#brown harry potter

[ziccem]

and why they so small

[teddytheartist]

Asffsdghskjsllksj Brown Harry

I did more than just this one drawing but it’s sketches and I’m tired so have this, I’ll post more tmrw hehe

[mcntsee]

me when I reach the angst part of the angsty fic that I specifically chose for the angst

[vinamari]

How it feels going to bed after reading some words

It was angst

[poseidons-getting-milk]

Half-Blood Prince is like:

Hermione: I wish Ron liked me back

Ron: I wish Hermione liked me back

Lavender: I wish Ron liked me back

Ginny: I wish Harry liked me back

Dean: I wish Ginny liked me back

Seamus: I wish dean liked me back

Harry: I wish Ginny liked me back

Draco: The only way to save myself and my family is to kill Dumbledore which will end the rest of the entire wizarding world, Snape and Harry won’t get off my back, and i have no idea how to fix the magic cabinet but if i fail GrayBack will kill me and my mother

Snape: I wish Lilly liked me back

[thisonewhocanbreathe]

“we need more complex female characters” the second women start showing a glimpse of emotion y’all call them over-sensitive or annoying. smh.

[yhomtorkec4nt]

i cant argue with a sad brown eyed boy, whatever u say beautiful

[hufflepuffz]

not entirely happy with this one but whatever

[maki-nsi]

Rumors 'round Hogwarts obviously based on Norman Rockwell's "Chain of Gossip", for those not caught up, basically, Harry told Hermione who told Ron who told Dean who told Lavender who told Parvati who told Padma who told Cho who told Luna who told Ginny who told Neville who told Daphne who told Blaise who told Pansy who told Draco who told Harry

[rainydayathogwarts]

something cute with neville please? like an awkward crush moment in class?

Kiss and Tell - Neville Longbottom

Also I didn't make this an in class thing but yas... Gryffindor!Reader

You knew Neville liked you. So did all your friends. In fact, pretty much everyone who crossed paths with you or Neville knew he liked you. But for his sake, such as your own, you never mentioned it, instead enjoying the attention he gave you and giving him soft smiles before quickly turning away from him so he couldn't see you internally panic, all your blood rushing to your face.

Despite both being Gryffindors though, you almost never encountered each other in the common room, often being separated by your different friend groups, or spending the night differently. It just so happened that on nights you had Quidditch practice, Neville would be in the common room, but when you were free, he was no where in sight. Thus, when you stumbled down to the common room late at night to finish your herbology essay, you were shocked to see Neville, sitting by the fireplace with his friends.

Other than the group of dorm mates laughing quietly, the common room was mostly empty, excluding a few 7th year students who widely intimidated you. You rushed to the long table next to the bookshelves, searching for the herbology book you'd purposefully left there the night before in hopes of encouraging you to get your work done. You had been unsuccessful. Finally laying your eyes on the thick textbook, you sighed, slumping down on one of the heavy, uncomfortable, wooden chairs at the very corner of the table.

Rubbing at your temples, you predicted how the night would go; you'd sloppily write one paragraph before your eyes would start to wander around, another hour passing by before you'd realise that you hadn't written enough for a full essay, but would half-ass a conclusion anyway so you could at least submit something. Oh, well. You scoffed at yourself, picking up your quill. This is unsurprising. After writing about a paragraph and a half, you're essentially copying down the words from the textbook blindly, leaning your head on your free hand.

"Y/N?" Your head snaps up and you inhale deeply, realising you'd zoned out as Neville begins to apologise for disturbing you. "No, no- Neville it's fine, really." You watch as he pulls a chair out at the head of the table and he catches your eye, pausing his movements. "I'm sorry, I didn't ask. Do you mind? If I sit?" His cheeks are rosy and you try to stop yourself from smiling, but you feel the tug at the corner of your lips nonetheless. "No, sit, Neville. Please." As he sits, you can't help but glance back at where he was sat with his friends, and notice them all staring straight at you. They definitely put Neville up to this, you register, as they all abruptly turn away from you, realising you'd caught them.

"Herbology?" Your head snaps back at Neville, nodding at his words. "Do you- well, do you need help?" You shake your head at him, pushing the paper aside. "No. I'm done with herbology for the night. Forever, actually." You both laugh at your words, and duck your heads away from each other, avoiding eye contact. You reach for your open ink bottle at the same time Neville does, pushing it towards you. You're too busy staring at where your fingers touch to grasp the fact that some of the ink has splattered out.

And suddenly, Neville's hand is pulling away from yours and he's panicking, and he's apologising and trying to find napkins. You're sat still during all of this, only perking up when Neville scurries back with tissues, leaning over you to wipe the ink off the table in front of you. He's close to you. So close you can smell his cologne. One of his hands grasps the back of your chair as he bends over slightly to clean the dark wood. You look up at him, admiring the way his usually neat hair falls into his face, mustering the courage to place your hand over his, immediately putting a halt to his movements.

"Neville. It's okay." You begin to stand, and he steps back so you're free to do so. When he tries stepping back further to give you space, you reach your hands out to grab the hem of the sleeves of his navy jumper. You step closer to him so your chests are nearly touching and lean in slightly. You hesitate, giving him enough time to pull away if he wanted to, but he doesn't. Moving one of your hands up to his shoulder, you lean in close enough to graze your lips against his lightly before fully pressing them against his.

The kiss is short. You pull away to watch his reaction, but don't get to take a glimpse at his face because he's grabbing you by the hips and tugging so you're completely pressed up against his body, your lips meeting his once more. This kiss is longer. Both your arms come up to his shoulders this time, one hand playing with the hairs at the nape of his neck. You feel his goosebumps on your fingertips, letting him pull away from you, panting heavily. You smile, one of your hands coming back to your face to wipe some saliva off your bottom lip.

Neville is smiling broadly, his face nearly as red as his dorm mate's hair. He makes eye contact with you, but you can see him struggle to maintain it. Your hand snakes into his, and only then do you hear the cheers from beside the fireplace coming from his friends. "Um, I - Go out with me?" Even though he's staring at his shoes now, you giggle, leaning over one last time to kiss him on the cheek. Whilst still close to him, you whisper "I'd love to." Before releasing your hand from his and beginning to leave, only to remember your things on the table.

You're too giddy to feel embarrassed about having to turn back around to grab your stuff, running up to your dorm once you're done, and slamming the door behind you. You freeze, afraid to have woken up your dorm mates, but when three heads poke out from the curtains around Lavender's bed, you realise the only thing you interrupted was a gossip session.

Throwing your books on your bed, you trip over your feet running to join them, a story of your own to tell.

A/N: To everyone reading this fic who follows me, I'm so sorry I haven't posted in FOREVER. I have been so busy with everything, but I'm on holiday and will write as many things as I can. Love from mina xx

[julezo]

i feel like no one’s making crazy shit in fanfiction that isn’t weird smut. stay with me here ok i don’t mean that the quality of existing ff is poor bc it’s not. my issues that the existing stuff is v tropey. “mafia au” “coffee shop au” “royal au” yeah maybe but we can do better than that. each of those has a cooler version that i don’t see at all.

examples:

1. batfam au where the batfam = the Romanovs right b4 the russian revolution (there were five girls and 1 boy irl, but flip it to make the robins and steph or cass? idk who the queen would be)

2. instead of a “harry potter goes to 1942 and fucks tmr’s shit up”, send both those suckers to the fucking roman empire. could make them friends, mortal enemies, incredibly reliant on one another.. or lovers WHO SAID THAT

3. lawlight wherein L is one presidential candidate and light is the other. they break many laws and end up either both losing or with one as the other’s veep. (or they were both vying for their mutual party’s nomination, one got it, the other’s the veep, watch the US burn)

4. hannibal au where it’s the aztec empire and Will is going to be a human sacrifice to Hannibal (who’s a god here). idk how to do this with proper grace to the culture but i’m sure it could be done

so yeah

ANYways the point is that coffee shops are cool but bland. i love lattes and “can i take your order” but jfc Live a little

[mcntsee]

The real barbie is Y/n.

Y/n’s a doctor, a cop, a scientist, an agent, vet, hero, villain, astronaut, lawyer, spy, criminal, artist, chef, engineer, psychologist, architect, journalist, firefighter, event planner, mechanic, photographer, musician, actor, interior designer, bartender, fashion designer, barista, florist, forensic scientist, flight attendant, profiler, tour guide, translator, etc.

[duplicitywrites]

shoujo filter on 💖🌸✨

insp:

[animentality]

[maxdibert]

Lily doesn’t seem to think she’s done anything wrong by insulting his poverty and aligning herself with his abusers - only Severus is remorseful, and the trauma that caused him to lash out was considerably worse than the trauma that caused her to lash out. She believes he deserves it, as apparently she believed his abuse was amusing. And I’d be totally fine with this from a character perspective because it’s the teenage condition to be self-centred and poor at self-reflection. But the *narrative* (and the author in interviews) doesn’t believe Lily was in the wrong here. And it believes Lily made the correct moral judgment on the two boys when she casts Severus off for his crime and falls in love with James despite his. But I just don’t buy into that framing, and I didn’t even when I was 10. The use of the word ‘mudblood’ while in considerable distress is not a greater sin than sexual assault.

Lily feels no remorse, nor does she think it's wrong to half-smile at the bully who’s targeting your so-called friend. She doesn’t even consider that this might be why your supposed best friend insulted you in the first place. But here’s the thing: this isn't Lily's fault. It's J.K. Rowling's fault, and the way she portrays ethical dilemmas throughout the series, blurring the lines between what's morally right and wrong. Now, if you’ll allow me, before diving into the dynamics between Lily and Severus, I’d like to provide some context as to why I believe the biggest issue with many of the characters’ attitudes in the series lies in Rowling’s constant attempt to project her own moral compass through her writing. In doing so, she falls into repeated inconsistencies and creates a narrative that’s all over the place when it comes to how certain characters are treated.

Rowling is never consistent. She portrays Draco Malfoy as an irredeemable, terrible character because he’s a rich kid spoiled by his parents, using his power and influence to bully those weaker than him. Yet, she gives James the benefit of the doubt, even though he behaved exactly the same way: a rich bully who used his status and his friends to gang up on the vulnerable. From early interviews, Rowling claimed Pansy Parkinson is practically the reincarnation of Satan, even though, of all the antagonists, Pansy is probably one of the least relevant and harmless. This is simply because Rowling projected onto her the stereotypical “mean girls” who mock those who read and study—something Rowling clearly couldn’t stand. On the other hand, she glorifies characters like Ginny, who has a pretty nasty attitude towards any girl she doesn’t consider cool or "not like the other girls." Ginny treats Fleur like a witch when Fleur has done nothing wrong—her only crime is being incredibly beautiful, knowing it, and not constantly apologizing for it. And this treatment of female characters throughout the series deserves a proper gendered critique, because they fall into every stereotype and archetype set by the traditional male gaze.

In Rowling's world, there are always two kinds of women. When it comes to younger, adolescent characters, there are the "good" women—those who don’t fit the typical feminine mold, the weird ones (like Luna), the tomboys who are “one of the guys” (like Ginny), or the overly studious ones who don’t have time for frivolous things like reading magazines or talking about boys (like Hermione). In other words, the cool girls, the ones who are supposed to be role models, are those who "aren’t like the other girls." But not because they’re deconstructing gender roles consciously—they just happen to embody the fantasy of the woman who can give you kids while still being one of your bros. It’s a common male fantasy, where women abandon the graceful, ethereal, delicate image to fit into a set of needs the modern man has. These are "manic pixie dream girls," hiding a deeply internalized misogyny as they are presented as individuals opposed to the “other” women—the “other” being less cool because they lack traditionally masculine traits, and thus are less than. We see this not only with how Fleur is treated but also with the disdain or prejudice Hermione shows towards girls like Lavender or the Patil sisters, just because they act like normal teenagers instead of validating themselves through academia to compensate for their inferiority complex (cough, cough).

Then we have the adult female characters, where Rowling’s toxic and incredibly conservative view of motherhood kicks in. Except for McGonagall, the rest of the adult women who are seen in a positive light are either already mothers or end up becoming mothers. And for them, motherhood is everything. They are mothers first and women second, in every case. Lily is Harry’s mother, who sacrifices herself for him. Molly is the Weasley matriarch, whose entire life revolves around her kids—she hasn’t even looked for a job (which wouldn’t be a bad idea, considering the family’s financial situation), nor does she have any aspirations beyond knitting sweaters and worrying about her children. Even Narcissa, a negative character throughout most of the saga, earns her redemption solely because she loves her son and is willing to risk everything for him. Nymphadora Tonks, a 25-year-old woman, ends up pregnant by a man 13 years older than her and goes from being an independent Auror with her own life to a passive housewife waiting for her man, who is off having an existential crisis. The adult women in the saga aren’t independent individuals—they’re extensions of their children. And any woman who isn’t a perfect, self-sacrificing mother (like Merope Gaunt) is either a psychopath or portrayed as a terrible person.

What I’m getting at is that Rowling is far from impartial in the moral narrative of the story. In fact, she’s absolutely inconsistent. She presents characters she sells as "good," whose attitudes are absolute trash, yet she continues to insist that they’re good and perfect. This is especially obvious with her female characters, because throughout the seven books, she constantly emphasizes her ideal of the "perfect woman" in terms of tastes, motivations, and behavior. Hermione is a self-insert, Ginny is probably a projection of who Rowling wishes she could’ve been, and Luna is the quirky girl who isn’t “threatening” to other women, and is treated with a condescending, paternalistic lens. They are either Rowling’s aspirational figures or archetypes that don’t bother her, or they’re reduced to filler characters who are mistreated by the narrative.

When it comes to Lily, the problem is that Rowling spends half the saga painting her as some kind of Mother Teresa. She’s the quintessence of motherhood—but not a conscious, modern motherhood, but one rooted in traditional Judeo-Christian ideals. This is the kind of motherhood that can do no wrong, the one that represents women because, in this view, a woman can’t be fulfilled unless she’s a mother. Lily dies for her son, and that love creates a divine, protective magic. She’s beautiful, popular, and one of the most popular guys at school is after her. Clearly, she must be a saint, because everyone describes her as such. And while the narrative does question James’s perfection, even if vaguely and unsuccessfully, it doesn’t do the same with Lily. Harry questions his father’s actions but never his mother’s. He never stops to think about how problematic it is that his mother almost laughed at Severus or refused to hear his apology, or that she couldn’t empathize with what he was going through, knowing full well the kind of situation Severus had at home. When a narrative tells you something but never shows it, and worse, never questions it, that’s a problem. Something doesn’t add up. Rowling is obsessed with showing her own moral line through her characters and doesn’t realize how incoherent it is to portray Lily as someone who always does the right thing when what we actually see of her suggests that, if she really liked James all along, not only is she a hypocrite, but she’s also quite superficial with questionable principles. But this is never addressed, never explored. It would be fascinating if it were, giving the character more depth and making her more relatable. But Rowling brushes all this aside, as she does with so many other things, because to her, Lily was a role model, despite the fact that anyone with common sense can see she was just a terrible friend who got tired of justifying why she hung out with a poor, scruffy kid and ultimately decided it made more sense to date the rich, handsome bully.

[tinygxrilla]

rival bands lightning era au (and it’s all sapphic)🎸💕(post 1 of 2) - the firebolts! 💥