#but GOD this is painful

[bookwyrminspiration]

“c) all the scenes explore the theme of LOVE and it feels very deep and meaningful” I am sensing a problem

[oldweedsmokingbf]

it's literally the most heart breaking thing ever when a little gets upset

[lesbianralzarek]

"life doesnt get better, you just get stronger" does NOT include ages 11-17. life does in fact just get better from there. those years are dogshit. like, you do get stronger but its mostly just a factor of not being 11-17 anymore. positive thinking helps but it doesnt fix whatevers going on at 15, you have to brute force through that one raw

[danidoesathing]

physically sick over the fact that. In the game’s canon Viktor is doing whatever he can to get rid of his emotions and humanity. and it’s what him and Jayce clash over most. its the center of their entire conflict

but in arcane it’s torn away from him against his will because of Jayce. Because Jayce didn’t care what Viktor became as long as he got his partner back. Hello. Can anyone hear me

[phantom-shell]

I think it's super interesting how Jimmy's fear of Anya and the baby manifests in his mind as the Pony Express mascot.

Unlike every other character, Anya ISN'T in Jimmy's guilt/regret hallucinations near the end. He sees Daisuke walk towards the dark, he sees Swansea chase him through a cemetery, he sees Curly on fire in front of him but ANYA? Anya isn't given that kind of treatment. No, instead, we see a hallucination of the baby, a tiny horse in a womb that has no face attached to it (Anya's face specifically, all he sees is the womb), turning into a deformed monster that hunts him down the moment it's born.

Polle (the baby) is seen as a danger in Jimmy's head in the beginning of the game too, after he walks out of the cockpit. The more he walks, the louder the baby noises get and the more deformed Polle looks when he runs into it!

Jimmy doesn't give a damn about Anya, nor does he regret anything he did to her, but he is scared of that baby and what it means. The living proof of what he did to Anya, manifesting as a monster that hunts him down throughout the game.

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[noknowshame]

why is religious Christmas imagery all so joyful and pleasant? where is the inherent horror of the birth of Christ? A mother is handed her newborn child, wailing and innocent. Her hands come away sticky. Red. Simply by giving her son life she has already killed him. He is doomed from the beginning. Her love will not save him from suffering. Because the thing cradled in her arms is not a baby, it is a sacrifice: born amongst the other bleating animals whose blood will one day be spilled in the name of what demands it. the night is silent with anticipation. Mary, did you know? That your womb was also a grave?

[notnights]

[arcanegifs]

ARCANE LEAGUE OF LEGENDS: 2x08 - “Killing is a Cycle” ↳ "Some people are really misunderstanding the dialogue before the scene in the cell" | (essay link)

[sonic-adventure-3]

it’s crazy that rouge straight up said this and people still see her as a mother figure lmaooo

[hinamie]

new official illust of them with puppies healed something in me

[xthe-moonletx]

Finally made a tumblr! Enjoy this painting of Elizabethan era Aziraphale I made a while ago :)

Oil on 11x14” canvas

[remxedmoon]

triplets! cute!!! they must have some difference between them… but i can’t see any…

greyscale versions under the cut!

[bunabi]

'art idea that's above your skill set' and 'writing idea that's above your skill set' are tortures I wish upon absolutely no one man

[bixels]

Scary Sunset.

I'm concepting things way outta order in this story, but I'm sure you can piece things together. Context is for a storybeat where, after defeating and capturing Adagio (thus having all three sirens in her possession), Sunset enacts her revenge plot to release the sirens on Canterlot as Thea discovers she's been manipulated. In a confrontation, the two scuffle and fight over the siren orbs while Sunset struggles with her conflicting wants and emotions.

[notebooks-and-laptops]

People do not talk enough about how amazing Lae'zels voice acting is. Devora Wilde put her whole ass pussy into some of those lines but nobody pays attention and calls laezel one note and angry. But have you listened? Have you heard her voice shake as she cries "what good - this heart of stone - for it to be shattered?" Have you heard the conviction where she declares that Vlaketh has sinned against her? Have you listened to the fear in her voice, the slight tremble when she is talking of becoming a mindflayer and the way that she has utter awe in her tones when she experiences something that is truly spiritual to her? Like. It's such a subtle and great performance.