#brain you have failed me

[icelily13]

Put my reasoning in the tags but

TL;DR the theme song is about convincing the coward of a dog to go on wacky adventures with them which is VALID (the dog is the good luck charm? ‘If we can count on you Scooby doo I know we’ll catch that villain’)

the songs like “scooby doo where r you” but he’s always right there. like the fucking dog is never hiding or missing or anything so what the hell

[yo-yo-yoshiko]

Colored some junky morning warmup comics eehehe... This is Superhero Taisen to me.

The Sentai is here to deal with physically large threats and contribute nothing else.

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[somegrumpynerd]

People who post dadmare stuff we are holding hands

[moeblob]

explaining to a coworker I don't socialize out of work bc of The Anxiety. then later explaining why i have gray in my hair.... it's... still The Anxieties...... goin' gray since my early 20s........

[jonahmagnus]

Paranatural fandom rn

[sulky-cabbage]

The sukugo fight can't get animated any sooner I'm craving sukugo tiktok edits

[lynn-tged-posting]

something i've been learning again and again recently is that tged has absolutely wonderful reaction image material

i've been using these on my priv twitter account and it has been VERY fun scrolling back and seeing them,,, they work so well

like theyre so silly,,, they fit so well,,, i can use them in any situation,,, and the art expresses it perfectly,,,

they,,, may have replaced my tmnt ones

if i had the storage space i absolutely would go through the webtoon again to get fun screenshots for reaction image purposes,,, alas i do not so i will just use the ones i take every now and then

i love the art in tged so so much im so glad i read this webtoon

[brainrotcharacters]

I think I finally know why this shot was a religious awakening for me

more in tags because you fuckers seem to enjoy that

[perelka-l]

ever ever ever ever ever. Bc I can't write lol.

Overseer Talloran and Omega-1 Draven :)

Alas, it shines very badly after hairspray treatment so it was really hard to take a photo. The pain! The pain!!!

[trans-leek-cookie]

listen I'm not gonna be a Curly apologist he did Fucked Up as captain but I genuinely recommend ppl watch a playthru that goes thru the game in chronological order. It kinda helps clear up the events and gaps between them, bc even tho u See the times, you still experience it out of order.

The stuff Anya says definitely sets off alarm bells but it doesn't seem like he Fully Understands what she means, and I'm going to be 100% honest I think she was trying to repress it herself. This isn't to say that she is AT ALL "at fault" for what happened after and she should've gotten help even if she wasn't ready to fully discuss the issue but I genuinely think she herself was still coming to terms with things, so she didn't necessarily process the full impact before talking to Curly, and a lot of what happens occurs after they're laid off- like this delves into personal interpretation but I genuinely think Anya only registered Jimmy as a serious danger after his outburst towards Curly. Ofc my interpretation is limited bc of the limited pov in game and not having gone through what she has, but it personally reads more akin to coercion over time than a singular Obviously Violent incident (like. Not to say that Sexual Assault isnt violent in nature, just that coercion often specifically works to obfuscate the fact it is a form of violence.) The layoff is a Massive catalyst for her bc of Jimmy, in that she now has a very clear understanding of his capacity for aggression.

To extrapolate a little from the "Dead Pixel" conversation, she starts by saying she Likes The Screen (even though it's fake). While Curly has his quotes about the pixel "not ruining the illusion" which. Y'know is Symbolic Of His Flaws. She doesn't say the pixel ruins it, just that she can't get it out of her mind.

If we take the pixel to represent her Or jimmy, either way the way she talks about it kind of downplays things, like it's a Minor Thing that's Slightly Upsetting, but she's still okay with the big picture. Idk I could be 100% wrong but that is my take

Besides that, Anya tells curly she's pregnant 2 days before the crash, and it isn't until she outright states it that he starts Putting The Pieces Together. I want to note, he says "I'd do anything" and "this doesn't have to go on our performance evals" 1. Before he knows shes pregnant 2. Under the assumption she might attempt suicide, and I doubt he even thought about her using the gun on anyone else before she brings that up. He says literally before the line where she tells him she's pregnant that "being laid off isnt a reason to hurt [herself]". Like I've seen ppl talk about the performance evaluation thing like it's about her and jimmy, but I think he's referring to (his belief) that she might attempt suicide or similar which might genuinely be a consistent thing he's seen her struggle with, given she's able to go through with it. Also just to note: assuming their society is like ours (hellish) reassuring her he won't blab Abt her mental health is like. Genuine reassurance- lots of mentally ill ppl will Not Open Up bc it could have long term consequences (like. For example. On employment) ANYWAYS I hope it doesn't come off like "Curly never failed Anya" but rather "Curly approached this specific situation without the context of why Anya is panicking and (possibly validly) assuming she's dealing with a very different issue"

Also let me say again the time frame is 2 days. We don't Really see what happens, but we know Anya tells Jimmy without Curly knowing. I genuinely believe he maybe didn't do a Great Job in those two days (the fact he says Anya should've talked to Him before telling Jimmy is uhhh. Mm. 1. Your job to create an environment where she comes to you my man 2. Weird to tell her what she should do with HER OWN PERSONAL INFORMATION) but like.

I get a lot of ppl want immediate consequences but consider that they can't really get rid of Jimmy (co pilot. Which is. Y'know it's Own Problems) but also like. Curly knows Jimmy, and we know that Jimmy tends to lash out. Curly should probably Not Confront Jimmy Unless He Knows Exactly How To Keep Him From Hurting Anya. Like I'm not an expert but this is something genuinely important- when confronting an abuser you NEED to take into account the impact it can have on their victim, and sometimes for the victims safety you need to wait until you have a Solid Plan. It sucks but it's important.

And theres discussion to be had about Curly kinda going along with Jimmy saying "well what if we all died" and like. I do believe he Didn't Realize What Jimmy Said. Like he was just processing/trying to keep the situation under control (and failing because he underestimated how willing Jimmy was to hurt everyone including himself).

Like he's definitely an enabler but I would say his problems are mostly before he understands the gravity of the situation, in that he's friends with Jimmy and assumes the best of a man with abusive tendencies, and fails to create an environment that can keep Anya and the others safe. Like, he definitely doesn't handle in game events perfectly (psych evaluation for one- he does do it instead of Anya which is actually helpful, but he still treats it like. Weirdly.)

Idk I have a lot of thoughts about this game and I don't necessarily want to defend Curly but more like. Anya's situation is very delicate (and light on details) so sometimes the way ppl talk Abt it feels like they aren't actually focused on what she wants and what it means to prioritize her safety y'know?

Edit bc I just now figured out kinda how I want to word it: curly is an enabler and making things worse bc he doesn't put a stop to Jimmy's BS, but in the specific scenario we see in game I think he's trying to use his Skillset of like, people pleasing not for Jimmy's sake but for the crews (like "if I nod my head and say I sympathize he won't lash out and hurt them") which like. There are situations which that is unfortunately the safest option (on an individual level yes, but sometimes it's also necessary to prevent abusers lashing out in response toward ppl who are more vulnerable) but it was the Wrong Choice.

It's like. I think Curly was trying and had good intentions, and understood that he needed to protect the crew, but he didn't have the toolset/experience to realize he can't Just go along with things and that he needs to be able to set hard limits, even for ppl he likes and trusts. Like he failed but the failure was "for want of a nail", where it began way before what we see (for want of an understanding of power dynamics I guess.) Again, don't think this makes curly more forgivable or whatever, I just think he's a good example of trying to make the right choices when you never realized you'd have to make these kinds of decisions and therefore are unprepared and/or unaware

Second edit: personally I don't think you can really incapacitate jimmy without there being serious risk (again he's the copilot) but curly should've given Anya the gun when she told him Abt the pregnancy

[qoldenskies]

i think a lot of people pretty openly acknowledge that leo is someone that self-aggrandizes and acts reckless in order to compensate for his insecurities, which is true and it's very clearly spelled out especially in the movie, but i don't really see people acknowledge the fact that donnie is the EXACT same way (outside of people who specifically like to write a lot of angst for him. leo is forever designated sadboy of the fandom). which is sad, because i think it's the most twin-like thing about them!!

it's a trait they share pretty openly. same flavor of daddy issues, although leo is always wanting to look down, to be the BEST at something, to be admired and respected and trusted, to be above other people, while donnie is always wanting to look up, the whole approval from a parental aged adult thing is the largest example but i also think about his desperation for CAMARADERIE in the purple jacket, and also like, lol the entirety of mind meld. he wants to be understood and acknowledged and praised and he practically begs for it with everything he does.

both of them desperately want to impress! but i kind of interpret it as leo trying to make a point to himself more than to other people, because he is so caught up in his own self-judgement. it's why he can act rude or try to step over the others (raph especially, although early on there is some mutual toxicity in that relationship) in order to prove that point.

but donnie has a lot more self-security because he knows what he does! he knows he's good at it, i don't think there's any denying that. but under real praise he gets starry-eyed or he softens. he makes a big point out of presenting new things because that's what he's looking for. and i think that makes him so averse to the potential of failure. it's why he'll shrug it off or outright deny it when its brought up to him. he sucks so bad at taking responsibility lmao.

i think mind meld in particular is a very telling episode, especially the beginning of it. he gets rash and upset when he feels like he's doing too much on his own. he feels ignored and disrespected for his efforts, and makes bad decisions as a result. and between that and donnie's gifts it's very very obvious he is projecting the fact that he equates his usefulness, his role, to his self-worth as a person. a lot of that crowing confidence is not real. he is MAJORLY overcompensating just like leo is. (and i would also like to point out the kind of things he makes shelldon RESPOND to in smart lair before he's reprogrammed, like leo's ribbing)

idk, i just feel like donnie wants to be seen and leo wants to be able to see himself, although there is some overlap there and the two problems can bleed into each other.

(and i do think a big point of leo's arc in the movie is for him to genuinely stop being selfish. his insecurity gets in the way and he's thinking about himself when he acts, and that's what hurts people. all of them have the potential to be self-centered, but leo's behavior was putting people in danger, and he had to look past all of that because he has ALWAYS been a strong and capable person and a good leader, but he was afraid of it because he was setting the goalpost for himself too high, and it was RAPH'S thing. it all felt too daunting. he's never going to feel ready if he only thinks about himself. at a point it's just not about him. as dubious as his sacrifice at the end was, that was the point. get him some therapy for that blunder though)

and i think it has a lot of potential to make them clash in a really interesting way. donnie's like,,, got his THING!! leo is not CONFIDENT in his thing!! and he can't ever be better than donnie at his particular thing, so he LEAPS onto any chance to get one over on him, which clashes very badly with donnie's issues of easily feeling dejected or unappreciated. he's going to take that personally, and then leo is going to take donnie's bad interpretation of that behavior personally, because like... why doesn't donnie trust him? :((

anyways they are majorly twinning they are both dramatic unconfident bitches with self-worth issues and they both get louder and meaner when they feel hurt about something. its why i keep accidentally writing angst of the other when i try to write angst of one. ahaha lol oops

sorry ive had this blog for only a few hours i just needed to get my thoughts down mostly for myself. for writing purposes

[bitchthefuck1]

you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.

There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.

[rubberduckyrye]

You guys ever think about the tragedy that is Junko Enoshima? That she wasn't a sadistic girl seeking out to hurt others for sadistic glee?

Because everything Junko did was her trying to emotionally abuse herself? That she wanting to feel something so badly that she hurt the people she loved most, and even brought about ruin to the world, simply to destroy herself with it?

[fallenwhumpee]

"An Hour."

• Masterlist •

Warnings: Hospital settings, aftermath of captivity, mentioned death.

Medic, despite what their job would suggest, wasn't a caregiver. They were just a mechanic working on circuits, not who carefully kept the whole mechanism running. They could fix people, but it was that. Someone would have to take over the aftermath.

Much to Medic's relief, Leader was a caregiver. A good one, even.

Too good, they lately noticed. Too good that it was starting to make Medic worried. But just like every other day, Medic knocked the infirmary door in exactly same time, before opening it fully. Youngest was asleep in the hospital bed - Medic had said Leader that it was unnecessary, but Leader  brought one anyway - and at last drops of their IV.

"An hour," Leader muttered. At this point it felt like a ritual. So, without a word, Medic moved and changed Youngest's IV to antibiotics as Leader deserted the room silently. Probably to sleep.

Good, Medic thought. Leader needed it.

Medic made their way to the armchair, only to see Leader's office keys on it. For a moment, they considered giving it back. They respected privacy, but they were also curious. For the last one month and a half, all Leader did was looking for Youngest, caring for Youngest or staying in their office. The first two was understandable, but the third...

Now Medic could learn whatever Leader was doing in their office.

Medic hesitated. They shouldn’t invade Leader’s privacy—Leader had done nothing to earn suspicion, at all. And Leader never broke anyone's boundries, so Medic doing it to them was just wrong. But something had been gnawing at the back of Medic’s mind for weeks now, something beyond the usual worry for Youngest. Leader’s behavior, so single-minded, so intense, felt wrong. So wrong for someone almost obsessed with making the future better. And if there was something in that office that could explain it...

Steeling themselves, Medic turned and walked down the hall to Leader’s office. The key slid into the lock with an ease that almost felt too simple. "Where's Leader?" Medic shouted. Leader's room was wide open and Leader wasn't there.

"Went for a quick walk," Right Hand shouted back.

Medic took a deep breath. "Okay," they muttered. With a simple twist, the door creaked open. Medic slipped inside, shutting it quietly behind them slowly. The room was dim, the only light filtering through the half-drawn blinds, casting long shadows across the walls. At first glance, it looked like any other office—neat, organized, professional. Just like how Leader liked to keep everything. Medic opened the lights.

Notes. Dozens of them, pinned to a board on the wall, scattered across the desk, and even taped to the edges of the bookshelves, almost creating a wallpaper. Most were in Leader’s precise handwriting, detailing locations, names, dates, and other pieces of information that, together, painted a picture out of a detective's office. Medic’s gaze was drawn to a map on the wall, marked with pins and red string connecting various points. They moved closer, recognizing the locations as places where incidents had occurred—break-ins, disappearances, attacks. All related to Youngest.

Their heart pounded as they picked up a file from the desk. It had a picture, the person's face partially obscured, but there was no mistaking who it was. Medic had seen that face around Whumper—one of the underlings of them. The person had been found dead two weeks ago, the cause still under investigation. There were detailed reports about them, autopsies, locations, biographies... informations that Medic doubted Leader had the authority to kno let alone storing.

They set the file down, their hands trembling slightly. Leader had been gathering evidence, but it wasn’t just about finding Youngest. It was about something more.

Another photo on the desk caught their eye. Medic took it, revealing more photos, more notes underneath. Some were crossed out, others highlighted. A list of names—people connected to the kidnapping—each one with a note beside it: confirmed dead, under surveillance, possible lead.

Some of these people were no longer a threat because they were dead. Was it coincidence, or had Leader...?

The sound of footsteps in the hallway snapped Medic out of their thoughts. They hurriedly closed the folder and placed thr picture back on the desk, glancing around to make sure everything was as they’d found it. The door clicked shut just as the office door opened.

Leader stepped inside, looking tired but alert. They froze for a moment, eyes narrowing as they stared in the sight of Medic standing in their office.

“What are you doing here?” Leader’s voice was calm, but there was an edge to it, a warning.

Medic tried to keep their expression neutral, forcing a casual shrug qs if they weren’t digging through the room for the last ten minutes. “You left your keys on the chair. Thought I’d drop them off.”

Leader’s gaze flicked to the keys in Medic’s hand, then back to their face. For a moment, neither of them moved. Then, slowly, Leader crossed the room, taking the keys with a nod.

“Thank you,” they said, their tone polite but distant. “Please wait for my return next time.”

Medic nodded, feeling the tension in the air like a physical weight. They turned to leave, but couldn’t help one last glance at the desk, at the folder now lying innocently on the surface.

Leader didn’t miss the look. “Is there something else?”

“No,” Medic replied quickly, shaking their head. “Just... take care of yourself, okay? You look like you haven’t slept in days.”

Leader’s expression relaxed, a smile so soft and tender taking over. “Don't worry. Byt you should get some rest too.”

How could Medic be suspicious of them when all Leader did was worrying and caring for the team? Shoving the guilt down, they forced a smile and left the office.

-•-

Later that day, Medic was in the break room when the news broke. The television mounted on the wall buzzed with static before the anchor’s voice cut in, somber and urgent.

“We interrupt this program with breaking news. Henchman, a key figure in the recent string of criminal activities linked to the late terrorist Whumper, was found dead earlier this evening. Authorities are investigating, but details remain scarce at this time.”

Medic’s blood ran cold. Henchman—another name on Leader’s list. Dead. Just like the others.

They stood frozen, the room spinning around them. The timeline didn’t add up. Leader couldn’t have done it—they had only left the office for ten minutes, not enough time to cross the city and back. But the coincidences were too many, too pointed.

When Medic next saw Leader, they couldn’t help but study their face, searching for anything. But Leader looked even more drained than the last time, still trying to hold it together desperately. When Medic mentioned the news, Leader’s response was calm, almost indifferent.

“Tragic, but not unexpected,” Leader muttered, shrugging slightly. They weren’t even focused— they looked like they could just collapse and take a twenty four hour nap. “Agency was after them. It was only a matter of time.”

Medic nodded slowly, but the uneasy feeling in their gut only grew. There was something, something that was beyond their understanding. But as Leader walked away, Medic knew one thing for certain— Leader was doing something wrong. It was either their sleeping habits or the team had a huge problem.

-•-

Soo, have another random one. This is standalone, but I wrote this with "A Score to Settle" in my mind. Not quite part two, but I began writing with that intention.

[truly-quirkless]

@chxrgebxltmeltdown asked:

“…..my hand is stuck in the pringles tube, please help????” Denki most definitely does have a pringles tube stuck on his arm… and a good portion of his forearm has been successfully shoved in it.

[Prompted. || Accepting!]

He wasn't even sure if he should ask, at this point. No, instead, Yagi moved forward- a hand wrapping around the tube, the other around what portion of Denki's arm wasn't trapped inside the cardboard.

"On three, young Kaminari. One, two, THREE--!" He yanked, hearing the satisfying POP as the youth's arm was forcibly pulled free- though his grip faded off the pringles can mid-pull. He felt it slide- and then it was gone, whacking into the wall of the teacher dorm's living room with a small THWCK.

"Valid question, kid...how'd you even get your hand stuck in that t'begin with?" Fin moved to pick up the can where it had fallen- already making a beeline for the trash in the corner to toss the thing out. "Were y'tryin' t'see how much of your arm would fit in it, or somethin'...?" They'd be lying if they said they'd never thought of (and attempted) similar...though Fin had never managed to get their arm stuck in said attempts.

"...does your arm feel alright, kid?"