when Wukong "betrayed" the brotherhood he was imprisoning them most likely for what they were doing to the land. Like they literally killed the entire land around them. They're not good people they were killing the land. Macaque doesn't even like these people even remotely. The brotherhood wasn't good at all, even though Azure had good intentions.

I SEE SO MUCH MISCHARACTERIZATION ABOUT THIS IN THE FANDOM IT DRIVES ME INSANE BECAUSE THIS ISN'T EVEN SUBTEXT THEY VERBALLY TELL US ALL OF THIS INFORMATION. I usually don't bring that up in more analysis-type posts but I have never been in a fandom where I'm constantly wondering if I'm watching the same show as everybody else. I remember there was a joke a couple years ago about like "lmk fans have never watched the show" but sometimes I don't know if it's a joke ..... How are people villainizing Wukong and not Azure. I don't think either of them should be fully villainized, but if either of them are going to be how would it ever be Wukong I feel like I'm going insane over here tbh.

Also even in season 4 they are all (bar MK and Wukong, who have a dif relationship with him) still scared of (or unsettled by) Macaque, and in season 5 nobody interacts with him enough for us to really know how they feel about him. None of them really interact with him though, besides MK and Wukong. MK still has his own hold ups about Macaque, but MK is also the same guy who saw good in Macaque, because he's always been an anti-hero narratively, and convinced him to help them fight LBD.

Nobody even announces concern for Macaque after he sacrifices himself except MK and Wukong. Nobody announces concern over him when he uses too much of his power except Wukong. Nobody thinks to look back for him or include him at the end of the world except Wukong.

Macaque also shows a considerable amount of concern for Wukong in season 5 as well. It's very balanced, they just have a very complicated relationship.

Sandy includes Macaque in the group hug, but this is Sandy we are talking about. He sees the good in everybody.

Macaque did help them save MK though, it's obvious that he's trying to be better (even if he hasn't verbally apologized to anybody yet), they all are at the very least vaguely aware he was working with LBD against his will, I'm not sure if they even fully know what happened during Shadow Play, and MK has been the center of most of what Macaque does. Wukong is on better terms with him so of course they'd let him celebrate with them.

There's a lot of different relationships and it's a lot to balance in the short runtime this series has. I don't think the writing is perfect and I wish some character dynamics got more time to have focus put on them, but overall the narrative is doing it's thing and I don't think it's doing it poorly.

Macaque is an anti-hero who is slowly starting to better himself and establish himself more into alignment with the protagonists. None of them have fully forgiven him, necessarily, but they are able to understand him well enough as a person and have relationships with him that are in depth enough to know he's not irredeemable or inherently awful. Narratively he is established as his own party, clearly not a great person, but we can also see that potential in him and see it grow as the series progresses. We can also sympathize with him, he's had a rough life and it's what leads him to making some poor decisions.

Wukong is a protagonist who is well-intentioned despite mistakes he may make along the way, is doing his best to be what MK needs, is able to realize when he needs to apologize and change his behavior if he's done something wrong, and is trying his best to do justice. We can see that he cares a lot about MK and his friends and would do anything to keep them safe while being non-violent and fairly level-headed, rational, and non-confrontational unless the situation seriously calls for it.

[marvelstars]

Hayden and Rosario interview on Ahsoka show S1

Hayden, what was it like to wear the animated Clone Wars gear and get the Anakin Clone Wars hairstyle?

CHRISTENSEN: I loved it, man. It was a really exciting version of the character, this kind of post-life Anakin that is this wise master that is an expression of the totality of the character with a sense of everything that has happened to him and that he's gone through and being able to wield both sides of the Force. It was a really exciting version of the character that I had a hunger to get to play, and I think audiences had an appetite for as well.

Loved this part in particular as an Anakin and Vader fan, post ROTJ THIS is what we want to see from him, to see Anakin and Vader unified in one character once again helping his loved ones from beyond the grave using his new understanding of the force.

How much did you have to think about calibrating your performance in terms of how much light side and how much dark side to show, because the dark side meter seems to change throughout this episode?

CHRISTENSEN: It was all on the page and it was very clearly mapped out and is sort of congruent with how the lesson is going, too. Anakin is trying to guide Ahsoka through this lesson without spelling it out for her, and she's kind of getting it, but she's also kind of not. And so then he has to switch to the dark side and is a little bit more to the point. He says to her, “You lack conviction.” You break down what the lesson is, and at its core, it is something that we all kind of go through at different points in our lives where you have to reconcile things in your past that are holding you back so that you can move on as a better version of yourself.

And so there's a progression to that lesson, and finally, Ahsoka gets it and the story moves on, and then you see Asoka just standing on that star bridge that then starts to fold into itself and disappear. And then you have that shot of the black liquid rising up her body. It's a really beautiful bit of acting that you did where your face is just about to become submerged, and you see some level of reconciliation that has taken place. It's beautiful. And then you get that shot from below where you see her just floating in the ocean. Visually, I just thought it was stunning.

DAWSON: I really loved that whole idea of her choosing to live, because we've sat so long with hearing Darth Vader say how much he's killed Anakin, and that Anakin is dead. And so that line for me had a lot of layers to it. She's developing herself to get to this next level. There's that beat just before when she grabs his saber that you see — and it was nice seeing the fans' comments saying, “Wait, did her eyes go red or did they not?” And that is that beat and moment.

What I love so much about this story is that it is always a constant choice, and that's why you're vulnerable potentially, because it's never like you just make the decision and you get to just be of the light or of the dark forever. It's constantly a choice you have to make every single day, and you'll be continuously challenged and tempted. But it's finally her starting to let go of the conflict of it. She's held onto trauma there for a long time and it was really powerful to be able to have this opportunity to heal that part of herself and be able to ascend to someplace else.

Indeed the dark and light side are a contant choice by the person and Ahsoka´s problem was the fact she was using Anakin´s and Vader´s existence and connection to her to keep herself connected to her trauma and stop herself from forging new relationships, with Hera, with her Padawan or basically anybody else who didn´t belong to her past because she was still mourning them and Anakin/Vader death was too fresh for her to let go of it so easily so she needed this moment with Anakin to get over it, to keep growing into herself, to relearn the fact she is alive and many of her friends are not isn´t a reason for her to not be happy.

Anakin used his Vader persona to force her into making the choice to truly live her life and stop using him as an excuse for not doing so, totally in character for him.

So her decision to live means she isn´t just going to keep herself away from the darkside, she is going to forge new connections, grow beyond her trauma as a child soldier and become the person she always wanted to become a good Jedi able to guide her apprentice towards a new stage for the galaxy without her past being a burden for her but a support for the person she has become, knowing she is never alone.

I liked the idea of Ahsoka´s decision was linked to Vader saying Anakin´s is dead, because in a way Vader choose to live a half life after losing everything, he lived purely for the cause of the Empire and the Emperor, Anakin´s life was done and then he choose to kill the only connection left he had, the Emperor and die for his Son to be safe and the rebellion to win, something he didn´t regret at all and tought a fitting end for him and while their situations are quite different, he didn´t want Ahsoka to live like that out of sorrow when she could live her life so much better with the connections she forged and the future ahead of her.

How much is Anakin part of her story moving forward? I know you’re not going to give me a direct answer on that, but we do see Anakin as more of her story after that encounter. She's watching the training video with him, and there's that scene at the very end of the season where his force ghost pops up. She’s had this struggle ever since Anakin turned to the dark side, yet they now seem to be aligned again. What can you say in terms of the relationship between those two characters now as we head into season 2?

CHRISTENSEN: You got this one, Rosario.

DAWSON: I will just say that as she puts on that hologram of him, you see that there's several of them. So I think there's that potential. But I love, also, not just being relegated to those messages and things that we might be able to see more of in the future. We've gotten to see from the films now into the show that he's been able to become this force ghost that brings him back to Anakin, who at the end of the day, when he went and ascended to that space, that's what he became.

And I love that she's got that access point. I love that that peace has continued and you get to see it reflected in him that he gets to enjoy seeing what his legacy has become in a different way. And if Dave Filoni is listening, I hope we get to explore that more, because the road ahead is not going to be easy. And I think that's been one of the really cool things about this story is a lot of these folks have been able to continue. I'm very into that sort of intergenerational openness of wisdom being passed on, and I would hope that she'd still be able to access that wisdom.

Hayden, I feel like you just did a Jedi mind trick and waved your hand in the air and said, “Rosario will answer this question.”

CHRISTENSEN: [Laughs] Look, as to whether or not we see Anakin again, I don't know. But as evidenced by that last shot of the series, he’s with her in spirit, and they continue to have this connection.

Exactly :)

[haleigh-sloth]

idk if youve written about this before but who do you think will heal like "fix" Rin: Isagi or Sae? (sorry for bad english)

(don't apologize!)

I kind of did

This was not too long ago and I still think feel the way I did when I wrote that.

I still think Rin's issues will be one of the core conflicts later on, seeing as how this entire PXG match was written to develop him further (make him more insane). Dedicating 200 chapters to developing one character means that character's conflicts are important and there will be more shit for that character later on. As far as fixing or helping (I get what you mean) I think it's gonna be a combo of both of them but more than that, Rin pulling himself together. Mostly because that's the pattern in Blue Lock so far. Nobody really discloses their baggage with anyone, the only one to do that was Bachira and that's because of how his relationship with Isagi is (very different from the other dynamics in the manga) and how Bachira just is as a person (very open about everything, esp w/ Isagi).

Bachira*, Chigiri, Barou, Nagi, Hiori, Yukimiya, Kaiser--> all of these people were "helped" by Isagi, but Isagi didn't do anything. He reached out to them to get them to collaborate and win matches. He was either met with resistance (Barou, Chigiri, Yuki) or willingness to make it work (Nagi, Kaiser**). Each time the outcome is the same though. Chigiri remembered why soccer was fun, so he jumped back in, Nagi realized what it's like to actually feel fired up about something, anything, Barou realized he can't just be The Way That He Is and win matches/be useful in matches/be a part of the team and given the opportunity/chance to score for the team. Hiori and Yukimiya found inspiration just playing with Isagi, Hiori moved past the pressure his awful parents put on him and found his own personal reason to play, Yuki and Isagi had a couple of Bad Moments and it worked out because they're both willing to admit mistakes and learn and change.

*Again, Bachira's situation was quite different from the rest, so we won't dive into his stuff here **Kaiser is unreliable and this comes with a grain of salt and that is an entire other post in itself, but the point still stands

Soooo moving back to Rin...I expect him to follow the same pattern. When you compare Rin's reaction to Isagi just PLAYING SOCCER and literally EVERYONE ELSE'S REACTION to Isagi just PLAYING SOCCER it's really wild.

Everyone else:

Rin:

Even fucking Kaiser started out acting like Rin and then shifted to feeling like everyone else (Kaiser and his unreliable narrating is a whole other post so I won't get into that here).

Everyone figured their own stuff out on their own terms (Not Kaiser lol). Rin should probably work out the same seeing as how he is seeing the same Isagi as everyone else but having a total 180 reaction. Rin is very much an anomaly though because unlike everyone else in the manga, he's stuck in his emotions and broken heart and can't get past it, and *his issues/narrative conflicts actually involve other characters who participate in the story (Sae). We're never gonna see Hiori face his parents or anything like that, so Rin is clearly a different type of story than everyone else.

*Kaiser and Ness but again, different post

Rin has two obstacles:

Figuring out what Sae was trying to tell him when he dumped him (in a fuck awful way, Sae is an idiot)

And the way he views Isagi

I didn't include "fixing relationship with Sae" as an obstacle because THAT will not happen unless he realizes #1. This story is all about "egos" (ego meaning finding your reason/motivation and not relying on anyone else). Rin always just wanted to be in his brother's shadow and Sae got really tired of that because he knew Rin was capable of more than that, so he dumped him.

Rin loses his shit a little (understandably honestly, really sad), uses his anger as a motivator (still missing the mark, that makes Rin codependent on Sae still), realizes there is finally someone who isn't just one of Rin's stepping stones (how Rin used to view everyone around him, first character flaw we see), and lost his shit a little more. Decided that beating Isagi was his next goal, which setting more reachable goals like that is good (it's what Isagi did with Kaiser), but because Rin has so many other unresolved issues he wasn't able to be normal about it and he let Isagi send him into a spiral/borderline meltdown on the soccer field in the PXG match LOL. Rin placed Isagi in the same playing field as his brother, literally compared the two saying he needs someone who makes him suffer in order to play to his fullest potential.

I don't think I need to explain why that thought process is completely fucked up lol. Sae legitimately hurt Rin. Isagi did nothing to him, so this comparison is evident of how desperate Rin is to keep finding a reason to play (his own ego).

I think the order of events for Rin has to be:

Get over this weird fixation on Isagi. Shift from letting Isagi ruin his life to letting Isagi inspire him like everyone else. View Isagi as someone to fight alongside and compete against without escalating into a mental breakdown lol.

Realize why he's playing soccer---> he SHOULD come to the conclusion that this sport brings him joy and it's fun. So far we've never see him really enjoy it. That's been the core of several arcs, Chigiri, NAGI especially my god (that's literally been the whole reason anything in blue lock has gone the way it has for Nagi lmao), Hiori. And even Bachira calls him out on it.

If things go that way---> THEN I think Sae will see this change and their relationship can mend itself. Sae just sees Rin as an annoying sibling who wants to ride his brother's ass and annoy him forever being happy with settling for living in a shadow (literally, this was confirmed by Kaneshiro that Sae does not view their little spat the same as Rin does, he thinks Rin is just being annoying, Sae is an idiot lol).

I also think Rin needs friends. He has none. Realizing that people are playing WITH him is started this WHOLE downward spiral in the U20 match, so for me it seems that Rin's endgame should be embracing the 10 other people he's playing with and enjoy it with them, not feel like he has to be alone and do everything himself otherwise he's not good enough. I think Isagi (and Bachira too tbh) will be key to this part of Rin's story.

To answer your question:

Yes. Lol.

[savetheacolyte]

Acolyte fandom, today we’re going to talk about Qimir!! What were your favorite moments? 😍😍😍

Qimir is fascinating. I love every scene with him. We first see him as a clumsy yet kind-hearted man, then as a strong, cold, and calculating one, and later as a vulnerable and charming lover. But what I want to see the most is his role as a mentor with Osha. He's an incredibly complex and multifaceted character!

The quotes he delivers, his personalities—everything about him is captivating. Qimir is a great character, very interesting. Leslye really did an incredible job assembling the entire cast of The Acolyte.

One of the things that impresses me the most about Manny is the chemistry he has with Amandla. Just watching the way Qimir interacts with Mae and Osha, you can immediately notice the difference. It's impressive! It's fantastic! Their performances are incredible, and it only highlights their dynamic even more.

As The Stranger, he's so intimidating, so strong, and always spitting out the truth. It was the first time I truly felt a strong connection with someone from the dark side. And that’s the point—because not everyone is evil for no reason, we’re all shades of gray. Giving that depth to both the Jedi and to him was really well done and exciting.

Manny trained for such a long time for his role as Qimir, and you can tell. His skill is amazing, and watching him do almost all his scenes, portraying this villain who, even though we knew it was him, the way they present him is really what matters. It was so impactful!

I especially love the dual choreography in his fight scenes, something that's rarely done well, especially when one fights against two at once. And the fight between Qimir and Master Sol in the last episode was incredible!! Manny’s performance was outstanding, as was the entire cast's. What an incredible job!

Something I want to emphasize is that, while this man is physically attractive, what really captivates women is how he understands Osha, how he listens to her and understands her. He’s a vulnerable man who talks to her, who’s kind, who gives her choices, and who considers her at all times. One of my favorite scenes is the entire episode 6 (because there are so many reasons I love this episode!). Every interaction between Qimir and Osha in that episode is amazing. He always gives her a choice. He makes her face herself, heals her wounds, sets her free, and sees her. He understands her because he has lost everything too. In contrast, to talk Sol and Mae, he has to knock them out and tie them up. Although I won’t deny it, that scene is chilling, especially when Sol tells him she won’t hurt him, but the first thing she does when she runs away is to chase her and try to take her down.

I love Qimir, and I want to see more of him in that role, but I also want to see more of his vulnerable side, to understand what led him to the dark side. I’m curious to know how he found Mae and how his training began. I want to see more of this magnificent duo. I also want to see more of the relationship between Osha and Qimir, both as master and pupil, and in their lovers’ role.

Qimir is a character full of nuances, and I love how Leslye did such a great job, a role only Manny could have played so perfectly. The whole cast did amazing work. What I love most is how Manny and Amandla would get excited every day to be on Star Wars. You can clearly see the passion and love they have for the saga!

It’s very important to mention that there is no Qimir without Osha or Mae, because his life is deeply connected to theirs since Qimir decided to train Mae. There is still a part of his story we don’t know, but once we learn about his past with Vernestra and Sol, we’ll truly see that his journey revolves around training Mae and then Osha. This relationship is crucial to the development of all their stories, and it's a key element we want to explore—the important bond between them.

[fieldofheathers-stuff]

The Silco saga, Part 3: The Eye

*This is the third (well, actually fourth) post in a series I’ve lovingly dubbed “The Silco Saga, a retrospective after Season 2”. It’s halfway between flow of conscience, meta, headcanon and review, spawned from my Arcane brainrot (and recent S1 rewatch) and vaguely aimed at trying to reevaluate the entirety of Arcane with a focus on my Main Man™ Silco. Here is Part 1 (on how S2 handled Silco and Jinx’s relationship), Part 1.5 (miscellaneous thoughts regarding timeline issues and Silco’s actions towards the kids in S1ep3), and Part 2 (Vander and a bit of Zaundads, yaaay).

Please feel free to comment! I love hearing different perspectives on this show.

----------------------------

This will be a short one, but I need to get it out of my system. I just... love, love, love Arcane's use of visual language (and specifically character and environment design) to wordlessly communicate story beats. The whole show is just a perfect synergy of writing and artistic talent, where both contribute to craft a deeply layered and meaningful story.

Silco's eye is such a perfect example of this. To use the eye as a symbol of his corruption post-drowning is such a genius intuition, because it's symbolism is so immediately understandable yet also layered with meaning that is incredibly specific to his character.

There are plenty of characters in popular media where facial disfigurement is used to convey duality and corruption (the most obvious example being DC's Two-Face), and Silco could have easily gone down this well-traveled path of character design. However, by focusing on the corrupted eye in particular, this element instantly specifies the meaning of his mutilation.

Vander's violence didn't just impact him phisically. His scars don't serve just as a constant reminder of the ways in which he (and the world, since the Pilt's toxic waters are an effect of Piltover's exploitation of the Undercity) wronged him. The violence inflicted upon him distorted his vision of the world, metaphorically and literally. He is forced (first by Vander, and later by himself) to view the world through a monstrous filter.

I wonder whether him having to constantly inject Shimmer into his eye is meant to symbolize - or rather mirror - the coping mechanism he uses to deal with his trauma. Silco is shown constantly revisiting The Drowning™ as a crucial moment in his development as a person, and while in his personal narrative he reframes it as a positive and cathartic experience, we are aware, through his flashbacks, that the moment was anything but. Him needing to constantly inject Shimmer into his eye is the physical equivalent to the psycological ritual of "healing" he performs by reframing his trauma as a moment of self-improvement (and literally dunking himself in the Pilt, Silco you madman).

It's only logical, then, that the injections don't seem to work long-term. It perfectly mirrors his psychological state: as the story goes on, we see how his narrative of death and rebirth is just a superficial fix, a solution which could perhaps be sustainable for him alone, but inevitably crumbles as soon as he attempts to apply it to another person (Jinx). Jinx's tragic arc in S1 reveals the fault in his vision: there is no healing to be found in rewriting your past by cramming it into a narrative that suits your feelings and "killing" (denying, hiding, repressing) the bits that you don't like - or that are too painful for you to face.

It's deeply symbolic, then, that he still keeps his scars in the Best Timeline™ of S2ep7, but there's no sign of infection or (what I assume is) Shimmer corruption: the wounds are still there because the past can't be changed, but he is shown to have been able to shape it into something stable, manageable. It's what healing actually looks like: it's neither a return to an umblemished state, nor a rebirth into something completely new, but rather an integration of the past and present self into a whole that is not just the sum (or, in his case, a subtraction) of its parts.

[unvsannvs]

Okay, I was hit with a wave of realization on my rewatch of this whole scene.

Intense House MD finale analysis below the cut!

House is pissed at Wilson, but then looks at his Vicodin in his hand, giving the most hurt, distraught face I’ve ever seen as he remembers the torture that he and Wilson endured, recalling his trembling hand easing that same pain medication into Wilson’s mouth; House remembered the whole night, and most likely that particular scene, as Wilson begs for morphine, yet could only be supplied those shitty pills. Ultimately, this harsh reminder makes House decide to let Wilson do what he wants; out of guilt, out of understanding, so be it (I’ll explain what I believe it is in a minute.)

On top of this, it transitions from House looking up with that face, sighing shakily, to Wilson, alone in his dim and hollow kitchen, clearly thinking about House as well. It transitions to House again, playing the piano, and glancing up, immediately going back to Wilson, to demonstrate how they are both overthinking their entire lives with each other at the same time. As Wilson goes to grab a drink, this reveals he is thinking of House in a bad light: he’s still pissed at House and he’s looking to repress it through drinking, just as House was pissed at him before making his decision in that recent clip with the Vicodin. But, seeing the Oreos, and being hit with a wave of fondness (his weakness), Wilson then decides to let House have what he wants.

Essentially, their parallel scenes here demonstrate both House and Wilson making their switch in choice to value the other persons needs above all else, and worst of all, they both are persuaded by the one thing that has defined and attracted their characters to each other from the start: House’s misery and recollection of his worst past time with Wilson from seeing his Vicodin persuades him to change his mind for Wilson’s sake, while Wilson’s fondness and recollection of his best past times with House from seeing the Oreos causes him to sacrifice his last decision for House’s sake.

Yeah, that casually slapped me in my noggin. I think I have a scar. Now, you can assume from this new angle of information what you will, but House could have changed his mind for countless reasons.

One idea is that Wilson making this life and death decision for House instead of himself causes House too much grief (House spent a whole episode about furniture trying to get Wilson to do something for himself, and Amber did the same; ‘female house’ doing this as well was a way to emphasize House’s belief that Wilson needs to be more independent and value his own personal wants over others when decision-making, let alone the one that decides his fate).

Maybe, House realizes that he feels incredibly understanding of what pain he let Wilson endure on his sofa - emotionally and physically - and ergo, is scared for Wilson, and can’t stand the thought of him going through that pain again, but in the one place Wilson begged not to be. As House looks at the Vicodin, he envisions Wilson become depressed and constantly in pain like he’d been on that couch, in an awful reflection of House himself from the one person he cares for the most, and all for the sake of House alone, given that in Wilson’s view, he has nothing else to live for.

Another could be that this reminder pushed House to feel a spark of need/love for Wilson’s presence, but more for his fuller, happier and guilt-free self for five months than the pitiful, unwanted version of Wilson in a hospital bed for an extra year.

It could easily be all the above, and most of them blend together anyway. I feel House changed his mind on account of all of these and many more (please let me know what you think it is! I love angsty stuff), but to summarize, this clip leaks way too much about House’s character development, showing the emotions that drive him to make the decision of letting Wilson be, and enjoying what they have left together, against all firm opinions he has well established throughout the show, as well as it demonstrates the climax of Wilson’s sacrificial and selfless behaviour being rejected and put to rest, as they both decide what’s best for each other rather than whatever their characters were full-force dedicated to before (Wilson’s selflessness and House’s selfishness).

[thecollectivefixation]

Deadpool and Wolverine thoughts

OH MY GOD.

This movie was so good that it brought me back from the dead. HELLO?

As always this post will contain spoilers.

plot - themes of purpose and belonging and finding their place in the universe

Let's start with how Ryan Reynolds and Shawn Levy tackled the whole phase 3 multiverse MCU and adding Deadpool into it. They did it so well omg. In Loki and current Marvel there's a focus on "the scared timeline" (also known as Earth-616) and how important it is. However, Deadpool is no longer in Earth-616 he's in Earth-10005. And when Deadpool is faced with his whole reality dying because the anchor (Earth-10005 Logan) has died he fights for his timeline to live. I really like this idea because it brings light towards the these timelines are just as important as the scared timeline even if their importance (the anchor) dies off. So he grabs a Wolverine who is hated by his own timeline and is assumed to not be his reality's anchor because he wasn't the hero he was meant to be. (I'm also assuming that each reality has a different anchor such as Iron Man being Earth 616's anchor because since he's died everything has gone to shit). And since it was stated by Paradox that bringing a another Wolverine won't replace the anchor i believe that Earth 10005's new anchor is the friendship and bond between Deadpool and Wolverine. How their character's developed and learned, together they are now intertwined.

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In his universe he failed his team. He convinced everyone that he was meant to be alone, that he didn't want to apart of a team. He closed himself off from friendships and trust in a team and that caused the death of the X-men team, he couldn't save them. Then he want on a killing spree thus sullying the X-man and Wolverine name. He questioned his self-worth and struggled with survivor's guilt.

When we meet him he was at his lowest low. Deadpool teams up with him and you could see the flabbagasted look on that man's face when he gets told that Deadpool's Logan is the most important being of his reality. He teams up with Deadpool on the "educated wish" of him being able to get sent back in time before his reality's events because its clear he struggled with a lot of guilt and regret and he is not proud of who he is. He ran away and his decision to run away haunts him.

Throughout the movie you can see him grow and start trusting Deadpool. Another turning point was when the outcast group and Deadpool plans to take down cassanova and get her to send them home. He think they are stupid for going onto that mission because they are going to get themselves killed. However, after a talk with X-23 he realised that in each reality Wolverine has impacted people and people put their faith in him. He realises that he has a second chance of helping and saving the people who trust him and wants to team up with him. He's determined to help Deadpool save his 9 most important people of his life.

At the end when Deadpool locks in out and Deadpool plans on scarificng himself, he doesn't run. He doesn't run because he wants to make this right. He won't waste this second chance and if he's going down he's going down trying to save Deadpool's whole world (nine people) because he trusts Wade and he couldn't save his whole world (the x-men). He actively puts all his strength into breaking down that door. After when the TVA says that they won't send him back into his past to fix his mistakes he understands that without those experiences he wouldn't have done what he did. He's proud of who he's growing to be.

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Now before this movie I never was a big fan of the fantastic four or the X-men. In fact this movie has caused me to start watching the X-men movies and ofc I' loving it. So watching the movie I was a bit confused about who all these characters are and started to research after watching the movie. It's really great how Ryan and Shawn brought these characters back that have either been forgotten or recasted. Chris Evan says that he loved playing Johnny Storm again. Bringing Gambit into the movie when his character originally got cancelled was also amazing. Because in the MCU theres this big focus on the main characters that we don't see a lot of the hidden heros of the MCU. Even references towards characters like Moon Knight with the Cup Cake truck made me very happy because I love Moon Knight.

Anyway overall I loved this movie and have many more thoughts on it.

I'll make a post talking about Deadpool character arc if you want lol

(also if i got anything wrong because I'm very new to the X-men universe and haven't really edited this post well. Please comment lol. And please also comment your thoughts because I want to know.)

-Bookworm

[bird-inacage]

Love Sea the Series: Trailer (Tongrak's Love Story with the Island and it's 'Ocean')

You know me, I'm back with another analysis. This time in response to the Love Sea trailer. As I was writing this, it led me to frame our two central characters' differing outlooks as follows. Let me explain.

Tongrak 'We're not a work of fiction, fairytales don't exist' Mahasamut 'We're not a work of fiction, life doesn't follow a script'

STRONGER THAN FICTION

"Didn't I tell you, I don't believe in love. I don't believe. It's not even real to me. Between us, there's nothing more than sex." What seems to fundamentally scare Tongrak is the very idea of love itself. A belief that prevents him from accepting that anyone could love him, or that he has the capacity to love anyone in return. Because love is a construct. A fantasy. A work of fiction. Love to Tongrak is just a fairytale, it's not rooted in reality. The passages of love in his novels could never truly imitate life.

So understandably he begins to feel shaken when his relationship with Mahasamut challenges everything he thought to be true. That what he's experiencing is in fact inspiring his writing. Because it surpasses fiction.

"Everything is up to you to decide. You can pay me as much as you want. But what you can't decide on paper, is that you can't make me stop loving you. You have no right to do that." Mut seems to insinuate that as an author, Tongrak is used to controlling the narrative. This is where he feels most safe, until Mut came along and threw that into jeopardy. Here, Mut seems to declare that he isn't just some character in Tongrak's story. Nor are his feelings. He has agency. Their feelings for one another aren't just lines on paper. Real life does not operate in this way, it veers off script. That's the beauty of living. Mut's life is one dictated by the elements. One that teaches you to be resilient, to take what life throws at you by embracing the curveballs. And love is no different.

A TRANSACTIONAL AGREEMENT

Tongrak offers to pay Mut initially as a means to get him off his back. "How much do I have to pay you, to stop you bugging me?" This is then used increasingly as 'a convenient excuse' that escalates as the plot ensues. I predict that Tongrak continues the guise of paying Mut as a pretence to spend time with him.

By doing so, Tongrak is creating a false of security that is twofold. One, that he's able to keep Mut by his side as long as he pays him. Two, convincing himself that Mut's motivations are driven by financial benefit. Framing this as a transactional relationship means Tongrak doesn't have to face what is developing beneath the surface. This also instils an illusion that he can procure the outcome he wants, which is to keep Mut by his side.

As Tongrak's feelings grow, this becomes an even flimsier front. "How much do I have to pay, if I want to take you to Bangkok with me?" You can hear how desperate he sounds. Whether it's a matter of pride or otherwise, Tongrak seems inclined to attach his request to an incentive. He may be too afraid to confront the possibility that Mut could willingly leave his life behind for him - because that would be out of love and not monetary gain. So Tongrak gives Mut a reason to do so. A reason he deems fit. One he can live with. I think Mut can see through this too, and plays into the whole charade, but ultimately all Tongrak would have to do is ask. "I'm willing to be your dog." (Just say the word).

"If someone who is not highly educated like me understands, between the two of us, there is nothing more than an agreement, right?" Even if Mut is very emotionally mature, and plays along to make things easier for Tongrak to swallow - Tongrak is still trying to deny feelings they share which have long gone past just an 'agreement'. (You do feel something for me though, right? This is just smoke and mirrors but you do care about me, right?)

THE FEAR OF DEPENDENCE

In the latter segments, Tongrak displays evident dependence on Mut. It's as if Mut's aid in his survival on the island has now imprinted on his life as a whole. Tongrak gradually embraces the guide that Mut is, to lead him on an adventure with no particular destination. There's every possibility that this is what Tongrak was afraid of. Of relinquishing control. Perhaps hesitant to do so in the hands of someone younger, more boisterous and seemingly carefree. Someone he wrote off as a "dumb kid" with little substance.

The diving scene could very well be a metaphor for this. Tongrak agrees to do something that requires trust in Mut's expertise, by putting his own safety in Mut's hands. And when he does run into trouble, Mut is there to literally bring him back to life. He begins to recognise that Mut is a man of responsibility, someone he can rely on.

There have been hints that Mahasamut is also going through his own battle with loneliness or isolation. Fort says "and now Tongrak is by your side, you are not alone." MAME also comments that "Mut is the guy who is as strong as a castle. The wind and waves can't hurt him. But Fort proved that a strong man can cry." I think that as Tongrak starts to realise how much comfort and reassurance Mut provides him, he'll want to return the favour. How can he be that same emotional support for Mut to lean on?

What we're about to see is not just Tongrak's love story with Mahasamut, or 'an island', but a whole other life he may have never lived, had they never met. Mut's interception into his life is rewriting the narrative he had consciously or unconsciously dictated for himself.

Note: As with any of my metas, I am basing my interpretations on what I have seen alone. I haven't heard any spoilers from the novel.

[ichigokeks]

ThamePo EP 8 long analysis

First of all, I have to voice what I love about ThamePo the series: Thame is very mature and emotionally intelligent. He always communicates when a problem arises and insists on clearing things up. He made clear that Jun is his friend and he does not want to sacrifice a friendship over love but at the same time emphasises that he truly loves Po and will not give up on his feelings. He can value both. I cannot recall a character making this option available and communicating this so clearly. He also told Po to stop accepting everything and instead speaking up when something is bothering him. This is especially important to Po who has been taken advantage of in the past. Thame asks Po to make direct requests of what he wants, so he will do his best to fulfill them. This was better than any love confession because in the end, this is what love is about.

However, Thame's maturity clashes hard with Jun avoiding confrontation and conflict. At this point Jun's character just seemed badly written next to Thame. His actions are neither logical nor genuine. He claims all of his flirting with Po was to make sure that Thame really has feelings for Po. That was a blatant lie and complete nonsense. How does this help Thame understand his feelings? The whole jealousy part is not needed and even if, Jun saw Thame's jealousy and anger, that should have been the end of it. Instead, he actively flirted with Po, signalling his interest by constantly showing up. Why would he be at the cinema, why would he take Po to that private room in the bar, sing to him while holding his face? Po had already clearly stated several times that he liked Thame. It rather seems like Jun actually liked Po and the second he realised that Jun would lose this because Thame and Po had mutual feelings, he withdrew.

I feel sorry if Jun is just heartbroken because of his unrequited feelings but his actions were quite harmful. He risked his friendship with Thame and at that also the unity of MARS just to "make sure Thame had real feelings and treated Po right"? That sounds ridiculous. He forcefully interrupted Thame and Po's time with each other in person, interrupted their phone calls by taking Po's phone, by trying to convince Po that Thame was not interested in him although it was pretty clear that it was not the case. He saw that flirting with Po and getting in between them was hurting Thame and he continued to do it. That is not what a friend would do. I'm sorry but that was the most unconvincing "plot twist" I have ever heard. This was supposed to be the big surprise of "Hey Jun has once again been the good guy all along". No. No he wasn't. He mistreated his friends and disrespected Po and played with his heart and feelings. That was absolute trash behaviour and cannot be excused. I will wait for his development in further episodes but even if Jun admits he did this because he was jealous/into Po and hoped he could have a chance, it was still not okay.

[asarigg]

Character Design: Part 8

SWORD

Let’s talk about his sword now. I have mixed feelings about this, being honest, first of all I find it funny that they put the sword on his back instead of his waist. They were sketching it on his waist too during the development and even him carrying two swords. Design wise they’re both cool but just imagining him trying to withdraw his sword from his back is so funny because it’s so impractical. Regardless of what’s more practical or cooler, it’s easier to show you what he’s carrying if they put it on his back since the sprites are most of the time cut off at the waist.

The biggest problem I have with his sword though is that I don’t really understand why he carries a sword everywhere at all.

The thing is when the game starts (we don't know yet but) Koujaku is at an uncertain point in his life when he doesn’t really have any plans for the future, and when he told himself that he would forget about his revenge and try to live in peace on Midorijima. It’s like he can’t hold on to the past or a possible future, although we already know that the past comes back. He wanted to live, but he wanted to die, staying in some kind of limbo.

He wanted to try to recover on the island, to make the nightmares lessen, so why is he carrying a sword he doesn’t want to use? It’s a huge sword made to kill, it’s not like he needs it to fight, he knows how to do it with his fists, he was trained and does it frequently, and it’s usually just a bunch of idiots anyway. There’s no point in carrying a weapon that only reminds him of what he was forced to do and the hatred and resentment he holds inside.

I think if he didn’t have the sword it would add a lot to his character. They make him carry it because of the design, because it looks good, because it has to do with him and all that. But not carrying it makes more sense with the kind of person he wants to be on the island, it would add to the mystery they build around him, just like the sprites have him showing his tits and you can take a peek at the tattoo. Look, I’m the first in line waiting to suck his man tits, but it’s a textbook thirst-trap and it doesn’t make sense for him to leave his kimono this open because at the slightest movement the tattoo he wants to hide would be visible (imagine if it was always hidden, in a moment of carelessness Aoba thinks he sees something. Koujaku freaks out and is quick to cover it up, so Aoba thinks he was just imagining things). I’ve thought that if he wants to carry a similar weapon he could always carry a wooden sword or something like that, “harmless”, and to be honest it would be even more humiliating if they start laughing at him for carrying a training sword and five minutes later they’re face down on the ground.

When things start to get dangerous, he suddenly shows up with a real sword. Since when does he have it? How does he know how to use it? When and where did he learn? You know what I mean. The whole conflict between him and Aoba is that Aoba starts discovering a bunch of things about Koujaku that relate him to the yakuza, you know, dangerous people, something completely opposite of what he thought about him. Not only that but knowing that Koujaku doesn’t trust him to tell him what’s going on and that he’s distancing and pushing him away, making him unable to trust him back and hurting his feelings.

The tattoos linking him to the yakuza are kind of funny because not only they don’t look like the traditional thing you’d expect, but also because Virus and Trip are there but, oh well. Might still make sense that Aoba befriends them and starts to doubt Koujaku because those two say it out loud and they met him before supposedly joining, they reduce a lot the dangerous perception people might have of them by just saying they do the boring stuff. It doesn’t matter that they are lying, all they have to do is sound convincing.

But Koujaku, who always avoids everything that can be said about his past, his tattoos, his scars, then starts to act strange, etc. Suddenly showing up with a sword he knows how to use perfectly and having that tenacious and murderous aura around him would make Aoba’s doubt become more intense for both him and the reader. Maybe he had his sword hidden in his house when he gave up on his revenge and he grabs it when they plan to go to PJ, maybe he’d grab one from a fight or something, anything that isn’t right from the beginning.

When one of his fans asks him out during tamaokuri in the Drama CD and he uses a serious lower tone to tell her to stop being annoying and disrespectful, she gets scared. He didn’t even show any anger at her and felt bad and guilty about it immediately, so I find it hard to believe that he thinks carrying that huge sword around is a good idea. Even if others don’t see it that way it doesn’t matter, it’s his own perception that matters.

But he does carry it. So the most plausible explanation is that, first of all, he didn't get rid of his sword even if he wanted to forget about his vengeance because deep inside he still wanted it. Deep inside, just like his tattoo, his hatred could never be forgotten. He knew Ryuuhou was still alive somewhere, so he couldn't put closure to his pain as much as he wanted to.

Him keeping the sword around could serve as a reminder of the reasons why he's there, to not lose his focus and to remind him that he has to control himself. He can't let the container crack, he knows what could happen if it does, so he reminds himself of that fateful night. It's there not as a threat to other people, but as a threat to Koujaku, it's a blade that should only be withdrawn for his own death, if ever needed.

BETWEEN THE MASCULINE AND THE FEMININE

Taking a general look at his design, again the most characteristic thing is his kimono, but we also see the scars, the sword, the jeans…

His character exudes masculinity and femininity in equal parts. He does things that are traditionally associated with women or the feminine: his long hair, so well cared for that it even surprises Aoba when he touches it, his job as a hairdresser, his hobbies related to fashion and design, his own clothes, the red so associated with love and romance, passion and emotion, the daring feminine woman. Hell he probably has a full skin care routine.

On the other hand you have him fighting, with a gang, smoking and flirting with women, everything a manly man should dream of I guess. His beautiful kimono looks disheveled, contrary to what would traditionally be considered well-worn, the jeans that are a rather modern element. It’s like a “vulgar” way of wearing this feminine clothing.

For those of you who haven’t seen previous sketches, they were considering putting earrings on him.

Aoba and Koujaku talk about his hairpin in the Drama CD, with Aoba mentioning that he looks pretty with it. When Koujaku mentions that he should try one, Aoba’s the one that strongly rejects the idea because men don’t look good with it, but hey, Koujaku does. Aoba just say you think he’s handsome no matter what he wears. This guy is always complimenting him one way or another without directly saying it, he’s doomed.

Anyway, seeing this duality has always made me wonder if he perhaps would have been a more queer kid than we think or what we are presented with. This is pretty much a headcanon, because we are not given any clues about it when he talks about his childhood.

Do you think if male Koujaku crosses his legs female Koujaku would manspread?

Here’s a post on tumblr centering focusing about Aoba’s femininity.

[mirai-e-jump]

TV Guide & TV Life, March 2024 Issues ft. Bakuage Sentai Boonboomger Main Cast Member Interviews (translations below)

TV Life 3/15 Issue, Publication: February 28, 2024

Iuchi: When you first heard the title, "Bakuage Sentai Boonboomger," were you surprised?

Suzuki: I said, "Huh?" in response. I also said "Is that true?" (laughs).

Hayama: For sure, I kept wondering what it meant (laughs).

Iuchi: Did it mean "to cheer up" or "the sound of a car's engine"? I wondered which one "Boonboom" was, but it ended up being a double meaning for both.

Hayama: It seems that "Explosive (Bakuage)" also incorporates the staff's desire to make Super Sentai even more "bakuage" than ever before.

Suzuki: It's upbeat and outlandish in a good way, and leaves an impact.

Saito: Other than the title, I was also surprised by the visual impact of Boonboomger.

Soma: They have tires on their faces.

Saito: These forms have a past, nostalgic feel to them. The more you look at them, the cooler they get.

Soma: When I see them fighting, I get alot more attached to them.

Saito: I think they'll be easier for children to draw pictures of.

Soma: I want them to draw alot.

Iuchi: Genba's hairstyle too. All you have to do is go around in circles a bunch.

Soma: No, no! My hair isn't yakisoba! (laughs).

Iuchi: When I was a kid, I liked miniature cars and played with them alot. However, I never really knew how cars were made. Taiya in particular is a master of development and modification, so I first made sure that I knew about cars, and then I'll try to make him look mature and calm as I play him.

Hayama: What I'm most conscious of, is being cool. I was told that "Red" and "Blue" have always appeared in every Super Sentai production. When I heard that, I felt more responsible. I want children to think that Boonboomger is cool even after they grow up. Especially since Ishiro is the coolest of cool, I try to be like that in the way he stands, and even in the way he speaks.

Suzuki: Mira is a bright, energetic, and innocent kid who enjoys everything. I try to be like Mira from the moment I enter the set. I also try to express myself clearly so that the viewers can understand what kind of emotions Mira is feeling when she speaks and moves.

Saito: Since Jou's a police officer, I started by researching the profession. I watched alot of footage and close up interviews at police academies and learned what it was like to be a police officer. While maintaining the seriousness of a police officer that I felt, at the same time, I want to show him as the cheerful and lively Jou that's eccentric when he needs to be.

Iuchi: Also, the angle of his salute.

Saito: Yeah. I'm careful about that too.

Iuchi: When I imitated it alittle, he said, "It's wrong!" (laughs).

Saito: There's a proper way of doing it. Such as it being with your right hand, not left.

Soma: Genba's rather mysterious and doesn't show his true feelings. He's a unique character that hasn't been seen before, so I try to play him freely without being restrained by anything. I try not to make it too elaborate. I think it'll make it feel more "Genba like."

Iuchi: All five of them are unique. Let's "bakuage" through the whole year so that as many people as possible can enjoy it! _

How would you describe yourself in terms of "Explosive(ly) XX"?

Iuchi Haruhi is: Explosively Stubborn It's fine to be particular, but I've been reminded to listen to the opinions of those around me. I think I've gotten alittle better at this compared to in the past. However, I'm still stubborn in some areas.

Hayama Yuki has: Explosively Long Legs All the small, medium and large sized pants at clothing stores are so long that they don't fit. I thought it was fine, since Ishiro often crosses his legs, which makes him stand out. I'm also prideful (laughs).

Suzuki Miu is: The Explosive Mother Everyone calls me "Mother" on set. This is because I'm the one who arranges everyone's shoes and puts away our lunch boxes. I'm Boonboomger's mama (laughs).

Saito Ryu is: Explosively Extreme I take what I like to do seriously, but I never do anything that I don't want to do. I'm either at 0 or 100. That's why I'm serious in some strange ways (laughs).

Soma Satoru is: Explosively Fun I love anything that's fun, and I like to enjoy everything, whether it's having fun at work or in my private life. I try to keep my spirits as high as possible.

TV Guide 3/8 Issue, Publication: February 28, 2024

Iuchi: When I heard that I was going to be apart of the Super Sentai series, my mind went completely blank. The first time I really felt it was at the introduction meeting. When I saw the documents on the desk, I thought, "Ah, so this isn't a joke" (laughs).

Hayama: Ever since I started acting, it's been my dream to be apart of the Super Sentai series, and this was the third time I auditioned for a role. I felt like I had taken the baton from the blue's of "Avataro Sentai Donbrothers" and "Ohsama Sentai King-Ohger", both of whom I know very well. If I was going to do it, I wanted to be blue, so when the decision was made, I immediately asked, "Which color?" and was very happy when they said blue.

Suzuki: I went to the audition thinking, "I'm definitely going to be picked," but when I was finally chosen, I felt a great sense of responsibility and pressure. I strongly felt that since my name would be etched into this historic series, I had to be prepared to take on the challenge.

Saito: I've admired heroes since I was a kid, and I entered the entertainment industry to be apart of the Super Sentai series, so I was very happy when I was chosen. When I put the suit on at costume fitting, I realized that I could finally become a real hero.

Suzuki: You say you entered the entertainment industry because of the Super Sentai series, but what will you do when this is over?

All: Are you going to disappear? (laughs)

Saito: No, the Super Sentai series was just my first goal.

Suzuki: It's a production you absolutely had to do. I'm glad (laughs).

Soma: I've had multiple auditions for the Super Sentai series, but this time I was chosen, so I was very happy. Just like Miu-chan said, I felt pressure behind this happiness. But, on the other hand, I hope to enjoy the pressure and do my best together with my wonderful friends.

Saito: Many of the recent Super Sentai's have a flashy look to them, but Boonboomger has an old fashioned coolness, it's as if, in a good way, we're back in the Showa era. It's very appealing.

Suzuki: Ryu-kun, you're always mentioning the names of various Super Sentai series.

Soma: He's the most knowledgeable out of all of us. He's the Sentai master! (laughs).

Saito: I'm from the "Engine Sentai Go-onger" generation, but thanks to the influence of my sister and mother, I've also seen some of the older ones.

Suzuki: When I heard the title, I thought it was an interesting one, but at the same time, I thought it would be an uplifting and upbeat work.

Iuchi: I'm very happy that I'll be involved in the memories of today's children through this production.

Soma: I think it's a production that focuses mainly on smaller children, so I hope alot of children will watch it.

Hayama: I didn't play with toy cars that much as a kid, but even I think it's cool to see singers turned actors appearing in dramas. Cars are a theme that's easily understood by smaller children, so I feel explosive (bakuage) every day when playing the role (laughs). _

Q: What's the moment when your mood explodes?

Iuchi: I like to write lyrics and compose music with my guitar as a hobby. When I think things like, "I've got the chorus" or, "I've finished a whole song," I feel an explosive sense of accomplishment. But, I haven't let people listen to it…(*The other members then say, "We want to listen to it!"), Well then, I'll play it for you sometime over the next year.

Hayama: I like to appreciate music as an art form, and I'll use music apps to play music randomly by genre depending on my mood. During that time, if I happen to land on a song that I like, at that moment, my mood rises dramatically.

Suzuki: I have the biggest blast when I eat ramen! I really like noodles, but I especially love ramen. Even when I'm exhausted after filming all day long, I've still got energy after eating some ramen. Truthfully, I post the ramen I eat on a secret account with zero followers that no one sees. I write my impressions of what I eat for my own record.

Saito: I like to do muscle training, and I get excited about it. I get more excited when I can actually see my muscles growing after my workout is over, rather than during it. I'll look in the mirror and be like, "Nice~ My muscles are growing~" (laughs).

Soma: I'm from Shizuoka, where I used to play soccer, so the moment I kick a ball is the best moment for me. When I'm playing soccer, I get the biggest rush out of it when I get to play the way I want to play and when punting the ball. It's a great feeling. I put all my stress into the ball…but, I don't have that much stress, so my plays are weak (laughs).

[lej222]

Hlw! Would love to see your analysis on if jisu likes miae romantically or not. Hope u'll do that sometimes😊don't feel pressured tho it’s just my wish❤️

Sorry for the late reply, but here is a long post about my thoughts about Jisu's character arc, including spoilers from episode 147 (these are just my ramblings, my word is not gospel :D)

Does Jisu like Miae romantically?

Now, this is a hard question to answer. And I will try my best to break down what we know about him so far.

We only have two fragments of the time when Jisu and Miae were classmates. The first one is when Miae called out Jisu's bullies and she asked him the same question Jisu repeated years later to her (important!) about scolding the bullies. The other memory was Jisu's transfer to another elementary school. He was forced to write a letter and mentions how he liked Miae the most and the whole class, including Miae, cry their heart out. Jisu remembers how hard Miae sobbed and Miae can also recall someone telling her they liked her, but doesn't remember the boy's face or name.

Years later after moving around, Jisu ends up in the same school with her again in the spring semester in 1998. He is surprised, even more so when they become classmates in the following year, but doesn't care enough to interact with Miae. Coincidences keep happening - her pencil landing at his chair, they get sent out to the corridor, they become folk dance partners, he finds her name tag and uses it to avoid punishment, they get detention the same time. And Jisu still doesn't care about the whole situation, not until their actual detention week starts when he initiates conversation for the first time. This is when Jisu concludes their random encounters are fun and Miae is an interesting person. (Edit:: I'm rereading the story, and actually the turning point of their relationship is when Miae tries to save him from the teacher when they ruined the plant. It's possible Jisu doesn't let anyone close to himself and was intentionally petty towards Miae in the beginning until she decided to help him. We see that Jisu is greatly speechless in that scene and decides to flip over the plant. My best guess is that he might have realized Miae is still the same person as she was back then and she's still brave so Jisu becomes active for the first time for her and takes the blame. It is probably also the moment he concludes being around Miae is fun)

Based on these alone, I'm inclined to believe that even if Jisu loves her romantically at this point of the story, he's not aware of it. For him, being around Miae is exciting because she is fun. She doesn't remember him at all, but she's still the same person as she was years ago in elementary school so Jisu feels comfortable around her which didn't go unnoticed by their homeroom teacher or Jisu's mother. Miae probably doesn't understand why people keep emphasizing his unique personality and connect the dots, but we readers can easily assume Jisu was bullied because of his difference. And it is something he shares with Miae so he might feel like she understands him, or rather, she doesn't treat him differently because of it. It's a situation that can easily bloom into love with time, even if he's not there yet.

But why is Jisu is important in this story?

One thing I always see people complaining about is Jisu's plot relevance. However, it is a much more complex narrative choice than just a simple love triangle.

I have said this before, but memories and fate are intertwined in this story. There are just too many clues that support this. Miae doesn't remember Cheol at the beginning of the story, she even has trouble recalling his name. As the plot progresses and we see more of her memories, fate keeps throwing them together and they develop a friendship that turns into romantic love. In fact, it's a recurring point in the story that Miae keeps forgetting important things. Her dreams, things she must do, Jisu's entire presence in the past.

Which takes me to my next point, the unidentified higher power in the story. It's been always present, at first only giving small signs of its existence in the form of phone calls or changing the weather. Let's remember that lots of times Miae and Cheol had a moment it started raining (Miae's dream about Cheol, when he helped changing the light bulb, when they wanted to take a photo together). However, the unknown presence's voice gets more and more active as thes tory goes on. Not only it starts interacting with Miae in her dreams, she can also hear it in certain situations and wonders where it came from. In fact, when she is talking to Cheol's shoe in one of the very first chapters, she has a weird feeling for a second and we get a close up on the shoe. This supernatural (?) power has always been involved with Miae, but it starts to be more aggressive.

Not only it tells Miae that she's too late and it tried to warn her, in the newest chapter it floods every scene with car ads that are about changing one's car. So the mysterious entity clearly tries to intervene, giving chance encounters to Miae and Jisu while preventing Miae and Cheol's relationship (like how they cannot have a photo together).

Okay, so what does it mean?

It is something I obviously cannot answer as I'm not the writer.

BUT let's not forget that someone like Jisu in this story, who was shown to have exceptional cognitive skills (like knowing every person's name whom he's ever met, being first in the school and likely is on the spectrum), also has excellent memory. And what did I say about memories and fate? That they are seemingly intertwined! Jisu is writing his own fate, he appeared later in the story because he chose to not get involved until that point! He is the character who is aware of everything in the past and present. While Miae has trouble with her memories, and what do we see? Fate aggressively trying to steer her.

At the end of the day, we have two routes that are possible:

Miae is fated to be with Jisu, fate/the stone deity/the universe knows it and tries to warn Miae her time with Cheol is short so she shouldn't have any regrets. In this case, the story is about how Cheol and Miae helped each other in a certain period of their lives, but had different fates set in stone.

Miae was fated to be with Jisu, and the higher power knows it, but Miae will change her own fate to be with Cheol instead. In this case, in the remaining chapters we will see her fighting against her own destiny and win in the end.

At this point, I feel like I have to mention I've studied philosophy for quite a few years, and I highly doubt we can get a satisfactory explanation of any of these possibilities. But rather, it will be a simple:

even though we were not fated together, I cherished our time together

or love overcomes destiny itself

Other interesting idea

This is just for fun, but the comic Miae reads is a clear symbol of her relationship with Cheol. They have almost every cliche in the book (with sometimes a little twist) like troubled boy meeting childhood friend, becoming neighbours with their windows facing each other, accidentally seeing the other's body, falling on each other first kiss, etc. This is your typical 90s shoujo manga which makes sense because the story takes place in the 90s.

On the other hand, we have the chaotic meetings of Jisu and Miae who bond over trash, don't get the accidental kiss trope, etc. And whether it's meant to illustrate that they will only remain friends or it's meant to be a contrast to Miae and Cheol's comic book romance, I don't know. Depends on the ending the author wants to convey. I would be fine with either possibilities as long as Jisu won't be used as a plot device.

Plus, Miae&Jisu and Cheol&Miae parallel each other a lot. Just coming from the latest chapters, Miae has interacted with Jisu's mom, but not really Cheol's parents. Cheol has interacted with Miae's parents. Miae is bothered by Jisu. Cheol was bothered by her. Cheol saying the same thing Miae said to Jisu. These are all definitely intentional.

As usual, please don't take my words seriously, this is just all for fun.

Edit: there's one other interesting thing to consider:

Jisu is aware of the coincidences and thinks they are fun. He's been saying this for a while. Which means if there's indeed a higher power in the story, Jisu is accepting of fate.

Miae, on the other hand, willfully rejects her own fate. Let's say Miae and Cheol's meeting was bound to happen - it was also their destiny. She acknowledged those coincidences and even wondered how strange they were. So the higher power was content. But what if, according to their fate, their time together is indeed short? Because Miae rejects her coincidental meetings with Jisu, saying how she hopes she won't meet him again, only for the higher power to be more aggressive and take on an active voice. In the last chapter, she even kicked the flyer away about changing one's car, only for her to end up with a bubble gum in her hair so she was forced to get a haircut from Jisu's mother. Jisu's question last chapter is more than just him asking to play together - it's a chance for Miae to go into the direction the higher power wants her to be.

The real questions:

Is fate something one can overcome? Are certain things bound to happen and we can only decide how to deal with them emotionally? Is the narrator/higher power omnipotent and omniscient? Because if it is, can Miae still decide what's the best for her? These are the truly complicated questions that we cannot answer because there are no answers. So I'm excited to see what Soonkki will come up as the resolution.

[unnecessaryheadache]

Some character analysis today...ish. not really, but this has been on my mind for a while.

Did Snape deserve to get bullied/made fun of?

Every time someone says he deserved it, it leaves a very odd feeling in my stomach because I relate to him (younger and older) a lot. I used to be like him. I wasn't put through abuse or anything, and I have a nice family, but I mean, the bullying and saying stuff and doing that have made me lose friendships.

I've noticed that whenever someone says that, it's always somehow aimed at HP!Snape and his actions, and it doesn't make sense to me. Why is a child ~ teenager being blamed for the things he hasn't done yet? I don't really know when the Marauders started to get so serious about targeting Snape, but I do remember their first year on the train when Snape was being teased for his nose and robes (I think).

So it was going on for a while, right?

And with the whole pantsing thing, ugh, it's hard to get a clear input on that. For, one side says it is not SA, and another side says it is; I don't know which side is safe to pick.

Then, he calls Lily a mudblood, and the more I reread the page, the less sure of myself I become.

So what's up with him, anyway?

Severus shows a few examples of BPD, but that's just speculation, really. Also, I'm just a kid with a love of psychology and physiology, so I don't think I'll be very correct with this. (I honestly think he's very very depressed as an adult)

It's obvious that he's emotionally unstable as an adult (I don't think he ever had a responsible adult figure to help him navigate his emotions), Idealization and Devaluation (he idolized Lily and resented James HEAVILY, so much that it sank into Harry, so maybe he sees people in extremes), fear of abandonment (like when he was following Lily around, trying to frantically apologize until she finally told him to cut it out, and he left), he's acted very impulsively many times throughout his life (that includes becoming a DE).

While Snape had some positive relationships, like his friendship with Lily Evans, he didn't seem to have a consistently supportive adult figure in his life. His father was abusive, and his mother seemed unable to protect him, maybe because she was too weak from the constant hatred or she saw her son just as horrible as her husband.

While some might argue Dumbledore offered guidance, their relationship was complex and often strained. Other teachers like McGonagall seemed to have a professional distance from him.

It's worth noting that the absence of a consistently supportive adult figure could have contributed to Snape's struggles and the development of some of his less healthy coping mechanisms. No, not even Narcissa and Lucius are good examples. They were all in for the Death Eater thing.

Imma dig a little deeper ova here

Severus Snape is a notably intricate and contentious character, shaped by a challenging past and the choices he makes throughout his life. He excels in Occlumency, is an expert Potions Master, and possesses formidable magical skills. However, beneath this impressive exterior lies a deeply flawed individual. Let's delve into a more detailed analysis!

Strengths include:

Snape is exceptionally intelligent and talented in potions, defense against the dark arts, and Occlumency. He possesses a sharp mind and a deep understanding of magic.

Dedication and Loyalty (in his own way): Severus Snape’s loyalties are intricate and can be seen as ambiguous at times, yet he exhibits a profound sense of dedication. His enduring love for Lily Evans significantly influences his decisions, persisting even after her passing. Additionally, his unwavering commitment to Dumbledore’s plan, despite facing considerable personal sacrifices, exemplifies a unique form of loyalty. This loyalty seems to stem from a mixture of regret and a quest for redemption. While some may interpret his actions as somewhat self-serving, this perspective is certainly understandable.

Throughout his life, Snape faces considerable adversity, beginning with his abusive childhood and continuing with the ever-present danger of being uncovered as a double agent. As a result, he cultivates strong self-preservation skills that prove crucial for his survival.

Weaknesses:

Snape carries deep-seated bitterness and resentment stemming from his childhood, his bullying at Hogwarts, and the loss of Lily. This negativity poisons his relationships and colors his interactions with others, particularly Harry Potter.

Severus Snape grapples with the challenge of forgiving himself for past mistakes, especially concerning his involvement in Lily's death. This ongoing struggle with self-forgiveness influences his negative emotions and can sometimes lead to a harsher demeanor with Harry. While this context does not justify his actions or words toward many of his students, it provides insight into the underlying reasons for his behavior.

Snape consistently suppresses his emotions, which results in volatile outbursts of anger and biting sarcasm. He redirects his unresolved feelings onto Harry, making him an easy target for the deep-seated resentment he holds toward James Potter.

Cruelty and Bullying: Snape's own experiences with bullying seem to have instilled in him a tendency to bully others, particularly Neville Longbottom. He appears to enjoy wielding power over vulnerable students, mirroring the behavior of his own tormentors.

Snape’s actions frequently navigate the murky waters between good and evil. Though he ultimately aligns himself against Voldemort, his methods are frequently shrouded in ambiguity, raising moral questions at every turn. His motivations are intricately woven, revealing a character riddled with contradictions. Operating within a moral gray area, Snape embodies the complexity of human nature, making him a deeply flawed yet profoundly relatable figure.

Motivations:

Snape's love for Lily is the central driving force behind his actions. Her death fuels his desire for redemption and his commitment to protecting Harry.

Snape is haunted by his past mistakes and the choices that led to Lily's death. His actions can be interpreted as an attempt to atone for his sins.

Snape's challenging upbringing and experiences of mistreatment likely fuel his intense longing for belonging and acceptance. He pursues this need through his connection with Dumbledore and by taking on the role of a spy.

Over alllllll

Snape's personality is a complex tapestry woven from trauma, love, loss, and regret. He is a deeply flawed character, capable of both great cruelty and surprising acts of bravery. His struggles with forgiveness, emotional expression, and his own past make him a compelling and ultimately tragic figure. He is not simply good or evil, but a nuanced character whose actions are driven by a complex interplay of motivations and experiences.

[captainuranium543]

Hi! I just wanted to know your thoughts on this post here: https://www.tumblr.com/yamishika/761491771751596032/something-that-has-been-bothering-me-regarding-the

Do you agree with this? Disagree with this? Was this just a light comedic moment? It def feels out of character for Jellal to a large degree. You have such great takes on Erza in general, that I wanted to check about this. I tried looking at your posts (now that I have better cell service) and didnt see this on your posts list. Apologies if you’ve covered it already. Thanks in advance!

the post in question^

thanks so much for this ask actually cuz I have been resisting the urge to yap about this forever and now I have an excuse ahaha.

honestly I completely agree, I've been saying it forever but as fairy tail has gone on Mashima has kind of stopped putting as much thought into it has he did early on. Early on the characters where the center of the narrative and honestly I think that's when ft is at its best because that has always been the best part if ft as a whole. The tower of heaven and the trauma Erza and Jellal faced along with countless others had so much impact on the story as late as season 6 because of just how massive a tragedy it was.

starting with Erza and Kiria, it feels especially disgusting for this to happen to specifically Erza because she has spent so much of her life being treated as less then human already. In the tower her purpose was literally to work herself to death, they needed sacrifices and lots of them. As soon as she wasn't useful to them anymore she would killed without a second thought and her life would only be another number added to the massive death toll of the r system project. she wasn't a person in there, she was a tool. Even after the tower she was still under someone else's control (on a leash you might say) with Jellal holding the lives of her friends over her head to keep her quiet, constantly taunting his power over her by spying on her with seigrain in the magic counsel. this is exactly what happens with Kiria and it feels genuinely horrifying to see it happen again but still its just played for fanservice and I find that incredibly irritating.

as for the Erza vs Jellal fight in the Aldoron arc, here we have a scene that is objectively horrifying to both of them. Erza and Jellal share INTENSE trauma associated with mind control and the loss of free will, and yet the scene is played for laughs and fanservice.

I do understand why Hiro did this, if they took the scene seriously it would probably set Jellal right back into his old ways again of avoiding Erza like the plague which he doesn't want because he's trying to push them closer together. I get that but its still feels like such a missed opportunity to give them some kind of emotional development which neither has had in so long. I'm gonna get into my own idea for the fight here so bear with me.

The fight begins and they intercut it with flash backs to the tower of heaven arc, or even further back to their actual childhood, showing how genuinely afraid of him Erza is right now while also trying to control herself and keep her "fight" instinct at bay because she doesn't want to hurt him. the fight from her perspective should be chaotic, rapidly throwing her between past and present while she desperately tries to hold onto a sense of reality and remind herself its not him.

now imagine this, at some point she loses control and really starts to spiral and he gets the upper hand. she's totally beaten and exhausted after trying to fight him and her demons at once and while she's on the ground he approaches her, lifts her up, and we get a call back to this scene.

throughout this fight we never really see Jellal's face, its mostly been from Erza's perspective and when we do see his face its a flashback to a different time while he was mind controlled. Now in the present jellal says something, idk what he would say exactly, but its something similar to the "it was the color of your hair" moment where it reminds Erza of something he said to her while he was himself. Erza finally snaps back to reality, she looks down at him and we finally get a clear view of his face in the present, and we see that he's crying.

that is enough to fully snap Erza back and finally give the fight her all, because its not just for her sake its for both of them. he would never forgive himself if he hurt her so she's going to have to be the one to do it even if it hurts because its the only way she's going to save him. and more than anything she wants to save him. (Again, call back to the tower of heaven, she was to late to save him then and it weighs on her to this day, she wont be to late this time.) anyway fight ends shortly after that she knocks him out and she's crying because obviously she never wanted to hurt him either she's just taking one for the team (like always but that's another rant). Just before Jellal passes out he looks at her and he thanks her for saving him (ONCE AGAIN CALL BACK TP THE TOWER OF HEAVEN but this time its not manipulation he's being fr showing us that its really him now). he passes out, erza gets up, looks back at him maybe one last time, says shes sorry, then goes off to go keep fighting. fight over

case and point I think this could have been sick as hell and i'm sad it didn't happen. its not that I have a problem with fanservice I just think it should be tasteful at least a little.