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reiderwriter · 1 year

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Little Angel

Pairing: Spencer Reid × virgin!fem reader

Genre: SMUT, some fluff, a little tiny smidge of angst. MINORS DNI 18+

Summary: As the youngest and most innocent member of the BAU, they all take care of their little angel. When they find out just how innocent you are, though, one member takes his possession to the next level. You're his little angel, and he's determined to have you.

Warnings: loss of virginity, loss of innocence, degradation, pet names, oral sex, thigh riding, fingering, cum marking, love bites, Spencer is territorial and possessive, Dom! Spencer Reid, PinV sex, mentions breeding, but he pulls out.

A/N: We've reached Day 8 of kinktober! It's our second "long" fic, meaning there's a bit more plot to this, and the smut scene is longer too (WC is almost 7k!) I hope you love this one just as much as I did... The kinktober masterlist can be found here, and my regular masterlist is here too! If you want something specific, my requests are open ❤️

Your first three months with the BAU were a blur, and for good reason. Endless cases, back-to-back, interrupted only by the slight hint of a weekend or the ever possible death row interview. You were tired, stressed, and afraid to walk home alone at night, and absolutely satisfied. As far as you were concerned, it was all worth it to get these monsters off the streets, to help save their victims and to find out what made them tick. There was nothing else you'd rather be doing.

The team had helped you settle in well, too. You'd joined the team after Alex Blake had left - she'd recommended you actually from the college seminars you'd taken with her. You were obviously lacking a bit of experience, so they took on two team members, and you and Kate Callahan had the great opportunity of both being the newbie. But you had a slight disadvantage of age, coming in as the youngest member of the team. You thought that might be why you'd settled in so well, in all honesty.

Hotch and Rossi were both protective in a fatherly way. Hotch pushed you and Rossi encouraged you and that was everything you needed from them. A strong pat on the back at the end of a case and a "you did good, kid," and whatever hell they'd pushed you through, it was worth it. Morgan's tough love was brotherly, but he did a great job at getting you to relax on and off the case, reminding you to not take the work home. JJ and Kate were great mentors. It wasn't easy being women in the FBI, let alone the unit that specifically looked into some of the most misogynistic killings, rapes and abductions in the world. They both gave you tips about how to handle condescending officers, and JJ had held your hair back after you'd puked your guts up on a particularly harrowing day in the field. With Penelope, friendship was easy, and you loved talking to her about whatever hyperfixation you were on that week, loving that there was someone on your team that had filled their life with genuine joy in the face of so much horror.

And Spencer. Honestly, you were beginning to think that you'd used Spencer as a human stuffed toy a bit too much.

You don't know how it happened at first, just that after one of your first few cases, you'd been so elated to find a victim alive, safe but traumatised, that you'd thrown yourself into his arms the minute you got back to the precinct.

"We did it, I thought she was going to be dead, Spencer but she isn't." Your head was pressed into his chest, you were almost surprised he even heard them, muffled as they were. If you weren't so elated, you'd have noticed the way he'd stiffened at your touch, panicking slightly before awkwardly wrapping his arms around you, too. But you pulled away before you could notice that he wasn't really used to any physical comfort, bouncing off to write up your case report.

Spencer noticed, though. Noticed how the heat of your body made him feel comforted, the way his heart rate increased to 125 BPM from it's base rate and didn't fall back to normal for another half hour. He noticed that you smelt like jasmine and patchouli, and more importantly, he noticed that he didn't really care if you touched him, and that was new.

It became a kind of ritual for you, finding him after a case and folding into his arms to celebrate. They were friendly hugs, after all, a sign that you'd been through hell together, and you'd made it through like avenging angels. They only lingered longer when the cases went badly. You turned to crying in his arms after you'd discovered the body of a dead street girl, Veronica, in pieces in the house of an unsub who'd committed suicide by cop moments earlier.

"I told her she'd be safe if she talked to us, Reid. I told her we'd protect her, that I'd protect her." You were so hurt by that failure that he'd had to drive you home that night, holding your hand the entire way so you didn't feel so alone, left to fester in your guilt.

The rest of the team had begun teasing you about the hugs, but you'd brushed them off. You hugged everyone else too, and you knew for a fact that Penelope hugged every member of the team, so there was nothing special going on between you and Spencer. No one had deigned to inform you of Spencer's germophobia and aversion to touch.

"Gonna tell me what that's all about?" Morgan asked Spencer as you bounced away from a hug one day, leaving to remove your FBI vest.

"What what's all about?" He replied coldly, turning away to remove his own vest, replacing it with his blazer.

"What, you don't have a statistic for how many germs are passed between people during a hug, Kid, come on, you were practically smelling her hair." The older man's eyebrows raised in a question again, but Spencer continued to blow him off.

"I hug people all the time, it's not a big deal." He shrugged.

"It took you four years to return one of Penelope's hugs, and you still only do that on special occasions. That's not all the time."

"Derek, just drop it. There's nothing going on, she just… She just does it sometimes."

It was when you'd hugged him in the middle of the office, without a case to use as an excuse, that you noticed an underlying tension in the office. You were all celebrating, of course, Callahan had just announced her pregnancy, and you were all so happy for her. You'd heard the happy news and instantly turned and thrown yourself into Spencer's arms. Even you weren't sure why, not even questioning it until you saw the awkward glances on the other profilers' faces. You brushed it off by rushing to give each of them hugs, and running out in a mad flush, needing air, or water or something to get you out of what was looking more and more like an interrogation room.

A few cases later, the entire team headed to O'Keefe's to celebrate.

"To another case successfully solved," Morgan toasted, and you all joined him, lifting your glasses in triumph.

"To the wonders of non-alcoholic beer," chimed in Kate, leaving you all laughing together. The booth was small, and as usual, you'd found yourself sat right in the arms of Spencer Reid. You hadn't intended it, honestly, having slightly avoided him recently, but you'd followed Penelope into her side of the circular table, and Reid had followed you. You were sat squished between them, your arms resting awkwardly on your lap between drinks.

"Okay, a night of drinking is slightly boring without some games to spice things up, what do you say, hot chocolate?" Penelope said, addressing Morgan who was on her other side.

"I'm all ears, baby girl. What were you thinking?"

"How about twenty questions? We already know a lot about each other, let's see what we don't know?" Kate suggested, thriving off of the knowledge that as the sole sober member present, she'd hold all the cards tomorrow.

"What, how is asking questions a game?" Reid questioned jokingly from beside you. "That's just an interrogation or a therapy session, there's no winner or loser."

Already slightly buzzing from your drink, you turned to him and out your fingers in his lips, shushing him.

"No time for logic in matters of the bottle, Spencer. Let's play." He pulled your fingers off him, but nodded, holding them in his grip still as you turned back to the table.

"I'll start! JJ, are you and Will thinking of having more baby LaMontagne's?" Penelope jumped at the chance to probe her teammate, and you laughed at her enthusiasm.

"There have been discussions, but I'll not confirm or deny yet." JJ said, taking a sip of her drink as she slyly avoided a direct answer.

"I always forget why you were so good with the press, Miss No Answers. Okay, your turn to ask a question."

"Okay, Morgan. Are you thinking of popping the question to Savannah anytime soon?"

"Did she send you?" He laughed and took a drink. "If I do, she'll be the first to know."

The game went back and forth like this for a few rounds before Penelope turned the spotlight back to you.

"Okay, Y/N. You were a college student recently, I know you've got some wild stories. Where's the craziest place you've ever done it?" You knew Penelope didn't mean to make you uncomfortable. She was just an open person.

But you shifted in your seat nonetheless, trying to figure out if you could answer or even if you would. Your tongue was a bit looser than you expected though, because before you could even finish thinking you just blurted it out.

"Nowhere."

The others blinked at you slightly before Penelope dived in with another question.

"Is that Nowhere, Oaklahoma, or you're just not having sex in crazy places?"

"No. I'm not… I'm not having sex. Period. Never have." You felt yourself shrink as the other members of the team awkwardly apologised for probing you so much. Really it wasn't that big of a deal, and it wasn't as if you were saving it for religious or moral reasons. But you'd not been the most popular teenager, and you'd started studying serial killers and sociopaths so early that you really hadn't wanted to get so intimate with someone else like that.

Unbeknownst to you, Spencer's grip on his own drink had tightened ever so slightly, his heart race had picked up again, and suddenly the hand that was holding yours suddenly let you go, quietly dropping your fingers like they were glowing cinders, and he was dripping in gasoline, waiting to ignite.

Lust. He felt sick with himself for the images that were suddenly flashing through his mind now that he knew you'd never been held in that way, trying not to fantasise about you underneath him, holding him, begging him, feeling all of him. He took another swig of his drink and politely excused himself to get another as he let himself catch some air, as the sudden realization that he wanted you - and had wanted you for quite some time now - finally hit him.

The next couple of weeks were normal, and you were thankful to have that discussion behind you. No one treated you differently, acted like you were more of a child than before, asked you how your dating life was or set you up on blind dates, which was really refreshing actually. You'd let some friends know previously, and that's all they'd done, surprised that you could live ignorant to wonders of sex without shrivelling up and dying.

The only thing that was different was Spencer. And that wasn't really difference so much as growing more comfortable with each other. He'd rest his hand on the small of your back now in support sometimes, or have a hand slung over the back of your chair when sitting together. He was constantly at your side, especially if you were around male suspects or officers who'd taken a bit of a ballsy approach.

You liked it, probably a bit too much. You gravitated towards him in a room filled with people, and found yourself hugging him more often, when you left a room, when you entered one, when he looked like he needed it. Which, recently, was all the time. A month went by with this increased comfort level, and soon you found yourself feeling wrong if his hands weren't on you.

He stood close to you all the time, and you noticed the stares you were getting from everyone else. A few officers who'd approach you would apologise to him when they noticed him at your back, hand on your hip as he pulled you away.

After one case, you could even swear that you felt more than him than you were expecting. He'd moved away slightly in between one of your hugs, but you'd pulled his arms back around you and stepped closer, pressing your back against his chest, letting your head rest on his arms. Something hard and long wedged up against your ass, and in a split second he was pulling away before you could ask him about it. He excused himself, and you felt your body burn up. It was Spencer, it was just Spencer and that wasn't because of you, it was some other reason.

Spencer didn't know what he was doing. He grew more possessive over you by the day, and he'd honestly nearly bitten the head off an officer who asked him for your number.

"Sorry, she doesn't have a phone."

"But I saw her with one earlier. Look I get it she's FBI, and you guys are-"

"Okay, so she's not interested."

"Hey, why don't you let her decide that wise guy?"

"Oh sure, get angry I'm sure she'd love that. She's not interested, she has me." He couldn't help himself from getting in the officers face at that, and Morgan had to pull him back from the edge.

"Wow, wow, hey, calm down." The officer stormed out, and he felt triumphant for only a second before Morgan rounded on him.

"Whatever this thing you've got going on, Spencer, you need to get it out of your system as soon as possible." His voice was low and stern, throwing a glance over his shoulder to where you were sitting, staring confusedly through the glass at Spencer, whose eyes refused to move from your own.

" I just wanted him to back off, she doesn't like him like that."

"No, you wanted him to back off because you've marked her like some animal marking its territory. She's not your prey, Spencer, she's our team member, now you're gonna have to get your act together and leave her alone, because we've got work to do."

Sighing and throwing his hands through his hair again, he finally looked away from you and gathered his breath. He wanted to stop this too, this horrible perverted feeling of needing his hands on you, wanting to possess you day and night. To protect you. He just wasn't sure if he was strong enough to do that.

The next time you all went to O'Keefe's he certainly tried. You expected him to follow you into the booth again - he didn't, sitting opposite you next to JJ. You expected him to talk to you or look at you for more than a second at a time - he didn't, avoiding most conversations entirely and keeping his eyes fixed on the bar. You certainly expected him to still be sat at the table when you returned from the bathroom, ready to slip into the seat beside him, force him to talk to you. Instead he was gone, and you scanned the rest of the bar trying to locate him.

Something green and vile jumped you when you finally locked onto him, stood at the bar, surrounded by other women. Surrounded was maybe an exaggeration, as there were really only two of them, but they were practically draping themselves over him, and for some reason that set something alight inside of you.

You watched them for a moment, how one of them trailed a hand up his arm as he shuddered away from their touch, the other pressing herself against the bar so her chest pushed up dramatically. The green bile in your throat carried your feet forwards, and before you knew it, you were clearing it from your throat to grab their attentions.

"Spencer, there you are!" You brightened your tone specifically, as you locked eyes with his panicked ones. The two girls looked you up and down as you moved closer, brushing past them to climb up right into his lap on the barstool, pulling his arm around you as you pressed your ass into his crotch.

"Are you going to introduce me to your new friends?" The smile didn't reach your eyes as you let your back rest against his chest comfortably, watching the women to see their reactions. The one touching him pulled her arm back instantly, and the other readjusted her dress before they both left silently, carrying their glasses back to wherever they came from.

You watched them leave a little triumphantly before the green faded, and you realised what you had done.

"Y/N…?" His voice was hesitant in your ear, and you shivered slightly before pushing off of him.

"I'm so sorry, Spence, it just- it… looked like you were hard." You panicked again, pushing closer to him. "No, like you were in a hard situation, not that you were," your hand accidentally dropped to his crotch as you spoke your final words: "Hard."

He twitched beneath you as you finally looked down to where your hand was, as his mouth opened to say something.

"Y/N…" was all you heard before you turned around, and fast walked to the entrance, picking your bag up quickly on the way, and then sprinted the second the cold air hit your face.

You cursed yourself inwardly as you ran the three blocks more to your apartment, thankful that you were at least in walking (or apparently running) distance. What the hell had you been thinking? Practically sexually harassing one of your coworkers like that, grabbing his dick, albeit accidentally.

You slammed your door shut behind you, leaning against it and sliding to the floor as you finally accepted that whatever this was with Reid, it wasn't friendship for you anymore. And you weren't sure if it had ever been.

With your head between your legs, arms wrapped tightly around yourself, you started replaying each moment with him, each touch from the very first. How even the memory of a brush past you could excite a fire in your heart, a heat between your legs growing by the second.

You wanted to crawl pathetically into bed and not think about him until the next morning at work, but fate, or Doctor Spencer Reid, had other plans.

The knock at your door was sudden and incessant, the banging starting loud, and staying consistent until you tentatively pulled it open.

He was stood there, chest heaving, looking down at you, sweat coating his forehead.

"Can I… Come in?" He asked, and you nodded, too stunned at his sudden appearance to tell if this was real or just your fantasy becoming a little too realistic.

He thanked you for letting him inside, and you showed him inside, guiding him to he couch, where you took a seat opposite him.

"I wanted to make sure you were okay, you left in a rush and…" He trailed off, eyes flicking down to your lips. His Adam's apple bobbed with his swallow, and you watched it yourself, trying to avoid meeting his eyes, as if you were a schoolgirl about to get in trouble with a disappointed teacher.

"I'm okay."

"Okay, that's great, that's… Great." His breaths caught up to him, and he took another deep breath and a swallow before continuing. "How about we continue that game from last time. Twenty questions?"

You'd do anything to stop him walking out of that door, but you felt too shy to touch him again, even in the friendly ways you were used to, so you eagerly accepted.

"Yes, that… That sounds fun, thank you."

"Okay. Question one. Do you know why I'm here?" He asks as he shifts closer to you, still not touching, but at a proximity where it would be natural to accidentally brush against one another.

"N-No. But I might have an idea." He nodded at your response before moving on to his next question.

"Question two. Are you a virgin?" He didn't trip or stumble over the words, pushing them out slowly and delicately so as not to offend.

"Yes." The lump in your throat was thick, almost as if he'd put something there that you couldn't help but choke on.

"Question three. Do you want to remain a virgin?"

You shook your head no, following it with your voice seconds later as he stood up from his seat, putting some distance between you.

"Question four. Do you feel intoxicated or drunk right now?" He held himself still as you sat on the very edge of your chair, desperate to feel his hands on you now.

"No, I only had one sip at the bar before…" He held up a hand to silence you, and you did.

Question five. Answer me honestly. Do you like it when I touch you?"

"Yes." Your breath was a whisper, but it was breathy, sounding almost pornographic in your neediness.

"Question six. Do you like it when other people touch you?"

"Do you?" His head snapped back to yours, and you froze under his gaze. "Not as much." You answered and relaxed again, pouting slightly at his lack of answer.

"Question seven. Do you like me touching other people?" He took a step closer to you again with this question, but you continued pouting as you shook your head.

"No. I don't." His lips quirked upwards before he could stop them, but he gathered himself together again.

"Question eight. Do you want me to leave?" You met his eyes at that question, taking one good, hard, long look at him. You noted the tensed jaw, the clenched fists, his stiff body language, trailing your eyes over him before looking him directly in the eyes.

"No." You let the word hang on your tongue, pulling it out a bit longer than was necessary as you watched him take in a shaky breath.

"Question nine. Do you want me to come over there and kiss you?"

"God, yes." He was on you in seconds, restraints gone, throwing himself back at you as his lips collided with your own. Virgin you may be, but you'd kissed men before, and it had been nothing like this.

His hands trailed up to your hair, tipping your head back slightly so he could gain better access. He bit your lip and thrust his tongue into your mouth when you gasped, so eager to consume every part of you whole.

You'd never felt like this before.

He pulled away, and you tried desperately to chase his lips, even as your lungs begged you to stop.

"Last question," he whispered in the space between you, holding the sides of your face at a distance so neither of you could be tempted to dive in for a second kiss, or a third, or fourth. "Do you want me to fuck you?" You whimpered at his words, nodding furiously as you tried to lunge at him again, but he held you firm.

"I need you to say your answer, baby. I need to hear your consent, okay?" You nod again and open your mouth, eyes never leaving his lips as you moan out a definitive "yes."

Instead of letting your lips fall against his again, he lunges for you, grabbing your legs and hauling you up into his arms, carrying you bridal style all the way back to your bedroom.

"Gonna do it right," he mutters to himself as he throws you down on the bed, pulling back to take off his jacket and unbutton the cuffs on his shirt, rolling the sleeves up meticulously.

"I'm going to take care of you, Y/N, okay?" You nod at him and flush, suddenly feeling the strength of his need for you as he holds himself back. He puts his hands on you again, gently coaxing your legs apart, pushing your skirt up over your hips. Reflexively, you move your hands over yourself, covering your sensitive places with your hands.

"Don't cover yourself." His voice is strong, deep, as he orders you, and you let your arms drop back to your side. He traces his hands up and down your legs, almost as if he were memorising every inch of your skin, how you felt under his hands.

His hands make their way up to your panties, and you watch with baited breath as he moves you, pulling your hips up so he can let them fall down. The lace material tickles you as he pushes them past your thighs, over your knees and finally off your legs entirely, balling them up and putting them in his pocket.

"I'm going to touch you now, okay?" He asks it like a question, but he doesn't wait for your answer, unable to hold himself back before diving straight between your legs, so desperate to taste you that he's deaf to everything else.

His tongue connects with your sensitive area first, tracing up and down at a steady pace as his legs half-heartedly push your legs open. It's almost as if he's enjoying the pressure of your legs wrapped around him, suffocating between your thighs as he feels your pleasure build, and build.

Eventually he pushes your hips further apart, letting himself push his face into even more of you, his tongue entering your hole as he begins fucking it in and out of you, fingers coming back up to your clit to keep up the pressure there.

"Spencer, please, please, fuck."

"I love it when you beg for me like a needy little slut," he whispers, holding your legs apart as he looked up at you, face slick with your arousal. Your mouth drops wide at his words, and he immediately begins to retract them.

"I'm sorry, Y/N, if that was too far, I just got caught up -"

"I liked it." You said, quieting him as you spread your legs a bit further apart, begging for him to continue. He smiled and dived right back in, bringing his other hand up under your dress, all the way to your chest as you kept your legs open yourself.

He sucked your clit into his mouth, lapping up all the juices you were releasing as you moaned underneath him, bucking into his face at the memory of his degradation.

You were a needy little slut, and you needed him to make you cum. He was more than happy to oblige.

He kept you there for what felt like forever, drinking you in for as long as he could. You orgasmed twice before he finished, completely overstimulated by the way he was desperately fucking you with his mouth.

He was obsessed with you, with your scent, your taste, with being the first ever person to ever touch you like this, to fuck you, to make you feel so good. Without him even realising, you're pushed to the brink for a second time, shuddering under the heat of his mouth as he drinks you in.

He finally pulls his head up again, coming up for air as you're twitching under him.

"Perfect, baby, so perfect for me." His lips fall down to your own, and suddenly you're tasting yourself on his tongue. It's hypnotising, and despite the pleasure you've just received, you need more, desperate to feel him on you again.

When he pulls his mouth away, he replaces himself with his fingers, pushing them into your mouth.

"Suck," he says and you listen, as he watches the way you lick yourself off of him.

He unzips your dress with his free hand, carefully pulling your arms out of the sleeves and pushing your dress off your body. You trace your tongue around every ridge of his fingers, leaving no inch undiscovered. He moved you to pull the dress of, and you graciously followed, letting him do whatever he wanted to you.

"Nice little slut, tasting herself on my fingers?" He whispered when you were finally bare, pulling his fingers from your mouth, letting the trail of spit hang between you as you moaned.

He removed himself from over you, and moved to sit on the edge of the bed.

"Come here. Come and sit on my lap."

You cautiously followed his directions. You'd thought that he'd fuck you then, after spending so long getting you ready, but apart from his tie, which he was in the middle of discarding as you crawled over to him, he hadn't derobed any further.

"That's it baby, come and sit yourself down right here." He pat his thigh and you crawled over, lowering yourself down onto his clothed leg.

"What now, Spencer?" You stuttered the words out, heart beating as you awaited his instructions.

"Now, I want you to rock your hips back and forth. Just like this." He grabbed your hips and started moving you against his leg, pushing you down to grind into him.

"Spencer, wait, I don't know-"

"I do. I know you can do it, so please try. For me." You pulled you in for a kiss, and then removed his hands from you, leaving you to rock against his thigh.

You were unsure of the movements at first, moving slowly as you dragged your aching cunt up and down the top of his pants, watching as you saw the wet patch you were making. You moaned with each movement, growing faster and more confident as you continued.

"That's it baby, use me to get yourself off, okay? Let me see you." He whispered in your ears, pushing your sweat-slicked hair ou of your face, holding it up for you.

"Spencer please," you don't even know what you're asking for as you beg him, feeling that familiar bubble in your stomach grow.

"No, you can do it. You look so beautiful like this, Y/N, so desperate for my cock, huh?" You start trying to unbutton his shirt, desperate to see more of him, to feel more of his bare skin on your own. But he stops your hands and holds them against his chest.

"You need to ask nicely first, before trying to undress me like a needy little whore." The words should sound violent, should humiliate you, but his voice is so soft you simply move faster, moaning and desperate to cum one more time.

"Fuck, Spencer, I'm gonna… I'm gonna…"

"No, you're not." Before you finish, he pulls you off his leg, hauling your body back onto the bed, and laying you back down on your back. You moan in disapproval, so frustrated with the lack of release that you feel tears prick the corners of your eyes.

"Don't cry, baby. I'll give you what you want soon." He practically rips his clothes off, pulling his vest over his head, stumbling over each button and removing his belt and pants before climbing over to you. His cock finally free you take your first glance at it.

You'd never entirely been sure how it was that the male appendage fit inside something as small as your pussy, and you were doubly unsure about how Spencer's was ever going to fit inside you. You stared at it wide eyed, as you took in the length, the girth, and the heat of it as he stroked it in one hands, pushing on top of you.

He let go of it as soon as he was between your legs, letting it fall onto your stomach as he crawled between your legs. He trailed a finger over your lower abdomen just around where his cock was twitching against you as his other hand came up to stroke your hair.

"You look worried, Y/N, what's wrong?"

"Will it, um, will it fit?" You asked, knowing how cliché you sounded.

"We've spent the last thirty-seven minutes loosening you up with foreplay. It should fit, but I can't promise it won't hurt."

"Right, if my hymen is still intact you have to…"

"That's right. And then it's going to reach all the way in you to here," with each word, he stepped his fingers up from your clit to where the tip of his dick sat on your stomach, letting you come to terms with exactly how full you were about to be.

"I'm going to fill you, and you're going to be mine, and I'm going to be yours. My sweet angel." He stroked your face, catching his thumb on your lips on the way down, tempted to thrust it into your mouth again, to see just how much of a whore you could be, given the chance.

Instead, he lined himself up with your dripping core, and, making sure one last time that this is what you wanted, slowly pushed in.

It was uncomfortable at first, having something so wholly alien inside of you, you weren't sure how to react. You wrapped your arms around him, digging your nails in, deep, as he pushed in further.

"Y/N, I need to move more now, and it's going to hurt a little, you just have to trust me, okay?" He kissed the top of your head, but you were so lost in the sensations to answer. With one swift jerk of his hips, he pushed through your hymen, and fully sheathed himself inside of you. He pressed small kisses everywhere on your face, while whispering to you how beautiful you were.

"You're doing so good for me angel, I'm going to take care of you. Going to make you feel so much better than this. You're so beautiful." His lips were distractingly sweet, as were his words, and soon you found yourself relaxing into him, the sharp pain of earlier fading to an electric buzz inside of you.

You jerked your hips up to meet his, and with that, he knew you were ready. From his words, you'd assumed that he'd move slowly in you. But with one final lingering kiss to your lips, he lifted his chest up, pinned your legs tightly down, and started thrusting hard and fast.

"Sorry, just couldn't help myself baby. Needed to see you looking ruined underneath me." Moans spilled out of your mouth with his every movement, and the orgasm you'd built up earlier hit you like a ton of bricks, blackness hazing over your eyes as they rolled back in your head.

"Fuck, fuck, Spencer, don't stop!" You screamed at the top of your lungs, unable to control your pitch or volume as he slammed into you desperately. He was so turned on by the sight of you beneath him, so proud of having fucked away your virginity, to have given you your very first penetrative orgasm that he wouldn't have heard anything that came out of your mouth.

His eyes were fixated at the place between you, where you joined, where he was entering you, defiling you, claiming you, using you, breeding you.

He knew he wouldn't cum inside of you, not the first time, but it was tempting. Instead, he chose to move his lips back to your skin. He marked you with love bites and hickeys across your neck, chest and shoulders as you moaned with every roll of his hips, shuddering on his cock. He was close. And seeing you like this, displaying all the signs that you were his and his only, he finally lost it.

Pulling his dick out of you, he stroked it through his release, spraying his seed over the parts of your skin he hadn't bruised with love. Your stomach, your breasts, hell, one spurt even landed dangerously close to your lips, he was everywhere. You. Were. His.

He fell beside you, panting for a few moments as you finally cracked your eyes back open, realising what the two of you had just done. You wiped the cum from your face with a stray finger, staring at it for a second before licking it off your finger.

"As hot as that was, I think we should get you cleaned up properly, angel." He spends forever cleaning you up, carrying you to the bathroom, washing your entire body with hot water and a fresh cloth, running you a hot bath to relax your muscles. You snuggle into his chest at some point in the bath, relaxing so much into him, that you drift off to sleep.

You feel him carry you to bed, semi-conscious, tucking you in and climbing in next to you. He holds you through the night, the way he holds you after your bad cases. He holds you until he doesn't.

You're blindsided by the cold bed the next morning. You knew he would be there, you'd felt him inside you and next to you, and you'd needed his warmth, but he was gone. You looked for him in every other part of your home, looked for a note or an explanation, but there wasn't one.

Through tears, you got ready for work, ready to face him and make him answer why he was suddenly gone. You wanted him to apologise, especially since he'd marked you so badly the night before you looked like a car crash victim from the neck down.

Dark lavender blossomed along your collar bones as you looked at yourself in the mirror, trailing a finger along every place that he touched the night before.

"How could you be so stupid?" You cursed yourself. If you'd have listened to what he was saying last night, really listened, you'd have known he wasn't going to be here in the morning. He wanted to ruin you, to possess you, to take away your virginity, and he'd done just that.

You almost wanted to keep the bruises on display going into work, to make him confront the pain he caused you by leaving. In the end, it was the inevitable stares from everyone else that convinced you otherwise. You wouldn't give him the satisfaction.

You pushed through the doors to the bullpen and didn't bother putting your bag down before you started scanning the room for him.

"Where's Spencer?" You practically shouted the words at Morgan, unable to hold back your anger.

"Y/N, what's wrong?"

"Where is he?" You demand, and there must be something in your eyes that speaks to your devastation because Morgan shuts up and just points to the top of the stairs, where Spencer is exiting Hotch's office without a care in the world.

You don't realise that something is tears until you're beating a hand against his chest in frustration as they spill down your face.

"Where were you?" You demand, sobbing into his chest, as he pulls your hands away. The entire office is watching your commotion, but you don't care, you're not letting him move you out of the way.

"Y/N, I need you to sign this." His voice is calm, and you hate him for that. That he can stay so neutral when he's just broken your heart.

"No, not until you tell me why you left."

"Sign the papers, Y/N, trust me." He pulls your chin up so you can look him in the eye, and you catch a glimpse of the man who has been holding you, comforting you for the last four months. You snatch the pen from him and sign the papers, thrusting them back at him with a scowl.

He smiles as he looks down at them, placing them back on his desk before pulling you in for a long, deep kiss. You're shocked at first, but you melt into it, pulling him closer so he can't leave again.

"I'm sorry. I had to come into the office to declare our relationship, Morgan sometimes tells me I have a one track mind, and when I woke up this morning, the one thing I wanted to do was get it in writing that you were mine."

Your push the tears out of his face, and attempt to pull him down for another kiss. You don't get the chance, as the sound of several throats clearing around you burst your bubble.

"Public space, no canoodling." Rossi shouts down at you from the balcony, a soft smirk on his face.

Penelope runs in from her office, and stares wide-eyed at the lack of space between the two of you. "You! And you! Security cameras….. You!"

"Now, I'm sure there's a story here, but from the state of our little angel's neck here, I'm sure I don't want to hear it." Derek laughs, smacking Spencer on the back in praise as he walks up the stairs to the meeting room.

You slap a hand over your neck, trying to pull the turtleneck further up to hide the mark you evidently missed.

"She's my angel, now." Spencer calls up to him. "I have the paperwork to prove it."

#spencer reid #criminal minds #spencer reid x reader #spencer reid fanfic #spencer reid smut #mgg #criminal minds fanfiction #criminal minds fandom #spencer reid x self insert #spencer reid x reader smut #spencer reid x y/n #spencer reid x you #spencer reid x oc #dom spencer reid #spencer reid kinktober #criminal minds kinktober #kinktober 23

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emptyjunior · 11 months

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Let's talk about Peeta, I believe he's a fully genuine person and a lot of what he said was authentic. Like he can be manipulative, he has that gift of gab, and we see it a lot more in Catching Fire or later on in the series.

But I do believe he was being very strategic in the first book as well! Like right out the gate!

Kind of the story presented to us is:

-katniss suspicious of him for being nice

-thinks he's playing the game to screw her over

-oh she was wrong he's just a good human being

And I think a lot of elements of that interpretation are true! Katniss is wrong about him trying to screw her over!

But he is still being strategic, he does have plans and he is trying to save himself, not just sacrifice for her.

We all remember the "she came here with me" moment, life changing, showstopping, hilarious. And that was a true moment! He does love Katniss!

And Haymitch interprets it as what it is, a gift to Katniss to make her seem desirable = attract sponsor attention.

But it was also very beneficial to him as well! Like ask yourself what happened just before that.

Katniss had just received a 12, the entire team was excited about just her, immediately forgetful of his 8. Peeta had just told Haymitch they could train without him, something Haymitch says he offered himself (which I believe) but Peeta is not a fool. He was aware that what happens now is: the mentor focuses attention on the one who will win! And Peeta was sparing himself the pain of Haymitch telling him that first.

So Peeta is being forgotten about by Effie and the wardrobe crew (their entire PR/propoganda department) and he is losing training from Haymitch.

So what does he do?

He goes on television and presents the plot of Star Crossed Lovers. Sells the story of the Duo, the Couple.

And it's a valuable story! Effie eats it up, Haymitch knows he can sell it, but the only way to sell it is if the two are a pair. Two lovers training together, coordinating together, being publicly mentored together.

Peeta made sure he was given every advantage Katniss was getting with one simple interview, he's always been strategic. Even more strategic then Snow cause he actually knows how to sell the truth.

And immediately after that is him and Katniss's little moment where they talk about humanity together. Peeta confesses that his greatest fear is becoming like the people in the capitol, becoming not himself.

And Katniss doesn't really understand what he's talking about! And my first read I didn't either!

He's feeling guilty cause he just sold himself. He participated in the bread and circuses, and he's reeling at how easy it was and how good he is at it.

#bread boy does it again #hunger games #peeta mellark #katnis everdeen #haymitch abernathy #effie trinket #books #movies #the hunger games #ballad of songbirds and snakes

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novantinuum · 8 months

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Steven's Breakdown Was Inevitable From the Very Beginning

I feel like the thing that fucks me up the most about Steven Q. Universe and how well conceived he is as a character is that the fundamental building blocks of why he reached his breaking point in SU: Future were laid out as clear as day in the span of legit only the first four episodes of the original show. The writing was literally always on the wall that future him would struggle with matters of self worth and identity in relationship to the others around him.

Let's take a look:

Gem Glow

"Awesome! What are these things?"

Foundational Trauma #1: Steven's home is always either under threat or actively being wrecked by antagonistic forces/beings, and he constantly copes with this by pushing down his fear in favor of a curiosity and silver linings based mindset.

Look at his initial shock when he opens the door and gets tackled by one of these things, and then his response when one of them spits acid:

The kid's freaked the hell out about all this, and while I do think there's a part of Steven that genuinely IS curious about what these lil critters are, I think he's subconsciously using that curiosity as a way to distract himself from his own fears and anxieties. This is Steven actively learning how to ignore the deeper problems in favor of emoting a facade to the others in his life that he can totally handle himself in scary situations like these.

The underlying reason why is incredibly apparent, when you look at the example from the next episode-

Laser Light Canon

"I don't know what a magic lady like her ever saw in a plain old dope like me..."

Genuinely- from the bottom of my heart- I think the above quote from Greg is a moment where his own insecurities around the Gems actually rubbed off on Steven.

At this point in time, Steven may be living with the Gems... but he hasn't started to harness any of his powers at all, so in his own head he might as well be the same as his dad- another human, just one who happens to have a gem! But the way Greg talks about himself... given Steven was living with him in the van for years before moving in to the beach house, he had to have heard negative self-talk from his dad like this before.

And then there's the rest of the Crystal Gems... always speaking of Rose with such reverence as if she were an all-powerful goddess... and Steven can't help but look back at himself, and his gem that won't work... the gem that the others still identify as Rose's...

"Your gem-! You have Rose's gem!"

And maybe he starts to wonder if- without any working powers- he's just a plain ol' dope like his Dad, too.

"Please work... Unlock! Activate! Go! Please-!! Everyone's counting on you, you can't just be useless!"

Foundational Trauma #2: Steven has Rose's gem, and as such, is constantly living under the silent expectation to live up to a standard that he simply cannot ever hope to achieve, because he doesn't KNOW her and he never will.

I want to highlight one of Steven's expressions while his dad is talking about Rose- look at that sad look. My god, I just wanna hug him. This is the expression of a child who has already come to terms with the fact that his only relationship with his mom is through the rose tinted stories that other people tell him about her.

Cheeseburger Backpack

So. Steven has learned so far that he needs to push down his feelings and emote a false veneer of cheer and bravery even when he's afraid, because the rest of the people in his life have expectations and hopes for him due to the legacy of his parentage and he can't bear the thought of letting them down. (And in a sad way, at this point "letting them down" literally just means... being an ordinary human boy. I believe Steven at this stage of the show is flat out scared to be human, because to be human is to fail at being a Gem, and no amount of love and sacrifice in the name of humanity in the seasons to come could've ever saved him from the fundamental fact that the wedge between him and this whole half of his being was already drawn long before the events of season 1 even started. But I digress.)

Let's see where we go from there. Let's check out Steven's first "mission." Or as Pearl puts it about 35 episodes later, his first "test."

"Yeah... they can't all be winners."

This episode is tinted with a little bit of tragedy for me on rewatch, because I genuinely do think the Gems handled the situation as well as they could've. They were supportive of Steven's successful ploys, and (for the most part) responded with grace when he majorly blundered and left the Goddess Statue at home. The main problem, however, is that Steven has already developed a bit of a complex about impressing the three of them-

Foundational Trauma #3: Even when they claim otherwise, Steven has convinced himself that affection from the Gems is transactional, and that when he messes up he's not truly a part of the Crystal Gems.

Of course we the audience know this isn't true- I mean, hell, Amethyst even said as much in episode one after her slip-up ("and you're fun to have around, even if your gem IS useless!")... that the Crystal Gems wouldn't be the same without him. But Steven... the poor kid is a complicated little guy living a complicated life, and whether they intended it or not, the language used they've used around him thus far has not backed up their attempts at fully embracing him, human parentage and all.

Thus, Steven just spends the entire episode wracked with anxiety trying to find creative non-power using ways to make the mission easier so he can convince them he's useful to have around.

Look how nervous he gets even when all three of them are visibly and vocally supportive of his presence here:

This is the face of a boy who feels like he's under constant judgement and scrutiny from those around him.

Blessedly, viewing this episode in isolation, he experiences a brief moment of mental respite where he finally accepts the Gems' encouragement and agrees that his ideas 'can't all be winners,' but this lesson does not stick for him moving forward. A shame, really.

Together Breakfast

"What's the matter, Steven?" "I wanted us all to have breakfast together, so I made Together Breakfast! But everyone keeps leaving..." "Oh, that's nice..."

Taken in context with what we've learned already in the last three episodes, Steven's desperation to spend quality time with the Gems here and his sadness that they keep leaving him alone doesn't just exist within a vacuum. He spends the whole morning watching them shuffle in and out of the temple, or come back from missions he wasn't invited on, and with the disastrous result of the LAST mission he went on probably fresh in his mind it's not hard to understand why this bothers him.

Foundational Trauma #4: Steven internalizes that the price of "not being useful" is that the Gems actively ignore him, meaning that the only way to guarantee their attention is to work as hard as he can to become a stronger member of the team.

I know this screenshot is usually used as a lighthearted meme, but I wanted to include it because I think it's a good example of how Steven's intense desire to impress permeates every facet of his personality at times. Just LOOK at how desperate he is to make Garnet laugh at his joke, to be the one that's at very least "fun to have around," as Amethyst put it in episode one.

The Gems do eventually drop what they're doing to spend time with Steven by the conclusion of this episode, but this only comes after Steven shows his growing strength and "proves" himself by saving their butts from the breakfast monster.

If he successfully gained their attention in literally any other way he might've come away from this episode with a different lesson, but no. Instead, his fears were proven true- the Gems value strength and utility, and if he's not exhibiting that, then what use is he to them?

These fears of his can be seen weaving throughout the foundational fabric of the entire show, but I think Steven lays out what he sees as his "stakes" in the clearest way possible in the episode 'An Indirect Kiss.'

"But- if I don't have powers, then I can't hang out with Amethyst, or Garnet, o-or Pearl, and- I-I can't go on missions!"

And these same insecurities even rear their ugly head as late as the movie.

"I can't believe this... for the first time in years, everyone's in danger, everybody needs me, and- I'm useless!"

Powers = Utility = Worth = Other's love, for Steven. Everything is transactional to the end, which is a hilarious double standard he's set for himself when he's made his reputation as the kid who always listens and encourages and gives others a chance to change, no matter their messy history with him.

So let's recap and restate those foundational traumas from Steven's perspective.

One: The only way to cope when your life is constantly under threat is to bury the damage and pretend to be fine.

Two: Everyone expects you to live up to the standards of someone you're not.

Three: The Gems only love you when you're of use to them.

Four: If you ever stop being useful, the Gems won't want anything more to do with you.

In sum, Steven's habit of burying his feelings for the benefit of others was there from the very beginning, not just since 'The Test.'

Those unreachable standards he felt so daunted and intimidated by all his life were the ones set by Rose, at first... but over the course of the series, the dynamic of this shifted. As Rose's influence fell into the background, Steven's rose into the front. And so it's with great irony that- by the time of Steven Universe: Future, the expectations this exhausted, worn down teenager is fighting to once again achieve are the ones HE set for himself. Many of young Steven's selfless actions during the war are quite admirable when analyzed in isolation, but almost none of them are sustainable. He set himself on fire just to save the world, but teen Steven is genuinely unable to see this for what it is yet- as a tragic sacrifice of his own childhood. You can't burn your own ends for others forever, not at all. His breakdown was simply inevitable.

When it comes to the interconnected beliefs three and four, these are exactly why the ultimate confrontation at the end of I Am My Monster HAD to be one fueled by selfless love. Steven is at his absolute lowest at this point- he's everything he fears he's become, trapped in a form that's nearly incapable of reason. He's big and angry and spiky because that's a part of the facade- because a part of him WANTS to scare the Gems away, wants to be left alone forever, believing this the fate he deserves as price for his misdeeds.

In this form, by his own definitions he is NOT useful to the Crystal Gems at all.

But they don't care.

Because it never WAS about Steven's 'usefulness' to them, they simply love him for being Steven.

With this in mind, the conclusion of Steven Universe: Future wasn't just a salve to teen Steven's immediate struggles, it was a salve to the foundational insecurities that have been plaguing him his entire life.

And hopefully... from this point on... his family's shows of love and encouragement will be enough to finally convince Steven that he's more than worth their time...

No matter what path the future leads him on, and no matter what form he takes.

#su #su future #steven universe #su meta #my post stuff

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jadeyarts · 1 month

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Separate from that other anon I for one would personally love to hear your Peri and Harbinger/Foxglove headcanons

OMG YAYYYYY. I HAVE QUITE A FEW ♥ (for my own convenience i'm referring to them by their og series names for reasons)

the events of timmy's secret wish are what first planted the seeds of genuine, fully positive feelings and fondness for poof in foop's mind and heart... maybe even a puppy love crush. he seriously thought "well, dying in poof's arms wouldn't be so bad" and hoped that wouldn't awaken something in him. it did.

in a lot of episodes they often have differently colored eyes - foop has a darker shade of purple. i think poof's noticed, and i think he even likes the look of those darker eyes.

given how foop would cry out for poof to protect or save him, i think that poof grows to be incredibly protective of foop… poof will square up for his square!!!

hes the one telling cashiers that foop asked for no pickles, imho ♥

at some point poof stopped intervening in foop's nefarious schemes so i've kind of interpreted poof as just... not caring anymore. he can't stay mad at foop for long, and he finds himself not even bothered by whatever damages he ends up causing anyways. i think he might even find his antics amusing.

after the events of certifiable super sitter, foop actually feels comfortable with admitting that poof is his best friend-

it'd take a few more years to admit it to poof's face, though, it's too embarrassing for him! he'll gush to chloe constantly, though - she knows he's in love with poof before either of them does.

foop's first boyfriend was actually their mutual friend sammy sweetsparkle in high school, while poof had kind of an on-and-off puppy love situationship with goldie... until he kind of flipped out on her about constantly getting foop's name wrong in the middle of a jealousy induced break-down. foop was actually thrilled to hear that poof let his dark side show over wanting to be with him.

sammy and foop ironically broke up on good terms because sammy's best attempt at understanding the fairy/antifairy situation is that they must be soulmates and he didn't want to stand in the way of true love. he's their second biggest supporter.

technically poof confessed first but his confession was literally just screaming IF I DONT SPEND THE REST OF MY LIFE WITH YOU I AM LITERALLY GOING TO BLOW SOMETHING UP!!!! at foop, which was a love confession that would only appeal to foop.

chloe TRIED to plan the "perfect" first date for them but it was horribly awkward and not to their tastes. so instead their first REAL date was poof taking foop to a kelly clarkson concert where they got matching "my life would suck without you" t-shirts.

poof actually buys - WITH HUMAN MONEY, IN A HUMAN DISGUISE - every kelly clarkson album as it releases for foop.

they nearly elope several times but got caught by wanda every time. wanda doesn't really like the fact that poof is with foop but doesn't wanna turn into mama cosma about it so she comes to terms with it. she doesnt want them to just run away and get married when she doesn't think they're ready yet either, though. timmy has to be the one to appeal to foop's desire for attention to convince them to have a big wedding after they graduate. poof doesnt care whether he has a big wedding or just elopes - as long as foop is his. if foop wants a big wedding, that's what they'll have.

whenever people ask how long they've been together they tend to go silent because their first instinct is to say "about 50 years" even though they're only about 22-24, and they've only officially been a couple for about 6 or 7 years. foop's second instinct is also to say "from the very first moment i drew breath" like the dramatic weirdo he is. which isn't even accurate and they both know it.

literally so specific to my own little homebrewed post-canon that you can't even pretend it works with anw:

in my elaborate fanon after AC and AW abandoned foop in season 10, poof begs wanda to find someone who would be willing to take foop in. luckily, wanda knew just the fairies for the job.

after getting adopted foop changes his name to foxglove thimbleplight - poof changed his last name to thimbleplight when they got married so he becomes periwinkle thimbleplight. :3

they still call each other poof and foop - usually in the form of embarrassingly cheesy affectionate nicknames. we're talking "smoopy-poo" level cheesy usage here.

(actually that one still works with anw but the art i drew is clearly my own designs and not the anw designs and it's exceedingly cheesy so)

poof convinced foop to go to the fairy academy with him - initially foop was hesitant because he… wants to… but… antifairies cant become godparents, right??? poof was willing to do literally anything it would take to keep foop by his side though. he initially considers manipulating some poor unsuspecting godparent to quit on their godkid just so he can hijack the ensuing fairy idol for foop to win and take their job… it's devious, and he knows foop would have loved that he did something so malicious just for him, but in the end he just gets into a fight with jorgen and the fairy council about it. he argues that technically foop is legally a fairy now since he was adopted by fairies, so he should be allowed to become a godparent. they end up agreeing.

their relationship was kind of a controversial issue in fairyworld for a few years because of poof's high profile status - while they're not the first fairy and anti-fairy couple, they're the first recorded instance of a fairy coupled with their own counterpart in eons. the media did get bored of them eventually though.

they already wanted to get married after high school but they agreed to postpone the wedding until after they graduated from the fairy academy so they had enough free time to make it as over the top as foop wanted it to be. poof actually proposed to foop AGAIN with a diamond ring after they graduated from the fairy academy, even though they were technically already engaged - with the intent of being as over-the-top dramatic and annoying to the rest of their classmates as possible.

^ which is similar to what cosmo and wanda did as teens though details differ. cosmo is literally the only one who seems to realize this and audibly goes "WOW, DEJA VU..." when this all happens.

while wanda had to get used to poof and foop together, cosmo accepted it pretty much immediately. mostly because sometimes they reminded him of himself and wanda. (<- actually canon)

#sketch #fairly oddparents #doomwinkle #spoopy godparents au #<- for. you know. the second half

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the-sage-libriomancer · 10 months

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actually one thing i like about Romantic Killer that doesn't get talked about much is how Anzu definitely needed the jolt to her routine when Riri showed up. like it's perfectly fine that she doesn't want a boyfriend and isn't interested in love, but she also didn't have any friends, wasn't going out to do activities or hang out with people, and never put any effort into bettering herself. her life outside of school was literally just video games and chocolate - it looks like she relied on playing video games with her classmates during middle school, then stopped once it became socially unacceptable (or just too difficult) to keep up the relationships and then never made any friends outside of Saki. that's not healthy!

i mean yeah, the "getting trapped in a dating sim against her will" thing is completely unfair for Anzu, but it's probably what saved her from getting too comfortable with avoiding people. as much as i laugh at/relate to Anzu gushing over her husbandos, you really get the sense that pre-series Anzu doesn't like real people all that much specifically because they're not fictional people with fictional emotions. the way she opens up to Kazuki, Junta, Hijiri, and even Riri is genuinely a joy to watch, and even if it's only because of Otome Shoujo Cliches come to life, doing things like getting a job and going on dates are all great ways for Anzu to break out of her comfort zone.

basically i love that the story doesn't force Anzu to fall in love or accept an unwanted romance, but it isn't advocating for her antisocial lifestyle either. the main message of the series is first and foremost "connections with your fellow humans matter whether you like it or not" and it's a lesson that Anzu actively has to relearn after locking herself away from people for most of high school.

and i think that's neat.

#anzu hoshino #romantic killer #sage speaketh #just having some thoughts #analysis

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waokevale · 5 days

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[For the record, WX-78's relationship with Wagstaff portrayed here is strictly PLATONIC and bordering familial. The similarities of their appearances are intentional]

I swear to God if people focus strictly on Woodrow again while trying to ignore Wagstaff's existence—

Ik people hate him and I'm tired of it, he's just a guy, it's not funny when you're doing it for so long. Max, while under the influence of them did a lot of worse things, and while I don't hate him for it, there definitely feels to be a double standard.

Y'know actually, it's kinda hilarious that whenever people come in contact with nightmare fuel or shadow creatures, they turn into the worst versions of themselves; Ie. William becoming Maxwell, inadvertently ruining Charlie's life, getting her killed and starting a kidnapping spree, trying to take someone like Witherstone straight up out of spite and personal grudges.

Willow burning down the Orphanage and seemingly appearing to show no remorse or internal conflict afterwards (whether there were other kids or not– but let's be honest, realistically she wouldn't have been the only kid in there).

Wagstaff genuinely trying to help people (while also taking secret payment from them, because while they are rich, he's seemingly broke, seeing his apartment and junk.) but he still goes out of his way to save their lives, until he stumbles upon the projector which is filled to the brim with nightmare fuel– I think you get the point. You could easily assume that humans getting in contact with this substance tend to become more callous of the others' general well-being.

Aside from that, it's fun to portray how Wagstaff's and Woodrow's relationship used to be. I always thought Woodrow used to highly admire Wagstaff and think of him as a mentor or father figure of sorts, while Wagstaff definitely was impressed with their skills, and who knows, maybe even cared about them somewhat as well.

People tend to villify Wagstaff while making WX appear blameless and an innocent victim, which is strictly false. I LOVE WX, but they are screwed up and evil, that is no act. I wanted to highlight this aspect of them here, they appear to have good intentions, but they don't care about what his needs and wants are here. They're trying to appear noble by wanting to save him from his awful flesh, but in reality, as soon as he begins doubting them and claims their project is hazardous and needs to be nullified, they immediately turn their back on him and attack him. Of course their plan fails and they end up in the Constant, bearing spite and resentment towards him, as well as a lot of internalized contlict. They don't fully hate him, because to an extent, they were the one who took things too far.

In a way, both of them appear to share the trait of : If it doesn't work, get rid of it and start anew, and whilst this mentality mostly applies for organic creatures in WX-78's case, Wagstaff is more double-sided.

No, but I genuinely love this old man and want to explore his lore, why he is as fucked up as he is, because he's a very interesting and fleshed out character!

#dst #dont starve #don't starve together #dst wagstaff #dst wx78 #dst fanart #digital art #familial shit #got that #stop all the wagstaff hate

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moodymisty · 9 days

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Author's note: Inspired by this post, and @kit-williams life changing addition

Relationships: Mortarion/Fem!Reader

Warnings: Some NSFW references

“Care to play a game with me brother?”

Sanguinius looks to Guilliman with a smile that he does not return.

“Not particularly. Though I imagine this wasn’t actually a question.”

Sanguinius smiles wider, before pointing someone out among the crowd of bodies.

“Do you see that young lady over there, in the purple?” Guilliman spots you among the crowd of marines shuffling to return to their drop ships.

“Yes, and?” Sanguinius has the expression of a man who knows something his others do not, which fails to amuse Guilliman in the slightest.

“She is the lover of one of our brothers. Care to guess who?”

Guilliman gives him a look of surprise that is uncharacteristic of him. He had assumed you were a remembrancer, a navigator perhaps that looks oddly more human than they usually do.

“One of the Primarchs has taken a consort? That is-“ Sanguinus waves his hand and brushes off the man’s words.

“Unimportant. Guess.”

Guilliman sighs- displeased at being interrupted - before he looks back your way, and thinks.

“Vulkan.”

An obvious choice; Vulkan is both kindhearted to unaugmented humans and is frequently around baseline populations, but Sanguinius shakes his head.

“Fulgrim.”

He’s had wives before, though he thought the Phoenician swore off it because of heartbreak. Sanguinus shakes again.

“…Magnus?”

Guilliman's voice raises in a now genuinely questioning tone. The fabric of your robes is similar to that of the Thousand Sons, but Sanguinius shakes again- Guilliman expresses his distaste.

“Sanguinius this game is ridiculous and I-“

Guilliman stops when he sees Mortarion walk up to you, saving you from being lost in a sea of marines. He looks down at you with his discontent neutral expression, the decayed skin of his lips shifting with thinly veiled irritation. His limp grey hair falls in chunks around his face, and without his mask, he lets out a cough before composing himself.

He reaches a hand out to grab your arm, and you bite your lip. You say something Guilliman cannot hear nor read off your lips, but it’s something that visibly surprises the primarch.

Guilliman is stunned into silence before quickly stammering.

“That is not true. There is absolutely no-“

Sanguinius laughs, overjoyed to see Guilliman’s genuine shock.

“Oh I have proof brother. Besides their loving gazes in public eye, my Sanguinary Guard… Quite unfortunately seemed to pass by Mortarion's private quarters on the way to mine and overheard some disquieting things.

“Mortarion!”

There was the sound of wood slamming against the wall, the sound of flesh and skin. A woman’s screams echoed through the walls as more concerning sounds slipped from the safety of the primarch’s chambers.

“Mortarion! Please!”

Sanguinius is still disquieted by it. ‘Mortarion is torturing serfs’ his guards had thought and told him, before their helmet recordings had realized they greatly misunderstood.

An awkward conversation, that had been.

What a beautiful woman you were, smiling up at Mortarion with eyes so full of love Sanguinius hadn’t thought it possible. To think you love a man stuck in a cycle of disease so readily and fully.

And deeply, judging by the slamming his guards had overheard.

Guilliman looks a bit paler, watching Mortarion shove you forward to follow his men.

“I… must go. I would thank you for your time but given what I have learned today, I quite honestly don’t believe it deserves gratitude.”

Sanguinius laughs with his entire chest, patting Guilliman on the shoulder.

#Mortarion x reader #mywriting #primarch x reader #warhammer 40k x reader

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oncasette · 9 months

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FANGTASIA. send in a character from my guide + one of the prompts below for a drabble!

how about... "you shouldn't have touched them. every single mark on their body is going to be returned to yours." wiiith our mans eric northman!

please, thank you, love youuu!!! 🩵🩵

𝗛𝗘𝗟𝗟 𝗖𝗢𝗨𝗟𝗗𝗡'𝗧 𝗛𝗢𝗟𝗗 𝗠𝗘 𝗕𝗔𝗖𝗞

eric northman x fem!reader

summary: 1.3k

You’d had vampire blood. Pam and Chow had been gracious enough to offer you their wrists months after you’d started working at Fangtasia, a safety precaution as they’d claimed. You'd had Eric's blood. He could feel your fear, he knew where you were, why wasn't he coming?

or the one where eric saves you from an anti-vampire rights enthusiast.

warnings: canon-typical violence, blood, death, kidnapping, stabbing

a/n: i know i said drabbles but i couldn't contain myself. i am violently ill with my love for this man.

masterlist | taglist

You think you're dying. surely. There's no way the human body would be able to endure this much pain without ultimately giving up the ghost, right?

You never should have gotten involved with vampires. They were nothing but a bucket of trouble, as your mother would have put it. And has she had put it, a multitude of times, before she'd ever even known you'd applied to work at Shreveport's resident vampire bar.

What she didn't know, though, was how incredible they could be. How, even without all their supernatural abilities, intensely good they could be when they decided they wanted. How loyal and caring and kind when they chose to do so. Just how beautiful they could be, fangs and all.

‘Course, there still was that whole bucket of trouble thing.

"You sure are pretty for a fangbanger," your captor drawled from where he was watching you from across the room. He'd tied you to a chair at the center of it, thick scratchy ropes binding your wrists to the unlaquered wood beneath you. You spit, knowing that it won't reach the man from this distance, but hoping, almost willing it to hit him squarely between the eyes.

“Fuck you,” you say.

“Ooh,” he whistles. “You’ve sure got a mouth on you, sweet cheeks. Why waste it on one of those dead fuckers when you could have someone with an actual, bleeding fucking heart?”

“You’re a waste of skin, you piece of shit,” you huff. Not that it was any of his goddamn business, anyway, but you had only ever slept with one man, and it sure as shit hadn’t been one of your bosses.

“Aw, c’mon. I bet you get so cold after one of them vampers is inside you, don’t you. All icy and chilly like. Let me give you a little tip, sweetheart. Humans. Need. Warmth.”

“You say that as if you aren’t a fucking sad sack,” you say. “What a sorry excuse for a human, huh?”

“What’d they do to you, huh, girl? Did they glamor you into only wanting a dead man’s dick?” he asks, slowly shifting and standing from his stool so that he could approach you. Despite their constant–and half-hearted–threats, you’d never been glamored by your vampire coworkers. Your breathing shakes as he approaches in swift steps. It’s then that you see the knife in his hand.

For the first time in a long time, you realize, genuine fear strikes through you.

“I’m gonna teach those vampers a lesson,” he says. “And you’re going to help me do that.”

The knife trails along your collarbone. You're glad it was as dull as it was, knowing if it'd been sharper it would be slicing the skin open in its path down. Then he presses down harder. You can’t muffle the whine as it escapes you, no matter how much you want to. No matter how desperately you wish to not show the man that he holds any power over you. You can feel the blood seeping out of the wound. It dribbles down your chest in a thick stream as it pools and stains the gray cotton of your t-shirt.

“Stop!” you plead. He chuckles before driving the blade deeper into you. With feeble force, you try to get him off with a stunted kick to his knee; It was all you could manage with the way your knees had been duct-taped together.

“Bitch!” he heaves before rearing back to slap you with the bladeless hand. It slashes your cheek, shallowly, thankfully, but you can feel the ache of where his hand had connected with your cheekbone. “You’re gonna regret that.”

He takes the knife and stabs it into your side, just narrowly missing your ribcage.

Before you can manage out even a wince, the door to the small shack you’d been held in for the last few hours splinters and it unceremoniously removed from its hinges.

Eric says nothing as he rushes in. You barely register that it’s him save for the split second image you’d captured from where he’d lingered in the doorway. Your captor is off of you instantly, though you’re still bound to the chair. Eric stills. Wind warps around him as he does so, wrapping him in a flurry of movement as he stands with the man locked in his grasp.

“You never should have fucking touched her,” Eric growls with his fangs fully extended, grip tightening around the burly man’s neck and raising him inches off the ground. There’s not even a hint of the usual smirk you were so accustomed to seeing. “Every single mark on her body will be returned unto you tenfold.”

“She fucking deserved it,” he gargles as the vampire latches onto the expanse of neck not currently held within his hand. The man screams out in anguish and you pull your eyes tight to avoid watching any more. Of course, that doesn’t stop you from hearing. The screams and the rips and the crunches. You hear something hard and solid hit the floor and somewhere deep in the pit of your stomach you know it’s bone.

You hear the man gasp out a dead fuck only for Eric’s grasp to tighten fully, effectively severing the man’s skull from his spinal chord without detaching it from his body. The man drops to the floor with a loud thump and Eric shoves the corpse away with the toe of his shoe before he moves toward you.

“What took you so long?” you exhaled as he moved behind you to unbind your wrists.

“I was away on business,” he gruffs, spitting slightly to get the last of the man’s blood out of his mouth. He’d already drunk his fair share, you thought, what good what that do?

Swallowing, you ask, “And you still came?”

He walks back around to begin undoing the restraints on your legs. He’s being so gentle, you realize. If he’d wanted, he could have had this done within seconds and yet, here he was, tenderly undoing the tape and rope and rubbing a soothing hand over the abraded skin.

“I’ll always come for you,” he says. “Until I meet the true death, I will always come for you.”

He extends his wrist up to his mouth and you wince as he punctures the flesh.

“Eric,” you sigh.

“Drink,” he says.

Nodding, you allow him to bring his wrist to your mouth and latch down on the leaking wound. It’s tangy and metallic and overall pretty gross, but you’re more than grateful for it at that moment. You lick your lips when he pulls his arm back down, the small bite marks already well on their way to closing completely.

“Will you take me home?” you ask, suddenly overwhelmed with the wave of fatigue hitting you.

He rises back to his full height and extends a hand out towards you. The second you grab it, he’s pulling you up from your chair to hold you flush against his form. Then, in another rush of wind, you’re standing on your front porch.

Slowly, you pull away from the vampire to take a step towards your door. Your body aches, but it’s already mostly healed as you run a hand over the small incision at your waist.

“Thank you,” you say. “Eric.”

He’s silent, looking you over in a way that you can’t help but think is more than just an assessment of your injuries. He settles on your eyes when he says, “Anytime.”

#eric northman #eric northman x reader #true blood #true blood imagine #alexander skarsgard #alexander skarsgard x reader #r's 3k

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jazzyblusnowflake · 6 months

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OKAY SO

since yall wanted me to talk more about this Demon!Uzi and Hunter/Exorcist!N,V,J au I'm just gonna write down my ideas here just to get them out of my head-

thanks to @purrple-bat for helping with some of the ideas :D

some details may be nsfw cuz i mentioned it previously so that's your content warning🔞

also there may be plot holes and its not fully complete or whatever im just trying to get this out of my head 😭 main ship is NUziV // ViolentBitingBiscuits

the Au is an urban setting- not a forest and fantasy dnd kinda thing-

Tessa is the leader of several groups of teams that are demon hunters and exorcists.

J, V and N are in the same team and those are their codenames.

Uzi is a halfie, with Khan as the human parent and Nori as the demon parent. they are referred to as "Changelings" too.

Uzi cannot be exorcised from her demon side or she will become a mindless unresponsive zombie. methods have still not been found on how to exorcise these demons and disabling their powers without killing them, mostly due to the lack of anyone caring.

Demons feed on different things related to humans, mostly their emotions, with a heavy preference on fear, pain, anguish and etc

some more bolder demons will kill or drink blood of humans but even in the demons society that's a taboo and if any leads are traced back to you being a demon, you will be eliminated by your own kind before the humans can get to you.

Uzi was caught by accident, fully blended in as a human.

She's cheeky and likes making humans miserable and playing around with them, but she's not really one of the threatening ones, she doesn't want to or care about hurting them.

Doll is a full demon and is kinda like a sister figure to Uzi [but not really cuz sometimes they f-], always advising her to get away from humans and she might end up getting hurt or some shit.

Nori has multiple lovers, she feeds off the love and lust but she considers it a just a treat, she's actually one of the most powerful demons around and absolutely loves feeding off of nightmares, trauma, horror and dread. she does have a soft spot for khan tho as her only human lover. khan is generally just dumb for loving a demon as his wife. smh

Nori is a high ranked demon meaning she could share her energy with other demons if any of them would want to pass as normal humans and just live in society. also could send out demons to capture or punish one of their own for breaking rules.

Uzi starts out weak but upon capture, bluffs a lot about how powerful she is and that she likes to play around with them.

They keep Uzi to get information out of her about other demons.

On attempts at getting away she does end up getting closer to N.

Uzi likes feeding on misery and angst but the genuineness of Ns affections made her thirsty for more.

She ends up also getting closer to V from bantering and sometimes talking about stuff and etc and sometimes sparring and fights when she attempts to escape. N saves V at one point before Uzi did some real damage. V grew to actually respect her more after that.

Uzi was let go after a while since they checked and she wasn't really at a power level to threat anyone [much to Uzi's resentment that she could be powerful if she wanted to >:( ]

Hunters and exorcists have magical seals hacked into their bodies for protection. their arms have these symbols that can be used as weapons that appear in translucent shapes like claws and shields and swords. 5 pair of vertical eyes appear above their heads and a glowing X marks their face when they are using their powers- marking that the demon cannot get into their heads. their eyes glow gold once using their powers despite the original color of their eyes.

the same kind of powers and seals appear on demons but they don't hack it into their bodies, they gain it with ranks. demons have human forms and demon forms, changelings are just weaker from the beginning. unless they are possessed...

V and N start giving Uzi "treats" whenever she helps them out in catching more dangerous demons. this ranges from kisses, bites, their blood toooooo more intimate stuff :3 at first this starts out as an idea to get her to talk but after a while V couldn't help but to feel affection towards this pint sized little gremlin.

Uzi gets overwhelmed when she is showered with affection by being in the middle of V and N, she is touch and affection starved and she gets easily addicted to it, wanting to claim the two as her own.

V and N putting seals on Uzi that makes her enjoy their touches and intimacy more but edging her and keeping her from releasing until she gives them the info they need. Uzi probably would tell them the info anyway- she just likes to see how far she could handle the two before she breaks into a begging, pleading mess.

Uzi purrs and does everything in her power to keep anyone from finding out...

Drinking demon blood makes Hunters gain more power, and drinking human blood makes demons feel pleasure and ecstasy as well as gaining more power, especially if the human is a hunter/magic user.

Uzis wings are sensitive and she likes to clean them with a wet cloth. N and V like to help her with this. and her tail mouth too lol.

The demons have a hellish demon sect that even they all fear... i think you can guess who the head of it is...

Aaaaand i think thats all for now idk. bye- //exploads

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wavesoutbeingtossed · 5 months

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To continue riffing on the marriage/tradition stuff because that’s one of the themes I’m obsessed with in her discography, it’s fascinating because it would be easy to reduce it to, “she’s adhering to patriarchal societal norms in chasing the traditional nuclear family and that’s why she throws herself into these relationships,” but it’s just so reductive to well, how human beings exist in the world. Just because it’s a societal pressure doesn’t mean some people don’t genuinely want to get married or have families.

Yes, she’s been singing about it right back to her first album when she as 16. Yes, her view on it has evolved, from marrying the sweet neighbor boy to the princess fairytale early on (debut/fearless), to the disillusionment that increasingly pushed it out of the narrative (speak now/red/1989), to slowly letting herself believe in forever again (rep), to seemingly actually committed (lover), to questioning what that means (folklore/evermore) to trying to reconcile what it means for her current life (midnights). Every relationship she experienced throughout those periods informed those views and how *she* pursued it.

I think what makes it so interesting on TTPD is that it is EVERYWHERE, as I mentioned in my previous post about it. And it’s unsettling because it’s not just in the setting we expect it to be — e.g. a long term partner she’d previously indicated she was ready to marry — but also in songs about a man who swooped in to save her when she was low only to break her apart, in thinly-veiled fantasies about strange bedfellow neighbours, another thinly-veiled story about marrying the person you want consequences be damned, in taunting your on again/off again partner in a bar (e.g. i want to smash your bike or be your wife).

And it’d be easy to chalk it up to, well she’s in her 30s and the clock is ticking, she’s just obsessive! And there’s a nugget there about women and their bodies and both the lauding and weaponization thereof and everything that personally I’m dying to talk about at some point. But when it comes down to it, I’m willing to bet that the reason why it’s everywhere is because THAT WAS HER LIFE. That was the plan she’d taken for granted for so long — and I don’t just mean in a general sense as a girl in the world — but in the very real, very tangible way she was living her life and in the circumstances that led to what would be written about in TTPD. By working out all these scenarios through her songs (and tbh in whatever she was doing IRL that inspired them), she was grappling with and grieving the loss of the life she thought was ahead of her. We’ve talked about how pervasive grief has been on her recent albums, in all kinds of forms, and I think this is kind of the culmination of all of those worries.

She’s not the girl with the paper ring and all’s well did not end well to end up with him. She’s not the girl who has his midnights after cleaning up bottles on New Year’s Day. She couldn’t give him her wild or a child because it wasn’t enough. She may have even been the self-fulfilling prophecy of the girl who is fucked in the head, but feels more like the one left out on the landing.

So in TTPD, she is all of these things. She’s the neglected wife whose husband cheats on her so she runs off with an old flame. She’s the one who gets the jewel on her ring finger and talks about babies because he says it’s love. She’s the woman whose partner once made a promise but never followed through. She’s the hell-raiser who follows love in a different kind of getaway car while the town calls her mad, consequences be damned, but joke’s on them because she gets the wedding in the end anyway. She’s the wife who feeds her cheating husband to the swamps of Florida. She gets swept off her feet by an old flame to run down the aisle. SHE’S the one who gets to decide if she’s gonna marry him or decimate him (be his wife or smash his bike). She’s the girl who didn’t become the wife while she watches the one that got away marry his. She’s the woman scorned who has to call the whole thing off. She’s the saucy girl who bets her new lover is gonna marry her for real. She’s sold off as chattel to the highest bidder in an arranged marriage. She’s the young girl starry-eyed with the dreams she grew up with only to have them go up in flames, leaving only her pen behind to turn it into art.

She navigates all these scenarios because in the end, she isn’t any of them and she is all of them. She’s mourning what she gave up, mourning what she’s already lost, mourning the time she feels she wasted and could have started over. She’s mourning any number of women she could have been if she’d just tried something else, but also mourning that ultimately much of this was out of her hands. She’s grappling with a past that can’t change and a future that doesn’t exist. Every one of these scenarios is a way her life could have gone with any number of different decisions, but in the end, none of that matters, because she is who she is and what happened happened.

Obviously there’s a lot more going on in the album; she’s not just processing the end of relationships, she’s processing her fame and career and health and harassment and trauma and struggles and misogyny and any number of things in frankly shocking ways. But, I think there’s also no denying that this very important thing — the step many young adults expect to take in their lives — precipitated a whole lot of what went on, and may have even had a domino effect on all the other issues explored. It’s raw and vulnerable and ugly and funny and human.

Anyway apparently I’m back and thinking.

#maybe i should not sleep more often #the tortured poets department #writing letters addressed to the fire

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sadokasochism · 5 months

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I am destroyed over the whole god/worshipper dynamic and have no idea how to adequately put it into words.

I mentioned in another post that Mizi could not fathom Sua ACTUALLY dying, or comprehend what death really meant, and attributed this to her relatively comfortable and sheltered life as the pet of Shine. She was not taught to conceptualise death as a loss, and she never faced any opposition to that world view. From what we know, she might have never really known true, lasting pain or loss before the end of Round 1.

However, her reaction could also be due to her placing Sua on a pedestal as her personal god and universe. She viewed Sua as her absolute everything, and why would any faithful worshipper believe their god could be killed? Only, while Sua was everything to HER, that perception did not carry over to their captors. Mizi's love and devotion was not enough to save Sua. Forces stronger than them both took her away like she was nothing.

How must Mizi have felt, having her perception of Sua as the centre of the universe shattered that way? Coming to the violent realisation that Sua was just another human, and that humans are indeed that vulnerable and disposable? That Sua could now only exist in memories and in the visions that haunt her? That Sua is not a god, but a ghost?

Now we look at Till's perception of Mizi. Again, in an earlier post I mentioned the tragedy of Till falling for someone who did not have a reason to leave. He had a lot of blind faith in Mizi, and it could be said that he idealised her as a paragon.

It's not hard to see how he reached this point. The poor kid had not been shown a lot of kindness in his life, and so meeting someone who was genuinely good and so full of joy must have had a huge impact on him.

However, his faith is still a blind one, but in a different way to Mizi's blind faith in Sua. He is happy to endure any amount of horrible treatment and does not expect anyone to help him. He doesn't resent Mizi for being so close to their captors, for her dreams stopping at Alien Stage. He doesn't resent her after he gives up on his chance at freedom and is subjected to who knows how many more years of pain and torment at the hands of their captors (Not that Mizi is at fault, Till made his own decision that Mizi likely never even knew about).

He sees Mizi's innocence and ignorance to the cruelty of their reality as something wonderful instead of a character flaw that prevents her from saving herself or her loved ones.

Sua has the same issue, seeking comfort and bliss within Mizi's brightness instead of acknowledging the cruel reality of their world. Maybe she felt sharing her perspective with Mizi would dim Mizi's bright spirit, and so she was more than content to wait out the clock with her god.

Maybe Sua felt that meeting Mizi, loving her and being loved by her in return, was nothing short of a miracle after the life she had lived before Anakt Garden. Maybe she felt in light of that, aspiring for something like freedom or a long, long life of happiness with the person she loved the most was asking far too much. The time she got with Mizi was already a miracle, why expect or demand anything more?

If Sua was afraid of Mizi losing her brightness, no wonder she was so affected by Ivan's lecture about becoming a source of trauma for Mizi after her death.

Ivan's view of Till as his god is a bit different. He is similar in that he doesnt seem to demand his devotion be reciprocated, he just wants his god to acknowledge him as a person, as someone that is at least PART of Till's universe, if he can't be all of it.

He is also very willing to become a martyr for his god while expecting nothing in return but Till continuing to live. He acknowledges Till as vulnerable and falable in a way that Till doesn't with Mizi, and Mizi didn't with Sua. He knows damn well that while Till is the centre of HIS universe, their captors certainly do not hold Till in that same regard. He knows that love and devotion in a vacuum does not save anyone.

Which is why he was always the one to free Till, to try and escape with him, and why he pulled the stunt he did in Round 6. Ivan knew that actually making an impact in this world required personal risk and sacrifice, because their captors don't give a fuck if you're in love or if that other pet-human they're about to kill means everything to you.

Till knew this too, but his idealised version of Mizi is too perfect to be broken and beaten down by this world the same way the rest of them have been. So he's still shattered by Round 5, seeing how far Mizi has fallen and then not knowing if she's alive or dead, but knowing for sure she is far out of reach. I wonder, did he regret not running away with Ivan at that point? Did he wonder what all those years of suffering were for, if he was just going to end up losing Mizi anyway? If this world was able to break her too, no matter what he did?

Mizi is gone and changed forever, and nothing he did could stop it. His love and devotion and sacrifice wasn't enough. He failed his god.

In Round 6, Ivan is faced with the same thing. His god has lost his fighting spirit, is changed forever, and Ivan's love and devotion wasn't enough to save him. The last thing he can give is his life, and hope that will be enough. Just like Sua. But he was never Till's god, was never even part of his universe, he probably won't even leave a ghost behind. So, the choice is obvious, really.

They're all so desperate for hope and connection in this lonely, painful existence that they make a person their entire universe, and then are repeatedly crushed when they are shown again and again that their soul-consuming love for one another is seemingly meaningless in a world that views them as infinitely disposable.

#alien stage #alien stage mizi #alien stage sua #alien stage ivan #alien stage till #alnst #alnst mizi #alnst sua #alnst ivan #alnst till #mizisua #mizitill #ivantill #basically i will never know peace again

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hamliet · 8 months

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Hazbin Hotel Has Better Theology Than Most Modern "Christian" Stories

As a Christian who was raised in a fundie cult and escaped to now have a far healthier and vital faith, I genuinely really like this show. The songs are bops. The characters are well crafted and interesting, and likable too. The art design is bizarre but appealing.

And, as a theology nerd who studied theology as part leaving said cult and also has since gotten papers published in theology, I'm actually fairly impressed by the show's handling of theology.

No, I'm not expecting the story to preach or even like, be explicitly Christian in a lot of ways. But it's taking a lot of the really beautiful aspects of Christian theology and re-contextualizing them in a way designed to provoke thought: by juxtaposing them with the antithesis of what you would think, by making demons heroes. In my opinion, this makes the beauty shine brighter.

Yeah, yeah, it's designed to be offensive and obscene in a lot of ways. Yet, it's never (thus far) mean-spirited. On the contrary, it seems to have a big, beating heart at its core that is perhaps best embodied by Charlie Morningstar, its protagonist and the daughter of Lucifer and Lilith.

Critique of the Church, with Caveats

The story works best with an interpretation that heaven isn't actually heaven or God (who has been conspicuously absent), but instead as a critique of the church. Specifically, the evangelical American church, and specifically, white evangelicals. (Same as She-Ra's premise, actually).

God's absence therefore makes sense, because while Christians do believe God is present as a living reality among us, we also can't like, see him physically now. So, God being not even mentioned in HH makes it seem more like a mortal reality rather than an immortal one. Honestly I kinda hope God doesn't appear in the story, not only because I think it could cross some lines (which is admittedly personal), but also because I don't see that the story really needs it.

Adam in particular reminds me of every "theobro" on Twitter (I'm not calling it what you want me to, El*n). Basically a dudebro coopting his supposed salvation to flex in an often misogynistic way, who doesn't realize that he has absolutely no love in him and therefore is actually a worse human being than everyone he condemns on the regular.

(Which is kind of why I'm expecting Adam to wake up in hell next season...)

Think red hats. And Mark Driscoll. And, I have a list of pastors. Sigh. They advocate for how "simple" Christianity is, except they themselves make it ridiculously complicated and don't even examine what they suppose is "simple" if it requires them to take the planks out of their own eyes. "Shallow" is a better description of what they actually preach.

But what sends people to hell or heaven anyways?

Eschatology and Atonement Theory

Hazbin Hotel combines a lot of theories, throwing not only the idea of a physical hell (albeit mixed with Dante's idea of what hell is the Inferno, but to be fair a lot of the church has adopted that idea too) but the idea of annihilation, which HH calls "extermination."

See, in Christianity, there's a lot of debate about hell. Like, since 2000 years ago. The reason is because a lot of Bible verses seem to indicate hell, but others indicate the eventual redemption and salvation of absolutely everything in the universe, so you have Christian universalism tracing itself back just as long. But, setting aside universalism, people who do believe in hell tend to fall into one of two camps:

Physical hell, aka suffering for eternity, or annihilation: the idea that souls that aren't saved end up annihilated, or snuffed from existence. HH combines both of them, wherein everyone lives in hell but then every so often heaven "exterminates" a certain number of sinners.

And then you also have Catholic purgatory, which is also adapted in HH in that... for most Christians, physical hell doesn't offer the ability to redeem yourself. Chance over, you're dead. But, Catholic Christianity, which draws on ideas of praying for the dead, has the idea that people can improve themselves or be prayed out of it and into heaven. This seems to be somewhat similar to the idea of Charlie's hotel, in that sinners can improve, redeem themselves, and rise to heaven.

And, I mean, it's already kinda worked. Sir Pentious acted out Jesus' words: Greater love has no man than this, that he lay down his life for his friends (John 15:13).

But anyways, the branch of theology that deals with the afterlife is eschatology. And Hazbin Hotel takes on a related form of theology as well, a type of theology I've only seen covered in stories once before (The House in Fata Morgana): atonement theory.

Atonement theory is something I remember well from my theology 101 class, as in I remember sitting with a friend and her turning to me and being like, "okay, so we know Jesus' death and resurrection give us eternal life, but we have no idea how or why?" To which the answer was "basically, yeah."

Most of the white, American evangelical church is very "penal substitutionary atonement," but the reality is that this theory has only been popular for the past few hundred years. It's also, imo, somewhat scripturally unsound. But there are a lot of other theories, and sometimes the theories overlap. Here's a fairly decent summary. (I'm in general a believer in Christus Victor.)

So how does atonement theory tie into Hazbin Hotel? Well, essentially the scene where Charlie and Vaggie are debating with Emily, Sera, Adam, Lute, and others in heaven is them going over various atonement theories and realizing that they actually know nothing at all. How does one get to heaven? How is one saved? They don't know.

Sera criticizing Emily for asking questions was also very relatable, and I feel for Sera. She's genuinely scared but the truth will set you free, Sera. John 8:32. Anyways, the point is like... the angels are an organized religion, an evangelical church, that preaches about simplicity but mistakes shallowness for simplicity and discourages depth and discovery.

Anyways, the whole crux of theological study and atonement theories is that they should promote humility. We don't know for certain on this side of the curtain. That's okay. So what do we have to guide us?

Love. After all, God is love (1 John 4:8).

Charlie is Jesus

"Why would you endanger your immortal life for these sinners?"

Adam, the absolute worst, says the above to Charlie in the finale.

I mean... look. That's literally the premise of Christianity. That the immortal son of God comes down to earth, lives with sinners, loves us, and dies to save us. However that happens. Charlie even responds:

"They're my family!"

In other words, she loves them. Yeah, sure, they're destined for extermination, but they are going to be exterminated over her dead body.

In a lot of branches of Christianity, and even in some creeds--though I'm going to give into my pet peeves here and state that it is NOT Scriptural and relies on the faulty assumption that God is bound by time, when I think God exists outside of it--state that Jesus descended into hell after his death and took all the souls of people who were saved prior to his coming to earth to heaven. Again, I think that's small-minded at best. But, the idea that Charlie is working among them to bring them to heaven is pretty reminiscent of this idea. And I don't hate it lol.

Charlie sees worth inherent in everyone, and no matter what they've done, thinks there's a future for them. Honestly we need people like her on this earth.

Angel Dust

Angel Dust is clearly my favorite character. Bite back your shock, I know (I have a type). But his name is also a fascinating multi-layered pun.

Angel is clearly foreshadowing his endgame. Let's be real, we all know Angel is ending up as an angel. And "angeldust" is of course a name for PCP, and considering Angel's drug habits, yeah.

But, dust also has another meaning to it. See, when Adam was created in Genesis 2:7, the words in Hebrew are "apar min ha'adamah," which is translated literally as "dust of the ground." So the dust is what creates Adam, literally "ground."

In other words, I very much expect Angel Dust to end up being foiled with Adam even more so. Adam might be the first man, but Angel is the first sinner working towards redemption. And let's be real, for all Angel's flaws, he's already a better person than Adam. And if there's any hope for Adam (not that I particularly care if there is but) it'd be through realizing that he and Angel aren't actually different after all. Conversely (and not necessarily mutually exclusively), Angel might serve as a more symbolic "adam" in that he becomes the person all sinners look to for hope. Which, y'know, since "the last Adam" is also a Scriptural term for Jesus...

And so it is written, “The first man Adam became a living being.” The last Adam became a life-giving spirit. (1 Corinthians 15:45).

I fully expect Angel's arc, alongside Charlie's, to bring life and redemption for everyone around them. Maybe, maybe even the dramatic "all" of Colossians 1:20 (which means, literally, all, everything, everywhere, in the entire universe).

Closing Thoughts

But honestly, regardless of how the story ends--besides that it will presumably end happily because HH is at its core feel-good despite being profane--season one at least has got good theology. Why? Because it's digging into the questions that theology is concerned with. It's digging into the ideas of human nature, of what it means to be a good person, of what it means to redeem oneself, of affirming how precious each individual human soul is.

It doesn't offer cheap answers, and it specifically calls out the white American evangelical church for how it purports to be simple but actually just confuses people and punishes them for things they can't help, that creates more stumbling blocks than it does shine a light. And it does it in a way that is scandalous. Offensive to many religious people.

But, y'know, Jesus was pretty scandalous too.

So I really love the story so far because it emphasizes what I find so beautiful about my religion, and criticizes the parts that have also hurt me. I don't think it's remotely aiming to be a Christian allegory or anything like that, and I don't at all think anyone has to be religious to enjoy it or gain the core message of it, but I do think that it's doing a hell of a lot more good in the world message-wise than most evangelical movies of the past 30 years.

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