#but actually it didnt bother me at the time

[elainsgirl]

what's with this obsession with banter? But also completely ignoring Azriel not liking banter?

It's like they're incapable of reading a story as it's own story and can only think in tropes. Banter = romance so banter needed for romance. If not banter = no romance. Except for this character they are trying to fit into this trope, he doesn't like banter. It's a square peg and a round hole.

Azriel gets headaches from his friend groups banter. Canon Az doesn't need an LI that banters with him. This isn't hard to understand. Sarah has made that really clear about az. But people aren't even reading the books as they are. They are thinking in tropes and try to fit a trope onto a story where it doesn't fit. At least this is how it seems to me. What do you think?

Hey anon 🫶

Remember how I went on this spiral about popular tropes nowdays such as Enemies to lovers and common microtropes such as “banter” taking over the book community/ publishing making them very common, favoured tropes to find nowdays which leads antis to insert these microtropes onto gwynriel/elucien bcs they’re not actually considering what the characters want or how the characters are personality-wise, they just want a book catered to their preferences with the dynamic/tropes they like even if it makes 0 sense for the canon characters and how they’re written.

Is Azriel a character that banters? I can’t see it. I can see him giving a jibe here and there but full on bantering and going back/forth with someone? Does not seem like him. Same w Elain. Elucien stans want her to “banter” with Lucien or Lucien with Elain but does that fit Elains’ character? Again. Not really. Does that fit eluciens dynamic? No. Lucien is awkward around Elain. Elain uncomfortable around him. They don’t have the tension or chemistry needed for successful bantering. Unless ofc, you change Elains/Azriels personality which eluciens/gwynriels do. And if you have to change a characters’ personality to suit your ships wishful, fanon dynamic better… guess what? Its a form of self-inserting.

Not every relationship will have banter as it does not suit every dynamic or character. Both Az amd Elain are funny, witty people who deliver hilarious, sassy one liners but they’re not people to stand and go back/forth with teasing someone. You’re completely right. Azriel does not need someone to constantly banter with. He needs someone who can calm him and be his quiet place. Someone who he can just exist silently with - which is Elain. Both of them spending time, lounging about in the garden together. Cherry on top - Az and Elain do have the same humour and can make each other laugh.

This is exactly my point - Elucien & Gwynriel is based off on fanon dynamic their stans have created (as Mass didnt bother to do it) with a bunch of popular tropes inserted in. Which yh, they can have fun and do that but can’t compare it to a developed ship w an established dynamic like elriel. You can compare it to other crackships tho like targwyn. Gwynxbalthaazar. Jassa.

[todayisafridaynight]

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[ganondoodle]

wait i just realized... the mastersword isnt even important enough to warrant zelda doing to such extreme lengths to repair it bc its NOT EVEN REQUIRED FOR DEFEATING GANONDORF

idk about you but the mastersword being not just this weak after all this but also not even required is like ... hurting the whole plot SO bad for all that zelda knew she was basically killing herself by doing the dragon thing ONLY for the mastersword, which isnt even needed to reach the end why do the dragon thing at all??? she could have put it in some other divine place for it to recover (she knew where the springs are, she knew where the krog forest is, heck she even knew where the forgotten temple is BC THEY WERE ALL THERE* and im not going to belive any of them came into existence afterwards), in botw it took 'only' a 100 years to regenerate the damage it took in botws past which, while not as extreme as in totk, was pretty bad! yeah it gets outright broken in totk but like ... really? far over 10 000 years to recover it? through ZELDA? one of the most divine being IN THE FORM of one of the most divine beings aside from the very gods themselves?? whats the use of it being able to regernate if it takes THAT long?? feels easier to forge a new one for that matter?? and the excuse that "it needed to be able to resist miasma" is like .. why tho? yeah ok fine i could do the entire bossfight with JUST the mastersword, but again, its not required! i can do it with anything else!! and its doesnt cleanse miasma either, like the sword did in tp when you could do away the twilight stuff when it got the super glow stuff so its really like ... she did that JUST for the sword? really? the fact that her becoming a dragon is the way to get her back into her time isnt something she could have known and it working out like that makes it feel like a massive fail of the writers bc it makes it feel less like an actual decision she made for good reason and more bc its a decision the writers made bc the writers already knew where it would end, the writers knew shed be turned back in the end no problem so they had her do the dragon thing despite it being pretty senseless from her perspective

(wouldnt it have felt more in character and logical to put the mastersword somwhere safe where it can recover over all those centuries and search for a way to return to her time herself? like in these two games ZELDA feels like the more important thing that the sword, -zeldas prone to sacrifice herself for other- WHY! its better for everyone if you are alive rather than dead! you got to this time by yourself and also somehow not jsut shifted the time but also PLACE bc you sure as hell didnt appear in a cavern in the middle of the land, you have wielded incredible magic before and are a researcher, surely theres some way for you to at least TRY to return on your own?? how cool would it have been to find little markers and spots where clearly she has left you some sort of message, maybe like a way for you to do something that helps her in the past, USE THE WEIRD ASS TIME BUBBLES FROM THE TUTORIAL AGAIN!! send back something she needs to return! go and talk with impa and purah to determine what shes trying to tell you, help her along the way and in the end she makes her triumphant return, having grown and learned with what she did instead of regressing her chaarcter to the big eyed maiden that you get as a reward at the end through unsatisfying bs reasons and hurray she doesnt even remember, perfect little fairytale of no consequences wahoo- im salty about this let me be salty-)

you can absolutely combine a free to explore open world with good story without restricting it by much, like locking the bossfight behind aquiring the mastersword doesnt feel like that big of a change and its not making it a whole lot more linear, most people do it anyway right?

(also a thing im doing in my rewrite of it is locking certain things for some parts, it just makes sense if you are trying to tell a story, but its pretty clear now they werent trying to do that, just throw you into a box of virtual toys, and i think thats just sad)

*yeah actually whats up with the sonau/rauru putting their little nuclear super weapon storage room inTO THE ANCIENT RELICT OF THE FORGOTTEN PAST TEMPLE BEHIND THE BIGGEST STATUE OF HYLIA IN EXISTENCE?? you cant tell me all those ancient ruins (springs, forgotten temple) were made AFTER all of the shitshow that went down in totks past; putting it behind that statue? building it into there feels incredibly disrespectful, maybe it makes more sense if you just see it as the devs wanting to put somethign new there, but if you consider it in universe its just ??? also HOW is any of it in such a good shape??, it looks like they buried sonia there a year ago, the structures look like they just came out of a 3d printer despite supposedly being older than their recorded history??

on that note ... how does the room with the order and location of zeldas tears make sense .. are you telling me someone of the past ran around after dragon zelda recording where her fucking tears went down and what markings it made on the ground and then built a room next to the nuclear weapon storage room with the laughably unceremonial grave of the fucking queen just to put all that into statue form? also none of the geographical things changed in ALL that time?? the castle is drawn on there too so i guess that was super fresh then since it "was built above ganondorf as a symbol of royal blahbla" at least in botw you had the photos on your SHIEKAH stone to recover them once you found the place they were taken in, it felt so organically integrated ..

[moeblob]

I have no idea on actual color schemes tbh but the browns are easier on my eyes on laptop so here we go

Semi-inspired by a guy I used to go to school with then later had the same job as (my first job) who was the most casual on/off dater to the same girl and it was, at times, like I was the third wheel. I walked in as a customer once while he was working and he made a face at me like he was conflicted and was like "be right back" and walked away from the register and to the back. When he returned he was wearing the same jacket as me and made direct eye contact as he said "Hot Topic?" and yeah, yeah actually. It was.

His sometimes-girlfriend was really cute and super chill with me and she knew that I was like the counter to any other people interested in her sometimes-boyfriend? Like he would actively be close to me at work in a way to rub it into another girl's face (she had a crush on him) and when she pointed out "you don't get that close to me" he put a hand on my shoulder and said "bros before hoes".

I also told him "in school when class first started I was like oh hey he looks kinda nice and pleasant but then you opened your mouth and I lost all interest" and he said "yeah that happens". (that said, we always buddied up or grouped up in that class if it was required.)

Not pictured is the actual sometimes-boyfriend to the girl.

No colors are set (hell, idek about the blue in his eyes) and idk names yet either.

[ninjasmudge]

Hi Me again, I have to ask how did you do that Bone King diamond art, did you Painfully paint each speck of ore or did you use a cheat?

essentially, it was painted mostly, but in the last picture i added sharpness to the diamond with a monochrome (heavily edited) texture that i overlayed to lighten it and add gleam :D

it didnt actaully take too long bc all the color is on one layer and the whole thing is only like 10 layers, the main thing that took me a while was actaully figuring out what it needed next everytime, i was just playin it by ear lmao

[storm-of-feathers]

If I time travelled and went to watch Jesus preach and he turned to me and in perfect modern English said "you shouldn't be here" I would be freaked the fuck out not because he knew I was there but because he couldn't stop me from being there.

[maliciousalice]

Hear me out (or don't... it's fine I'm just venting and mean) yeah um I don't believe Chakotay was saved in Prod*gy s2.

[inamagicalhallucination]

i dont think bsd is poorly written at all

[megumi-fm]

.

[hana-bobo-finch]

a strange trend in my favorite characters I realize is that I tend to heavily gravitate toward somewhat obscure, antagonistic forces

[liquidstar]

a friend who'd wait :)

[orcelito]

Several months late, the landlord finally picked up the dehumidifier from my kitchen

Would've been nice had I been told they were coming though 💀 so I could've cleaned up the grocery bags on the floor that I hadn't put away yet 💀💀💀💀💀

[ratatatastic]

"When you guys are playing and, like, we all got podcasts and there are big podcasts out there, you know, are going from series to series, and they're critiquing teams and what not—like, at the end, do you know who's chirping you? Do you pay attention to that shit? Do you know who's on your side? Do you know who's, you know, rooting against you? Do you guys pay attention to that kind-of stuff? I'm just curious." "Yeah, I think this might be the first podcast I've ever done—I'm not the biggest fan of podcasts to be honest. I think—I'm friends with that, you know, [Shane] O'Brien, and [Scottie] Upshall (2 out of the 3 cohosts of the Missin' Curfew podcast), I love those guys... so if they ask I would do it but... again they, I think—I think negativity flows through media so much that it just kind-of disgusts me and I want nothing to do with it to be honest. So I hate the negativity, I think it's crazy, I think negativity in media steers guys away from certain teams... it's like, 'Why do you want that?' right? So I don't know, I'm a huge fan of the positivity, finding the positives in players and not putting guys down especially in podcasts and stuff like that where it should be for the players, right? It should be a positive thing, something that we rally around. Especially as ex-players!" "Yeah! We're gonna pump your tires!" "That's it!" "Well, you still gotta be real though!" "No, I know!" "You know if you have a bad game—" "It's gotta be real! For sure!" "—You gotta be real! You can't fake out your audience either so it's still a business." "One hundred percent! One hundred percent, one hundred percent... and I get that but—Yeah, I mean, I saw all those Spittin' Chiclets guys all over Edmonton's bandwagon so..." "That really bothered you guys, eh? Like, I mean, you guys were paying attention to that. I mean, as evidence as well on what took place on the ice after the game... you guys weren't, like, fucking around, you were being serious, right? You guys—that really bothered you guys?" "Hundred percent." "What was it? Like, the most that bothered you about it? Just the fact that, 'Hey, you guys are rooting for them... why are you trying to celebrate with us?' I mean, was it—is it that simple?" "Exactly. Yeah, get the f—we won, get off... right? Get out of here. That's uh, yeah. I don't know, I don't want to be too controversial or anything like that. I'm a happy guy, I like everybody so... whatever." "They're all good dudes, man. Listen if they're into hockey and they're talking about hockey thats a positive one way or the other!" "Oh, they're growing the game! They're growing the game! Huge! And they're doing a great job and I've spoke with Biz [Paul Bissonnette] a few times and I know Whit [Ryan Whitney] (Cohosts of Spittin' Chiclets) and I've got no issues with any of 'em. Truly."

The Cam & Strick Podcast | 7.30.24 (x)

[downsteepy]

i am very grateful that im not someone that has to deal with daily seizures but it is evil when it takes like a week and a half's worth of business days to recover from a seizure

[sieglinde-freud]

started another file and got two really terrible pairs of siblings. arent they pretty :)

BONUS I MARRIED ONE OF EM I LOVE U FOREVER PINKNIGO 🫶🩷