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apollosgiftofprophecy · 1 year ago

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Statistics of Apollo's Lovers

I was wondering just how unfortunate of a love-life our boy Apollo had, so - as one does - I did the research, math, and writing of said love-life.

such is the life of an adhd teen :)

In total, there are 59 people on this list. I have them separated into eight groups; Immortal, Immortal & Rejected, Lived, Died, Rejected & Died, Rejected & Cursed, Rejected & Lived, and who were Rejected by Apollo

Disclaimer: I am not a historian nor an expert in Greek Mythology, I am just a very invested nerd in Mythology, and in Apollo's mythology in general, and got curious about what his rap sheet actually looks like.

Sidenote: There will be some "lovers" not on this list. Reasons being;

No actual literary sources behind them

Said literary sources are dubious at best

Not enough information is given about the nature of their relationship to make an accurate take

So if somebody isn't on this list, it's because of one of those three reasons. Although there is still a chance I missed somebody! :)

Also, no RRverse lovers include in this list. Sorry my fellow ToA fans.

*I am currently missing about 4 other lovers, and will get them on here ASAP. Their inclusion, however, will not change the overall conclusion. 👍

(Edited 08/15/24 - ALL SECTIONS SOURCED)

Let's begin! :D

Immortal Lovers

Calliope: muse of epic poetry. Mother of Hymenaios and Ialemus (Pindar's 3rd Threnos) by Apollo.

Clio: muse of history

Erato: muse of love poetry

Euterpe: muse of music

Polyhymnia: muse of hymns/sacred poetry

Melpomene: muse of tragedy

Thalia: muse of comedy. Mother of the Corybantes (The Bibliotheca by Pseudo-Apollodorus) by Apollo.

Terpsichore: muse of dance

Urania: muse of astronomy

Boreas: the North Wind. The Boreads called Apollo "beloved of our sire" in Apollonius of Rhodes's Argonautica.

10 lovers total here.

9 Female, 1 Male

Immortal & Rejected

Hestia: goddess of the Hearth (Hymn to Aphrodite)

1 Interest. Female.

Lovers Who Lived:

Branchus: mortal shepherd, gifted prophecy (Conon's Narrations 33 & Callimachus's Iambus)

Rhoeo: mortal princess, eventually married an apprentice of Apollo (Diodorus Siculus's Bibliotheca historica 5.62 and Tzetzes on Lycophron 570)

Ourea: demigod daughter of Poseidon, dated Apollo during his punishment with Laomedon; had a son named Ileus, after the city of Troy (Hesiod's Catalogues of Women Fragment 83)

Evadne: nymph daughter of Poseidon, Apollo sent Eileithyia & (in some texts) the Fates to aid in their son's birth (Pindar's Olympian Ode 6)

Thero: great-granddaughter of Heracles, described as "beautiful as moonbeams" (Pausanias's Description of Greece 9)

Cyrene: mortal princess-turned-nymph queen, kick-ass lion wrangler, and mother of two of Apollo's sons - Aristaeus (a god) and Idmon (powerful seer) (Pindar's Pythian Ode 9.6 ff. and Nonnus's Dionysiaca and Callimachus's Hymn to Apollo 85)

Admetus: mortal king, took great care of Apollo during his second punishment, Apollo wingmanned him for Alcestis's hand - basically Apollo doted on him <3 (Callimachus's Hymn II to Apollo and Apollodorus's Bibliotheca 1.9.15 and Hyginus's Fabulae 50–51, and also written about by Ovid and Servius)

Hecuba: queen of Troy, together they had Troilus.

It was foretold that if Troilus lived to adulthood, Troy wouldn't fall - unfortunately, Achilles murdered Troilus in Apollo's temple. When the Achaeans burned Troy down, Apollo rescued Hecuba and brought her to safety in Lycia. (Stesichorus's Fr.108)

Hyrie/Thyrie: mortal. mothered a son by Apollo. Their son, Cycnus, attempted to kill himself after some shenanigans and his mother attempted the same. Apollo turned them into swans to save their lives. (Antoninus Liberalis's Metamorphoses 12 and Ovid's Metamorphoses 7.350)

Dryope: mortal. had a son named Amphissus with Apollo, who was a snake at the time. Later turned into a lotus flower, but it had nothing to do with Apollo so she's still on this list. (noncon; written by Ovid in Metamorphoses 8 CE/AD and later by Antoninus Liberalis in his own Metamorphoses sometime between 100-300 CE/AD)

Creusa: mortal queen. had a son named Ion with Apollo (Euripides's Ion). Please check out @my-name-is-apollo's post for more details because they make some good points about what's considered "rape" in Ancient Greece. I expand on this further at the end of the post.

Melia: Oceanid nymph. Had a son w/h Apollo named Tenerus. (Pausanias's Descriptions of Greece 9.10.5–6)

Melia was said to be kidnapped, and her brother found her with Apollo. He set fire to Apollo's temple in an effort to get her back, but was killed. Melia and Apollo had two kids - but here's the interesting part. Melia was highly worshiped in Thebes, where her brother found her. She was an incredibly important figure in Thebes, especially when connected with Apollo. She and Apollo were essentially the parents of Thebes.

As I read over their story, it sounded like (to me, at least. it's okay if you think otherwise!) that Melia just absconded/eloped with Apollo.

Was kidnapping an equivalent to assault back then? Perhaps. But it's still debated on whenever or not that's true. However, one thing I've noticed reading up on these myths is that when Apollo does do something unsavory, the text says so.

It never says anything about Apollo doing anything to Melia. Her father and brother believe she was kidnapped, but, like mentioned previously, it seems far much more likely that she just ran off with her boyfriend or something.

But that's just my interpretation.

Moving on! :)

Iapis: a favorite lover. Apollo wanted to teach him prophecy, the lyre, ect. but Iapis just wanted to heal :) so Apollo taught him healing :) (Smith 1873, s.v. Iapis)

Aethusa: daughter of Poseidon & the Pleiad Alcyone. Mother of Linus and Eleuther. She is the great-great grandmother of Orpheus. (Apollodorus's Bibliotheca 3.10.1 and Pausanias's Descriptions of Greece 9.20.2 and Suida, s.v. Homer's Of the Origin of Homer and Hesiod and their Contest, Fragment 1.314)

Acacallis: daughter of King Minos. there's a lot of variation on whether or not she had kids with Hermes or Apollo. Some say she had a kid with each. (Stephanus of Byzantium, s.v. Kydōnia (Κυδωνία and Scholia on Apollonius Rhodius, 4.1492)

Chrysothemis: nymph queen who won the oldest contest of the Pythian Games - the singing of a hymn to Apollo. She had three daughters, and one of them is said to be Apollo's. (Pausanias's Descriptions of Greece 10.7.2 and Hyginus's De Astronomica 2.25)

Corycia: naiad. had a son with Apollo. the Corycian Cave north of Delphi is named after her (Hyginus's Fabulae 161)

Leuconoe (also Choine or Philonis): daughter of Eosphorus, god of the planet Venus, and mother of the bard Philammon. (Hyginus's Fabulae 161) She was killed by Diana for her hubris.

Melaena (also Thyia or Kelaino): mother of Delphos, member of prophetic Thriae of Delphi. Priestess of Dionysus. (Herodotus's Histories 7.178.1)

Othreis: mothered Phager by Apollo, and later Meliteus by Zeus. (Antoninus Liberalis's Metamorphoses 13)

Stilbe: mother of Lapithus and Aineus by Apollo. (Diodorus Siculus's Library of History 4.69.1 and Scholia on Apollonius Rhodius, 1.40 and Scholia on Apollonius Rhodius, 1.948)

Syllis (possible same as Hyllis, granddaughter of Heracles): mothered Zeuxippus by Apollo. (Pausanias's Descriptions of Greece 2.6.7)

Amphissa: Apollo seduced her in the form of a shepherd. They had a son named Agreus. (Ovid's Metamorphoses 6.103 and Hyginus's Fabulae 161)

(hey, has anybody else noticed that 'Apollo disguising himself' seems to only be a thing in Roman literature?)

Areia (or Deione): had a son named Miletus. Hid him in some smilax. Her father found him and named him. (Apollodorus's Bibliotheca 3.1.2)

Arsinoe: she and Apollo had a daughter named Eriopis. (Hesiod's Ehoiai 63 and Scholia ad Pindar's Pythian Ode 3.14)

Queen of Orkhomenos (no name is given): Mother of Trophonius (Pausanias's Descriptions of Greece 9.37.5)

(my fellow ToA fans will recognize that name haha).

Hypermnestra: Either Apollo or her husband fathered her son Amphiaraus. (Hyginus's Fabulae 70)

(sidenote: @literallyjusttoa suggested that Apollo was dating both Hypermnestra and Oikles, and I, personally, like that headcannon)

Manto: Daughter of Tiresias. Apollo made her a priestess of Delphi. They had a son named Mopsus. When Apollo sent her to found an oracle elsewhere, he told her to marry the first man she saw outside of Delphi. That man turned out to be Rhacius, who brought her to Claros, where she founded the oracle of Apollo Clarios. (Apollodorus's Bibliotheca E6. 3)

Later, another man named Lampus attempted to assault her, but was killed by Apollo. She is also said to be a priestess who warned Niobe not to insult Leto, and to ask for forgiveness. Niobe did not. (Statius's Thebaid 7 and Ovid's Metamorphoses 6)

(Dante's Inferno places her in the eighth circle of hell, and let me just say- what the FUCK Dante! What did Manto ever do to you, huh??!! Don't do my girl dirty!!)

Parthenope: granddaughter of a river god. Mothered Lycomedes by Apollo (Pausanius's Descriptions of Greece 4.1)

Phthia: prophetess. called "beloved of Apollo". Mother three kings by him; Dorus, Laodocus, & Polypoetes (Apollodorus's Bibliotheca 1.7.6)

Procleia: Mother of Tenes, son of Apollo, who was killed by Achilles before the Trojan War. Daughter of King Laomedon, king of Troy. (Apollodorus's Epitome 3. 26)

Helenus: prince of Troy. Received from Apollo an ivory bow which he used to wound Achilles in the hand. (Photius's 'Bibliotheca excerpts')

Hippolytus of Sicyon: called "beloved of Apollo" in Plutarch's Life of Numa. I don't think this guy is the same as Hippolytus, son of Zeuxippus (son of Apollo), king of Sicyon Pausanias talks about in his Description of Greece. That would be a little weird taking the whole family tree into account - though it's never stopped other gods before. *shrug*

Psamathe: nereid, said to be the personification of the sand of the sea-shore. (Conon's Narrationes 19)

She and Apollo were lovers, but never had any kids. When another man assaulted her, she had a son and abandoned him.

(He was found by some shepherds dw - wait, he was then torn apart by dogs. Nevermind.)

Back to her, her father ordered for her to be executed and Apollo avenged her death by sending a plague onto Argos and refused to stop it until Psamathe and Phocus/Linus (her son) were properly given honors.

(I really like how even though Linus isn't Apollo's kid, and that Psamathe wanted nothing to do with the kid, Apollo still considered him worth avenging too <3 )

Okay, in a previous incarnation of this post, I said there was a version where she is raped by Apollo...however, I can't find any sources to back it up😅 Even her wiki page doesn't mention rape, and Theoi's excerpt of Paunasias's Descriptions of Greece about her doesn't either.

So where did I hear about this supposed version? (Don't shoot)

Youtube. A youtube video about Apollo. Yeah...

Lesson, kids! Don't trust youtube videos on mythology! Yes, even if they dedicated lots of time to it! They can still get things wrong! In fact, don't even take my word for it! Do your own research <3

Alright. 34 lovers here.

5 Male. 29 Female.

33 are 100% consensual. Creusa is questionable, depending on who's translating/which tradition you go with.

Lovers Who Died:

Hyacinthus*: mortal prince. we all know this one, right? Right? one and only true love turned into flower (okay that's my bias speaking but AM I WRONG?) (Plutarch's Life of Numa, 4.5; Philostratus the younger's Imagines; Pseudo-Apollodorus's Bibliotheca 1.3.3; Ovid's Metamorphoses 10.162–219; Bion's Poems 11; and various pieces of art)

Cyparissus: mortal. his DEER DIED and he asked Apollo to let him MOURN FOREVER so he was turned into a cypress tree (Ovid's Metamorphoses X 106ff)

Coronis: mortal princess. cheated on Apollo w/h Ischys, who in Fabulae was killed by Zeus. mother of Asclepius. killed by Artemis. (Pindar's Pythian Odes 3.5; Pausanias's Descriptions of Greece 2.26.6; Hyginus's Fabulae 202; Ovid's Metamorphoses 2.536 and 2.596; Hyginus's De Astronomica 2.40; Isyllus's Hymn to Asclepius 128.37 ff.)

There is another version of Asclepius's birth given by Pausanias in Descriptions of Greece 2.26.1-7, where Coronis exposes him on a mountain and Apollo takes him in.

Adonis: yes, THAT Adonis. he's in this category because. well. he died. rip (Ptolemy Hephaestion's New History Book 5)

Phorbas: Okay so Apollo's lover Phorbas and another Phorbas sometimes get mashed together so this is what I was able to gather.

Plutarch's Life of Numa 4.5 and Hyginus's De Astronomia 2.14.5 cites Phorbas as Apollo's lover. The other Phorbas is said to be a rival to Apollo in the Homeric Hymn to Apollo. Personally, I separate the two because it makes more sense with Phorbas the lover's overall story.

Here it is: The island of Rhodes fell victim to a plague of dragons or serpents, and the oracle said to summon Phorbas for help. He defeated the infestation, and after he died, Apollo asked Zeus to place him in the stars, and so Phorbas became the constellation Serpentarius, also known more widely as Ophiuchus (a man holding a serpent).

FORGET ORION AND HIS ONE-OFF MENTION OF BEING DIANA'S LOVER HERE IS A CONSTELLATION TRAGIC LOVE STORY!!!!!

(*Hyacinthus was resurrected, as celebrated in the Hyacinthia festival in Sparta. Nonnus's Dionysiaca 19.102 and Pausanias's Descriptions of Greece 3.19.4 supports this belief as well.)

5 lovers.

4 Male. 1 Female. All consensual.

Sidenote: QUIT BURYING THE GAYS GREECE!!!!

Love-Interests Who Rejected & Died:

Daphne: do i nEED to say anything? Nymph. turned into tree to escape.

Daphne and Apollo actually go back a bit. Their story was used to explain why the laurel was so sacred to Apollo. It's in Delphi, Branchus planted laurel trees around the temple he built to Apollo, the laurel was even sacred to Apollo's historical forebearer Apulu, an Etruscan god! (I have sources to back this up :3 along with an Essay.)

Apollo & Daphne first originate from Phylarchus, but we do not have any of his work :( It's been lost to history...a moment of silence RIP. He was a contemporary in the 3rd century BC/BCE (first day of 300 BC/BCE and last day of 201 BC/BCE).

He was, however, cited as a source in Parthenius's Erotica Pathemata, written sometime in the 1 century AD/CE (sometime between 66 BC/BCE and the author's death in 14 AD/CE).

Then they show up again in Pausanias's Descriptions of Greece, written between 150 AD/CE and 170 AD/CE.

Hyginus wrote his Fabulae sometime before Ovid's because it's widely criticized to be his earliest work and Ovid wrote his Metamorphoses in 8 AD/CE.

The first two versions are roughly the same, and Ovid's shares similarities with the first in only the ending. Hyginus is basically like Ovid's but without Eros.

So in publication order, it's; Erotica Pathemata, Fabulae, Metamorphoses, then Descrip. of Greece.

In Erotica Pathemata, Daphne is the daughter of Amyclas and is being courted by Leucippus. She is not interested in any sort of romance. Leucippus disguises himself as a girl to get close to her, but his ruse is revealed when Apollo nudges Daphne and her attendants into taking a bath in the river. Leucippus is consequently killed.

Apollo then becomes interested and Daphne runs away, imploring Zeus that "she might be translated away from mortal sight", and is transformed into the laurel tree.

In Fabulae, Daphne's story is a bit more familiar. She's the daughter of Peneus, the river god, and Gaea is the one who transforms her into a laurel tree.

In Metamorphoses, Eros is added to the story and is the reason why Apollo is so enamored and Daphne is so repulsed.

(I would just like to say that in this version, it was 100% nonconsensual for both of them! And I don't mean with rape- Apollo never touches Daphne in any of these version. What I mean here is that Eros maliciously makes Apollo chase down a woman and makes sure Daphne would be repulsed by him. That is noncon behavior there on both sides.)

In Descriptions of Greece 10.7.8, Daphne is the daughter of Ladon and her and Apollo are only connected by way of why the laurel crown is the victory prize of the Pythian Games. However, in Descriptions of Greece 8.20.2-8.20.4, Daphne and Leucippus make an appearance here too, but Apollo is not the reason why they stop to take a swim and his ruse is revealed, resulting in his death.

Castalia: Nymph. turned into spring to escape.

First things first, Castalia was used to explain the existence of the Castalian Spring in Delphi. However, in the Homeric Hymn to Apollo, the spring is already there when Apollo was born. So there's that to consider first.

Anyway, to escape Apollo's advances, Castalia transforms herself into a spring. (Lactantius Placidus's On Statius's Thebaid 1.698. This was written between Lactantius's lifespan of c. 350 – c. 400 AD/CE, placing it firmly in Roman times.)

2 Interests.

2 Female.

Love-Interests Who Rejected & Cursed

Cassandra: mortal princess. Received the gift of prophecy from Apollo. Due to a broken oath, she was then cursed. (Aeschylus's Agamemnon)

It is only in Roman-era tellings where Cassandra is cursed for not sleeping with Apollo, and there was no oath made (Hyginus & Pseudo-Apollodorus). In Agamemnon, it was done so because of the broken oath- not the refusing to sleep with Apollo thing.

The version where she gains prophetic abilities by way of a snake licking her ears is not part of Greco-Roman literature, but rather by an American poet.

Nevertheless, even after the curse Cassandra still loved Apollo, and called him "god most dear to me" in Eurpides's play The Trojan Women.

1 Interests.

1 Female.

Love-Interests Who Rejected & Lived

Sinope: mortal. there are two different version of her myth.

In Diodorus Siculus's Library of History 4.72.2 and Corinna's Frag. 654, Apollo "seizes" her and they have a son named Syrus.

In Apollonius's Argonautica 2.946-951 and Valerius Flaccus's Argonautica 5.109, it is Zeus who abducts her, but she gets him to promise her anything and requests to remain a virgin. He obliges. Later, Apollo and the river Halys both try to charm her, but fall for the same trick.

Library of History was written between 60-30 BC/BCE, Apollonius's Argonautica between 300 BC/BCE and 201 BC/BCE, and Valerius Flaccus's Argonautica between 70-96 AD/CE, making Apollonius's version the oldest and Valerius Flaccus's the youngest.

Marpessa: mortal princess, granddaughter of Ares. Idas, son of Poseidon, kidnapped her and Apollo caught up to them. Zeus had Marpessa chose between them, and she chose Idas, reasoning that she would eventually grow old and Apollo would tire of her. (Homer's The Iliad, 9.557 and Apollodorus's Bibliotheca 1.7.8–9)

Bolina: mortal. Apollo approached her and she flung herself off a cliff. He turned her into a nymph to save her life. (Pausanias's Description of Greece 7.23.4)

Ocroe/Okyrrhoe: nymph and daughter of a river god. asked a boatman to take her home after Apollo approached her. Apollo ended up turning the boat to stone and the seafarer into a fish. (Athenaeus's The Deipnosophists 7.283 E [citing The Founding of Naucratis by Apollonius Rhodius]. The Deipnosophists was written in the early 3rd century AD, between 201 AD and 300 AD)

Sibyl of Cumae: mortal seer. promised to date Apollo if she was given longevity as long as the amount of sand in her hand. he did, but she refused him. (Ovid's Metamorphoses 14)

5 Interests. All female.

Okyrrhoe's story is the only one with any iffy stuff, although, when something iffy does occur, the text usually says so outright.

Rejected by Apollo:

Clytie*: Oceanid nymph. turned into a heliotrope to gaze at the sun forever after the rejection.

1 Advance. Female.

(*Clytie's story was originally about her affection for Helios. [Ovid's Metamorphoses 4.192–270; Ovid used Greek sources about the etymology of the names involved, meaning Clytie and Helios go back to Greek times] As Apollo got superimposed over Helios's myths, people have assumed it is he who is the sun god in her myth and not Helios.)

In Conclusion...

59 people total, and 33 of them have Roman-Era roots with (as far as I know!! Don't take my word as gospel truth!!) no relation to Greece except by way of shared mythology.

Here's the list:

Rhoeo

Thero

Hyrie/Thyrie

Dryope

Melia

Aethusa

Acacallis

Chrysothemis

Corycia

Choine

Thyia

Othreis

Stilbe

Syllis

Amphissa

Areia

Queen of Orkhomenos

Hypermnestra

Manto

Parthenope

Phthia

Procleia

Helenus

Hippolytus of Sicyon

Psamathe

Cyparissus

Adonis

Phorbas

Castalia

Sinope

Bolina

Ocroe/Okyrrhoe

Sibyl of Cumae

Meaning, 56%- and really, it's more like 57%, because Clytie is not Apollo's lover at all- of the lovers listed on this post are not entirely Greek in origin (AS FAR AS I KNOW-)! That does not mean ofc that you have to ignore them. I, for one, really like the story of Rhoeo, and Manto, and Psamethe- I find their myths sweet (Rhoeo & Manto) and bittersweet (Psamethe).

Let's get to the calculations now, yeah?

59 people total (Includes Clytie)

48 Women (81%). 11 Men (19%).

19% were Immortal (Including Lovers & Rejected)

68% Lived (Including Lovers & Cursed & Rejected)

14% Died (Including Lovers & Rejected)

1% were Cursed

2% were Rejected by him

58 people total (Not Including Clytie)

47 Women (81%). 11 Men (19%).

19% were Immortal

69% Lived (Lovers & Cursed & Rejected)

12% Died (Lovers & Rejected)

in that 12%, one was apotheosized - Hyacinthus.

Meaning 10% died permanently, while 2% were resurrected.

2% were Cursed

0% were Rejected by him

Additionally, I left off three male lovers and two female lovers - Atymnius, Leucates, Cinyras, Hecate, & Acantha.

Atymnius has no references to being Apollo's lover, only to Zeus's son Sarpedon. (Wikipedia why do you even have him listed? You need sources smh)

Leucates is another male "lover" left off the rack - apparently he jumped off a cliff to avoid Apollo, but I couldn't find any mythological text to account for it- and no, OSP's wiki page is not a reliable source. There is a cliff named similarly to him where Aphrodite went (by Apollo's advice) to rid herself of her longing for Adonis after his death. Also Zeus uses it to rid himself of his love for Hera before he...well, commits adultery again. 🤷

Cinyras was a priest of Aphrodite on the island of Cyprus. He was also the island's king. Pindar calls him "beloved of Apollo" in his Pythian Ode. However, looking further into Cinyras's life throws a bit of a wrench into it. He's also cited to be a challenger to Apollo's skill, and either Apollo or Mars (Ares) kills him for his hubris.

(honestly, I kinda like the idea that Mars went into Big Brother Mode)

I did consider leaving him on the list, since technically you could argue it was a romance-gone-bad, but among every other source Cinyras is mentioned in, Pindar's the only one who puts a romantic label on him and Apollo.

Plus, he’s been described as a son of Apollo too, and I personally like that more lol

Hecate, the goddess of magic and crossroads, is said to be the mother of Scylla (like, the sea-monster) by Apollo, but Scylla's parentage is one of those "no specific parents" ones, so I left her off the list.

Acantha has absolutely no classical references. There's a plant like her name, but she's made-up, so she doesn't count. *stinkeyes the guy who invented her and claimed his “sources” were reliable when they really aren’t*

(Of course, I could be wrong about any of these. Again, I'm not an expert.)

With all this in mind, this means Apollo's love life actually isn't as tragic as media portrays it, and he isn't as bad as Zeus or Poseidon in the nonconsensual area.

Does he still have those kinds of myths? Yes, with Dryope and Creusa; though, we can discount Creusa because;

1) Depends on who's translating it; and

2) Ion is given different parentage in the Bibliotheca, which yes, came much after Ion, however Xuthus was traditionally considered to be Ion's father rather than Apollo. This means there was probably a different oral tradition on Ion's parentage that just wasn't written down as early as Euripides's was- in fact, it may even just be an invention of Euripides's.

(and honestly Apollo's characterization in Ion just doesn't quite match up with the rest of his appearances in the wider myths (in my opinion, at least))

So that leaves us with just Dryope, who comes from Ovid, a Roman poet, and Antoninus Liberalis, a late Greek one.

Now I'm not saying we should throw her out because of Ovid's whole "wrote the gods even more terribly to criticize Augustus" thing, but it is something to keep in mind. Political mechanics have been used to change myths before, and this is certainly one example of it.

Additionally, I have seen many people discard Dionysus's rapes in the Dionysiaca because of how late it was written, so this one can be given similar treatment if one choses too because of just how late Ovid and Antoninus Liberalis's work was.

You can, in fact, pick and chose if you wish, especially if it'll increase your enjoyment of literature. That's certainly what I do :)

So overall, I'd say Apollo has a rather clean relationship past. He's doing pretty damn good.

Also, I think we should all take note that even if Apollo had noncon myths, that doesn't reflect on the actual god. The Ancient Greeks did not see the myths as "canon" to their gods- in fact, some were not happy with the myths showing the gods in such a light.

That's something else to keep in mind. The gods of the myths are not the gods of Greece, and are more like parables or fables for the Ancient Greeks I'd say. Lessons on morality and such, and of course, warnings against hubris and the like.

This was quite the journey, and I really hope you all enjoyed reading and learning with me! This really makes me wonder- if Apollo's love life is this good, I wonder how misinformed we are on everyone else's? I have no plans on doing Zeus or Poseidon or anyone else (not for a LONG time lol, this took a lot of effort and research!), but if anyone has any idea, or gets inspired to do something like this for any other god, please tag me!! I'd love to see it! :D

And since this was on a previous reblog, here be a meme from a while ago:

[ID: Me Explaining Me. On the left is a girl with her hands up, fingers pinched together, like she's intensely explaining something. The text over her says "Me giving a detailed diatribe about Apollo's love life and how modern media has done him and his lovers dirty". On the right is the girl's mother, wrapped up to her chin in a blanket, with a look on her face that screams "I hear this all the time". The Mother is labeled "My family". /End ID]

suffers in I'm the only mythology nerd in the family

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enviedear · 1 month ago

Note

hey Olivia talk about Jason and love letters pls

i can never say no to you, not like i'd say no to rambling about jason lmao!! link here to what inspired this <3

swing by my askbox 🧸ྀི

basically, i think believe that jason would be not only the best at writing love letters but also the most genuine about it. to him, they come from a place of utter devotion. in my hc, i think he'd just really struggle with getting his words out. he hates the way they sound, that they never fully convey what he means, that he stops himself more than he allows himself to speak, and mostly, he cannot handle the pressure of a time constraint. even if someone were to give him all the time in the world to open up, his chest would still get tight and his throat would feel scratchy and raw. jason todd is a victim of analysis paralysis there i said it.

no—he NEEDS another outlet, another form of communication. so he writes. he always loved reading, annotating in the margins—now he does it to his own words. At first, he doesn't even count what he writes as love letters. he's not waxing poetry, he's just explaining his fucked up perspective because you deserve to know. you deserve to be privy to whatever's going on in his head. he fails (for a while) to understand that is love, the very crux of it. the devotion to spend his free time explaining what his mouth refuses to say is love in its purest form.

his words are sweet too, no matter what he's writing. he knows his audience, you. his letters always start the same, with the salutation of 'sweetheart' and an "i love you." sometimes, all that's written is a long run-on about how he feels, how overwhelmed he is. other times, it's reminders of how much you mean to him, how happy you make him. and of course, quotes.

i am a firm believer that jason todd quotes his favorite books (modern and classic) so you better assume he's throwing in quotes that remind him of you. things like "what does money matter? love is more than money." from dorian grey after you had confessed to feeling bad about him spending money on you, or "If I loved you less, I might be able to talk about it more." from emma after an argument rooted in his apprehension for sharing, and "I will live in thy heart, die in thy lap, and be buried in thy eyes." makes a common appearance. you're unsure as to why he quotes shakespeare so much, especially that line—but he's not. he knows it's the truest cohesion of words he could possibly find to explain to you just how crucial you are to him. detrimental even.

but it's not always super intense—a lot of the times it's simple letters. letters hung up on the fridge, on the dryer, in your car, even scattered little love notes in your purse/wallet. things like, "washed your clothes. you really need new leggings, i put money on the counter." / "changed your oil. remind me again in six months. i love you." / "missed you this morning. i'm coming home with dinner, your favorite. i love you."

where other men fail to find a form of communication that works for them, jason todd exceeds. besides, he's seen death once and he's not meeting it again without you knowing just how much he absolutely adores you. if he can't be here forever to give you the love he's practically overflowing with, at least the letters can outlive him. he'd like to be remembered that way—just by his saccharine sentiments for you

𝐡𝐞𝐚𝐝𝐞𝐫 𝐛𝐲 @ 𝐞𝐧𝐯𝐢𝐞𝐝𝐞𝐚𝐫 (𝐦𝐞)

#dc jason todd #jason todd #jason todd x reader #redhood x reader #—askolivia !

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librarycards · 4 months ago

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hi sarah. feel free to delete this if it’s too much, but do you know of any work (academic, personal essays, art, etc) about grieving someone who’s died to suicide/wishing they were alive while also grappling with how to square it with your anti-psych, anti-carceral, pro-bodily autonomy politics? for reference i’ve read Alexandre Baril’s paper on Suicidism before and may revisit it in this light, as well as aleks thom's writing on disenfranchised grief and your lovely recent poem about suicide, but i’m sort of at a loss about where to look for other work about the intersection of these specific topics. many thanks and much love in advance

thank you so much for asking! i feel strange saying "i'm sorry for your loss" because it's clichéd and trite and you've heard it a billion times before. i am sorry, though, and i am equally sorry that you carry your loss into a world that is so deeply hostile to everyone affected by suicide – loved ones, those who have attempted, those who have completed, those who are dealing with suicidal thoughts, all of us.

i think that perhaps the most useful thing to remember is a bit simpler and a lot more challenging than can be conveyed in a paper or poem. it's that peoples' bodyminds are their own, including when they treat said bodyminds in ways we on the outside don't like. this is true for people who do all manner of "unhealthy" and "self-harmful" things, and as loved ones, it's incredibly fucking hard to witness, especially when the consequences are deadly.

suicide grief, and in general, work by loved ones and caregivers to those of us who experience extreme states, is pretty tough to find in the area of Mad studies. this is partially justified, given the degree to which we've all been spoken over and around by abusive "caregivers." yet it also denies the simultaneity embedded in basically any Mad community: we are all both, because we're all together and hurting at once.

i actually have two friends who have written about their own experiences as suicidal + Mad people who have lost close people to suicide: MT Vallerta, a scholar-poet [check out In Memoriam], and poet S.G. Huerta [you should read their poetry book, Last Stop].

Sophie Lewis also wrote an intriguing piece that touches on suicidality, death doulaing, and kinship.

Emily Krebs studies suicide/bereavement from a Mad crip abolitionist perspective, and is worth checking out.

i think it's also a good idea to remember that a way to honor those who have completed suicide is to take better care of suicidal people who are still alive. it only does more harm to suicidal people to approach ideation/attempts carcerally, and indeed encourages more covert, risky, and isolated methods rather than open dialogue. here are some ways to honor - not only support, but truly honor, trust, and respect suicidal people:

candidly speak about death, self-harm, and "dark thoughts" - and what to do around them - before and outside of immediate crises. be explicit in your intentions to support those who are actively suicidal before the next crisis occurs. ask people their preferences - who should you call? is the hospital ever on the table, and if so, under what conditions? who will be there to advocate for them when interacting with carceral authorities?

be candid about how their actions affect you, without placing blame. when someone attempts suicide, everyone they love is affected. this is not the person's fault, but it is something that needs to be addressed in community. here's an example from my own life: a dear friend was forcibly hospitalized after an attempt. i had been a main support person of hers in previous crises, when we lived near each other. when we spoke about her experience months later, i admitted that i felt "guilty" and as though i had somehow caused her to be institutionalized by living in a different place now. she admitted to me that she felt "guilty" for having "let [her loved ones] down" and "letting" her health deteriorate. we were able to find comfort and commonality in our affective experiences, and have become better friends for it.

cool it with the solutions. ask for consent before doing anything, but especially giving advice. many people kill themselves, or try to, because they feel cornered - often for very logical reasons (poverty, oppression, abuse/complex trauma). the adage that a poor person probably has more financial wisdom than a rich advice-giver holds true here, so don't immediately offer tips unless they've asked for them. sometimes, suicidality isn't connected to anything concrete, either, or a person's reasoning doesn't "make sense" (duh). if someone has the courage and trust to come to you with their feelings of suicidality, what they need most is someone to listen, to take them seriously, and to afford them the same personhood that they would have otherwise.

when people disclose thoughts of suicide, they take an immense risk in terms of their safety and credibility, and they do so because it is not possible to be a person alone. but, we also need to hold simultaneously that the individuals who do their best to support a loved one, but are not equipped to do so, are also not at fault for somehow "killing" them. suicide is incredibly complex, and suicide grief perhaps even moreso than other types of grief.

i also don't have concrete answers as to what to do about this conflict between our emotions around suicide - wanting to save a person we love, wanting them to stop hurting, being willing to do anything to keep them around - and imagining a world against and beyond the institution in all its permutations. but i know we will move toward it together through open conversation and trust and collective risk. much love and respect to you for asking such a challenging question during a heartbreaking time. <3

#suicide n #madness #world healing #resources #readings #antipsychiatry #grief #love #ask #anonymous

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moltengoldveins · 2 months ago

Text

@clingyduoapologist made a really cool “what if DSMP were a stage play” post and basically the instant I saw it I was struck by the muse but I don’t want to just chain reblog the dang thing or make one huge reblog with all my thoughts so instead here are all my thoughts on this concept

i don’t think it’s a musical. I think the tone of the story doesn’t fit. But if it were, it would have a Lot of scenes of unsung dialogue, and that dialoge? Would be rhythmic poetry. It’s Shakespeare Appreciation Time baby.

i do however think there would be a live score and an orchestra. A lot of the music would need to be recorded but there’s at least be a few musicians.

different characters speak in different poetic styles at different times to communicate character and plot development.

to elaborate on that: Characters switch from loose ABBA or ABAB rhyme schemes and vaguely rhythmic meter when chatting back and forth to strict perfect iambic pentameter for tense scenes or political speeches.

Techno speaks exclusively in unrhyming dactylic hexameter, an extremely common poetic form for Greek and Latin poetry. It’s what the Iliad was written in. This has the interesting effect of making Techno sound, at first glance, unpoetic. His speech doesn’t rhyme, and doesn’t follow a common English rhythm scheme, so it wouldn’t immediately register as structured. However, dactylic hexameter is actually significantly harder to write in English than expected because of our syllable stress patterns. Speaking like that would be, objectively, a sign of extreme intelligence, but could easily be overlooked as coarse uncultured behavior.

Techno’s chorus - composed of audience members, background extras, and people (in safety harnesses) sitting in the theater rafters - speak largely in Greek and Classical Chinese, quoting sections of the Art of War and Homer’s work. The major exceptions to this are ‘Blood for the Blood god,’ ‘no,’ and ‘do it.’ They all wear a hat or some form of headband that has a glowing LED eye, hidden, but activated when they speak. The audience plants are all in dark clothes, and when the lights go down they don medical masks/sunglasses. Anything to obscure their faces.

The Chorus, a group of robed masked people who broke the fourth wall and often entered the audience, was a vital part of early Greek theatre. I am an intolerable nerd, and the thought of sitting in a dark theatre only to hear an low distorted voice beside you start to comment on the play as a whole choir of voices echo around you, then turning to see your seat neighbor is a masked person with a glowing red eye in your forehead? Literally incredible.

Dream is the only character dressed in even remotely modern clothes.

Dream is first seen as someone (again, in modern clothes) sneaking around backstage in a black hoodie: most of the audience probably assumes he’s a stagehand and not meant to be seen. Then, at some point, he moves from behind a set piece and enters the scene as an actual character, revealing his mask.

interestingly, this is really similar to what I believe is a bit of myth about why ninjas are dressed in all black in modern media. They wouldn’t have been irl, they would’ve dressed like civilians. But stagehands in Japanese theatre would dress in all-black, and were often completely visible onstage moving sets - it was common courtesy to ignore them. Then one day some playwright had the brilliant idea of having one of the stagehands enter the story as an assassin, and suddenly every actor in all-black was a threat. For the life of me I can’t remember where I read that but it’s a cool thought :D

Dream canonically can interact with set pieces, lighting, and curtains.

Dream actively directs lighting in scenes he is not in, sitting above the stage kicking his feet.

Dream is often used to hand off props to characters instead of having them pull them from a pocket and pretend they were pulled from their ‘inventory.’ This begins to get confusing when Dream is acknowledged later on as the he person giving, say, TNT to Wilbur, or wither skulls to Techno.

characters address the audience as ‘Chat,’ (English’s first fourth-person pronoun my beloved) almost constantly, especially for comedic purposes- most of their monologues are addressed directly to the audience as well. For Wilbur, it’s a sign of instability when he stops addressing ‘Chat’ and start addressing the sides or back of the stage.

philza enters from the lower audience, right by the stage, probably after pooping up from the orchestra pit and taking a reserved seat halfway through so no one sees the wings.

Tommy has by far the least structured or rhyming dialogue - if it weren’t for how carefully crafted it was it would sound like normal prose.

Tommy speaks to the audience by FAR the most. Wilbur only addresses them when soliloquizing. Techno barely addresses them at all: they address him. Ranboo speaks to the audience only when alone, and it’s usually phrased like he’s writing in his memory journal. Tommy speaks to the audience at first like a loud younger brother. As he gets older, it sounds more and more like a plea for help, a prayer for intervention that will never come. Exile is one long string of desperate begging aimed our way.

Tommy stops speaking to the audience so much after Doomsday. He starts again when Dream is imprisoned. He stops for good when he dies in there, beaten, alone.

Sam and the Warden are meant to be played by different actors, ideally siblings or fraternal twins. They wear identical stage makeup and costumes, but the difference is there. None of the characters acknowledge this.

the Stage would need to be absolutely massive and curve almost halfway around the central audience, largely because it should be able to be split at times into two separate stages to show different things happening at the same time. This could possibly also work if there were two stages, but getting people to easily turn from one stage to the other without loosing sight of what was happening would be rough.

Doomsday taking advantage of the scaffolding in the rafters and using them as the ‘grid’ for the tnt droppers.

actual trained dogs for Doomsday my beloved. Would cost a fortune but could you imagine.

the entire revolution arc ripped off Hamilton, we all know that, I think we can afford to have a stagehand step forward in that frozen moment in time when Tommy and Dream have that duel, grab the arrow, and carry it slowly across the stage right into Tommy’s eye. For morale.

throughout the execution scene Techno keeps slipping out of poetic meter, especially when he sees/is worried about Phil. After the totem (which would be freaking amazing as some sort of stage effect with like lights and red and green streamers or smthn dude-) he stops speaking in poetry. The scene with Quackity is entirely spoken dialogue. Chat is silent. It’s only when he gets back and sees evidence that his house has been tampered with that Chat starts up again (kill, blood, death, hunt, hunt, hunt-) and he starts speaking in rhythm again.

Every canon death, Dream marks a tally on something in the background. Maybe it’s in his arm? Like a personal scorecard. Or maybe it’s on the person themselves, a little set of three hearts he marks through with a dry-erase marker or something.

phil and techno have a lot more eastern design elements and musical influences than the rest of the cast, except for Techno’s war theme which is just choir, bagpipes, and some sort of rhythmic ticking or thumping. Phil’s also got a choir sting but it’s a lot harsher, the ladies are higher and them men lower, and the chords are really dissonant (think murder of crows)

Tommy’s theme has a lot of drums, but its core is actually a piano melody. The inverse of Tommy’s theme is Tubbo’s, but Tubbo’s is usually played on a ukulele. Wilbur is guitar, obv, and Niki’s is on viola.

Quackity is a little saxophone lick. He and Schlatt both have a strong big band/jazz influence.

None of the instruments that play dream’s theme play anywhere else in the music. I’m thinking harp, music box, and some kind of low wind instrument.

#I have more thoughts but apparently there’s a character limit on lists or smthn it wouldn’t post if it were longer :/#molten rambles #technoblade #mcyt #philza #dsmp #theatre #musical theatre #Shakespeare mention #tommyinnit #dream #wilbur soot #dream smp

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moonselune · 1 month ago

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Ooh okay here's an idea, headcanons for the origin companions writing (or trying to write) poetry for their tav s/o?

Okay so this took me forever to write because I had to consult a friend on the poetry as it's basically her degree. However, she had no idea about BG3 so I ended up sucking her into the fandom and she then went on a BG3 spiral because she loved it ahaha

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Karlach:

Karlach sits at a makeshift table, her broad shoulders hunched, brow furrowed as she tries to capture her feelings on paper. She’s never been much of a writer, and the pen feels clumsy in her large hand. Every so often, she mutters a curse under her breath when the words don’t flow the way she wants them to. You watch from a distance, curiosity piqued.

After what feels like an eternity, she finally hands you a crumpled piece of parchment, her cheeks flushed with embarrassment.

“Alright, don’t laugh,” she warns, though there’s a hint of nervous excitement in her eyes. The poem is simple, a little messy, but it’s so undeniably her.

“Your smile’s like a sunrise, That burns brighter than any fire, Every time you’re near me, You’re all that I desire.”

You can't help but smile as you read it aloud, and Karlach groans, covering her face.

“I know it’s not fancy or anything,” she mumbles, “but it’s from the heart, alright?” You reassure her with a kiss, letting her know it’s the best poem you’ve ever received.

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Minthara:

Minthara’s approach to poetry is far more methodical. She’s a creature of precision, used to battle tactics, and this is no different. Late at night, she sits cross-legged, a flickering candle illuminating her sharp features as she writes with a quill dipped in ink. Her expression is one of deep concentration, as if she’s strategizing for a battle rather than composing a love poem.

When she finally presents it to you, there’s a certain pride in her eyes. Her poem is intense, each word chosen carefully, each line sharp and cutting but with a hint of tenderness beneath the surface.

“Like a blade you cut through darkness, Your light, a beacon in my night. I am drawn to you, fierce and wild, My heart laid bare, my soul in flight.”

She watches your face closely as you read, searching for any hint of your reaction. When you look up, your eyes filled with emotion, she gives a small, satisfied smile.

“Words are often a poor substitute for action,” she says softly, “but I hope they convey even a fraction of what you mean to me.”

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Lae'zel

Lae'zel’s attempt at poetry is… complicated. She’s never been one for the softer arts, and the idea of capturing her emotions in words frustrates her to no end. You catch her muttering Githyanki curses under her breath, crumpling up piece after piece of paper in irritation. Still, she refuses to give up, determined to prove that she can express herself in this foreign way.

Eventually, she storms up to you, shoving a piece of parchment into your hands with a scowl.

“Read it,” she demands, crossing her arms defensively. The poem is blunt, almost aggressively so, but there’s an earnestness to it that tugs at your heart.

“You are strong, like steel forged in battle, Yet soft, like the flesh I crave to touch. I fight for you, bleed for you, You are the only war worth winning.”

You look up to find Lae'zel watching you intently, her expression guarded.

“It is foolish, yes?” she asks, and you can hear the uncertainty in her voice.

You shake your head, telling her it’s perfect, and she lets out a breath she didn’t realize she was holding.

“Good,” she mutters. “You deserve nothing less.”

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Shadowheart

Shadowheart is not one for flowery words, but she sits by the campfire one night, her brows furrowed as she scribbles on a piece of parchment. You catch her biting her lip in concentration, an ink smudge on her cheek as she mutters under her breath. She startles when you approach, hiding the paper behind her back.

“Are you writing?” you ask, trying to peek around her shoulder.

“It’s nothing,” she says, but her blush gives her away. Eventually, she relents and hands you the parchment, its edges crumpled from her nervous fingers. Her handwriting is elegant but stiff, like she’s forcing each word into line.

“Your eyes hold secrets, like shadows at dusk, A puzzle I’ll never solve but can’t help but trust. You laugh like moonlight; it’s foolish, I know, But I’m drawn to you, where else could I go?”

She looks away as you read, her arms crossed defensively.

"It's terrible," she mutters, but you shake your head, feeling warmth bloom in your chest. When you tell her you love it, Shadowheart rolls her eyes but can't hide the small, pleased smile tugging at her lips.

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Jaheira

Jaheira isn’t one for frivolous things, but there’s a moment one morning when you find her sitting at a table, a quill poised in her hand. She’s been staring at the blank parchment for what seems like hours. You approach her, and she huffs, clearly frustrated.

"I thought poetry would be simple," she grumbles. "It's just words, isn’t it?"

You offer to help, but she shakes her head, determined to do this herself. Later, she hands you a folded piece of paper with an almost bashful expression. You can tell she’s put thought into it, the parchment creased from how often she’s held and rewritten it. Her words are unpolished but heartfelt:

“You are the root, the bloom, the green, The calm in storms, where I’ve been seen. Your laughter’s warmth, your eyes’ sweet glow, A love that’s strong, a fire that grows.”

You glance up at her, and Jaheira shrugs, trying to look indifferent.

“I’m no bard,” she says, “but I meant every word.” You kiss her, and she finally allows herself a small, proud smile.

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Gale

Gale takes his poetry seriously, but he tends to overthink it. One evening, you find him surrounded by crumpled pieces of paper, muttering incantations under his breath as though the right words might appear with magic.

He looks up at you, exasperated.

“You’d think after all my years of studying the Weave, I’d be able to put together a few coherent lines about the one I love.” He groans, running a hand through his hair. “Poetry is far more difficult than conjuring fireballs, I’ll have you know.”

Finally, he hands you a piece of parchment, hesitant but eager for your reaction. His script is elegant, each word carefully crafted:

“You are my star, my whispered spell, The echo of dreams where I long to dwell. No magic can bind what I feel inside, A love that transcends the flow of the tide.”

Gale watches you with bated breath, and when you smile, he lets out a relieved sigh.

“I was afraid it might be a bit too… much,” he admits, and you laugh, telling him it’s perfect. He grins, pulling you into his arms. “Well then, I suppose I’ll have to write more.”

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Astarion

Astarion has always been one for grand gestures, but poetry? That was a challenge he couldn't resist. He sits across the campfire, quill in hand, and a smug grin plastered across his face as he begins. You catch glimpses of him mouthing words, pausing, then crossing things out dramatically.

When he finally reads it to you, his voice is smooth, velvety, dripping with exaggerated passion:

"Your eyes, like twin moons, glisten in the night, Soft curves that tempt and beckon, a dangerous delight. Your lips, a sweet nectar, I long to devour, You’ve ensnared my heart, my soul, in this midnight hour."

He pauses, looking at you expectantly, and you can’t help but giggle. “Astarion, that’s very… intense.”

He rolls his eyes, though there's a playful glimmer there.

“What? Did you expect anything less from me, darling? I don’t do things halfway.” Despite his teasing, you catch the faintest blush on his cheeks, and it’s clear he truly wants you to like it.

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Wyll

Wyll spends hours sitting under a tree, tapping his quill against his lips and muttering to himself as he scribbles. His brow furrows, and he occasionally sighs heavily, clearly struggling to find the perfect words. He wants this to be right, to be perfect.

When he finally shares his poem with you, he does so with a bashful smile, his eyes never quite meeting yours:

"You are the light in the darkness, my beacon, my guide, A flame that warms even the coldest night tide. In your laughter, I find peace, in your touch, I find home, With you by my side, I’ll never be alone."

Wyll rubs the back of his neck, chuckling awkwardly.

“I know it’s not much, but… I meant every word.” You reach out, taking his hand, and he relaxes, the tension melting away from his shoulders as you thank him for his sincerity.

“You really mean that?” he asks, the disbelief clear in his voice, and you nod, kissing his cheek. He beams, the kind of smile that lights up the whole camp.

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Halsin

Halsin takes his time with his poetry. He’s not one for flowery words, but he wants to put his feelings into something beautiful, something worthy of you. You find him surrounded by parchment, his handwriting neat and flowing, and he looks up with a warm smile when you approach.

“There’s something I’ve been working on,” he confesses. “It’s… well, it might not be poetry in the traditional sense.” He clears his throat, holding the parchment a little awkwardly as he begins:

"You are the earth beneath my feet, steady and true, The river that runs deep, with life that renews. In your embrace, I find the peace of a forest at dawn, And with you, I’ve found where my spirit belongs."

He looks up, his eyes searching yours. “It’s simple, I know, but—”

You cut him off with a kiss, feeling the warmth of his words wrap around you just as surely as his strong arms do.

“It’s perfect,” you whisper, and he laughs, the deep, rich sound resonating through you, making you feel as if you’ve always belonged right there, in that moment with him.

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Shoutout to my friend (who wishes to stay anonymous) for the beautiful poetry, and I hope you guys enjoyed it! - Seluney xox

If you want to support me in other ways | Help keep this moonmaiden caffeinated x

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just-some-random-blogger · 8 months ago

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Okay so here’s my request for a blurb…💕

Think of that one scene where Tormund is talking to the hound about Brienne but instead of Brienne it’s the reader (fem Y/N). The readers a hard woman and hasn’t given in to Tormund because she’s secretly with Sandor.

So basically the hound being jealous that tormund is into his woman.

Preferably NSFW if it’s too long to get to NSFW no worries.

⭐️( PS: i love your writing for the hound, barely anyone else gets it right!)

Save Me A Bowl

"A pretty thing for a pretty thing," Tormund says, holding up a small flower, not yet bloomed. I raise my brows at the white bud, "do I look like a thing to you?"

Sandor Clegane x Reader x Tormund Giantsbane | 1k+ | cw: fem!reader, jealousy, whipped!Tormund, fluff?, casually implied sex, typos, etc.

A/N: UR NOT ABOUT TO CATCH ME SLIPPIN ON MY POST STREAK. Once I post this, I'd have finished all my requests which is such a slay for this girl 🥹🫶. It has been quite a while since I got this req tho, so I hope you enjoy it nonnie 🫶 also.... I haven't actually reached this part of GoT yet HAHAHAHAHAH it's fine tho I think I know enough to write it lmao

Sandor was not very affectionate, at least not in the noticeable kind. In truth, neither was I, though I suppose it's because you don't really have the time to think about such things when there was a war at hand.

However, I would say I didn't shy from checking on him, nor from asking him to accompany me. I definitely didn't shy from going out of my way to sit next to him, nor from leaning into him when it got too cold. The same could be said about him, I think.

In my opinion, my relationship with Sandor was rather obvious, though we never spoke about it, especially on the multiple accounts I've announced I'd be heading back to my tent and have the Hound immediately follow after me. If anything, I thought it was at least crystal clear what we were up to after the fact.

This was why I turned to Brienne when Tormund began harking nonsense. She and I had been huddled by the fire, finishing a bowl of soup when he came around.

"Is he trying to seduce you?"

"Don't look at me," says Brienne in between spoonfuls, "I am not the one he directs such gaudy poetry to."

I raise my brows as I turn back to Tormund who immediately smiles at me. I find myself sparing a smile back just to get his oration over with.

Ever since then, Tormund went out of his way to tire my ear with the sound of his voice, telling me tall tales of his life and his people. To be honest, I didn't mind it. In fact, I was partially entertained by some of his stories.

Showy as he was, he was harmless for the most part, and so I just let him do what he wanted. Eventually, his yapping would earn him a bowl to head and a threat to shut his trap. It worked out for me the men had much less patience for him than I did.

Little did I know, Sandor just about lost his patience with him.

I have to stop eating so I can get a laugh out of my system. The orange haired man laughs with me and concludes his story. He sighs, "you're the only fun one on this side of the fucking wall."

I shake my head and continue eating my food, "you mistake my tolerance of you as solidarity with your humor."

"Yet you laugh," Tormund raises a thick brow.

I shrug and swallow a mouthful before replying, "because you are fool."

"Fool enough to make you laugh," he says, standing from his seat beside me. He seems to look for something in his pocket.

I barely spare him a glance as he tells me, he's forgotten something, "I'll be right back."

Just as he runs off, I see Sandor and smile at him. He seems not to notice me and sits in a spot across from me. I immediately stand and come up next to him. I sit next to him, "took you a while."

Sandor ignores me.

I nudge him when he does not respond.

He side eyes me then begins to eat.

I raise a brow at his ignorance, "has something happened?"

He grunts then snaps, "why don't you ask that ginger fuck."

I frown.

"You seem keen of his company," Sandor glare, "you even laugh at his rancid jokes."

I furrow my brows.

Just then, Tormund comes back. He looks for me a moment, then beams when he spots me.

He runs up to me and Sandor; I feel Sandor stiffen against me.

"A pretty thing for a pretty thing," Tormund says, holding up a small flower, not yet bloomed.

I raise my brows at the white bud, "do I look like a thing to you?"

"The prettiest thing in the south," Tormund grins.

I release a breath.

I look over my shoulder and realize Sandor has stopped eating in lieu of glaring at Tormund. I'm about to speak, but I'm beaten to the chase.

"Fuck off, filthy minge," Sandor growls.

Tormund turns to him. His upper lip curls, "I wasn't speaking to you, smelly mutt."

Sandor stands and the two impose upon each other.

I immediately set my bowl down and step between them. I push them both on their chests, but neither budge. I hiss, "enough."

"You heard the woman," Tormund says, "get lost."

"I-"

"She was talking about you, you yapping fuck," Sandor snarls.

Before they can jump at each other's throats, I step back and yell, "ENOUGH, I SAID."

Sandor and Tormund stare at me.

"It's been a long day," I snap, "I'm not in the mood to soothe two whining bitches."

Tormund nods, "right!"

I narrow my eyes, "Tormund-"

"Yes?" he immediately retorts.

"- fuck off."

He opens his mouth but is too taken aback to say anything.

"You've been too busy picking flowers to notice that I'm with Sandor."

Tormund stares at me blankly.

"He's the one warming my tent."

He is aghast.

Sandor's face is blank, but he seems otherwise pleased as he sits back down and continues to eat.

The ginger steps forward and reaches out, "but I-"

"Keep your fucking hands to yourself," Sandor stands again, "if you know what's good for you."

Tormund glares at Sandor.

I sigh, "I told you you were a fool."

Tormund deflates. He walks off silently.

Sandor pulls me by the arm as he sits, sitting me down next to me, "good fucking riddance. Finally some quiet."

I roll my eyes at him, "you know," I pull my arm away, "this wouldn't have happened if I-"

"Fucked you harder?" he says in between chewing, "aye. I know better now."

#ngl i kinda feel bad for tormund #hes my pathetic meow meow too #Sandor Clegane fanfic #sandor fanfic #sandor fluff #sandor smut #the hound fanfic #the hound #sandor clegane fluff #tormund fanfic #tormund giantsbane fanfic #tormund giantsbane fluff #Tormund fluff #tormund x reader #sandor x reader

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ren-has-wings · 2 months ago

Text

Intro

yo. So I guess I’m supposed to do one of these? I’ll give you the basic run down.

Name: Ren Timbers

Gender: Nonbinary (They/Them.)

Sexuality: pan

occupation: taken- @sleepy-as-a-song… heh…

Godrent(s): Child of Psyche, Legacy of Hermes

Age: 16

birthday: February 11 (Aquarius)

some facts? Gods, you’re asking a lot from me

I’m basically part moth. I’ve got wings and antenna.

My favorite band is Green Day

i don’t let anyone see my eyes

my favorite color isn’t black, it’s blue

i like astronomy

while I don’t remember anything from when I was younger than ten, I luckily remembered how to read. I didn’t get much time to practice in the woods, though.

I enjoy reading and writing poetry

I think I have some disabilities, minor physical and mental… but I don’t know yet. I haven’t seen a doctor… ever

I’ve been at camp since I was ten. I’ve just been in the woods

no, I don’t remember how I got here