thinking about how in freshman year coach daybreak quite literally tried to kill kristen to bring the apocalypse (AMONG MANY OTHER THINGS) and upon being told this her own parents turned their back on kristen and said (paraphrasing), “thats not true and you cant prove that.”
thinking about junior year where kristen’s parents SAY shes always welcome to come back anytime and in an effort to keep the peace she says “thank you, thats very kind” HER OWN PARENTS!! ITS NOT KIND, ITS THE BARE MINIMUM! but mac and donna will never see it that way, because to them they didnt fail kristen, she failed them.
ALSO thinking about adaine’s parents who so obviously had no real love for adaine until she had use as elven oracle. and even then it wasnt love, it was a power grab. parents who start a war and leave without you. parents who only cared about power to the extent that they would be angered by adaine revoking aelwyns diplomatic immunity.
arianwen who truly could not understand that adaine was talking about when she called her mother cruel, and angwyn who thought he could “fix” adaine BY CASTING LIGHTNING AT HER
anyway, big long post about the parallels between these specific Bad Parents (and literal bad parents)
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is there any season that you'd say does the best (or worst) at character development for the gang? personally, i've always thought that season 1 did wonders in helping the audience understand the gang's individual characters (minus frank) right away, but i'm interested in your opinion on the topic
Season 10 absolutely, 100%. It’s my favourite season of Sunny (and one of my favourite seasons of television ever), especially for the fact that it does so much insane character work in its span of ten episodes.
I don’t want to discount seasons before it, there’s an insane amount of foundational work that should be mentioned, but Season 10 being a milestone they never thought they would reach really sticks out as a major turn in the idea that the Gang don’t “develop” as characters by making the Gang face their own devolution. I've written about how Misses the Boat touches on this on the Paddy's Pub Blog, but Season 10 really as a whole just turns a lot more inward to the characters.
Charlie Work rotates around one of the Gang's schemes while having quite literally nothing to do with the scheme at all and everything to do with Charlie's character. This is the perfect example as to how the whole season operates, pushing the characters ahead of the plots, the schemes are just background work to revolve around. (Really, this is how the show operates a chunk of the time, but Season 10 is really really telling you that.)
It's hard to talk about each individual character without spiralling and trying to hit every S10 episode for everyone, but in brief summary: Frank unearths his own childhood trauma and starts to understand he's running out of time here; Dennis is diagnosed and his mask starts slipping more and more as he's forced to face (and attempt to disregard) how he is seen by outsiders; Mac is no longer able to front to himself that he's into women and he destroys his relationship with his father one step further; Charlie really sees he's viewed as less-than by Mac and Dennis and grows much more persistent to (dis)prove Frank is his father; Dee is shown as an even more 'successful' predator than Dennis, though just as pathetic at each turn.
All of this is not only built off what their characters were, but really are the very central parts of their characters that they clearly keep in mind as we push into the later seasons. (Arguably every character is still grappling with these core issues except Mac.)
(Briefly on worst season for character development, I think 13 is kind of the obvious choice. While there are some things I think they did well and are built on later (i.e. Bathroom Problem), episodes like The Gang Wins the Big Game are a prime example of how Sunny does not work well when the whole basis of an episode has nothing to do with the characters and everything to do with the plot. There was really negative character work done there, imo.)
I think it's funny you mention Season 1 for character development, because while I think it’s so so insanely essential to watch (and understand) as a foundation for the show and who the characters become, those versions of the characters are pretty distant from the Gang to me. Season 1 reads very much as Rob’s original idea: these are the worst versions of themselves; characters, but still a little too clearly RCG. Season 2 took those guys and built on them to create actual characters outside of themselves as terrible people, but I don't see the Gang as fully formed individuals until ~S4 (which I think RCG have mostly (?) admitted as much on TASP, lol)
Obviously every season contributes a lot to the characters as we know them, and some do a lot more for certain characters than others, so these are just my personal opinions... But I will argue for the rest of time that Season 10 is that bitch (and the best example of who the characters are).
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I hate pmdd bc it’s like oooooohhhhh there is no jooooy and love in this wooooorld every hurdle in front of u is a mountain and you shall break every bond in your soul if you dare try and climb them so sit there and wallow in your wasted, rotting potential and then a week goes by and everything is fine again (:
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