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ask-de-writer · 1 month ago

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THE FIRST NIGHTMARE NIGHT AT CARAMEL TREAT’S SWEETS! : MLP Fan Fiction : Caramel Treat, Werewolf : (1 part)

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THE FIRST NIGHTMARE NIGHT

AT CARAMEL TREAT’S SWEETS!

De Writer (Glen Ten-Eyck)

3108 words

Writing begun 10/26/16

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Users of Tumblr.com are specifically granted the following rights. They may reblog the story provided that all author and copyright information remains intact. They may use the characters or original characters in my settings for fan fiction, fan art works, cosplay, or fan musical compositions.

All sorts of fan art, cosplay, music or fiction is actively encouraged.

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“We need a gimick, Peanut,” Caramel Treat said plaintively to her friend and waitress, Peanut Brittle.

“I mean, it is almost Nightmare Night and I haven’t even got up any decorations yet!”

Peanut pointed out to her friend and employer, “Caramel, you ARE a Nightmare Night Decoration! Just be yourself! Be a WOLF! All that I have is a witch costume from last year!

Caramel softened at once. “I keep forgetting that being a werewolf can be fun, Peanut. Thanks. As for your witch costume, it should be fine. Aside from the foal bowl sweets I doubt that we will have much business.”

Peanut looked about and suggested, “See if the Prancer has any ad space left. We could advertise a Nightmare Night Party Special! We could put red or green food dye in all the milk shakes and, Oh! We could do deviled eggs with green stuffing and put up the fries with a red brown color to sort of look like guts! What could we do for eyeballs?”

Caramel stared at her palomino friend as if she had never seen her before. She grinned, allowing wolf fangs to show in her otherwise innocent pony grin! “You are having too much fun with this, Peanut! Go for it! Call it in and book the advert if we can. I will leave the details to you. Just let me know what we are doing!

“I will try to scare up our decorations! You hop to it!”

Peanut sat and started to make some notes.

Caramel began a round of Magic Net mirror calls.

She was ready to give up in disgust. “Nobody seems to have anything left, Peanut! I couldn’t even get crepe streamers!”

A sparely built white pegasus in a flat black hat was passing by and overheard.

“We at the Assembly do have some old decorations that we will not be using this year, Miss Treat. There are some black and orange streamers that are a bit tattered but usable. I have an old blank banner that you may use, if you can get some paint for it.”

He paused, hoof to muzzle for a moment and offered, “I also have an old phony cauldron with a tripod support. I don’t know if you would want it, though. It has a pretty big crack in the side of it.”

Caramel immediately pushed him into a place at a table. “Peanut! Get Reverend Smallflower’s order! If he tries to pay for it, gently and with the love of Celestia and Luna, hit him on the head for me!

“I am hitting the kitchen now!”

The bemused Reverend Smallflower studied the menu and as he was trying to choose the cheapest things, Peanut pointed, “The Alfalfa Steak with onion and mushroom sauce is lovely. This batter dipped vegetable medley comes with your choice of these three dipping sauces. What would you like to drink?”

He looked up and asked diffidently, “Perhaps some tea? A Rom Black, if you have any. And I would like the honey dipping sauce.”

Quite soon, with both Caramel and Peanut watching, Reverend Smallflower was finishing up his meal. Caramel turned to watch the ever attentive Peanut Brittle trotting into the restaurant. She returned with a slice of Three Berry Pie a la mode.

The surprised Reverend asked, “This is lovely, my dear, but what have I done to deserve all of this?”

Caramel answered, “First, you have offered us decorations for Nightmare Night when we could not find any, saving our Nightmare Night celebration. Second, you helped my friend Peanut to find her apartment and followers of yours fixed it up far less expensively than I would have thought possible. Last, you have spent most of your life doing nothing but good for others. It is time to let others do YOU some small good in return!”

As the Reverend was just finishing up, Caramel came around to the front of her shop, pulling a small two wheeled cart with Caramel Treat’s Sweets emblazoned on each side in nicely scrolled lettering. She cheerfully called, “Let’s go and get those decorations, Reverend Smallflower!”

The Assembly was not far away, up pleasantly tree lined cobblestone streets. It was set back from the street by a nice lawn and some shrubs. Two goats were consulting a trimming diagram for a bush and carefully nibbling leaves and branches to give the bush shape.

As they saw Caramel they started to turn towards the Assembly. Suddenly one pointed! “Look, Garrth! This is the good pony that Grumpy told us about!”

Turning back to Caramel, they asked eagerly, “What can we do for you, Miss Treat?”

In the shade of the building’s interior, Caramel replied, “The Reverend has some Nightmare Night decorations that he is going to loan us, at my restaurant.

“There will be work with pay and food in it for every being of the Assembly. You goats will be the easiest. A pair of costume fangs, a fake pitch fork and a cloak will do it for you as “beings of the UNDERWORLD.”

A pair of voices spoke from the back room, one heavily accented, “What about us? I bet that you don’t have anything for us!”

A pair of donkeys came out, flanking a Thestral, like a pegasus with bat wings, and a gryphoness.

Caramel grinned hugely. She slowly changed to her Everfree Ridgeback Wolf form. Still speaking in her mare’s voice, she stated, “You are so wrong! I did not even know that there was a gryphon or a Thestral in Ponyville! I keep four kinds of fish and two kinds of meat in my coolers for when I am in wolf form and hungry! There will be meals and pay for both of you!

“I have work for you two donkeys too!

“Now all that we need are those decorations that I originally came for!”

The goats and the Thestral dove into the storage room like a herd of controlled excavators! They turned up a good deal more than Caramel expected.

Reverend Smallflower smiled ruefully, “I forgot that we had that box of assorted rubber spiders! Those capes were for part of the Hearthwarming Pageant. Are you sure that you want that old fake coffin? It was vandalized years ago.”

Caramel’s cart was filled to overflowing as the procession made its way back to her shop. Peanut greeted them, already in her witch costume, complete with broomstick.

She was exclaiming, “That is a great Thestral costu … You are a REAL Thestral! That is so neat!

“Since we are getting a cauldron, I cleared away the tables in the center of the dining plaza for it.”

Eager goats descended on the cart and began unloading Caramel’s loot of decorations. They closed off the interior dining area and stretched out the blank banner where no stray breeze could interfere with the painting of it.

With an embarrassed set to her crest, the gryphoness Grakkan, explained, “I have been studying Equestrian calligraphy. I am really quite good at it!”

Setting brush to cloth, she made good on her claim. The banner was beautifully lettered. It said:

By the time that it was ready to hang, tables had been arranged to create a single entrance to the outdoor dining plaza. The Cauldron was boiling mist over the lip of it and some out the crack in the side! The foal bowl was hidden inside it, under the swirling mists.

WELCOME TO CARAMEL TREAT’S UNDERWORLD!

ENTER IF YOU DARE!

Or if you want goodies.

The old fake coffin was standing like a guard house at the entrance. The Thestral lurked inside, practicing opening it to greet guests. “Velcome to ze Garden of ze Damned! If ye dare tread ze unhallowed ground, secret reward awaits for ze Nightmare Night chant!”

Streamers, webs and dangling spiders were everywhere.

It took both Grakkan the gryphoness and Caramel in her wolf form to get the banner up.

Caramel, not bothering to change form, gathered the whole crew together. Smiling a Wolf’s smile, full of fangs, she exclaimed, “This has been terrific! We are all ready for tomorrow! Costume up, all of you! This dinner is on me! I did not expect such a fantastic piece of work from you.

“Grakkan, you, Squeak, and I will dine together separately. I do not wish to upset the sensibilities of the rest.”

The Thestral snickered. “Squeak! I like it! Even your werewolf hearing can only hear about half of my name, I do need a nickname!”

Caramel smiled and retorted, “Oh, I CAN hear it. I just can’t say it!”

She got busy in her kitchen. When she emerged, the now costumed vegetarian staff, out front were well into their assorted meals.

Caramel signaled Grakkan and Squeak. They followed her. Squeak’s costume was like Caramel’s. He was himself. Grakkan was dyed black with orange highlights. Quite striking.

She said, as she sat to a steak like Caramel’s, “I hope that Peanut was right about this dye being washable.”

It was Squeak who replied, “It is. I have used it myself.” He was happily working his way through a fair sized trout.

Their meals were nearly history when Peanut put her head out the back door. “We need you guys! We have a committee here! They are from the Ponyville Prancer!”

Caramel and the others emerged. Seeing that the rest of the crew were already in their places, Caramel struck a pose by the fuming cauldron. Squeak entered the “coffin” with its old vandalism. A big stake driven part way through the lid.

The committee was two Prancer reporters, one a photographer, and five foals in Nightmare Night costumes.

As soon as everypony was ready, the foals approached. The coffin creaked open and the Thestral stepped out. “Velcome to ze Garden of ze Damned! If ye dare tread ze unhallowed ground, secret reward awaits for ze Nightmare Night chant!”

Grakkan, all black dyed, gathered the nearly (but not quite) frightened foals and escorted them past menacing trident bearing creatures of the underworld to the cauldron.

There, they halted before the witch who was stirring the mist flowing from the cauldron. She demanded, “What is it that you seek of the Night Wolf?”

Remembering why they were there, the foals chanted, “Nightmare Night! What a Fright! Give us something sweet to bite!”

The “Night Wolf” pointed her furry paw at the cauldron. “If you dare it, what you seek is hid within!”

Giggling some, but a little nervous, the foals reached into the mists boiling from the cauldron and pulled out some of Caramel’s well known treats!

The green camera mare was having a field day! Her flash was a nearly continuous backdrop to the whole event. The foals were led to an apple bobbing barrel next. After each had managed to grab an apple, the Dark Gryphon led the group back out and struck a menacing, wings half lifted, pose.

As the reporters and foals were about to leave, an ugly brown earth pony wandered past, sneering, “Look at that junk! Not a true pony in the entire lot! That stupid palomino is the closest and she is crazy off color!”

Caramel was about to say something when Peanut, still in her witch costume charged out! She whipped her broomstick like a combat staff! Striking between his hind legs, she tripped him! As he fell, she pulled the broomstick back and whipped it around hard, striking Sawnax in the joint just below the shoulder, effectively paralyzing his leg!

As he was struggling to rise, a large reddish, ridged and knotted scar showed on his left shoulder. Caramel pushed him back down and sat on his neck to keep him from rising.

She stated, “Mister Sawnax, you know that you are violating the protective order of Judge Coldheart. You will be spending your Nightmare Night in jail. If you are ever free of the Court Order, and you do not like any of my staff or patrons because of their coloring, species, race or belief, PLEASE LEAVE. I BITE! HARD!”

Grakkan’s crest flipped up in inspiration and she spontaneously touched her beak with a wing tip! She turned and dashed for the interior of Caramel’s restaurant!

While Grakkan was busy inside, a Ponyville Police officer came by to collect the fallen Sawnax and lead him off to await a hearing on his violation of the Court Order.

When the big gryphoness returned, she bore a large sign card that had a fine sketch of Caramel’s head as a wolf. Under it were the words:

If you have any problem with my staff or patrons for any reason, be it species, race, coloration, belief or any other thing at all, PLEASE LEAVE. I BITE! ~ HARD!

The delighted Caramel was just posting the sign card when there was a flash from behind her. The Ponyville Prancer’s photographer had gotten a good shot of Caramel, as a wolf, putting up the sign!

Reverend Smallflower tried to say, “Really, I simply did this out of the goodness of the Twins! You do not need to treat me specially.”

The next morning, just at Caramel’s opening time, Reverend Smallflower led the entire crew to Caramel’s. They were all in costumes and ready to begin.

Peanut grinned through her green makeup and divided the group sending half of them to the inside of the restaurant where she took breakfast orders for them.

One of the goats, in his Underworld demon costume pulled the Reverend to a place at the table. “They are not treating you in some special way, Reverend. They have just included you, like they did us, or are you too proud to eat at the same table as goats?”

Stung, the Reverend sat. A smiling Peanut made sure that he got a plenteous breakfast and all the Rom black tea that he wanted!

Peanut escorted both Grakkan and Squeak to eat with Caramel, who, to make her guests welcome was sharing a breakfast of meats with them in her wolf form.

Things had not got going yet when they emerged.

A colt trotted up the way with a bundle of newly printed Ponyville Prancers and started hawking his wares just across the street, in the park.

Curious, Peanut popped across to buy a paper. She came back, slightly bug-eyed! “Caramel! Look! We made the front page of the Prancer!”

Besides Caramel, all of the goats, Squeak and Grakkan crowded about to stare! There they were, in many photos, headlined, “BEST NIGHTMARE NIGHT BUSINESS DISPLAY!” The sub headline stated, “Caramel Treat’s newly opened restaurant shows the true spirit of Nightmare Night!”

Squeak, now playing his Baron Night Wing part to the hilt, was admitting the foals and their escorts in manageable numbers. Grakkan was keeping order both in the line outside and with the foals inside.

Soon after, a crowd began to form out in front. Peanut cleverly sent the big, dark dyed, menacing gryphoness to organize the crowd into an orderly line.

The air filled with the voices of foals chanting, “Nightmare Night! What a fright! Give us something sweet to bite!”

One of the escorts noticed the card sign with the drawing of Caramel. She turned to the gryphoness and asked, “You did this? Can you draw me one posing with Caramel?”

Caramel nodded eagerly. “If you can do it, go for it Grakkan! Charge a whole silver bit for each one! What you earn like that is yours to keep!”

Clearing a table, Grakkan laid out her drawing supplies and began. In only a few minutes, she had done a swift but fine drawing. She carefully blotted it dry and took the silver bit. There were two more customers lined up!

Caramel was reminded of the passing time by the growling of her stomach. One of the goats pulled gently at her leg. “Caramel, ma'am, if you help me to set up and show me where supplies are, I can cook up the crew lunch. Nopony is going to miss one of the demons from the lot of us.”

Caramel led him back to the kitchen and they set up the fires. “Here, Graymak. Just flop out the burgers from this box. We need to do …”

Graymak finished, “Six in the first batch, five in the second. Where are the fries? I see that the fryer is heating.”

Caramel watched as he very professionally organized his cooking space and had buns toasting alongside clover burgers cooking.

He looked up, “What, still here? Shoo! Cooking is in good hooves! Actually, some of those in the line are saying that they are hungry too. Mora knows how to do shakes. Just show her where the supplies are.

“Once we get the crew fed, we can start taking orders from the line and feeding our customers!”

Caramel watched only a few more moments and commented, “You are well organized Graymak.”

“I was a military cook for the Equestrian Gryphon Volunteers.”

Caramel got. Soon all of her regular crew were fed. Mora Quietly brought out a ham slice for each of the three carnivores.

As soon as they were fed, she took Peanut’s order book and started to work her way down the waiting line. It was not long before another of the “Demons” was pushing a cart down the line, exchanging tickets for meals.

Caramel truly admired the efficiency of the goats working with her.

The day wore on to evening and the line only got longer. The word had got out in the mid day edition of the Prancer that they were serving simple meals to the waiting line for very reasonable prices!

They stayed busy right up to closing. Caramel allowed those already in the line to go through before the final closing.

The sunset was a spectacular welter of red, gold, and purple clouds.

That brought out even more Nightmare Nighting foals and their watchful parents or escorts.

Counting up, she found that, in spite of the costs of the treats and the hire and food for the Nightmare Night staff, she was looking at a PROFIT of over a hundred golden bits!

She embraced the lot of them, goats, donkeys, Thestral, gryphon and Peanut Brittle.

“You guys have made this the best sort of Nightmare Night! I could never have had this much fun and made so much money all at the same time without you!

“If any of you is in need, come here, to my business. I will do my best for you, the same as you did for me!”

~THE END~

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#THE FIRST NIGHTMARE NIGHT AT CARAMEL TREAT’S SWEETS!#Caramel Treat's Saga #MLP Fan Fiction #written by De Writer

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autumnslance · 11 months ago

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Hi! I’ve been trying to make an introductory post for my WoL, but when I tried doing so freeform it ended up overly long and full of rambling. I’ve searched for templates all over the internet, but the only ones I can find are in the general style of D&D character sheets that include irrelevant information about stats while not properly dedicating space to the actual character traits. I saw the format you used for your OCs, and it seems to be about what I’m looking for. Is there any chance you could provide a blank template along those lines for me and others who might have the same problem?

Funnily, while I keep them all similar, I didn't have a template before now. Also reminds me I need to do some updating and revision on my own OCs, it's been awhile and they can use a refresh for character and plot updates.

I recommend making static pages over posts; easier to track and edit. I am a stickler for organization, so keep my pinned post to the bare basics with links to the profiles and other pages, to keep from stretching the post to a mile long, in part, and to keep the info where it's easily read and relevant. Also because mobile app view won't show one's theme and links, and the pinned post is more likely to be seen and accessible than a sidebar or menu.

I have tutorials on how to set a custom theme (and access full blog features) as well as how to create those static blog pages. Tumblr may have made some updates since, but the gist is the same, and the Help pages have newer details if necessary.

I do urge keeping colors and format simple, accessible, and reader friendly, including screen reader friendly. A row of asterisks or tildes as a separator line are usually individually read out by screen readers, as is the code used to make those fancy hard-to-read gothic letters folks use for "aesthetics." In a lot of my profiles, I split sections with images of the character (which should also use alt text if we're trying to be kind and inclusive, and it's to the point of a profile page anyway).

I think I will put the intro and template here in the post under a cut, and then in a Reply Comment add a link to the Google Doc version, cuz of how Tumblr is about external links. An actual blank copy-pasta is on the GDoc, what's below has some thought processes for each section for guidance.

This a pretty modular template, that can be added to or subtracted from as needed. Move descriptive blocks around as they seem more or less relevant for your OC, substitute things that make sense over things that don’t; this is just a starting point!

I see these as broad strokes; a quick introduction and general overview of your character, meant to give an at-a-glance idea of who they are. It’s handy for other writers and artists, and even oneself for keeping track of some details. I recommend practicing succinct writing here; these blocks should each stay between 100-300 words or thereabouts. Use links to other pages and tags to point toward longer details and stories (and keep them handy for yourself!). It also makes it much easier when you want to revise things when characterization marches forward, or if you want to retcon something entirely.

But these are all just my opinions and ideas on how I approach OC profiles after making them in some form or another for about a quarter century. Make it as long or short as it needs to be, change it up, go nuts, I ain’t your mom, and so on 😉

Statistics: The basics; barebones, at-a-glance stat blocks, handy for quick reference. Can be added to or shortened as needed. If a stat starts to word wrap on a standard screen, trim it and move that extra detail to the “Description” paragraph below the list.

Race: (for FF14 fantasy possibilities) Nationality: (or Ethnicity, whatever works. Where are they from, as that helps shape them?) Height: (both feet/inches and centimeters are handy here) Eyes: Build: (I prefer this to weight, as that’s ridiculously variable depending on one’s build, which is more important visually anyway; are they broad, stocky, skinny, muscular, stringy, etc) Hair: (color, type, texture, preferred lengths and styling) Skin: (sometimes I fold scars into here, if there’s nothing too outstanding) Scars: Voice: (how do they sound?) Nameday: Age: (depends on your personal timeline for your OCs, but I recommend an age range over specifics; mid-20s, 25-35, late teens, a little over a century, etc. Less updating and fits with the handwaved time bubble anyway) Disciplines: (what are their main job[s]? The adventuring or professional skills they’ve learned?) Hobbies: Birthplace: Current Home: Occupation: (Their actual day job, different from or part of their disciplines?) Signature Items: (A particular weapon? A piece of jewelry? Always wear a specific coat?)

Description: A very short "immediate impressions" type description; what would someone "on the street" see when meeting/looking at your character on a typical day? Taking some of the info from the stats but then how you want those barebone facts to be seen; is the OC elegant, or rough? Expensive clothes or simple attire? Any particular smells, or sounds? I recommend around 100 words.

Biography: Very brief, general overview of the backstory that led them to the point where they become a story protagonist (adventurer, the WoL, or other roleplay archetype). Don't have to go into great detail, keep it short and simple; it's a blurb that sets up how they got here in broad strokes. I think my longest bio is around 300 words, and it probably shouldn’t go over that here.

To get more details, one can always link to specific stories, or to a tag. I have multiple OCs, so I might make my tags something like "Aeryn Backstory" or "Iyna Lore" or "Punchy History" or some combo thereof (I usually try to keep them consistent though for ease).

Persona: What face do they present to the world? How are they perceived by the public, acquaintances, coworkers, family, actual friends? Some of these answers will be the same, some may change depending on if and how they code switch in various social situations.

From there, what lies underneath the surface? What are some general internal attitudes, traits, feelings?

A hundred words for outward demeanor and another one hundred for innermost self ought to cover the general broad strokes.

Romance: If so inclined, details about the OC's relationship details; sexual and romantic orientations, relationship history, current situations, how they view and approach intimacy (or not!).

Links to relationship tags or stories or art can work well here, too.

Echo: Does the OC have an Echo at all? Is it a "typical" Echo, or do they have some special abilities, some things they're better at than others? How does it affect them, how do they feel about it?

This is another section that may be a free space section to remove or swap to something else relevant to the character.

Hobbies: The stuff outside of work and heroics. Ways they relax, special interests, side jobs, things they enjoy, and so on. This can be an expansion of the listing in the stat block, or you can cut out one or the other to avoid redundancy.

Companions: What’s their chocobo like, or do they have another favored mount? What pet(s) do they have? Are they practically a Disney Princess? Have a familiar? Do they prefer arcane entities? Technological constructs? Or do they eschew companions entirely?

How to find the OC in game: This is where I list things like realm and data center, and addresses for the FC house and personal house or apartment. Not necessary if you don't want folks to go looking.

Links: The links can be scattered through the post in relevant sections, or gathered together here. I tend to put my basic tag for the character, if I have an aesthetic tag for them, their story tags, any links to art references or other miscellaneous items I want easily found for myself and others. I often put this close to the top if a profile is longer and I want those links to be quick referenced.

OOC: Any particular notes one wants to make about the character from a meta perspective. Can also be combined with the Links.

#final fantasy xiv #lyn prompts #lyn meta #lyn writing #characters #profiles #templates #tutorial #blogging

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chronicbeans · 6 months ago

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Hey so I randomly thought of how stigmatized a particular group of mental illnesses still are, even in the community of people who go "we're accepting of mental illness ❤️". That group being Cluster B personality disorders. It's honestly really irritating sometimes when I think about it, especially because I do have family members that are in the Cluster B community, even if I'm not myself (at least, my therapist hasn't brought it up to me and I have no reason to suspect I am). It's genuinely so hard to find information on Cluster B disorders that either isn't a medical paper filled with confusing terminology, includes pop psychology terminology, or doesn't stigmatize the community further, that I sometimes feel like I don't even know my family members well enough to support them through their struggles. Which is DEPRESSING AF to think about.

I just want to let my followers and any who see this post know that this blog is accepting and actively trying to learn the TRUTHS about Cluster B disorders, especially from the people who have them. I may mess up from time to time and say something stupid, but it's not from malice or hatred, just me genuinely not knowing. It especially doesn't help that it's so stigmatized and pop psychology terminology is unfortunately a thing, one so common I've found many websites that claim to be made by psychologists using these terms despite them not being officially recognized or made to grift people. As much as I may be accepting, I wouldn't be a safe space if I wasn't willing to learn about the people I want to provide a safe space for. And luckily, I've always been a curious person, so I'm more than willing.

If I ever do say something, don't be afraid to correct me, since I'm always willing to learn from mistakes and learn about other people (in fact I'm sure I've messed up a few times already, just statistically with how common those people psych terms are I'm bound to have mistaken one as being real..). I just don't actively ask people because I don't want to be someone who's going around asking too personal questions on accident. Going around and asking people about their mental or physical health isn't the best way to make someone feel safe, but so many people seem to think it is for some reason. So here's my invitation to correct me if you feel comfortable doing so, I'll be happy to hear from you!

If anybody who doesn't have a Cluster B personality disorder but are accepting and open to learning more about people who do want to, you can reblog this post.

I'm not usually one of those people who make posts saying "reblog this post if [blank]" since I know I'd feel like I'm reblog baiting, so I'm not going to word it like that. However, I genuinely do want people to find their safe spaces and for others to learn how they can make their blogs feel safe by actually listening to people in the Cluster B community and not articles that may, unintentionally or not, stigmatize them. I feel it's important for people to be able to feel safe with a good variety of people regardless of their mental or physical health status, but it's also good to let people know if you're a safe space for them but aren't a part of their community, in case they have had bad experiences and aren't ready or don't feel comfortable interacting yet.

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sixpennydame · 1 year ago

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You're Not a Hunter, You're a Gatherer

It seems that every writer moot I have is feeling some kind of burn-out right now. I read an amazing post today from Sarah Gottesdiener of The Moon Studio that I think every writer/artist/creative needs to hear:

Many of us are taught to be creators in a way that mimics punishment and productivity culture. To push, force, and maybe even flagellate ourselves into making work.

(Then when it comes to sharing work publicly, it’s another little punishment party going full blast inside, amirite?)

This is a capitalist, patriarchal, hierarchal way of doing things.

To hunt down our innocent ideas and wrangle them in between our bloody, iron grip hands feels like abuse.

To contort our process, our work, and maybe even ourselves so that we might create work that we *think* will get us: paid, laid, loved, and accepted. (Which are all branches of the same gorgeous tree of belonging and security. May we all experience these freely!)

You are not a hunter. Exhausting yourself by chasing down the next innocent idea like that will solve your problems when it only feeds the loop of insecurity and lack. When you operate in hunter mode, deep in a dopamine deficiency, relying on the next big kill to satiate the gaping void inside, nothing you do will ever be enough.

You are a gatherer. Everything you need is a stones throw, or a right click, or a meditation, or a conversation away. Everything you create is a conversation with the world, and it is infinite. Because source is infinite. Ideas are infinite, and form is infinite. Deep exhale.

The hunter mentality, complete with spears and endless bloodshed, can live inside of our processes. Ursula K. LeGuin suggests a different approach, the Carrier Bag Method. The first tool was a net, a vessel. Thousands of years ago our ancient ancestors foraged, gathered, carried the life force of abundance back to their homes, and were nourished. This process required curiosity, patience, and an ability to use what already existed on the land they inhabited.

Your creations are meant to be friends, stewards of your ideas, companions to others’ fruits, and in conversation with the greater world.

When you create from that space, it’s much easier to get ideas, have a process that is delightful, and share your work with ease.

Here’s an overview of one of the creative processes that works for me. 1. Everything I create is for me, first. What excites me, or interests me, or will force to grow, learn, or implement different behaviors? That is my starting point.

2. Structure proceeds flow. Creativity needs containers. Create core intentions and fun rules. Outlines, lists, schedules all help to provide a base, an anchor, some scaffolding.

3. Use the Carrier Bag Method whenever possible. Live life. Look around. Gather. A conversation, an insight on a walk, a podcast episode, a shade of the sky: anything and all things can be inspiration. Anything that sparks insight can be fertilizer for creative projects. Never start from a blank page of life.

4. Program the subconscious to be the master creator. Know how you ask Siri to set timers, look up information, and help you out? That’s what your subconscious is…but for, like, your intuitive creations and messages. Tell your subconscious you need to write that book, that social media message, that report, or that newsletter by a certain time in a certain way in a certain way and watch what happens.

#writing stuff #creative writing #inspiration for creatives #inspiration for writers #fanfic writers #artists #creatives

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spacetimewithstuartgary · 3 months ago

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Fluorescent caves could explain how life persists in extraterrestrial environments

Deep below Earth’s surface, rock and mineral formations lay hidden with a secret brilliance. Under a black light, the chemicals fossilized within shine in brilliant hues of pink, blue and green. Scientists are using these fluorescent features to understand how the caves formed and how life is supported in extreme environments, which may reveal how life could persist in faraway places, like Jupiter’s icy moon Europa.

The researchers will present their results at the spring meeting of the American Chemical Society (ACS). ACS Spring 2025 is being held March 23-27; it features about 12,000 presentations on a range of science topics.

As it turns out, the chemistry in South Dakota’s Wind Cave is likely similar to places like Europa — and easier to reach. This is why astrobiologist Joshua Sebree, a professor at the University of Northern Iowa, ended up hundreds of feet underground investigating the minerals and lifeforms in these dark, cold conditions.

“The purpose of this project as a whole is to try to better understand the chemistry taking place underground that’s telling us about how life can be supported,” he explains.

As Sebree and his students began to venture into new areas of Wind Cave and other caves across the U.S., they mapped the rock formations, passages, streams and organisms they found. As they explored, they brought along their black lights (UV lights), too, to look at the minerals in the rocks.

Under the black light, certain areas of the caves seemed to transform into something otherworldly as portions of the surrounding rocks shone in different hues. Thanks to impurities lodged within the Earth millions of years ago — chemistry fossils, almost — the hues corresponded with different concentrations and types of organic or inorganic compounds. These shining stones often indicated where water once carried minerals down from the surface.

“The walls just looked completely blank and devoid of anything interesting,” says Sebree. “But then, when we turned on the black lights, what used to be just a plain brown wall turned into a bright layer of fluorescent mineral that indicated where a pool of water used to be 10,000 or 20,000 years ago.”

Typically, to understand the chemical makeup of a cave feature, a rock sample is removed and taken back to the lab. But Sebree and his team collect the fluorescence spectra — which is like a fingerprint of the chemical makeup — of different surfaces using a portable spectrometer while on their expeditions. That way, they can take the information with them but leave the cave behind and intact.

Anna Van Der Weide, an undergraduate student at the university, has accompanied Sebree on some of these explorations. Using the information collected during that fieldwork, she is building a publicly accessible inventory of fluorescence fingerprints to help provide an additional layer of information to the traditional cave map and paint a more complete picture of its history and formation.

Additional undergraduate students have contributed to the study. Jacqueline Heggen is further exploring these caves as a simulated environment for astrobiological extremophiles; Jordan Holloway is developing an autonomous spectrometer to make measurement easier and even possible for future extraterrestrial missions; and Celia Langemo is studying biometrics to keep explorers of extreme environments safe. These three students are also presenting their findings at ACS Spring 2025.

Doing science in a cave is not without its challenges. For example, in the 48-degrees Fahrenheit (9-degrees Celsius) temperature of Minnesota’s Mystery Cave, the team had to bury the spectrometer’s batteries in handwarmers to keep them from dying. Other times, to reach an area of interest, the scientists had to squeeze through spaces less than a foot (30 centimeters) wide for hundreds of feet, sometimes losing a shoe (or pants) in the process. Or, they’d have to stand knee-deep in freezing cave water to take a measurement, and hope that their instruments didn’t go for an accidental swim.

But despite these hurdles, the caves have revealed a wealth of information already. In Wind Cave, the team found that manganese-rich waters had carved out the cave and produced the striped zebra calcites within, which glowed pink under black light. The calcites grew underground, fed by the manganese-rich water. Sebree believes that when these rocks shattered, since calcite is weaker than the limestone also comprising the cave, the calcite worked to expand the cave too. “It’s a very different cave forming mechanism than has previously been looked at before,” he says.

And the unique research conditions have provided a memorable experience to Van Der Weide. “It was really cool to see how you can apply science out in the field and to learn how you function in those environments,” she concludes.

In the future, Sebree hopes to further confirm the accuracy of the fluorescence technique by comparing it to traditional, destructive techniques. He also wants to investigate the cave water that also fluoresces to understand how life on Earth’s surface has affected life deep underground and, reconnecting to his astrobiological roots, understand how similar, mineral-rich water may support life in the far reaches of our solar system.

The research was funded by NASA and the Iowa Space Grant Consortium.

TOP IMAGE: A section of South Dakota’s Wind Cave seen under normal white light (left image) transforms into something otherworldly when placed under UV light (right image). Credit Joshua Sebree

LOWER IMAGE: One of Sebree’s students, Jacqueline Heggen, showing off glowing formations within Wind Cave. Credit Joshua Sebree

#science #space #astronomy #physics #news #nasa #astrophysics

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tr0v3 · 8 months ago

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Are Videogames Worthy Of History?

Almost every medium of art and storytelling has a place within established historical scholarship - Film, Music and Drama are not only academic disciplines within their own right, but are useful sources of information and mediums of communication for historians! Academic institutions across the world utilize everything from photography to animation for historical work...but videogames are much rarer to see in research or education. Why?

Using Amnesia: The Bunker (ATB) as a case study and Henry Jenkins' Game Design As Narrative Architecture as a theoretical basis, I am going to present a brief, basic analysis of how a videogame can be 'historical'!

Consider this a simple starting point for anyone new to the topics - for a deeper analysis that does this topic justice, I'd reccommend reading Jenkin's own piece for yourself HERE!

Art, for better or worse, is a vehicle for wide consumption of History. School curriculums aside, we recieve historical narratives, stories of the past, in the form of films and plays and even videogames all the time - even if they aren't neccessarily accurate representations of past events. Take for instance the myriad of WW1 films made in the last century, or Shakespeare's historical plays - maybe even YouTubers have provided some History to you, in the form of fun animated videos? Popular culture has a role in defining past narratives, and although they are relativly new, videogames have long been a cultural conduit of all things, including history. So how do they actually interact with History?

Functionally, videogames are unique from other forms of media because of how integral interactivity is to their design. Games are not watched or read - they are played, and require active participation from players, rather than passive viewers or readers. The freedom and control neccessary for fun gameplay often clashes with attempts to impose a narrative on a game however, leading to the unique problem of ludonarrative dissonance.

There have been years of extensive discussions about ludonarrative dissonance and the limits of its usefulness as a concept, but Jenkins' Game Design As Narrative Architecture identifies a key concept that can overcome the issue, at least to an extent - Spaciality.

Essentially, Jenkins argues that Spaciality, the shape and structure of the world within a videogame, allows for Environmental Storytelling - showing narrative (and historical!) ideas through the game's virtual space. There are four ways in which Environmental Storytelling can be used to immerse a player in a narrative, unique to videogames - Evocative Spaces, Enacting Stories, Embedded Narratives and Emergent Narratives.

EVOCATIVE SPACES

When a videogame vaguely connotes a historical setting, prompting us to recall broad ideas of that historical period from our preconcieved notions about it from other media we've seen - that's an Evocative Space.

ATB is not really a WW1 game, the war is merely a distant backdrop for the game's story. However, little things from the the barbed wire loading screen to the ocassional muffled boom of an explosion on the surface brings about a reminder that the player is in the midst of The Great War. From the buttoned uniforms and low-tech electric lighting, enough elements familiar to us from history classes or war documentaries are present to let our imagination fill in the blanks.

As a game with a fictional story within a factual setting, ATB evokes the thought and memory of World War One, making it a historical game via Evocative Spaces.

ENACTING STORIES

Narratives within games can be broken into two - broadly defined objectives that run throughout the entirety of the game, and short, 'localized'/'episodic' sequences that the player experiences in certain areas of the game. Unlike other forms of media, a videogame can manage ludonarrative dissonance by breaking up the majority of the story into these smaller 'localized'/'episodic' sequences. These are all experienced by the player first hand, hence the name 'Enacting Stories'.

ATB employs this effectivly by having a singular overarching goal throughout the majority of the game, but numerous sub-objectives and optional goals that aren't strictly linear, and exist as sub-objectives within an open 'free roam' environment for players to explore. For example, the player must obtain both The Dynamite and The Detonator Handle, but they can do so in any order.

Its possible to complete ATB without experiencing every localized/episodic sequence in a certain order because none of those events disrupt the scripted narrative sequences at the start and end of the game, making ATB a successful example of Enacting Stories. This is true for the game as a self-contained piece of fiction, but also a historical game - the story does not affect the wider events of WW1, or attempt to rewrite history in any significant way.

EMBEDDED NARRATIVES

In a similiar fashion to backstory reveals in detective novels or flashback sequences in a movie, videogames can tell their narratives out of order. By utilizing Environmental Storytelling to reveal narrative elements, videogames can provide a story as less of a linear plot and more as a mystery to piece together with clues littered throughout the virtual space. This creates what is called an Embedded Narrative.

ATB's narrative can be broken into another two parts - past and present. While there is an Enacted Story being played in the current moments within the game's world, the environments of the game provide clues and insights into past events that have shaped the game world as it is currently, a history within the game's world. All across the environments of the game, evidence of the past narrative can be found - broken furniture, decaying bodies, and even notes that detail character's thoughts, experiences and events. All this backstory is hidden throughout the game in a variety of sources for players to find, much like how real historians in the real world piece together evidence from the past to build narratives of actual events in the real world.

ATB is among many horror games with mystery narratives - Five Nights at Freddy's and Iron Lung come to mind - and like these, the entirety of the story can only be understood through investigation of the environments, a successfully Embedded Narrative. Is that story historical though?

ATB is decently accurate to history - but there are no historical references more specific than the technology present in the game, such as Joubert's radio in the Soldier Quarters or the wheel mechanism that unlocks the Emergency Lockdown. It is an entirely fictional scenario within a broad historical setting, and isn't deeply linked to real events - the narrative is embedded in the environment, but the narrative is entirely fictional. Only the setting is historical.

EMERGENT NARRATIVES

Out of Jenkins' four theories on Environmental Storytelling, this is the only one that is not really present in ATB - an Emergent Narrative is when player choices are mapped onto a game's space to invent a narrative in real time - and although you can technically take actions like moving boxes and blowing up barrels, these are intended to be tactical decisions rather than meaningful or cosmetic choices. Games like The Sims or Minecraft would be much better examples of how a game can truly be a sandbox for both gameplay and narrative.

CONCLUSIONS

In the spirit of Remembrance, I've chosen to focus on a game set in the First World War - but is Amnesia: The Bunker even a historical game?

I would argue that yes, the game has a historical setting and in terms of 'Historicality', it does feature details that help immerse the player in the setting...however,the historical aspect of ATB is ultimately quite surface level, and doesn't really go beyond a general setting. It does not feature interactions with any real historical figures or actual events from the past, nor does it attempt to present anything as actual history. ATB employs Embedded Narratives and Enacting Stories for its fictional plot, but only communicates real history through Evocative Spaces. The game is fantastically designed to provide story elements in an immersive and seamlessly-integrated fashion, but isn't comparable to other forms of media dedicated to recreating historical narratives.

Is this really a limitation though? If the game was too bogged down in being historically accurate or linking itself to real world events, it might be less engaging narratively. Even if the game's historical element is 'surface-level', it avoids interfering too much with the entertainment of the gameplay or the thrills of the horror - and that may just make the historical aspects of the game more appealing for players to explore for themselves.

Perhaps videogames are still too young, too new, to be compared to Film or anything else that has integrated itself into historical study over the decades - but Amnesia: The Bunker shows that with good design, there is potential for historical videogames. Maybe videogames aren't worthy of History...yet.

#amnesia the bunker #indie games #amnesia

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my-insanity-is-an-artform · 2 years ago

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The OC Switch - Portals

I was supposed to write about Teatime. Wild wanted to meet Aaliyah and now it's nearly 5am. Rip to me I guess.

@neverchecking, I hope I did your girl at least a bit of justice but this is from Wild's pov so I'm blaming him.

Wild shook his head lightly as he stepped out of the portal. Every portal was always a little disorientating even with his experience of Sheikah Tech. The feeling of being magically transported through time and space was vastly different to the colder electric feeling of moving from shrine to shrine.

Rolling his shoulders to remove the vestiges of discomfort, he pulled the Sheikah Slate from his belt and glanced at it, frowning. The map was acting oddly. In most Hyrules, all it showed was static and the same blank page he’s had at the very beginning of his adventure. In his own Hyrule and in Cal’s, the map was filled out and clear, providing up-to-date information regarding the weather and the time.

This place however made the map glitch and a box popped up stating ‘CONNECTION ERROR’.

Which had never happened before.

Time finally stepped through the portal and it fizzled out behind him. “Sound off.”

Various voices called out, but Wild didn’t, too distracted as he poked at the screen.

“Wild and I are here.” Cal reported quietly. He’d been standing quietly next to Wild, curiously glancing over his shoulder.

“Wild? Is there something wrong?” Time turned to the two which also made the whole group turn towards them.

Cal shifted uneasily. They had only picked up the Hero of Calamity a few weeks back and he still had a habit of freezing up whenever attention focused on him. He’d loosened up, but there was still a ways to go.

Wild jabbed at the screen again. “My slate’s being weird. This isn’t my Hyrule, at least according to this, but it’s glitching.”

Suddenly, a bolt of light connected with a nearby tree, leaving a scorch mark and causing every single person to draw their sword.

“Identify Yourselves!” A feminine voice demanded. Both Wild and Cal froze.

The voice was familiar. Too familiar.

“Who are you to make demands when you attacked first?” Warriors said, taking a step forward only to pause when a woman stepped out from behind another tree, pointing a glowing bow directly at his head.

“Princess Zelda?” “Your highness?” Both Wild and Cal spoke at the same time, but denial shot through them.

This Zelda was clearly a bit older than either of theirs. Her hair was pulled back into a long braid, showing off the almost lightning-like scars that trailed up the right side of her face like a warped mirror of Wild’s own scars. The scars ran down her neck and under the sensible tunic and leather combination most travellers wore.

There was also the way this woman held herself. Confident without excess and comfortable enough with the bow that it held steady even as eleven swords were pointed awkwardly in her direction.

She looked like their Zeldas, but it was very obvious she wasn’t.

She glanced at them both briefly. “You are certainly neither of my heroes if you call me by that name. You came from a portal reeking of darkness. Identify yourselves else prove yourselves a threat to this land.”

“My name is Time and these are my companions. We are seeking the one who is making these portals and transporting monsters through them. Please, we mean you no harm.” Time sheathed his sword and held up his hands. “We also seek the Hero of this land. We believe that Hylia has called him to defend Hyrule once more just as she has with each of us.”

The woman snorted. “I have two heroes of courage under my protection and they shall come only if they wish. She can come down here and ask them herself if she wishes to toy with either of them.”

Sky and First looked as if they desperately wanted to object, but since she was still pointing a glowing arrow at Warriors’ head, they both bit their tongues and tried to still their impulses.

Still her eyes caught on the aborted movement and she stared at them. Something had caught her attention and her eyes narrowed.

“Is that the Master Sword?”

The group tensed as Sky nodded. She stared for a moment then nodded. “Then step forward and put it on the ground. We’ll see if you are who you claim to be.”

Cautiously, Sky took a few steps past Warriors and jammed the Master Sword into the ground before retreating to Warriors’ side. Her eyes squinted at him but let him remain next to the other.

Wild cast his eyes about as each of his brothers all shifted uneasily. They’d been thrown off guard by her appearance and knowledge and it was hard to make a choice. She hadn’t been entirely unreasonable. They had come from a dark portal and it was eleven to one. It wasn't unreasonable that she wanted to defend herself.

And she claimed she had two heroes to protect. How in the name of all the gods had that happened?

The woman smoothly approached the Master Sword and pressed a knee against the blade which glowed and let out a strange chime.

The woman glanced down at it and softened. “I suppose you can vouch for all of them, Fi?”

The sword chimed again and Wild nearly dropped his sword. Just who the hell was this woman?!

The sword chimed once more then dimmed and fell silent.

All tension in the woman dissipated and the bow vanished in a flicker of light. She wrapped a hand around the handle and pulled it easily from the ground. She smiled softly as she tested it’s weight, like she was greeting an old friend. “I apologise for my behaviour, but we’ve had issues with imposters recently and word of these portals unleashing strange monsters has everyone on edge.” She looked up towards him and Cal. “I take it neither of your Zeldas had visions when she was a child?”

“Visions?” Wild asked weakly. Next to him Cal tensed up, clearly uncomfortable with this woman who looked so much like their Zelda looking at them.

Her ear flicked, but her expression stayed gentle. “I had visions when I was younger. And a major personality change if your Zeldas are anything like the one we have to deal with.” Exasperation was clear in her voice.

“What are you talking about?” Wind burst out, voicing the thought they were all thinking.

“Oh, sorry. My name is Tia and I am a version of Zelda, specifically your Zelda.” She pointed at Wild. He couldn’t help but stare. This woman was supposed to be a version of his Zelda. Like Cal was a version of him specifically. Impossible.

Tia smiled wryly. “I know it sounds complicated, but the long and short of it is when I was seven, I had visions of Ganon and what I assume was your adventure. I got brief glimpses at the other heroes, some clearer than others but you were the main one. A few months ago, my Hyrule merged with another version of Hyrule that was on a similar timeline. We’d both gone through the Calamity and… some other factors which I promise I will explain in a better location.” She added hurriedly before Wild could interrupt. “The main difference between our Hyrules was me and the consequences of my actions versus an additional Champion in the other Hyrule, a Sheikah Champion.”

Wild and Cal couldn’t help but tense up at the idea of another champion. One they could’ve failed and probably had in this version of Hyrule.

“Her name is Aaliyah and she basically attached to the hip with Link. Well, that version of Link we refer to as Sage and my original version we usually call Champ. The convergence was very confusing, but the end result was some people merged with their counterparts, others remained separate due to the fact they were too different or.. not dead really.” Tia explained, finishing awkwardly.

“What do you mean not dead?” Warriors asked with a baffled expression.

Tia’s expression wavered for a moment then she licked her lips and looked directly at Wild. “The champions. Revali, Mipha, Daruk and Urbosa. They’re alive alongside others like your sister. I saved them.”

Wild felt the world go blurry. The champions? Alive?

And… a sister?

The world went dark.

Ten minutes later, Wild had recovered enough to walk back to Tia’s encampment. She was leading them next to Time and Warriors, who’d seemingly forgiven her for holding him hostage, discussing the portals. He noticed she kept glancing back at him worriedly.

He wished she’d stop.

Cal hovered by his side. It’d been hard at first, confronted with a version of himself that had won. But something about the other had him sliding him into the same place in his heart where he kept all of his brothers.

And now…

“Why didn’t you tell me we have a sister?” Wild asked quietly.

Cal winced and his lips pursed. He blinked several times and steeled himself. “I… I had hoped you would at least remember her a little bit. I haven’t seen her since I joined the knights.”

It was clearly a sensitive subject and Wild was no stranger to those. He dropped it.

But something else bugged him. “Do you have a Sheikah Champion?”

Cal shook his head. “No, we only have five of us plus the Princess. The Sheikah never had a champion.”

Guess that was something else different about this Hyrule. “Wonder what she’s like? Zel-Tia said they were attached at the hip to her version of us.”

Cal hummed in agreement before a loud laugh in interrupted all conversations through the whole group.

“GET HIS ASS SUNSHINE!”

This voice was again familiar. A little rougher but still undeniably his own voice.

Tia’s shoulders slumped. “I’ve been gone for twenty minutes. What on Farore’s Green lands have they been up to?” She muttered before breaking into a light jog.

Bursting from the tree line, Wild saw a version of himself, older and more ragged with shorter hair and a strange black arm, laugh as yet another version, one with longer hair and similar arm bands, wiggle helplessly in the grasp of the most beautiful woman he had ever seen in his life.

She had gorgeous short white hair like moonlight on snow. Her lean body seemed to weave through the air like she was the wind itself. Her smile lit up her entire face and Wild swore not even stars would outshine the gold in her eyes. He could see the way her muscles flexed under her silken dark skin as she casually tossed the wiggling counterpart directly into the river.

Gods, he wished that was him.

Cal let out a small quiet noise like a mouse being stepped on.

Wild nodded in agreement.

Yeah, he felt that.

The gorgeous Sheikah stood on the edge of the river, arms raised in victory as she laughed brightly. The sunlight seemed dim in comparison.

“Who the hell are these guys?” The growl of his own voice grabbed his attention for a moment and he glanced to see Tia linking her arm with the rougher version of himself and giving it a light squeeze. He seemed to be glaring directly at him and Cal who was still glancing at the Sheikah.

“Link, this is Link, Link, Link, Link, Link, Link, Link, Link, Link, Link, and Link. They're heroes from past eras.” She said entirely with an innocently straight face, pointing to each of them in turn. He adjusted his arm around her shoulders and pinned her to his side, angling her away from them.

“What.”

“Those portals with the monsters apparently connect to other times which is why I felt like I recognised some of them. These heroes have been dragged around trying to find the culprit.” Tia leaned against him.

The counterpart glared briefly at the group then down at her. “I thought you were talking to a korok.” He growled again.

She poked him in the forehead. “Well, maybe if you didn’t terrify the poor things, I would’ve brought one of you along but since you all decided to set fire to the Lost Woods...”

He slumped under the weight of her stare and seemed to grumble under his breath. "That was an accident."

Wild would’ve paid more attention as Time introduced himself properly, but it was stolen by the way the pretty Sheikah woman was now yelling at the river.

“Come back out here and face me!” Her voice was sweet like a bird song that could listen to for hours.

There was an explosion of water as the long haired version popped out from under the surface.

“Hey. Hey. Hey, Aaliyah~ Guess what I’ve got.”

Aaliyah. Even her name was beautiful.

She crossed her arms and smirked before she paused and pointed down at the possible hero who’s grin only got wider.

“If that’s fish you’re about to throw at me, I will make you eat it raw.”

“Close but no.” And with that, he threw an octorok at her.

Letting out a shriek, there was a flash of steel as she elegantly sliced the creature in two with her sword then gracefully launched herself at the cackling hero, sword left in the ground.

Wild felt the air leave his lungs in a rush.

That was amazing.

“YOU DAMN FUNGUS!” The ragged one tore after him as well, the water becoming a swirl of white foam and splashing.

Tia sighed and moved to pick up Aaliyah’s sword. “Honestly, I’m just impressed he caught one.”

Honestly, Wild was just plain impressed.

___

Tia can be Queen of Hyrule or she can fully corral the trio. She's good but no one's that good.

Wild is just like fully got the rose-tinted glasses on and so does Cal while Sage immediately has their number.

#lu totk #yandere linked universe x oc #LU Sage #LOZ Fic #My OC: Tia #Cinder's OC: Aaliyah #LU Wild #lu calamity #is Sweetpea a Linksona?#Also Sweetpea needed an outside identifier.#Sage's was easy but Sweetpea cant use Wild cause Wild is using Wild #So Champion or Champ is how this Hyrule differs between him and Sage #Aaliyah better co-operate for teatime because I am TIRED #not happy with the middle bit but yolo

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designcricut · 2 years ago

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How to Use Cricut Maker? [step-by-step]

Want to know how to use Cricut Maker? We’ve got you covered! There was a time when I was also a beginner when I entered the field of craft. I still remember when I hadn’t even heard of Cricut machines. It was my senior Katie who told me about this machine. Thanks to her, I understood the significance of such crafting tools, and when making my purchase, I invested in Cricut Maker as it is capable of doing more than I expected.

In addition, I learned the entire process of operating the machine and creating eye-catching designs using Cricut Design Space. The process was really simple, and anyone can learn if they follow this blog. In this guide, I will talk about the Cricut machine setup and essential supplies, and finally, I will make a project using a Cricut Maker. Let’s get started!

How to Setup a Cricut Maker on Your Device?

Before we proceed to how to use Cricut Maker, you will first need to set up your Cricut machine. To set up this machine, you will need to download and install the Cricut app. Although I am using a Windows computer, the following setup is suitable for both Windows/Mac users. Let’s see how to set it up:

First of all, take your machine and plug its cable into the power source.

Then, turn on the Cricut Maker machine.

After turning it on, visit the official website cricut.com/setup of Cricut using any browser such as Chrome, Microsoft Edge, Firebox, etc.

Here, download the compatible Design Space for your computer.

Now, follow the simple instructions provided on the screen and sign in to your Cricut account.

Finally, you are done with your Cricut Maker setup.

What Supplies & Tools Will You Need to Use Cricut Maker?

When you unbox your new Cricut machine, you will find several supplies and tools that will help you get started. For instance, you will find materials samples for your first Cricut project, a pen, and a blade. Some machines come with a cutting mat, but you will only find this in some machines. Besides, there will be a charging cord and USB cable.

Below, we will see what the other tools and supplies you need to get started with your first project on the Cricut Maker machine:

1. Materials

Materials quantity is only sufficient for the first project. After making your first project, you will need to buy new. See the below table to understand the materials requirements for different types of projects.Types of ProjectsMaterials RequirementPaperScrapbook Paper, Cardstock, and VellumVinylAdhesive Vinyl, Iron-On Vinyl, and Transfer TapeCricut Infusible InkInfusible Ink Sheets, Markers, and compatible Blank

2. Blades

If you are a Cricut Maker user, you can buy different types of Cricut blades and tools. Some examples of such tools are knife blades, engraving tools, rotary blades, and scoring tools. Different tools are used for different purposes and materials.

3. Cricut Cutting Mats

Most Cricut cutting machines do not come with cutting mats. Hence, you might need to buy some extra mats. In order to inform you, there are 4 different types of mats offered by Cricut based on their adhesive strengths. However, each mat is suitable for different materials. In addition to larger projects, you will need a mat that measures 12 inches or 12 inches x 24 inches.

4. Cricut Pens

Now, writing is also possible on your Cricut. You need to insert the pens into the tool holder of the Cricut machine and give it a command using Design Space. Rest, it will write anything you want quickly.

How to Create Your First Project on Cricut Maker?

Finally, we have come to learn how to use Cricut Maker. To make it easy for you, I am going to make a design using a vinyl material, and then I will transfer it to my glass. Let’s follow the step-by-step instructions carefully:

The first step was to set up your Cricut machine (refer to the first section of this blog).

After setup, choose a premade design on the Cricut software.

Then, choose your adhesive vinyl and stick it over the cutting mat. The mat will keep your vinyl material in one place while cutting.

Now, load the mat and materials together into the machine. To load the mat, press the given button.

Now, go to Design Space and select the material settings to send your premade design to your machine.

Here, you have to press the Flashing button to start the cutting process.

After cutting a design, remove the mat from your machine, including the materials.

Finally, weed the design carefully and place it over your blank project, such as glass.

Final Words

Cricut Maker is an advanced machine that can cut more than 300 materials easily. Also, this is everyone’s first choice. Hence, with the help of this guide, I am explaining how to use Cricut Maker for beginner users. Through this guide, I have explained how to set up the Cricut machine and what other tools and supplies I need to create a first project. After that, I have finally explained the use of Cricut Maker with easy step by step instructions.

FAQs

What projects can I create with Cricut Maker?

The possibilities with Cricut Maker are endless. Since the Maker machine is capable of cutting a wide range of materials up to 300, you can make several items easily. Below, I have described some of the projects that you can make on your machine:

Leather earrings

Gift tags

Wreaths

Puzzles

Customized T-shirt

Paper cards

Coffee mug

Wood sign board

How to use Cricut Maker 3 without a mat?

Cutting on a Cricut machine is possible without a mat. You need to finish your design and then follow the steps provided below:

First, you need to hit the Make It button located in the top right corner.

A pop-up will appear saying, “How will you lay all of your materials for this project?”.

Here, you have to choose the option Without Mat and then hit the Done button.

Further, load the material by pressing a button on the machine.

Finally, Cricut will cut your design.

Can I use Cricut software for free?

The Cricut Design software, which is sometimes also known as the Cricut app or software, is completely free of cost and provides various ready-made projects for beginner crafters. Using this app is super easy due to its simple interface. However, there are many resources available for which you will need to get the Cricut Access plan. Otherwise, Cricut doesn’t charge for using its software. Rather, it charges for its premium resources.

For more information visit: cricut.com/setup download install cricut design space cricut design space login

Source: How to Use Cricut Maker

#how to use Cricut Maker #cricut design space download #Cricut maker setup #cricut machine setup #Cricut.com/setup

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asking-jude · 2 years ago

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Do you want free, fast mental health help? Visit askingjude.org.

anonymous asks:

Hi I’ve been feeling a certain way towards a friend recently and I don’t know what to do. I have keep having a feeling of insincerity and resentment from them. It makes me mad it makes me feel like like a second thought to them and I’m only relevant to them if I’m in front of them at that second. It makes me feel lesser than because they treat their other friends with more attention and attentiveness. I don’t wanna have to chase them down because why should I. It feels like they don’t think most of the time and I have to fill in the blanks for them it’s kinda of annoying I don’t wanna have to think for someone who entering adulthood. I feel like this isn’t fair to me because I would usually think of them of consider them but I don’t receive the same and I’m questioning if this friendship is genuinely worth my time anymore.

asking-jude responds:

Hey love,

I am so sorry to hear you are going through this difficult situation and thank you for reaching out to Asking Jude!

I would first recommend sharing how you feel, if comfortable, with your friend. Although it may be uncomfortable, your friend might be unaware of how they are making you feel, so communicating your emotions may help with the situation.

Here is an article that discusses how to effectively discuss your feelings with others: https://www.psychcompany.com/2019/productively-communicating-your-feelings/. Having an open and honest discussion is a great first step in explaining your needs in the friendship and finding a solution to any tensions between you two.

This article provides some more tips on resolving friendship conflicts, compromise, and good communication tactics: https://socialskillscenter.com/ways-to-resolve-conflict-with-a-friend/#:~:text=Open%20and%20Honest%20Communication%3A%20Communication,can%20escalate%20the%20conflict%20further.

If you don’t feel comfortable talking with your friend, having someone trusted you can talk to can help you sort out the situation and better grasp how to approach resolving it. This can include a different friend or family member, or a therapist is another great option where you can also discuss any other conflicts or things you may want to share. Here is a link for a resource to find therapists near you: https://www.psychologytoday.com/us/therapists.

Another option is to express yourself privately which can be done through journaling. Journaling helps with anxiety and stress relief as well as a comforting way to avoid suppressing emotions that you want to release. This resource explains more about what journaling is and how it may be helpful for your situation https://www.urmc.rochester.edu/encyclopedia/content.aspx?ContentID=4552&ContentTypeID=.

All friendships have ups and downs, so what you’re experiencing is very normal. However, if you feel like your relationship with this person is negatively impacting your mental health or an open discussion doesn’t result in any solutions, it is perfectly okay to express the need to distance yourself from the situation. If there is little reciprocation or a grave lack of support, then it is completely understandable to take some time and space to both reflect on the situation and even potentially give your friend whatever time they may need to better understand how you want to be treated as a friend.

I hope this information was helpful and we are here for you always. So, please don’t hesitate to reach out again, you got this!

Love, Jordan <3

Ask a question here.

#ask #advice #mental health #help #support #counseling

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bemused-geek-nz · 1 year ago

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Modern high- or medium-density housing often seems to come without parking space, something to do with the fact that the architects and politicians behind them have no idea how essential the car still is.

Should I suddenly become a wizard, I know what to specialise in: Garage Doors of Holding.

These items look like regular "tilt-a-door" style garage doors, but are fitted to a runed surround bolted to an exterior wall. When used, the door opens onto a blank space large enough to fit a single normal motor vehicle.

While I can make larger double, triple, or even larger spaces, the cost in magicka, materials, and post-enchantment medical bills increases exponentially, partly due to the fact that the hammerspace beyond the portal ends up larger due to the need for turning circles etc.

Additionally, the larger a garage hammerspace is made, the more likely break-ins are. No, not by mortals. Contact information for the appropriate authorities is provided with your purchase.

And yes, a Garden Shed of Residence is possible. However, the same issues still exist, and other than the front door, no windows or other apertures exist. And if they do, evacuate.

I wish wizards were real so bad imagine coming out of a wal mart and seeing some guy with long robes and a big hat in the parking lot surrounded by wacky particle effects screaming some shit like "By the moon and the starlight, by the shield and the sword, I summon to me, my Honda Accord!" And then just getting into his car and driving off

#wizardposting

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fantastictheoristdonut · 1 month ago

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How to solve the TikTok "Hot videos list is empty" problem? Try Bit Cloud Phone

As a popular short video platform in the world, TikTok users often encounter the problem of "Hot videos list is empty", which not only affects the content browsing experience, but also may hinder the account traffic of cross-border operations. This article will analyze the common causes of this problem and provide efficient solutions. At the same time, combined with the functions of Bit Cloud Phone, it will explore how it can become the preferred tool for cross-border practitioners.

Ⅰ. Common reasons for TikTok's "Hot List is Empty"

Network environment restrictions: TikTok has strict restrictions on regional access. If the device IP is identified as an uncommon area, it may trigger platform risk control, resulting in content failure to load.

Account abnormality or association risk: The same device frequently switches accounts or logs in to multiple accounts, which is easy to be judged as "non-real users", thereby limiting functions.

Application cache or version problems: Local cache accumulation or failure to update the application version in time may cause page loading abnormalities.

Device fingerprint is marked: Virtualized environments (such as traditional cloud phones) are easily detected as "non-real devices" by TikTok, resulting in traffic reduction or even account closure.

Ⅱ. Targeted solutions of Bit Cloud Phone

To address the above problems, Bit Cloud Phone, with its core technology advantages, provides a complete set of response strategies:

1. Simulate the real device environment to bypass geographical restrictions

Bit Cloud Phone automatically matches the language, time zone, operator and other parameters corresponding to the IP through real mobile phone chip simulation. For example, when using a US IP, the system will simultaneously generate an English interface, Los Angeles time zone and AT&T operator information to avoid being intercepted by the platform due to "virtualization characteristics". Users only need to configure the Socks5 proxy IP with one click to stably access TikTok's global content and solve the blank list caused by IP problems.

2. Independent management of multiple accounts to avoid associated risks

Traditional mobile phones are prone to triggering risk control when logging in to multiple accounts on the same device, while Bit Cloud Phone supports independent operation of multiple environments. Each environment has independent device fingerprints, IP and storage space, which is equivalent to "one real machine with ten devices". For example, users can operate TikTok accounts in the United States and Southeast Asia at the same time without frequently switching VPNs to avoid account abnormalities due to IP jumping.

3. One-click cache cleanup and quick application update

Bit Cloud Phone provides cloud storage management function. Users can directly clean TikTok cache or uninstall old versions of apps in the cloud, and download the latest version of TikTok through the built-in Google Play Store to ensure application compatibility. In addition, all operations do not occupy local mobile phone memory to avoid loading failures due to insufficient storage.

4. Real device parameters + dynamic risk control confrontation

Unlike ordinary virtual machines, Bit Cloud Phone ensures the authenticity of device fingerprints by simulating 600+ operator information and sensor data (such as gyroscopes and GPS tracks). For example, the system automatically generates corresponding SIM card information based on the proxy IP, and simulates real-person operation intervals (such as sliding speed ±300ms) through the AI behavior engine, effectively avoiding TikTok's "quantum matrix detection" algorithm.

Ⅲ. Why recommend Bit Cloud Phone?

Cost-effective: The hourly billing mode (0.16 yuan/24 hours) supports unlimited creation of environments, saving 90% of hardware costs compared to purchasing multiple real machines.

Easy to operate: supports batch import of environments, synchronizer group control and ADB script customization, such as automatically refreshing TikTok hot pages through scripts to improve operation and maintenance efficiency.

Safety and compliance: provides sub-account permission management function, enterprises can dynamically allocate employee operation permissions to avoid account resource abuse.

IV. Practical operation guide

Create an overseas environment: select "Computing Power B (Overseas Network)" in Bit Cloud Phone, configure Socks5 proxy and detect IP availability.

Install TikTok: Download the latest version through the built-in application market to avoid compatibility issues.

Optimize account behavior: enable the "AI behavior simulation" function, set a random sliding interval, and simulate real user activity.

Regularly change the environment: use the "one-click new machine" function to reset device parameters and keep the account safe.

Summary:

Behind the "blank hot list" problem of TikTok, there is often a game between the device environment and the platform's risk control. Bit Cloud Phone has become a "breakthrough weapon" for cross-border operators with its real device simulation, multi-account isolation and dynamic risk control confrontation capabilities. Whether you are an individual creator or a corporate team, you can achieve efficient and secure global content operations through its flexible function configuration.

Experience Bit Cloud Phone now, click [Official Website Link] to download, new users can also receive 5 yuan experience money, start your TikTok global traffic journey!

#indiedev #python #linux

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jeraldnepoleon · 2 months ago

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25 Years of Unbeaten Success and Growing | Grapes IDMR | Robospace

If you’ve ever wondered what it takes to change the trajectory of healthcare for the better, let me introduce you to a story that’s close to my heart or rather, the heart of pioneering innovation: Grapes Innovative Solutions, a brainchild of relentless curiosity and hard-learned lessons. Here in Robospace, our cutting-edge R&D division orbiting the frontier of satellite-supported healthcare, we’re reshaping how hospitals, doctors, and nurses all over the world tackle some of medicine’s most persistent problems. What’s our mission? To beat the merciless menace of Surgical Site Infections (SSI) through the transformative power of digital evidence and bulletproof records.

The Invisible Danger: Surgical Site Infections

For more than 25 years, I’ve witnessed countless triumphs and heartbreaks in the hospital corridors. Among the most sobering are cases where something as trivial as a misread prescription or a scribbled note has spiralled into tragedy. SSIs lurk in the background of nearly every surgical procedure, reminding us that even minor oversights can have catastrophic consequences.

Let’s break this down: A surgical site infection doesn’t always announce itself with fireworks. Sometimes, it’s deceptive masked behind a routine physical exam, noted in passing, or worse, entirely undocumented. Suppose nothing unusual is found during a postop inspection, and nothing is marked. With paper-based systems, that silence can be damning. In the eyes of the law and the anguished family searching for answers, “nothing documented” reads as “care neglected.” Legal headaches ensue, and the reputational toll on a healthcare provider can be irrevocable.

The Tragedy of Overlooked Details

One story still haunts me. A young mother came in for a routine procedure. The surgeon, skilled and diligent, assumed everything was proceeding smoothly. Orders were written, care delivered but an essential detail was not clearly documented. There was a subtle deviation in the prescription, a simple mix-up, and it wasn’t caught in time. In the aftermath, both the mother and her new-born didn’t survive. The heartbreak of the team was palpable. The grief of the family, immeasurable. And yet, the legal storm that followed fixated not just on what happened, but what couldn’t be proven happened. Documentation, or the lack thereof, became the central issue.

youtube

That pivotal moment crystallized a painful truth for me: In the chaos of healthcare, intent and action are overshadowed by evidence. If the record isn’t airtight, even the best doctor is left defenceless.

Digital Salvation: Enter Grapes IDMR

Enter Grapes IDMR. Was it an overreaction to demand infallible documentation? Not in the least. It became clear the old paper trails had to give way to a smarter, safer standard. That’s where our digital solution took flight. Grapes IDMR isn’t just another EMR. It’s a silent guardian for medical professionals, quietly making sure the dots are connected especially in the moments when busy hands might forget to record every last detail.

Here’s the magic: If, during a surgical site inspection, no infection is visibly present and the healthcare worker doesn’t make an entry? Our system automatically logs an unambiguous “SSI — No.” That absence becomes presence. The silence is recorded. There’s always unequivocal evidence no blank spaces, no legal shadows, no fuel for costly disputes. With these digital safeguards, even overlooked details are transformed into proof of attentive care.

Evidence-Based Decisions: The Bedrock of Modern Care

Why harp so much on documentation? Because medicine, for all its artistry and intuition, is governed by evidence-based decision-making. Every medication, every suture, every outcome must be traceable. In an era where patients are more informed (and litigious) than ever, and where interdisciplinary teams juggle thousands of variables daily, digital evidence isn’t a luxury it’s the Armor that defends lives and careers alike.

Proper documentation isn’t just box-ticking bureaucracy. It fuels collaboration, illuminates mistakes before they snowball, and provides a lifeline when investigations arise. Grapes IDMR, with its smart defaults and audit-proof architecture, empowers clinicians to focus on healing, not second-guessing.

When Defaults Are Lifesavers

Consider this: An OP (Outpatient) physical exam yields nothing abnormal, but fatigue or time pressure means no entry is made. In the traditional world, that tiny omission could later be interpreted as negligence. Our digital framework eliminates that risk by making “No infection” or “No abnormality” the default, unless flagged otherwise. These little pockets of certainty become the backbone of trust, both in patient care and in the courtroom. And if something truly unusual is discovered? The system is flexible there’s always room for quick, clear, custom notes. We’ve made it so the digital hand-holding doesn’t suffocate clinical instincts; it simply amplifies and protects them.

Real People, Real Impact

At Grapes, every tragedy drives us a stark reminder that behind every chart is a life, behind every protocol is a family. We’ve seen first-hand how audit trails and digital footprints can exonerate a practitioner or, tragically, expose a gap that was never supposed to occur. These aren’t abstract considerations or academic debates. They’re lived realities for our nurses, doctors, and, most crucially, our patients.

Robospace: The Limitless Future

But we’re not stopping there. Grapes’ innovation wing, Robospace, is our venture into the stars — literally and figuratively. We’re infusing satellite technology and real-time digitalization into the DNA of global healthcare networks. The dream? To ensure that the state-of-the-art digital defences that now protect hospitals in major cities are available even in the most remote clinics on the planet. That mother whose story ignited this movement — her legacy echoes all the way to the satellites above us.

Wrapping Up: The Call to Action

So, whether you’re a healthcare professional, a policy maker, a patient, or just a concerned citizen, let me leave you with this: The future of healthcare isn’t just about new drugs or dazzling machines. It’s about making sure the truth — every action, every care, every moment — is captured in digital stone.

If this journey through the trenches and the triumphs of Grapes IDMR has resonated with you, don’t just be a bystander. Like, share, and subscribe to our channel for a steady stream of thought-provoking stories and updates from the vanguard of smart healthcare. The next life we save might just be your own, or someone you love.

For more Click The Link Below : Best Hospital Management Software

FAQ’s

What is Grapes IDMR and how does it contribute to RoboSpace success? Grapes IDMR is a cutting-edge technology/tool developed by Robospace that has played a crucial role in their 25 years of unbeaten success by enhancing efficiency, innovation, and customer satisfaction across their projects. 2. How has Robospace maintained continuous growth for over 25 years? Robospace has maintained continuous growth through a strategic focus on innovation, quality service delivery, adaptability to market changes, and leveraging advanced technologies like Grapes IDMR to stay ahead of industry trends. 3. What can customers expect from Robospace in the future? Customers can expect Robospace to continue pioneering technological advancements, expanding its product and service offerings, and delivering reliable, high-quality solutions that meet evolving industry needs for many more years to come.

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mynewknowledge · 2 months ago

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Top Ways to Enhance the Fan Experience with Signs and Graphics

Creating memorable moments for fans is crucial for any sports venue, concert hall, or event space. Whether it’s the buzz of a hockey game, the thrill of a live concert, or the excitement of a community event, the fan experience plays a major role in building loyalty and encouraging return visits. One of the most underrated yet highly effective ways to elevate the fan experience is through well-designed signs and graphics.

Strategically placed and creatively crafted signage can inform, excite, and immerse attendees in the event atmosphere. Below are the top ways to enhance the fan experience using signs and graphics.

1. Welcome and Wayfinding Signage

The fan journey begins the moment they approach the venue. Clear and engaging welcome signage sets the tone for the event. A large, vibrant welcome banner or digital sign can help build anticipation as soon as guests arrive.

In addition to being welcoming, directional and wayfinding signs are essential for reducing confusion and improving the overall flow. When fans can easily find parking, restrooms, entrances, and concessions, their experience becomes seamless. Use bold fonts, brand colors, and intuitive design to guide them effortlessly from point A to point B.

2. Themed Environmental Graphics

Immerse fans in the spirit of the event by wrapping the venue with themed environmental graphics. Wall murals, window decals, floor graphics, and elevator wraps can all be customized to reflect team branding, musical acts, or seasonal themes. These visuals can dramatically transform a space, turning plain hallways into tunnels of team pride or blank walls into Instagrammable moments.

These graphics don’t just enhance aesthetics—they amplify energy and excitement. Fans feel like they are part of something bigger, adding emotional value to the experience.

3. Fan Engagement Zones

Interactive signage and branded graphics can be used to set up fan zones and experience booths. For instance, a photo booth with a vibrant backdrop featuring the team’s logo and colors can serve as a great pre-game activity. Adding QR codes to signs for contests, polls, or digital souvenirs keeps fans engaged digitally, even while they’re physically present.

These spaces create opportunities for fans to connect with the brand, share their experience on social media, and even win merchandise. The visual design of these zones is key—clean, eye-catching graphics encourage participation and prolong the engagement.

4. Sponsor Integration

Corporate sponsors play a vital role in funding many live events. Signage offers an opportunity to integrate sponsors without compromising the aesthetic or fan experience. Instead of cluttering the venue with plain logos, creative co-branded graphics can spotlight sponsors while still serving a purpose—whether it’s on hydration stations, LED walls, or stair risers.

Strategically designed sponsor signage can be informative or interactive, such as digital displays that share sponsor messages alongside live event content. When done well, this enhances rather than distracts from the fan’s enjoyment.

5. Digital Displays and Dynamic Messaging

Digital signage takes the fan experience to the next level. From jumbotrons to small LED boards, these displays provide real-time updates, scores, and replays moments.

What’s more, digital signs offer the flexibility to update content quickly. A static sign is fixed, but a screen can rotate between messages about upcoming games, in-venue offers, or safety instructions—providing both entertainment and essential information.

For venues looking for professional support, working with a reliable sign and graphics service provider in Brantford ensures that both static and digital elements are professionally produced, correctly installed, and strategically integrated into the fan experience.

6. Concessions and Merchandise Branding

Concessions and merchandise booths are high-traffic areas. Smart signage here not only directs people to food and gear but enhances sales. Menu boards with clear, visually appealing layouts and branded graphics encourage purchases. Likewise, merchandise displays with strong visuals help fans connect with their favorite teams or artists and feel inspired to take home a souvenir.

Don’t underestimate the power of impulse buying. Eye-catching table tents, posters, and hanging signs can highlight special items or limited-time offers.

7. Safety and Accessibility Messaging

Safety is a top priority in any fan environment, and signage plays a key role in communicating guidelines. During times like pandemics or special alert situations, clear signs about distancing, hygiene, or exit routes help fans feel secure. It’s not just about compliance; it’s about showing care.

Incorporating universally recognized symbols and accessible designs—such as high-contrast text or braille—also ensures that fans of all abilities can enjoy the event equally.

8. Commemorative and Legacy Displays

Fans often feel emotionally connected to the legacy of a team, performer, or venue. Signs and graphics can celebrate these memories by featuring iconic moments, past achievements, or tributes to legendary figures.

For example, a history wall with photo collages, timelines, or quotes can engage longtime fans while educating new ones. These displays foster a deeper sense of belonging and pride, reinforcing loyalty with every visit.

9. Post-Event Branding and Takeaways

The fan experience doesn’t end when the event is over. Creative exit signage that thanks fans, invites them to future events, or provides QR codes for feedback can keep the connection going. Branded banners or posters that attendees can take photos with as they leave can also serve as a final memory-maker.

Consider signage that ties into social media, encouraging fans to post about their experience and tag the venue or team. This not only extends the fan journey but acts as organic promotion.

Conclusion

In the fast-paced world of live entertainment and sports, capturing and maintaining fan attention is both an art and a science. Through strategic use of signs and graphics, venues can build stronger emotional connections, simplify the attendee journey, and create moments fans will never forget.

Whether through immersive wall graphics, engaging digital signage, or interactive photo zones, the right visual elements can make the difference between a good event and a great one. For venues looking to transform their fan experience, partnering with a skilled sign and graphics expert can bring bold ideas to life—and turn every visit into a memory worth repeating.

#conclave #marketing #graphics #canada

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theschoolprintcompany · 3 months ago

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Maximizing Your Exercise Book: Tips for Effective Note-Taking and Organization

That unassuming notebook in your hand – the exercise book – is more than just a collection of blank pages. It's a potential powerhouse for learning, a sanctuary for ideas, and a tangible record of your intellectual journey. Whether it's a standard school exercise book, a customized school exercise book print, or a bespoke creation tailored to your needs, mastering the art of effective note-taking and organization within its covers can significantly enhance your understanding, retention, and overall productivity. Let's dive into practical tips to transform your exercise book into your ultimate learning companion.

Laying the Groundwork: Setting Up Your Exercise Book for Success

Before you even begin taking notes, a little preparation can go a long way in establishing a system that promotes clarity and organization.

✅ Dedicate Each Book: Assign a specific exercise book to each subject, project, or area of interest. This prevents information from becoming jumbled and makes it easier to locate specific notes later. Clearly label the cover with the subject and date range.

✅ Number Your Pages: This simple step is crucial for creating a table of contents and referencing specific information quickly. It transforms your exercise book from a linear scroll to a navigable resource.

✅ Create a Table of Contents: Leave a few pages at the beginning of each exercise book for a table of contents. As you take notes, record the date and a brief description of the topic on these pages. This acts as an index, saving you valuable time when searching for specific information.

✅ Establish a Consistent Layout: Decide on a basic structure for your notes. Will you divide the page into sections? Will you use bullet points, numbered lists, or a combination? Consistency in layout improves readability and makes it easier to scan for key information.

✅ Consider Using Dividers (Especially for Larger Bespoke Books): If you're using a larger bespoke school exercise book for multiple related topics, consider using physical dividers or simply leaving blank pages to create distinct sections. This helps to compartmentalize information within the same book.

The Art of Effective Note-Taking: Capturing Information Efficiently

Effective note-taking isn't just about transcribing everything you hear or read. It's about actively engaging with the material and capturing the essence in a way that makes sense to you.

✅ Be an Active Listener/Reader: Focus intently on the information being presented. Identify key concepts, main ideas, and supporting details. Don't just passively write; actively process and synthesize the information.

✅ Use Abbreviations and Symbols: Develop a system of abbreviations and symbols for frequently used words and concepts. This will speed up your note-taking process and allow you to capture more information. Just be sure your abbreviations are clear to you.

✅ Paraphrase and Summarize: Instead of writing down every word, paraphrase and summarize the information in your own words. This demonstrates understanding and makes the notes more meaningful when you review them later.

✅ Highlight Key Information: Use different colored pens or highlighters to emphasize important points, definitions, or formulas. This visual cue will help you quickly identify crucial information during review.

✅ Leave White Space: Don't cram your notes together. Leave white space between different ideas or sections. This makes your notes less overwhelming and provides room for adding further details or annotations later.

✅ Ask Clarifying Questions (and Note the Answers): If you're in a lecture or discussion, don't hesitate to ask clarifying questions. Be sure to note down the answers in your exercise book, as these can be crucial for your understanding.

✅ Incorporate Visuals: Don't be afraid to include diagrams, charts, or simple sketches in your notes. Visual representations can often convey information more effectively than words alone. This is where the flexibility of a blank page in a school exercise book print truly shines.

✅ Note Examples and Applications: When learning new concepts, note down relevant examples and how they can be applied in different contexts. This helps solidify your understanding and makes the information more practical.

✅ Differentiate Between Facts and Opinions: Be mindful of distinguishing between factual information and personal opinions or interpretations. Clearly label opinions if you choose to include them in your notes.

Organizing for Optimal Recall: Structuring Your Notes for Future Use

Once you've taken your notes, the work isn't over. Organizing them effectively is key to being able to retrieve and utilize the information later.

✅ Use Headings and Subheadings: Structure your notes using clear headings and subheadings to categorize information and create a logical flow. This makes it easier to scan and locate specific topics.

✅ Employ Bullet Points and Numbered Lists: These formatting tools help to break down complex information into digestible chunks and highlight key points or sequential steps.

✅ Create Connections and Mind Maps: Use arrows, lines, or mind maps to visually connect related ideas and concepts. This can help you see the bigger picture and understand the relationships between different pieces of information. Your exercise book provides the perfect blank canvas for this kind of visual organization.

✅ Regularly Review and Refine Your Notes: Make it a habit to review your notes regularly, ideally within 24 hours of taking them. This helps reinforce what you've learned and allows you to clarify any points that are unclear. You can also add further details or examples during your review.

✅ Summarize Key Concepts at the End of a Topic: After completing a section of notes, take a few moments to summarize the main concepts in your own words. This reinforces your understanding and provides a concise overview for future reference.

✅ Index Key Terms and Concepts: For more complex subjects, consider creating an index at the back of your exercise book. List key terms and the page numbers where they are discussed. This can be incredibly helpful for quick look-ups.

✅ Color-Coding for Themes or Topics: If you're using a bespoke school exercise book for a broad subject, consider using different colored pens or highlighting to denote different themes or subtopics throughout your notes.

Leveraging Different Types of Exercise Books for Enhanced Organization

The type of exercise book you choose can also influence your note-taking and organizational strategies.

✅ Standard School Exercise Books: These lined books are ideal for linear note-taking, especially in subjects like English or History. The lines provide structure for neat handwriting and organized paragraphs.

✅ School Exercise Book Print with Grids: Grid paper is particularly useful for subjects like Mathematics, Science, or Engineering, where diagrams, graphs, and precise calculations are essential. The grids help maintain alignment and proportionality.

✅ Bespoke School Exercise Books with Specific Layouts: The beauty of bespoke options lies in their adaptability. You can design internal layouts that cater to specific subjects or learning styles. This could include Cornell note-taking sections, dedicated spaces for diagrams, or pre-printed prompts for reflection.

The Enduring Power of the Physical Page

In our increasingly digital world, the physical act of writing in an exercise book offers unique benefits for organization and learning. It encourages focused attention, reduces distractions, and creates a tangible record of your intellectual journey. The sensory experience of writing can also enhance memory and engagement. By implementing these tips and consciously utilizing the space within your school exercise book, you can transform it from a mere notebook into a powerful tool for effective note-taking, enhanced organization, and ultimately, greater academic and personal success. Embrace the power of the page and unlock your full learning potential.

#school exercise books #exercise book #exercise books

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