#but I kind of want the library to have my money

[mariana-oconnor]

The library "request" option has given me too much power. BRING ME THE BOOKS! BRING ME MORE BOOKS! I WILL HOARD THEM* LIKE A BOOK DRAGON! MORE BOOKS! MORE!

*before returning them on or before the date shown

[synthaphone]

Death Cab's gonna have a Plans show in Chicago in August... unfortunately my enjoyment of death cab is sort of a cumulative 'i really love like, 25 songs that are scattered across their entire discography' kind of thing, so if i went to the effort of going to Chicago to see them, i'd really just be going to hear Crooked Teeth, and to a lesser extent Marching Bands of Manhattan and Soul Meets Body

[mothmanns]

nobody understands me

nvm costoluto fiorentino tomato <33

[itsalwaysdark]

that was me last year but now i sleep too much so its different

[inkskinned]

i got rickrolled today but it didn't work because i have adblocker installed, so youtube just told me i violated the terms of service. yesterday i was trying to edit a picture as a joke for my girlfriend, and google made me check a box to prove i'm human because i wasn't "searching normally".

it isn't just that capitalism is killing fun and whimsy, it is that any element of entertainment or joy is being fed upon by this mosquito body, one that will suck you dry at any vulnerability.

do you want to meet new friends in your city? download this app, visit our website, sign up for our email list. pay for this class on making a terrarium, on candlemaking, on cooking. it will be 90 dollars a session. you can go to group fitness, but only under our specific gym membership. solve the puzzle, sign up for our puzzle-of-the-month-club. what is a club if not just a paid opportunity - you are all paying for the same thing, which makes you a community.

but you're like me, i know it - you're careful, you try the library meetings and the stuff at the local school and all of that. the problem is that you kind of want really specific opportunities that used to exist. you are so grateful for libraries and the publicly-funded things: they are, however, an exception - and everything they have, they've fought tooth-and-nail to protect. you read a headline about how in many other states, libraries have virtually nothing left.

do you want to meet up with your friends afterwards? gift your friends the discord app. you can choose to go to a cafe (buy a coffee, at least), a bar (money, alcohol) or you can all stay in and catch a movie (streaming) or you can all stay in bed (rent. don't get me started) and scream (noise complaint. ticket at least).

you want to read a new book, but the book has to have 124 buzzwords from tiktok readers that are, like, weirdly horny. you can purchase this audiobook on audible! your podcast isn't on spotify, it's on its own server, pay for a different site. fuck, at least you're supporting artists you like. the art museum just raised their ticket price. once, they had a temporary exhibit that acknowledged that ~85% of their permanent art galleries were from cis white men, and that they had thousands of works by women (even famous women, like frida! georgia o'keefe!) just rotting in their basement. that exhibit lasted for 3 months and then they put everything away again.

walmart proudly supports this strip of land by the street! here are some flowers with wilting leaves. its employees have to pay out-of-pocket for their uniforms. my friend once got fined by the city because she organized a community pick-up of the riverfront, which was technically private property.

no, you cannot afford to take that dance class, neither can i. by the way - i'm a teacher. i'm absolutely not saying "educators shouldn't be paid fairly." i'm saying that when i taught classes, renting a studio went from 20 bucks an hour to 180 in the span of 6 months. no significant changes to the studio were made, except they now list the place as updated and friendly. the heat still doesn't work in the building. i have literally never seen the landlord who ignores my emails. recently they've been renting it out at night as an "unusual nightclub; a once-in-a-lifetime close-knit party." they spent some of those 180 dollars on LEDs and called it renovating. the high heels they invite in have been ruining the marley.

do you want to experience the old internet? do you want to play flash games or get back the temporary joy of club penguin? you can, you just need to pay for it. i have a weird, neurodivergent obsession with occasionally checking in to watch the downfall and NFT-ification of neopets. if i'm honest with you all - i never got into webkins, my family didn't have the money to buy me a pointless elephant. people forget that "being poor" can mean literally "if i buy you that toy, i can't afford rent."

you and i don't have time to make good food, and we don't have the budget for it. we are not gonna be able to host dinner parties, we're not made of money, kid. do you want some kind of 3rd space? a space that isn't home or work or school? you could try being online, but - what places actually exist for you? tiktok counts as social media because you see other people on it, not because they actually talk to you.

there was a local winter tradition of sledding down the hill at my school. kids would use pizza boxes and jackets and whatever worked, howling and laughing. back in september, they made a big announcement that this time, rules were changing, and everyone must pay 10 dollars to participate. when im not scared shitless, i kind of appreciate the environmental irony - it hasn't gone below 40. so much for snow & joyriding.

i saw a bulletin for a local dogwalking group and, nervous about making a good first impression, showed up early. the first guy there grimaced at me. "sorry," he said. "there's a 30-dollar buy-in fee." i thought he was joking. wait. for what? the group doesn't offer anything except friendship and people with whom to walk around the city.

he didn't know the answer. just shrugged at me. "you know," he said. "these days, everything costs money."

[letteredlettered]

feedback and fic in fandom (3 f's of our own)

This conversation about feedback on fic says everything I’ve been wanting to say better than I could say it. But I’ll go ahead and try anyway.

Over the last five years or so there have been some great discussions around the rise of commodification of fanworks and decline of fandom community. This commodification looks a bit like enshittification of the internet: a cool site exists; its popularity makes someone realize they can get money from it; it has more and more ads; the site adds features to drive engagement, including The Algorithm; the things that made the site cool start to fall away. The site exists now as a vehicle purely to get clicks, and the people on it are on it solely to get clicks—to make money, to be successful, for some kind of social cachet.

AO3 doesn’t have advertisements. It’s not making money. But what is happening to fandom is proof of concept that enshittification changes the way we as humans engage. A cool website in 2004 was often a community space where you could meet people, have conversations, find cool things, and make cool things. A cool website in 2024 is either a content farm that will continually feed you enough content to hold your attention, or a social media site where your participation will come with stats to show you whether you are holding the attention of others.

AO3 wasn’t built to be a community space. It doesn’t have great functions for meeting people and having conversations. The idea was that, because fandom community spaces already existed, AO3 would serve the part of that community where you can find the cool things and store the cool things you made. It was meant to be a library in a city, not the whole city itself.

But it was also never meant to be a website in 2024, a content farm constantly generating content solely for your clicks and eyeballs and ad revenue, or a social media site where the content creators themselves vie for your clicks and eyeballs.

The most common talking point when people discuss the enshittification of fandom is the folks out there who are treating AO3 as that first kind of enshittified website: the content farm. This discussion is about how people treat fanfic as a product for consumption.

The post that kicked off the discussion on @sitp-recs’s blog was about someone who wasn’t getting very many kudos or comments on their fic, and was feeling pretty demoralized about it, then joined a discord server and found an entire channel dedicated to people loving their fic. But those on that server had never come to share that love with the author, which the author found really discouraging.

There are more and more stories like this. Someone on tiktok pulls a quote from a fic on AO3 and makes a 10-second video with them staring at a wall, the quote pasted at the bottom, music playing over it. It has 100,000 hearts, and 100 comments with people gushing over the fic, which has 80 kudos on AO3. Overall, people notice more and more hits on their fics, but fewer and fewer comments or even kudos. Fewer and fewer people seem to feel the need to interact with the author, instead treating the fic like a product to be used and discarded—which the enshittified internet (a stunning feature of late-stage capitalism!) encourages. The fandom community is dying, these stories conclude.

I agree. 100%. Both of the stories above have happened to me—viral tiktoks about my fic, secret discord channels to follow and discuss my fic—and let me tell you, it fucking sucks.

But from these observations about fandom enshittification, the discussion continues in a very odd direction. The solution to the death of fandom community is our favorite enshittification buzzword: engagement. We should engage the authors. They’re producing these products for free. We consume them at no cost. We must demonstrate our gratitude by paying them back.

It’s as though the capitalist consumption that the enshittified web encourages is so ingrained within us that we must think in terms of payment, in terms of exchange, transaction. Or as though, by forgoing payment, authors are some kind of martyrs defying capitalism, and the only way to honor their great sacrifice is comments and kudos.

Indeed, the discourse around this sometimes does veer away from capitalist rhetoric into something that smells almost religious in desperation. Authors are gods who bestow us mere mortals with the fruits of their labor benevolently, through love; the least we can do is worship them. Meanwhile the authors adopt the groveling sentiment of starving artists: I produce great art; I only humbly ask that you feed me in return.

These kinds of entreaties make my skin crawl for a number of reasons. I’m not a god. I’m not writing because I love you. I don’t expect your worship or even your praise.

I think the thing that disturbs me the most about it is that it suggests that authors (or, if the OP is feeling generous fan work creators) are the most important people in fandom. I’ve even seen posts stating that without creators, fandom wouldn’t exist—as though readers aren’t just as important. As though conversations where people discuss characterizations and plot points and randomly spin out interpretations and ideas and thoughts related to canon are meaningless. I’ve even seen people scramble to include folks having these discussions as “creators,” as though realizing that these people are necessary and integral to fandom communities but unable to drop the idea that the producers are the ones who are important. As though that person who just lurks can never count.

Is this what community is? When you join the queer community, are you expected to produce a product of your queerness? If not, must you actively participate and give back to the queer community in order to be considered a part of it? Or is it enough that you are queer, that you exist as a queer person and want to be around others who are queer, you want to be a part of something? What is community, anyway?

The problem with people raising the authors above everyone else in the community and demanding that tribute be paid is that they are decrying the “content farm” style of 2024 website out of one side of their mouth, but out of the other side are instead demanding that AO3 become a 2024-style social media website. Authors are influencers. “Engagement” and clicks are the things that really matter. They are in fact suggesting that the way to solve the commodification of fanfic is by “paying authors back” with stats.

Before anyone comes at me with the idea that comments aren’t just “stats,” I will clarify what I mean. There are literally hundreds of posts on tumblr alone claiming that any comment “helps” the author. Someone replies that they are shy to comment. Someone else replies that incoherent keyboard smashes, a single emoji, or the comment “kudos” are all that is required to satisfy the author, all that is required as tribute—all that is required as payment to keep this economy healthy.

I’m not condemning the comments that are keyboard smashes or emojis or a single kind word. I receive them. They make me happy. If anyone wants to leave such a comment on my fics, I’m really grateful for it. But this is not community-building. This is a transaction. In @yiiiiiiiikes25’s excellent response in the post linked at the beginning, they point out that “you have a cool hat” is something that is “perfectly nice” to hear from someone—and it is! We all want to be told we have a cool hat! But as they go on to say, what builds community is interactions that are deep and specific, interactions that are rich in quality, not in quantity. A kudos or a comment that says only ❤️are lovely things to receive, but they don’t build community.

My reaction, when I see people begging for kudos and comments as the only means by which to keep fandom community alive, is very close to @eleadore's. I want to say, “No. Readers do not need to comment or kudos. Believe not these hucksters who claim to know the appropriate method of fandom participation. Participate as you feel able, or not at all; nothing is required of you.”

I’ve been told before (several times) that I’m not qualified to participate in such discussions because I am an established author who has some fics with very high stats. It doesn’t matter that I have also been a new writer with almost no one reading my fics. It doesn’t matter that I still write in new fandoms where no one in that fandom knows me. It doesn’t matter that I, like any human being, still care about receiving recognition and attention and praise.

And maybe that’s correct. I personally don’t think that billionaires have a place in deciding the direction of the economy, and--if we're really going to consider fandom an economy--in fandom terms, if I’m not a billionaire, or even a millionaire, I’m definitely in the infamous “one percent.” So, just as no one wants to hear Elon Musk say “money isn’t everything,” maybe it’s not my place to say “kudos isn’t required, actually.”

That said, I’m not the only one who has a problem with the stats-based discourse around fandom community. However, the main counter-response to this discussion I see goes something like this: you shouldn’t be writing fic for validation. If you’re writing for attention, you’re doing it for the wrong reason. Authors should write fic because they love it without any expectation of return.

This is, in my opinion, missing the point of what is meant by fandom community.

I wrote fanfic before I knew that fanfic, as a concept, existed. I read books; I wanted them to be different; I wrote little stories for myself with new endings, with self-inserts, with cross-overs, with alternate universes. I did it for myself in the 90s. It never occurred to me that anyone else would do this, much less that people would share.

As @faiell points out—creating and sharing are two different things. I created fics for myself, but I decided to share them in the early 2000s because other people might like them, too. And of course, I wanted to hear whether other people liked them. How could I not? I might decorate my home just for me and not for anyone else’s preferences, but when people come over and say my house is nice, how can I not enjoy that? And if a lot of people think my house is nice, which encourages me to post pictures of it online, isn’t it understandable I might do so with the hope that more people will say my house is nice? And, honestly, if no one is appreciating my pictures, I probably won’t continue to go through the trouble of taking them and posting them. I’ll just enjoy my house that I decorated without sharing, the end.

When I found out there were whole fannish communities where people discussed canon and tossed ideas around about it, made theories and prompts and insights into the characters, fics they had written and recs for other fics and analyses of fics and art based on fics and fics based on art—I wanted to be a part of that, too. Now, sometimes, I write fic not out of an internal need to do so but out of a desire to participate in that community.

The idea that we write fic only for the love of it, then post it only because we possess it, is a process entirely centered on the self. It’s fandom in a vacuum. The idea that we share this thing, that we feel pleasure if someone likes it but feel nothing at all if no one says anything about it, that it’s completely okay to be ignored and unseen—that’s not what a community is either. That’s some weird sort of self-aggrandizement through self-effacement—because yes, there is often a weird kind of virtue-signaling in this kind of discourse.

I say this as someone who has virtue-signaled in that way: “some people write for stats, but I write for myself.” It’s bullshit. Sure, I write for myself, but why post it on the internet? Honestly, said virtue has a whiff of the capitalist machine, which would like you to produce for the sake of production, work for the sake of work. The noblest among us expect no recompense for that which they give!

The reason that I’m bringing this back around to capitalism is that capitalism actively works to dismantle community. The reason that folks are out here pleading for “engagement” in order to “pay back” authors for the products they give us “for free” is because people no longer even have the language to discuss how to participate in meaningful community. And frankly, how to build back fandom community, in the face of enshittification, is getting harder and harder to see.

But I do think that if we value fanfic and the fanfic community, it’s really, really not constructive to judge whether someone’s reasons for writing fanfic are valid. It’s also weird to me that it would be considered wrong that someone’s reason for sharing fanfic is because they would like to receive some recognition for it, when in fact that seems to be the most natural reason in the world for sharing something so private and vulnerable with the world.

Let’s go back to that idea of how hurtful it is to find out your fanfic is trending on tiktok without anyone from tiktok saying anything to you about your fic, or how it can be painful to find out there’s a secret discord channel dedicated to your fic. The people who respond to that with, “Ah, but you shouldn’t be writing to get attention!” are missing the point. The fic did get attention. It got lots. Attention obviously wasn't why the writer was writing--they were writing to participate, and they didn't get to. At all.

However, if your conclusion is that the author was upset because these particular stats were not accruing under this author’s profile, thereby preventing them from achieving the vaunted status of BNF and influencer—I don’t know, maybe you’re right. But I don’t think that’s why I, personally, have been hurt by these things, and I doubt it’s what hurt the people in these posts either. They’re hurt because they want to participate, and they have been systematically excluded by the very people they thought were part of the community they thought they could participate in.

Sure, if those folks from tiktok and the discord server all came and showered the author with kudos and comments that said “kudos,” the author might have felt satisfied enough with the quantity of this recognition that they would continue writing. But in the end, this still does nothing to address the problem of fandom community, in which the deep, meaningful recognition, interactions, and relationships in fandom are getting harder and harder to have and to build, as a result of how people now expect to engage in online spaces.

So, how to address the problem of fandom community? You probably read this long, long post hoping that I had an answer, and for that I must apologize. I don’t have solutions. My intent was to be descriptive, rather than prescriptive. I wished to outline the problems that I’m seeing in what was hopefully a slightly new or at least thought-provoking way, rather than offer solutions.

But, now that I’m talking about being prescriptive, maybe I can offer one suggestion, which is—maybe the solution to this isn’t about prescribing behavior. I do understand the irony in writing a prescription saying we shouldn’t prescribe people, but I’m going to write it anyway:

Maybe we shouldn’t be telling anyone the appropriate reasons for writing fanfic or for sharing it. Maybe we shouldn’t be telling readers they need to kudos or need to comment. If we’re going to go pointing fingers, we should be pointing at the institutions of capitalism that have made the internet what it is today—but I don’t think that’s going to solve the problem either.

But I do think that describing this problem, understanding what it actually is, not blaming readers for it and not blaming authors for it—I do think that helps. The discussion I linked at the beginning of this post is what I think of as the fandom I miss, the fandom that's now harder and harder to access, the fandom that is dying. That fandom was a social space where people had opinions and disagreed and went back and forth and gazed at their navels and then talked about Buffy the Vampire Slayer.

In the words of @yiiiiiiiikes25, it was a fuckin’ discussion about hats. And we’re hungry for it.

[foldingfittedsheets]

I’ve always been a pretty good liar. As an adult I’ve come to a moral place in which I don’t use that skill set unless it will explicitly benefit someone. But when I was a kid all bets were off.

I think tiny child me was doing their little autistic best but recognized that some situations would be best navigated by lying as telling the truth never netted positive results. Whether it was because my needs often went unmet or ignored, or because I didn’t see any reason not to lie if it would be more favorable, I’m not sure.

This is the story of my proudest lie. The best lie I ever did. A lie that looking back I still go, damn, I was eight.

Our story begins in second grade. I was eight. My school was having a book fair and I spent my small stipend on Gulliver’s Travels. No idea why. Lacking further funds I wandered the fair and came upon the greatest sight known to man. Frog erasers. They were so cute and I was extremely into animals of all kinds.

The whimsy. Who could have known they made erasers in such wonderful shapes? I mourned that I’d spent my money already, and played quietly with the little frogs in their bin. That’s when I was approached by a few other kids from my class.

I didn’t know most of them very well, but enough that it was civil when they asked me, “Are you going to buy those frogs?”

“I’d like to,” I admitted, “but I spent all my money.”

“Why don’t you steal them?”

“I thought about that, but I don’t have pockets.” Indeed, stealing had crossed my mind but it had been a brief temptation. I wasn’t even scandalized that the other girls suggested it.

“Caitlin has pockets,” the leader of the pack said. And indeed, Caitlin in her purple overalls did have pocket space for two frogs. So Caitlin and I became partners. My role in the escapade was just... wanting frogs and walking out with her. We stole two frogs, a yellow and a purple, and united by the misdeed we played together with them at recess despite not really being friendly prior.

After lunch I was called from class to the library. The principal herself was there waiting for me. She had a somber air, almost mournful that she needed to punish me. It was self evident to me that I was here for frog crimes. Caitlin had cracked and taken the fastest route to forgiveness- snitching on an accomplice. Despite the fact that my role was just: wanted frogs, I knew I was going to be in trouble.

Now, I could have told the truth. Pulled a Caitlin and ratted on the girl who told us to steal them. But clearly I’d still be in trouble for having gone along with the morally bereft plan. I was mad at Caitlin for telling but not enough to foist the onus back into her.

“Do you know why you’re here?” The principal asked kindly.

“Is it about the frogs?”

“Yes, Caitlin told us you stole the frogs.”

I quivered my lip and drew myself up indignantly. “I didn’t steal them!”

She blinked at my vehemence but since I looked near tears she carefully asked, “What happened?”

“I really wanted the frogs, but I didn’t have any money. So I asked the librarian if I could take them and bring the money tomorrow! But she was really busy and lots of people were talking to her, and she said yes! But maybe she was saying yes to someone else? And I thought it was to me but Caitlin didn’t, but I was going to bring money tomorrow!”

The principal. Was flummoxed. This was a situation in which I clearly thought I’d done no wrong, in which she couldn’t prove I had done anything wrong, and which the librarian would almost certainly not be able to weigh in. She regarded me not with suspicion but rather vaguely confused as to how to handle me.

I got off with a slight warning that I should pay for things before taking them, despite not having been the one to take things in the first place, and the frogs were confiscated.

I was vaguely worried they’d call my parents but years later when I admitted the story to my mom as an adult she laughed herself sick and said she’d never gotten a call.

[rafeandonlyrafe]

reserved chair

words: 10.9k

warnings: 18+ only, smut, college au, past car crash, anxiety/ptsd, shy!reader, virgin!reader, soft!rafe, fingering, female recieving oral, p in v sex, protected sex

you take a deep breath before pulling open the door, eyes scanning the lecture hall. despite being ten minutes early to class, most of the seats are already taken. you turn quickly towards the stairs, climbing them slower than your feet want to, desiring to speed up the stairs to stop being able to see everyone's eyes and just the back of their head.

you let out a second deep breath when you get to the top, only a few students in the back row. you walk until you're as far away as possible from any other students, sinking into your chair the second you're sat down. you allow yourself a moment to breathe before working on getting your stuff out, placing your head down to just focus on lessing your anxiety.

upon picking up your head, you swear everyone's eyes are on you. you glance around towards your fellow classmates, but they've almost all turned to stare at the back row, not even trying to hide looking at you.

“wh-what is it?” you whisper to the girl in front of you, the one closest who thankfully looks nice.

“that's rafe camerons seat.”

“who is rafe cameron?” you question. it's the first week of classes, how could he have already claimed a seat? 

the doors open before she can respond, and despite other students entering without anyone caring, everyone's attention shifts, his energy and presence entering the room before he does.

you instantly know that he must be rafe cameron. his eyes land on you before you can scurry to a different seat, trapping you in place, a slight smirk on his face as he casually makes his way up the stairs, and then down the aisle until he is hovering over you.

“is-is this your seat?” you manage to mumble out. “ill move.”

“nah, pretty girl, you stay right there.” rafe grabs the chair next to you, pulling it closer than the allotted distance between work areas before sitting down, so close you can practically feel his leg hovering close to yours, making you shrink even more in your seat.

you can feel his eyes staring at you, paying no mind to anyone else in the classroom, even as the professor enters.

“do you need a pencil?” you ask, reaching down to place your bag on your lap, knowing your voice just came out pathetically timid and weak.

“nope.” he hums, placing a laptop on the desk from a bag you didn't even realize he was carrying onto the table. you should have known he was the type to write notes on a laptop. you wish you had that kind of funds, but you have to head to the library every time you need to use a computer, already struggling just from the tuition alone.

you nod, keeping your head turned down as you get out your notebook, favorite mechanical pencil, and the syllabus you pre-printed out and highlighted.

“what's this?” rafe questions, reaching over to tap your finger, making your eyes widen at the touch, even though he just taps the bandaids around three of your fingers.

“oh! um…” you move quickly to hide your hand. “i write a lot. i get sores on my hand from holding my pencil if i don't bandage them.”

“shit.” rafe laughs. “that's intense.”

you're not sure if he's making fun of you, if he's mocking or sincere. “yeah.” you just whisper.

“what's your name?” he questions, head tilting to the side out of curiosity.

“y/n.” you mutter out. he's probably the first person you've introduced yourself to at college, even going as far as to manage the extra money to get a single dorm, knowing you'd need the privacy and silence to recover from the social interactions.

“im rafe. rafe cameron. where you from y/n?”

“norfolk.” you whisper your answer, your professor starting to introduce himself, but rafe keeps talking as if he isn't going over the syllabus, and for some reason the professor ignores him.

“ah, nice. im from the outer banks.” rafe nods. “you must be pretty smart to get into duke.”

“i guess.” you shrug. you know your test scores are impressive, and you had plenty of time to start dual enrollment since you were homeschooled for high school. it's why you're technically a freshmen in a class full of sophomores and juniors.

“whats your major?”

“general literature.” you shrug. at least thats your major for now, you are considering changing to research psychology, knowing you have to figure it out soon.

“good class for you then.” rafe chuckles, looking at the screen on the wall, words blown up large to show the name of the class LIT 290: SPECIAL TOPICS IN INTERNATIONAL LITERATURE AND CULTURE.

“what's your major?” you question, whispering while rafe talks at a normal volume. you wait for the professor to scold him, occasionally giving him angry glances, brows furrowed together, but the shushing never comes.

rafe shrugs. “just kinda taking classes for now. i guess im technically in government. gonna take over my dad's development company once i graduate and he retires.”

“oh, like real estate development?” you quirk your head to the side, half listening to him, half listening to the professor as you scribble down notes.

“yup. you've probably heard of the company.”

your brows furrow as you think, not sure why he's so confident about having heard of it before, it's not like you can really name any real estate- oh.

“rafe cameron. cameron enterprises.” you mumble, eyes widening.

“exactly right.” he smirks. “you stay in one of our dorms?”

you nod, you do in fact. there's several cameron sponsored dorms around campus, you're in east campus: cameron.

“i guess that explains a lot.” you take a deep sigh. no wonder everyone was staring at him, why the professor refuses to say anything to him, his family's company practically sponsors the entire school.

“ill let you focus now.” rafe sits forward, hands coming to his keyboard as the professor begins the actual lecture.

you furiously write, nervous to miss any information, not wanting to waste the scholarship money allowing you to take this class.

“y/n.” rafe says, making you jump slightly, forgetting he was next to you, so focused in paying attention to the professor.

“yeah?” you hum, putting your notebook into your bag as the professor ends class, reminding everyone to review the syllabus and get their reading done.

“sit there next week.” he says, tapping the table in front of you before standing, striding out of the class without a care in the world, people stopping in their tracks to let him pass.

--

you can hear their whispers and footsteps, breaking the silence of the evening as you sit on front of your window, desk pushed up close as you take notes, textbook opened up, the lamp on your desk switched on as the setting sun turns the sky a warm orange with hints of pink, making the fall colors in the campus trees looking even more red.

there's a knock on your door, making you jump as the pencil clatters to the floor. you expected the whispers and footsteps to pass. certainly they must be at the wrong room.

you consider staying silent, but want them to go away, not try to knock again thinking that their friend just didn't hear them.

“hi.” you smile as you open the door. “i think you have the wrong room.”

“no, we've got the right one.” you recognize one of the three girls as the girl in front of you in lit 209, the one who told you whose seat you were in.

“im angie. this is chelsea and veronica.” she gestures to the girls behind her. “we saw you talking to rafe. i… kinda overheard some of your conversation. chelsea is also from norfolk and im also studying literature. i thought we'd invite you out to join us at the dining hall.”

it takes you a second to realize what she's asking you. finding commonalities, inviting you out, basically asking you to be friends without the direct words.

“yeah.” you nod. “let me just grab my bag.” you step into your dorm to grab your bag off the book, double checking that your student id is inside to get into the dining hall. you shove your phone into your back pocket before stepping out, not letting your anxiety stop you from making friends, you need at least one person to confide in and hang out with.

“so, where did you graduate from?” chelsea asks, the one also from norfolk.

“oh, i was homeschooled.” you hate having to explain it, but the reason why you had to drop out of public school is the same reason your heart beat is skyrocketing as you head towards the elevator, palms sweating and nervously swallowing.

“oh, nice!” chelsea smiles. “i graduated from maury high.”

you're thankful it's not the high school you pulled out of, there's no way that she would have heard about you, about your intense anxiety after you were in a car crash, then sudden disappearance from school.

the conversation shifts to the other girls high schools, veronica telling a funny story from her graduation. you occasionally chime in, but the girls seem happy to keep the conversation flowing between each other as you head out of the dorm room and through the walkways to the dining hall.

the conversation doesn't shift until you until you're sitting down at a booth.

“so, rafe, huh?” chelsea asks.

“i don't know him.” you shake your head. “i just sat next to him and offered him a pencil, really, that's it.”

“you do know who his dad is right?”

you glance around the cafeteria, even that has signs of cameron enterprises sponsorship. “oh, i know.”

“that's why he goes here.” angie says. “he wouldn't have gotten in if it wasn't for his dad.”

“he's so hot, right?” veronica giggles before taking a bite of her pizza.

“yeah, is he even better up close?” chelsea turns to ask you.

you shrug. “i mean, i wasn't really paying attention.” it's a half truth. you absolutely were aware of how attractive rafe was, but you spent all of the lecture and most of the conversation trying to avoid looking at him for fear of eye contact.

“i heard he's such a bad boy. apparently he broke like five girls hearts last year because he was sleeping with them all at the same time.”

“oh, jeez.” you cringe. you should have guessed rafe was a player, but you also don't know the truth behind the rumors.

the conversation shifts from rafe to about other boys at the school, allowing you a moment to breathe and center yourself, calming down slightly. the girls make you feel comfortable enough that you finish dinner and bid them goodbye without a major anxiety attack, but the second you get back in your dorm, you collapse into the bed and pass out.

--

you stare at the seats, wondering if you really should sit in the same one. angie looks back at you with a gentle smile, mouthing a quick “sorry.” as there's already people sitting on either side of her.

you shake your head. it's fine, you tell yourself, and pull out the chair and sit down, right in the same spot you were at last week.

rafe walks in moments later, a real smile on his face when he sees you. you glance at him quickly before looking down, fiddling with your pencil and writing random gibberish until he's sat next to you.

“so i didn't scare you off?” rafe questions, setting his laptop down and fishing out his cord to charge it. you notice the outlet inset into the table is directly in front of you, rafe having to lean over into your personal space to plug it in.

“we can switch spots.” you blurt out, despite the cord being plenty long enough to reach.

“nah.” rafe shakes his head. “you look pretty in my seat.”

you're not sure how you looking pretty relates, and how you would look any different sitting in the opposite chair, but your face blushes and you stammer something intelligible, making rafe smirk.

“you're real cute, you know that right?”

“oh, i um- noooo.” you chuckle awkwardly.

“even cuter when i make your face all red like that.”

you don't say anything in response, not sure you can even form words as you reach to press your fingers over your cheeks, willing them to cool down.

“i got something for you.” rafe reaches into his bag. he pulls out his computer and then a second laptop, making your brows furrow as he sets it in front of you, along with a charger and bluetooth mouse.

“what is this?” you question. you’ve heard of loaner laptops through the school, but this brand is way too nice to be the one they’re handing out to dumb college kids to give back at the end of your semester.

“a laptop. for you.” rafe says, like it’s obvious.

“i-i can’t!” you shake your head as the professor begins his lecture. for once, you don’t even bother to pay attention as you pick up the laptop and move it back towards rafe. “i can’t afford it.” “it’s already paid for.” rafe places it back in front of you, opening it up. “the password is my name.” he smirks as the screen turns on, illuminating your face. 

“its too expensive, i really can’t accept this.” your hands go to the keyboard despite your words, typing in his name rafecameron. you click enter, the computer unlocking for you to a clean home screen.

“its pennies to me, really. i want you to have it.” he glances at your still bandaged fingers. “so you can stop wrapping your fingers.”

“i-i don’t know how to thank you.” you shake your head.

“oh,” rafe reaches back into his backpack. “i got this for you. its touchscreen.” he sets the pen for the computer next to the mouse. “in case you prefer to write over type, but please, try typing for the sake of your fingers.”

“thank you.” you smile at him, opening up a browser and logging into your email, quickly opening up google docs to take notes, attention turning only half to the professor, the other half of your mind stays focused on rafe smiling at you.

--

“how did i know i’d find you here?” the voice makes you jump. it’s strange to hear rafes voice outside of the lecture hall, even as the weeks have gone by and you’ve hung out occasionally with angie and the few friends you’ve made, you’ve never seen rafe outside of class.

“no one is ever here.” you look around the empty room. it’s a study room, technically met for literature majors, but you’re sure no one would say a word about rafe being inside.

“thats how i knew you’d be here.” he plops down on the seat across from you. 

“do you need help with your homework or something?” you ask. your professor assigned you an essay, maybe rafe is seeking out your help.

rafe lets out a scoff, looking at you with an exasperated expression. of course. you should have known he didn’t need to really try on his homework to get straight a’s.

“i want to take you on a date, come on.” rafe cocks his head toward the door.

“oh!” your eyebrows rise in surprise. sure, rafe has always been flirty before and after class, but you thought it was mostly out of teasing you, riling you up, not serious enough to actually ask you on a date.

“your choice. now or in two hours.” rafe glances at the clock on the wall.

“now is fine.” you also look at the clock. you don’t want to stay out too late, needing to get back in your dorm and work, and you also don’t want to end up at a party, it’s probably your worst nightmare to be surrounded by drunk college kids shouting and dancing.

“perfect.” rafe picks up your bag when you put your stuff away, slinging it over his shoulder as you follow behind him, having to pick your pace up to keep up with his long strides.

“taking you to dinner off campus.” rafe says, leading you out of the building and towards the parking lot. you freeze ups, eyes widening. rafe doesn’t realize you’ve stopped following him, stuck in place on the sidewalk, until he’s feet away from you.

“hey…” rafe says softly, approaching you carefully. “you alright?” “i-i-” you hate how much you’re stuttering, you can’t help it when the nerves take over and your hands start to shake. “i don’t like- um. i don’t like being a passenger.” just uttering the words make that night come back to you, you trusting your friend, getting into their car, only for them to roll it repeatedly, somehow all walking away, but the scars inside of you are mental ones.

“you can drive then.” rafe holds his keys up like an offering. “or we can eat dinner here, whatever you want.”

“im okay driving.” you trust only yourself. maybe someday you’ll learn to feel safe with someone driving you, but it took you weeks to get behind the wheel with even your mom, having to use calming techniques every time you’re on the road.

“perfect.” rafe stays pretty quiet, only making small comments about how to turn on his car (you’ve never been in a push to start before) and how to get to the restaurant. he doesn’t even turn on the radio, seeing how nervous you are, letting you concentrate fully on driving. you do feel better when you’re in control of the vehicle, but the fear of a rogue driver hitting you is always there.

“i want to tell you something, rafe.” you say shyly, now sat at your table at a nice restaurant, wishing you would have changed into something fancier, but rafe doesn’t seem to care, so you don’t either.

“okay.” he nods.

“i was in a car accident in high school. that’s why i don’t like being a passenger. thats why i have…” you take a deep breath. “so much anxiety.”

“hey.” he says softly, reaching across the table. “its okay. you don’t have to explain yourself to me. i like you just how you are.”

the comments angie and chelsea come to the front of your mind. “why do you even like me? everyone says you’re some sort of bad boy.” you don’t have to point out that rafe has only ever been nice to you, ridiculously kind and generous.

“when i walked into the classroom that first day and saw you sitting in my seat, looking at me like that…” rafe shakes his head. “you’re the prettiest girl i’ve ever seen. i love that you’re shy. it’s cute, i swear.” “you like my anxiety?” you giggle, sure that no man could actually mean that.

“well, no.” rafe shakes his head, his eyes bright. “i like that you’re like a puzzle, waiting for me to solve.” “i-i don’t know what to say. im not mysterious or anything.” you tuck a strand of hair behind your ear.

“maybe not, but i want to figure out what makes you tick. how you like to be kissed, held…” rafe raises an eyebrow and you don't need him to say the next word as you're suddenly very interested in staring at your food.

“there's that blush i love so much.” rafe smiles. “you're so gorgeous.”

“there's like, way prettier girls than me at the college. i don't get your interest in me at all. awkward and… shy.” you shrug.

“don't sell yourself short.” rafe reaches across the table, squeezing your hand in his. “you're beautiful. plus, half the girls just want me for my dad's money, and the other half hate me for sleeping around last year.”

“yeah, i kinda heard about that.” you admit, trying to concentrate on your palm to keep it from getting sweaty. “angie told me you were sleeping with five girls at the same time.”

“they were all just hookups.” rafe shakes his head. “never went farther than that with any of them. it isn't like that with you.”

“well… it's nice to know you're serious about me.”

--

“hold your hand out.” rafe says, still sat in the same classroom, the rest of the students long gone, and with no other classes scheduled for the rest of the day, you feel like you could stay here with rafe all night.

you cup your hand and wait for whatever surprise, unsure how anything could beat the laptop he gifted you.

rafe unclips his gold chain from around his neck and drops it into your palm. “for you to wear. if you want of course.”

“is this the college equivalent of giving me your letterman jacket?” you giggle, perception of high school skewed towards idealized versions in books and movies since you missed out on most of the personal experience.

“i would love to call you my girl.” rafe smiles softly, so genuine it makes you almost want to lean forward and plant your lips on his.

“like… exclusively?” you wiggle the chain in your hand, feeling the weight shift around. certainly real gold.

“of course. i told you, im serious about you. i want you and only you, but im willing to move at your pace. if you're not ready yet, ill wait.”

you take a moment to think about it. weighing the pros and cons. con, you're inexperienced. pro, you really like rafe. con, rafe could get bored with you after a week. pro, you really like rafe. con, a boyfriend would distract from your schoolwork. pro, you really like rafe.

you hand the necklace back to rafe, watching the way his face falls, thinking it's a rejection, before you pull your hair up. “put it on for me?”

rafes smile is brighter than the sun as he strings the necklace around you, fingers gently teasing your skin, grazing against you anytime he can while he does the clip.

you smile back at rafe as you turn back towards him, feeling giddy. “so, what now?”

“what do you mean what now?” rafe chuckles. “now i kiss you.”

rafe leans in as your eyes widen, heartbeat skyrocketing as you suddenly shout out. “im a virgin!”

rafe sits back in surprise and confusion.

“im a virgin, ive never had a real boyfriend and ive never had a first kiss unless you count one that happened in second grade with a boy named lincoln on the playground-” you know you're rambling, so you're thankful when rafe cuts you off.

“that's okay.” rafe says. “i like that you're untouched. just means i need to do things right for all your firsts.”

you nod, not really understanding what he means, but knowing that you like the sound of it.

“as much as id love to lay you out on this table and wreck you-” your eyes widen at that very image. “your first time will not be in an empty classroom, and your first kiss definitely won't be either. are you free tomorrow night?”

“im… kinda free whenever.” you admit. you only have homework and studying, but you're willing to move those around for dates with rafe, as long as your grades don't slip.

“well, im about to make sure you are a very busy lady.”

--

rafe doesn't try to kiss you the following night. or the date a day later. or at your next class when you end up staying after again. you expect it to be that moment every time, but rafe keeps it slow, almost too slow.

he started with holding your hand. then wrapping his arm around his shoulder. he finally advanced to kissing you on the cheek, and while you appreciate his thoughtfulness, you're starting to go crazy.

“you're lost in thought.” rafe says, making you shake your head and refocus on him. “i just hope it's about me and not about your upcoming assignments.”

“it's always about you.” you smile. your grades are still perfect, you just spend all your study time working hard to complete everything perfectly and quickly to get back to rafe.

“just what i like to hear.” rafe is sat on the end of your dorm bed, twinkling fairy lights above your head as you just relax, both in casual clothes.

“do you think you could stay the night?” you blurt out before quickly going to explain yourself. “not to… have sex. but just to sleep in the same bed.”

“are you sure? you don't have to-”

“rafe!” you squeal. “i want this! i want you!”

rafes eyes widen at your outburst, probably the loudest he's ever heard your voice, before he dissolves into laughter. “ive been taking this too slow, haven't it?” rafe asks as you pout and nod.

“jesus, ive been trying so hard to hold back and not fuck it up, i ended up just fucking up in the other direction. im not used to caring about girls, or anyone, this much. im sorry, y/n. you dictate the pace, not me.”

“i want you to kiss me. tonight. and i want you to stay over and cuddle and hold me.” you allow the sudden rush of boldness to loosen your tongue.

“then that's what we will do.” rafe nods.

he doesn't kiss you immediately, he waits for the perfect moment. the lights are still on, now set to slowly fade in and out.

rafe is laying facing you, not touching you at all, but you can feel the presence, practically itching to reach out.

you're nervous, but you're not letting it stops you. as the lights dim again, your hear the movement on the bed, and then feel rafe move closer.

the second the lights begin to turn back on, rafe is on you, his lips pressed against yours. he doesn't let your first kiss be a simple peck as an arm rounds your back and pulls you into him. he leads the kiss, leaving you just to follow his movements and not stress about being perfect.

rafe slows the kiss down gradually until he pulls away, both of you taking a deep breath.

“that… was amazing.” you giggle, watching the way rafes eyes light up as you laugh. “oh my god! how have i been missing out on that?”

“wanna do it again?” 

“yes!”

rafe kisses you until you start to feel dizzy, having to remind yourself to breathe as he holds you close, but it's still not enough.

you sling a leg over his hips, attempting to pull your bodies flush together when rafe suddenly turns onto his back.

“i don't think you want to do that, baby.” 

“why- oh!” you're about to question the sudden change of attitude when you look down rafes body and see how your kissing has affected one particular part of his body.

“i can't help that you're really sexy, but we aren't doing this tonight in your college dorm. i need to lay you out and make you cum many times in a place where you can be as loud as you want.”

“should i… put on a tv show until it's gone then we can cuddle and sleep?” you offer, trying to ignore his words despite knowing your face is now beet red.

“i don't know if ill ever be fully soft when laying in bed with you, but that will definitely help.”

--

“you have to tell me everything.” angie says, a plate of fries pushed between you to share.

“oh my god he's just… such a gentleman, which i never expected just based off-” you wave your hands around. “everything.”

“that's good because i don't care who his dad is or how rich he is, if he was treating you bad id kick his ass.”

you let out a soft giggle. “i don't think he's gonna mess this up but if he does, ill remember that.”

you both groan as you glance at the clock. you can only spend so much time talking with your new friend when you're supposed to be studying.

“alright.” you pull out your textbook along with the laptop rafe gave you. rafecameron. you didn't even think about changing the password.

“how many words is this essay supposed to be again?” angie hums, also powering on her laptop.

“2,000.” you roll your eyes. “which is just so ridiculous you know the professor isn't reading everyone's.”

“he probably puts them into some ai grader shit.” angie agrees. you both quickly get to work, even getting a refill of fries. you've found that when you have a friend with you you prefer working in the dining area.

“hey baby, i figured you were down here.” rafe slides into the seat next to you, pressing a kiss to your cheek. “how's the essay?”

“actually im pretty much done.” you shrug. you know you have a talent for writing, but its when the topic genuinely interests you. “just don't really know how to end it.”

“can i help?” rafe asks. you nod and angle the screen towards him, letting him read over the words.

“oh my god.” angie mouths to you, glancing between you and rafe.

you blush and duck your head, resting your shoulder against rafes as he reads, watching as he types out a couple sentences to finish off your conclusion paragraph.

“wait, shit, thats perfect.” you pull the laptop back close, checking the word count quickly to confirm you've hit your minimum amount.

“jeez, can you help me with mine too?” angie asks, her eyebrows furrowing together.

“ill read over it.” rafe shrugs. “afterall,” he looks to you. “y/ns friends are my friends.”

--

you gasp when you get back from your shower to find rafe laying in your bed. he immediately tosses aside his phone that he was mindlessly scrolling on.

“missed you.” rafe tugs on your hips as you step closer. your mouth presses against him, the kisses calming your anxiety rather than spiking it like you originally worried it would.

rafes hands stay on your hips as he pulls you down onto the bed, allowing you to fall forward against him, bouncing softly on the springy mattress.

“you're gonna end up missing me a lot over break.” you chuckle softly, knowing a week off is coming up soon.

“about that…” rafe flips so you're both on your sides, facing each other. “what's your plans? driving home to norfolk?”

“actually, i was just gonna stay here.” you shrug. “the college let's out of state kids stay in their dorms during the holiday breaks and i applied for special permission.”

“well, you won't need that.” rafe says. “that is, if you want to come to the outer banks with me.”

“oh- oh my god! yes.” you nod quickly. despite not living far away, you've never actually been to the area before, and you've grown used to rafes constant presence. you're not sure what a week would be like without him.

“my family is out of town until friday anyways, so we will have the place to ourselves for most of the time…” rafes hand moves to your lower back, tugging you in close to him. you understand the implication and despite everything, you only feel excitement and anticipation.

--

“here ya go.” rafe hands you his car keys. you never had to reiterate your need to be in control of any vehicle, rafe just went along with it without pushing.

“actually…” you swallow harshly. “you can drive.”

“baby.” a smile breaks out on rafes face as he talks softly, carefully helping you into the passenger seat, making sure to keep everything slow and relaxed.

“i trust you.” you tell rafe, pulling him in for a quick kiss. “just… don't speed.”

“i wouldn't even think about that.” rafe says, kissing your forehead. “ive got special cargo.”

you giggle and roll your eyes, surprised how corny rafe has become as you both fall further.

rafe seems to have a sense of when your anxiety spikes. he moves to the drivers seat and just stays there for a moment while you breathe, not even turning the car on until you give him a slight nod.

you can tell he's going the long way, turning around a couple side streets to avoid getting onto the highway home too soon.

“ill go this speed the whole way if that's what you need.” rafe says when he pauses at a stop sign.

“just a little more around the neighborhood and ill be fine.” you assure him. you reach over and lay a hand on rafes arm as he drives, the physical connection allowing you to take a deep breath.

when rafe eventually pulls onto the highway, you find yourself breathing regularly, mind racing through all the coping mechanisms the therapist who saw you after the car crash taught you.

“im… im actually doing okay.” you admit to rafe, leaning forward to turn the radio on but keeping the music turned downed low. “thank you.”

“im just glad you trust me.” rafe reaches over and squeezes your thigh before quickly putting both his hands back on the wheel. “it's a long drive for you to do solo.”

in truth it's not much longer than the drive from duke to norfolk, but you're glad that you can relax as the hour passes. 

everytime your mind wanders, or worry strikes about a crazed driver hitting you, you just look to rafe and allow yourself to breathe.

you even manage to lay your car seat back. 

rafe smiles over at you as he watches your eyes blinking slowly, recognizing the sure signs of sleep as you end up napping the rest of the way to his house.

“darling…” rafe says softly, rubbing his hand over your thigh.

you wake up with a start, gasping and sitting up, looking around rapidly.

“hey, hey.” rafe says softly, pulling you into a somewhat awkward hug over the center console. “it's okay. you're safe. we're at my home.”

you press your face into rafes chest and inhale his familiar scent. he doesn't bring up the anxiety spike as he gets out of the car.

you're about to step out when you look at your surroundings, jaw dropping at the stunning house in front of you.

“rafe- this. this place is beautiful.” you allow rafe to help you stand, stretching your legs out. your bags can come in later, you need a tour immediately.

“welcome to tanneyhill.”

--

“we'll have to go out on the boat tomorrow.” rafe twirls a strand of your hair around his finger. “what do you want to eat? we can make something or we can order in…”

you let out a yawn, the nap on the drive just making you more tired now that the excitement of seeing rafes home has worn off somewhat.

“pizza is fine.” you hum, snuggling closer to rafe on the expansive couch. “your house is very pretty.”

“but…”

“but what?” you look up at rafe. “i mean it's… it's so grand.”

“but impersonal, right?” rafe reads you so well. “it's just not my families style. no pictures of us kids on the wall or sports medals hung up. it's gotta be kept perfect.”

“that's not how i want our house to be one day.” you frown, eyes widening when you realize what you just said.

“relax, princess.” rafe says when he feels you stiffen up. “i imagine what it'll be like to live together some day too. in fact, i think for next semester you can ditch your little dorm and stay with me.”

“move from east campus: cameron to cameron hall?” you giggle at how everything is named after his family.

“exactly.” rafe hums. “because just the walk to the east side of campus is too far from me.”

“you're… too damn sweet.” you press a kiss to rafes lips, groaning when your phone buzzing distracts you from deepening it.

“who is it?” rafe asks, confident it's probably angie or veronica.

“my… my friend from high school.” you quickly sit the phone face down on the coffee table.

“the friend?”

“yes.” you say bitterly, knowing it's not rafe you're really snapping back up but rather the “friend” who still has the audacity to message you even after causing the car wreck that ruined your life.

“it's the anniversary coming up and… i know she's said sorry a million times already, but i just don't want to hear it. i just want to put everything behind me.” you let the words out in a rush.

“maybe what your friend needs for her to heal is to know you've heard it.”

you look at rafe, blinking at him as your mind works. “what are you doing being so wise?”

rafe breaks the tension with a laugh. “honestly, im just quoting back shit my dad has said and hoping it works.”

“can't wait to meet your dad then if he's anything like you.” you smile, trying to keep up the light attitude when rafes face drops slightly. there's such a small difference you barely even pick up on it. 

“rafe?”

“my dad… isnt my biggest fan.”

“but he's your father.” you question, laying back down, slotting your arms around rafe instead of the usual other way around.

“yeah, and therefore anytime i differ slightly from him, it's a huge disappointment.”

“well… then fuck him.”

rafes eyebrows raise up at your bold words, not used to sharing you cuss often and definitely not against someone.

“you're the best and if he doesn't see that, then that's his loss. if he doesn't completely love you, he's out of his mind because he's known you all your life and ive only known for a couple months and i love you.”

rafe launches forward, lips pressing harshly against yours, a mix of tongue and lips sliding over each other's as you kiss. the passion rafe is putting in is unlike any other time, and you know what you want.

“take me upstairs, rafe.” you nod as he looks at you for confirmation.

rafe picks you up, carrying you effortlessly up the stairs until he's in his bedroom and placing you gently down on the soft sheets.

“are you sure?” rafe asks, hovering over top of you.

“im sure. i love you. i want this.”

rafe nods, then gulps. “why am i the one nervous now.” he ducks his head, and you swear you see the slightest tinge of pink on his cheeks. “i love you too. ive never said that to anyone before but… i love you. i am in love with you. i want you and only you.”

“oh, rafe.” you coo out, sitting up to kiss him. you intend for it to be a soft kiss, a gentle caress but it quickly turns fiery.

“god, you've turned me soft.” rafe says, making you laugh.

“not all of you…” you can feel a certain part pressing against you that is not soft at all.

“yeah, but he'll have to wait. not his turn yet. first…” rafe smirks at you. “i need to worship you with my hands. then my mouth. and then ill take you properly.”

rafe gives you no time to complain as his hands delve under your shirt, stroking the soft skin of your stomach, eyes staying on your face in case even a flicker of doubt comes across it.

his hands slowly move up until he's cupping your chest over your bra, keeping everything concealed by your shirt as you get used to the feeling of his large palms engulfing your breast.

“take my shirt off.” you tell rafe. “im okay.” 

rafe nods, but his movements are still slow as he peels your top away. “you're a lot better than okay, baby.”

you can feel rafes eyes on your chest, but it just makes you happy, wanting to share this with him and only him. you make the next move, reaching behind your back to unclip your bra.

“shh, slow down.” rafes hands cover yours. “i know you want this, but let me just… appreciate you.”

rafe nudges your legs apart and lowers himself in between, pressing kisses against your stomach. his movements are so soft, covering your entire belly before moving up.

rafe kisses over the swell of your breast that's pressing against your bra cup, tongue occasionally flicking out to tease underneath the fabric.

rafe picks his head up to ask if you're still doing okay, but upon seeing your face, he knows he doesn't need to. 

your eyes are already glazed over, blissed out and mouth ajar as you slowly blink down at rafe. “more.”

rafe smiles and tugs your bra away, mouth dropping over your nipple with his fingers find the other side, rubbing the pad of his thumb over the bud as his tongue does the same.

his movements continue until your nipples harden. he pulls away only to quickly switch to the other side.

“feels good.” you whimper, hands finding the back of rafes head, holding him to your chest.

“not as good as it feels to have my mouth on you.” rafe moans against your skin, tongue flicking out to press against your breast like he can't get enough of it.

“you can… you can touch me um…” you're about to say down there which just sounds stupid, but rafe thankfully understands you, his hand reaching down to graze his fingertips over your thighs.

he continues teasing, sweeping every time closer to your center until he delves between, finger rubbing against your covered clit as you gasp, back arching off the bed.

“does that feel good?” rafe asks, a smirk gracing his cheeks.

“y-yeah.” you nod quickly, spreading your legs slightly, ignoring the urge to clench them together and trap rafes hand there.

“can i get these leggings out of the way then?”

“take your shirt off first.” you giggle, looking between your exposed body and rafe still completely clothed.

“yes ma’am.” rafe jokes, making you roll your eyes.

you've seen rafe shirtless before, but this is the first time you've been able to unashamedly check him out as your eyes take in every inch of him, every line of muscle and smattering of hair.

rafe is well aware of your eyes on him, subtly flexing his muscles to make them appear bigger as he peels your leggings off your body. you let out a sigh of relief.

rafe presses himself onto the mattress on your side, partly leaned over you so he can continue to play with your chest.

you allow your eyes to close as his hand rubs against your underwear, swirling over the growing wet patch before moving up to your clit, tapping against it before rubbing.

you let out a soft moan, unable to hold back as a high builds inside of you. rafe suddenly presses forward, his hips thrusting against thigh, needing some sort of relief for his hard cock.

“you… you can fuck me now.” you tell rafe, not wanting to have him suffer in waiting.

“two orgasms first.” rafe says, focusing back on rubbing your clit, determined to get you there once before diving between your legs, even though he could drool right now just from the thought.

“i- ohhh.” whatever you were going to say in protest is forgotten as rafe adds a second finger, working them in sync around and over your clit.

“come on baby.” rafe says, breath hot against your neck as he moves up, pressing kisses and nipping gently at your sensitive skin. “i need you to cum for me.”

rafes mouth connects with yours, swallowing your moans as your arms wrap around his shoulders. it only takes a few more moments of his intense rubbing for you to feel something break. your high rushes over you as you cum loudly, squealing and hiding your face in rafes neck as your entire body shakes, surprised by how intense the feeling is.

“i got you.” rafe says softly, his fingers slowing to take you through your high, not stopping until your body slumps against the mattress.

“god, that was beautiful baby.” rafe kisses your forehead, not caring that there's the slightest sheen of sweat covering it. “if you need to stop now…”

“no!” you say quickly, eyes shooting open. “absolutely not, i need you.”

“gonna take your panties off then, yeah?” rafe makes sure you nod before moving lower, sighing with happiness as he pulls the last barrier away. 

you don't even hesitate for a second before spreading your legs wide, letting rafe see every single part of you.

rafe looks up at you, a sense of seriousness in his eyes and tone. “you're beautiful. you're absolutely beautiful.”

rafe leans forward, and all it takes is a quick lick through your wetness to have you screaming out in pleasure.

“delicious.” rafe mumbles, pushing his hips into the bed for some relief as his tongue explores your pussy, purposely avoiding your clit knowing you're still coming down from your high.

“i- oh my god.” you squeeze your eyes shut as your hands grip onto the sheets. “i never thought it could feel so good.”

“only because you're with me baby.” rafe presses kisses to your open thighs. “no other man could make you feel this good.”

you chuckle and shake your head. “relax rafe, im not thinking about anyone else, trust me.”

“just making sure.” rafe grins up at you.

his attention quickly returns to your cunt as his tongue makes broad stripes through your folds, flicking over your clit every time he reaches it.

you're almost sure that you can't cum again so soon, that your body surely isn't able to, but your high builds steadily with every swipe of rafes tongue.

despite pressing his hips forward into the bed, rafe barely pays attention to himself, too wrapped up in swirling his tongue to taste every inch of you, wondering how he managed to hold off so long when he's spent so many nights in the same bed as you.

rafe refocuses on your clit, lips suctioning around it as his eyes flicker up to you, watching the surprise and pleasure across your face.

rafe knows he can't let you cum too soon as he raises his hand to prod a finger against your entrance. rafe can tell by how wet you are that opening you up should be easy and painless, and he couldn't probably enter you right now with no issue, but he won't risk it.

rafe keeps his eyes on your face as one long finger pushes inside of you, feeling your gummy walls clench around him at the sudden intrusion, but your face doesn't change from the consistent moans.

rafe begins to pump the finger as his tongue surges forward to press against your clit, tapping the bundle of nerves in the same rhythm as his finger entering you.

“oh- oh my god im close!” you squeal, only spurred closer when rafe fits a second finger inside, your slick making it easy and seamless.

rafe picks up the speed, occasionally scissoring his fingers and feeling your walls give way to his movements.

you thighs attempt to close, the pressure suddenly sending you over the edge, but rafe lays a hand against your leg and keeps them open as your high hits, body shaking as you scream out, clenching repeatedly around rafes fingers.

“mmm.” rafe hums against your clit, pulling away only to press a kiss to your core. “can't wait to feel you squeezing ‘round my cock like that.”

rafe kneels between your legs, watching your chest rise and fall, your nipples perky and pink from his attention. your body is completely slack from the intensity of the two orgasms as rafe undoes the buttons on his pants.

“do you want me to… do anything?” you ask.

“no.” rafe shakes his head. “this is all about you baby. ill teach you exactly how i like to be touched some other time.”

“okay.” you nod, glad that you can just relax and let rafe do all the work, especially knowing he's far more experienced than you are.

“you can touch me if you want though.” rafe offers, tugging his pants down so just his underwear is covering his cock, tight against his thighs and clearly bulging against the material.

“i- yeah.” you sit up, forcing your tired body through with the excitement and adrenaline of finally doing this with rafe.

your hand pets over his thigh, moving closer and closer until his cock twitches like it's calling out for you to touch him.

you place your hand firmly over his length, squeezing gently as rafes jaw drops open. such a simple motion but he's surprised how much better it feels having it be you touching him rather than a random girl he has no feelings for.

“god, baby.” rafe groans as you open your palm and stroke it over his length from base to tip. “you're already making me feel so good.”

“want me to keep going?”

rafe is so lost in the feeling he doesn't even realize you've asked him a question until a minute later when his hand rests over yours, stopping you. “no, in fact, i need you to stop before this ends way too soon.”

you can't help but giggle, wrapping your hand around rafes neck and giving him a kiss. “how do you want me?”

“you can lay on your back, or hands and knees, however you want. you can be on top too.” rafe offers as he reaches to his nightstand, digging out a condom.

“um… ill just stay like this.” you say, laying back, knowing you can change your mind later if you need to.

“perfect.” rafe smiles at you, leaning over to press a kiss to your tummy. “you're so perfect.”

you're about to respond when rafe pulls his underwear down and all other thoughts leave your mind.

“like what you see?” rafe smirks, his cock hard and seeming even bigger now that its not hidden by any fabric.

you squeeze your thighs together, and it's the only cue rafe needs to see to understand how much you want this. he wastes no time rolling the condom over his cock, sheathing himself in the latex. it's a non negotiable for your first time, not wanting to overwhelm you with worry about getting pregnant or not liking the feeling of his cum inside you.

rafe is excited for the day when he doesn't need a barrier, but he can wait for you.

“just relax.” rafe says, laying himself down over you. “it'll be better if you don't tighten your muscles. if it does hurt at all-”

you interrupt rafe with a kiss. “ill tell you. i know.”

rafe smiles at you, his cheeks stretching even further when his cock pushes forward and rubs through your folds, covering the condom in your slick.

rafe reaches down to line his cock up with your entrance, pushing in very slowly just in case you change your mind at any minute. he pauses when he feels your hips rise up and body tighten, only for you to take a deep breath and relax a moment later.

“feel so good, baby.” rafe says earnestly, pausing fully pushed inside of you, letting himself enjoy your warmth.

“i- just give me one second.” rafe pushing against your walls feels good, but you need a moment to adjust, hips moving up and down then side to side. “okay.” you nod. “you can move now.”

rafe presses a kiss to your lips as he begins to move, the make out turning into open mouthed moans as his hips swing back and forth, fucking into you with a steady rhythm.

“ohhhh!” you moan out as rafe speeds up slightly, your hands coming to hold onto his biceps, bulging as he keeps himself held up above you.

“that's it, baby.” rafe praises you as your thighs spread further apart, opening your pussy further for him. 

“i really like it.” you whine, back arching as rafe digs his cock in deeper, pausing every couple thrusts to circle his hips and grind into you.

“i like it too.” rafe hums. “best ive ever had.”

you roll your eyes, certain any of his other hookups are more experienced and a better time than you, but rafe won't let your doubts slide.

“im serious, baby.” rafe says, not pausing his thrusts as he speaks. “it's because i am completely in love with you.”

“come here.” you pull rafe into a kiss, wrapping your arms around his shoulders to keep him close.

“you're so good i don't know how long ill last.” rafe admits.

“i-i already think i could too.” you giggle. “if you just touch me down there.”

“im gonna hold off as long as possible though.” rafe vows. “wanna give you the best time.”

“you already have.” you kiss rafe deeply, obsessed with the taste of his lips, the way they slide against yours and his tongue pokes out to enter your mouth, exploring every inch he can.

rafe picks up his pace and depth of his thrusts, knowing now that you've had plenty of time to get used to the feeling. despite wanting to give you the best experience and focus just on the pleasure of being together, he has to put his mind elsewhere to not cum too soon.

“so wet.” rafe groans, head tipping back as the sounds of your wetness gushing with his every thrust, the sound invading his ears along with the slapping of skin.

“ive never felt like this before.” you admit shyly.

“you're gonna feel this a lot more often.” rafe laughs softly, swallowing thickly when he realizes just seeing your smile and the light in your eyes pushes him closer to the edge.

“gonna touch you now, baby.” rafe shifts his weight slightly to one side, hand ghosting down your stomach before he places the pad of his thumb directly over your clit.

“oh, oh!” you squeal. “rafe!”

rafe keeps pumping into you as you moan, your high suddenly bursting forward, unable to hold back even a second longer as your legs wrap around rafes hips and pull him in.

rafe let's out a sigh of relief as he cums as deep inside of you as he can, bodies pressed flush together.

--

“do you have sunscreen?” you ask. “i know it's autumn and we aren't going to be swimming but it's still pretty bright out.”

“yeah, already got some in the bag.” rafe had woken up early and stayed cuddling you in bed for as long as he could before knowing he needed to get the day started.

while he let your body recover from last night activities, he prepared every single boat anchored on the dock so you could choose any one you wanted, as well as prepared a bag and cooler for the day.

by the time rafe crawled back into bed, you were blinking your eyes open.

“perfect.” you smile and give rafe a quick peck, taking the bag from his hands so he can carry the cooler. you shot down his protest with a quick look.

“fine.” rafe grumbles. “you can carry this one thing.”

“considering i don't even have to lift a finger when you're around, i really don't mind.” you chuckle, following rafe out the back door and across the patio to the long expansive dock stretching deep into the water.

“so…” rafe begins. “there's a smaller speedboat, a pontoon and then obviously the yacht.”

“is it okay if we take the pontoon?” you ask.

“anything you want.” rafe nods. “we got the pontoon for wheezie and her friends, but it's a nice smooth ride and a lot of space. when it gets warmer out im absolutely taking you for a swim.”

“that actually sounds really fun.” you admit. you swam in the ocean a lot in norfolk, always going to virginia beach to be alone with the sand and the calming waves whenever your anxiety levels got too high.

“mhm.” rafe nods. “fun for me too, get you out in a tiny little bikini, away from all other people…”

“oh my god.” you roll your eyes as you laugh. “we had sex once and you're already fantasizing!”

“i was fantasizing about you since the moment i saw you in my seat.” rafe takes the cooler and sets it on the pontoon before taking the bag from you. “i was just gentlemanly enough to keep it to myself.”

“sure.” you roll your eyes again, but it's all in jest, rafe knows you find him hilarious and love his silly jokes. rafe, to prove his gentleman status, reaches a hand down to help you up onto the boat.

“so…” rafe gives you a quick tour, showing you where towels are stored, even though you're not planning on swimming, and lifejackets, just in case.

“but seriously, it's basically impossible to sink a pontoon. you're very safe.” rafe stresses.

“it's okay.” you say. “i trust you, really.”

“my girl.” rafe pulls you onto his lap as he sits down in the captains seat.

rafe navigates easily through the waters, pointing out different landmarks along the coast. “thank you for showing me your home.” you tell rafe, pressing your back into his chest as you round a cove and the wind picks up slightly. “ill show you norfolk one day but it's not as pretty as here.”

“i can't wait to raise kids here.” rafe says. “teach them how to fish and golf and drive the boats.”

“you think about kids?” you turn on rafes thigh to look at him rather than the scenery.

“our kids.” rafe winks at you, causing you to giggle and press your face into his neck, but he really means it, especially bringing you back to his home. he could imagine toddlers footsteps running around tanneyhill.

“you're sweet.” you kiss his cheek.

“don't let that get around.” rafe squeezes your hip as he steers with one hand. “it'll ruin my reputation around here.”

“oh yeah?” you raise your eyebrows. “tell me more about this reputation…”

you happily listen to rafe talk until your stomach starts to growl. he picks up on it quickly, moving the boat further out so you can float down the coast while you eat.

you continue to talk all through lunch, snacking on what rafe had packed.

“there's a million things i want to show you around the island, which means you'll have to start spending all your breaks here if you're not going home.”

“let's see how your family likes me first…” you mutter, giving rafe a look.

“relax. they'll love you. my dad will just be happy i found someone serious. that was the main point of him sending me to duke, was to get my shit together. and i look at you… and i want to be perfect for you. i love you so much.”

--

“this movie is boring.” you groan. “how can you make a movie about sharks and have it be boring as hell?”

“we can change it.” rafe offers, going to grab the remote when you stop him.

“no, im too deep into it now. i just want to complain.” rafe nods at your explanation and cuddles back into the couch, pulling you in tight to him.

“well…” he whispers in your ear, breath causing you to shiver. “since you're bored, how about i entertain you?”

you're not sure what rafe means until his hand pushes between your thighs, three fingers pressing against your core and rubbing.

“ohhh.” you moan out softly, eyes fluttering closed. 

“sorry, love.” rafe says. “i couldn't wait until we got up into bed, not with my family getting home tomorrow. i need you too bad.”

“in… in my pants, please.” you take rafes hand, moving quicker for him to slip it below the hem and into your pajama pants, where rafe is pleased to find you aren't wearing any underwear.

his fingers stroke through your folds, feeling your wetness steadily growing before his finger prods against your entrance, slipping in with ease.

rafe watches as your eyes open to watch a scene playing out on the television before they close again when another boring part comes on, another monologue when you expected action.

“feel good?” rafe asks, glad that you aggressively nod. 

“don't you dare stop.” you spread your thighs a little wider, having to lift a leg over his to give him even more room to press into you, hand pressing in so his palm can rub against your clit.

“as soon as this stupid movie is done im taking you upstairs and fucking you so hard.” rafe growls the last words, putting all the effort he can into fingering you and massaging your clit that he possibly can.

his eyes light up when your back arches, mouth opening as small moans fall from your lips before you turn into a shaking mess as your high breaks, reaching down to stop rafes hand as you immediately become oversensitive.

“yum.” rafe says, pulling his hand away to lick your wetness off his fingers.

“ill just read the synopsis later, come on.” you tell rafe, standing up off the couch and pulling him up the stairs.

--

“please, call me ward.” rafes father says, graciously giving you a hug.

“well, it's nice to meet all of you.” you say with a wide smile on your face to hide your nerves, looking between rafes step mom rose and his littlest sister wheezie who looks genuinely excited to meet you. “and thank you so much for letting me stay in your beautiful home.”

“we were so glad when rafe told us he met someone.” rose lays a hand over her chest. “and my goodness, you're just even better than we imagined.

“she's a keeper for sure.” rafe places an arm around your waist, smiling down at you as you tuck your head down, cheeks tinging pink.

“so, you've got to tell us all about yourself.” ward sweeps his arm towards the living room, and soon you're all chatting on the couch that rafe fingered you on the night before. you push the memory to the back of your mind as you answer all of wards questions (and occasionally a few from wheezie).

“im a duke alumni myself.” ward says.

“oh, im well aware.” you chuckle. “your name is plastered all over the school. i think it's amazing that you invest in your alma mater.”

hours go by, rose insisting you all eat dinner together, before rafe finally has you alone in his room.

“god, they love you.” rafe says, watching you while you changing into pajamas, making him promise he wouldn't try anything with his parents under the same roof.

“i was trying to say all the right things.” you giggle. “i really like wheezie though, she's sweet.”

“im sure she won't argue if you want to take her out shopping tomorrow.” rafe offers.

“id actually love that. maybe ill invite sarah too so i can actually meet her.” sarah had ward drop her off at her boyfriend's house before they even came back home from their vacation, but you can't blame her for being a teen in love.

“ill give you my card then.” rafe says. you roll your eyes. rafe pays for everything, not that it even makes a dent in what you know he's being given as an allowance from ward and cameron enterprises.

“thanks babe.” you climb into bed, snuggling under the covers as rafe sets an alarm on his phone and makes sure both of yours are plugged in and charging.

“come here.” rafe opens up his arms once he's also under the covers, and you're glad to snuggle into his chest, heart rate instantly slowing and breathing deepening just from your cheek being pressed against his tshirt.

--

“rafe.” you hum, placing a hand on his thigh as he starts up the car.

“yeah baby?” rafe is fully prepared for you to ask to drive, or tell him you're not ready to go yet. he's willing to make whatever concessions needed to get you back to duke.

“can we make a stop in rahleigh? that's where my… friend from high school lives now, and id like to stop by quickly and just tell her im okay and that i accept her apologies.”

rafe nods, blinking away a few tears as he reaches over to give you a tight hug. “im so proud of you baby.”

you press your face into rafes neck, knowing you can do this when you have rafe by your side.

-- four years later --

“are you nervous?” rafe asks, watching you adjust the cap on your head.

“actually, no.” you admit honestly. “and if i do get nervous,” you turn away to face rafe. “ill just look at you.”

“oh god, come here.” rafe pulls you in tight, kissing the top of your head. 

“alright, come on.” you step out of the hug before it can go any further. “i dont wanna be late to my own graduation.”

“ah, you know i can delay it all with one phone call.” rafe tugs on your hand, tempting you back towards the bed.

“show off.” you roll your eyes, allowing rafe to pull you back to the mattress.

[thebibliosphere]

I both believe "poor people deserve art" and "artists deserve food", but it's hard to reconcile those beliefs. I blame capitalism. And I suppose it mostly matters who you're stealing from?

I don't mean to question you at all, I'm against people pirating your stories. I guess I was just wondering if you had more thoughts regarding the reconciliation the two beliefs I quoted above.

I think the reconciliation is working toward a future where things are better, and authors and artists don't have to beg people not to steal from them because they think every author is Stephen King, who wouldn't notice if you stole the pennies found under his couch when in reality most of us are hunting for spare change down the back of the couch because we are earning below minimum wage.

We need people to embrace the idea that art belongs to the working class, both in terms of consumption but also creation.

If you don't support the working-class creators, you'll only end up with rich fucks with no scope of the world beyond their own narrow view of privilege.

Indie creators are actually working very hard to change the way the industry works, and the publishing industry is shitting itself over it. They don't like the success some of us are having. It's why they keep upping prices while slashing corners on their own production (while never affecting the man at the top) to try and stay competitive within the rat race they've created.

They're not interested in the proliferation of art. They're not interested in making sure their authors can afford to live. They don't want more diversity. They don't want inclusion. They want profit at whatever the cost.

And while indie creators very much need to get paid because we live in a capitalistic society and everything is burning down around us, and a carton of eggs now costs more than what I earn per hour, our creativity is directly at odds with the type of profiteering big publishers want.

The money should go to the writers. Not the CEOs. The money should go to the workers in the print houses. Not the CEOs. No one needs the kind of wealth these people have. It's obscene. We need direct action against these conglomerates. We need unionization. We need a means to fight back so that we can make art and make it accessible.

So, how do we do that? I don't know. I'm just a very tired, disabled creator doing my best to keep my head above water. But I think getting people to realize that art and books are worth saving up for would be a good start.

That putting money in the pockets of creators is just as important as your own enjoyment of their art. Because if there aren't any artists, you've got nothing.

Getting them involved with their local libraries would also be a great start. Educating them on how the industry works is part of that. The number of people telling me they had no idea libraries paid authors is staggering. And that's intentional. It's a by-product of right-wing propaganda to make you think libraries are worthless and just sap taxpayers' money.

They're not.

If they were, the fash wouldn't be trying so hard to take them away.

Basically, we need working-class solidarity and for certain people on the left to rid themselves of the idea that just because something isn't borne of manual labor, it doesn't have worth. We need the artists and the dreamers as much as we need to bricklayers and the craftsmen. Otherwise, what's the fucking point of it all?

[foreveia]

director’s cut ⤨ tsukishima kei

⨭ genre; college!au, childhood best friends to lovers, fluff, minor angst like its there if u squint

⨭ pairing; tsukishima kei x fem!reader

⨭ word count; 17.3k

⨭ description; when you convince your best friend into being the male lead of your film project, you don't expect for it to make you question your whole relationship.

⨭ warnings; profanity, alcohol, smoking

⨭ a/n; this has been in the works for quite a while now and it is defff the longest fic ive ever written (not saying will ever write yet bc who knows), but i think i like it. i am a sucker for best friends to lovers, ESPECIALLY childhood best friends to lovers, so i hope u guys like it :)

song i listened to writing this: 'being your friend' by katherine li

one. 

The universe has a top-tier sadism kink, and its living proof is Tsukishima Kei. 

You know this to be a fact because 1) aside from his bachelor of science in anthropology, he’s pursuing a PhD in sarcasm and uses his learnings primarily to eviscerate your self-esteem, 2) The Umbrella Academy doesn’t come out with another season for another few months so your life choices have become the pinnacle of his entertainment, and 3) despite being your Bestie™ of twelve years, he still makes you beg for his benevolence, even if he does have the annoying habit of showing up when you need him most.

It’s deeply unfortunate that he’s all you’ve got, universe be damned. 

“Name your price. Cake? Head? Money? C’mon, just tell me what you want!”

Tsukishima peers at you over his laptop with disdain, the blue glow of his pirated PDF of The Communist Manifesto reflected in his glasses as he squints at you. His lips are pursed in annoyance, face scrunched up as he seemingly contemplates whether to put himself out of his misery or squash you to little smithereens. “What I want is for you to go away.”

True love, honestly. The golden standard for kindness and affection. A picturesque image of camaraderie. Lo and behold, everyone, your best friend.

“Oh my god, Kei, please,” you whine, hands clasped together as you look up at him through batted lashes. He doesn’t even flinch, looking completely unimpressed—how pretentious of him. “I’ll literally pay you whatever you want.”

The blond rolls his eyes, looking back down at his laptop screen as he briskly retorts, “I’m not a prostitute, idiot. You can’t pay me to star in your stupid movie.”

He ignores the several judgmental stares that turn in your direction at his response. You, on the other hand, are praying the library’s studious occupants don’t assume you’re a pimp preying on broke college students. 

In all honesty, you probably should’ve chosen a less populated spot than the library’s first floor seats in front of Crow’s Coffee, especially if you actually had any intentions to get work done. But with just a few months left until the end of second semester, you have way too many dining dollars left and not enough places to spend them; in this capitalist world, you refuse to let more money simply be pocketed by the greedy hands of the school. It’s how you managed to tempt Tsukishima out of the comfort of his apartment in the first place—with promises of free coffee and shortcake, courtesy of your four-star meal plan. 

“Technically, that’s a pornstar,” Yamaguchi supplies unhelpfully from his spot buried amongst stacks of math and science textbooks. He’s the only one of you who’s effectively completing his assignments because he won’t pass his classes unless he’s in constant fight-or-flight mode (you thank every deity you can think of that you weren’t born to be a STEM girlie). “You know you’ve got the time to, Tsukki.”

“Yeah, but I don’t want to,” he shrugs. You promptly deliver a swift kick to his shins. “Ow—well, now I really don’t want to.”

“Be honest, do you hate me?” you sniff dramatically, letting your head hit the table with a soft thud; Yamaguchi pats your head tantalizingly, as if you’re a fuckin’ child, and you want to scream at them both.

“Yes,” Tsukishima snorts, not even bothering to glance up. “It’s your own fault for being a film major.”

You shoot him a glare, but no threats come to mind because he’s sadly right.

Being a film major is basically being in a perpetual state of begging: begging your friends to star in your work, begging your professors for an extension because your lead decided to quit the night before shooting, and begging your parents for forgiveness because they didn’t send you to college to become a “professional movie watcher.” 

Sure, you get to watch artsy film-bro movies for homework, but you also spend half your time pulling all-nighters to finish scripts and survive solely off a diet of Shin Ramyun and its complimentary mushroom flakes. Tsukishima likes to tell you how you reek of constant desperation; you concur because no one has a real penchant for the arts these days. In a world where everyone dreams of being the next Spielberg, nothing is truly original, and you’re just barely holding on with the kind of boundless optimism that can only be fueled by sheer willpower. 

So here you are, offering bribes of cake, coffee, and cold hard cash, trying to convince your best friend—who has the emotional range of a teaspoon and the patience of a sleep-deprived toddler—to star in your magnum opus so you can pass the semester. You’d ask Yamaguchi, but he’s got civil engineering exams and an actual promising future to worry about. Meanwhile, your future, desperation and all, hinges on whether Tsukishima will stop being a pain in the ass for ten minutes and agree to be your leading man.

Luckily, because you’ve been #pairbonded for twelve years, you know exactly what buttons to push. You let out a sorrowful sigh, before loudly declaring, “Fine. I’ll just ask Shoyo then.”

That does it. Tsukishima’s jaw twitches, his fingers pausing over the keyboard; you know him too well because the mere thought of the red-head starring in your movie is enough to make Tsukishima reconsider his stance. You never did understand their beef, but Yamaguchi tells you that they’re just inverse idiots, which seems pretty likely considering they’re actually both easily provoked and highly competitive. He looks up from his laptop, irritation flashing in his eyes. “Absolutely not,” he says flatly, closing the lid of his computer with a decisive click.

Yamaguchi snickers, clearly sensing victory in the air. You, on the other hand, suppress your triumphant smile and put on your best wounded-puppy look. “But he’s so eager to help,” you say, your voice dripping with faux innocence. “He’ll do anything for me.”

There’s a moment of silence as Tsukishima contemplates this. His fingers drum lightly on the table, a sign that he’s weighing his options. And then finally, he lets out a long, suffering exhale, head rolled back in exasperation. “Fine. I’ll do it. But I swear to God, if this film ruins my life, I’m holding you personally responsible.”

“You already hold me personally responsible for most things,” you chirp, practically beaming with delight. “But thank you, Kei! You’re the best.”

Yamaguchi looks up from his mountain of textbooks with a bemused smile. “That was a quick turnaround. You’re like a married couple.”

“Only in spirit, ‘Dashi,” you purr, blowing him a playful kiss. The freckled boy pretends to catch your kiss and presses it to his cheek in a dramatic gesture; no wonder he’s your favorite. He really is such a sweetie.

“Stop encouraging her,” Tsukishima groans, pushing himself up from the table. “And stop saying things like that. People might believe you.”

“Wow, not you denying our love,” you scoff, sticking your tongue out at him. “I want a divorce.”

The blond ignores your threat. “I need air. Bye, Tadashi.”

He gives you an unimpressed but telling look, so you roll your eyes and promptly start packing up your things, shoving notebooks and pens into your bag haphazardly. The last things you do are run over to give your beloved ‘Dashi a light squeeze goodbye, swipe your laptop and Owala into your arms (because you are a broke college student who cannot afford to get a new laptop and your New Years’ Resolution is to be more hydrated), and skip to catch up with your friend, already halfway out the door. The evening air is a refreshing change from the stuffy library you’ve been in for hours; you’re sure if you had any free hands right now you’d bend over and grab a handful of grass, just for the sake of it. 

‘Tis is the life of a film major, you guess. You’re bitchless with a capital ‘B’ and spend the other half of your time with your equally bitchless friends. And all they do is abuse your dining dollars and mock your miseries in life, so honestly, it’s a good thing you’re in school to write and produce rom coms. You can live vicariously through them, at least.

But whatever. Pathetic love life aside, right now, Kei has agreed, and you’re already one step closer to a successful final project. 

two. 

The walk home with Tsukishima is as comfortable as ever, the silence between you two punctuated by the soft crunch of gravel under your shoes and the distant hum of campus life winding down for the night. He doesn’t pull his headphones on, but he also doesn’t start up a conversation; being alone with him is simply being able to exist. 

He’s walked you home everyday since the beginning of middle school, when his mom found out he hadn’t waited that day and you had walked home alone in the dark. From your bedroom window in the house next door, directly mirroring his, you had overhead her lecturing both him and Akiteru about the importance of manners—and to Kei’s credit, he’s dutifully picked you up after your classes and chores ever since, even if he grumbles the whole way home. For some reason, this habit carried over when you, him, and Tadashi committed to the same university, even if it meant standing outside a frat house at two in the morning because you got too fucked up to walk home on your own. You puked out half your stomach on his sweatpants, and he’d made you do his laundry for a month as punishment, but he still waits patiently at the café by frat row every time you get coerced to go out by your roommates. 

As you reach your dorm building, Tsukishima steps aside, holding the door open for you; you roll your eyes, but a smile tugs at your lips. “Such a gentleman, Kei. What would I do without you?”

He smirks, letting the door swing closed behind him as you head towards the elevator. “Probably get kidnapped or something. You’re too trusting.”

“The only person I’d let kidnap me,” you say dreamily, pressing the button for your floor with a dramatic swoop. “is Oikawa.”

You’re only half joking because Oikawa Tooru, the president of Sigma Epsilon Iota (SEI), is in fact extremely pretty and volunteered to be in your film last semester. You later found out that it was because he’s an astronomy major and thus felt compelled to star in your movie (which, yes, was titled Stars); he convinced you to spend many extra weeks in After Effects making sure the sky imagery looked ‘as perfect as him.’ He’d actually been a really good sport about learning his lines and cues, but you’re pretty sure neither you nor your 2014 Macbook Air would survive that experience again. 

“Right, fall for the guy who does keg stands at every party,” he drawls, his tone laced with sarcasm. “Smart.”

You huff and stick your tongue out at him, earning yourself a half-shrug and an amused snort. The elevator ride is brief, and soon you’re at your door, fumbling with your keys; as always, Tsukishima stops and stands to the side, waiting for you to invite him in, because again, manners. You turn to him with a playful grin. “You know, you don’t have to stand there like a sentinel every time. You can come in.”

He raises an eyebrow. “Is that an invitation?”

You laugh, pushing the door open and gesturing dramatically. “Oh, please, come in. Make yourself at home.”

Not that you had to tell him that. He slouched past you and kicked off his shoes as soon as you gave him the cue. He’s honestly just as relaxed here as in his own studio, already stretching and making himself comfortable on the couch with your favorite decorative pillow tucked under his head. 

You two have settled into a pretty comfortable routine. It’s a Friday night, so chances are that he’ll yank out his phone, scroll through his email. You’ll put something on the TV and he’ll critique it through mouthfuls of popcorn, only to have it ruin his appetite for whatever you end up ordering for dinner; later, if he’s tired enough, he’ll give up on the thirty minute drive home and collapse next to you in your Twin XL. It’s a mess of limbs and limited space, but you two manage—you always have. Your suitemates, Yukie and Kaori, have already texted that they’re bringing home Chinese takeout for four, so you decide against your usual snacks because your twig of a best friend needs actual sustenance.

Swinging by your room to drop off your bag and laptop, you take a pit stop in the kitchen on the way back to pluck two bottles of soju from the fridge. You toss him one; he catches it neatly and observes the flavor with scrutiny. 

“You hate strawberry,” he points out. “Why are you drinking this?”

You shrug, walking over to plop down on the couch by him. “Because it’s your favorite.”

His head is right up against your thigh because he’s too tall to fit on your shitty university furniture, even with his legs half-dangling off the armrest. You click through Netflix, nursing your drink with a slight pout until you make the executive decision to put on The Bachelor.

“Trying to prove you can love both me and Oikawa at the same time?” Tsukishima comments, watching the screen as he pops open the cap of his bottle. He’s referring to Ben telling both Lauren and JoJo he loved them in season 20; you lowkey love the series and he highkey loves the drama. There’s just something about people finding their supposed soulmates after knowing each other for like a month that really makes life entertaining.

“Don’t ever compare me to Ben,” you frown, because you think he was a massive asshole for doing that to JoJo and then not even picking her in the end. These bitches really be throwing each other under the bus. “You’re so mean to me.”

“You just bribed me with strawberry soju.”

“It’s not bribery if it’s out of love. Plus, I can tolerate it for one night,” you roll your eyes, taking a sip of the drink. “So, you wanna know what the film’s about or not?”

He looks at you over the rim of his bottle, eyebrow raised. “Do I have a choice?”

“Not really,” you grin, patting his head affectionately. “Okay, so, the film. It’s a romantic short about the progression of a college relationship. Like, from the first meeting to the final stages of being together. It’s dreamy, very aesthetic—y’know, all those soft hues and hazy shots. A smoking scene thrown in there somewhere.”

“Sounds like every other indie film ever made.”

“Shut up. This one’s different,” you insist, lightly tugging on a strand of his hair. “It’s got a great cast—Yachi’s playing the female lead.”

He nods, seemingly interested. “Yachi, huh? What’s my role, then?”

“The male lead, obviously,” you say, not even bothering to look away from the screen. The opening credits have just finished and you’re instantly sucked into the magical world of Malta; God, what you would do to be there right now instead of in your overpriced residence complex.

“Oh, great. Falling in love. My specialty,” he deadpans, taking another swig of his drink. “What do I have to do?”

You hum absentmindedly. “Learn the lines, cues, whatever. Yachi said she’s free tomorrow, so maybe we can get coffee with her in the afternoon and run through the working script?”

Tsukishima groans. “We already have to get started?”

“Yeah, there’s a lot to do,” you retort, giving him a gentle punch on the shoulder. He frowns up at you disapprovingly, and you mockingly frown back. “Get over it. You’re my main star.”

He shakes his head as you both watch the girls line up in knight costumes to compete in the episode’s extra-time competition. Modern television is truly unreal. “Why did I agree to this?”

“Because you love me.”

You flick your eyes from the TV to him, gauging his reaction. He’s rolling his eyes, of course, but the small smile and faint blush creeping up his cheeks tells you everything you need to know.

three. 

The prior night, your suitemates eventually came home with the promised takeout; Kaori even brought home boba orders courtesy of her friend Bokuto closing shift at the campus Broba Tea, so it’s safe to say you have the best roommates ever. 

Turnabout is fair play, so you and Tsukishima agreed to clean up—therefore, even after your suitemates retreated to their rooms, you two lingered behind in the living room, sorting away recyclables and compost into their respective places and watching your favorites get eliminated. Friday nights like this are nice: just you and your best friend, making three-pointers with empty soju bottles into the blue plastic bin. Even after you finished the season’s finale, you put on some nature documentary (courtesy of his Disney+ subscription, which he exclusively uses for National Geographic like a fuckin’ weirdo) and argued about which ugly fish looked more like each other the whole hour and forty minutes. You must’ve crashed no earlier than one A.M., but the specifics are hazy: you don’t actually remember falling asleep.

So the miserable blaring from your phone right now is truly, in short, cruel. Apparently, you forgot to turn off your alarm for your usual Friday 11 A.M. lecture last night, because you’re currently being rudely awoken at a completely unnecessary time on a Saturday morning. Groaning, you slap around the bed until your fingers find your phone, silencing the alarm. As you roll over, you find yourself face-to-face with Tsukishima, who’s occupying the other half of your twin XL bed, looking every bit as disgruntled as you feel. His hair is a mess, and there’s a faint crease on his cheek from your pillowcase; his arm is slung loosely over your waist as he grumbles and tries to hide his face from the light. He must’ve carried you to your bed after you dozed off on the couch.

“You’ve got to be kidding me,” he mutters. His voice is hoarse with sleep. “Why do you set alarms on days you don’t have class?”

“I forgot to turn it off,” you mumble back, burying your face in your pillow. “Sorry for waking you up.”

He sighs, rolling over onto his side and squinting at you as he makes out the hazy figure of your silhouette through his shitty impaired vision. “Move over. Your greedy ass is hogging all the space.”

Ah yes. Truly, a dreamboat. You roll your eyes, but scooch closer to the wall nonetheless; his grip tightens slightly around the curve of your back as you make space, and you can’t help but smile into your pillowcase. Despite his grumpy demeanor, there’s a warmth to his presence that you’ve grown to appreciate over time. 

“Better?” you ask, your voice muffled by your cotton pillow.

“A little,” he grumbles. He shifts closer, his body warmth seeping through the thin fabric of your pajamas.

You lay there in comfortable silence for a few moments, listening to the quiet sounds of the morning outside and the soft rhythm of his breathing. Your head kinda hurts; you haven’t woken up this early on a Saturday in forever. Maybe in another life, you’re born as one of those matcha latte girls who get up at 6A.M. for a run and have their lives sorted out by noon, but in this one, you love procrastinating and Netflix far too much to have yourself in order like that. Truly, you run off caffeine and spite and Google Calendar reminders—and as if on cue, your phone buzzes with a reminder about the meeting with Yachi. 

Tsukishima, recognizing the sound of the notification, leans over and hands you the device to read, giving you a minute before he asks, his voice soft to match the stillness of the room, “So, what’s on the agenda for today?”

“Crow’s with Yachi at one,” you murmur back. Normally, you’d be giddy to meet with your beloved angel of a friend (you would literally give Yachi your whole life), but truthfully, you don’t really want to get out of bed. Kei’s fingers, lightly tracing patterns on your back as he processes the information, feel so comforting and warm. You’re tempted to cancel and spend the day here, in bed, with him, but you know just as well as he does that you can’t.

“Right,” Tsukishima sighs. “Guess we should get up soon, then.”

“Mmm, in a bit,” you reply, savoring the warmth of the moment. “Just a few more minutes.”

He doesn’t argue, instead allowing the silence to stretch on comfortably. But eventually, it does slow. “We should get going, or we’ll end up being late,” he says, though he makes no move to get up.

You groan in response, but you know he’s right. 

“Fine,” you mumble, reluctantly sitting up. The room is still dim, the curtains drawn, and you glance over at Tsukishima, who’s also making an effort to get up; he grabs his glasses, neatly folded on your nightstand, and puts them on, blinking back into consciousness. He looks far too composed for someone who’s just gotten up, but of course he would be.

What a lovely, familiar sight. You hope this, these Saturday mornings with him, never end.

***

The campus is slowly waking up, students milling about, heading to the library or the better of the two dining halls, the one that serves freshly-made waffles on Saturdays. The other one only serves the world’s runniest scrambled eggs that’s held together with the most plasticky cheese, so even if it’s a ten minute walk further, it’s worth it.

You secure a table near the window; the dining hall overlooks the square and you like watching the way people narrowly dodge the campus seal. It’s a superstition that you won’t graduate if you step on it—and especially now, in the second semester when everyone gets pretty desperate, you gotta respect the grind. Tsukishima has already gone to order at the counter with your dining card, so you’re left alone to ponder about your impending project; you go over the working script in your head, running the lines and dialogue over and over. 

Your thoughts are interrupted when he returns with a tray loaded with waffles, two matching cups of coffee, and an extra serving of fruit for you—because he claims you need to eat healthier. You think he should eat more, period, but whatever.

“Wow, I’m impressed. Fruit? Did you find it hard to carry all this food without your arms falling off?” you tease, as he takes his seat across from you.

He rolls his eyes, picking up his fork. “Someone has to make sure you get at least one vitamin today.”

You stick your tongue out at him and dig into your waffles because you never wake up early enough on a Saturday to actually have them often. 

“When we finish eating, I need to go back and get my laptop,” you announce over a mouthful of waffle, ignoring the disgusted look Tsukishima gives you. “And then we’ll head to the library.”

“I am begging you to chew with your mouth shut,” he groans, throwing a well-aimed napkin at your face. You catch it with a dramatic flourish and quickly dab at your mouth, before you ball it and toss the napkin back at him; he ducks violently, almost knocking over his cup of coffee. You fight the urge to laugh at him and instead stab your fork into a piece of cantaloupe. 

“You need to eat,” you declare, promptly sticking the fruit in his direction. 

His eyebrows arch slightly as he glares at the fork held out toward him, but after a beat of silence, he leans forward and bites off the melon with a grumble. “Happy now?”

“Ecstatic,” you beam, popping a grape into your own mouth. “So, Crow’s at one. We can read for like, an hour? And then you’re free to go home and do whatever you do.”

“Study.”

“So boring,” you sigh. “Don’t you have any friends, Kei?”

He scoffs, sawing off another meticulous square of waffle. “I have you. That’s enough socializing for a lifetime.”

“Lucky me, I guess,” you roll your eyes. 

He smirks in response, taking a sip of his coffee. “Yeah, lucky you.”

four. 

After breakfast, you head back to your dorm to grab your things. Tsukishima scrolls through his phone, making an occasional snide comment about whatever nonsense he comes across on Twitter. You pack your bag with your notebook, laptop, and a few pens—desperation fuels organization, and you can’t afford to leave anything behind.

The walk to the library is filled with light-hearted banter, and soon enough, you spot Yachi waving at you from a corner table. She’s already got her laptop out, a notebook filled with neat handwriting open next to her, and you skip up to the table. 

“Hi baby girl,” you coo lovingly as you give your friend a hug. Tsukishima gives Yachi a polite nod before sliding into the seat across from her, leaving you to fill the middle one. “Thanks for meeting us before your shift.”

“Of course! I’m really excited about this project,” Yachi beams, her cheeks slightly pink from your affectionate greeting. “I’ve been reading over the script and it’s just so lovely. I can’t wait to get started.”

And this, everyone, is why you adore Yachi Hitoka with your whole heart. You would actually dropkick your best friend off the face of the earth for her, and that is not an exaggeration.

Tsukishima sighs, reaching into your bag to pull out your laptop; he settles it on the desk and pries it open for you. “Let’s get started.”

His impatience makes you roll your eyes, but nonetheless, you click to the latest draft of the script and slide it over for your Blondes™ to see. “Here’s what I’ve got so far,” you say, pointing at the section still titled SCENE 1 DARFGT :P from when you wrote the first six pages over the course of an all-nighter. “The first scene sets the tone for our whole film, and I’m thinking of having it outside the library, so get used to this café.”

“As if we don’t already spend half our time here,” Tsukishima deadpans, but he leans closer to the screen anyway. You watch the way both of them take in the script, their gazes fixed on the document as they read through the lines. 

He looks visibly relieved as he scrolls through the very short document; it’s a mess of director and action notes because you have a very specific vision in your head that you want to execute. “It doesn’t have much dialogue because I want it to be focused on the little details that show your initial connection,” you say as they near the end of the script. “Y’know, body language. The way you look at each other. Your expressions.”

Momentarily, you pause to read their reactions; you’re minorly concerned because acting is actually the hardest part of the job, even if memorizing dialogue does suck. Thankfully, Yachi’s eyes visibly light up, and she chirps cheerily, “I love that! It feels very natural and genuine; I think that’s beautiful.”

Her reassurance makes you kick your feet like Sofia the First because she says it in a way that feels completely real. 

Tsukishima, on the other hand, does not acknowledge this statement: he’s too busy raising his stupid eyebrow and smirking as he reads scene four. He drags his finger over the screen, where the line reads Interior - Dorm Room - Night. “Okay, first of all, very original,” he snorts. “But second, you volunteered my place without asking me? How very presumptuous of you.”

“Well, I have roommates,” you say, really emphasizing that last word because you want him to feel as stupid as he looks smirking like that (he looks very annoyingly pretty with his cat-like simper). You know he doesn’t actually care about the usage of his studio: he just loves seizing the opportunity to mock you.

Your internal irritation clearly goes ignored by him, because he just grins as he continues to blissfully dissect your script. “And ‘they kiss passionately’? Really going for the heartstrings, aren’t you?”

“It’s called intimacy, Kei. It’s a crucial part of developing the relationship on screen.”

Yachi, ever the peacekeeper, nods eagerly. “I think it’s really sweet. It’s important to show the depth of their connection. The close-ups will make it feel very personal.”

“Sure, whatever you say,” Tsukishima says, raising an eyebrow, his expression still amused. He gestures to the next few pages—blank sans the text DJEJSJSJDJ PAIN, because again, you spend a lot of time writing during deranged all-nighters. “But what’s with the cut to black right after? Did you run out of ideas?”

You bite your lip. “I haven’t finished the ending yet. I want to see how you two portray the characters and their chemistry before I decide how it concludes. It’s not just about the script; it’s about the emotions you both bring to the roles.”

“You mean you’re winging it.”

“Creatively winging it, yes,” you roll your eyes. “It’s a work in progress, and I trust you two to help bring it to life.” 

Tsukishima rolls his eyes, but there’s a hint of a smile tugging at the corners of his mouth. “Alright, I’ll give you that. But if I have to make out with Yachi and you cut it short, I’m going to hold it against you.”

Yachi blushes, but she’s smiling too. “I’m sure it’ll be great. We can practice and make sure it looks natural.”

“Thanks, guys,” you beam at them both, grateful for their willingness to dive into your project. 

As antsy as you were, the film’s got a lot going for it—Yachi is a sweet, earnest cutie pie and Tsukishima is… well, him, so their contrast will hopefully make for compelling cinema. And the word compelling is honestly enough—those three syllables are truly music to a film major’s ears.

***

By the time you finish at Crow’s, the sun has already dipped below the horizon, casting a dusky glow over the campus. Tsukishima predictably gets ready to walk you home; he shoves his hand in his jacket’s pocket and tries to look nonchalant, so obviously you tell him he looks stupid, to which he promptly flips you off. Rude. Some people just don’t know how to appreciate honesty.

Yachi’s already headed off to her shift at the café, so you two are left alone, navigating past other tables to the library doors. The evening air is cool, a welcome contrast to the warmth of the crowded café; you walk in companionable silence for a while, the only sounds being the rustling leaves and the distant chatter of other students.

He walks you to your gate, and you’re honestly about to just head inside, but you pause in your tracks because he deserves to hear it twice. 

“Kei,” you say softly, breaking the silence. “Thanks again. It really means a lot to me.”

He looks at you, his expression unreadable. “I know. That’s why I’m doing it.”

You blink up at him, momentarily thrown off by his directness. Tsukishima isn’t the type to say things he doesn’t mean—he’s never been one for flattery or unnecessary kindness. And yet, there’s something about the way he says it, the quiet certainty in his voice, that makes your heart do something stupid in your chest.

Tsukishima Kei cares about you. No matter how much he pretends otherwise, you know he’ll be there for you when you need it most. If twelve years have taught you anything, it’s that he’ll do it reluctantly, begrudgingly, but he’ll be there for you. 

He always has.

five. 

The first day of filming is, somehow, going smoothly.

You’re not sure if you should be suspicious of this. Typically, film shoots involve at least three things going horribly wrong within the first twenty minutes. A mic cutting out. A location suddenly getting overrun with people. A key actor arriving late because they forgot their costume at home.

But today? Today, things are working. The morning light is perfect, the sound equipment is cooperating, and most importantly, Tsukishima and Yachi are actually… really good together.

Which is a huge relief, because you were honestly half-convinced you’d have to wrangle the emotional chemistry out of Tsukishima with sheer force. But watching them run through the first scene on the bench outside the library, you realize you don’t have to do much at all.

He’s relaxed, leaning back with an elbow draped over the back of the bench, his eyes sharp and calculating as Yachi speaks; she’s perfect for the blushing, hesitant-but-artistic old soul character you want to portray and he takes to his role just as quickly. There’s something natural about the way they interact—the slight hesitations, the way he looks at her before speaking, the subtle smirk that plays at his lips when she nervously tucks her hair behind her ear.

It’s not forced. It’s not awkward. It’s just real.

You bite your lip, watching through the camera screen as Yachi delivers her next line, her voice soft, a little unsure. Tsukishima’s response is barely above a murmur, but it carries, even in the open air. The way he’s looking at her—that’s what makes it work. It’s the kind of gaze that makes people believe in love stories. 

Holy shit. This might actually be good.

“Cut!” you call, your voice a little breathless as you lower the camera. Yachi blinks up at you, a little startled, before breaking into a smile.

“Was that okay?” she asks, a hint of uncertainty in her tone.

“More than okay,” you say, grinning as you step over to them. “You guys are killing it.”

Yachi lets out a relieved laugh, cheeks pink. “Oh, thank god. I was worried I looked weird.”

“Nope. You look like the perfect indie film love interest.” You pat her on the shoulder before glancing at Tsukishima, who raises an eyebrow at you.

“What?” he drawls.

“You’re actually trying.”

He scoffs. “Yeah, because I’m not going to embarrass myself on camera.”

“Right,” you deadpan, smirking. “Nothing to do with the fact that you two have, like, the easiest natural chemistry I’ve ever seen.”

Tsukishima rolls his eyes, but you catch the way his jaw ticks slightly before he stands up, stretching. “Are we done here? Or are you going to keep talking?”

Impatient idiot. You snort and go to collect your camera and sound system, and together, you all head off to film scene two.

***

The second scene of the day takes place in the small, naturally-lit art studio on campus. It’s not often used, especially not on the weekends, now that the university’s built the big fancy modern art building in the north campus, but it’s perfect for this scene. You wanted something intimate, somewhere that made the world feel smaller, quieter, to parallel the deep intimacy of a relationship (wow, look at you talking like a true film bro). A space where the characters could be alone, even if they weren’t saying much.

Tsukishima sits at the table, his hands idly flipping through a sketchbook that’s just a prop, though you think it suits him weirdly well. Yachi’s holding a paintbrush, standing near the window, looking at a half-finished canvas, the soft glow from outside catching the strands of her blonde hair just right.

“Alright,” you say, stepping back behind the camera. “Tsukishima, this scene is mostly you watching her. Yachi, I want you to look like you’re lost in thought. You’re thinking about something big, but you’re not sure if you want to say it.”

Yachi nods, exhaling as she settles into place. Tsukishima just leans on his elbow, glancing at her through his glasses, waiting.

You call action. And for a moment, the room changes. It’s not just a studio anymore. It’s a quiet, suspended moment in time.

Tsukishima watches Yachi, and you can’t look away. The way his gaze lingers, not quite analyzing, not quite soft, but something in between. The way Yachi’s fingers trace the edge of the painting, distracted, unaware of the way he’s looking at her. The way they look so perfectly together, like halves of a whole, like something that’s meant to be.

It’s... breathtaking.

You swallow, suddenly feeling warm.

They’re good. Too good.

“Cut,” you say softly, your own voice sounding a little distant.

Tsukishima looks up at you immediately, brows slightly furrowed, like he’s searching for something in your expression. Yachi, however, simply exhales a breath of relief, breaking into a small laugh. “That felt really real,” she says, beaming.

“It was really real,” you admit, trying to shake the weird feeling creeping up your spine.

Wow, honestly. They must be some of the best actors you’ve ever met. If you didn’t know better, you would think they were actually in love.

six. 

The blinking cursor on your laptop is mocking you. 

It’s a tiny, relentless metronome ticking away the seconds, reminding you of your failure to move forward. You glare at the half-finished sentence on the screen, fingers hovering over the keyboard, willing your brain to conjure anything—literally anything—that makes sense.

You had an ending in mind—of course you did. The perfect, soft, cinematic conclusion to your film. A final shot drenched in golden light, delicate and lingering, like a whisper against a bruise. The kind of scene that settles into the chest like an old song or a half-remembered dream, stirring something deep and unshakable. The culmination of all those quiet, electric moments between your leads, woven together into something fragile and honest.

Except every single draft you’ve attempted so far? Complete garbage.

You groan and throw yourself back against your chair, rubbing your hands over your face in frustration. Why does this feel impossible? You should’ve known writing the ending would be the hardest part. You’re always better at beginnings—openings are easy. Openings are full of possibilities. But endings?

Endings mean making a choice.

And right now, you have no fucking idea what choice to make.

As if on cue, summoned by your misery, your door swings open without warning, and Yukie strides in like she owns the place. Which, to be fair, she practically does—she and Kaori have an open invitation to barge in at any time, and they use that privilege liberally.

“Please tell me you’re taking a break from that thing,” she says, nodding toward your laptop as she flops onto your bed. “You’ve been staring at it like it’s personally offended you.”

“It has personally offended me,” you mutter back, head caught between your hands, visibly in distress. “I’ve rewritten it like five times, and it still feels wrong.”

Yukie hums, but her attention drifts toward your open script document, skimming the words with the sharp, practiced gaze of someone who enjoys knowing things before you tell her. A beat later, her eyebrows shoot up.

“I still can’t believe you’re letting Yachi and Tsukishima film together,” she says, lips curving in a smirk.

You glance at her, confused. “Uh, yeah? They’re the leads? Kind of an important part of the whole thing?”

She rolls onto her side, propping herself up on one elbow, expression downright mischievous. “No, I mean… you don’t think it’s a little risky?”

You blink. “Risky how? Like existentially?”

Yukie snorts. “No, dumbass. I mean, don’t you think it’s easy for co-stars to catch feelings for each other? Like hello? Zendaya and Tom Holland broke the Spiderman-MJ curse cause of it.”

“Oh c’mon,” you scoff immediately. “Kei and Yachi? Please. He’s the human equivalent of a hazard sign, and she’s literally an angel.”

“And opposites attract,” Yukie sing-songs, wiggling her eyebrows like she’s just cracked some grand conspiracy.

“Not like that. It’s literally just acting.”

Yukie tilts her head, looking entirely too entertained by your dismissiveness. “You say that, but it’s not uncommon. You spend enough time pretending to love someone, and eventually, it stops feeling like pretending.”

You open your mouth to retort—but for some reason, your brain short-circuits. The words are there. They’re on the tip of your tongue. But they won’t come out. Because now you’re thinking about it.

Tsukishima and Yachi. Together.

It’s ridiculous, obviously. Tsukishima is sarcastic and emotionally constipated, and Yachi is sweet and nervous and actually respects people’s feelings. They make sense on screen, sure—chemistry is chemistry, and that’s what acting is for. But in real life? You can’t even picture it. Matter-of-fact, you shouldn’t even be picturing it.

And yet, something uneasy churns in your stomach, and you shift in your seat, suddenly feeling uncomfortable in your own skin. No, this is stupid. You’re overthinking. Yukie’s just stirring up unnecessary drama because that’s what she does when she’s bored.

“It’s fine,” you say, voice forcibly even. “They’re just acting. Besides, you really think Tsukishima of all people would catch feelings for someone just because of a film?”

“Mmm.” Yukie hums, neither agreeing nor disagreeing. “You say that, but you’re weirdly defensive about it.”

“I’m not defensive,” you snap, too fast, too sharp. A mistake.

Yukie’s smirk deepens, and you hate her for it. She swings her legs off the bed, stretching like a cat. “When you’re done pretending you’re not in denial, dinner’s ready,” she chirps, sauntering toward the door.

You roll your eyes. Classic Yukie. Your roommates are simultaneously your greatest strength and your worst influence; they know you inside and out, and unfortunately, that means they never let you run from your own feelings. They’ve been convinced for years that you’re in love with your best friend, which is laughable. Delusional, even.

And yet.

The thought lingers longer than it should, trailing after you like a shadow as you trudge to set for the first day of filming.

You tell yourself it’s just curiosity when you glance Tsukishima’s way. Just morbid fascination when you catch the way his gaze lingers on Yachi between takes. Just professional interest when you watch how his sharp, unimpressed scowl softens—barely, just a fraction—when she nervously stumbles over a line, and he mutters a quiet correction, his voice steadier than you expect.

It’s just good acting, you reason. Nothing more.

Because Tsukishima is your best friend. And that’s all he’s ever been, all he’s ever going to be. You tell yourself that, over and over and over again, trying to make it feel like the truth. But for some reason, despite all your effort, it doesn’t, and it bothers you in a way that it wouldn’t bother friends that are purely just platonic.

seven.

“You look like shit.”

You rub your eyes, very conscious of the fact that you’re sporting dark eye bags and a goofy-ass fit. Your hoodie is three sizes too big, your sweatpants have a suspicious stain on them from an unknown source, and your hair looks… actually, you don’t even want to talk about it because it really is that bad. You blink up at Tsukishima, who has somehow managed to find you after your afternoon lecture, looking disgustingly well-rested and put-together as always.

“Thanks,” you deadpan, shouldering your bag. “Great to see you too, Kei.”

Tsukishima rolls his eyes but doesn’t move out of your way. Instead, he tilts his head slightly, studying you with that keen, observational gaze of his. “Seriously. Are you okay?”

You pause, thrown off by his genuine concern—normally, he’d just mock you and move on, but there’s a sharpness to his tone today, like he actually cares. Maybe it’s because you’ve barely been outside in the last few days, much less seen him and Yamaguchi. Now that you’ve made it through over half of the film’s scenes, you’ve already started editing it together (arguably the worst part of being a self-produced film student: the excessive time spent with Adobe Creative Cloud). You hesitate, then sigh. “Just tired. I’ve been working nonstop, and I still haven’t figured out the ending.”

He lets out a long-suffering sigh, crossing his arms. “Why do you always do this to yourself?”

“I thrive under pressure.”

“You thrive off caffeine and bad decisions.”

“Same thing,” you mutter, rubbing your temples. “Look, I’ll figure it out. Eventually.”

Tsukishima doesn’t look convinced, but instead of pressing further, he reaches into his pocket and pulls out his car keys, holding them up with a lazy shake. “C’mon.”

You blink. “Huh?”

“You clearly need a break. Let’s go.”

You frown at him, confused. “Go where?”

“Does it matter?” he counters, raising an eyebrow. “I swear to god, if you go back to your dorm and stare at your screen for another five hours, you’re gonna lose whatever brain cells you have left.”

You open your mouth to argue, but you know he’s right. Your brain is fried, your eyes are starting to blur from staring at a screen all night, and you could really use some air. So, with a dramatic groan, you give in. “Fine. But if you take me somewhere boring, I’m jumping out of the car.”

“Noted,” he says dryly, shoving his keys back in his pocket before turning on his heel. “Now move it.”

***

The drive is familiar, comfortable. You don’t even ask where he’s taking you because, honestly, he’s right: it doesn’t matter. Being in his car like this feels natural, like muscle memory.

You remember when he first got his license, the first of you three to do so. Akiteru had gifted him a car to use once he did, an old but functional, clean and simple one, much like him. At the time, it had felt like the biggest deal—suddenly, Tsukishima had a ticket to freedom, and by extension, so did you and Yamaguchi.

You can still picture those early drives vividly: the three of you packed into the car, Yamaguchi in the passenger seat nervously checking the map while you sprawled in the back, shouting ridiculous directions just to mess with Tsukishima. He always acted like he hated it, threatening to pull over and leave you on the curb, but he never actually did. 

There were the late-night drives to nowhere, just because none of you wanted to go home yet. The ice cream runs in the middle of winter, sitting in the parking lot with the heater cranked up as you argued over movie rankings. The way Tsukishima always kept one hand on the wheel, the other fidgeting with the volume knob, adjusting it up or down depending on whether he was feeling indulgent or annoyed by whatever you were blasting through the speakers.

You remember one time, when a storm had rolled in suddenly and you got caught out in the rain on the way back from a late study session; he’d picked you up after you spam-called him seven times. Tsukishima pulled up to the curb in front of your house, the wipers barely keeping up with the downpour, but for some reason, instead of rushing out of the storm into your apartment, you’d just sat there for a while, listening to the steady rhythm of the rain against the car roof. He hadn’t told you to get out, hadn’t asked why you were lingering. He just turned up the music, leaned back, and let you stay.

The cityscape blurs past the windows as the car hums beneath you, the low rumble of the engine mixing with the sound of the playlist Tsukishima has quietly playing in the background. You recognize the song instantly—it’s from one of your old shared playlists, one you made together back in your first year of high school.

You glance at him, but he keeps his eyes on the road, one hand on the wheel, the other resting lazily against the gearshift. His sweater is vintage, made of a gorgeous dark green wool that you had been ecstatic to find when you first took him to your favorite thrift store back home; it looks good contrasted with his blond hair and fair skin. His usual stoic expression is softer in the evening glow, illuminated by the street lamps lining the road. 

God. Have his eyes always been able to capture the city lights like that? 

***

Tsukishima drives for what feels like forever, but when he finally pulls over, it’s basically where you started: an empty parking lot, outside of your favorite convenience store because they’re open late and always stock freshly-made to-go onigiri. It’s owned by a sweet old woman, so double points; you two have been coming here since the start of your freshman year. 

He throws the car in park and gives you a look. “You coming?”

You sigh dramatically but unbuckle your seatbelt, stepping out into the cool night air. The store’s neon sign hums quietly, casting a soft glow over the pavement.

As soon as you step inside, the familiar scent of warm rice and miso greets you, and you immediately relax. Tsukishima heads straight for the onigiri section, while you linger near the drinks, debating between a matcha latte and a cappuccino.

“You’re getting the matcha,” Tsukishima calls over his shoulder, barely even looking up.

You roll your eyes but grab it anyway, because yeah, he’s right. You join him at the counter, where he’s already placed two onigiri on the register—one salmon, one tuna mayo.

“You know my order,” you say, amused.

He shrugs, handing over his card to pay before you can argue. “You never change it.”

The words are casual, offhanded, but something about them settles deep in your chest. You look at him, at the way he’s effortlessly familiar with your habits, your preferences, your life.

And for some reason, that makes your stomach twist.

eight. 

You tear into your onigiri, letting the familiar taste of salmon and warm rice settle on your tongue. The quiet hum of the city surrounds you both as you sit on the hood of Tsukishima’s car, drinks resting beside you. The neon glow of the convenience store sign flickers in the periphery, casting long, gentle shadows over the pavement; the night is cool but not biting, the breeze rustling the stray napkins you’d forgotten beside you.

The conversation flows lazily, touching on everything and nothing at once—complaints about professors, Yamaguchi’s latest doomed tutoring attempts with Hinata, Tsukishima’s upcoming project on primate evolution that he absolutely does not care about. It’s easy, the way it always is, but there’s a weight pressing against your ribs, something you can’t quite name.

Then it slows. After a beat, you sigh, staring out at the dim glow of the streetlights. “I think I might change the ending.”

Tsukishima shifts beside you, glancing at you briefly before turning back toward the night sky. You don’t even have to specify: he knows what you’re talking about. “Yeah?”

“I wanted a happy one,” you admit, your fingers picking at a loose thread on your hoodie. “But I don’t know if it fits. Every version I write feels fake. Too neat. Too… easy.”

He’s quiet for a moment, taking a slow sip of his drink before shrugging. “Then don’t force it. If it’s not working, make it ambiguous.”

You scoff, shaking your head. “It’s not that simple.”

“It is,” he argues, stretching his long legs out in front of him. “People like things that feel real. If you’re struggling this much, maybe that’s your answer.”

You chew on his words, considering. Maybe he’s right. Maybe an open-ended conclusion is the answer—letting things linger, unresolved but full of possibility. But something about that unsettles you, like leaving something unfinished, like waiting for something that never comes.

And then, it clicks: how to leave it ambiguous without being unfinished. 

You exhale, pressing your phone’s power button and watching the screen light up, a blank notes app staring back at you. Your fingers hover over the keyboard before you start typing, the inspiration finally clicking into place. You can already see the scene in your mind—the way the light will filter in, the subtle expressions, the carefully chosen silence between words.

Tsukishima watches you with mild amusement, his lips quirking up just slightly. “Are you seriously writing right now?”

“Shut up,” you mumble, furiously typing. “You said something smart for once, and now I have to take advantage of it.”

He snorts. “You wouldn’t survive without me.”

You roll your eyes, but deep down, you know he’s right. The thought lingers, unspoken. How many times has he done this? Pulled you out of your own head before you spiraled, pushed you to do better, reminded you—without ever really saying it—that you aren’t alone?

The words on your screen blur slightly. Maybe it’s just the neon lights. Maybe it’s something else.

Then, softer, almost offhand, he says, “You know, if it’s really bothering you this much, maybe it’s because you want it to mean something.”

Your fingers still over your screen. The words sit heavy in the air, pressing down on you with a weight you can’t quite place. You look up at him, but he’s already turned back toward the city, his expression unreadable.

nine.

You think that you need a distraction. A long walk, or a snack, maybe. Or better yet, what you actually really want: a frontal lobotomy. 

Instead, you have filming.

Which is, honestly, the opposite of helpful when your current goal is to shove all of your weird, unwelcome, inexplicable feelings into the deepest recesses of your mind. It’s awful, but now that you’ve started to see your best friend in a whole new light, it’s really all you can think about. Therefore, you cope as you always have: running from your problems. You’ve been distant the last few days. You’re responding less, cancelling on your weekly study sessions, sprinting out of your lectures before he can catch up to you. You’ve even been ghosting Yamaguchi out of proximity. 

But you can’t do that today. Because today, you’re shooting one of the final sequences—the rooftop scene. The one drenched in soft intimacy, lingering glances, and unsaid words thickening the air between them. The one where Tsukishima and Yachi have to act like they exist in their own world, where nothing and no one else matters.

You try not to think about it too hard.

The rooftop set is perfect. The city sprawls beneath them, lights flickering like stars, a mirror to the actual night sky above. Yachi’s already in position, sitting at the edge, her posture relaxed but poised. Tsukishima is beside her, long legs stretched out, hands lazily resting on his lap. The camera is set up, framing them beautifully against the endless stretch of buildings and sky.

You call action, and for a while, it’s fine.

Yachi takes a slow drag of the cigarette (a prop one—she refuses to even come close to tainting her lungs), the smoke curling up between them. Her voice is soft, contemplative, as she delivers her lines. Tsukishima exhales smoke into the night, his face not particularly expressive but not detached. He’s… engaged. Focused. Too focused. There’s something in the way he looks at her that makes your chest tight, even though you know, know, it’s just acting.

Still, the words he says don’t feel like lines. Not when his voice dips just slightly, not when his eyes linger on her face.

“Maybe,” he says, his tone quieter than rehearsals, “but some moments leave imprints on our souls. They’ll last forever in our hearts.”

The air shifts.

Yachi leans her head on his shoulder. The city hums below them. The scene is exactly as you envisioned it, the kind of moment that pulls people in, that makes an audience believe.

And yet, it feels like you can’t breathe.

The worst part is that it isn’t even that bad—no, you get through the scene just fine. No one else notices the way your stomach churns, or the way your hands tighten around the back of the director’s chair. No one notices that the words aren’t just dialogue in your head anymore, that they feel… wrong, out of place, too much.

It isn’t until Tsukishima reaches out, without prompting, without direction, and brushes a loose strand of hair out of Yachi’s face that you realize you actually feel sick.

It’s not scripted.

The camera catches it perfectly, a soft, natural movement. The kind of instinctive touch that makes a scene feel real. Your breath stutters in your chest. And then, as if that wasn’t enough, he leans in slightly, pressing the briefest kiss to her forehead before pulling back, the ghost of a smile on his lips.

Not in the script.

Not in the goddamn script.

“Cut,” you say, too quickly, your voice tighter than you mean it to be. You clear your throat, forcing a neutral expression onto your face when both of them glance toward you. “That was—good. Really natural.”

Yachi beams, a little shy but pleased. “It felt nice, actually. He made it really easy to stay in the moment.”

You swallow down whatever the hell it is that rises up in you at that.

Tsukishima doesn’t say anything. He just watches you, sharp and unreadable.

Your fingers curl into your palm. “I think we’re done for tonight,” you announce, forcing a yawn into your voice like exhaustion is the reason you need to leave so badly. “I’ve got a migraine coming on, and we still have to film the passion scene this weekend.”

Yachi nods easily, already stretching out her legs, but Tsukishima’s expression darkens slightly.

“You sure?” he asks, low enough that only you hear it.

You nod quickly, avoiding his gaze. “Yeah. Just need sleep.”

He stands, brushing invisible dust from his jeans, and you know what’s coming before he even says it. “I’ll walk you back.”

“No!” you panic, waving your hands wildly. “Kaori’s picking me up.”

It’s a lie, an obvious one, but you don’t care. You grab your bag and sling it over your shoulder before he can question it. “I’ll see you guys later.”

Then you leave, practically sprinting out, before he can say anything else. Before you have to deal with whatever the hell this is, whatever it means.

Because if you stop to think about it, even for a second, you’re pretty sure you’ll break.

ten. 

Midway through your most recent homework assignment (dissecting the art behind the glorious film Cars—the best Disney movie out there, fight with the wall), your phone vibrates against your nightstand. The screen flashes the text message that’s popped up, but you don’t even need to check to know who it is: it’s a notification that you already know you don’t want to see.

(11:12 PM) kei :P: are you avoiding me?

You stare at the text, thumb hovering over the keyboard, your mind spinning with an answer that won’t sound like a complete lie. The problem is, you are avoiding him. You’ve been practically stonewalling him, dashing away inconspicuously whenever you know he’ll be nearby, and it’s getting obvious. He knows it. There’s no use pretending otherwise, but the idea of confronting it—confronting him—makes something anxious curl in your gut.

You sigh, flopping onto your bed, one arm draped over your eyes as you try to gather your thoughts. Your fingers type out a response before you can overthink it.

(11:15 PM) y/n: no? y/n: i’m j busy lately u know that

The three dots appear, then disappear. Reappear, then disappear again. He’s debating his response, and for some reason, that is terrifying. Then it buzzes.

(11:21 PM) kei :P: right.

It’s short. Barely anything at all. But you know him, and you know exactly what that one-word response means. He doesn’t believe you. He’s letting it go for now, but he isn’t letting it go entirely. The thought unsettles you more than you want to admit.

Your room feels suffocating suddenly, like it’s pressing in on you. You glance around, searching for something—anything—to keep your mind occupied, but all you find are pieces of him.

Tsukishima had helped you move in, so he has a fundamental part in the whole place already, but when you look even closer, he’s really in the details. There’s the framed picture on your desk from your high school graduation, his hand resting lazily on your shoulder as Yamaguchi beams from besides you. There’s a hoodie draped over your desk chair, long since stolen from his closet during a late night out that never got returned. There’s a battered copy of Normal People by Sally Rooney tucked into your bookshelf, its pages creased and worn from the way he always mindlessly flipped through it when he came over. 

It never seemed evident until now, when you’re trying so hard not to think about him, to not let him occupy a space that he’s so clearly always kept filled, but now that you see it, it’s simple: Kei has been a part of your life for as long as you can possibly remember. He’s always been there, from the very moment your family moved into the house next door to him when you were seven. He’s in your daily routine. If you turned on your phone right now, it’d open to a picture of you three; if you were to open Spotify, you’ll find your blend at the very top of your pinned playlists. 

He’s everywhere. He’s everything. Tsukishima Kei is worn into your very bones, into every single cell, written into every little part of your being. 

Your fingers tighten around your phone, and for a moment, you consider texting him back. Saying something real. Something honest.

Your gaze flickers to your desk, to the script sitting on top of a stack of notebooks. The ending you rewrote stares back at you, the words bold and final.

Scene 6 Exterior - Rooftop - Sunset Yachi returns to the rooftop, now alone. She sits on the edge, looking out at the city. The sun sets, casting a warm glow over everything. She takes out a cigarette and lights it, inhaling deeply. Cut to: Tsukishima, walking through the city streets, the sunset reflecting in his eyes. He pauses, looking up at the rooftop where Yachi is sitting. The screen fades to black. Text on screen: “We’ll be there at the end of the world, together as the stars go out.”

The moment your professor read it, she called it striking. Said it felt honest. That the ache in the words felt real, like someone had lived it.

But you didn’t just write it. You felt it.

Because if the world were ending, if the stars were truly burning out—there’s no question where you’d be. Who you’d be with.

And yet, here you are, running.

You inhale sharply, pressing the heels of your hands against your eyes.

With the weight of twelve years of friendship comes the obligation to not let it go to waste: you are terrified of what a confession could do. You can’t even imagine what a world without Kei looks like; you would honestly rather die than lose him. And well… admitting your feelings could very well mean losing him. 

Then again, you could very well lose him too if you keep ignoring him and running away. You just need to come up with some way to either 1) get over your feelings, or 2) explain to your best friend that you’ve suddenly started having inexplicable dreams about him and feeling the urge to kiss him. 

You mean, how hard could it really be?

eleven. 

Evidently, very difficult. 

You’re standing outside the door of Tsukishima’s flat for the first time in days, feeling like you might actually throw up. You have the horrible urge to cancel. Maybe you should turn around. Maybe you should fake food poisoning. Maybe you should suddenly develop an urgent need to flee the country.

But no. You can’t do that. This is your film, your project, your fucking grade on the line. You can’t just run away forever.

So you’re here. And you take a deep breath before you knock, because your heart is hammering like you just ran across campus, and it only picks up when the door swings open.

And then he’s there too—Tsukishima, standing in the doorway of his apartment, hair still damp from a shower, hoodie hanging loose on his frame. His glasses slide down his nose just slightly, and for a second, he just looks at you, eyes scanning your face, your posture, like he’s already found something off about you.

“You’re early,” he says, stepping aside to let you in.

You nod, stepping over the threshold, hyperaware of the way the air inside feels different—warm, his, thick with something you don’t have the words for.

“Wanted to set up before Yachi gets here.” Your voice is steady, detached, the way it should be.

It’s not a lie, not entirely, but it’s not the truth either. The truth is sitting in the space between you, glaring and heavy, pressing in like the weight of an oncoming storm.

He hums in response but doesn’t say anything else. Tsukishima doesn’t move, doesn’t drop his gaze. His arms are crossed, his posture lazy, but there’s something pointed about the way he’s looking at you—sharp, analyzing, like he’s cataloging every tell, every avoidance, every reason why you’re standing here instead of texting some excuse from the safety of your dorm.

You drop your bag near the couch and move to set up your camera, your hands moving automatically as you avoid his gaze. The apartment smells like him—coffee and citrus, faintly like that stupid expensive detergent he swears isn’t a luxury purchase but definitely is. The scent is so him, so familiar, that it makes your stomach flip.

And then he speaks.

“What’s going on with you?”

You freeze.

It’s not accusatory, not sharp, just… careful. Measured. Like he’s trying to get an answer without pushing too hard. Which, honestly, is worse than if he had just called you out directly.

You force yourself to keep your hands steady, adjusting the camera’s angle. “Nothing. Just busy.”

His eyes narrow slightly. “Bullshit.”

Your stomach twists. The air in the room shifts, thickens.

He’s always been quick. Always been able to pick apart your bullshit before you even finish spinning it, before you can even convince yourself it’s real. And now, with those gold-flecked eyes trained on you, burning through every excuse you try to build between you… well, you’re drowning.

His voice is steady, but edged with something dangerous. “I don’t know what your problem is, but if you think I haven’t noticed, you’re dumber than I thought.”

Your breath hitches in your chest.

For a second, you want to tell him. Everything. The thoughts, the jealousy, the confusion that’s been clawing at your throat for weeks. You hate that he knows you this well, that he can see through you so easily. You hate that he’s giving you that look, the one that says I’m waiting for the truth, waiting for you to finally be honest, and you hate, hate, that you don’t know what to say. 

But then, the door swings open. Yachi steps in, breathless and smiling. “Sorry I’m late!”

The moment shatters.

You exhale, stepping back, forcing a smile as you greet her, ignoring the way Tsukishima is still watching you. He goes still, expression unreadable. And then—just like that—his face smooths out, his posture relaxes, his hands sink into his hoodie pocket like nothing happened at all.

“Let’s get this over with,” he mutters.

You nod too quickly. “Yeah. Let’s start.”

If you want to make it through a whole scene of them making out for three minutes, you have to stop looking at your best friend. His amber eyes, under his layer of concern, confusion, and annoyance, are filled with hurt, and your stomach feels like it’s being ripped out, torn to fucking shreds, to see him like that. 

So you avert your gaze, stubbornly keeping your eyes on Yachi and your camera, and set up to film the scene.

***

The camera is steady. Your breathing, however, is not.

The apartment is dimly lit, the soft hum of music playing through the speaker, some indie song with melancholic chords that you once added to the shared playlist, long before this—before all of this—became something unbearable. It filters into the space like a ghost of a memory, like something familiar that you can’t quite place.

Yachi sits on the edge of Tsukishima’s bed, her hands folded neatly in her lap, waiting for direction, waiting for him. Tsukishima stands in front of her, tall and composed, his fingers flexing at his sides like he’s testing the weight of the scene before stepping into it. His shoulders are loose, his stance easy, his face unreadable. Too unreadable.

Too casual.

Like he’s trying to make it look effortless.

Like he’s making it look effortless for you.

Your grip tightens around the camera. The frame is perfect—low lighting casting long shadows, the soft golden glow from the bedside lamp catching on strands of Yachi’s hair, the curve of Tsukishima’s jaw. It’s intimate. Close. Exactly what you wanted.

It should be fine. This should be fine.

The scene is simple.

Close-ups of hands, of fingers grazing over fabric. Of a breath caught in the space between them. Of a moment stretched too thin, heavy with something unsaid.

And then, they kiss.

Your stomach lurches.

It’s instinct—the way your body reacts, the way something tightens in your chest like a vice, the way your nails press into your palm where you grip the camera. You tell yourself to look at the screen, at the framing, at the way their silhouettes fit together like pieces of a puzzle.

But you’re not looking at the shot.

You’re looking at him.

The way his head tilts slightly, the angle just right. The way his hand ghosts over the small of Yachi’s back before settling, fingers barely pressing into fabric. The way he moves slow, deliberate, like every part of him has been designed for this moment, like he’s meant to be here, kissing her, making it look real.

Making it feel real.

Your fingers tighten around the camera, but you don’t move.

The shot is perfect.

Tsukishima is slow, careful. One hand cups Yachi’s jaw, his thumb brushing lightly across her cheekbone, his other resting against her waist, anchoring her in place. He leans in, the motion seamless, practiced, lips pressing against hers with just enough pressure to make it believable.

Your chest feels like it’s caving in.

It’s nothing. It’s just a film. It doesn’t matter. He doesn’t care.

But you do.

The words sit at the back of your throat like acid, thick and burning, because this is what you wanted—this is what you asked for—and yet you can’t seem to convince yourself that you’re okay with it.

You should be focusing on the technicalities. On the way the lighting frames them, on the way the movement aligns with your vision, on the way Yachi’s fingers twitch against his hoodie like she’s nervous, like she’s fully immersed in the moment.

But all you can focus on is him.

The way his eyelashes flutter for half a second before he closes his eyes.

The slow exhale against Yachi’s lips.

The way his grip shifts against her waist—just slightly, just barely, like he’s grounding himself. Like he’s steadying his breath, like he’s trying to remember it’s acting.

Something inside you twists, sharp and visceral, something so wrong it makes your stomach ache.

Your fingers are shaking.

And then, the worst part: Tsukishima tilts his head further, deepening the kiss.

Your breath catches.

It’s instinctive, automatic, the way your entire body tenses. You barely realize what you’re doing until the words leave your lips, unbidden, a little too fast, a little too urgent.

“Cut.”

The word slices through the air like a blade.

Tsukishima pulls back immediately, blinking, like something had momentarily snapped.

Yachi exhales, touching her lips, a little dazed, but then she laughs, easy and light. “That felt really natural.”

Natural.

The word rings in your ears, cold and foreign, something heavy and nauseating settling in your stomach.

Natural.

You feel like you’re going to throw up.

Tsukishima is still looking at you. Not at Yachi, but at you.

His expression isn’t unreadable anymore. It’s something else—something unread, something searching, something sharp enough to make your skin burn under the weight of it.

You swallow, forcing your voice into something neutral. “Yeah. That was good. Really… natural.”

Yachi grins, stretching her arms. “I have to run—I promised Hinata I’d help him study tonight.”

You nod too quickly. “Yeah, yeah, of course. Go ahead.”

She gathers her things, slings her bag over her shoulder, completely unaware that the air in the room is thick with something else, something unspoken, something unraveling.

The door clicks shut.

You inhale.

You should leave too, right now. You should grab your bag, make up some excuse, and go.

But before you can even think about moving, a hand wraps around your wrist, and drags you back in.

twelve. 

The door clicks shut behind Yachi, but the weight in your chest doesn’t lift. If anything, it gets heavier, pressing against your ribs like an iron hand squeezing the air out of your lungs. You force yourself to breathe, force yourself to move, force yourself to not think about the way Tsukishima had looked at her, had touched her, had—

A hand wraps around your wrist.

You freeze.

Tsukishima tugs, firm but not rough, pulling you back before you can escape.

Your heart stutters.

“What the hell is going on with you?” His voice is low, controlled, but there’s something underneath it—frustration, confusion, anger.

You try to twist your arm away, but he doesn’t let go. His fingers tighten slightly, not enough to hurt, just enough to anchor you, to keep you here. You force yourself to look at him, to meet the sharp, burning gaze that’s demanding answers.

You swallow. “Nothing.”

His jaw clenches. “Try again.”

“Tsukishima—”

“No.” His voice cuts through the air, low and unyielding. “You’ve been acting weird for weeks. Avoiding me. Lying to me. Looking at me like I fucking killed your dog or something. Not even calling me Kei anymore. And then tonight—” He breaks off, exhaling sharply through his nose. His grip on your wrist doesn’t loosen. “What is your problem?”

The words sting, sharp and cutting, but the worst part is that he’s right. He’s right.

And you’re tired.

Tired of pretending it doesn’t bother you. Tired of biting your tongue. Tired of shoving down every ugly, twisting, unbearable feeling that claws at your throat.

So, suddenly, recklessly, you snap. “You! You’re my fucking problem!”

The words burst out of you like they’ve been waiting, desperate to escape, and suddenly, there’s no going back.

Tsukishima’s eyes widen—just slightly, just enough for you to see the flicker of shock before his expression hardens again.

“What?” His voice is sharp, almost mocking, like he’s daring you to say it again, to spell it out for him.

You rip your wrist from his grip, shoving him back a step. Your hands are shaking. Your heart is pounding.

“You don’t get it, do you?” The words come fast, breathless. “Do you even see what you look like? How easy this is for you?” Your voice wavers, thick with something too sharp to be just frustration. “How you can just— just kiss her like it’s nothing?”

His brow furrows. “It was a scene.”

“That’s not the fucking point!”

You shove him again, hands pressing against his chest, but he barely moves.

“I had to watch you,” you spit, voice cracking at the edges. “Watch you hold her like that. Watch you look at her like that. And I hated it, Tsukishima. I hated it.”

Something shifts in the air between you.

The anger is still there, but beneath it—something else. Something fragile and aching and real.

Tsukishima doesn’t speak. His lips part slightly, but no words come.

He’s staring at you, his expression unreadable, but his eyes—God, his eyes.

You inhale, shaking, your hands balled into fists. “I don’t know when it happened, or how, or if I’m just an idiot who took too long to figure it out, but I—” Your breath stutters. Your throat feels tight. Fuck, you shouldn’t be saying this. You shouldn’t be saying this.

But you do.

Because it’s too late.

Because there’s no running now.

“I love you.”

The words drop between you like stones in water, sinking deep, sending ripples through everything.

Silence.

You can hear your heartbeat in your ears, erratic and deafening.

Tsukishima stares at you. Gaping. Frozen.

Like the world just tilted on its very axis. Like the entire sky is tumbling down, like gravity is the sole thing keeping him on the ground. 

And then you panic.

“I—I didn’t mean—” Your voice shakes, your fingers twitch, you need to fix this, you need to take it back before you lose him, before you ruin everything—

But then he moves.

Fast.

His hands are on your face before you can breathe, fingers threading into your hair, tilting your head back.

And then he kisses you.

It’s not careful. Not controlled. Not measured, the way he was with Yachi.

This is something else entirely.

This is desperate. This is frantic. This is a storm breaking after years of tension, of longing, of something building between you that neither of you had the courage to name.

His lips crash against yours, stealing the air from your lungs, pulling a sound from the back of your throat that’s more relief than surprise. He kisses you like he’s been holding himself back for too long, like the second he let himself move, he couldn’t stop.

Like he’s been waiting.

Like he’s always wanted this.

The heat of his body devours you, swallowing you whole, pulling you under like a riptide you don’t want to escape. His hands slide down, fingers spreading against your waist, gripping tight like he’s afraid you’ll slip through his grasp. He tugs you forward, flush against him, so close there’s no space left, no room for doubt, no hesitation—only him, only this, only the way he’s holding you like he never intends to let go.

His mouth moves against yours with intent, deliberate and thorough, a silent demand, a confession with no words, just the press of his lips and the desperate, aching pull of his hands. He’s tasting, memorizing, mapping out every gasp, every shiver, every fragile part of you that has ever been his without either of you realizing it.

You make a sound against his lips, something caught between a sigh and a plea, and that’s all it takes—his grip tightens, his fingers pressing into your skin like he’s learning you by touch, like he needs you closer, closer, closer.

You melt into him. You break into him.

There is no hesitation when your hands reach for him, twisting in the fabric of his hoodie, clutching it like a lifeline, because you are terrified he’ll stop, that this will disappear, that he’ll come to his senses and—

But he doesn’t.

Because when you part, just barely, just enough to let air slip between you, Tsukishima chases after you.

His lips find yours again, softer this time, reverent, like he needs to remind himself that you’re real. That this is real.

That you’re not running anymore.

His forehead rests against yours, his breath uneven, warm, fanning over your lips in slow exhales. He doesn’t speak for a long moment, just lets the silence stretch, heavy and fragile and trembling with meaning.

Then, his voice—low, hoarse, something wrecked and beautiful.

“Say it again.”

Your heart stutters, something sharp and sweet twisting in your chest.

He pulls back just enough to look at you, amber eyes burning, raw with something you’ve never seen before, something almost pleading.

Your fingers loosen against his hoodie, but you don’t let go. “What?”

His thumb brushes over your cheek, his jaw tight, his gaze steady, searching yours for something unspoken.

“Say it again,” he murmurs, quieter this time.

Your throat is dry. Your world has shrunk to the space between you, to the way his hands still hold you, to the weight of his gaze pressing into you like an answer he already knows but needs to hear anyway.

You swallow once, then again. Then, soft but steady, you let it slip. “I love you.”

The way he exhales, sharp and shaky, is enough to undo you completely.

And then he kisses you again.

Slower this time. Deep. Intentional. Like he’s taking his time, like he wants to make sure you understand.

This isn’t a mistake. This isn’t something he can write off as an impulse, something fleeting or meaningless or careless. This is him. This is him choosing you.

He kisses you like he’s learning you, like he’s memorizing the way your breath hitches when he moves a certain way, the way your hands tremble when they slide up to cup his jaw, the way you—God, the way you kiss him back like he’s the only thing that’s ever mattered.

Like you love him, and you’ve always loved him.

Like he loves you, and he’s always loved you.

And maybe it’s too much, too late, too terrifying, but when you pull apart, he still doesn’t let go.

His fingers linger against your jaw, his thumb brushing over your lower lip, swollen from his kiss.

His voice is rough when he finally speaks.

“You’re a fucking idiot,” he snorts.

You laugh, breathless, and it comes out half-shaky, half-dazed. “Excuse me?”

He shakes his head, his lips curving slightly—soft, unbearably fond, annoyingly smug—but his eyes stay serious, stay warm.

“I love you too,” he says, just like that, like it’s simple. Like it’s easy.

And for once, it is.

thirteen. 

You wake up in a panic.

Your heart is a drum in your chest, erratic, wild, out of sync with the soft pre-dawn quiet of your dorm room. The weight of last night presses down on you all at once—the argument, the confession, the way Tsukishima kissed you like he’d been waiting, like he meant it, like he wasn’t going to let you take it back.

You squeeze your eyes shut, inhale sharply through your nose. It doesn’t help. The air is too thick, your limbs too restless, your thoughts too loud.

What the fuck did you do?

You sit up, shoving the blankets off you like they’re suffocating you. Your hair is a mess, the hoodie you slept in (not yours—his, fuck) twisted around you uncomfortably, but you don’t bother fixing it. The digital clock on your nightstand blinks 6:04 AM, and outside, the world is just beginning to wake.

You should be asleep.

You should be anything but this.

Blindly, you reach for your phone, thumb swiping over the screen to unlock it. The notifications hit you like a brick.

— 17 missed calls — 3 new voicemails — kei :P: pick up your phone — kei :P: are you serious right now — kei :P: we’re not doing this — kei :P: text me back

Your stomach lurches.

Your fingers twitch over the screen, hovering, hesitating, and then—fuck—you lock the phone and throw it onto your desk like it burned you.

You can’t deal with this right now.

Not now, not when you’re still caught in the aftermath of what happened, not when the ghost of his lips still lingers on your skin.

You need a distraction.

You push yourself up from the bed, dragging your feet to your desk, where your laptop sits untouched from the night before. The screen glows as it wakes, casting a pale blue light over your desk. You click open Premiere Pro, fingers moving on autopilot, pulling up the final cut of your film.

Something to ground you. Something to keep you from spiraling.

The editing timeline stretches before you, a mess of layered clips and audio tracks. The cursor blinks, waiting. You set it to the last scene you worked on—the rooftop scene, Yachi and Tsukishima against the night sky, the cigarette smoke curling between them like something ephemeral, fleeting.

You press play.

The footage unfolds in perfect clarity.

Yachi sits on the ledge, her fingers wrapped loosely around the cigarette, her expression thoughtful. Tsukishima is beside her, arms draped over his knees, his profile sharp against the neon haze of the city below.

She turns to him, voice soft, hesitant. “Do you think it’ll last?”

There’s a pause.

Then—his response. 

“As long as we exist, it will.”

You exhale sharply, the words hitting you harder than they should.

The scene plays through, Yachi taking a slow drag of the cigarette before exhaling toward the sky, the glow of the embers casting flickering light over her features. Tsukishima doesn’t look at her. His eyes stay forward, locked on something distant, something unseen.

Your fingers twitch over the keyboard, and without thinking, you hit the spacebar.

The scene rewinds.

You play it again.

“Do you think it’ll last?”

“As long as we exist, it will.”

A lump forms in your throat.

You rewind it again.

Again.

Again.

You don’t know why you keep watching it, why the words keep lodging themselves deeper and deeper into your chest.

Maybe because it doesn’t sound like acting. Maybe because you remember the way he said it, the way he delivered the line so effortlessly, so quietly, like it wasn’t a scripted moment but something real.

Maybe because it reminds you of last night.

The way he kissed you, the way his hands held you firm, like he was afraid you’d vanish if he let go. The way he told you, Say it again, like he couldn’t believe it, like he needed to hear it over and over to make it real. The way he looked at you when you did. The way you let yourself believe, just for a second, that everything you wanted wasn’t impossible.

Your breath hitches, sudden and sharp, and then— you’re crying.

It’s not dramatic. There’s no sobbing, no wretched gasps for air.

Just silent tears, slipping down your cheeks, slow and unrelenting, as the weight of it all crashes into you.

Because you love him. Because you’ve always loved him. Because you can’t remember a time of your life where you didn’t, and because you can’t imagine a time where you don’t.

And you’re terrified.

You don’t know how long you sit there, shoulders curled in, fingers gripping the edge of your desk like you need to physically hold yourself together.

The sun creeps through the window, light spilling over your room in soft golds and oranges. Outside, the campus hums to life—doors opening, footsteps in the hallway, distant laughter.

You should move. You should do something.

Instead, you hit play one more time.

“Do you think it’ll last?”

“As long as we exist, it will.”

The tears keep falling, and you don’t know why you’re crying anymore: whether it’s because you believe it, or because you don’t.

fourteen.

Your hands are shaking as you pull up your contacts list.

It’s barely past 6:30 AM, the sky still tinged with the last remnants of dawn, but you can’t stay here. The weight of your realization—your love for Tsukishima—is suffocating, curling around your ribs like something clawed and desperate, something that refuses to let go.

You need to talk to someone, and there’s only one person who will actually pick up at this hour. So you press the call button and wait.

The phone rings once. Twice. Three times.

Then, a groggy voice, scratchy with sleep but undeniably familiar.

“This better be good, or I swear—”

“I need you.”

A beat of silence.

Then, rustling sheets. A sigh. And finally.

“Where?”

***

The tiny café is quiet, still waking up alongside the rest of campus. The smell of freshly brewed coffee lingers in the air, mingling with the scent of vanilla and warm pastries. Sunlight filters through the floor-to-ceiling windows, casting golden rectangles onto the worn wooden floors.

You sit in your usual booth, hands wrapped around a steaming cup of tea, though you haven’t taken a single sip.

You barely register the sound of the door swinging open before a familiar figure drops into the seat across from you, yawning into his hoodie sleeve.

“You look horrible.”

You huff out a weak laugh, your throat still tight from earlier. “Good morning to you too, ‘Dashi.”

Yamaguchi stretches his arms overhead before slumping against the seat, blinking at you with the exhaustion of a man who has spent way too many nights buried under physics equations. He eyes you carefully, then his gaze flicks to the untouched tea in your hands.

“You called me before seven in the morning,” he says, running a hand through his messy hair. “Which means either the apocalypse is happening, or you did something monumentally stupid.”

You drag a hand down your face. “Both.”

His lips quirk up slightly. “Alright. Start talking.”

You open your mouth, but—where do you even start?

The confession? The kiss? The fact that you spent half the night crying over your laptop, replaying Tsukishima’s voice like some deranged, lovesick film major cliché?

Your hands tighten around your cup. “It’s about Kei.”

Yamaguchi doesn’t even blink. “Figured.”

You exhale, shaky and uneven. “I—I don’t know what to do.”

He leans forward slightly, forearms resting against the table, his expression turning serious. “Okay. Take it from the top.”

So you do. You tell him everything.

About the jealousy—the awful, gut-wrenching feeling that took root in your chest the second you saw Tsukishima kiss Yachi, the way it spiraled into something uncontrollable, something you couldn’t suppress.

About the fight—the way Tsukishima saw right through you, called you out, made you snap. The way you finally admitted the truth you’d been running from for so long.

And then, the kiss. The way he grabbed you, the way he pulled you in, the way he kissed you like he was starving, like he’d been waiting for this just as long as you had. 

And the way, afterwards, you panicked.

The silence stretches when you finally stop talking. You can’t bring yourself to meet Yamaguchi’s eyes.

“I left,” you whisper, shame curling in your chest. “I—I freaked out and left. And now I don’t know what to do.”

Yamaguchi doesn’t respond immediately. Instead, he reaches for his coffee, takes a slow sip, and then sets it down with a soft thunk. Then—finally—he speaks.

“You’re a fucking idiot.”

Your head jerks up. “Excuse me?”

He sighs, pinching the bridge of his nose like you’ve personally caused him actual, physical pain. “This is literally the worst case of mutual pining I’ve ever seen.”

“Mutual—?”

“Yes,” Yamaguchi says, exasperated. “Are you seriously telling me you didn’t realize he’s been in love with you since we were, like, fifteen?”

You choke on air. “What?”

He gives you a flat look. “Oh, come on. You think he just puts up with people like that? Have you met Kei? He barely tolerates most human interaction, but you? You’re different.”

Your stomach sinks.

Yamaguchi leans back against the booth, studying you carefully. His voice is quieter when he says, “Now he’s waiting for you.”

And suddenly, it all comes rushing back.

Like that summer when you were fourteen, sprawled on the grass in his backyard, swatting mosquitoes away while he read some ridiculous philosophy book he’d scoffed at but couldn’t put down. You had called him pretentious, poked fun at his stupid little annotations, and then—just when he was about to snap back—he had looked at you. Really looked at you. And for a moment, you couldn’t breathe.

Or the time in high school when he stayed up with you, sitting outside your house at two in the fucking morning, just because you had a nightmare and didn’t want to be alone. He didn’t say anything about it, didn’t mock you for it, didn’t act like it was a big deal. He just let you talk about stupid shit until you weren’t shaking anymore.

Then there was college. The night he drove across town just because you were too drunk to make it back to your dorm. The way he let you ramble about some stupid movie you had watched for class while he carried you—actually carried you—up the stairs because your legs had stopped working.

And then, of course, last night.

The way he kissed you like he had been holding himself back for years.

The way he whispered, Say it again, like he needed to hear it more than anything.

The way you had run.

Because maybe, deep down, you always knew.

Yamaguchi watches you, then exhales through his nose, shaking his head. “You love him.”

It’s not a question.

It's a fact.

And you know that, of course. You’ve always known that. But hearing it out loud—having someone else say it, no doubt, no hesitation—it does something to you.

Your fingers tighten around your cup.

“I love him,” you admit, voice barely above a whisper. “I love him, and I’m scared.”

Yamaguchi hums, tapping his fingers against the rim of his coffee cup. “Why?”

“Because if this goes wrong, I lose him,” you say, staring down at the caramel liquid in your cup.

He tilts his head. “And if it goes right?”

You swallow.

That’s the terrifying part.

If it goes right—if you actually let yourself believe in this, in him… then everything changes. You can never get it back. 

But then again, if you don’t, you’ll never move forward.

Yamaguchi leans forward, voice softer now. “Look, I get it. Kei is… a lot. He’s a pain in the ass. But you don’t have to be afraid of this. Not with him.”

You swallow hard. Your thumb hovers over his name on your phone. But you don’t call him.

Not yet.

Instead, you look at Yamaguchi, heart hammering, voice barely steady.

“What do I do?”

He smiles, small and knowing.

“Go to him.”

fifteen.

Your heart is pounding.

Your pulse is an erratic drumbeat in your ears, your breath uneven as you stand outside Tsukishima’s apartment at 7 AM like an absolute psychopath. The hallway is empty, most of the residents still asleep, because normal people do not show up at their best friend’s door at the crack of dawn after confessing their feelings, running away, and then ghosting them for a whole night.

But here you are.

You raise a fist to knock. Pause. Lower it.

Your mind runs through every possible thing that could go wrong. What if he’s still asleep? What if he’s awake, but he’s pissed? What if you just turn around and pretend this never happened and never speak to him again and maybe flee the country?

But no. No more running. You’re done with that.

You exhale sharply, grit your teeth, and knock.

There’s no response at first.

Then, a very loud, very irritated groan.

Footsteps. A thud as something (probably his knee) collides with something else (probably his desk), followed by a mumbled string of very colorful expletives.

And then, the door swings open.

Tsukishima is standing there, half-asleep and thoroughly unamused.

He’s not wearing his glasses, which is so much worse, because without them, he looks—soft. His blond hair is a complete mess, sticking up in every direction, and he’s wearing that stupid old hoodie that’s two sizes too big, the one you’ve definitely stolen at some point but returned because it stopped smelling like him. His sweatpants are loose around his hips, and his expression is pure murder as he squints at you.

“…The fuck?” His voice is rough from sleep. “It’s seven in the morning.”

You should probably say something. You should probably apologize. You should probably explain why you’ve lost your goddamn mind and decided to show up here like some dramatic main character in an early 2000s rom-com.

But instead, you go on your tiptoes, yank down him by his hoodie, and kiss him. 

It happens fast, and at first, he completely freezes.

Like full-body shutdown. His entire frame locks up, his hands hovering uncertainly, breath caught in his throat.

For one horrifying moment, you think you’ve made a mistake.

But then… then his hands find your waist. And suddenly, he’s kissing you back.

It’s slow at first, tentative, like he’s still processing this, still trying to believe it’s real. But then his fingers tighten against your skin, pulling you closer, and you can feel the exact moment he gives in.

The exact moment he stops thinking.

And God, you feel it everywhere.

The heat of him, the slow, deliberate press of his lips, the quiet, shaky exhale against your mouth before he tilts his head and deepens the kiss. He’s warm, solid, real, and for the first time in weeks, your head isn’t a tangled mess of doubt and fear.

For the first time, everything makes sense.

You pull away first, breathless, heart hammering.

His hands linger on your waist. He keeps his face close to yours, just centimeters away, and when he finally opens his eyes, they’re dark with something you’ve never seen before. Something raw. Something completely, utterly unguarded.

You swallow hard. “I—”

His thumb brushes over your hip, the smallest, barest movement.

You inhale sharply. “I’m sorry.”

Tsukishima doesn’t move. He just watches you, eyes sharp, unreadable. “For what?”

“For—” You hesitate. Your fingers tighten against the fabric of his hoodie. “For running. For taking so long to figure this out. For—”

He sighs, but there’s no real annoyance in it. His gaze softens—just slightly, just enough.

“You’re a dumbass,” he mutters.

You let out a breathless laugh. “I know.”

A pause. Then, he asks, “Do you wanna go for a walk?”

You blink up at him, caught off guard. “A walk?”

“Yeah.” Tsukishima shrugs, stepping back, rubbing a hand over the back of his neck. 

You raise an eyebrow. “Are you gonna walk me back to my dorm? Because I literally just dragged myself here for nothing if that’s the case.”

He rolls his eyes. “No, dumbass. I just—” He exhales, shoving his hands into his hoodie pocket. “Just wanna walk somewhere.”

Your lips twitch. “…How romantic of you.”

He scoffs. “Shut up.”

But he doesn’t deny it.

The air is crisp, the early morning quiet—the kind of stillness that only exists before the rest of the world wakes up.

You walk side by side, the distance between you not much, but enough. For a while, neither of you speak.

“I meant it.”

You glance at him. “Huh?”

Tsukishima doesn’t look at you. His gaze is fixed ahead, his hands still tucked into his hoodie, his jaw set. But his voice—low, certain—doesn’t waver.

“I meant it,” he repeats. “When I told you to say it again.”

Your breath catches. He keeps walking, staring straight ahead like this isn’t some life-altering confession, like he’s just casually commenting on the weather. But his hands are tensed inside his hoodie pocket. His shoulders are tight.

You swallow. “Kei…”

“I don’t like a lot of people,” he says bluntly. “I barely tolerate most people. But you—”

He stops walking. You stop too.

Finally, he turns to you, and God—his eyes. They burn, golden in the morning light, open and completely unguarded.

“You make me feel like I belong in a movie.”

Your breath stutters.

He exhales, shaking his head, voice quieter now. “And I fucking hate movies.”

A laugh bubbles up your throat, sudden and unexpected, and you can’t stop smiling.

He rolls his eyes. “Don’t make it a thing.”

“Oh, I’m absolutely making it a thing,” you tease, nudging him with your shoulder. “My grumpy, six-foot-four, emotionally constipated best friend just confessed he’s been hopelessly in love with me for years.”

His ears go pink. “I didn’t say that.”

“You did.”

“Shut up.”

You grin. “Make me.”

A pause. Then, he does.

This time, the kiss is gentler. No urgency, no desperation—just warmth. Just him. And as his hands settle against your waist, as your fingers curl into the fabric of his hoodie, as his lips move against yours with something quieter, steadier, you realize something very, very important.

For the first time in a long, long time—you’re exactly where you’re supposed to be.

With him.

But then, the moment stretches, and a thought occurs to you. An extremely essential thought.

You pull back slightly, blinking up at him. Tsukishima frowns. “What.”

You open your mouth. Close it. Then, after a beat, you blurt out, “So… does this mean we’re dating?”

His eyes flicker with something unreadable—half amusement, half exasperation. He doesn’t answer right away. Instead, his thumb brushes absently along your waist, his grip shifting slightly, like he’s still getting used to the fact that he’s touching you.

Then, flatly, he says, “I don’t know. Do you plan on kissing other people?”

“No?” You reply, your nose scrunching. 

“Then yeah.”

You stare. “That’s it?”

“That’s it.”

You gape at him. “Kei, you are the most unromantic—”

But then something flickers across your mind, something bigger, heavier. A thought that makes your stomach tighten, your fingers twitch against his hoodie.

You inhale. “Hey,” you say, softer this time. “How long?”

He watches you. “How long what?”

You swallow hard. “How long have you loved me?”

A pause. A long pause.

Tsukishima doesn’t flinch, doesn’t look away. But there’s something in his expression that shifts—something softer, quieter. His fingers tighten just slightly at your waist. And then, voice low, steady, like it’s the simplest thing in the world, he sighs.

“I can’t remember when I didn’t.”

Your heart stops. Your breath catches, your fingers clench around his hoodie, and God—what are you supposed to say to that? Because there’s no hesitation, no uncertainty. Just him. Just this. Just the reality of a love so deeply ingrained in the both of you that it has no beginning and no end.

You exhale—shaky, breathless. “You suck at romance, you know that?”

He rolls his eyes. “And yet, you’re still standing here.”

You laugh, bright and full, and before you can think about it, before you can overanalyze, you’re kissing him again.

It’s easier this time.

Because now, you’re sure. 

And maybe the universe really does have a thing for sadism, because somehow, against all logic, it made him your person. The same Tsukishima Kei who laughs at your mistakes and misfortunes, who calls you out for your delusions and idiocy, who makes fun of your collection of Smiskis and love of reality TV. But at the same time, this Tsukishima Kei would do anything for you, even if you have to beg and beg. This Tsukishima Kei has held you through the worst days of your life, has seen you at your lowest moments and stayed, has waited for you for years to see him the way he has always seen you.

And you think, feeling his hands tighten at your waist and his lips linger against yours like he’s memorising the feeling, that maybe, just maybe, the universe got this one right.

⨭ closing notes; i adore tsukishima kei so much. tbh i rly struggled w this work bc i had this concept fleshed out for so long and j cldnt execute it the way i wanted, but thank u to @kinaskorner for beta reading and for the reassurance <3 i hope u guys love this too!! if u made it to the end of this super long fic lol then thank u sm and i hope u have the loveliest day

[simmers-against-curseforge]

About Sims 4 Mod Manager

It came to my attention a few days ago that a popular program used for sorting custom content, Sims 4 Mod Manager, is based on Overwolf software. The issue with this is that ad placements on Overwolf programs give a 20-30% cut to Overwolf directly. As stated on their website. I know it is an Overwolf program because you can find Overwolf files within it:

Personally, I do not mind un-obstructive ads on free programs as long as they are vetted by the developer, but I do not want to give Overwolf any money. So I will be kindly contacting the developer via the contacts on his website and ask he divest and use a different avenue with the ads. Maybe moving to github instead. He is also recently released a curseforge integrated app.

If you are to request the divestment, please please do so with respect as to invite people INTO the conversation and not put them in a defensive position. No one likes to listen when they are being threatened or harassed. 🤷‍♀️

I know many will be disappointed with this news as it is a great, one of a kind program, so I wanted to offer some alternative methods besides manually sorting custom content:

Sims 4 Mod Assistant: A small app used to find duplicates and mod conflicts. Also supports filtering and moving files to other folders. Available on Mod the Sims and Github.

S4Pavir: It's not that pretty, but it can be used to view, remove, and sort cc. Available on Github.

You can also use sims tray importer to sort through cc. Dress your sims in all the cc you want to remove or place build/buy items on a lot. Save the sim/lot to your library and use Sims 4 tray importer to view the list of cc used, and open its file location to delete. Available on Luniversims (.fr)

Sims 4 Studio can also be used to view, edit, and delete cc. Available here.

Let me know of any other methods you know or notify me if there are any issues with these two programs.

Hopefully there is a positive outcome with reaching out to the creator. Please be respectful and you can use my pinned post as a reference for why curseforge is a problem. 🙏

Edit:

Update on Sims 4 Mod Manager

After going through the older versions of Sims 4 mod manager I have found out that Version 1.0.9 Beta (Windows 10, 11 for me) does not have Curseforge ads. I think this is suitable option to use the mod manager without giving direct ad revenue to Overwolf/Curseforge.

When you go to the Sims 4 Mod Manager site, click other versions and scroll until you find this version. It does not have all the current features, but it works. You can uninstall your current version by searching the app in your start menu (Windows), right click and select 'uninstall', and click 'uninstall' again once you find it in the list that comes up.

(I do not have Mac, so I do not know if the later version 1.1.3 Beta, will also not have ads. If you download it please let me know.) I will update my original S4MM post with this info and also put it in a reblog so hopefully everyone can see this.)

It doesn't have the sort to subfolders option, but my way around that is to sort cc into a "moving folder" and then open your regular file explorer and cut and paste those items to your sub-folder manually. Easy peasy!

[mcflymemes]

THE MUMMY (1999) PROMPTS *  assorted dialogue from the film, adjust as necessary

looks to me like you're on the wrong side of the river!

by the way... why did you kiss me?

it seemed like a good idea at the time.

that's called stealing, you know.

is it dangerous?

stop it! you'll kill them!

get me a glass of bourbon.

this just keeps getting better and better.

this door doesn't open.

who opened that chest?

i only want four!

the map! i forgot the map!

i think he's filthy, rude, a complete scoundrel. i don't like him one bit.

i guess we go home empty-handed... again.

look what i got.

i think you found something.

what exactly is this man in prison for?

you just got promoted.

you're with me on this one, right?

keep him busy.

we are in serious trouble.

this creature is the bringer of death.

you must not read from the book!

where are they taking him?

there's only one person i know that can possibly give us any answers.

can you look me in the eye and guarantee me that this isn't all some kind of flimflam?

i'm a very lonely man.

look at my library!

you're gonna get yours, [name]!

never did like camels.

what do you suppose killed him?

time to go.

take my hand, and i will spare your friends.

will you look at that?

do they know something we don't?

i need a new job.

have you no respect for the dead?

i've dreamt about this since i was a little girl.

you dream about dead guys?

patience is a virtue.

any last requests?

loosen the knot and let me go.

i don't think we need to know this.

ooh... that's gotta hurt.

you... i just don't get.

you probably won't live through it.

everybody else we've bumped into has died. why not you?

you're wondering... what is a place like me doing in a girl like this?

yeah, i was there.

can you swim?

of course we don't let him go!

you'll be dead when they do this.

i think i'll kill you.

think of my children.

i only gamble with my life, never my money.

i may not be an explorer or an adventurer, or a treasure-seeker or a gunfighter, but i am proud of what i am.

give me frogs! flies! locusts! anything but you!

compared to you, the other plagues were a joy.

i am so very sorry. it was an accident.

you are a catastrophe.

oh my god, i hate it when these things do that.

is he supposed to look like that?

of course i can swim, if the occasion calls for it.

now, because of you, we have failed.

you think this justifies the killing of innocent people?

what did you say?

i don't want to tell you.

let me get this straight.

you don't have any children.

you lied to me.

i lie to everybody.

what makes you so special?

sorry. didn't mean to scare you.

the only thing that scares me are your manners.

have you got any bright ideas?

i'm thinking. i'm thinking!

you'd better think of something fast.

what are we going to do?

wait here! i'll go get help!

i thought you said you didn't believe in all this fairy tales and hokum stuff.

forget it! we're out the door, we're down the hall, and we're gone!

i told you not to play around with that thing.

you heard the man. no mortal weeapons can kill this guy.

listen! we've got to do something!

is that my problem?

i appreciate you saving my life and all, but when i signed on, i agreed to take you out there and bring you back. end of job, end of story, contract terminated.

that's all i am to you? a contract?

you can either tag along with me or stay here and try to save the world.

do something!

you know, nasty little fellows such as yourself always get their comeuppance.

what's the challenge then?

rescue the damsel in distress, kill the bad guy, and save the world.

death is only the beginning.

why are you going back?

i'm going downstairs to get me a drink. you want something?

[copperbadge]

I wanted to thank you for running RFM for so long.

And as we wind down to the end of the year (and the era), I want to ask if there's anything the Tumblr community could do to thank you for the effort you've put into this over the years.

Is there a charity or cause that you support that we could contribute to or other action we could take?

Aw, thank you for asking!

If you want a specific place to give, there are a couple of nonprofits I support. The Anti-Cruelty Society where I got the cryptids is local to Chicago and BAGLY is a queer youth nonprofit local to Boston; you can also give to United Way either locally or nationally, to Planned Parenthood, or to the American Library Association, currently fighting the good fight against censorship. I know people working for all of these orgs and your support means a lot to them. You can also give to my Ko-Fi marked "for donation" and I will give in a lump sum to the org I work for, which funds research into terminal lung disease and outreach to patients suffering from it.

But honestly, I hope the most long-lasting legacy of RFM is that people think consciously about caring for one another and about being kind and compassionate even if you feel judgement for the person asking. Over the years I found myself judging people sometimes when they asked for help, and I had to make a policy that I would not only share their link but publicly defend their right to ask, if necessary, because I am not infallible and nobody else is either. It is not for us to determine who can ask, only who we answer.

I've been on a campaign for about a decade to persuade people that while some nonprofits are indeed not great places to give your money, you should approach giving in the spirit of trust. When we buy something -- say, a box of pasta -- we trust that what the box says is inside actually is inside. When we buy a wool sweater we trust it truly is wool unless we have reason to believe otherwise. We look at the box or the label, we do our due diligence, but we don't automatically assume we are being lied to. If you give to a nonprofit, by all means, read the website, maybe do a quick google about them, but trust that most people who work in this field, which is underpaid and full of burnout, are doing their best to help the world. Find a nonprofit you really like the look of and treat it like starting a new friendship -- get to know them, read about what they do, if they have events, especially free events, maybe go to one and have a look around.

But yeah -- that's what I hope lasts, the idea that giving is an act of community and that the spirit in which you give matters, not whether or not you did the most good in the most moral way.

[moviecritc]

like the movies ⋆ max verstappen

pairing: max verstappen x actress!reader

summary: even though you've been all your life acting, you never experienced a love like the movies, until max appeared in your life

word count: 1.7K

warnings: none, just pure fluff

a/n: I'm going through a max verstappen phase, so if you have any requests for a blurb or something cute, send them <3

english is not my first language, sorry for the mistakes

masterlist | wattpad | letterboxd

"Are you breaking up with me over the phone? While I'm on my way to your parents' house? Are you stupid or what?" With each sentence, Y/N's voice grew louder.

"Y/N, I'm really sorry. But…"

"But my ass! Don’t you have any common sense?"

She could hear her boyfriend sigh, and she sighed four times louder than him.

"You are too… cold-hearted for me," he finally said from the other end of the line.

Y/N stifled an exclamation. Cold-hearted? How could she be if she was an actress? She was the warmest person he had known.

"You're always focused on your job and yourself, I need someone…"

"Idiot!" Y/N interrupted him. "Just say you don’t have enough self-love to date an independent woman. You worthless piece of shit."

She hung up after her sentence, not wanting to hear her ex-boyfriend's response. She parked the car and ran her hands over her face. She looked at herself in the little mirror of her car, touching up her lipstick and reassuring herself that she was a good person worthy of love.

She got out of her car and went directly to the bookstore in front of her. She still had quite a few books in her apartment to read, but she didn’t mind. It was her third breakup in four months, and she was starting to wonder if she really was the problem, and the only thing that could distract her from that was spending money she didn't have.

She began to pile books on her arms, and by the fifth manuscript, she started to wobble.

"Do you need help?"

Y/N blinked and peeked her head out from the stack of books, meeting a blonde with a very un-London-like accent and skinny jeans who looked like anything but someone who worked in a bookstore. She didn't know that strangers were now offering help out there.

"No, thanks," She took a step and added a sixth book, enough for all of them to fall. "Shit!"

Y/N felt so embarrassed she even blushed. She knew everyone in the bookstore would be watching her, and that terrified her.

"May I help you now?"

Y/N looked up, having completely forgotten about the presence of the stranger, who was looking at her with a kind smile.

"If you insist…" She smiled a little while rolling her eyes, which made him smile too.

They picked up the books together, which were a bunch of rom-coms. For a moment she thought he would judge her choices, but he didn’t make any gesture.

"I'm Max, by the way"

Y/N blinked. She had no idea what was happening, it seemed totally unreal that a stranger would help her pick up her books and suddenly introduce himself.

"Do you like Sally Rooney?" he asked, holding the last book she'd picked.

Y/N realized that this guy wanted to keep a trivial conversation with her, like those you have in nightclub bathrooms with girls. But this time was a bookstore, not a library. And not a girl, but a Max.

"I’ve never read her, but I saw Normal People, the series, and I was left wanting more," she explained, with a shy smile. "Y/N, by the way."

"Nice to meet you," he showed her a gorgeous smile. "I read the book, I haven’t had time to watch the series yet."

"Oh, it's really good,"

The conversation flowed too easily. She wasn’t used to talking so normally with someone she had just met a few minutes ago and moreover without it being awkward, but that was how it was. Y/N told him about the books she planned to buy and the one she was reading now.

"Excuse me, we're going to close," an employee informed them. In London, shops always closed in the mid-afternoon, for lunch, and although Y/N had arrived around eleven-thirty, the clock was almost striking one. "Are you taking the books?"

"Sure, yes," said Y/N at once and turned to Max. "Hold on a sec."

Max waved his hand, telling her not to worry, that he would wait. She paid for the books and quickly returned to Max.

"Do you have plans for this afternoon?" Max asked directly. Y/N loved the confidence in his voice.

"No, I don’t,"

"Can I invite you to lunch?"

"I'd love that,"

Y/N went to leave the bag of books in her car and she and Max walked to a nearby restaurant, continuing their conversation. It still seemed extremely surreal to her, in what universe does she break up with her boyfriend and moments later meet the nicest guy she had ever known?

"What do you do?" Max asked, once they were seated in the restaurant.

"I'm an actress," she pursed her lips. She was still in the phase where it was hard for her to admit she worked in that field.

"I'm not much into movies," Max commented, scrunching his nose.

"Great because I do theater,"

"Really?" he leaned back in his chair, impressed. "I don’t frequent the theater either, to be honest."

They both laughed softly and Y/N sipped her drink. "And you?"

"I work with cars,"

Y/N furrowed her brow, waiting for him to specify a bit more. "In a repair shop or how?"

That caused a small laugh from Max, leaving Y/N even more confused.

"Yes, exactly. In a repair shop," he continued with a wide smile.

"Well, if you like cars, there's some Prix thing here this weekend. There are tourists everywhere, it's terrible," she complained, rolling her eyes a bit.

Max gave her a goofy smile. That was perfect. Simply perfect.

"Really?" he arched his eyebrows slightly. "I had no idea."

"They do it every year. A silly thing," Y/N shrugged, letting the topic pass.

They continued talking for a long time about how Y/N once almost knocked down the shelves in a bookstore.

"Just like in the movies!" Max said, laughing.

She nodded, also laughing. "I swear things like a character in a tragicomedy happen to me."

They continued laughing for a while, then Max squinted a bit, resting his head on the palms of his hands. "And don’t you think it’s very movie-like that someone picks up your books for you?"

Y/N looked around, with sudden terror. "Where are the cameras, Max?"

He threw his head back laughing with a soft scrunch in his nose. The sound of his laugh felt really warm for Y/N.

"I hope nowhere," Max was right. Too good to be true. Too good to happen to her. Her look darkened a bit, and Max noticed it quickly. "Something wrong?"

She looked up and shook her head a little. "It's just… Is this weird?"

"I don’t think so, unless you want to make it weird. I’m pretty good at that,"

Max got a small smile from her.

"It's just that I’m used to…” Y/N thought about that sentence. “To things like this not happening to me. I haven’t been doing too well in love this past year,"

"Oh, me neither," Max didn’t mention the part about being a famous person and everyone wanting to be with him out of pure interest and not because they really liked him. "It's complicated."

"Quite," she pursed her lips. "Anyway… I have a performance at a theater in Soho on Thursday, you could come by. If you want, of course."

Max bit his lip; he had his first free practice that day and likely several meetings and driver duties.

"Oh, I'd love to. What time?"

They exchanged phones after the meal, which dragged on quite a bit, so that Y/N could send Max the location of the theater. And to exchange several messages throughout the day. They didn't see each other again until the day of the performance, but in that time, they had written dozens of messages. Y/N would tell Max about the series or movie she had watched that afternoon and recommended that he watch it, even though it was more than likely that Max hadn't turned on a TV in months.

Thursday arrived, and Max managed to sneak away from a meeting, arriving just in time for the play.

Y/N was nervous, and her co-star wasn't helping.

"Y/N!" Her co-star approached practically running. "I just heard that a famous driver is watching the play."

"Really?" She didn't care too much. She had been without news from Max for hours.

Luckily, he appeared at the door with a kind smile and a bouquet of roses. "Hi,"

Y/N flashed a smile and went up to him, instinctively wanting to hug him. Max, as if it were the most natural thing in the world, left a short kiss on her lips. She instantly blushed.

"Hello," Y/N greeted, with a silly smile. "Gorgeous flowers."

Max looked at her co-star, who was completely astonished.

"Lily, are you okay?" questioned Y/N, still hugging Max.

"Why didn't you tell me you were dating a famous driver?"

Y/N turned to Max instantly.

"What do you mean, 'famous driver'?"

Max pursed his lips slightly. "Aren't you going to call her out on the 'dating' thing?"

Y/N paused for a moment, trying not to laugh at what Max had said.

"Y/N, this is Max Verstappen. The Formula 1 driver!"

She lifted her chin and looked at Max again. "Formula 1 driver?"

Max scratched his neck.

"I think so…"

Y/N paused again for a moment. "And you let me mock your career just like that?"

"It's because you're strangely nice, what can I do," Max shrugged, causing Y/N to laugh.

"Well, I'm not one to deny it," she smiled a bit, then kissed Max's lips a second time. She placed a finger on his chest. "Though we're not dating, huh. We need to have a second date before we throw it all in for each other,"

Max burst out laughing. "Like they do in the movies?"

"Absolutely."

taglist; @theseerbetweenus

[frillsand]

What jobs did Wally and friends do before becoming actors?

Before they became actors ✨🎥✨

I’m going to use this question to give more information from when they were younger. Before their lives as actors, they all lived in a secluded neighborhood where they all met over the years, with Wally and Barnaby meeting first as neighbors. Wally was often in charge with looking after younger kids because it was a small community and Wally just happened to be great with kids. He played a big role with them, serving as a kind of mentor. He usually spent his time entertaining the entire neighborhood when he wasn’t with his friends. As far as he could remember, Wally always knew he wanted to work with kids. He loved teaching them, singing to them, their energy, the brightness he felt when he knew that he was helping their path to the future, everything. It’s hard to dislike small beings that have never done wrong.

So when Wally got older, he decided to move to the city where he would pursue his dream of having his own children’s show. His friends, believing in his dream and not wanting to stay in that small community forever, went with him to help any way they can.

So here are the jobs that they had before their big break.

Howdy Pillar was a construction worker

Eddie dear was a Milkman,(it’s not as cool as a mailman but whatever)

Julie swept hair up at a hair salon.

Frank worked at the public library

Sally was part time at a small shop in the local mall.

Barnaby worked long nights as a bartender

Wally was a secretary to a very busy newspaper company. Often working 7 days a week nonstop

Poppy had a difficult time keeping a job and was fired multiple times so they all decided that she was to stay and take care of the house while they were away. She would pack lunches for them everyday and kept the apartment clean. The parental instincts are strong in her with her being the oldest. 💖🌸

Unfortunately moving to the city with no money , set them into debt quickly and with puppets being paid less, made it more difficult to keep up with expenses.

But they’ve stayed fairly happy nonetheless

Friends to Family trope if I may. I don’t think this counts as found family( my mind is slipping away more and more each day)

[eroscomet]

Young and Dumb?

OneShot

┗━━━✦❘༻♡༺❘✦━━━┛

Paring: Jenna Ortega x Fem!Reader (leans a bit into mass not too much)

Context: Two strangers meet by chance in a small bookstore and quickly hit it off. What starts as some witty banter about books turns into a deeper connection. Before they know it, they’re caught up in a whirlwind of emotions and make a few bold, spur-of-the-moment choices. It’s a story about love, fate, and taking risks when nothing makes sense, but everything feels right.

Warnings: Honestly, none that are concerning. This is mostly fluff.

Word count: 3.7k

Song inspiration: Marry You by Bruno Mars

A/N: Helloooo lovelies! A little bit of a late update from me but I decided to actually write something. Not even going to lie, I continuously had to take breaks inbetween writing but I was determined to get it done today. I wanted to give you guys a little something extra for all the support that I've been recieving. Thank you all so much for reading! This was meant to be a drabble but turned into a oneshot. Hope you guys enjoy!

Not proof read

┗━━━✦❘༻♡༺❘✦━━━┛

┏━━━✦❘༻♡༺❘✦━━━┓

Time, you've always felt like it went by extremely fast. Spending your evenings after work at a bookstore helping customers as if you work there. The manager had even offered evening shifts but you had politely declined at the time but still, he'd insisted that the offer stood. Oftentimes, the bookstore was empty anyway, leaving you alone to browse and read different bits of books if not the whole thing. You had a knack for reading some heavier topics if not philosophical or psychological ones.

This day had been no different than the others. Like clockwork, you left your job and headed for the bookstore near your home. You weren't the richest but you certainly weren't the poorest, being able to accomodate yourself to a middle-class life. Enough money to have a fairly sized home and have a couple of nice things outside of necessities.You walk into the store, greeting the workers, who over time became your friends, with a smile before heading to a section that you haven't yet looked over.

Your eyes scanned the various books, enjoying the silence of the library along with the vague sound of classical music playing. Your hand brushed over the different spines of the books, reading the titles. You weren't looking for anything specific, just something that would catch your attention. When reaching for a book on one of the upper shelves, the book had pushed the book on the other side of the bookshelf, off the shelf. That's when you hear a small noise, andsuddenly become alert to the fact that you might've hurt someone you hadn't known as there.

"Ouch!" Was the small heard you heard before carefully holding the book in your hand and heading to the other aisle quickly.

"I'm so sorry, I didn't know anyone was here. Are you alright?" You asked as you approached the girl, leaning down and grabbing the book that had fallen off of the floor with the same hand that held the book you had earlier been interested in.

"Yeah, I'm fine... It just hurts a bit." The girl replied sheepishly as rubbed the top of her head with her palm, careful not to mess up her hair. "Thank you. And you, you work here?"

"Me? No, no. However, I can tell you about practically everything here. I spend a lot of time in here, I know the sections if you need help." You replied, returning her a bashful smile as you looked at the shorter girl.

The black-haired girl had scanned your face for a moment, taking note of the bit of shyness and embarrassment your smile held. She couldn't stop a small smile from appearing on her lips as well.

"Is that so? I could use some recommendations, I'm looking for something to get me out of a reading slump. Anything that's not romance."

"Hm.. Try, The Myth of Sisyphus by Albert Camus." You replied as you raised the book that you had grabbed earlier in your hand. "Now that is my kind of book."

Your eyes took note of her expression changing from a small smile to not a slight frown after hearing your recommendation.

"Philosophy, really?" She had asked, a bit skeptical at the recommendation. It wasn't something she would've expected of the girl in front of her.

"What is the matter with Philosophy?" You asked, quirking an eyebrow at the shorter girl. "Alright, how about...The Brothers Karamazov by Fyodor Dostoevsky?"

"Dostoevsky, Oh my, It's getting heavier and heavier. Don't you have a lighter recommendation?" 

"Perfume: The Story of a Murderer by Patrick Suskind."

Her expression once changed to a now more slightly amused one. She was a bit surprised at the recommendation as now the suggestions had fallen into the horror genre. 

"And what's that? A psycho love story or a slasher?"

"Both? It falls more into the theme of obsession."

"I don't know whether to be impressed or scared of your taste in books now." She replied with a small laugh.

"I read just about anything and everything." You stated with a hum and a small smile at the girl's laughter.

"Everything?" She asked in a curious tone, tilting her head to the side. She couldn't imagine someone reading every genre there was. "I'm sure that's not possible, there's so many genres. I mean, I doubt you ever read romance."

"So, you've caught me," You said as you put your hands up for a moment, pretending to be in surrender. "I try but I can't get myself to do it. What's the point of reading a story about a perfectly happy couple and how they met? It's boring to me, add a slasher or some kind of deep-rooted hurting between the two and I'll think about it."

"You prefer a little bit of drama in your love stories, huh?"

"I suppose some."

She eyed you for a moment before speaking again, "You seem to like a bit of everything in your reading preferences. What about movies? Are you into horror in the movie world too?"

"And if I were to say that I don't keep up with movies? That I'd rather read the books that the movies are based on? Everyone knows the book is better than the movie."

"A woman of culture, I see. And I agree with you that most of the time the book is better. But I find it hard to believe that you don't watch any movies at all."

"Some here and there." You replied with a hum and a shrug. "Why? Are you cultured in movies, then?"

"Me? Of course, I am. Movies, old and new, I watch them all. So tell me, what's the last movie you watched recently?"

You took a pause for a moment, thinking back to the last movie you watched, "Black Swan."

"Black Swan, I remember that one. Disturbing, but excellent. Did you know that it is based on Swan Lake, the ballet?"

"I knew of the ballet far before I knew of the movie."

"Oh, of course, that makes sense. You're passionate about classic literature; naturally, you would know about Swan Lake as a ballet." She paused for a moment before speaking again, "Are you a ballet aficionado or just a fan of Black Swan?"

"I'm just aware of the theatre arts rather than film arts.

"So, you prefer the theatre, hm? It's no wonder you'd like Black Swan, then. But what about Literature? You know something besides Fydor Dostoevsky and Albert Camus?"

"Immanuel Kant?" You replied, a bit of uncertainty in your voice while awaiting her reaction.

"Ah, Immanuel Kant, a lover of ethics. I can definitely place you in the philosophy section now. So you like Kant? That explains why you recommended Albert Camus' work as if it were a lighthearted romance. You've got very specifictastes."

"I like to contemplate life, existential crisis' are my favorite. What better way to feel real than to feel fake?" You joked with a small laugh.

"I was expecting something else when you started talking about that kind of crisis, especially coming from a girl like you." She tilted her head, her brown eyes fixed on you, "But I have to admit, you've piqued my interest even more. You're not just a pretty face, you've got substance."

"So you think I have a pretty face." You replied with a smile as you tilted your head to the side, "Good to know, stranger girl."

"Stranger girl, huh? What if I said I wanted to change that? I want to know more about the mysterious girl with great taste in art but weird taste in romance."

"Now, would that really be a good idea? I'm a new face, I could take after the books I read, you know? You give up too easy." After a beat, you spoke again. "I could be your come-to-life Joe Goldberg and you wouldn't know a thing. Was he not book smart as well?"

"You bring up Joe Goldberg when I've just called you mysterious, huh? That's quite a way to flirt. Don't tell me you think I'm as easy as Beck."

"Then, what? You're....my Love Quinn?" You ask with a smile.

"Love Quinn? You wish." She paused for a moment, obviously in thought, "More like...Marianne. Don't you think?"

"Marine, the one that got away? I'd hope not."

"Oh, please. I'm not saying for you to be like Joe Goldberg. I was just comparing myself to Marianne. But if you want to be my book girlfriend, be a bit more... Joe-like. Think you can do that, mystery girl?"

"Who's to say that I haven't been this entire time? A naive girl at a bookstore, a book falls onto her head, catching the attention of me and what do you know, she's pretty too. Begin engaging in talks about books, seeming more and more interested in me the more that I talk. You like that I read. You like that I can keep up. You like the understanding." You said trying to mimic your best Joe Goldberg inner monologue impression. "Is that Joe enough for you?"

"Now we're getting somewhere." The shorter girl replied as she leaned against the bookshelf next to her. "Say, you look tall enough to reach that book without a stool."

Your eyes darted over to the book she pointed at where a copy of Crime and Punishment resided.

"Dostoevsky." You said with a smile, putting the book that was in your hand that had fallen onto the shorter girl's head,back onto the bookshelf. Then, you grabbed Crime and Punishment handing it to her, their hands brushing for a moment, a gesture that didn't go unnoticed by the girl.

"Impressive. And very "Joe-esque" of you."

"Hello, you." You said, mocking the line in the show, earning a laugh from the shorter girl.

"Now you're just mocking me." She said while tilted her head to the side. "You really do like to mess up the cliché romance scenarios, don't you?"

"Maybe then I wouldn't have to lock you in my basement."

The shorter girl almost laughed aloud at your statement, her smile widening. She found herself really enjoying the banter and the back and forth with you, it had been a while since she'd had such an intriguing conversation with anyone.

"I was wondering when you would bring up the basement. But I must say, I'm quite pleased. You're not disappointing me so far, mystery girl."

"I don't disappoint. How would you be my Love, tell me?" You asked before speaking after a beat, "Would you be like Love in season three?"

"Now, Love's a character that's a bit complicated..." She said with a smile before pausing, "But if you're asking if I would be obsessed with you...maybe a little bit more than Love was."

"Sign me up. I'm Y/N, Y/N L/N." You said returning the smile as you offered her your hand to shake.

"Jenna. Jenna Ortega." Jenna replied as she held onto your hand after shaking it, "So, Angel, what's your next move? Are you gonna charm me with your witty banter or are you going to ask for my number already?

"We can skip bot and put you in my basement already." You joked with a small laugh.

"Oh really? Just gonna skip right to locking me up in your basement. How romantic of you."

━━━━✦❘༻♡༺❘✦━━━━

Before they knew it, the two of you were back at your house. Not being able to make it through the front door without already throwing themselves onto each other. Jenna's hands roamed all over your body, exploring every inch of skin that she could reach. It was a heated and passionate moment that took over Jenna completely, leaving no room for rational thoughts or hesitations. She was lost in the moment, only aware of the feel of your hands on her, the taste of her lips, the sound of their heavy breaths.

You pulled away from the kiss with a smile as you shut the door behind the two of you. Your back leaning against the front door.

"God, you're a good kisser." Jenna let out a breathless laugh.

"Yeah?" You murmured breathlessly with a hum as she leaned into Jenna's touch. "Now, like Joe Goldberg, I don't want you just to get laid or any of that. Not after just meeting you. So, coffee or tea?"

"Coffee, please. And don't worry, I'm not the type to just.... get laid and forget about it either." Her hand cupped your cheek and gently caressed it.

"I like the whole domestic feel, sometimes. You can't have that with a one-night-stand."

"You're not wrong about that." Her thumb not tracing your jawline gently. You hummed softly in reply as you pressed a peck to Jenna's lips.

"You're so sweet." She murmured against your lips. Not pulling too far away, just enough to press your forehead against Jenna's.

"Gosh, you're really good at this..." Her hand moves to cup the back of your neck. 

"At what?"

"This..." She mumbled softly, "You just...make me feel so... I don't really know how to explain it."

"I could marry you off this very feeling."

"You'd marry me just like this?"

"Just like this."

"And what if I say...yes?"

"We...elope?"

"Now that would be a sight." Her fingers caressed the back of Angel's neck. The idea was insane, it sounded like a plot from cheesy rom-coms that she loved so much, "Where would we go? Do you think you could convince me to run off to Vegas?"

"Is it bad that I was also thinking Vegas?"

"Oh my gosh. We're both crazy." She replied with a smile on her lips only widened as she looked at you. The idea of eloping to Vegas was growing more and more appealing by the second to her. Just the two of them, no fuss or big wedding, just them, in Vegas, making a spontaneous decision that was probably completely reckless and irresponsible, "Do you think we should do it? Just...jump into it?"

━━━━✦❘༻♡༺❘✦━━━━

"What are we doing? I mean, seriously!" Jenna said, in the passenger seat of your car, trying to speak over the blaring music and the wind entering the car from the windows down.

"Making you my wife." You replied back enthusiastically with a smile as you glanced over at Jenna in the passenger seat before returning your gaze to the road, "I don't know, I like it! Wife. My wife!"

"Your wife." She repeated with a smile as she shook her head.

"My wife, my wife, my wife. Me and my wife." You said as if tasting the sound of the words off of your tongue and liking it.

"My wife, my wife." She repeated after you, basking in the new words as well.

━━━━✦❘༻♡༺❘✦━━━━

What better way to have your wedding than to have an Elvis impersonator officiate it in a small chapel in the middle of the night?

"Dearly beloved, we are gathered here today to witness and celebrate the matrimony of Y/N and Jenna, alright now." The Elvis impersonator began which began to feel like a blur to you and before you knew it...

"I, Jenna, take you, Y/N, to be my lawfully wedded wife. I promise to love, honor, cherish, and respect you, in sickness and in health, in good moments and in bad, till death do us part." 

The words hung in the air, the promise of forever in their commitment.

"I, Y/N, take you, Jenna, to be lawfully wedded wife. I promise to love, honor, cherish, and support you, in health and sickness, in joy and in hardship, till death do us part.

The words from both of them were met with a moment of silence. The vows felt as if they echoed through the small chapel, filling the air with a mix of anticipation and gravity. The Elvis impersonator smiled and said a couple of more things before allowing you to slip the ring onto Jenna's finger. Your touch was firm and gentle, each movement a silent declaration of commitment. Then Jenna slipped a ring onto your finger, the cool metal felt heavy on your finger, a tangible symbol of the promises they had just made.

"By the power not invested in me by the state of Nevada, I now pronounce you wife and wife. You may kiss." 

The words hung in the air, each syllable seeming to carry a profound weight, and then...you closed the distance between the two of you, your arms wrapping around Jenna's waist, pulling her closer. And then, your lips met in a kiss, soft and gentle, yet filled with a promise of forever.

The kiss was simple yet profound, a gentle press of lips that sealed the promises they had just made. The chapel's silence was filled with the echo of their commitment... with the knowledge that they were now truly bound together, for better or for worse, for as long as they both lived.

For a moment, the world seemed to fade away, leaving only the two of them and the soft sound of their breaths mixing together. The kiss was slow and tender, a silent confirmation of the promises they had just spoken, a wordless promise of love and devotion. As their lips parted, Jenna opened her eyes, meeting your gaze, her heart thudding loudly in her chest.

They were, in fact, married. Married on a spontaneous, impulsive, and wonderfully crazy night in Vegas.

━━━━✦❘༻♡༺❘✦━━━━

For the rest of the night until early in the morning, the two practically ran around Vegas together happily. After getting a hotel room, the two simply found themselves jumping on the freshly made hotel bed. 

Jenna squealed as she landed on the bed, the soft mattress bouncing beneath her. She couldn't help the laughter that bubbled up from her chest, the sound tinged with both amusement and disbelief at the absurdity of the whole situation.

"We just got married, in Vegas, in a spur-of-the-moment decision, and we're celebrating by jumping on the bed like teenage kids?" She let out another laugh, shaking her head as she jumped, her hair messily tousled from the jumping.

"Live a little! We're all kids at heart!" You replied with a laugh as well, jumping on the bed next to Jenna.

"True, true!" Jenna replied, a grin spreading across her face. The feeling of you jumping alongside her on the bed, laughter mixing in the air, was liberating. 

They were adults, newlyweds even, and yet, in that moment, they were carefree and childish. The bed continued to bounce with their movements, Jenna's giggles growing louder as she playfully flopped back on the mattress. You flopped down next to Jenna, pulling off your tie.

"You look good in a suit, wife," Jenna said as she watched you remove your tie, her eyes drawn to the movement of the thin fabric as it unraveled. The image of her new wife, still in her suit, lying beside her on the bed was oddly appealing. She hadn't taken the moment to realize how good you had looked.

The word 'wife' had an unfamiliar ring to it, but Jenna found she liked the way it rolled off her tongue. She shifted a little closer to you.

"I'm sure you look in everything," You replied with a soft smile, tucking back Jenna's hair behind her ear gently, "And tonight, you look perfect, my wife."

"What a cheesy line, wife." She teased affectionately.

"You must be my weakness, then. Making me say cheesy things to get you to smile. I must be doing something right if you married me."

Jenna pretended to pout at your words, her eyes narrowing as though she was annoyed by the comment, but there was a hint of a grin on her lips, a tell-tale sign that she found your cheesy words endearing, if not endearing, very adorable. She moved a little closer until they were lying side by side on the bed, their bodies snuggled together. 

"I must be weak then. I just married some charming idiot, just because she made me laugh a few times." Her words were playful, her words a soft tease. She reached for your hand, interlocking their fingers and bringing it up to her lips, pressing a soft kiss to the back of your knuckles. The simple gesture was both endearing and affectionate, a subtle reminder that despite the impulsiveness of their marriage, there was a layer of genuine connection between the two of you.

"Well... I'll take care of you. Treat you good. Right, even. Better than. I promise." You replied in a soft and genuine tone, earning a soft laugh from Jenna. The idea that she needed to be 'taken care of' seemed laughable—she was a strong, independent woman, But the way you said it, with such sincerity and devotion, touched her. She returned the gaze, her eyes softening as she looked into your eyes. The intimacy between them was almost palpable, the air thick with a mix of adoration and vulnerability.

"I promise that I'll always be gentle, never harsh. Never put a hand in a fight. We will have disagreements, not fights. I'll always listen and understand your side before I ever counter against it. I know that I don't know you well enough to know if you like being taken care of but I don't mean it in the way you think. I mean it in the way where your soul and heart have needs that I want to provide, that I will provide." Your hand gently caresses Jenna's as well.

"You're too good to be real, you know that?" She mumbled softly as she thought out your words.

"I promise to keep you safe and make you always feel safe around me. I promise to hold and comfort you whenever you need it. AS well as reassure you about anything or anyone that you are beginning to feel insecure about." Your forehead pressed against her as you spoke in a soft and genuine tone.

The reassurances, the care, and the concern...it was all so new, so strange, yet it felt right. It felt safe, like something she wanted to hold onto.

┗━━━✦❘༻♡༺❘✦━━━┛

A/N: Hey lovelies! Thank you so much for reading! If you're new, feel free to look at my other works. I hope you enjoyed! Let me know if I should add any warnings to this. Love you all, bye!