#but genuinely trying to be a support system

[doctormohansamira]

I'm a lot more interested in Samira building relationships with Collins, McKay, and Langdon than I am in her becoming friends with Santos or Mel, and I think it has to do with how Collins, McKay, and Langdon are all in a completely different place in life from her, thanks to them having (or in Collins's case, wanting) families, leading to an interesting contrast to Samira's isolation. I think there's a lot more to explore.

I don't think these are necessarily positive relationships that I want to see. Especially Langdon – there's so much room for Samira's relationship with him to devolve from the collegial casualness with which they interacted in season one to something really tense and fraught where he feels supplanted and she's just simmering with a resentment she doesn't know how to name or articulate about Robby accepting Langdon back after a federal crime when he's always getting mad at her for what basically amounts to the grand sin of her being unable to solve the American healthcare system by herself and prioritizing a different problem than he does. There would be a ton that's not stated directly and that Samira wouldn't know about that would still be this added weight to the conflict – the fact that Robby considered destroying evidence? The fact Robby was generally so lax with Langdon for the more minor missteps that when it came to the bigger ones, Langdon genuinely expected him to not report his drug diversion and tampering, putting his own license on the line? The fact that when Samira recognized a patient's withdrawal symptoms and treated him for it, right after Robby found out about Langdon's drug diversion, Robby got mad at her for extremely undefined reasons that had nothing to do with her angling to force a confession (I have a whole lot of other thoughts on that specific patient and what that interaction tells us that I think often goes underdiscussed, especially as it pertains to the conflicting demands in an emergency setting, but I'll leave that for another time)? It's just a relationship ripe for increased tension.

When it comes to McKay, they have such a similar ethos about patient trust. They have similar conflicts with Robby stemming from their sense of ethics. She's essentially trying to do the same thing Samira is trying to do, operating based on her own real world experience in contrast to Samira's academic approach. And the key difference is that McKay is older! She has a broader perspective and a sense of self outside of medicine! Robby taking his own shit out on her affects her, but not nearly to the extent than it does Samira. It makes so much sense that it's McKay that's the first person to tell Samira to just go home.

I've talked about Samira's relationship with Collins before, and obviously there's a lot of interesting stuff there to explore, like the parallels between "it's still no reason to take it out on me" and "don't take it out on the rest of us", and the way it's Collins that sees this patient McKay had discharged and what it suggests that this is the one time we see the ramifications that Samira is so concerned about in terms of patients bouncing back worse because of an excessive focus on throughput, and that Robby doesn't have to acknowledge this at all. There's also something interesting about how their relationship isn't at all the "what to do", instructive approach to mentorship, but Collins providing this general sense of support – reassuring her when she's worried her intubation took too long, assuring her she'll have her back with Robby. But another thing that's interesting is that I think it would throw Samira for a loop to learn just how badly Collins wants a baby. Samira has a lot of respect for Collins. The first thing she asks during the MCI prep is about where she is. She's also so much in denial about needing other things in her life beyond work that I imagine learning that Collins is actively trying to have a baby while in her final year of residency would baffle and unsettle her.

Throughout the season, everyone gets patients that in some way or another connect to something they've got going on. I think I've mentioned that for Samira, she's lying to herself about being fine so much that hers are way less direct than everyone else's – Robby has to extubate an old man and comfort his children; Collins has both an abortion case and a birth; Santos has the parent of an abused child and the suicidal teen; Langdon has the kid that ingested the pot gummies; Mel has the woman whose daughter is her sole caretaker; Javadi has the baseball prodigy and the fratboys doing dumber things than she ever considered doing. Whereas with Samira, the one that gets this strongest emotional reaction out of her is...a patient in opioid withdrawal that refuses help. Only tangentially connected to her personal history. Samira and Javadi work on suturing up one of the ambulance stealing frat boys together. And Samira is pretty much silent throughout the entire encounter while Javadi is talking to him. Her main reaction is just to give Javadi a look when Javadi is telling the guy he did something dumb. But immediately after the guy says that his friend doesn't really fit in, we get Samira's face coming into focus. Because, yeah! She doesn't fit in, either! And I think the big thing for her is needing to look forward and considering what she wants her life to look like, which would be totally fascinating through the lens of her relationships with characters older than her in different stages of life, like Collins, McKay, and Langdon, and I think Samira having to consider the kids idea is deeply interesting.

For McKay and Langdon, it's almost one thing – they had the kid before residency. I can see Samira just dismissing that as totally different and irrelevant to her own life. But Collins was undergoing multiple rounds of IVF. Samira is telling herself that everything that isn't medicine can wait until after her residency. But we know that she would continue to find other justifications for not doing those things then – a fellowship, maybe, or adjusting to a new job, or more research she wants to work on. So I'm very interested in the thought of how she would react to learning, hey, this doctor that you have immense respect for has other things going on outside work and is trying to do something else that would take up huge chunks of her time, what does this mean for you?

I have a lot of thoughts about cultural expectations in Indian families. As an Indian-American woman that lives alone, spends most of her time working, and is not interested in any kind of romantic relationship, while also feeling some measures of loneliness coming from most of my social interactions being with coworkers, I have a lot of feelings about Samira and her isolation. I don't doubt this could be biasing me. However, I cannot see Samira actually wanting children. Right now, I'm convinced she can't even keep a houseplant alive, and I think even when she gains better balance in her life, kids – another living thing dependent on her when she spends all her time at work – won't be for her. She's the most clearly ambitious doctor we see – she's the one character whose motivations are crystal clear. We know why she's there. We know what drives her. We know that she's doing research on top of her actual job. She's working herself into the ground, and something as simple as going for a beer with her colleagues is huge for her. She's not even at the taking basic care of herself stage, let alone the be in a relationship stage, and even when she is taking better care of herself...her job is never going to start being less important to her. I think she's ambitious enough that even if she wants children, which I don't think she does, she wouldn't have them because there's no way to be as good at both things as she'd want to be.

What I'm trying and failing to articulate here is...I don't want her to build these relationships with Collins, McKay, and Langdon, three characters who have or want children, because it'll push her towards saying, "oh, I can have everything, I can have a family and kids and be the kind of doctor I want to be". But I think having this exposure will force her to examine her wants and needs in the long term, and move from "there'll be time for that later" to "okay, do you actually want those things?", which I think would be very interesting.

[veal-exe]

!! SPOILERS FOR K-POP: DEMON HUNTERS BELOW !!

The biggest reason I rated K-Pop: Demon Hunters a 5 out of 10 (and honestly, the longer I sit with it, the more it feels closer to a 4) is because the ending genuinely ruined it for me. And not just in a “this didn’t work for me personally” way, like, it fundamentally undoes the entire thematic core of the movie. It was a mean ending. A cruel ending. A narrative choice that directly contradicted what the rest of the film seemed to be building toward and trying to say.

Now, to be clear, I don’t inherently think a mean or tragic ending is bad. I love complicated, painful conclusions when they’re earned. I’ve sobbed my way through films that ended on heartbreak and still called them some of the best of the best. But if you’re going to tell a cruel story, you have to build a narrative that supports that conclusion (unless the point is that sometimes life doesn't support the conclusion, like, 'My Sister's Keeper' is a bad book but it is a great example of that, and this movie is not that). That prepares the viewer for the message you’re trying to deliver. And more importantly, you need to make sure your ending aligns with the point your story is trying to make.

That’s the core issue here. K-Pop: Demon Hunters spent most of its runtime hammering in the idea that people are more than their worst mistakes. That guilt and shame don’t define who you are. That even when you fall, it’s possible to get back up again and be seen, fully, truly seen, and still be accepted. That forgiveness is possible, and salvation is a choice available to everyone. It wasn’t subtle about that either; the metaphors weren’t buried. It’s a story about demons as guilt and shame, about the pain of imperfection, about self-destruction born of trying too hard to be what the world wants you to be.

And then the ending shows us the Saja Boys, former idols who’ve been corrupted, yes, but whose corruption is explicitly linked to the pain and guilt they’ve internalized. We’re shown that Jinu, at least, is not just a mindless monster but a person who is suffering under the weight of his regrets, manipulated by the demon. We’re shown that there’s still something human in him. And from that, we can reasonably infer that the rest of the Saja Boys may be in similar positions, trapped, not gone.

So how does the film end?

They kill them. That’s it. No mercy. No conversation. No effort to save them. Just execution.

And it’s not even treated as a tragic necessity. It’s triumphant. It’s cathartic. It’s a moment of victory. It's played as Funny.

For a film that spent so much time saying you are more than your shame, you are not the sum of your mistakes, you can be redeemed, that ending was a slap in the face. Because what it ultimately says is: Actually, no. Some people really are just too far gone. Some people deserve to die because of mistakes they've made. Some mistakes aren’t forgivable, and some people aren’t worth saving.

Which, okay, if that’s the message you want your story to carry, fine. I don't even have issue with that, in fact, that ending would align more with my personal worldview, but this isn't about my personal worldview, it's about narrative analysis, because that’s not the story this movie was telling. This movie wanted to be about grace and compassion and the pain of trying to be perfect in a system that will chew you up no matter what. It wanted to be about fighting for your own humanity. But the ending was about vengeance, about purity, about punishment. About drawing a line and deciding who gets to be considered human and who doesn’t.

And I just don’t think you get to have it both ways.

There’s also a whole other conversation to be had about how deeply ableist some of those implications are, especially with the way the Saja Boys’ corruption is treated as a kind of moral contagion, as if suffering and being used up by the industry makes you inherently monstrous. But that’s its own post.

All I’ll say here is this: I wanted to love this film. I was ready to love it. It had so many of the ingredients I look for in a fun family film, and I am deeply weak for any kind of musical. And for a while, it really looked like it was going to land it. But you can’t build a story on the foundation of redemption and then end it by saying some people don’t get to be redeemed (even if they change!).

It doesn’t work.

[sleepytopia]

Dekusquad x Neurodivergent!Reader headcanons

Izuku Midoriya

Research King. The moment he realizes you're neurodivergent, he dives headfirst into research. He wants to understand how your brain works, not to “fix” you, but to support you.

“I read that some people find weighted blankets comforting. Do you-uh-wanna try one? I, uh, bought three… just in case…”

Makes spreadsheets of your triggers, needs, and comfort items. Literally has a color-coded support system chart. You’re embarrassed at first, but it’s so Deku you can’t help but melt.

If you struggle with overstimulation, he’ll always check before initiating hugs, touching, or starting big conversations. He’s extremely gentle and reassuring.

Midoriya is your biggest hype man when others don’t “get it.” He’ll speak up on your behalf, calmly but firmly, even to teachers.

Ochaco Uraraka

The Encourager. She notices when you're overwhelmed, especially in social situations, and subtly steers conversations or helps you exit when needed.

“Hey! Let’s go get some fresh air, just you and me, okay?”

She’s really sensitive to masking, and gently reminds you that you don’t need to do that around her. “You don’t have to smile for me, y’know? Just be you. I love that version.”

If you stim, she’ll either quietly mirror you to make you feel less alone, or simply smile and say, “That’s cute. You seem relaxed!”

Very physically affectionate if you’re okay with it, but she’s always the first to ask for consent.

Tenya Iida

Structure Buddy. Iida is the King of Routines, and when he sees that routine helps you too? Instant schedule-making partner.

Creates personalized visual calendars, helps you plan your day with breaks, and always encourages you to advocate for your needs. He even sets gentle phone alarms to remind you to take meds or eat!

If you struggle with executive dysfunction, he’ll kindly offer help: “Would it be alright if I assisted you in tidying your space? We could make it a five-minute timer task.”

Surprisingly comforting when meltdowns happen. He doesn't panic. He stays grounded and calmly offers options: “Do you want silence, pressure, or just space?”

If anyone makes ignorant comments about neurodivergence, he will lecture them into the ground. Respectfully. Passionately. Loudly.

Shoto Todoroki

The Unshakeable. Your quirks (no pun intended) don’t faze him in the slightest. He’s probably neurodivergent-coded himself, so your brain makes perfect sense to him.

“You like doing the same thing every lunch? Okay. I like soba. We both like patterns.”

If you get nonverbal or freeze up, he’s incredibly patient. He’ll wait. He never makes you feel rushed. “You can tell me when you’re ready.”

Genuinely finds your stims or hyperfixations fascinating. “Tell me about your favorite show again. I liked the way you talked about the color theory last time.”

If you have sensory issues, he will fight to make your environment better. He’s the type to replace your dorm lights with warm, soft-toned bulbs without you even asking.

Tsuyu Asui

The Grounding Force. Tsuyu is naturally calm and steady, which makes her a soothing presence when things get chaotic.

She’s excellent at helping you label emotions or sensations you’re struggling to explain. “Does it feel heavy in your chest, or more like your brain won’t slow down?”

Carries fidget toys and extra headphones in her bag, some for herself, and some just in case you need them. “We’re both allowed to need tools, kero.”

Doesn't pressure you to talk or make eye contact. She lets silences exist comfortably between you, and always listens when you’re ready.

She’s also very real. If you're spiraling, she won’t lie to you, but she will ground you in facts and affection. “It’s okay to feel like this. But you’re safe. And I’m here.”

Together as a Group:

They all work together quietly behind the scenes to make your life easier, swapping seats in class, blocking out noise, creating break spaces, and checking in without making it a thing.

They each learn your boundaries, your triggers, and your joys and meet you with respect, not pity.

And when you finally open up a little more? Talk more often? Laugh more freely?

They notice.

And they’re so, so proud of you.

© sleepytopia do not copy, translate, or plagiarize any of my works

[polysyndetonaddictsupportgroup]

did every hero really follow endeavor's plan during the jail break? I've never watched bnha, but I always figured there were more heros then Japan knew what do with. Was endeavor really just that worried about how the fight again AFO would go? and did AFO have the league with him? or other prison escapees? Given eraserhead was so entrenched?

As a preliminary matter--yes, it was way more than AfO. The League basically did what they did during the USJ arc and subcontracted their violent attacks. They needed a big force to first get AfO and everyone else out of Tartarus, and then they made it very clear (via loudspeaker and also fucking tweet) that they would all be very peacefully retreating while all those criminally insane and violent motherfuckers went that other direction. Ball's in your court as to how you want to tackle it.

AfO was the biggest threat, by fucking far, but it was far from isolated to him. It was the entire League of Villains + Their Very Special Friends. It was the kind of force that would be required to make the entirety of Tartarus fall for the first time in history. So the heroes had plenty to keep them busy.

And as to whether Endeavor was that scared about the next fight with AfO... Yeah.

I think bnha does a good job at establishing that All Might and AfO just exist at entirely different levels than every other person alive. Their fight leveled a decent chunk of Kamino. And I think that's kind of power and devastation is hard to conceptualize as like, people in a world where we don't have to worry about superhero fights. (as a side note--Sukuna's Big Fight in the Shibuya arc from JJK did better than any other fight in media to really capture the sheer cosmic horror of being caught as a bystander in one of those fights).

But endeavor saw it. He was there for AfO’s and All Might’s last fight. The gods were fighting. Everyone else was just an ant.

He is facing the villain that ultimately took down All Might. All Might won Kamino, sure. But he didn't get up again after. He was permanently and irreversibly taken out of play. And Endeavor has spent the last year feeling like he was struggling to be even half of what All Might was with two hours of productivity a day. He was so consistently voted to not be able to compare to All Might that he bought a wife and had four kids about it, all of whom hate him actively.

He does not think he is winning this fight. He is Japan's number one hero. The responsibility is going to fall to Midoriya Izuku to him. He is the best they have left, and the fight that would be coming was one that already nearly killed All Might, the one guy he has never ever been able to compare to. And when he really looked himself in the mirror and asked if he could stop AfO, the answer was no.

And it wouldn't just be AfO if he came back to power. It would be his followers--and he was liable to get more than just the current League of Villains roster. It would mean more Nomus. They could barely handle one Nomu--how could they possibly handle the Nomus, and the LoV, and AfO?

And the answer that he came to was that they couldn't. Not without All Might.

He thought he was sacrificing Yokohama for every single other city AfO was going to level if he had time to grow in strength again. He thought that if they threw absolutely everything they had at him while he was weak, then maybe they could contain him and the League before entire cities fell.

So. That's why he came to that decision. Why did every hero fall into line?

So what’s key to what happened here was it was this complete structural breakdown at exactly the wrong time.

Structural Flaw #1: Transportation

Was it every hero in Japan that responded to Endeavor’s order? No. But not every hero in Japan was available. Any heroes out of the immediate area were too far away to do shit.

But it's a massive crisis. Heroes would commute from all over if they could--but it's not about desire, it's about time and resources. With how imminently emergent the threat was, a lot of far-away heroes would need something like a jet to even conceivably get there in time.

Who is sending the jet?

Let's pin down what heroes could, conceivably, get there in time. Very few heroes are in walking distance. How do heroes typically get from Point A to Point B?

Hero society in bnha is an agency model. There is no communal pool of resources--you have what your agency has. You have a jet to transport you if your agency has the money for one, and I’m pretty sure only all might had that (he has since had it dismantled and the parts repurposed for the sake of the environment. He only had it to begin with so he could quickly respond to imminent threats. All Might thinks there's more than one way to save the world and saving the environment is part of it). Like. We even saw Endeavor flying fucking commercial.

But let's just assume, arguendo, that some agencies have jets. It would have to be the very top agencies to possibly afford it.

All of whom are shown in canon to mostly operate out of the same area. So they're going to have to send the jet somewhere else to get more heroes. Now any travel time is doubled. If they do send it out, how many people are they realistically getting? Are these heroes in multiple different cities? That's more travel time then. Maybe we just land the plane in Kyoto and whoever gets on in the twenty minute period while they're refueling is who is coming back. We'll hand them parachutes and kick them out the plane door over Yokohama. Okay. Good plan. Go team.

Who is sending the jet?

Like, who is physically making the call to send the jet? Who do they call? Do they just start ringing around their buddies and seeing if they have other plans? The city is on fucking fire and we need people fighting now, so the big name heroes don't have time to organize transport with other agencies. They’re not even thinking of that right now. Make it a sidekick's job.

They are all on fucking strike.

Fuck it. Fine. Make it an admin's job. There has to be some kind of office staff who can work a telephone who's available.

Who is thinking to send the jet?

Admins are not making strategic calls about where the company jets go. There would have to be some kind of protocol in place or someone with the authority to send the jet would have to think of it in the moment. And I guarantee you this would not be the case.

Because this is a society where they have canonically semi-privatized public safety and put people in direct competition with each other over it.

ASIDE: The Economic Structure of Heroics and Why It Sucks

I have an economic structure. You must listen to it. I promise it is relevant. This is why it takes me forever to do things it's because i get too deep into the weeds and have to explain the fucking economic structures underpinning the analysis for my nonsense to make sense.

How the fuck do heroes get paid?

I have no idea if canon ever tells us because to be so for real with you guys I have not watched this show in years. I haven’t cared about canon since the Shie Hassaikai arc. The fucking YouTuber arc broke me. I literally never watched it again. If they ever explain to us how heroes get paid I do not know and I do not care. I refuse to go back to canon. Everything I found out about canon after the Shie Hassaikai arc, I learned against my will. The ending to this story was so fucking stupid and I only have a scattered knowledge of the details but I’m still right. If canon ever tries to explain it then please do not tell me, I refuse to learn more things about this show.

But I still like poking around the potential economic structures based on the part of canon that doesn’t cause me psychic damage. So here’s the thought process for the economic underpinnings of hero society in the pez universe.

From canon, we know it can be an enormously lucrative profession, we know that it involves some degree of private interests (re: merch lines), and we know that there are some people who cannot have merch lines (Underground Heroes, e.g. Eraserhead), so there also must be some kind of public funding aspect to it as well. So. Who the fuck signs your paycheck?

Sources of Funding

a. Public Funding

There must be some kind of official governmental budget for heroics. Like. They are very much a public service. There would be no way to have a fully private heroics force without government funding. What else are you supposed to do, fucking Venmo heroes after they save you? Do they put your kitten back in the tree if you don’t have enough.

In my mind, there's public funds allocated to heroes as part of a city's budget. That funding is allotted based on the number of employees in a given entity balanced against the confirmed acts of heroics of that same given entity. There’s a base salary level and that can be increased based on how successful you are, but salary isn’t exclusively what this fund is for. The heroic entity (an individual hero or an Agency) is effectively receiving grant money from the government to run their agency. You put it into salaries, gear, office space, everything. The government is basically investing in heroes, and it’s investing more in heroes who are shown to have a greater positive impact on society.

It involves overly complex calculations regarding the scaled difficulty of a given bust/rescue/act and ranking of the villain (if there is one) and the overall public benefit for the service rendered. You get bonuses for having a lower average property damage, for contributing to community building projects, that kind of thing. It is Complex. There is a lot of paperwork that has to be submitted to strange and vaguely threatening government accountants. When Mirio and Izuku start their agency, they will burst into tears multiple times trying to figure it out once filing season rolls around, bundle all the paperwork in a Massive Tears And Shame Package, mail it off to the shadowy powers at be, and then get a perfunctory notice that they are getting a ludicrous amount of the city budget allotted to their dinky little agency for the upcoming fiscal year because they are Big Fucking Heroes and enormously good at what they do and it reflects in their stats. They will then lay on the ground of their haunted fucking office and stare at the ceiling for a very long period of time.

But this puts the heroes in competition with each other. Your public funding is chained to your stats under this model. There's only so many criminals out there--you've got to get the right numbers or it cuts into how much of a slush fund the agency is working with.

It's sort of an insane model for a public servant position, but I think it matches with what canon shows us. Imagine having firefighters pitted against each other. like, having a competitive model for public safety raises extreme concerns about how it incentivizes public servants to act.

But this isn't canon's model. It's my guess as to how canon works based on the hints i can remember and my own mental illness. So why do I think canon suggests a model like this?

It's because 1) canon does establish that heroes are in competition with one another and 2) this kind of model would likely be necessary due to the level of autonomy that heroes have.

The literal first fight we see involves heroes in competition with each other. Kamui Woods is doing a big Ultimate Move, and Mount Lady rushes in and steals the show. Like. that is crazy behavior if we are looking at this through the lens of a typical public servant. Imagine you're trying to get directions from a park ranger and a different park ranger kick flips in with a map and a desperate need for you to get your directions from them instead. You call poison control and they’re beating each other in the head over who gets to tell you you’re dying.

Still, on its own, the competition isn’t dispositive, because the private income streams (we'll get there) would incentivize competition even if public funding wasn't based on it. But the level of autonomy that hero offices exhibit also suggest some kind of competition model.

Heroics agencies are not run like a typical police force or fire station. With most entities that function as first responders, they respond to some kind of centralized force (like 911 call centers) and they have highly regulated resource distribution. Like, police forces are restricted to a specific jurisdiction. Within that jurisdiction they have multiple districts and officers typically stay in their district. They're not going to a different fucking city because they think the crime is cooler there.

But Endeavor does exactly that. He's like "hello, son who hates me. Let's go to Hosu because I want to fuck with the hero killer for street cred. won't you come along. It is non-optional" and todoroki says "i hate you father and will abandon you on our father son trip to set a serial killer on fire with my mind. it will be for mildly gay reasons."

These agencies aren't a centralized public service. They are all just off doing their own thing. They're not responding to specific areas as allotted to them by the city--they just fuck off and do whatever. Like, there's probably some coordination between agencies as to who is covering what patrol, but it likely would be more out of courtesy than formal requirement. People wouldn't step on each other's toes nearly as much if there was more of a structure to this.

Typical public agencies who receive funding in accordance with staffing and budgetary needs have more structure and formality than is exhibited in canon. Heroics Agencies act like they're all independent contractors. They probably function like grant money recipients, where they're all fighting for the same pool of funds. You have to write in and show why you deserve that money when that's the case. They're in competition with each other.

Like, is this definitively the structure in canon? No, of course not. I have no fucking idea what, if anything, canon has going on. But it definitely fits with canon.

b. Private Income Streams

We know from canon that it can't just be public funding. Izuku alone probably paid for the Mighty Agency private jet with how much fucking all might merch he bought. Canonically, heroes have merchandise lines, branding deals, commercials, everything. All Might had fucking movies made about him. Those are all extremely lucrative income streams--and likely where the richest heroes get the biggest brunt of their income.

In order to get this kind of income, you are necessarily in competition with your fellow hero.

Public attention, spending money, screen time, all of it--it's a limited resource. You have to be the person who gets to the fight first, who does the big move, who saves the day. If it's someone else? Then that's another kid buying their action figure instead of yours. Heroics is heavily commoditized in canon, and that inherently invites competition.

2. Distribution of Funds

So now that we have a theory as to where the money comes from, how does it get paid out? Based on canon, it comes down to a structure of (a) Independent/Underground Heroes and (b) Agencies.

a. Independent/Underground Heroes

I can't actually remember if the word "independent" is said in canon or if I came up with it, but I think canon implies its existence. It's basically the same thing as being an underground hero, but you're still a Spotlight hero. I also cannot remember if the underground/spotlight thing is canon or fanon or what I’m sorry I haven’t watched this show in years.

Independents are spotlight heroes without the backing of an agency. They just go out every day with the clothes on their back and a dream. They have no support staff, no back up, and no one to help them if things go sideways.

It is not a popular employment option.

Part of it is because it's that much harder to fund being an independent. Like. Say you're just out of high school and you decide to strike out on your own as independent. You're still spotlight, so you can have a merchandise line, and that'd be a nice income stream while you're just starting out.

How the fuck do you start your own t-shirt line?

How do you make contracts with the manufacturers? How do you make and copyright the design? how do you sell the stupid things? Do you try and get them in Walmart? Do you start an Etsy? Your own website? do you call your mom and cry when you have 500 ugly t-shirts with your face on them that no one wants to buy and they're taking up all the space in your studio apartment.

Agencies have preexisting structures in place to help launch these kinds of options, which is one of the reasons why they're so attractive for baby heroes just starting out. The only reason why Mirio has merchandise is because he decided that he didn't care and didn't need to make merch and Izuku came after him with feverish crack addict energy because he cared and he needed Lemillion merch like. yesterday. All Might ended up getting his agency to start a lemillion line. Mirio gets the profits with a reasonable fee to the Mighty Agency. To this day he suspects that Izuku is 70% of his sales but Izuku denies this fervently, like a liar (he actually has a small but very devoted fanbase who rabidly support him and buy all of his merch. he would cry if he knew this. Still. Izuku is his biggest fan and buys literally every single piece of new merch in triplicate.).

Underground heroes are in the same boat as independents but they don't even have the option of a merch line. They exclusively get public funding unless they're backed by an agency, which none of them are because agencies have a tendency to fuck them and their busts for the sake of the spotlight. All underground heroes are bitter and culturally opposed to agencies.

On that note:

b. Agencies.

This is where by far the most heroes would end up. But an agency is like thirty dudes with the same joint bank account. How does the money get there and get distributed out?

i. Public Funding in an Agency Context

Take the above model. How do you attribute public funds based on personal statistics if there's no single person? Does everyone get their own check? But that wouldn't make sense--this isn't just for salaries, it's for funding the actual heroics itself.

Everyone under the same agency would be counted together for the purposes of funding allotment. If Sidekick A managed 300 busts last year and Sidekick B man managed 350 busts, then congratulations, The Big Hero Hero Agency made 650 busts last year, here's a check made out to the agency, figure out what you want to do with it.

But what about incidents that involve multiple heroes from the same agency? Let's say that The Big Hero Hero Agency is involved in a big bust. It is Sidekick A's baby. They have spent months doing this. This has been blood, sweat, and tears. When the day comes, they are joined by Sidekick B, Sidekick C, and Big Hero himself. Sidekick B has been helping Sidekick A for the past three weeks on this case. Sidekick C got called in the day-of to help.

Big Hero showed up for the last twenty minutes of the fight when they were mostly done with everything.

So. You're filling out the post-arrest paperwork. For funding and for public statistics, you need to make sure to properly account for who gets credit for the bust. It has to be one person--if you had everyone individually credit themselves for the bust, then it looks like you've resolved four incidents instead of one under this financial model. it's artificially inflating your numbers for public funding. that's fraud. Who should get the credit: Sidekick A, Sidekick B, Sidekick C, or Big Hero?

Well, there's nothing stopping Big Hero from writing their own name. So let's go with Big Hero. He helped.

This was one of the big sources of the sidekick strikes: a lot of agencies had an absolute policy of attributing successes to the name hero if they touched the case at all, because there was no rule against it. It was better for the agency, after all--unrealistically high numbers on the biggest name meant the agency as a whole appeared more successful.

So there were a lot of heroes artificially inflating their stats with things that were more properly credited to their sidekicks. Which made it all the harder for sidekicks to leave because their stats were shit because their boss was taking credit for their work.

ii. Private Funding in an Agency Context

But that’s just public funding. How would agencies distribute private income streams?

Big Hero Agency is proud to announce its newest line of Big Hero Action Figures, featuring the Entire Big Hero Team, now retailing for $39.99. Get it now from a store near you.

So. An agency is selling an action figure line featuring Sidekicks A, B, and C, as well as Big Hero himself. We’ll round up to an even $40. How do we split up the cash?

You can’t give everyone each $10. You have to first pay the suppliers, the advertisers, the trucks that shipped the toys to the store, etc. Then you have to pay back into the agency to fund miscellaneous expenses—the stationary, the insurance, the coffee in the fucking break room. Everything. By the end, there’s only $4 of profit left over. Not great, but hey—they’re selling a lot of toys. So if they each get a $1, then it should add up quick.

Right. But. If you think about it, people are only really buying it for Big Hero. He’s the best hero of all of them—his name is on the agency, and just look at how much higher his stats are. So it’s only fair that he gets $3.70 a toy and the rest of them can get $.10 apiece. Don’t worry, it’ll add up quick.

Not all agencies would have been like this. But a lot of them would be. Money is a hell if an incentive to screw people.

END OF ASIDE.

With all that in mind—why would they feasibly have a structure to fly in help from other heroes far away? That’s their fucking competition. Sure, we have team ups, but they’re all either well in advance or in the heat of a moment. If they are in the heat of a moment, half the time the heroes resent it because they just stole their fight. They’re gonna what—pay the exorbitant jet fees to fly in someone who’s just going to steal their hard work in the eyes of the public?

Okay, but what about situations like this? Massive emergencies where you need more people?

Those haven’t ever happened before. They had All Might.

So. The heroes on the ground calling in help are out. What about the heroes who are close enough to make it there by ground transport? No one calls them, they just show up out of public need. How are they getting there?

Trains are out. All the trains into the area are shut the fuck down. We are not giving the freshly escaped villains a bullet train to the rest of the country. Same thing for buses. No fucking bus driver is making their regular route into a fucking battleground.

Private transportation it is. Anything more than a few hours out of the area is completely out of the question. Like, good ol’ Manuel from Hosu City and all his buddies? Not making it. The wild wild pussycats? Watched this on TV from their mountain home. Gran Torino? On FaceTime with All Might, who is watching the fight with Midoriya Inko’s hand gripped in his left and Bakugou Mitsuki’s hand gripped in his right. Gang Orca? Twelve hours away and on a fucking island so he needs a boat AND a car to get there. Or he just fucking swims.

But there has to be at least some hero that saw this happening and heroically climbed in their Mazda sedan to make the three hour car trip. Why didn’t they go to the fight in Yokohama instead of the one against AfO?

Frankly at that point those literal children were visibly doing way better than the actual heroes were faring and any heroes showing up went where they were most needed and uh. It wasn’t by the kids.

If we have the agency model as given to us by canon, then that means there is a decentralization of resources. If you want to utilize your public defense force in the case of emergencies, then you need a way to fucking get them to the emergency. Canon does not have that. This is a huge structural failing that only wasn’t a disaster sooner because most emergencies required one guy and he had his own private jet. So most heroes in the country never had to even consider if they would listen to Endeavor’s order because they were completely cut off and useless at the time.

So. Now the analysis has been narrowed from all of Japan’s heroes to just the ones in the immediate vicinity of the fight. That’s still a fuck ton of heroes. This is a heavily populated area with a bunch of heroes around. You can’t go outside without tripping over a hero.

Most of those guys were on fucking strike.

Structural Flaw #2: Over-Reliance on and Abuse of Sidekicks.

The vast majority of the workforce had to be sidekicks. Like, just from a business model perspective. Even the smallest agencies we saw had 2-3 sidekicks. Endeavor’s agency had at least double digits, and I think Idaten was at over a hundred or something. We were probably looking at, conservatively, a 1:10 ratio of heroes to sidekicks.

All those guys are on strike.

Okay. But not all of them, right? Idaten already settled and got their sidekicks back. That’s like a hundred guys.

Except the Strike was not isolated to the Tokyo/Mustufasa/Yokohama area. Idaten sent out a lot of their sidekicks to other regions to help alleviate some of the strains of the strike. (As a note, this was not the Idaten sidekicks crossing the picket line. Them picking up the slack for other sidekicks still striking would have helped minimize effects on the public. However, the agencies of the striking sidekicks would have reaped no benefit from this under the compensation structure outlined above. Idaten would have gotten the credit for everything their sidekicks did, so the other agencies would still be bleeding from this while risk to the public was slightly alleviated. Idaten’s entire function in this strike was to set an example for quick settlement and minimize public harm. There’s this entire sub-analysis on Idaten’s internal culture and how it intersects with broader heroics standards that I won’t get into now this is already way too long.)

Idaten is at 1/10 capacity. It has like, ten guys, all of whom have been working say, thirteen hour shifts (voluntarily—again, it was a decision made to try and minimize the public safety risks of the strike while still allowing their colleagues their best chance at improved conditions) daily for the past month.

All of those ten guys responded to Tartarus before Endeavor made the call.

To understand the exact nature of the breakdown, you really have to see the chaos of how exactly this unfolded.

The LoV and their merry band of criminals hit Tartarus. The heroes do not realize at this time that they intend to let everyone out, give them transportation, and point them straight towards the mainland. They think that they’re just there for AfO. That’s still a huge crisis that needs to be shut down immediately, so they call out all of their best. Endeavor responds. Hawks responds. Eraserhead responds. Mt. Lady, Kamui Woods, Miruko—everyone in the vicinity who could conceivably respond show up. For a second, it looks like it’s going to end here.

Once the LoV get AfO out of his cell, the entire tide of the battle turns against the heroes. Now everyone’s out. All of those horrible, terrible villains. Tartarus has fallen. They have to make hard decisions. The high ranking, very powerful heroes who are most likely to break the line on Endeavor’s decision? They’re already at the fight by the time he has to make it. It is chaos and something they cannot easily leave.

The LoV’s picked right now because they knew that the heroes were operating at less than a tenth of their regular capacity. They picked right now because they knew the system had structural faults, and if they hit them just right, it would all come down on the heroes’ heads.

But the sidekicks broke strike lines to respond, right? Why do they all go to endeavor’s side?

For one thing, it wasn’t all of them who showed up—maybe a third of them were not even in the area any more. It wasn’t malicious, or intentional, or anything like that—they were off visiting their families for the first time in a long time or taking vacation. All of them had spent the past few years being completely overworked and abused by their jobs. They just weren’t there.

So now we’re down to 2/3rds of them who can even try to show up.

A lot of it wasn’t actually made as a reasoned choice. For many of them, they ended up where they did because of all the chaos.

So you’re a sidekick. You’re on strike. The entire world has gone to shit. How do you normally find out about the world going to shit?

This is a competition model streamed through individual entities. There’s no central command structure. Your agency calls you.

Well, your agency either fucking fired you or they cut you off completely during strike negotiations. This time, you find out through the news when the story breaks. Now what?

You frantically try to get in touch with your (ex) agency. Who is picking up the phones?

No one. That was your fucking job before you went on strike.

I used to work at a government public-service type deal, and let me tell you, they abuse the fuck out of non-unionized workers. You are doing everyone’s job. No one ask why we don’t get more support staff because they have unions. Like. I had a law degree. I was hired to be a lawyer in that office. They had us all doing the jobs of four people, and by that I mean it would be the literal entire job description of another fucking position in that office and we were all expected to just do it too.

Unions incentivize treating workers right. The absence of them opens the door to the opposite.

Why the fuck would agencies hire more people to lighten the load on the sidekicks and let them focus on actual heroics? Just make the sidekicks do everything. What are they going do, complain? They’re a dime a dozen. Hire more of those fresh faced kids with no standards just out of school.

You know when you had a job where you’re like. This fucking place is going to fall apart without me. But they treat you as disposable and easily replaceable and you’re like “okay bet” and so you leave and you find out from the people left behind that it actually fucking fell apart without you and you’re just like :o

Yeah. So that happened.

There has been a massive break down in the function of heroics offices for the past month and change because the sidekicks were not there. They were the ones who actually did most of the day to day handling of the office. They were the ones coordinating transport and figuring out the actual mechanics of who would be deployed where in a crisis. All those things that would be super helpful now? Yeah, those guys aren’t there, and they’re locked out of the fucking offices and can’t get in to un-strike for the sake of societal crisis.

But they know where the fight is. It’s on the news. Why don’t they just show up?

Where’s their gear?

Who owns it?

Heroics support gear must be an enormously expensive thing. It would have to be provided by the agency itself. Literally the only reason why Mirio has gear is because 1) all might would NEVER let his pseudo step son run around without proper support so the man would have bankrolled it himself if needs must and 2) the UA support class has a stipend each year where they can make support gear for active heroes and those heroes get it for free in exchange for free advertising for the students trying to kick start their careers, so he is decked out in THE most experimental bullshit from Hatsume Mei Industries (I have this entire side plot where the support class this class year low key became a sort of religious cult haha not really it’s just a joke it’s not really a joke and power loader is afraid every single day when he comes to work he is afraid under the iron clad rule of Hatsume Mei’s weird girl energy and they all decided Mirio was the Tabula Rasa, a figure of prophecy, and I just cannot get into that right now it’s too long it’s too long already. But it’s so fun).

All those sidekicks on strike lost valuable time trying to get back into their agencies so they weren’t showing up to an S-class villain fight in their fucking jammies. Then, when some poor admins figured out what was going on and let some of them in, everyone was frantically gearing up and getting in whatever transport van they were pointed at. Some of them didn’t know they werent reporting to Yokohama until they were already at the other fight. There’s was so much chaos and confusion that very few people had a clear idea of what was happening.

With the sidekicks, some of them never made it, some of them just got in a van and went wherever it took them, and some of them chose to obey Endeavor’s orders. Some agreed with the decision. Some disagreed but deferred to his experience. With how the Sidekick Strike had left their infrastructure, very few sidekicks were able to respond fast enough to make any real difference.

Now for the last possible demographic: the heroes that weren’t on strike and weren’t initially deployed to the Tartarus Prison Break. Why didn’t any of them go to Yokohama?

Structural Flaw #3: All Might was that one kid doing the entire group project for like forty years and some of these people are having to be heroes for the very first time and realizing that they don’t actually want to risk their lives to save people they just sort of liked the idea of this job.

It may be a bit too specific to be a structural flaw but I’m counting it anyway.

So, just to give a bit of a recap: We consider every hero alive in Japan as a candidate for Endeavor’s order. The vast majority of them are too far away to do shit, and there’s no centralized transport network to get them there faster. Toss in those who are dealing with personal medical issues or are away on vacation or just can’t come for some reason or another, and you’ve lost most of the heroes in Japan as respondents. Probably ~80% of potential heroes are culled from this alone.

So we have, generously, 20% of Japan’s heroes left as potential people to respond. ~90% of those are sidekicks on strike. They’ve got hours before they make it to any fight, because of the aforementioned structural breakdowns.

Now we’re down to 2% of Japan’s total heroes.

Some of that 2% were first responders to the initial Tartarus prison break. All the big name heroes in the area. But there can’t be that many top heroes—so let’s say 0.2% of them were at the initial fight.

Now we only have the remaining 1.8% of heroes to analyze.

There have to be a percentage of those who agreed with Endeavor’s call as a tactical decision. If they show up to any fight, they’re going to be obeying his order.

So we only have the ones who disagreed with his call left to look at.

These are small-time heroes. All of the big names are already at the fight. So they are less likely to have flashy Quirks, be especially talented, or consider themselves to have an especially large effect in the grand scheme of things. They have likely spent their entire careers living in a world with All Might.

It has never actually been down to them.

Think of Uwabami. Momo did her work study with her.

Her hero outfit is a fucking evening gown. She spent the entire work study doing commercials and meeting with her fans. She explicitly invited the young heroes that she did because she thought they were cute enough to be in commercials with her.

Now, she’s had some good if minor moments helping rescue civilians. It’s not that she’s never saved anyone.

But all of the top heroes are already committed to the fight against AfO. The current Number One Hero just ordered all her colleagues to report there. And Yokohama has a lot of S-Class villains en route.

And what the fuck is she going to do to stop them? It’s just her. Half of those villains took All Might to stop the first time. She is not fucking all might.

Is this a hero likely to go to Yokohama completely on her own to fight *checks notes* literally the entire prison population minus one guy? The worst guy, albeit. But one guy.

These are all heroes who have never had to be the actual thing standing between society and destruction. There has always been someone more powerful or capable or heroic nearby. Until recently, there has always been all might.

This isn’t to malign them. A decent percentage of them are legitimately well meaning about being a hero. They do good. But when it came to the big, blowout fights, they have always, always, always been the heroes evacuating civilians in the background or performing rescue in the aftermath. It has never been them who had to stand up and do the fight itself.

Every single one of those villains represent a big, blowout fight. And this hero trying to decide if he’s going to obey Endeavor’s order? They are one guy. And they’re not sure if they could even beat one of those villains alone, let alone all.

The reason why no one disobeyed Endeavor’s order was because, frankly, at the end of the day, they did not want to die.

Endeavor’s order signaled to everyone that there was no guarantee anyone would show up to Yokohama. It actually put good odds to the opposite. If you decided “fuck that, I’m going to Yokohama” then you’d likely be doing it alone.

What Class 2-A did was considered a death sentence. People who didn’t know them and their bullshit were shocked that they all made it out alive. These were the worst villains their society had ever faced and it was all of them at once (minus that one guy).

The heroes who were in a position to disobey endeavor didn’t actually think it’d make a difference if they did. They’d just… lose.

Most if not all of these heroes made the decision to become heroes during all mights era of peace. Everything just had lower stakes. Crime was less frequent and less serious. The big fights always had someone there who could handle them, because All Might was there. They’d fight the odd mugger or purse snatcher and help put out fires and go home at the end of the night. They’re heroes. That doesn’t mean they’ve ever truly had to grapple with a life or death fight.

If they went to Yokohoma, they thought they’d die. So they might as well respond to a fight that has a chance. Even if they feel ashamed as they do it. Even if they think Endeavor made the wrong call and wanted to go to Yokohama instead. All Might wasn’t there anymore. And they were afraid.

But there is one thing that Class 2-A had going for them that gave them an advantage over these heroes. And that was the fact that they are all medically insane.

It’s that they were together.

It’s a decentralized heroics structure. If you have a large agency, you are necessarily a top hero because no one else would be able to get that many people to agree to work under them. So you’re already at Tartarus and this isn’t a decision you had to make.

Maybe you’re independent. Maybe you have a small agency with 2-3 people. There is no preexisting centralized line that you can use to try and gather more people to go to Yokohama with you. You’re stuck with your immediate colleagues and maybe a few other heroes you’re close enough with to have their number. You really don’t have time to try and ask around to see if anyone else wants to go to Yokohama instead—you need to pick a battle and get there yesterday.

What good is 2-3 people going to do in Yokohama? You’ll just get massacred and it won’t have made a difference. At least if you go to stop AfO, you’ll have a chance at doing something that mattered.

Maybe you disagree with Endeavor but you defer to his training and experience.

Maybe you don’t go at any fight at all. Maybe you’re afraid. Maybe you became a hero in a time where you had a symbol of peace, and you realize you can’t keep doing it in a time without one.

I think there’s a small subsection of heroes that quit in the aftermath of Yokohama. Because they wanted to disobey endeavor’s order, and they thought they’d just die and it wouldn’t matter, and then dawn came and a bunch of school kids had managed what they were too big of a coward to do. I think the fact that they fell into line when their hearts told them they shouldn’t made them seriously doubt whether they were good enough to be a hero.

But they were alone when Endeavor made the call. And it felt like certain death. And—yeah, it sort of felt that way to Class 2-A when they made the decision to respond. But they weren’t alone when they did it.

They were together. And they always felt braver when they were together. Together, they could make miracles happen.

[whatdoinose]

as a osdd system i feel incredibly isolated in system communities not only cuz theyre so alter-based but also. every fucking OSDDID specific space is founded because they don't like endos and not cuz they just wanna have a nice supportive place for OSDDID folk. its incredibly stupid. like what are we even doing atp?

[cryptidcalling]

Arguments for why characters are """Minor coded""" are getting TRULY. RIDICULOUS. Just saw a TikTok comment arguing that Maru feels too young to romance in Stardew Valley because she 1: Wears overalls 2: Doesn't have a college degree 3: Lives with her parents 4: Her dad makes protective comments about her

These can all be very easily explained as normal ass adult shit for various reasons, but OVERALLS? We're claiming that a character wearing overalls makes them seem like a minor???

[guiltyonsundays]

Incredible sequence of posts on the dash just now

[antiendovents]

Take care of yourself, you’re doing great! You’re still the god amongst men!

Tale care of yourself, you’re a dear friend to us and you need breaks as well.

If you need a break to be able to take care of yourself, do so. If anyone is mad at you for that, they aren’t good people.

I’m always here routing you on, I’ll always be in your corner!

I love you like family and I’m proud of you.

thank you! We've been trying to take care of ourselves but stuffs been stressful lately, so we're a bit defensive, but we'll be fine. We might take a small break for a little bit, maybe focus more on some other blogs (for example the terms blog or the fictive blog) just cause we keep getting anxious over posting certain things on here -w-''

And, well thank you again. We love you like family as well, and we're happy to have you there for us ^_^ ((God that sounds oddly parasocial, but in the most positive way, lol))

[meowmedusa]

looking at the clock and going "oh. i didn't. even realize it was past 8pm." and its not funny or cool its just unbelievably concerning

[eveningdawn222]

the little details i sprinkle into writing jason from an outside point of view are so fun like. yes damian you would interpret what jason is doing as antagonizing >:) why wouldn't you? he's drawing all the attention towards himself and escalating the situation. there's obviously no other reason he could be doing this.

[theokusgallery]

I freaking love your au and your latest comic because MAN

I FELT THOSE LAST WORDS AND I WAS LIKE "OH FUCK"

First panel was already a bit unsettling itself - like you get it's just intimate manners as you do as a couple but he felt so possessive already and

Sunny's inner thoughts

I'm sure 100% his abandonment anxiety will increase drastically the more he stays with nick and honestly slay

I mean it's kinda obvious

But like I felt that

Yeah

Nick is unhinged

Nick is crazy

Y'all are gay for him

Good 😵💥

Sunny has soooo many issues. So many of them. He's so vulnerable and he makes himself vulnerable to Nick while still being intimidated by him, it's... Dude's got some problems.

[losergendered]

what does pro-para mean?

means that you support/dont stigmatize people who experience paraphilic attraction (any attraction deemed outside of the norm. this ranges from things like the big three to things like foot fetishes to things like latex. its a huge huge huge huge range). many of these types of attractions are disordered.

[cursed-spirit-manipulation]

listen this may be Nothing but. Junpei + Kokichi friendship and/or romance. I have some actual reasons for this but a good chunk of it is "I think they have a huge amount of wasted potential + Vibes"

[merrysithmas]

i am so happy and lucky to have so many loving and kind friends

[quercus-queer]

In case anyone was wondering about the Lilo and Stitch movie here’s the highlights from someone chronically online enough to have seen the movie through snippets lol

Nani does in fact give Lilo up to the government, ppl defend it by saying David’s mom is her foster mom now but Lilo is still in fact in the system and can easily be taken away from David’s mom if conditions are “unfit”… the exact same situation Nani was in before lol

Took away all of Nani’s support system that the original movie develops for her except for David/his mom

Had Nani treat Lilo like a burden for “realism”… anyway…

Lilo literally says “you’re so smart Nani, I think you should join the Marines”

Nani was deeply connected to her culture and family, that aspect of her just isn’t there at the end of the day (and part of that is because Sydney is not indigenous Hawaiian and it shows… in looks, actions, and line delivery) and the conclusion to her story being giving up her kid sister to the state and leaving her home for a “better” education and future is atrocious

They had her go to California to study marine biology. First of all, it was implied she was a pro surfer in the og movie no hint of marine biology. Not every persons dream is college and it doesn’t need to be part of everyone’s story… the choice of “putting yourself first” in order to get a better education is very #girlboss… Second of all, Hawaii has multiple universities with marine biology programs that would give far more money and benefits to a native Hawaiian than literally any Californian school let alone UCSD lmao

They changed their island from Kauai to Oahu… most obvious reason they did this was because that is the island their resort is on and overrun with tourists. However, with this location change and their wack ass narrative changes they also made going to California even more blatantly propaganda because that is where the University of Hawaii at Manoa is… ALSO, Oahu has major cities… you know how Sitch has to find new meaning for existence because he can’t do what he was programmed to do because he’s stuck on an island with no big cities… yeah…

On this note, pretty much removed all substantial tourism commentary

Jumba is the villain, he sounds like a whiny computer nerd and it’s miserable

Pleakley is lame, rip queen 🕊️

Lilo is pretty well adjusted and normal lol? No fights, no biting, no trying to curse her enemies etc… she’s literally a normal girl which… alright then???

There is no Gantu (rumor has it this is at its core because they don’t want to make law enforcement look bad)

CGI is literally so fucking bad like besides aesthetics the actors literally don’t point to where Stitch is and when they’re supposed to touch it they often miss lol

Editing is also terrible. Every scene lasts like 5 seconds and is jarring, so genuinely terrible I think shows like this are gonna further ruin kids attention spans lmfao

Nani misses Lilo’s actual performance instead of just being late to pick up Lilo from practice after getting into a fight…

Myrtle isn’t white #diversity win

No ugly duckling subplot

Bubbles is not the social worker and is working against the gang (again removing all of Nani’s support system, he literally shows up for every holiday with the fam in the og)

Changing the social worker role from an externally imposing black man with good intentions to a gentle woman has some undertones tbh considering this is the justification: “According to Camp, it was easy for audiences to believe that a towering man with a "Cobra" tattooed on his knuckles was a social worker in the animated movie​​​​​. However, that kind of exaggerated character design doesn't translate convincingly to live-action.”

The new social worker literally tells Nani that the right thing to do is to give up Lilo… very different from Bubbles doing his best to keep the sisters together. Keeping family together is a prime goal in social work btw…

[lanteanserver]

I think technically speaking, I'm not an Irish Catholic or an English Catholic, but I'm a Ro[a]m[i/a]n{g} Cat{-}holic until and unless they excom{m/eow}nicate me, and really, if they're going to do that,