#but I MEAN TI

[fanaticalthings]

important family group chat discussions

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[stealingpotatoes]

Tbf she has, according to The Lore about Togruta headbands, killed a carnivorous giant predator that regularly decimates entire villages, at fourteen, as her coming of age hunt.

Granted, this is legends, but...

damn. or she found a loophole

(donation doodles! // tip jar)

[critter-of-habit]

IronMan2! Black Widow but with her hair tied back

[paintedcrows]

they make me feel unwell

(continued: Stan & Young Ford)

[nero-neptune]

🎃mean girls (2004)🎃

costume design by mary jane fort

[egophiliac]

messing around with techniques! I...like the foxman and the catboy a lot okay

also, a couple of quickies that honestly don't deserve any more effort than I've already given them:

[mgu-h]

contractually obligated energy

[tofixtheshadows]

This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.

The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.

And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.

I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.

We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.

So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.

[i-got-hit-by-a-planet]

so now there are cousins. alright

[zlarirosa]

harry likes laying on his husband every morning in hopes of him letting the both of them call a day off for once. it's worked once, so it might work again

[jagalart]

sockeye salmon

And the final guy in the new gouache fish gang is here! I mean I painted him months ago, but then, as always, I forgot to post him :'D The in(famous) horny fish!

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

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[clarkgriffon]

Cordelia Chase + Outfits (Season 2)

[gatoiberico]

parfait pals

[venomouslilith]

mother of witches I

[bixels]

I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.