#and build back from the ground up

[nat-20s]

name a more iconic thing to happen for the fictional qpr community than Donna Noble quite literally meeting her soulmate and being like hmm. there's no one I've ever wanted to fuck less

[kizzer55555]

Core Gems

So when a ghost becomes injured, they have a last ditch defense where they retreat into their core. And I mean, injured badly where their body is rip apart to the point they can’t hold a solid form anymore. And they basically go into a hibernation state until they are strong enough to form again.

Ellie, Danny, and Dan are all injured in a final battle against the GIW. The organization was destroyed and the ghosts were safe but the halfas ended up being so injured that they reverted to core form and then went to sleep for a bit. When they woke up, they were still weak but at least recovered enough to gain consciousness. And realize…they are in some kind of auction…in the middle of a heist. It appeared that two furries (one in a bat costume and one in a cat costume) were ducking it out. And they…they were a necklace. All three of them had been turned into a necklace with their cores as gems accompanied by sapphires, pearls, and opals. And frankly gorgeous craftsmanship as the metal was crafted around their cores as if to cradle them and the other gems.

Unfortunately, they were too weak to take a form properly, they could still feel the strain on their bodies. But at least they could still communicate through their auras. Then the cat lady punched a hole in the glass container surrounding them and grabbed their necklace.

However, the bat grabbed the other end and it resulted in a sort of tug-a-war. Meanwhile, Danny, Ellie, and Dan were having a back and form commentary on the situation and what they should do. Completely unheard by the other party.

In the corner of their eye, the three halfas finally noticed a third contender. Some kind of clown who was…hold on…holding a gun?! And it was pointed straight at the two fighting furies who had yet to notice him. The ghosts’ protective instincts went into overdrive and they frantically tried to shout, yell, move. Just do something to warn the two but their cries fell on deaf ears. All they succeeded in doing was faintly glow which immediatly caught the attention of the fighting duo. The two turned to look at the strange necklace but right at that moment, the clown fired and a gunshot rang throughout the auction room. Having no other options, Danny and the others poured every ounce of ectoplasm they had to try and phaseshift, making the two furries intangible as the bullets passed right through them, but in their shock, the two jumped away in opposite directions and accidentally ripped the necklace apart. Gems and pearls went flying and the three cores bounced along the ground.

Luckily, the two finally noticed the clown and went to deal with him and his minions who had appeared. Seemingly putting their fight on hold and forming a temporary truce. The three halfas could only watch as the battle finally wound down, ending with the cops barging into the place and arresting the clown and his grunts, the cat managing to escape with half the scattered gems and pearls from the broken necklace along with a few other jewelry pieces (none of their cores though) and the bat leaving through a skylight.

The auction continued and in the end, despite being broken, their necklace seemed to have caught someone’s interest. A man named Bruce Wayne bought up every piece of the shattered jewelry wear. The auctioneers appeared relived that the item managed to sell in the end and gratefully gave it to him.

Bruce had no idea what happened at the auction, but he could have sworn that some of the gems faintly glowed right before he and Selina were shot. If the necklace was some sort of magical item, then he needed to understand exactly what has been brought to Gotham. It was unfortunate that Selena had taken some parts of the necklace but he utilized his vast wealth to make sure all the other parts ended in his possession. Now he would take them back to the mansion for examination.

[rhymaes]

The Untamed, Ep. 11 // The Untamed, Ep. 48

[impostorsshow]

I'm actually so obsessed with him it's not even funny if i'm not listening to a TikTok or music directly related to him I can't focus free me free me

This is @/cherubpuppet's OC for a object show [au? pitch? wip show? How do I categorize this] and I've been destroyed by the fact that ruler art is infinitely superior [and 10x longer] and i don't have a good enough grasp on lip gloss's personality to make fanfiction so I am frozen in "want make fanart but fanart takes effort :["

[jonsnowunemploymentera]

Everyone arguing about Stannis, JonCon, Jaime, god forbid Jorah being the 1000th commander of the NW….when it will be Jon again 🌚

[grison-in-space]

Since the dental Tribble has been on a strict no kibble, no crunchy, no chewing diet. (In a week or so she'll be allowed to use her teeth again a bit more, but no one wants to see a dog get dry socket.) Spouse feels that canned dog food (perpetually on hand to make into pupsickles) is not experienced as filling enough, and we do know that Tribble has done better on grain inclusive foods for the past decade, so... the rice cooker has been simmering with chicken stock rice too bulk out the canned food all week, and Matilda and Benton have both gotten a fair bit of overflow rice as a treat.

Unconnectedly, tonight happens to be my first night alone as the sole human all evening in quite a few months. Matilda has been doing her job of enforcing bed, of course, but I can also rely on other humans to help make routine happen if she's too tired to be on it.

If I was worried that Tilly hadn't worked out her evening routine enforcement functions before now, I shouldn't have been. I don't think I've ever seen a dog so excited to move the evening along towards the part where dinner and the good cookies are.

[bizlybebo]

i want to say so bad that xyz character did nothing wrong but unfortunately they did in fact do Everything wrong

[epitomees]

"Listen...I may not be the best dad on the market, but...if you need someone to keep you company today, we could...maybe...go get ice cream?"

[easterlystars]

[tommykinard217]

I'm playing mass effect (idk what made my brain wanna do it but why not ya know) and I'm planning on doing a whole series playthrough where my Shepard doesnt romance anyone until me3, where he'll romance Kaidan.

Because yes

[5231045]

attempting to map out 221b

[19871997]

.

[ehlnofay]

It’s not until she hears Sissel’s knees hit the floor that Efri is jolted back into her body.

She blinks, whipping her head around. Sissel is kneeling, bracing a palm on the ancient stone pavement, at the barrier – no, the barrier’s gone, it’s just Sissel on the floor. She lifts her head and meets Efri’s eyes; her hair is wispy and wild, the little plaits meant to keep it neat come loose and tumbling, her eyes wide. The barrier's gone, but still, her pale face is lit up blue.

“Are you okay?” she asks. She doesn’t speak loudly, but it echoes in the great stone chamber.

Nine, Efri doesn’t know.

She blinks again, looks down at her hands, clinging to the metal stick so fiercely that her joints ache. (Her own stick, her nice wooden one, is still on the floor somewhere, where it slipped out of her grasp when she hit the wall.) The lumpy heavy end of it, the clobbering end, is still resting on –

Not on. It’s in the thing’s head, fitted neatly in the opening of its dented helmet, the horns spiralling over the floor. There’s a tooth, perfectly preserved, by Efri’s foot.

One by one, she unwraps her gloved fingers from the handle of the metal stick, letting it drop to the floor with a clang so loud it makes her wince. Kazari is nosing at her side. (When did they let go of it? When did they get so close? She must have missed that. She feels out of the loop. Her heart is juddering like fish on a line, battering like some frightened trapped thing at her ribcage, and her breath is coming fast and heavy.) Absentmindedly bringing up a hand to press over her sore shoulder, she says, “’M fine. Not too – barely touched me.”

Kazari turns and spits on the floor. Efri blinks. She does it again, tongue lolling out of her mouth, face very disgruntled – and oh, Efri gets it. She does not glance down at the thing at her feet; she doesn’t need to, she knows what its arm looks like, chewed almost to pieces even through its banded armour. (If she hadn’t been so busy being scared of it, that sight might have made her a bit scared of Kazari. But not now, when they’re trying to hack and spit the taste of dead man arm out of their mouth.)

Efri unclips her canteen from her belt and holds it out. “Here,” she says. Her voice is rough. Her heart is racing too much to let constructing sentences be easy. “Not much, but –”

Kazari stands still while Efri tips half of the remaining water onto her tongue, and then Efri watches her swilling it around in her mouth, trying to bathe all of her teeth in it, before she spits it again on the floor at the dead thing’s feet.

The water is still clear. That’s something, at least; the dead man was too old to still have blood in him. Or maybe he was embalmed, drained of it hundreds of years ago, thousands.

“Are you okay?” Efri asks Kazari when they’re done, because they were the one doing most of the fighting, who was closest. They tip their head, shift their weight – wince when they put weight on one foot. Their lips peel back from their teeth. Their clothes on that side are singed.

Efri points it out. “Your robe,” she says, which makes it sound much fancier than it is. She’s too tired to think of a better word. She rubs a hand over her face, pushing the hair back over her forehead, says, “I’ll reinforce it for you when we get out.”

Kazari noses at Efri’s shoulder – the shredded fabric of her dress, the fraying edges stained with blood. Efri says, “I know. I’ll have to sew that up too.” Over her shoulder, she calls, “Kazari’s leg’s hurt, I think.”

“There’s blood on you,” Sissel replies. She peels her hand off the floor and leans back on her heels.

Efri touches her shoulder again. “’S fine,” she says. “Just a scrape. The blood’s drying already.”

It’s really sore, actually – the flesh abraded and tender, an ache sinking deep into the muscle – but it’s normal sore, the kind of sore you really should be after being thrown into a wall. It doesn’t feel sprained or dislocated or anything like that.  Just like it will be bruised a whole rainbow of colours come tomorrow.

Kazari noses at it again. She leans too far forward and falters on her maybe-hurt leg – rights herself, wincing, and rolls her shoulder. It gleams, just for a moment, and she nearly stumbles again. Efri puts out a hand to steady her. (It doesn’t really accomplish anything – Efri’s strong, but she’s not that strong – but it’s the principle of it.) “What was that spell?”

“Pain relief,” Sissel says from behind her. “I think. Doesn’t actually fix anything, but.”

“You’ll be okay ‘til we find someone?” Efri asks, and Kazari nods. She presses a hand against their shoulder and nods back.

They both turn to look at Sissel, then, who’s just kneeling on the floor, sitting on her heels.

“You all right?” Efri asks her.

“All right,” Sissel confirms. She doesn’t look at them. “Didn’t even come near me.”

She’s staring.

Efri crosses the floor to stand with her. (She needs to lean on Kazari – her legs are too wobbly, and she doesn’t want to touch the dead thing’s stick, doesn’t want to look for her own. Kazari limps a little on their sore front leg.) There’s a moment of total, humming silence – all of them still and staring, necks craned back, looking up at the thing.

Whatever it is.

It’s a ball. Big and blue and shimmering, it floats above a wide crystalline dish set into the floor, spinning on an axis. Just spinning and spinning and spinning, endless motion. Its smooth surface is cut through with dark wavering lines, etched with lettering, and it doesn’t quite glow but it doesn’t not glow, either, the light moving across it silkily, like clouds in a blue sky. It looks like something that should be humming – a low pitch in their ears, an eerie shiver dancing over their skin – but it’s silent. Inert, maybe, but for the spinning.

“What is it?” Efri asks. Her voice cracks as she speaks. She looks down at Sissel’s face, staring as though mesmerised, illuminated by the room’s dim lighting – the fires that should not still be burning down here, the luminous not-glow of the ball.

Sissel says, “I don’t know. Something important.”

Hovering above the dish, it spins, and spins, and spins.

“Is it what the ghost was talking about?” Efri asks. She tilts her head and squints at it. It doesn’t – well, it looks strange and unearthly and powerful, but it isn’t doing anything. And it hadn’t been clear what the ghost was talking about, exactly, according to Sissel, just that it was something important – but what else could it be?

Sissel, still watching it, shrugs. “I don’t know,” she says. “I think so.”

Efri watches it with her, brushing a bit more hair out of her face. It’s sticking to her sweaty forehead. She feels a drip of not-dry blood running down her arm under her sleeve.

Kazari is staring at it too – just as confounded as the rest of them. Efri sees the light in their irises shifting as the ball spins.

They’re not learning anything from staring, the ball staying strange and mysterious as ever, so Efri raps her knuckles against her sternum to steady her breathing (it’s slowed a bit – not normal, but closer to it) and climbs up onto the stone rimming of the dish. Kazari, behind her, lows in consternation; Sissel catches her breath, a noise like a creaking door. “Careful,” she says.

“Promise,” Efri replies, and places her feet very, very carefully on the glassy blue flooring. Nothing happens. She doesn’t step on the dark curved lines as she treads toward the ball in the centre, slow and wary as if she were approaching a skittish animal. Nothing happens.

She reaches out, and, with just the tips of her fingers, she grazes the ball’s surface.

Nothing happens.

It’s cool to the touch, and smooth, like polished metal or not-frozen ice or delicate glasswork. It continues to spin gently under her fingers, warming her glove with friction, no smudges left on its clouded face.

 It really feels like there should at least be a tingle running up her arm, a strange and unfamiliar current, a spark. But it’s just Efri, standing with an arm outstretched, pressing her hand to a ball.

“It’s not doing anything,” she reports, and Sissel clambers up onto the dish with her, fitting her palm to its gently hovering underside. Kazari balks, begins pacing agitatedly. Efri frowns. “Why isn’t it doing anything? Shouldn’t it be doing something?”

“It’s important,” Sissel says definitively. There’s ancient dust on her fingers, but none of it seems to transfer. “It’s something really special, I think.”

Efri shifts restlessly. She shifts her grip and tries to grab onto the dark ridged curves ringing its surface, but they slip easily away from her grasp as though her touch was no barrier at all. “But what does it do?”

Sissel shrugs.

Behind them, Kazari lows.

Efri drops her hand and grabs Sissel’s wrist. “C’mon,” she says, and when Sissel frowns at her, “We’re not going to learn anything about it this way. We have to look for clues!”

Kazari makes a more impatient noise. (Efri thinks she found a clue.)

Sissel gives the ball one last searching look and lets Efri tug her away, off the weird blue dish and down to where Kazari stands on the stone floor, at the head of the table where the dead man sat. Efri sniffs loudly and tries not to think about it too much. The table is smooth polished stone, worn a little away with time; Efri trails a gloved finger over the edge and directs her attention to where Kazari points with their chin.

There’s something carved into the surface, the edges blunted and shapes softened by however many years it must have been since it was put there. Efri squints, trying to make it out. She has to stand right up on her tiptoes to get the right angle to see much of it in full.

“That’s not letters,” she says eventually, frowning. She’s pretty sure she knows her alphabet well enough by now to know that. “Is it magic?”

Sissel shakes her head. “I don’t know what it is. It’s not like magical writing I’ve ever seen.”

Efri looks at Kazari, who also shakes her head. “Maybe it’s a different sort of lettering,” she theorises. It must have been written a long time ago, if it’s from back when the city had people. Onmund’s been reading all about it for ages, and he’s told her a bit – Saarthal was the city of Atmorans, populated by proto-Nordic people. All complicated history stuff. But they weren’t quite the same as Nords today, he said, so it stands to reason they had different writing, too. They’re supposed to be uncovering and cataloguing artifacts (at the thought, Efri glances back at the hovering ball and swallows an inane bubble of laughter) so she suggests, “Maybe you can copy it and we can show it to someone. I’m sure there’ll be someone at the College what knows what it is.”

Sissel, also standing on her toes, nods dutifully. “What will you do?”

The chamber they’re in is cavernous, and about empty but for the ball in the dish, the altar and chair, the body on the ground. “I’ll check him,” she says, and points. “See if he has anything on him that’s special.”

Sissel follows her finger and grimaces.

She digs out her note-paper and her stick of char, and Efri assumes it’s clues time, but when she turns she feels a hand grip her elbow. She looks back over her tattered shoulder at Sissel’s face, her furrowed brow.

“Promise you’re really okay?” she says, voice anxious and solemn.

“Promise,” Efri says, twisting her arm to touch her friend’s hand. Sissel presses her lips together and lets go of her arm.

Kazari trails after Efri to look at the dead man.

First thing is the metal stick. It’s magic someway, Efri knows – he waved it and threw her into a wall, flung spells with it – but she’s not sure how. Doesn’t know enough about enchantments. Didn’t need to, to use it; when Kazari clamped down on his arm she just ripped it from his grasp and –

She doesn’t quite exactly remember, actually, except for the bitter tang of adrenaline in her mouth and nose, the horrible grunting and scuffling sounds, the heft of the stick in her hands. Impact, over and over and over, against something that had a little more give each time.

Efri scrubs a hand over her mouth and grips the handle of the stick. It takes effort to wrest it out of the thing’s face, caught as it is by the edges of the helmet, and when it’s finally yanked free it’s – actually not as bad as she might have expected. There’s no blood, and the corpse was so desiccated it already didn’t even really look like a person anymore, so it registers less as someone with horrible violence done to it and more as a really gross art piece. It’s not nice. She doesn’t like the twisted, gaping mouth, teeth embedded wrong-ways in its tissue and scattered like coins over the floor. And one of the eyes, which had glowed unearthly blue, is now a dull, rotten black, squished like a plum in its socket.

It's worse the more she looks. She sniffs and turns away.

“This is magic, right?” she asks Kazari, testing the weight of it in her hands, the cool surface of the metal, and they nod. “A good artifact?” she adds, and they nod again, emphatically. Efri sets the stick aside and kneels.

It wasn’t wearing any clothes, really – or if it was, they rotted away. She touches the rusted armour gingerly, tries to avoid brushing her gloves against the shrivelled skin at all. Whoever it was had expensive taste, it seems – there’s jewellery in a shockingly well-preserved beard, pendants around the neck, armbands. Efri asks Kazari if each thing is enchanted. No to the armbands, no to the beard-ring, and then, pressed against the wizened chest where the flesh contours to the ribs, she finds some kind of necklace, sharp-edged and thrumming. Kazari nods to that, and, face scrunched up like an old fruit, Efri reaches around the ancient neck to slip it off.

She tucks it into a belt pocket with the tripwire necklace they found at the weird wall.

“Done,” Sissel says. She folds her paper and slips it into her own pouch. Her footfalls on the echo-y stone floor as she approaches the body for the first time are almost silent. “Did you find anything?”

“Necklace,” Efri replies, watching Sissel’s face pinch at the sight of him. “And – stick.” She scoops up the metal stick and holds it out. “He did spells with it.”

Sissel looks at it warily. “Is he a draugr?” she asks, glancing back down at his mashed-up face.

“I mean,” Efri says, “he’s got to be, right?” She’s certainly never seen a draugr before, but what else could it be?

(Calling it a draugr makes her shiver, the set of her shoulders quaking. She’ll stick to dead man.)

Sissel shudders. She reaches out to grip the handle of the stick, and Efri’s not sure if she’s taking it or just trying to keep herself upright. “I can’t believe that happened,” she says. Her voice sounds, suddenly, fragile. “I can’t believe we’re alive.”

“Me neither,” Efri says. She presses the tip of the stick into the ground so Sissel can lean on it, stands a little unsteadily.

Kazari, with a hushed murmur, telegraphs something. Efri recognises the head incline of understanding – she’s familiar with that word, that idea – and, after a moment, the flickering ear of doubt.

“They’ll have to believe us,” she says with conviction, because she means it. “We’ll show them. They’ll see for themselves.”

Kazari presses their nose to her head.

Efri clasps her hands together. “We’ll go tell someone now,” she declares – though it’s easier said than done; they were lost in the ruins ages before they even found the crumbling wall, the halls, this horrible wonderful chamber. But they’ll get un-lost eventually. They’ll get out eventually. Surely. They have practice enough with walking. “But first – help me find my stick.”

[rubythecrimsonwriter]

As someone who has lived in the south where the water trough is anywhere from mildly annoying to actively terrifying, who has lived on a fairly decently sized island where it is indeed absolutely terrifying to be cut off from the mainland suddenly with little to no help from the government for an extended period of time--

After No Man's Land and all the issues that arose then, I'd like to propose the new way of interring their dead would be mausoleums. Possibly especially with Gotham canonically existing on a system of caves. An island made of caves on the East Coast that gets battered by hurricanes almost every year is just asking to get sunk a la Atlantis but its fucking Gotham and i think the Gothamites would raise it from the sea floor again out of sheer spite.

But with mausoleums you:

Dont have your son crawling six feet through packed dirt after inexplicably coming back to life

Dont have long buried coffins and corpses getting flooded/shaken/otherwise disturbed and shunted into the water system/streets/underground reservoirs (or Lazarus Pits, since there's one of those down there too, as if Gotham didn't have enough things wrong with it)

Continues the Gotham aesthetic

Have more places for various characters to have a private mental breakdown in

Have more places for various characters to find ominous warnings etched or graffiti'd on the walls

Have more places for things much older than the mausoleums have been En Vogue™ for to inexplicably appear and send shivers down the spine

The Gothamites are very firm about not really being part of the US. The US kind of looks at the South like we're really fucking strange, and the South looks at New Orleans like they've taken the South and concentrated it, carbonated it, and shook it really hard.

I want the same vibes for Gotham. This is their home. They are weird and stubborn to a fault and everything is on fire and the government is corrupt and the people aren't always good but nobody else understands. No one else ever could. Who else has seen the lights for rescue appear on the horizon only to see the light of death on the waters, ensuring no help would ever come? They are resourceful and violent and resentful but the gods won't help you if you cross one of their own.

[meatriarch]

yknow im probably going to sound a bit overdramatic for a moment with this sorry but,

ive said like two lore streams ago or w/e that im not going to let myself get as heated as i did at the start with how gun's been handling ( read : forgetting she exists ) maria all this time bc at this point i consider my portrayal of her an oc, as i essentially feel across the board with my other texas muses frankly but like.

i do think, while i was obviously thrilled to no end that they announced maria & she was playable etc, i do think the execution of her in-game really sincerely disappointed and pissed me off so badly. like yes end of the day shes a bunch of pixels etc etc whatever sure but its like. genuine frustration at how absolutely sidelined she has been since day one. and i know theres plenty of valid arguments for other characters receiving similar treatment ( ie. sonny ) in a variety of ways, and i do get the angle of maria initially serving as a haunting of the narrative, haunting her friends and sister and being more of that sort of invisible presence rather than physically there in the moment like they all are - but its severely disappointing to see just how little they give a shit about her, both in lore & in gameplay etc.

model-wise? shes completely fine i adore how she looks and everything shes beautiful shes adorable shes exactly as babygirl as i hoped and imagined her to be & look. but shes otherwise both so underwhelming and so borderline useless ( being generous ) and her ability is just the most uncreative pointless thing i feel they could have thought to give her. like. theres so many pieces i can rip apart for just that alone but i dont wanna yap for an eternity lmao

i just wish they gave an ounce of a shit about her. and like sure yes they could easily alter things or add on things on for her in the future etc. sure, yeah, fine and all but its just... i dont think im going to forget how sloppily put together they made her. or how they've consistently forgotten & disrespected her all these months. and with them branching away from her & the friendgroups' story into other victims' as time passes, their already sheer-ass attention spans are only going to grow thinner across the rosters and i guess in my eyes theyre just never going to make up for any of how they treated her character. and like yes thats fine bc i & others will do her infinitely better justice than they ever will but its still just like... its still disappointing.

like so much went wrong with that release day that i think i was just trying to cling onto the excitement of her just being playable but everything else, certain other complaints etc i wont get into, made me think that disappointment in how she was executed was an exaggeration on my part bc im too attached to her lmao and so i kinda just internalized the disappointment i think but it really is just like man. i feel like ive lowkey been in mourning of her since she was released. no faith at all that they are ever going to give her an ounce of dignity outside of how her model looks.

and again. i know i and the fandom do her infinitely more justice than they ever will at this point and that fact alone does make up for this all, i just wish she was remotely fun to play as and didnt feel like such a slapped together, zero-thought, near copy-paste non-asset in-game. i play her bc i love her but she also just makes me fucking sad LMAO

.

[akkivee]

bonds are necessary for the true hypnosis mic to be used according to rei!!!! so bonds not only negate the effects on the target, but also on the user as well!!!!!