#but also i feel like there's a generational commentary to be had here Tumblr posts

[swashbucklery]

I have been informed that Papa Poutine is real. I'm so afraid to find out what's fake (the tickling?? the dog??? none of them??)

If you message OP they'll tell you the correct answer; I will say it is a hard poll that is trying to catch respondents on detail so you really do have to have a thorough Riverdale knowledge to be successful.

ALSO WHAT TYPE OF GANG CRIMES DOES PAPA POUTINE DO IN RIVERDALE THE TELEVISION SHOW FOR TEENS.

[bardicious]

Honestly tired of the criticism SNW gets from specifically Tumblr (cause when I check reddit, they love it lots). Like, there are some nitpicky ass people here.

Imo, the Gorn are awesome (you saw them once in TOS, get over it!), Spock/Chapel make sense and were always plausible (Also Spock had his fair share of female love interests in TOS that he knew less than Christine), regarding the silly episodes where Spock gets turned "human" or the new one where the crew turns "vulcan" (In quotes because a. I don't think the intention is for them to be accurate representation of either race b. we all just gonna ignore all the silly ass episodes in TOS like they're not part of the series' bread and butter), the musical episode was literally the best musical episode in the entirety of the genre of rando show doing a musical episode.

Spock this Spock that, there's so many complaints about Spock as if the Menagerie didn't have ooc Spock. The complaints about not having enough screen time for this character or that, like, again, let's be real, this show is for people who specifically loved TOS, of course you're going to have lots of Spock, Chapel, Uhura and yes, Jim also (because he's beyond crucial to Star Trek's legacy), and yes, maybe there should be more Ortega and idk whoever that other pilot is, but you still have focus on Pike, Una, and La'an, which is pretty damn good for a show that only has 10 episodes a season.

Lovely to see that the show has a 98% from Rotten Tomatoes, and a 93% from Google Users, which imo, despite the wackos I've seen on this site, is what really matters and means the show is going to keep trucking along despite a minority of negativity.

My long winded way to say, I can't wait for season 3! ❤️

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[aph-japan]

Got a kind-of reply to my tags, so commentary below!!

^ y EAH SEE... (I hear you!!)

At the very start of the arc my predictions went pretty close to what's been shown so far - I'd grab the tweets I made while Shouting Into My Void from my archives, but I can't find them at this very moment :') :')

(This was me around the Kiku flashback though--)

^ (Essentially, me predicting a Kiku Flashback) lmaooo...

So at the very start I had predicted a starting 'order' they'd appear in, and it went something like this:

Feliciano-as-Lovino -> Francis -> Kiku -> Arthur, {Basically I was expecting Arthur eventually challenging Kiku); [There's ""only"" 3 of Ger-Ita-pan trio, and 5 of Allies!!] -> Ludwig -> Alfred -> Gilbert? -> Ivan? -> LOVINO?? -> Yao (possibly countering Kiku's earlier moves) [which Yao essentially confirmed Yao might have done] -> Lovino and/or Gilbert Surprise Appearances by End in general {Mix or match the last four, but either way alternating Ger-ita-pan trio and Allies!!} (If they could actually join in the game or not was another story, but I HIGHLY expect Feliciano+Lovino's scheme to crumble, and Lovino having to jump in and regain ground) We've already seen a sneak peak confirming Lovino's aware of the game and is actively watching it go on!!

Arthur did show up closer to Francis (as we've seen), but was mainly commentating, and then got shocked (literally) by Kiku's surprise next turn... (Also, Ludwig got the surprise flashback chapter first!!)

-Ivan hasn't talked much at all, which was also why I felt Ivan would be near end. {And also, hasn't revealed much actual strategy or plans} (But could very easily be plotting something in background) So I thought maybe Ivan could also challenge Gilbert somehow, and it'd also be a good way for Himaruya to re-introduce Gilbert, and also have all the major characters "interact".

But as you said-- YEAH, SEE...

"H.W.S MAY ACTUALLY TAKE ITSELF SERIOUSLY" FOR ONCE

That had been my thought ever since the arc first started, but I don't really know how to ConveyTM my current Thoughts on the matter lmao....

I don't want to cause anyone to freak out too much though, so I hope whatever happens people can enjoy Yao's new art and appearances at least!!

But... the thing with Kiku and Yao is... I don't honestly think Himaruya will drag it out too seriously. Kiku is obviously "dragging Yao in" to the field with some sort of intention, which is pretty standard for Kiku based on what we know of Kiku's "canon" personality. And also how I've personally handled Kiku in the past when attempting to work with portraying Kiku, but...

Essentially, what I had predicted was Kiku and Yao facing off with some sort of purpose. What that purpose may be (dare I say reconciliation?) we may not know... For a while, still.

[cumaeansibyl]

The Substance

short version: five out of five stars, I had so much fun, for God's sake read the CWs. there are so many needles in this.

further thoughts: I think the viciousness of this movie rests on Elisabeth (Demi Moore) having built her career on promoting the very same unattainable beauty standards that she finds herself in conflict with. It's no coincidence that she's not just an actress, she's a celebrity fitness instructor. Going on TV every morning to tell us all that our bodies aren't good enough. She threw her lot in whole-heartedly with the beauty merchants, she preened and profited, and then she was shocked -- shocked! -- when they inevitably, predictably turned on her.

It's also telling that once she's injected the titular Substance and generated a new, young, beautiful version of herself, what does she do? She goes right back to the same business as before. Being sexier, fitter, more desirable than anyone else. Telling everyone their bodies still aren't good enough. Well, why not? Even her own body wasn't good enough for her anymore.

Coralie Fargeat has zero fucking sympathy for her and I feel the same. Oh, is it hard now? Is it alienating and dehumanizing and humiliating? Did you never bother developing yourself as a person because you were too busy peddling feminine oppression for Dennis Quaid, of all people? Fuck you! Suffer harder! You are complicit!

I would love to know how this lands for conventionally attractive women -- I never put in a sustained effort of this kind because it was made quite clear to me from a young age that the "right" kind of beauty would not be available to me. That comes with its own pain and its own fantasies about a "perfect" version of myself, but I suspect it's a different set.

I also wonder what trans women think of it, because while it's a very cis woman story (in that Elisabeth has always been a conventionally attractive girl and woman) it's also like... about transforming into a more desirable version of yourself, which, come on.

Finally, I feel like there's some disability commentary to be had in here, though that's not a subject I'm well versed in. I did find myself thinking, from time to time, that to many people it would be very tempting to have a body with no pain, a body that always moved easily and performed all its functions with no trouble. Even if only sometimes.

[bonus-links]

DIRECTORS COMMENTARY PLEASE I LOVE HEARING YOUR THOUGHTS AND PROCESS <3!!!!!!!!

YEAHHH lots to say for this update

there's a scene I didn't so much as cut from the beginning of this update as significantly shorten: Wolf, Loft, Wake, and Slate are changing into their lighter outfits. Loft says the same line as having the party, Wake begs them for this one day with his Gran Gran, and they all agree they can wait. I've been trying to get better about like, not putting a ton of work into unnecessary connecting scenes, which is why I cut it down. Wake sounding more cavalier also works better for the overall chapter. But i was sad to leave this joke out lol:

may I present to you, Slate's picture gallery! he was mostly on task documenting flora and fauna but he gets a little sidetracked sometimes

I love the idea that he's just, like, kind of terrible at photography. he documents stuff for Zelda and it's always weirdly cropped and kind of out of focus, but she appreciates it anyway.

Slate is also picking flowers for the party! so he is still helping out on that front lol

idk if i've mentioned this before, but beetle does still have pincers! they're just. idk what the right word is. retractable maybe? yeah. like the ancient weapon blades

the filling of the half moon pies is pineapple :-) i was. so worried about it looking like an egg HAHA.

I thought way too hard about how they were going to cook these pies. I was originally going to draw a clay oven or some other setup, but ultimately I thought the Zelda tradition of only having pots over fires to cook was a funnier nod lol. So, they're frying the pies

believe it or not, I wrote this scene before reading dungeon meshi HAHA but it certainly served as good reference for how to set up shots for it

Aryll did in fact eavesdrop on Wake telling Tetra The Situation

That's Champion's little sister in the memory! I like the headcanon that her name was also Aryll.

Champion and his sister are making meat pies instead of pineapple ones.

One again, made a bunch of layout mistakes I ended up having to fix, except this time I didn't catch them until I had already gotten to rendering :-( if you're a patron, you probably saw these versions in the WIP:

problems here: Wolf is walking the wrong away. I was sad we'd be losing his expression but alas. And for the panels with Champion's sister, the angle is too low to be an actual POV shot. I could've left it and said he's just sitting or something probably but it was really bothering me lol so I redrew everything. and then recolored all of it. woof.

as a general rule, if he has scars, that's Slate. No scars is The Other Guy

I understand the complaint about this in BOTW, but I actually kind of like that weird moment that occurs after you finish a memory cutscene, and it just abruptly goes back to Link looking blank-faced like nothing happened. It implies this kind of....distance from the memories that I find interesting. Slate has complicated feelings abt the memories of Champion's life he gets, but like. there's pies to make

shout out to peony she's a real one

[pastorpresent]

Part 2 to this, as an apology, except as with everything I write, it gets worse before it gets better lmaooo

-

Things had been tense between them, since that night. So tense that Wade had taken to making up a makeshift bed on the floor, and that was about the only time Logan even saw the mercenary.

During the day, their paths rarely crossed.

Mary Puppins was loving it. Their lack of communication meant that Logan was fairly certain she was ending up with double the food and double the walks.

Al was sick of both their shit, and had made sure to let them both know several times. The phrase 'emotionally constipated dick for brains assholes' sprung to mind.

Logan knew it wasn't functional, but then again he was barely functional these days. If he wasn't too drunk to be conscious, he was chain smoking on the couch watching shitty reality tv, trying in vain to conjure up Wade esque commentary alongside it in his head (and wasn't that fucking crazy, to miss the idiots ramblings) and pretend that the arms he wrapped around himself belonged to somebody else.

He'd looked at other apartments, but he couldn't afford the rent, and there was still something tethering him here. Maybe he was clinging onto something long gone, but maybe it was salvageable. He needed to believe that, because he'd never had anything worth clinging too since his old team, and that had been a long time ago.

So he couldn't bring himself to leave. Because even if him and Wade only saw each other in passing for what was likely a grand total of thirty seconds a day, he needed those thirty seconds.

He was fine. It was fine.

Well, that is until one afternoon when he'd arrived home from a grocery run.

When he'd opened the door, he was surprised to see Wade's shoes on the rack. He had been at work when Logan had left, and normally he was there until at least five.

He very almost called out for the man, but decided against it. Whatever reason it was, Logan was certain it was none of his buisness.

He headed to the kitchen, noting their shut bedroom door, which also wasn't all that uncommon these days. Wade spent most his time locked away in there, likely in an effort to avoid him.

There was something niggling at him, though. An anxiety he wasn't used to feeling, because he wasn't used to caring about people enough to agonise over their wellbeing. It had been too long, and so the feeling felt unfamiliar and wrong, and it compounded onto everything else that was unfamiliar and wrong in his body.

He was about ready to buckle under the weight of it.

What if Wade had left work early because he'd been hurt? What if someone had come for him for whatever reason? What if he was sick? Could he get sick? What if he-

The carton of milk he'd picked up to put away burst under the strength of his grip, getting all over him and the floor.

Fuck it. Fuck all of it. He'd just check quickly to make sure the bastard was okay, and it would mean absolutely nothing, and then he could go back to putting the groceries away and not destroying half of them in the process. He was only checking on him because he couldn't afford to replace more food, basically, which was a completely normal thing to do. Obviously.

He goes to their room and flings the door open.

Wade is fine. He's... he's more than fine, probably, Logan thinks vaguely as he stares at the scene in front of him.

He'd not seen Vanessa's shoes at the door. Had they been there? Maybe he'd missed them. Maybe he'd been too focused on Wade's. He should go check.

"Logan-!"

He shut the door. Because it was the right thing to do when two people were fucking, and despite the general concencess - he was polite. Not because he couldn't look at them without wanting to scream and break shit and throw up.

It's a blur, leaving the apartment. He almost slips on the puddle of milk dogpool is currently lapping up, and he hopes Wade has the sense after... after he's done to mop it up so Al doesn't slip.

Wade, cleaning up his fucking mess. Again. Ironic that that's exactly how this whatever-the-fuck between them is going to end.

He shoves his shoes on, skips out on a jacket because he needs to be out of here now, because the air is too thin and he's going to fucking suffocate, regenerative powers be damned. This is what dying feels like, actual dying, and he's certain of it.

His skin is burning. So are his eyes.

He doesn't take a key. Doesn't need to be back. He's never coming back in again, he's sure of it.

What the fuck was he thinking, staying here? Bombarding into Wade's life like a piece of a puzzle that doesn't fit properly, leaving gaps around him and fucking the whole thing up.

He's wrong. He doesn't fit here, because he's from another puzzle entirely, and he should never of left his box. Maybe that's why everything was so fucked. His body knew on a level that his brain refused to acknowledge yet that he didn't belong in this world. He didn't belong with Wade, even if it's the safest he'd felt in years.

He's sobbing and probably completely incoherent by the time he stumbles into the nearest TVA post, but they don't question his state or why he makes his request. They just do it.

//

"Logan-!"

Wade pushes Vanessa away from him rather than making a grab for the covers, which says more than he'd care to analyse at the minute.

Logan doesn't say anything, which is the worst outcome. Wade wants to be cussed out. Have a liquor bottle thrown at his head. Anything, dealers choice!

But not the crestfallen expression as he quickly shuts the door. As if Wade's exclamation had been from aggravation at being interrupted, rather than a place of genuine oh fuck no.

It's his own fault, and he needs to fix it now.

"Wade, where are you going?" Vanessa asks, her frustrations thinly veiled as he scrambles off the bed and tries to find his clothes.

"Logan- he... I need to make sure he's okay," Wade explains in a rushed sort of garble, and where the fuck did he throw his shirt?! He wanted to punch his horny self in the face for not neatly folding his clothes atop of the nightstand.

"He's 200, and didn't he live in a mansion with a bunch of teenagers? I'm sure it's not the first time he's walked in on people having sex," Vanessa deadpanned, and Wade wanted to shout at her that she didn't get it, but that wouldn't be remotely fair.

How could he expect her to know anything about the thing him and Logan had failed to even discuss themselves? Especially... especially when he'd called her for this exact purpose.

He'd been having an awful day at work. Beyond shit. He'd been spoken to like an idiot by some asshole who only seemed to come to car dealerships to flaunt his knowledge of each vehicle for an hour straight. His manager had screamed at him for an hour over a two dollar till discrepancy, and he'd learnt they were taking away two lots of commission from him due to his name not being 'cohesive' enough on the paperwork.

That, on top of how royally he'd fucked up things with Logan by pushing him too far too quickly, and he just needed to feel like he could do something right, and experience a few minutes of sweet post orgasm bliss.

He'd called Vanessa, been pretty fucking transparent about his intentions of it as a one time hookup, clocked out early under the guise of not feeling great and met her at the apartment.

Logan was out on the grocery run, which normally meant he'd be out a couple of hours.

He wasn't meant to come back earlier. He wasn't meant to open the door.

Because Wade knew how it looked, he did. It looked like he'd given up on... whatever the hell they'd been building, because it had gotten messy and he just wanted to get his dick wet.

And he'd done some real fucked up things in his life, but if Logan thought that was remotely true, even for the five minutes it would take Wade to find him and correct it, that was going up there with the very worst.

"I need to find him, 'Ness. I'm sorry. I'm so sorry, I just..." he couldn't say it, because he was an emotionally stunted child, and he needed to apologise to her properly too, for dragging her into this - but his brain was going too fast for his mouth and he was left without the ability to say any of it.

"Wade," she interrupted quietly, pulling on her own shirt and coming over to him with his own dangling from a finger, "it's okay, alright? I'm not blind, I know he means a lot to you. I just wish you two assholes would figure it out," she smiled softly, and Wade frowned.

"I- I'm sorry. I shouldn't have called," he murmured, and she shrugged, kissing his cheek and pushing the shirt against his chest, "eh, one last hurrah was needed before you settle down with that one. Pretty sure you'll never be single again, Wilson. Or will it be Howlett?"

Wade let out a surprised sound, choking on air momentarily while she laughed at him.

He pulled on the shirt, giving her one last small smile before rushing out the room.

//

He'd been searching for days. He'd went into every bar in a ten mile radius of their apartment, had spent an entire weeks wage on cabs just driving the streets. Looking for literally any sign of him.

None.

He was fucking desperate. His calls went straight to voicemail, and he even got fucking missing person posters made (he was too depressed to even photoshop kitty ears onto the photo he used which, come on).

He wasn't sleeping. The idea of never seeing Logan ever again all because he was too much of a pussy to talk to him? It killed any sembelence of appetite he had, and any hope at settling enough to sleep.

The TVA was his very last avenue of hope. They could see everything, so they'd have to be able to find Logan.

He hadn't even bothered to put on his suit, and the agents looked thoroughly confused when he entered, not used to seeing him without it.

It was hung up in the closet right next to Logans. Taking it away from the untouched yellow felt too much like an omen for Wade to proceed with, if he was being fully honest with himself.

"I need your help," he said, feeling the eyes move with him as he strode across the room up to the lead agent. He didn't know his name, and didn't frankly care to either.

The guy frowned, "Wade Wilson, right?"

"Can you locate people? Get a general whereabouts for them? My friend is... missing," he interrupted, cutting right to the chase. He didn't have time for pleasantries, and God knows he didn't have the temperament as of right now.

"Ah," the guy hummed, "you're looking for Logan. Well I regret to inform you, Mr Wilson, but he requested that information remain quiet-"

Wade might not of packed any weapons, but he tended to thrive with improvisation, which was how he ended up with the fucker pinned against the console, a pen inches from his eye.

"My friend was feeling a smidge unstable, so you'll have to forgive him for making you make promises you can't keep however," he pushed down an arm against the guys neck, who choked beneathe it, "I'm substantially more unstable, and unless you tell me where the hell he is right now, I'm going to ram this pen so deep into your skull it pops out the other side, then I'm going to make you use it to write down his exact coordinates. Understood?"

And maybe it was overkill. Just slightly, because the guy just seemed remarkably harmless, but there was no way Wade was leaving here without knowing the exact address of whatever bar Logan had opted to drink himself to death in.

The guy nodded frantically, raising his arms in surrender.

"He- he's returned to his own timeline, I'm afraid."

Wade stumbled backwards.

No. He must've heard wrong, because Logan wouldn't of done that. Couldn't of left forever, not when... not when they hadn't fixed things.

"I am sorry, Mr Wilson. But Logan was very clear that he wanted to return to his home-"

"I'm his fucking home!" Wade screamed before he could reign in the building anger, tears burning in his eyes, "this is his goddamn home, you fuck. Our- our beds here, and our apartment, and our dog and... and me, so you're going to give me your stupid time jumping thing and let me go bring him back to his actual home," he seethed, his chest heaving as he glared at the man.

"I can't just give you my tempad. You've already proved yourself dangerous to other timelines previously-"

Wade laughed, and laughed, until the guy gave a nervous chuckle himself, forcing a smile, and then Wade grabbed him by his neck and tossed him onto the ground, grabbing his tie as he did in order to choke him before crouching down and getting uncomfortably close.

"You think you've seen me be dangerous? What I'm going to do to you if you don't give me what I want will make all of my past actions look like a kitten riding a fucking unicorn over cotton candy clouds in order to go to an ice cream parlour," Wade threatened, and he meant every word.

He pitied the stupid asshole who kept him away from his Logan. Fucking idiot. And it was so fucking stupid, because Logan probably didn't want anything to do with him anymore. I mean, could there be a clearer message that quite literally hopping timelines to get away from somebody?

But it couldn't end like this. He wouldn't let it. It couldn't end with them barely speaking, two ghosts sharing an apartment. It couldn't end with Logan believing what they'd had for so many months, and what they very almost had that night a few weeks ago, meant nothing to him.

The fact was - it was the thing that meant the fucking most.

He loved Logan Howlett, and something about that thought, hitting him with such clarity as he threatened to murder a man, made everything make so much more sense.

He needed to see Logan. Now.

Maybe the guy could see the emotion in his face and pitied him. Maybe the universe was rewarding him for conjuring up genuine emotion and acting on it. Maybe the guy just didn't want to be decapitated.

Either way, Wade ended up with tempad in hand. Logistics and reasons were no longer relevant.

"Thanks, sweetness. See ya soon!"

He pressed the button, dissapearing from the room and leaving behind a dozen horrified employees.

//

The first time he'd been to Logan's timeline, he hadn't exactly seen much. He spawned into the bar practically atop of him, and he'd dragged his unconscious body through the portal back to his own world in that same bar.

He wasn't exactly wanting a full tour regardless. From what Logan had divulged after too much alcohol and the safety of their bedroom walls, his world was very anti-mutant.

Logan insisted a lot of it was down to him, but Wade believed people fucking sucked, and if they wanted to hate something, they didn't waste time looking for a reason to do it.

When he stepped through the doorway, it was into a dark street.

He didn't recognise where he was, and he could only hope he was somewhere close to Logan.

He glanced around, but nothing really caught his eye, until he noticed a shrouded alleyway, with a metal door.

It didn't seem to be attached to any store front, and Wade figured it probably fit the description of shady ass bar slash potential strip club enough for Logan to be inside.

He knocked. A burly guy opened the door, and glared at him, "fuck off, your kind isn't welcome here you fuckin' freak," he spat, about to slam the door, but Wade stopped him.

He wanted to break the guys face, lecture him on acceptance while pummeling him into the concrete, but there was a sinking feeling in his stomach that was nagging at him to get inside, and to do that he'd have to play it smart.

"You think I'm one of those mutant freaks? Fuck no. Sick bastards. This? Is from a warehouse fire," he gestured to his face, and the guy looked immediately apologetic.

"My bad man, my bad. Can never be too careful, y'know? Thought we'd almost eradicated the fuckers, and then one turns up at the door a few days ago. Luckily for him, we were needing some entertainment around here since the last catch kicked the bucket," the guy smirked.

Wade had to swallow down bile.

"That's what I'm here for," he replied, unable to really formulated anything else around the suffocating fear filling his lungs. It wasn't an emotion he was used to feeling, but the idea of Logan being used as 'entertainment' in this place was enough for the blood in his veins to freeze up with it.

"Come on in then, man. Just down the stairs, to your right," he stepped aside, and Wade quickly pushed inside, following the directions.

The hallways grew dimmer as he went, lights flickering and buzzing, and then... cheering.

The fuck was this place?

Posters spewing death to mutant slogans were littering the walls, and Wade forced himself to keep moving, hoping and praying that Logan wasn't in this twisted fucking place. That he'd gotten it wrong, and the brunette was in some slightly less terrifying place drinking away his emotions.

He rounded the corner, pushing open the double doors, and the cheering grew into a roar as he entered a room full of bodies, people herded in a circle surrounding a cage.

A cage, which Logan was currently in.

Wade pushed his way to the front, getting drinks spilt down him as he shoulder checked men double his size. He stumbled forwards like a moth to a flame, eyes wide, grabbing the bars and staring at the man he loved in utter horror.

Logan was chained to the bars in thick metal cuffs, and he had a collar strapped around his neck that Wade was far too familiar with. He was on his knees, slumped forward, bleeding from wounds Wade couldn't see properly. He was stripped down to a pair of dirtied boxers, breathing heavily, muscles pulling from obvious pain.

"Twenty dollar entry, and you can do whatever the fuck you want to him, folks! A genuine, dirty fucking mutant - and not just any, either - The Wolverine himself!" The crowd erupted in yelling and boos, the stench of alcohol overwhelming as men pushed into him from behind, trying to get a better view.

Look at me, baby. Look up. I'm here, I'm going to get you out. I'm so sorry.

Wade wished that Logan could hear his thoughts. He wished so badly he could just tell him it was going to be alright.

He started trying to move his way to the door of the prison where the presenter freak was, pay his dues. If he could just get in there, he could open up a door back to their timeline and pull Logan through. Easy.

Someone beat him to it.

"Alright, get ready for the show, folks!"

The door opened, and unless you were really searching (Wade was, because he's always searching Logan's expression, always wanting to know how the other was feeling) you wouldn't notice the slight flinch Logan did when he heard the sound.

Wade watched with baited breath as the sick fuckface approached. His fingers itched for his gun, so he could empty a few dozen rounds into the bastards smug mouth.

It was cowardly and fucking pathetic. Having Logan chained up, powers suppressed, helpless to do a damn thing all while he was beat on.

The man wasted no time.

He kicked, and punched, and stomped every inch of Logan that he could, being utterly brutal with it, blood splattering on him and the ground and a few drops even landed on Wade, who was watching the scene on the other side of the bars, screaming Logan's name, begging him to at least try to fight back.

He didn't. His only movements were the jolts from the impact of the beating, and Wade was fairly certain he had to be unconscious until the man dug his fingers into his hair and pulled his head upwards, giving a better view of his face.

Wade choked on a building sob, the air being yanked from his lungs.

Logan's entire face was battered and bruised, swollen beyond recognition. There was more blood than skin visible, some fresh and some sticky looking, half dried, and some flaking off. A testament to how long he'd been trapped in this hell hole, to how many men had paid just to make him bleed.

Guilt gnawed uneasily at his stomach. If it wasn't for him and his stupid selfishness and inability to express his goddamn emotions, Logan would never of left. He wouldn't of ended up here, and he wouldn't be about to die in some disgusting back alley fight club while all Wade could do was watch helplessly. He caused this. He caused the person he loved the most in the world to be quite literally dying on his knees, at the mercy of assholes who had none to offer him.

The guy punched him hard across the jaw, earning a sickly crack, before spitting on his face. The crowd cheered him on, laughing and whooping.

Logan didn't react, blinking blearily beneath two swollen black eyes. When the grip of his hair dissapeared, he slumped back towards the ground like a rag doll.

Wade needed to get in that fucking cage right now. He shoved his way to the door, where the presenter guy was stood, looking almost bored.

Wade's desire for murder was going fucking crazy today. It should be a genuine testament to his self control that he hadn't killed half the stupid fucks he'd encountered, even if said restraint was only born from a need to save his friend.

"I've got one hundred. I want in now, but I want the cuffs off," Wade held up the crumpled bills, and the guy looked between the cash and the cage.

"Cuffs off? Don't think you get how dangerous this one is, kid. He's got a list of victims longer than the damn Bible, and I ain't getting in there to pull you out if he decides to gut ya like a fish. His powers may be suppressed but he's still fuckin' strong," the guy warned, and Wade plastered on the sleeziest smirk he could manage.

"I've got it, I want to be able to snap all his fingers in two. Doesn't seem right that they are protected away in those cuffs, they deserve the same treatment as the rest of him," his brain was screaming at him, the words physically hurting as he spoke them, like razor blades crawling up his throat and cutting his mouth to ribbons.

The man shrugged, "whatever," and a buzzer rang out.

"New contestant entering the ring!"

The door was opened. The man who had just been beating Logan strode out with a satisfied look on his stupid face, and Wade might of been refraining from actual murder, but absolutely anyone could've stuck their leg to the side and tripped the fucker. Anyone at all, really!

He followed the presenter into the cage.

Logan didn't move, or look up.

The cuffs got removed, and Wade got a pat on the shoulder as the man left, along with a sadistic "enjoy, all yours."

Logan was slumped into a heap on the floor, and now Wade was closer, he could better see the extent of the damage.

Every breath Logan took was laboured and wheezing, short pained gasps. The blood truly was everywhere, along with... other bodily fluids, which Wade sort of expected. This didn't seem the sort of job that allowed for frequent bathroom breaks.

He crouched down, reaching out to lightly rest a hand on Logan's bicep, on the area with the least damage, which was sickeningly hard to find.

Logan whimpered beneathe his hand, curling in onto himself further, a whispered "stop," barely audible under the weight of the crowds chants as they goaded him into beating the man in front of him further.

"Logan," he breathed, but the older man seemed to be buried too far in his own head to realise it was him.

Wade wasn't wasting anymore time. He needed Logan out of here, and the stupid inhibitor collar off of his neck so he could heal before he died from his injuries.

He opened the portal, and before anyone could even unlock the cage to get in, he was dragging all 300 pounds of Logan back into their apartment, and quickly shut down the gateway.

He left him bleeding on the carpet while he raced to the kitchen, rifling through drawers until he found the small metal magnetic device. A gift from Colossus a good while ago, which had the ability to open up those awful collars. Something told him brute force wasn't an option for Logan right now.

He returned, that uneasy pit in his stomach only growing when he discovered Logan was still in the same spot he'd left him in, staring up at the ceiling but seemingly not seeing anything.

"Hey Lo, I'm gonna take that collar off now, alright?"

His voice earned no reaction either, and Wade swallowed, reaching out for the device wrapped around his neck.

Logan flinched back when he did, shaking his head sluggishly, "no, no more, pl'se, no," and Logan sobbed, trying to curl up but hissing in pain when he moved.

"Peanut-"

The brunette tried to get up, but quickly came crashing back down when his legs instantly buckled.

"Logan, it's me, yeah? It's Wade," he assured, and he watched as Logan stilled, trying to focus in on his face, those big wet eyes filling up again.

He let out an awful, pained sound, and grabbed onto his arm so tightly it hurt.

"M...'m dead? I- want Wade," he cried harder, and Wade frowned.

"No baby, I'm here. You're alive, you're okay. I got you out. I'm here," he promised, squeezing Logan's hand in his own.

"Stop! S-stop! N-not real, not..." Logan choked, gagging out blood onto the carpet, and all Wade could do was whisper an apology before grabbing the collar and pulling Logan up enough to reach the back to open it, all while Logan screamed and thrashed and tried to fight him.

The collar popped off with a click, and Wade shoved it aside, shushing Logan softly with a hand stroking through his greasy hair.

To his relief, Logan started healing fairly quickly, his wounds closing themselves up and the bruises fading from where they'd once painted his skin unforgiving shades of blue and purple.

"You're alright, everything is okay. I'm here," Wade continued to assure quietly, and Logan's screaming tapered down into simmering sobs, ripping out of his chest just as brutally.

"'M, 'm sorry," he hiccuped, still clinging onto him for dear life, and Wade shook his head, still playing with his hair.

"No, nono, no baby. No 'sorry', you didn't do anything wrong," Wade said, but Logan thrashed, getting more distressed.

"Ru'n everythin' I touch. Messed up you're l-life, 'm not... shouldn't be here," Logan cried, trying to move away, but Wade stopped him, staring down at him.

"Is that really what you think?"

How could Logan even start to believe that? How could he think for a single second that he was impacting negatively whatsoever on Wade's life? He was Wade's life, could the idiot really not see that?

"Logan, look at me right the fuck now."

Logan hesitantly looked in his direction, "i- I shouldn't be here. You- you had a life, a future," he said, and Wade could tell this wasn't just something that had came to him in that moment. The way Logan spoke, the utter pain laced through the words like poison, this was something that had been eating away at him for a while.

God, Wade wanted to scream. He wanted to grab the dumbass and shake some actual sense into him, because seriously?

"There isn't anywhere else I'd let you be, peanut. You could hop fifty universes over and I'd march into the TVA and kill any fucker who tells me I'm not allowed to follow. You're stuck with me, get it? You're my present, and my future, and I'm not letting you dip out of that," Wade promised, because it was exactly that. A promise. Logan wasn't going anywhere without him following behind. Wade would make sure of it, no matter who he'd have to kill or worlds he'd have to eradicate in the process. It was all just pointless collateral to Wade, if it meant staying beside Logan.

Logan was looking at him with something akin to awe, bright eyes shining through the layers of blood and dirt smeared over his face, like he couldn't fathom that Wade would choose him to mean so much.

It was sweet, and yet made him want to rip his own heart out at the same time, to know that Logan thought so ridiculously little of himself. For him to think that, even after the months they've had together, that Wade could ever be so quick to discard him.

That was partly his fault. He knew that. He hadn't exactly showed a willingness to fight for... this when he was sleeping with Vanessa.

"Wade you... you're good. You're too good and you deserve someone who's not completely fucked up," Logan sat up a little, a bitter laugh erupting from his chest, "fuck, I couldn't even... I couldn't even get through sex without fucking breaking down, and it's not fair on you to carry that burden-"

Wade couldn't listen to Logan's self deprivation any longer, and leaned in to kiss him hard, one hand moving to cup the back of his head.

"Shut up," he said when the kiss broke momentarily, both of them panting inches away from each other, "shut the fuck up, alright? You are not a fucking burden to carry, and besides - you really think I'm good? You really think I'm a walk in the park? I kill people on the regular just for the crime of pissing me off. I never stop fucking talking. It's takes me six to twelve buisness weeks to process an emotion, and I'm a terrible friend-"

"Wade stop it," Logan begged, voice tight, hand on his thigh.

"No, you're not the only one with flaws here, baby. I could write you a whole book of mine, get you to sign it like a fucking contract," wasn't a bad idea, actually - having Logan legally binded to him just a little, "the point is," he kissed Logan's jaw, splayed his fingers over his neck, dug in his nails just a little, just enough to make the brunette whimper into his mouth, "I fucking love the shit out of you, Lo. You don't have to say it back. That's not what this is, alright? I just need you to know."

Logan broke their almost embrace to sit back, staring at him. Wade couldn't breathe for a second, waiting for the impending rejection.

Instead, he was met with three hundred pounds of adamantium skeleton atop of him, Logan's arms wrapping tight enough to hurt around his waist, his face buried away in Wade's neck which was rapidly growing wet with tears.

"I- I love you too," came a shaky whisper, and Wade just might of air punched in celebration if he was capable of moving at the present moment.

He leaned down to drop a kiss to Logan's hair, nuzzling his face into it. Logan practically purred, lifting his head up enough to kiss him, tongue slipping in without inhibition, and Wade moaned against his mouth, running his hands all over, knowing he'd probably need it after so long.

He was proven right by the way Logan's body went limp and heavy, soft noises escaping his throat as he plastered himself against Wade.

They lay like that for a while, on the blood stained rug, sharing lazy but desperate kisses, all while Wade touched Logan as much as he possibly could, reclaiming every inch of skin as his own, until he almost forgot where one part of himself ended and Logan started.

Logan mewled, bucking his hips down, and Wade kissed his cheek tenderly, "soon, big guy. Let's shower and get you something to eat first, kay? Let me take care of you, then I'll fuck you so hard you pass out. Pinky promise," Wade hummed, and Logan murmured his agreement, letting Wade help him up off the floor.

A few hours later when, true to his word, Wade had quite literally washed him, scrubbing his scalp clean with gentle fingers, made him his favourite meal despite his hatred of cooking, and then fucked him so good Logan did genuinely pass out briefly at his climax, they were laid out in bed together, tangled together loosely.

Wade was playing with his hair. Logan was leaving trails of peppered kisses over Wade's chest.

And Logan thought, for the first time with a clear brain, the voices gone, that Wade would never have to follow him across fifty universes, because Logan would rather gouge his own body apart than be more than fifty feet away from him ever again.

[elodieunderglass]

It's not really my business, but honestly it feels like it would be advisable to hire a copyright lawyer. Like I don't feel like you're in it for the money, but it might be gratifying to have the guy milking your idea at least have to formally acknowledge you. I think I'd do it just for the peace of mind to know if I've been "legally" wronged or not. Either way, hope you continue to inspire, and live out a peaceful life.

(In reference to this post about the guy who pretends to have invented ���Elder Teletubbies,” specifically how he is now kickstarting DnD minis of them.)

Ha, well, it’s all a little tricky I think. I might, hilariously, post on the r/legaladvice Reddit (even though they’re all cops lol) because the only thing I want here is for him to stop selling my “transformative work,” and ideally to stop pretending he invented it (which might be difficult as he appears to fully believe his work is creatively independent.)

I think if anything, my post counts as protected commentary or a transformative work of BBC’s Teletubbies, and I think it’s stinky to profit on that stuff in general (like I’m 190% okay with buying LotR fanart on stickers ! but I wouldn’t dream of trying to publish a fic with the serial numbers filed off. Why?)

I think ultimately I’m not a grifter, I’m a grownup, and I think it’s several levels of eye roll to sell fanart of a tv show on this level. I would be embarrassed to touch money made on that. I’m too fucking scrupulous and artisanal. I have toyed with a silly original novel for funsies since 2019 but keep saying things like, “oh, people will think this is too similar to something else that already exists” as if a silly original novel I write for fun has to somehow pass a Bar of Originality higher than anything salary-writers aim for.

I’m also pretty anti-intellectual-property myself in that leftist sense where I don’t believe people should be acting as if creative works are, like, oil. Like the resource extraction angle of intellectual property freaks me out, I don’t think getting super high-horse and snotty about Magical Brain Property is entirely compatible with the artisanal temperament I personally got going on here. I am like snufkin about this, simply smoking a pipe and making a flower crown saying “poor fools! Producing works for market, and serving as the guard dogs of the market, lest their work lose value if it becomes more common!” I do not have a high horse. I am not going to post 6900 words about the importance of defending fucking… Mickey Mouse. I buy those lotr stickers on Etsy! I do have a horse, but it’s a pretty low horse.

If it was his own work I would not care about this guy doing this in the least (apart from loftily calling it stinky - but hey, nerds are common and nerds are stinky, it’s not rare) IF he wasn’t STEALING FROM MY ANTI-COMMERCIALISATION DREAM TO DO IT.

That’s the bit that PISSES ME OFF too much to ignore: that and accepting compliments for being original like 😌 yes my twisted mind did this idk lol.

Like if you asked him point blank about the artistic choices he’d be like idk my twisted mind just sees the Teletubbies this way teehee! but if you ask ME why, for example, the adult Teletubbies live in the forest I’ll explain that in 2017 I was at a major life crossroads and this dream was ABOUT that. It was goodbye to my identity as a foreigner from the pine forests, and full steam ahead to settling permanently in the fucking shire (where the baby teletubbies on the bbc show live). It was about going back to work having had my first child, and saying goodbye to my various career dreams for myself (famous scientist! Published author!) as I chose instead, finally, the responsibility of working humbly as a public servant for the actual good of society. It is about witnessing the wild and saying “I am not of it, but it is my job to be its witness and voice.” That’s why the adult Teletubbies are dancing in my native forests while I’m watching them from the English hills. This guy doesn’t know that he just vaguely heard “spooky forest cryptid” and didn’t develop it at all, I do more work than that with FANFICTION in my time off!!!

So it’s really about nebulous stuff and ethics and not something worth paying a lawyer for I think!

But thank you so much for this, I think the thing that gets most perennial about it is the TOTAL GASLIGHTING of the “outside world” of the rest of the internet like, fully believing they invented this, and they DIDNT. They’re so wrong on the internet and they don’t know

[charaznablescanontoyota]

"marn i missed sgdq 2024 what should i watch"

hi i decided i'm doing another one of these. it's been a minute. this past week was summer games done quick, an annual speedrunning marathon raising money for doctors without borders and also a great way to get into watching speedrunning. a lot of their content is tailored towards being both clearly explained and fun to watch for an audience outside the speedrun community, so you can jump in with basically no knowledge besides “this person is gonna play a game really fast”.

gdq has the full week's worth of vods up as a playlist on their channel, but here are some runs that i personally think you should check out:

ken griffy jr presents mlb by peanut butter the dog: look it's a dog playing baseball. i don't know what else to tell you.

the entire silly block: speedrunners get up way too early in the morning/late at night to play games that feel like a fever dream. some of the commentators are going on 24 hours of no sleep. it's brilliant. my personal highlights of what i've seen so far are stuart little 2, mad panic coaster, city bus simulator race, and the golf it wrong hole only race that the players dressed up as golfers for

alan wake 2 alan%: alan wake clips through walls and generally has a bad time while a bunch of gamers call him a sopping wet catboy. the runner for this one is really charismatic and it's very funny to see staff rushing to open up the pit as soon as we sing starts (yes they do the dance of course they do the dance). i just love joyful runs of horror games man

super mario 64 blindfolded randomizer: what if you played mario 64 blindfolded and also the stars were in completely random locations. and also you had to do it very very fast.

kingdom hearts 2 critical any%: every kh2 speedrun i've ever seen is a work of art and this one is no different. some of the boss fights go down so fast you will literally miss them if you look away for a minute. and also two of my favorite runners are on couch commentary!

balatro showcase: genuinely made me rethink how i'm playing some of the balatro decks. also great commentary and just fun all around despite (or perhaps partially because of) the absolute struggle session going on with plasma deck in the beginning

super mario world kaizo relay: kaizo is a shorthand term for a game hacked to its absolute limits of difficulty that often requires strict precision of movement and can punish the player for thinking they're smarter than it. in this segment, two teams of 4 very very good mario runners race to complete 8 kaizo levels they've never seen before in their lives

mario maker 2 troll level race: i always like the mario maker races for the same reason i like the kaizo relays. i love watching two speedrunners thrown blindly into the shit have to make up strategies on the fly via trial and error (and error, and error, and error, and...)

kirby air ride race: two high level kirby air ride speedrunners race for an actual physical title belt. the trash talk game happening here is of the insane variety that only two very skilled people who truly respect each others' talents at their game of choice can provide

kaizo mario galaxy: what if mario galaxy hated you even more than usual and would stop at nothing to kill you. also most of the commentators are only familiar with the vanilla game and their reactions to the added-in bullshit are hysterical

tony hawk pro skater 1, 2, 3, and 4: i fell asleep watching this and woke up in a cold sweat to the sound of a bunch of people singing superman by goldfinger. good run

super mario rpg remake: this was the finale block and it's just great to see a bunch of people who really really love the original mario rpg get to hang out and talk about how good it is and also watch a world record level player absolutely stunt on the game

halo 3 four-player co-op legendary: dudes rock

[sunflowerwizard]

I've seen enough people mischaracterizing Early Access Wyll, so here's the best breakdown of his original character I can give.

I'll start this off by plainly summarizing Wyll's EA backstory, some of his core personality traits, then do a bit of analysis.

BACKSTORY

EA Wyll mentions being "born and bred in the upper city" into nobility. It's unspecified what exact level of influence his family occupied.

In datamined voice lines from EA (take with a grain of salt) Wyll refers to being from House Eltan specifically. Eltan was the Grand Duke of Baldur's Gate in the first Baldur's Gate Game, and the founder of the Flaming Fist. Forgotten Realms lore states that the Eltans are no longer in charge of the Fist and have somewhat diminished in power, but again. We don't know to exactly what level.

This also means that this iteration of Wyll was not Ulder Ravengard's son. While he still spoke about his father in EA, the descriptions and characterizations do not line up with Ulder at all. Additionally, he comments about "knowing of" Ravengard during the burning inn sequence, but otherwise makes no connection.

The most damning evidence of all that Wyll being a Ravengard was not originally intended, is Wyll wanting to be like his father and thus "going thieving in the wrong shadows".

Wyll gets caught stealing, presumably as a teenager, and his father uses latent connections within the Flaming Fist to get Wyll sent there. Effectively the fantasy equivalent of sending your unruly kid to boot camp.

Wyll mentions that he didn't adjust well to life as part of the Flaming Fist, was not a very good fighter, and was generally not well liked. The goblin at the windmill calling Wyll "Captain Failure" implies he might have been given higher status despite not earning it.

The way Wyll feels about goblins is a big change between EA and full release, and is explained as part of his backstory.

We didn't get the finer details, but we can assume Wyll in his time with the Fist bore witness to a group of goblins razing a village. Horrified and enraged, he tried fighting a goblin, was overwhelmed, and had his eye torn out.

This is when Mizora showed up and offered him a pact. Considering he was left for dead and probably going to bleed out, it's pretty understandable why he took the deal.

Mizora is not nearly as present in Early Access as she is in the current game. Karlach was not involved in Wyll's story at all, there's no devil transformation.

It's also more heavily insinuated there's a sexually coercive element of Wyll and Mizora's relationship, with him speaking to how every time he wanted to leave her, she found some way to pull him back.

Additionally, Wyll wants out of that contract. Unlike full release where Mizora is randomly captured in Act 2, she starts off kidnapped, and insists she'll let Wyll go if he frees her

It kind of ended up being a plot cul de sac, but Torturer Spike was the goblin that took Wyll's eye--which was a quest item you could pickpocket/loot off his body. Wyll had commentary on it and everything.

TL;DR: -Born to a noble family with Flaming Fist connections -Caught Stealing and sent to work for the Fist as punishment -Tried to fight back during a goblin attack and was gravely injured -Mizora offers a pact -Uses his pact to become a traveling monster hunter, presumably to make up for his past failure to protect people. Antagonistic towards goblins in particular -Ultimately wants out of the pact, but Mizora won't let him go -Wyll and Mizora get abducted by Mind Flayers -Mizora agrees to let Wyll go if he frees her from the cultists

PERSONALITY

This is a bit less concrete than changed story beats, but I can say this: a lot of Wyll's core traits stayed intact between EA and full release. He's still willing to put his life on the line for the Tiefling refugees, with a whole cut line about how the kids he's training deserve to have a carefree childhood. He wants to do good in the world, probably because he spent so much time in his youth feeling like a fuck up.

There's also a much clearer divide between "Wyll" and "The Blade of Frontiers". Notably, in EA he didn't introduce himself by name. Not even a "my friends call me Wyll" quip at Shadowheart like he has currently. During his old romance scene, he has a line about being used to being the hero, and not used to needing one. He's a symbol. An emblem of something bigger than himself. The fact he's so self-aggrandizing as The Blade makes it apparent he's not confident in himself as "just Wyll"

He's also decidedly more forward and flirty in EA, with no reservations about courtship. In fact, the main obstacle to your budding relationship is Mizora herself. Wyll's trauma from her treatment interrupts your first night together. Whether you have sex or just snuggle, Wyll has a line about how he doesn't want to start a relationship until he can "give himself completely" after being freed from his pact.

THOUGHTS & COMPARISONS

I'm also not entirely sure if I'd say EA Wyll is substantially angrier than current Wyll, so much as he had more opportunities to be angry during Early Access. I can understand why the goblin stuff was cut, because it did dip into "Let's make the one black guy fantasy racist" trope. However, it did very much feel like the narrative was pointing in bright, flashing colors that this is a trait Wyll would have to grapple with, learn, and grow from. The fact EA Wyll's most glaring character flaw was scrapped and didn't get much of a replacement in full release makes his story feel less realized.

While I appreciate the overtly sexual element of Wyll and Mizora's relationship was removed, I feel like the final version is somehow even more creepy. During Early Access she existed in the background as a vague villain you only experience via Wyll. And if you do his romance scene and see the way he panics at the mere memory of her, you get the impression of oh shit. This broad is bad news and I've gotta get my boy out of there. The same principle behind not showing the big scary monster too early in the horror movie. Once you've seen it, you can't let your mind fill in the blanks. Mizora went from this intimidating figure whose motives you couldn't fully ascertain, to a mean girl that thinks she's smarter than everyone else but is really just the bumbling lackey of a bigger fish. Who pulls Wyll around with an actual metaphysical leash like a dog. And you're meant to find this sexy.

My final point, and I've said this before: current Wyll's personality seemed more suited to being a scion of house Eltan, while EA Wyll seemed more suited to being Ulder Ravengard's dissapointment son. Current Wyll speaks and carries him like someone raised in nobility despite only being elevated to such status as a teenager. Perhaps this is cynical and maybe even a bit of a conspiracy theory, but I genuinely think he's only Ravengard's son to save on time and assets. Why give Wyll a whole unique family with its own story when we can just tie him in to the "rescue the grand duke" plot, regardless of how much sense it makes!

[cowboygenesis]

1/2 fatum invenit | gale x reader

part 1 of the "fatum" mini-series.

summary: you've loathed each other since the dawn of his first arrival. it never should've worked, but somehow, as you find yourself chest-to-chest within a sunken crypt with no way out, your feelings finally surface— and Gods, do they cut deep.

pairing: gale dekarios x sorceress!durge!reader tags: fluff, angst, tons of cursing, mutual pining, forced proximity, enemies/rivals to lovers. word count: 5.3k notes: whew, here we are at last. if you've read "knuckle up" you might find the ending a little similar but... what can i say, im a softie. also, the durge aspect of the reader is truly very minimal, i just added it for the sake of flavor, whatevah... oh, and reader is super cheeky and generally curses a lot, im case that's something that bothers you. i want this to be a two-parter eventually, so expect some smut in the future chapter. as always, let me know what you think! enjoy! masterlist.

You… you fucking knew it. The one time in your life you decide to give a wizard the benefit of the doubt he… he screws you the fuck over.

It was supposed to be an easy job: infiltrate Kereska’s chapel, retrieve the relic Raphael demanded, and slip away unnoticed. Hey, no big deal— you’ve handled worse without breaking a sweat.

Most of your companions weren’t so eager to take on the devil’s dirty work after a night of drinking, so, you figured you’d tackle it solo. No problem. After all, you’d just returned home to Baldur’s Gate. The evening was warm, the streets thrummed with energy, and after a night of revelry, you were in a damn good mood.

So when Gale, with his calm, holier-than-thou attitude, offered to “assist,” you’d thought sure, why the Hells not?

And what a mistake that would turn out to be for you. Just as your gut had warned you, things ended up going sideways. All because of him.

You both had made it past the wards, the traps, and even those fucked up, undead necromancers that you hated dealing with—no thanks to Gale’s constant commentary on your spellcasting techniques. It was always some remark about how your magic was “undisciplined,” how you were “too reckless to be at your best.” Fuck, like you hadn’t been doing this shit for years, now.

Warranted, you weren’t exactly the nicest person, either. Meals at your camp were a battlefield of their own, filled with biting comments and passive-aggressive stares, often over trivial matters that had nothing to do with magic.

Plus, combat was no different. It rarely took more than a few minutes before you and Gale were mired in a heated debate over the “best course of action for the situation”. Naturally, these debates only added to the tension, making every encounter feel like a personal clash as opposed to a friendly discussion over technique.

You two were polar opposites, discordant, incompatible.

But you were an idiot, then. A dumb, tender-hearted idiot in a great mood who had hoped you two could eventually get along if the stars aligned just right. But that’s all hindsight.

After all the hard work, you had almost had it— your hand was just within reach of that damned necklace, caution thrown to the wind, when Gale decided to get fancy. A small “adjustment” to the magical aura surrounding the relic, he’d explained— something about minimizing risk and stabilizing the flow of the Weave so you could extract it safely.

You discarded the idea, of course; “fuck your tricks,” you had said (your actual words), rolled your eyes at him, and said goodbye to the remnants of your good mood as he reprimanded you like a teacher would a novice— and that, naturally, you weren’t.

Unlike him, you didn’t need a stack of tomes to inspectthis kind of arcane energy. It felt powerful and intricate, yes— but beneath it all, it was just a trick of the eye. The glowing, golden-tinged sphere wasn’t malevolent whatsoever, and instead served as a cheap ploy to repel those tempted by the artifact.

So, knowing what you knew, you reached for the relic despite his suggestion.

But, just as you were to lay a finger on it, he… he cast his fucking “safety” spell. And everything went to hell.

The forcefield around the necklace reacted— wildly. The air rippled in waves, the ground shifting beneath you, and suddenly, you were trapped in some kind of collapsed chamber beneath the chapel— cut off from the rest of the world, with no way out.

Worst of all, you were in heartbreaking proximity. The dugout was deep, but narrow, allowing you maybe a centimeter of privacy before your chest collided with his. And Gods, did that happen often. Any movement you made, your bodies would collide in one way or another, be it feeling his thigh rub against yours, grazing fingers, or smacking his chin— the last one being a complete accident on your part, of course.

And yes, as two magic-wielders would, you tried your luck. As it turned out, the stone binding your bodies together seemed to have a sort of Weave-repellent property that rendered your only functional skills worthless.

So, here you were, stuck with your arch-rival, and with every passing second, your frustration grew. It must have been half an hour since the disaster struck when you finally felt your head pound with frustration.

“Gale,” you sigh for the millionth time, “Are you even listening?”

He’s been doing a great job ignoring your commentary by seemingly occupying himself with analyzing your surroundings. Smart, sure, if it wasn’t for the simple fact he refused to collaborate with you whatsoever. After your initial scream-off, he seemed reluctant to give you the time of day again.

He finally clears his throat to speak, and you shoot him a glare in the dim light.

"You just had to do your thing, didn’t you?" he sighs.

“And you just had to show off,” you retort through a bitter snark.

Gale glances at you with narrowed eyes, yet his expression remains infuriatingly contained. “I was trying to prevent a catastrophe. If I hadn’t intervened, the entire chapel may have collapsed.”

“Well, congratulations,” you snap, “It collapsed on us instead. I’m so glad we avoided a disaster, Gale.”

He exhales slowly, then gives you a haphazard eye-roll. “Perhaps if you hadn’t rushed things—”

“Rushed things?” Your chest flares, making it collide with his. “I didn’t touch a damned thing. You’re the one who decided the Weave needed tuning or whatever other bullshit.”

Gale’s eyes narrow, a flash of frustration crossing his face. “You think I did this on purpose? I made the right choice. But you—”

“Oh, so it’s my fault now?” You cut him off, “Honestly, fuck you, man. If you were half as concerned with doing a good job as you are with peacocking we wouldn’t even be here in the first place.”

He looks away, his jaw tightening. “Peacocking?”

“Yeah. Peacocking, showing off—Are you okay? I thought you were supposed to be the clever one.” You shrug in mock nonchalance, rolling your eyes as if the circumstances weren’t already driving you up the wall.

You feel Gale’s chest rise and fall with a steadying breath, the sort one might take when trying to stop themselves from saying something they’ll inevitably regret. When it came to containing his bubbling rage, he beat you to it every time.

His casual lilt, when it comes, makes your teeth grit. “Obviously.”

You groan loudly, letting the back of your head thud against the stone wall behind you. A tense silence falls between you, broken only by the steady rhythm of his breathing, a sound that seems to grow louder in the small space whenever conversation dies down.

“You would’ve been buried stone-cold dead under the rubble if I hadn’t cast that spell,” he mutters, and just like that, your patience snaps.

“I— I can’t believe you’re saying this to me,” Your words are sharp as daggers, eyes burning into his as you twist your body just enough to face him head-on. “The barrier was a ruse, Gale. A fake. I told you not to cast that damn spell—”

“And I suppose explanations are beneath someone of your obvious talents,” he snaps back, his words dripping with venom.

You glare at him, feeling your pulse quicken. “You’re a scholar— Gods, don’t you know this kind of illusory magic is Kereska’s whole thing?” you spit, watching his face aptly in hopes of catching a glimpse of something; remorse, sympathy, fuck, even just a bit of pity would satiate you.

But it never comes. His eyes bore into you with practiced reprimanding, and because he must see you on the precipice of breaking down, he continues to poke the metaphorical bear. “You should’ve waited.”

“Oh, I’m sorry, I must’ve missed the part where you became the authority on everything. In case you somehow overlooked it, I’ve been doing this for years without your lectures.”

“And look how well that’s worked out for you,” he retorts, his voice low, treacherous. There’s a mocking smile imbued on his face, and you quickly realize it makes you want to tackle him to the ground and claw it out yourself. If it wasn’t for the minimal space, you probably would’ve even attempted it. “This wasn’t some petty street magic. That relic was infused with layers of defense—complex protections you clearly didn’t even account for—”

“I knew what I was dealing with!” you hiss, pushing against the wall for leverage. You brush against his chest again, sending an electric jolt of tension through the confined space. “I didn’t need your over-calculated, pompous meddling. I had it under control until you—”

“Under control?” Gale’s voice rises, his frustration finally splintering through his quiet facade as he emits a burst of scornful laughter. “Do you even hear yourself? Your recklessness nearly got us killed!”

You scoff, pushing back even harder. “You’re so damn smug— acting like the world will end if you don’t micromanage every little detail, but guess what? You don’t always have the answer. And right now, we’re stuck— all because of your fucking arrogance.”

He opens his mouth to reply, but then closes it, jaw tight, eyes blazing as he holds your gaze. For a second, you think he’s about to let loose another lecture, but instead, there’s silence—a strange, electricity-charged stillness that envelops you like a cold breeze.

You can’t speak. It crackles between you with a strain, thick enough to feel suffocating. Every breath you take only draws you closer to him, and somehow, it almost feels like the walls enveloping you have only grown thicker throughout your argument.

The closeness, the heat, the sheer intensity of the argument—it’s all too much, and yet, neither of you looks away once your gazes inevitably connect.

The wizard licks his bottom lip languidly, lips smacking as he seems to be taking you all in. His eyes scan over you, and somehow the fact makes you feel vulnerable.

Finally, he breaks the peace.

“If I’m so arrogant, why did you let me join you?”

His eyes are dark, but not just with frustration; they’re searching, questioning, as though he’s daring you to give an honest answer, knowing it’s something you can’t afford yourself right now.

“You asked me to let you come,” you bark out, pushing his chest with the heel of your hand, the contact sending a spark of heat through your outstretched arm. “I didn’t want you here. I figured we’d get through this, grab the necklace, and go our separate ways again. But no—you wanted to come. Play the hero, do all the dirty work, whatever your reasoning was.”

Gale doesn’t flinch at your words, but his eyes narrow slightly— they flicker to the space your bodies connect at, then back to your tautened face.

His gaze lingers on where your hand presses against his chest, and for a fleeting moment, you think he might back down. But instead, his jaw clenches, and when his eyes snap back to yours, there’s a fire behind them that ignites something deep in your gut.

“And you agreed,” he counters mockingly, the smile adorning his face making your head spin. “Why?”

The question hangs between you for a beat. You falter, mouth opening and closing without a reply.

He’s right. He’s fucking correct, and you hate it.

Why did you agree? You could’ve said no, barked back at him, insulted his stupid wizard frock— pushed him away with one of the countless options you had at your disposal.

But you didn’t. You let him come with you, willingly.

You clench your fists, pushing against the surge of discomfort bubbling in your belly. “Well, forgive me for being an optimist,” you mutter, voice tight. “I thought, for once, that maybe— Fuck. Maybe we could get through one fucking mission without trying to jump at each others’ throats.”

He exhales at your explanation, tilting his head to glance through the top of the crevasse and toward the chapel ceiling. You follow suit, albeit subtly, noticing the intricate engravings lining the skylight; in the dim light of the afternoon sun, they look elegant, beautiful, even. How didn’t you notice that when you first walked in?

“And how’s that going for us?” he asks suddenly, the smile curling at the edges of his mouth turning bitter.

You huff, running a hand through your hair. The condensation sticks to your fingers, and you can’t help the joyless chuckle that escapes your lips when you look at him again.

“Well, I don’t know,” you sigh, shrugging your shoulders lazily. Your cynical laughter shifts into the shadow of a smile. Somehow, as he glances down at you, you find yourself with a pang in your chest that overshadows the frustration you’ve been drowning in— it’s deep, and resonant, and feels like it’s swallowing your heart whole when his dark eyes meet yours. “We still hate each other.”

The wizard exhales sharply through his nose, and strangely, you can’t seem to read his expression even as your eyes squint.

His gaze is fixed on yours with an intensity that makes your pulse quicken; you feel it best when his hot breath hits the sweat-slicked skin of your face as he leans in. It’s a slight, almost imperceptible gesture, yet just enough to make your breath hitch with… rage, aversion— or perhaps, most frighteningly, something else you’ve been pushing down for months since your first quarrel.

You’re forcefully dragged out of your stupor when the pad of his thumb grazes your palm— the touch sends a sharp, almost uncomfortable jolt of electricity down your spine, leaving you speechless as you chalk it up to an unfortunate accident. Nothing more, it couldn’t be.

“I don’t hate you,” he says, and though his tone is stiff, the words cut through your pause like a skilled blade.

It couldn’t be.

Your breath catches in your parched throat, heart pounding with a force that would surely reverberate through his body hadn’t his robe been so thick.

You can feel the heat radiating off him, each shallow breath you take only drawing you closer— or, at least, that’s exactly how it feels in the tiny space you’re being forced to share.

His thumb is still brushing your palm, slowly, gently, and deliberately enough that you cannot ascribe it to a simple accident anymore. For a second, your eyebrows arch and there’s this urge to pull away, something thrumming in your head and telling you to hold to principle.

But you don’t… you— you physically can’t. Not when he’s gazing down at you with… with patience. Understanding, maybe. But why?

A beat passes, then another. The tension coils so tight you almost want to scream to break it, and his gaze remains locked on yours, his palm grazing yours.

You swallow hard, trying to gather your scattered thoughts, but your voice betrays you when you finally manage to speak, trembling, barely above a whisper.

“You—” Your throat feels tight, words failing you as his face remains inches from yours. "You’re fucking with me. I… you hate me, Gale, I can’t—"

He glances down at you with a strange glint in his eyes, then exhales loudly again. Did you strike a nerve?

“Why do you always do this?” he questions with exasperation tugging at his tone. You feel his touch momentarily drop from yours, and in the heat of the moment, you find yourself missing it.

“What?” you blink, eyebrows furrowed.

“This,” He gestures between the two of you with a frustrated sigh. “You’re— you’re always picking fights with me. Always pushing, always assuming the worst—”

“I’m picking fights?” Your eyes narrow, the sneer coming back to your lips like armor. “You’ve been criticizing every godsdamn thing I’ve done since day one, making me feel inferior, questioning my skill— and now I’m the one picking fights?”

He shakes his head sharply, then sighs in frustration. When you look up, his eyes are locked on yours—deep brown with flecks of gold, catching the fractured sunlight streaming through the cracked skylight. You could drown in them, given the chance.

“No, that’s not— That’s exactly what I’m talking about,” He stops himself, closing his eyes briefly before opening them again. “You don’t— you just refuse to listen to me. When we fight, in camp— even now. The relic, that barrier, you— Gods, you always act instead of—”

“Don’t you dare paint me as the villain now,” you snap, bumping his chest with the pad of your palm again.

“You almost got us killed!” he bites back, “I don’t care for your talents if it means you don’t utilize them properly. Have you ever stopped to think that maybe, just maybe, raw talent doesn’t equal capability?”

Right.

Your lips purse, the pit in your stomach suddenly overpowering your ability to retort. It was a mistake— you should have known the niceties were a convenient gimmick to ascertain his position over you, and not an actual instance of humanity, for once.

But somehow, your false hopes only drive the wrath within you. You let the nausea overcome you and have it fuel your bitter tone as you finally find the power to speak up again.

“All you care about is being right— about having the last word against anyone who dares question your abilities,” you mutter, challenging his stern gaze with your own, “And the rest of us? We’re just supposed to sit by and watch, grateful to be in the presence of Gale Dekarios, the great, tragic wizard who thought his tricks could satiate a fucking Goddess!”

You’re fuming. The words that come out of your throat are only half-baked as you shrill at him, but… but at the moment, it feels right— warranted, somehow.

So when you catch him give you the space to continue, you take it.

“…But the truth is, you need to feel superior. You need everyone to see you as the sleekest in the room because deep down, you’re still clinging to the ghost of a woman who abandoned you. And that’s why you’ve been picking me apart since day one—because I’m not afraid to tell you how full of shit you are.”

Suddenly, you feel his hand catch your wrist, his grip firm as he holds you still. His thumb presses lightly against your pulse, sending a sharp, unwanted jolt of awareness through your body as your arm tries to jerk away.

“You don’t know the first godsdamn thing about me,” Gale growls, his breath fanning your face as the words spill out, thick with venom. “You’re so wrapped up in your own insolence, so blinded by your stubborn pride, that all you can see in others is a reflection of yourself. And trust me when I say that it’s an ugly one.”

You laugh, a bitter, angry sound, but your heart is hammering now. “Oh, so you think you’ve got me all figured out?”

His jaw clenches, but his grip doesn’t waver. “I know enough. I know that your actions speak louder than words. I know that you’re reckless, impulsive, and too damned proud to admit when you need help—”

Your heart pounds in your chest, the heat between you scorching as your breaths mingle. “You’re such a fucking hypocrite. You’re the one who’s blinded by your own self-importance— always thinking you’re the wisest, savviest person in the room, like the rest of us are just pawns in your little fucking game.”

Gale’s eyes flash with something wild and uninhibited, and you watch his sneer shift into a bitter smile again.

“You— You really think that?” he questions through a chuckle, voice gravelly and low. “Do you really think I’m just using you for some game?”

For a heartbeat, neither of you moves. You sneer at him, and the outrage bubbles out again.

“Oh, don’t make me laugh. You’ve only ever looked out for yourself. This was never about helping me—it was… it was about proving something. To me, to yourself, to fucking Mystra,” you trail.

The moment the words leave your lips, the air shifts between you like a storm about to unravel. His grip on your wrist tightens, not painfully, but with a deliberate firmness that forces you to stop and feel the tension between you. His face is suddenly too close, and for the most succinct moment, you catch something flickering in his eyes—something dim, and dark—but not the rage you were expecting.

He should be angry with you— Hells, he should be furious. You just tore into every insecurity you knew he had, ripped open wounds that never quite healed, and worst of all, dragged his old lover into it all.

And yet… his gaze isn’t burning with the fever you’ve grown used to seeing from him in every argument, every fight.

Why the fuck isn’t he furious?

“Gods, I actually— I used to admire you. You know that? Before all this, I thought you were someone I could… I don’t know, respect. You were this brilliant, woeful man who carried the weight of the world on his shoulders, and I thought, ‘Maybe there’s something more underneath all that.’ I thought we could, I don’t know, actually be something—friends, allies, whatever the fuck. I wanted us to trust each other. But… but you…" your voice lowers to a near whisper, and somehow, unbeknownst to you, your eyes go glassy with hot tears.

You’re left reeling, heart hammering in your chest as your mind races along with your bitter confession. The air around you feels viscous, mucous-like, but when your throat goes dry with impending tears you look up to see something that makes your breath hitch.

He’s listening.

Not just waiting for his turn to speak as he usually does around you, not calculating his next clever retort, but listening— really, truly listening.

His gaze, once so sharp with ire, has softened. His dark eyes are fixed on yours with a vigor that nearly undoes you, and there’s no anger in them now, no resentment.

Your breath catches.

“You never gave me a chance, Gale. Not once. It was always about you, your guilt, your past, your Mystra— Fuck!” you cough out and rub your eyes with the pads of your palms, massaging your vulnerability away. “I tried. I really, really tried. But none of this seemed to reach you, not through that… that mental barrier you’ve created around yourself. I think that since the very beginning, everything else was just noise to you. I was just noise to you,” your voice dies down to a mutter, and you inhale sharply to fight the sorrow back into your grieving heart.

You withdraw your hands and finally feel brazen enough to face him.

You can feel the heat in your cheeks, aware that your nose is red from the tears you tried so hard to hold back, that your eyelids are probably puffy and swollen, and you’re a fucking mess.

But it doesn’t matter now. You’ve come undone, and now, nothing mattered to you anymore; not the anger, not the sorrow, and especially not the way his kind, gentle touch seemed to soothe your aching heart when his palm met yours.

You scan his face, but there’s nothing— or at least, you can’t seem to read it through the coating of tears obscuring your eyes. The light above has shifted to cast his face in a warm, velvety light. You catch the subtle lines etched into his forehead, the faint silver threads streaking through his hair, and his lips curling into… a smile.

Despite your desperation, despite your pain, he was smiling.

Your chest tightens, fists clenching at your sides, and before you can stop them, a stream of hot tears finally spills down your cheeks.

This was it. You braced for impact.

“…So do whatever the fuck you need to fill that void in your heart, but don’t involve me in any of it. And— for fuck’s sake, Gale, don’t act like you give a shit about me because you—”

But you never get to finish.

Before you can witness the gentle glint in his eyes as he leans into you, before you can even register it, his lips crash onto yours.

Your gasp is muted against the softness of his mouth. When he moves, it’s not gentle, not soft, but raw in its intensity and so, so desperate.

His grip on your wrist tightens briefly before finally releasing, his free hand sliding up to cup the back of your neck. The warmth of his hand is a pleasant change to the cold, hard stone you’ve been leaning against, and suddenly, just as your mind threatens to flood you with dopamine, it all dawns on you.

You’ve been here before—no, not here, but in moments that feel eerily alike.

You recall the edge in his voice during arguments, the way he’d insist on ‘rectifying’ you at every turn, the blunt critiques you assumed were borne from pure vanity. But now… now there’s a clarity to it all. Worry. Fear. A softness, a hesitation. Like when he would offer his hand to you after a fight, his fingers lingering just a moment too long as they brushed over yours.

You loathed him… Hells, you detested him.

But how deep were you willing to draw the line between hate and devotion?

Against all your instincts, against the sharp, burning ache in your chest—you drink him in. His warmth, his touch, the power behind it all.

You know you should push him away, shove him off, scream, but instead, you find yourself frozen— trapped in the certainty of this moment. And despite every ounce of fury burning inside you, you can’t deny the spark it ignites in your indigent heart as he caresses you so tenderly.

And with that, you seal your fate with his.

Your lips press against his, head tilting until you feel you’re melting into him. He groans softly against your mouth, and the sound makes your chest thrum with a melody you’re afraid to place.

Your hands, trembling, inch towards his chest, but this time they aren’t formed into spiteful fists or an accusatory point— your palms lay lax against him, resting at the junction of his ribs and pushing, pushing… just in hopes of catching the steady thrum of his heart against your fingertips. The anger, the pain, the confusion—it’s all still there, but in this moment, none of it matters.

Just him. Just this.

For all the times you’ve misread him, all the moments you thought his criticisms were barbs, meant to wound—now you wonder. You had mistaken his care for contempt, his frustration for hatred. But now, as his lips part slightly against yours, the world narrows down to just the two of you. No damned relic, no mission, no war; only the benign sensation of his hand cradling the back of your neck, the warmth of his mouth on yours, and the undeniable truth of it all:

You’ve never hated him. Not once in your rotten life.

And when his tongue swipes against your bottom lip, you want to come undone. You’re tired, hot, melting into this fiery, passionate kiss that has slowly turned languid and gentle.

So despite the zeal enveloping your body, you’re finally forced to part.

When your eyes open, you find him already watching you. A shiver runs down your spine as you drink him in; tousled hair, half-lidded eyes, and the ghost of a smile on his plush lips as the both of you pant in tandem with each other.

He looks wrecked. But then again, you’re certain you do too.

Your face feels flushed, still burning with aftershock and when you bite your bottom lip, you find it swollen. Raw. The taste of him lingers there too, sweet like bourbon and sharp like anise.

You stare at each other. It’s like you’re seeing him for the first time again, really seeing him, and it softens your heart as much as it terrifies your lust-addled mind.

The silence stretches between you, so thick you can feel it pressing against your skin. It pulls taut with every second, coiling tighter, and you can’t stand how fragile it makes your heart feel.

You swallow hard, trying to gather your scattered thoughts, but your voice betrays you when you finally manage to speak, trembling, barely above a whisper. “You—” Your throat feels tight, words failing you as his face remains inches from yours.

"Yeah?" His voice is husky— you’ve never found that aspect of it attractive until now.

You open your mouth, but the words—whatever they are—die in your throat. Instead, all you can do is look at him and fall deeper into his embrace.

There are questions that swirl in the back of your mind, ones you know you should ask, but they slip away the moment his thumb brushes your cheek again. Why did he kiss you? Why did you let him? And why, despite the chaos and pain that’s passed through your mind, did this—he—feel like the only thing that has made sense since you forgot all else?

“I never hated you,” he murmurs and shifts slightly, lifting his hand to cup your cheek. You nuzzle into his touch.

“I didn’t want to hate you,” you manage, your voice barely above a whisper. “But I thought it’s what we were meant to be. Enemies.”

“We aren’t,” The corner of his mouth twitches. “We never were.”

His thumb brushes your cheek, and just like that, the fragile walls around your heart crumble. Gale Dekarios, the man you had sworn to hate, has somehow intertwined himself into your very existence in a way you suddenly think might last centuries.

—

As it turns out, the solution to your predicament was surprisingly, nearly embarrassingly straightforward. The anti-magic barrier encircling the sunken crypt could be dispelled by reciting the incantation inscribed on the rock walls— and with Gale’s surprising proficiency in Draconic, it proved quite an easy feat.

After that, it was just a matter of a few rudimentary spells. Naturally, the task took longer than anticipated, thanks to the lingering, newfound tension between you and the wizard— fleeting glances, soft touches, and even an occasional, stolen kiss as you recited your magic; things you surprisingly found yourself quite fond of.

As you step out into the cool evening air, you inhale deeply, savoring the crisp, refreshing breeze. The sunset paints the world in a warm, golden hue, casting long, soft shadows across the cobbled streets as you pass by groups of chattering townsfolk.

“I’ve been thinking,” you hear your companion muse through a playful smile. “After all of this, do you think we could avoid arguments for a little while?”

You meet his gaze with a puckish eye roll, a smile tugging at your still-swollen lips. The warm glow of the streetlights casts his face in a soft, intimate glow, and your smile widens into a grin when you catch his lips bearing that same sign of your carnal affection.

“It depends,” you reply with a nonchalant shrug, pushing against him playfully.

“Mhm, and on what exactly?” he hums, his hand squeezing tighter around yours. When his thumb caresses your palm, you feel your heart thrum with something you can’t quite describe.

“Oh, I don’t know,” you reply, glancing up at him with a grin. He returns it within a beat, and now it’s your turn to knit your fingers tighter. “How much longer are you planning on nagging me?”

He chuckles from the belly, and the coil in your chest that you’ve long expected to be spite emerges as something much larger, softer, and most unexpected. You fear to name it out loud.

You smile when your gaze meets his, the warmth in his eyes mirrored by the softness of your own. He leans in, and the world narrows to the touch of his lips against yours—a brief, gentle kiss that seems to linger in the evening light. In that fleeting moment, all the doubts and anxieties are swept away with his voice calling your name.

“For as long as I live,” he retorts softly, his voice laced with tenderness as the air between you, once again, fills with his laughter.

[shanastoryteller]

Happy Pride! Authors choice! 🏳️‍🌈🏳️‍⚧️

a continuation of 1

Gus is going exactly eight miles over the speed limit when the sirens start.

This is Shawn’s fault, since he’s the one that had agreed to meet Gavin right before they were supposed to be at Henry’s. When he glances up to see the large, white cop heading towards him, he decides that if Shawn’s gotten him into this mess, he can get him out.

Shawn is very, very serious about keeping his work and personal life separate, but this is the one instance that he encourages Gus to break that barrier. If more major cities had a diverse police force, he wouldn’t feel like it was necessary quite so often. 

Unfortunately, since Shawn has yet to get the appropriate stationary, he’ll have to go back a generation with this trick.

“What’s this?” the officer says, staring at the back of his license.

“Oh, that’s my father in law’s old police business card,” he says. Shawn reaches out for it back when he does this, but Gus keeps his hands on ten and two. “Apologies, sir, I’ve been carrying that thing around for years. Can never be too careful, as I’m sure you know.”

His eyes flick to Gus’s hand and the gold band on his ring finger. “You’re Henry Spencer’s son-in-law?”

“Yes, sir,” he answers evenly. “I’m actually headed to his place now. You know how he is about punctuality.”

That gets him half a chuckle and the tension in his shoulders starts to ease, up until the officer asks, “I thought Henry had a son?”

It can be a delicate balance, weighing the potential racism against the potential homophobia, but this isn’t Gus’s first time doing this either. “Lots of people think that. It’s the unfortunate name choice.”

That gets him some more sounds of amusements, then his license is being handed back to him. “Tell Henry and the missus that old Kingfisher says hello.”

“Of course, thank you, sir,” Gus says, pleasant smile firmly in place until old Kingfisher is back in his car.

He carefully pulls back onto the road and stays five below the speed limit the rest of the way.

There’s a lack of rusted piece of junk motorcycle out front – Gus would prefer it if Shawn would just buy a decent bike, but he likes tinkering too much for that – and he wishes he was surprised. Henry’s grilling in the yard and he waves a hand in greeting as soon as he steps out. “Gus! What the hell are you driving?”

If only Shawn was here right now, because he’d said the exact same thing when he’d pulled up in the blue Echo and he was still valiantly fighting against the very real truth that he and his father can be uncannily alike. “It’s a rental.”

Henry wrinkles his nose, but any further commentary is cut off by an obnoxiously loud engine as Shawn turns the corner and parks next to him, kicking down the stand and pulling off his helmet in one motion. He clocks the look on both their faces immediately and holds up a hand. “I know, I know, don’t be the moldy grape at the bottom of the bag about it. I’ll fix it this weekend. I’ve already put in the order for some of the parts.”

That’s sort of the truth. They’re going to the junkyard on Saturday so Shawn can play Frankenstein, but there are a couple things he buys new every time because one motorcycle accident due to a worn belt was one too many for Gus.

“Can’t you two just get a couple of normal cars?” Henry sighs.

“This is a normal car!” he protests, holding the gate for Shawn to walk ahead of him. He really hopes that he didn’t meet with the mayor in jeans and a flannel, but he also knows better. Shawn slaps his ass as he walks by, and he’s tempted to yank him back into a kiss, but Henry hasn’t seen them since he picked them up at the airport and he figures they can be on somewhat good behavior for at least one dinner.

“I have dubbed it the Blueberry,” Shawn says, using the same voice he does when giving stupid names to chess pieces.

Henry rolls his eyes even as he pulls Shawn down to ruffle his hair, causing him to yelp and pull away, even though the helmet had flattened it enough that he’s probably doing Shawn a favor.

It’s all normal and familiar and they eat dinner on the porch, the weather a welcome relief after the last couple of years on the East Coast. Gus is thinking about how nice it is to be back in Santa Barbara and how much happier Henry looks than when he was in Miami, and that’s probably only partly to he and Shawn moving back too, when Henry says, “What are you boys doing for work now? Gus, Shawn said something about you working on some sort of drug trial?”

Which is when he realizes that Shawn hasn’t told Henry why they’re back like he promised he would and Gus should have known that he would chicken out, but now he’s trapped at this table. He considers simply fleeing and locking Shawn out until he talks to his father. Henry’s seen him do worse.

There’s really no such thing as impressing the in-laws for him. Well, maybe with Madeline, but Henry knows him too well and has known him too long for there to be any of that. Shawn’s mother has too, technically, but he saw her a lot less than Henry.

“Yeah, he’s an executive at Middle Earth Pharmaceuticals,” Shawn says, as if Gus hasn’t frozen with the fork halfway to his mouth. Henry is frowning. It’s too late.

“It’s Central Coast Pharmaceuticals, Shawn,” he says, lowering his fork. Henry’s steak is his favorite and now he can’t even enjoy it because it’s a steak built on lies.

He shrugs. “I’ve heard it both ways. They want him to revamp their internal systems and rearrange some routes. Plus they’re hoping they can use his contacts to make more sales.”

That last part had been more implied than listed in his job duties, but he’s not wrong. “More or less.”

“Alright,” Henry says slowly, now aware that there’s something wrong but not having yet figured it out. He still has time to run. “What about you, Shawn? Surf instructor? Ballon animal operator? Sommelier?”

“Dad, please, you know I’d never cheat on Gus,” he answers. Gus can feel his knee bouncing underneath the table against his own, the only sign of his anxiety.

Gus clears his throat. “I know you know what a sommelier is, Shawn. You’ve worked at two different wineries.”

“Well, neither of them were French,” he says, as if that doesn’t prove that he knows exactly what it is.

Henry leans back in his seat, staring them down in a way that reminds him uncomfortably of their childhood. The line between Cop Henry and Dad Henry had always been thin and retirement hadn’t really done much to change that. Gus stares at the space over his head while Shawn continues eating with faux obliviousness. Finally, Henry says, “Alright, just tell me. It has to be better than Boston. I hated you working out there with those assholes.”

Gus slinks down in his seat.

Henry frowns before straightening. “You’re not working in Los Angeles again, are you? Shawn, you made enemies there, a lot of them, you can’t just waltz back in, and Karen isn’t there anymore-”

“It’s not Los Angeles,” Shawn interrupts.

His frown deepens. He knows if it was another stupid, casual job then Shawn would have told him already. “This isn’t like Argentina, is it?”

God, Argentina. That had sucked. It was supposed to be legit, and had been, up until Shawn had gotten involved in – well, Gus does his best not to think about it, since he’s not supposed to know anything about it. Neither is Henry. As far as they’re supposed to know, Shawn worked at an Argentinian winery for a year.

And he did! At least on paper.

“Nope,” Shawn says, popping his mouth on the last syllable.

“Alright, enough,” he says, “this is ridiculous, just tell me…” As he trails off, his eyes get wider. Gus doesn’t whimper, because he’s a grown man, and because of exposure. He’s nearly immune to Henry’s temper after all this time.

Nearly.

“Shawn!” he shouts. “You are not working at the SBPD!”

Gus stands abruptly, his chair screeching against the floor. Shawn reaches out to grab onto his shirt, but Gus hops back. “I’ll just get started on the dishes, shall I?”

“Traitor,” Shawn hisses, but Gus refuses to feel bad about this.

As much as he doesn’t want to be a widower, he knows better than to get in-between Shawn and his father.

[etheries1015]

Wishing you a happy birthday!

Featuring: General Lilia

General warnings: Gender Neutral reader

TW: None!

Being an orphan and of an unknown background, Lilia never really cared to know the true date of his birth. He didn't care to celebrate birthdays, simply for the fact that it becomes mundane and repetitive once you've lived long enough. He had a brief understanding that humans worked in an entirely different mindset, they treasured their short lives and often held grand celebrations to signify one year closer to their inevitable demise.

So the moment you had brought up the fact your birthday was that day, and you hadn't told him sooner, he seemingly brushed it off as if he hadn't cared for the notion. Little did you know, he was at an internal war with the values he thought he once had.

"I see." Lilia responded seemingly coldly, "And what age does that make you now?"

"(age)," You responded with a slight smile at his interest and widened eyes, "I know, compared to you i'm a baby, huh? I could be in my eighties and you'd still laugh at my 'lack of life experience.'" The general bit down his bottom lip and nodded, holding back commentary by grabbing his mask and heading towards the door of the cottage that you resided in. You noticed this uncomfortable shift in his demeanor, sighing slightly and retreating your playful banter.

"Off so soon..?" You asked with sadness in your voice, "I was hoping-"

"Don't," Lilia cut you off, "You are lucky I'm allowing you to stay here at all, human. Stay hidden, and remember that I..." He paused, seeing the sadness twinkle in your eyes tugged at his heart in ways he never thought he would feel. He hated the way you did that to him, he hated the feeling of butterflies with sharp wings fluttering in his stomach at those eyes, he hated the deep imbedded foreboding of betrayal for his people simply by sheltering you under his care.

Yet he also couldn't help but continue to test the waters and had found himself rather attached the past few months you resided with him.

"...I will return later," Lilia briskly murmured before closing the door, leaving you sighing helplessly at the kitchen table. It wasn't infrequent for the fae to act like this, you understood he had a major conflict of interest, and you couldn't blame his brash attitude. Yet there were days in which you wondered to yourself, when would he finally break out of that cold façade he placed?

The day quickly turned into night as you spent your day inside tending to your normal everyday hobbies. The clock ticked on and you could see stars begin to rise, with no sign of Lilia. This was not an uncommon occurrence, of course, he had spent days outside of the cottage fighting in a war you knew you should be siding with. None of that had truly mattered, though...you come to terms that Fae had souls just as sensitive and kind to the things around them as much as any human, the only difference was lifespan. With these thoughts in mind, laying in bed and wishing yourself a happy birthday you fell asleep.

Slumber did not last long for it seemed only a few minutes passed before you were awoken by strong hands that gently shook your shoulders. Your tired eyes blinked open to find a familiar figure looming over you, black hair with streaks of red surrounding you, much to your sleepy surprise. Once realizing you were awake, Lilia stood up and tugged your arm gently.

"Human, get up, I have something to show you," The general appearance was what you'd expect of someone fighting for their life, mud-streaked cheeks and disheveled hair, although Lilia always seemed to clean himself up before greeting you. Not this night, apparently. You rushed out of bed due to his urgent request, falling over one foot after the other to put on shoes and finding something quick to be decent in. This process seemed to annoy the man, for he sighed before grabbing one of his own jackets and draping it over your shoulders. You looked at him with a raised eyebrow and a smile crawling onto your lips

"What's this?" You asked, "Taking me out all of the sudden, giving me your jacket to stay warm...what do you have planned, hmm?" Lilia raised his eyebrows in shock at your brazen response, a flustered shade of pink bursting upon his cheeks before turning his face away and complaining how long you were taking with your "drivel" and rushing out the door knowing you would be quick to follow. Laughing to yourself at how easy he could be to read, you made your way outside of the cottage. Lilia was leading you somewhere deep within the woods, while the greenery was all nice- you found yourself staring at him instead. The way he held onto your hand and led you through the forest with great understanding and no hesitance, how handsome he looked staring forward with such a serious face, and the way his hair flowed behind him with every confident stride left your heart melting at the sight.

"You're distracting," He suddenly said interrupting the silence, "Staring at me like that. Keep your guard up while we are outside," Although sounding cold per usual, your heart was warmed at the notion he cared to warn you out of worry for your well-being, for the forest in the Valley was not the safest place for a human such as yourself. Though, Lilias warm hand in yours reminded you just how far you've come, enough to trust him with your very life. You bit your tongue back from teasing him, for you weren't about to ruin what rare opportunity of affection he seems to be suddenly giving you.

The sound of feet against the leaves of the forest floor came to a halt, walking up the endless hill finally ceasing as he pulled you through the final stretch of trees to reveal a sight more beautiful than you could have imagined. Overhead you see a sea of forestry, with lights of soldier campfires scattered among them. You could see the castle, thinking to yourself if this is how Its beauty from afar enamoures you, you believed that seeing it up close must truly be a sight to behold. Lilia hid his smile, watching you with satisfaction at your reaction for something he has seen a hundred, no, thousands of times before. Yet something about seeing you there, staring out in the distance with such overwhelming love and fascination, he knew it was the first time he'd ever felt such complicated and confusing emotions. When you turned around to thank him, he held out a small box for you to open.

"What...what's this?" You asked, holding out your hands as he gently placed it on top of your palms. He bit his bottom lip, something you noticed he would often do when embarrassed, before turning his head away to look over the view ahead.

"Humans have very short life spans," Lilia started, "As a fae, outliving humans is simply...biology." Lilia took a seat, allowing his legs to dangle above the cliff, "Birthdays are not as important to us as they are to humans. But..." There was no mistaking the bright blush now dusted upon his cheeks, so vibrant you could see its glow even in the dark of the night where the stars and moon lit up you two.

"But I can't help but feel compelled to celebrate the day you were born, funnily enough. Its not much, you may be disappointed."

You unwrapped the messily done box, the bow strapping it together done disorderly yet the intent was still there. Opening the box you revealed a bracelet of acorns- neatly strung together. You couldn't suppress your smile, sitting next to the typically cold man and offering him a side hug, much to his dismay.

Yet he found himself allowing you to engulf him in an embrace, albeit grunting and grumbling with cheeks becoming rosier by the minute.

"I love it," you smiled, "Thank you, Lilia."

The general let out a soft sigh with a smile slowly creeping up to his lips, no longer resisting your hug. Although internally he screamed in protest, every fiber of his being begging to stop himself from falling deeper and deeper enthralled with this human he knew would not live past the time he even turned 250. Yet this moment, under the stars and the glow of the moonlight above, he found himself doing things he never thought he'd be doing, feeling emotions he thought would be lost in the field of battle, and saying things he never dreamed of saying to a human such as yourself.

"Happy birthday, (y/n). May your life be prosperous, and peace soon prevail."

~~

Happy birthday @masquerade-of-misery !! I hope it wasn't ...TOO angsty for your tastes.... Happy 33 years though!! And many more years to come!! 💜💜

[ffc1cb]

happy to announce i’ve finally lost it and spent a considerable amount of time making a dragon age inquisition mod that lets your inquisitor use they/them pronouns. if there’s anyone out there besides me who wants to use it, here it is on nexus.

detailed description and personal commentary under the cut

update: as of 3.05 (may 3rd), the mod has been uploaded to nexus. see download link above for any future updates.

this is a mod for frosty mod manager 1.0.6.1. you MUST install the bioware localization plugin for it to work, otherwise the game won’t start. on fmm 1.0.6.2, the plugin is already built in, so you don’t need to worry;

this mod is a simple overhaul of the game’s base text; no changes were made to the actual voice lines. this mod also does not affect default romance flags (just like in vanilla game, you can only romance sera with a "female" inquisitor (or dorian with "male"), but the mod should, hypothetically, be compatible with other mods that edit romance flags);

you can install it at any point of the game. starting a new playthrough is not necessary;

works for all races and with all available dlcs;

along with the pronouns change, this mod changes all gendered words used to refer to the inquisitor to be gender neutral, i.e man / woman have been replaced with person or contextual variants. my lord / my lady and other similar titles have been replaced with messere (on the basis of this reddit thread);

some of the dialogue could've been mistakenly changed, since context was not always easy to parse. if you try this mod out, i’d greatly appreciate any help with pointing out my mistakes (blackwall’s romance in particular has given me the most trouble); additionally, i might have missed some lines in the codexes, since i skimmed through them very briefly.

i’ve no previous modding experience, so i went with the easiest option and, like i mentioned above, brute forced it and made a complete overhaul of the base game text as opposed to a pickable option i’d like it to be. ideally i’d love for this mod to be bundled together with this other one that switches pc pronouns (which was a partial inspiration for this mod). if anyone here has any knowledge on whether this is something that could be done, please hmu.

also, since in order to make this mod i had to read through the entire game text (it was torturous. not gonna lie) i collected some of my personal favorite bits and pieces along the way. if anyone’s curious, you can look at them here. there’s surprisingly many developers’ notes in there.

ps: this mod is free to use for all so this is not at all necessary, but if anyone is feeling generous, i have a tip jar.

[mjbarrosart]

My Dragon Prince Boards season 6, episode 602

Before we start, a little words...

Working in The Dragon Prince is for sure one of the biggest privileges of my career as a storyboard artist. I got into the show as a junior board artist during season 4 and was able to stay until the end of season 7.

The quality of the show, the characters the fans, are things that I truly enjoyed and keep close to my heart.

Have been years since my work in Drago Prince - we were boarding season 6 in the Summer of 2022- and to be honest feels like a lifetime ago, haha, my skills and art have change so much during the years, but every time a new season premieres, going back to my old boards and write this little commentary has become such a fun thing to do.

Season 6 is so far one of my favorites. This season was in such a sweet spot for us, with seasons 4 and 5 already done we were feeling really comfortable on the style of the show, and we were able to work without the huge pressure that later we had for season 7 (closing a huge story like this saga is a monumental challenge and that put a lot over our shoulders for sure!) So I have fond memories of my sequences on season 6, having a lot of fun while working on them.

During all my time in the show, I was part of the 2nd unit on boards. The show had 3 units, each unit was in charge of 3 episodes. If you check the credits its pretty easy to figure out which unit is which. I had the huge privilege to work with experienced artists like Jae Harm and Lori Allen, who also worked in seasons 1 to 3! My unit director for this season was Mike Jones, hands down one of the best storyboards artist I ever meet.

As the 2nd unit, we were in charge of episodes, 602, 605 and 608.

So lets start with Episode 2 of season 6!!

A little irony about this season is that while in season 5 I was working SO MUCH with Janai and Amaya, in this season we only had sunfire elf plot in this episode, so is my only time on the season working with my favorite ladies. Knowing that, I tried really hard to nail all my parts!

My first sequences is when Janai scolds the remaining sunfire generals. This episode deals with the consequences of the season 5 finale of the sunfire elf plot. Janai is sitting on her throne betrayed by one of her generals and her brother, feeling doubts about herself, but also about is she can trust others.

I think was pretty cool to being able to explore a more emotional side of Janai. I wanted to make this sequences to feel imbalanced and aggressive. Janai is dealing with a lot of emotions that are hard to process.

I read some complaints that Janai in this sequence is not being better than a Karim (yes I read your comments!) and I agree, but I think that that is a good thing. The idea of this sequence, was to show Janai taking things wrong, acting her feelings in a way they are hurting people around her. I don't think Janai is being a good queen here, and I thing that is good, because is good for characters to have flaws to overcome.

Sadly, part of this anger is not only directed to her subordinates, but also to Amaya, but she is a mature person, who doesn't take it personally and keep herself calms in order to be able to support her partner.

My next sequence is when Janai burns the sunseed tree.

This sequence continues working around the idea of Janai's rage and frustration. The sunseed is not there anymore, and she struggles to imagine a future, she is defeated, scared and angry.

The next shot is a fun one. On my first pitch of this sequence, I had her image reflecting in the crown turning into Karim, as a symbol of that both are the same, or that right now she is not being better than him, she is being haunted by him. But that idea was scrapped during revisions. I was happy when I saw the final episode this weekend and I notice that they put him on the crown. I think works really well as a symbol of her struggle and pain.

The Janai's fall keeps goin, the rage overcomes her and starts to burn the sunseed tree, the same place where last season she was talking about hope and future, now being destroyed in frustration, a rage that quickly turns into sadness and despair.

But Janai is a lucky one, she is not alone and has love ones who are there for her, to help her to navigate this hard times. Amaya and Green arrive just in time to stop her. I wanted to make the action of Amaya removing her from the fire messy, they lose balance and end sitting in the floor, it is a desperate move, but a necessary one. Amaya is there holding her, and that mark the beginning of Janai's change of mind.

Next sequence is this cute one when Amaya tells Janai the story about the "king with the thousand eyes". It is a simple one, but i like what Amaya is doing her. She is not telling Janai what to do or what to think, but given her context and tools to work her own thoughts. She needs space and Amaya is giving her something to think about.

As a funny detail, this sequence had a lot of Amaya talking, and that means tons of ASL, and, let me tell you, animating ASL is super hard, ergo expensive. The team had ASL interpreters acting the lines, and used that as a reference. What makes it hard is the fact that they need to be ultra precise with the hand movements, you don't what your ALS to be sloppy, and that takes time, so I got a note from the director to reduce the amount of ALS on screen, and we tried to be creative with the shots, haha.

Next sequence is when finally Janai is able to come to her senses and decides to do the right thing (be the right kind of leader to her people)

I really like this sequence, is soft and tender and emotional, and you can see the growth of Janai. I based a lot of their touches and love gestures on my own relationship with my wife, I always wanted to make this two feel real.

The last shot of this sequences is pretty deliberated. While is true, there is not sunseed anymore, they don't need that, because they are the new sunseed, they, their love, them as a symbol of the union between elves and humans, they are the future, there is hope.

My last sequence of the episode, is the short "let's get married" sequence by the end. A short sweet one, and I think the only time i boarded a kiss between them!!

In my original boards there was a close up to the kiss, but they removed it :( ... but I can show you anyway, haha

Well, that was my work on episode 2 of season 6.

Thanks for reading this long post, I'll write about my work on episode 5 soon!

[sporesgalaxy]

Pacific Rim isn't anti-nuclear in the same way Kaiju movies usually are. The resolution is facilitated by the detonation of a nuclear warhead and a nuclear reactor power core. So........what's up with that?

I mean, it's deeply American, obviously, but what else? Why does it not feel particularly pro-war in the same way, say, a typical MCU does? What does it mean that the Kaiju are prompted by human activity (carbon pollution "practically terraformed" Earth for the invading aliens), but are ultimately not a true manifestation of Nature's Wrath (not even from Earth)?

What arguments is Pacific Rim making in the place of the typical kaiju movie anti-nuclear-pollution, wrath-of-nature fare?

I stream-of-consciousness rambled about this for multiple paragraphs and don't feel like cleaning it up much. Basically: I think Pacific Rim is a commentary on the myriad problems with political responses to climate change over the years.

•••

So, in the Great American Kaiju Movie, two nuclear blasts save the day rather than creating all the problems. Despite the fact that at least one of those nuclear blasts still probably did a lot of collateral.... I do wish Pacific Rim had focused a bit more on collateral, and the environmental damage caused by both the Kaiju and, inevitably, the Jaeger project AND Wall of Peace. Food rations are mentioned once-- but surely metal and construction equiptment rationing must also be in place to allow for wall construction! I want my environmental messages shoved violently down the audience's throat, damnit! But I digress

I think an important detail to consider in the Kaiju/Nuclear discussion is how Mako and Raleigh's Jaeger's nuclear power generator is what really allowed them to save the world, multiple times.

The history of politics around nuclear power plants vs nuclear warhead production is interesting, especially in the typical kaiju movie thematic context of man carelessly abusing nature. The argument in defense of nuclear power plants is that, despite the need for extremely rigerous and long-term nuclear waste disposal considerations, there is a lower volume of waste created by nuclear power plants in relation to the energy provided by them, when compared to other modern methods of energy generation like coal power. So, in theory, nuclear energy could be a beneficial power source for minimizing environmental impact.

In the Kaiju movies I've seen, nuclear power is only ever addressed as an extension of the inherently unnatural and harmful abomination of the invention of.the nuclear warhead. It's understandable, the environmental devastation caused by radioactive pollution is massive, and its something a nuclear power plant is very capable of doing if enough goes wrong.

So, what do the Jaegers represent within this conversation? what does the Wall of Peace represent? Here's my thought: they represent (more) active versus passive solutions to the growing threat of climate change. Jaegers represent the way that active work against climate change is only funded as far as it is beneficial to the image of the government.

Yes, the Rift was found to be impossible to blow up with nukes, but it's pretty clear that the world governmemts were putting more money into the publically popular and flashy Jaeger program than they were putting into researching the increase in Kaiju frequency and a permanent solution to the issue. Because of the complicity the world fell into once Kaiju and Jaegers were Rock Stars, the root of the issue with Kaiju goes unadressed for an entire generation, in favor of defeating each Kaiju in impressive and propogand-izable ways.

Only once the problem becomes too big for the propoganda-friendly Jaegers to manage do the world governments start looking for alternate solutions, and the Wall is immediately shown to be too little too late. As soon as it stops being useful for propoganda, the government loses interest in truly solving the problem, and begins investing in moving itself inland and leaving poor coastal populations to die.

The kaiju are only able to be defeated in Pacific Rim because a group of people separate from the government comes together and searches for a solution to the root of the issue-- the Rift being open in the Pacific at all.

Nuclear power is therefore not posed as a solution to war against fellow humans, but is used as a solution to a collective human effort to fight the exponentially speeding destruction of the Earth. The Jaeger pilots and everyone else working in the resistance HAVE to be willing to do anything, willing to take drastic active measures, in order to stop the destruction of the Earth's climate. Yay :)