#building from the ground up

[pumpkin-the-girlie-girl-vixen]

Born from Toxicity: A Gift Unveiled

In the cradle of chaos, where darkness resides,

Chosen ones awaken, with wisdom as their guide.

Born into families, tangled in strife,

They carry a spark, igniting new life.

Toxic roots may anchor, with thorns all around,

Yet within lies a power, in silence profound.

Through pain and through struggle, they learn to embrace,

The depth of their being, their own sacred space.

The lesson of love, though twisted and frail,

Teaches strength and resilience, to rise when we fail.

From shadows they blossom, with hearts open wide,

Transforming their sorrow, they refuse to hide.

For in every wound, there’s a story untold,

A path forged in fire, where the brave are bold.

The gift lies in knowing the truth of their worth,

That light can emerge from the depths of the earth.

They gather the pieces, the fragments of pain,

Transforming the darkness, like sun after rain.

With empathy flowing, they seek to mend,

The cycles of hurt, to heal and transcend.

So here’s to the chosen, who walk through the fire,

With courage and purpose, they rise ever higher.

For born into toxicity, they learn to create,

A legacy of love, transforming their fate.

Through trials and tribulations, their spirits ignite,

As they break down the barriers, revealing the light.

In the depths of their being, they find their true song,

In the dance of the universe, they finally belong.

Understanding the Journey of the Chosen Ones Born into Toxic Families

In a thought-provoking video from the YouTube channel "Vibration of the Universe," the topic of individuals often referred to as "chosen ones" and their experience of being born into toxic families is explored. This discussion delves into the complexities of these situations, presenting the idea that such experiences, while challenging, can be reframed as profound gifts. Below, we outline the key themes and insights presented in the video.

1. **The Concept of the "Chosen One"**

The video begins by defining the term "chosen one." This concept typically refers to individuals who feel a unique calling or purpose in life, often characterized by heightened sensitivity, awareness, and a deep sense of empathy. These individuals may feel different from their peers, often possessing gifts or talents that set them apart. The video posits that many chosen ones are born into dysfunctional or toxic family environments as part of their life’s journey.

2. **Toxic Family Dynamics**

Toxic family dynamics can include a range of harmful behaviors and patterns, such as emotional abuse, manipulation, neglect, and control. The video emphasizes that growing up in such environments can be incredibly challenging, leading to feelings of worthlessness, confusion, and emotional pain. However, these experiences also serve a purpose in shaping the chosen one's character and resilience.

3. **Transformational Gifts of Adversity**

One of the central messages of the video is that the struggles faced by chosen ones in toxic families can ultimately be transformed into powerful gifts. The narrative encourages viewers to view their hardships as opportunities for growth. Adversity can cultivate strength, empathy, and wisdom, allowing individuals to develop a greater understanding of themselves and others.

The video highlights how overcoming difficulties can lead to a unique perspective on life, enabling chosen ones to become healers, mentors, and guides for others who face similar challenges. This transformation underscores the concept of "post-traumatic growth," where individuals emerge stronger from their struggles.

4. **Empathy and Sensitivity as Strengths**

Chosen ones are often characterized by their heightened sensitivity and empathy. The video discusses how these traits, which may have been criticized or dismissed in toxic environments, are actually valuable strengths. Sensitive individuals can sense the emotions and pain of others, making them natural healers and advocates for change.

By embracing their sensitivity, chosen ones can channel their experiences into meaningful action, creating a positive impact in the lives of others and contributing to the healing of collective wounds.

5. **The Power of Self-Discovery and Healing**

The journey of the chosen one involves significant self-discovery and healing. The video emphasizes the importance of recognizing one’s worth, breaking free from toxic patterns, and reclaiming personal power. This process often includes:

- **Setting Boundaries**: Learning to establish healthy boundaries is crucial for protecting oneself from further harm and fostering self-respect.

- **Seeking Support**: Engaging in therapy or support groups can provide valuable tools for healing and personal growth.

- **Practicing Self-Care**: Prioritizing self-care and nurturing one’s emotional well-being are essential steps in the healing journey.

6. **Embracing a New Legacy**

Ultimately, the video concludes with a powerful message about embracing a new legacy. Chosen ones have the opportunity to rewrite their narratives, transforming their pain into purpose. By healing their wounds, they can break generational cycles of toxicity and create a healthier, more loving environment for future generations.

This legacy of healing and empowerment can inspire others, encouraging them to rise above their circumstances and find their own paths to fulfillment.

Conclusion

The video from "Vibration of the Universe" offers a profound exploration of the experiences faced by chosen ones born into toxic families. By reframing adversity as a gift and embracing their unique strengths, these individuals can embark on a transformative journey toward healing and self-discovery. The insights shared in this video serve as a reminder that even in the depths of pain, there lies the potential for growth, resilience, and a brighter future.

For anyone who resonates with the struggles of being a chosen one, the message is clear: your journey is valid, your experiences have meaning, and you possess the power to create a legacy of love and healing.

[nat-20s]

name a more iconic thing to happen for the fictional qpr community than Donna Noble quite literally meeting her soulmate and being like hmm. there's no one I've ever wanted to fuck less

[subrosasteath]

Making another post actually, because all of the symbolism in Win or Lose is amazing.

Having anxiety be a creature that just grows and grows, and eats away and crushes Laurie down until she can't speak or walk like she used to? Having Laurie's dad always be under the sun, or some kind of light to signify that while Laurie is religious, and looks up to god, what she's really looking to is her father?

The way armour is necessary for some jobs - Frank need to be able to take criticism, and still stick firm to what he knows is true, - and that relief of taking it off? And when it bleeds into personal life, what can he even do? When he's been heart, because he can't open up, doesn't that just make it harder to shed that in the first place?

And then Ira, whose perspective reminds me a lot of Captain Underpants, and is so, so sweet. He's just a little kid, and a little weird, and he just wants friends who like him for that! And he wants his big sister to like him, and spend time with him! And he's so imaginative, the scribbly, cartoon style of his little world he spies through? I was just in love. The fact that he kept picturing the teenagers as super heros and rebels and good guys- and just the fact that he sounds like a kid! Are you kidding, that autraulian joke? I laughed so hard because I've heard kids talk like that, that's what shy, caring little kids sound like when they've been shot down before!

Yuwen's mini me inside his heart screaming like me!!, the version of him he doesn't let out, because it's cardboard and flimsy and so easy to crush. I'm really amazed at the way they portrayed Yuwen and Taylor, because i remember being in middleschool, and while I never dated (cough cough aroace), the depiction of them "picking out curtains and moving in" feels so real, because I do believe that's what love will always feel like, no matter the age. Being in middleschool doesn't mean the love isn't true, or isn't there just because it's not likely to last. And the way they depicted kissing, not by showing them kiss, but by showing what it felt like? I was amazed. Baffled. I can't believe I haven't seen more things like that.

(It's actually incredibly interesting to me, that 2/3 main male characters shown so far, have gimmicks of protection. Protecting themselves, their emotions, and who they are as a person, because they feel they can't be open and honest, they feel they can't trust their emotions to guide them.)

I talked about Rochelle and her mom in a seperate post, but the gasp I let out when I realized Rochelle's gravity was weird because she didn't have the stable force of a mom? Oh my god. Rochelle feels like her family is upside down, that she has to be the adult, and because of that, every force in her life is turned upside. She has no one to rely on and nothing to ground her, until her mom is finally there for her, no phone in hand at the end of episode 4. Gravity rights itself because her mom is there, fully present, to help her.

The way they contrasted Rochelle's episode's mood with her mom's was fantastic, because her mom's felt like a performance. She's performing, always, because she doesn't know how to be otherwise! She performs being a good mom and performs being happy for her audience, and even performs at the party, wether she wants to or not! That was an audience! And everything about her performance has bleeded into the way she sees the world, how everything's pink and sparkling and upbeat. It's only when she finds Rochelle do we see her not performing, we get to see, for the first time, who Vanessa is for just Rochelle. For just her family.

I'm so invested, so obsessed, SO READY FOR THE NEXT TWO EPISODES!!

(As a sidenote, if you haven't seen the storyboards of the cut trans scene, here's a link to the internet archive of them. I can't find them anywhere else. But the Picasso style falling apart, the shattering and splitting of identity, because Kai is scared, and has to act both parts and it's confusing and hurting her and oh- it really just punches me in the gut.

Here's the link directly to the archive: https://archive.org/details/23fr-4r

and the link to the reddit post i got it from: https://www.reddit.com/r/lostmedia/comments/1hhj1zh/partially_lost_deleted_storyline_from_upcoming/

please go watch it if you like the show it's absolutely beautiful <3)

[kizzer55555]

Core Gems

So when a ghost becomes injured, they have a last ditch defense where they retreat into their core. And I mean, injured badly where their body is rip apart to the point they can’t hold a solid form anymore. And they basically go into a hibernation state until they are strong enough to form again.

Ellie, Danny, and Dan are all injured in a final battle against the GIW. The organization was destroyed and the ghosts were safe but the halfas ended up being so injured that they reverted to core form and then went to sleep for a bit. When they woke up, they were still weak but at least recovered enough to gain consciousness. And realize…they are in some kind of auction…in the middle of a heist. It appeared that two furries (one in a bat costume and one in a cat costume) were ducking it out. And they…they were a necklace. All three of them had been turned into a necklace with their cores as gems accompanied by sapphires, pearls, and opals. And frankly gorgeous craftsmanship as the metal was crafted around their cores as if to cradle them and the other gems.

Unfortunately, they were too weak to take a form properly, they could still feel the strain on their bodies. But at least they could still communicate through their auras. Then the cat lady punched a hole in the glass container surrounding them and grabbed their necklace.

However, the bat grabbed the other end and it resulted in a sort of tug-a-war. Meanwhile, Danny, Ellie, and Dan were having a back and form commentary on the situation and what they should do. Completely unheard by the other party.

In the corner of their eye, the three halfas finally noticed a third contender. Some kind of clown who was…hold on…holding a gun?! And it was pointed straight at the two fighting furies who had yet to notice him. The ghosts’ protective instincts went into overdrive and they frantically tried to shout, yell, move. Just do something to warn the two but their cries fell on deaf ears. All they succeeded in doing was faintly glow which immediatly caught the attention of the fighting duo. The two turned to look at the strange necklace but right at that moment, the clown fired and a gunshot rang throughout the auction room. Having no other options, Danny and the others poured every ounce of ectoplasm they had to try and phaseshift, making the two furries intangible as the bullets passed right through them, but in their shock, the two jumped away in opposite directions and accidentally ripped the necklace apart. Gems and pearls went flying and the three cores bounced along the ground.

Luckily, the two finally noticed the clown and went to deal with him and his minions who had appeared. Seemingly putting their fight on hold and forming a temporary truce. The three halfas could only watch as the battle finally wound down, ending with the cops barging into the place and arresting the clown and his grunts, the cat managing to escape with half the scattered gems and pearls from the broken necklace along with a few other jewelry pieces (none of their cores though) and the bat leaving through a skylight.

The auction continued and in the end, despite being broken, their necklace seemed to have caught someone’s interest. A man named Bruce Wayne bought up every piece of the shattered jewelry wear. The auctioneers appeared relived that the item managed to sell in the end and gratefully gave it to him.

Bruce had no idea what happened at the auction, but he could have sworn that some of the gems faintly glowed right before he and Selina were shot. If the necklace was some sort of magical item, then he needed to understand exactly what has been brought to Gotham. It was unfortunate that Selena had taken some parts of the necklace but he utilized his vast wealth to make sure all the other parts ended in his possession. Now he would take them back to the mansion for examination.

[probablyanalienindisguise]

Hellooo personal hc that thk was blinded as a result of the infection

[cenfitto]

i miss viktor oh my god they robbed us i was nutting in my jorts when this shit came on in season 1 with the fucking framing to pose the arm over his shoulder oh my god. can you imagine up at 3am to watch this on release and here comes a direct foreshadow teaser for your fucking Boy. i am chasing that high for the rest of my life like actually. and then they DONT EVEN FOLLOW THROUGH ON IT. WHY IS HE MAGIC. FUCK. WE COULD HAVE HAD IT ALL

[nyxunderwood]

James goes to Regulus to ask for his blessing before proposing to Sirius. Regulus doesn’t even have to think about it.

He just says "no."

[hinamie]

inside me there are 2 wolves one says itfs valentines the other screams for makoharu which one will i feed,,,, and let us not forget the wildcard the secret third wolf waiting in the wings with another fucked up gojo

[tonftyhw]

I don’t CARE about Rex or Mark, I think they should kiss

[premade-username]

There’s something poetic about the body of a titan of earth being made home for people. Isn’t that what earth at its core is, over any other element? Dirt for animals to burrow, caves in which to find shelter, soil to cultivate countless habitats. What is dwelling within its skeleton but worship? What are flowers beds growing from its ribs, but an altar?

[lizmitches]

CORONATION STREET ↳ Connor-Swain Family Dynamics

[gummi-ships]

Kingdom Hearts Dream Drop Distance - The World That Never Was

[space-cadet-is-going-to-sleep]

i like labru more than kabumisu bc i want to see kabru get worse more than i want to see mithrun get better

[doctortv]

for the first time since i've met you, i see you as genuinely inhuman, in every sense of the word

[id: dialtown fanart of phonegingi sitting and looking at the narrator sock on its right foot. they are drawn with bright colors and sketchy lines. the background is a red tinted image of vultures descending, the heads of two obscured by gingi's legs and the head of the other obscured by gingi's head. end id]

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.

[roachmeatz]

homestuck textpost memes volume TWO!!! (because…. the old blog got deleted….. rip soz -_-)

Masterpost