#both only agreed on one'

[grimdarq]

♟️🐈‍⬛ is so perfect to me because they just. Get. each other. also they come into the relationship with kids who aren't their kids but one of them is basically their kid so they fall asleep watching bluey or blues clues a lot

[stealingpotatoes]

heres a crappy venn (??) diagram explaining the dynamics in the tl4j time travel au bc it's easier than trying to write a full plot

[steddiealltheway]

1984 is not Steve Harrington’s year.

Not only does he find out that his girlfriend doesn’t actually love him, but somehow the creepy monster thing that united his now ex-girlfriend and her new boyfriend, came back in the form of some type of monster dog.

The highlight of his year might actually be befriending a nerdy middle schooler who introduced him to said monster dog - which he named Dart of all things... something to do with a candy bar.

He groans at the thought as the music from downstairs carries into his room. For some reason, Tommy Hagan decided to temporarily ignore the fact that he ditched Steve for the new keg king, Billy Hargrove, who managed to give Steve something else to worry about while literal Hell crawled its way into Hawkins, in favor of throwing a New Year's Eve party in the Harrington residence.

Typical for the year Steve's having. Why not end it horribly too?

He glances at the clock, relieved that it's already somewhat close to midnight. If it weren't for the noise, he would consider trying to sleep through this one. Instead, he lays back on his bed and hopes that no one tries to disturb him.

As if the universe can hear his thoughts, and then curse them, the door to his bedroom swings open.

Steve sits up with a huff and frowns at the person.

A guy with medium length curly hair and doe eyes stares back at him with a big smile that screams chaos.

"Sorry, dude," Steve says, "Bedroom is off limits. Go hookup, smoke, or whatever somewhere else."

Instead of leaving, the guy closes the door behind him and locks it.

Steve scoots back on the bed, hand reaching back to wrap around the nail bat he leaves behind his nightstand.

The dude raises his hands in mock surrender, silver rings glinting in the light streaming in from Steve's window - blinds open enough so he can make sure no one does anything weird in his pool. "Listen, man, I'm not here to hurt you or anything. Although you might hurt me when you hear why I'm here."

There's something about his voice that sounds familiar to Steve when it suddenly hits him - all the yelling and stomping around on tabletops. "You're Eddie Munson."

Eddie smiles and bows dramatically. "Guilty as charged."

Steve's frown deepens, and for a fleeting moment he thinks Dustin would really like the guy. "So, why would I hurt you if I hear you out?"

"Because, Steve," Eddie draws out his name as if it has a deeper meaning, "I was downstairs thinking about what a wonderful year I've had, and I decided that I might as well start the year with a little chaos."

Steve's grip tightens around the bat in case he's some sort of satanic serial killer or something, although his gut tells him that he shouldn't be scared of the man. "What do you mean by chaos?"

There's a strange glint in Eddie's eye when he shoves his hands in his pockets and rocks on the feet as if he wants to move closer to Steve but has decided to plant himself by his door. "I mean... I came to this party to sell my supply and after my whole lunchbox was cleaned out, I started thinking about who I should kiss at midnight. Or more precisely, who would be the worse option, or rather, the option that would bring the most-"

"Chaos. Yeah, I got that part," Steve cuts him off.

Eddie's smile changes to something genuine for a moment as he comments, "Wow, Steve Harrington is actually listening to me."

Steve rolls his eyes, grip loosening on the bat. "I'd rather you not stand on my desk to get my attention." To Steve's surprise, Eddie actually laughs in response and pulls a strand of hair in front of his face to hide his smile. And to Steve's much greater surprise, his heart starts beating a little faster and he finds it harder to not smile back at him. "So, chaos?" Steve prompts.

"Right," Eddie says, rocking on his feet again, "Chaos." He ducks his head for a moment as if hyping himself up for the next thing he's going to say, which is when Steve entirely releases his grip on the bat, realizing that Eddie is more scared of him. "So, I thought, to start the year off with the most chaos, I would choose someone to kiss that would bring the most chaos. And I thought, why not the host of this party?"

Steve frowns. "Tommy's downstairs."

Eddie mirrors his frown. "You're not hosting?"

"Why would I be in my room if I'm hosting?"

"Why would the party be in your house if you're not hosting?"

It suddenly hits Steve. "Wait, you want to kiss me?"

Eddie takes a step back, hovering even closer to the door than he was before. "Consensually, of course."

It takes a moment for Steve to fully process what is being asked. "You think I'm the worst option to kiss?"

"That's what you're asking?" Eddie asks, trailing off to mutter something like, "The fragile ego of athletes, I swear."

"I got dumped this year. Of course my ego is low."

Eddie smiles bashfully. "Sorry, my uncle always tells me I'm not as quiet as I think I am." And there's something about Eddie's cheeks that are slightly flushed, the strand of hair he starts tugging at again, and the way he can't stop bouncing as if he's buzzing with energy and nerves that makes him so...

"Yes," Steve blurts out suddenly. For a moment, he wonders if the mindf- mind fly? mind... whatever evil thing from a few weeks ago has possessed him.

"Yes what?" Eddie asks sounding genuinely confused. As Steve stands up to look out his blinds and shut them, Eddie rambles, "Yes, I'm not as quiet as I think I am? Or yes, you're about to punch me, and I'm going to finally figure out how it felt when you got your face bashed in a few weeks ago?"

Steve rolls his eyes before holding up both of his hands, mimicking Eddie's pose when he first came into the room. "Yes, I'll kiss you."

It's as if Eddie has forgotten he's asked the question the way his jaw drops, and he stares at Steve like he's said the most confusing thing he's ever heard. Which... to be fair... is highly likely.

"You want to kiss me?"

Steve takes a small step closer to Eddie. "I want to give you your chaos."' When Eddie doesn't look convinced, Steve takes a step closer to him, hand running through his hair as he continues, "Who knows, maybe it'll give me good luck or something for next year by cancelling out the chaos from this year."

Eddie nods. "Okay. You're giving me your chaos. Yeah. That makes sense."

"And you're taking my chaos away," Steve agrees, trying to tell himself that this is a rational decision. "This makes sense."

"You're not going to beat me up?" Eddie asks, risking a small step away from the door.

Steve shakes his head. "Seems like a bad way to start the year, don't you think?"

Eddie nods as Steve steps closer to him, slowly, as if not to startle him away. "You know, I thought just asking you would be chaotic enough as is and then I could run away and pretend you hallucinated or something when you tried to beat me up."

"Should've asked Hargrove then," Steve says, cocking his head to the side. "Does that mean you don't actually want to kiss me?"

Eddie swallows and shakes his head. "I didn't say that."

Just as Steve gets in front of Eddie, he hears people downstairs counting down from ten. "Good," Steve says, "Because there isn't enough time to find someone else."

Eddie scoffs, the countdown now at eight, "That's not true for you."

"Maybe, but I'm not really looking to find anyone else right now. Are you?" Five.

Eddie smiles and takes a step forward. "No." Three.

Steve reaches up to tuck a strand of hair behind Eddie's ear. "Good." One.

Steve's not really sure who moves first or if they move together, but the yells of, "Happy New Year" are drowned out as Eddie's lips meet his in a kiss that feels more desperate than Steve expected. He's not sure why they're kissing as if the countdown was for the end of the world, but he really doesn't care.

It's only when Steve's gets a little carried away, Eddie's back slams against Steve's door with a thud that's loud enough to alert anyone that something's happening in Steve's room, that Steve breaks away with a gasp, seeking the air Eddie's stolen from him. He wonders if - hopes - it's the chaos he's taken.

"Happy New Year," Steve whispers, hands cupping Eddie's face while Eddie's are tangled in the mess he's made of Steve's hair. He's not sure when either of those things happened.

"Happy fucking New Year, Steve," Eddie mutters, hands slowly dropping from his hair.

Steve's hands hold onto Eddie's face a little tighter for a moment, and he sees the moment a bit of fear sparks in Eddie's eyes. Steve quickly shakes his head. "No, I'm not about to beat you up. It's just... I kind of slammed you against the door a little hard there, and if someone else is up here and they see you..."

"Chaos," Eddie fills in with a nod, "And not the good kind."

"Yeah," Steve sighs, "Not the good kind." He glances to his window where the blinds are firmly shut - thank you Jonathan for teaching him that lesson - and down at the locked doorknob before looking back at Eddie. He glances at his lips momentarily before blurting out, "Stay with me."

Eddie's jaw drops, mouth opening slightly in shock.

Steve steps back, hands reluctantly leaving Eddie's face. "Stay until everyone clears out at least. No ulterior motive."

Eddie shoves his hands into his pockets and moves back into Steve's space. "What if I want there to be an ulterior motive?" He tilts his head down and gives Steve a case of lethal puppy dog eyes. "Fully take your chaos away, remember?"

Steve is absolutely sure that this in no way will take away the chaos of his previous year and will likely only invite questions, confusion, and further chaos into 1985.

"Yeah, I remember," Steve says, pulling Eddie into another desperate kiss.

Maybe Eddie was onto something about starting the year with a little chaos. And maybe 1985 will be his year.

(i accidentally wrote a tiny epilogue later in the tags that i really like)

[hija-ck]

🎄Happy Holidays!🎄

they’re gonna do secret santa later in which Gary gives Jimmy a live rat in a box ❤️

[lorillee]

forced to be a yakuza crime lord born to be my pookie princess

[joodeegemstone]

I'm having more half-formed zukka thoughts, so:

Hakoda mentions to Sokka that he has been thinking about making an arrangement with Zuko to marry a woman from the Southern Water Tribe, for political reasons. Something about unity between nations.

Sokka isn't completely sure, but he thinks that Zuko has implied in his letters that he isn't particularly interested in women. Sokka volunteers himself to marry Zuko. For purely diplomatic reasons, of course.

It's not that Sokka is in love with Zuko, or anything like that. It's just that he can't stand the thought of his friend being stuck in a loveless sham of a marriage. And, if he really lets himself think about it, he can't stand the thought of someone else being the one to marry Zuko.

[b4kuch1n]

siren

[a-dauntless-daffodil]

Something about how Fire & Ice give up on going after Pearl directly, and instead both arrow in on dissing Marina-

Something about, Pearl having no shame at all, outright telling Frye right off that Off the Hook is here to “take control” and then literally talking over Frye’s turn. Frye’s snarking on how Pearl isn’t the boss here and no one’s cheering for her, ignored. How she goes after both Frye and Shiver asking where Frye’s big friend is to help her pass this test, moving right on to saying they’re both just goons making a mess anyway, little fish who should stay in they're bowl, but

that seems to give Frye the idea of hitting back with the “who’s backing you? Imaginary friends?” line… like Marina doesn’t even count as a music partner- or a friend?

Pearl literally yaps about Marina being divine, one of a kind, voice so fine, big mind- raps the lines off her cuff and the heart that's proudly pinned there

And Frye and Shiver go TARGET DETECTED. They lock onto Marina.

Shiver doesn’t bother trying to needle Marina about Pearl, the way their partners were each doing- if Pearl has no shame then at least she DOES still have a weakness, a soft spot, a thing she openly cares about- something they can try riling her up over

(problem: Pearl actually has all the confidence in Marina as a musician, partner, and performer. She's WATCHED Marina be all those things for YEARS now)

In the end Frye and Shiver just rile up the gay feels. Because Marina’s been living with a rapper who LOVES hyping her up even when they’re not on stage- Pearl who said she’d cut a fish for Marina. And if you don’t come to Inkopolis with a lot of self confidence, well then getting some from your girlfriend is fine too  

But it’s cute that Pearl’s still so obvious about being Marina's no. 1 fan that Fire & Ice thought they could use it against her XD

[unlawfulchaos]

[This is what happens when you trap Maverick on a carrier at sea for several months, in shared bunks with Merlin, Slider, and Iceman. He finds new ways to entertain himself. Namely, antagonising Slider.]

Maverick: You know what I've always wondered? How do tall people sleep at night when the blanket can't go over them right to their toes?

Slider: Maverick, it is three o'clock in the goddamn morning.

Maverick: So you can't sleep, huh? Is it because of the blanket?

Slider: Maverick, I swear to god if you don't shut up I'm gonna-

Maverick: Sorry, what was that? I couldn't hear you through the blanket covering me completely.

Slider: I hope you die.

Maverick: Yeah? Well, I hope you step on legos.

Slider: Take it back. TAKE IT BACK RIGHT NOW.

Maverick: Barefoot.

[obsessedwithstarwars]

Danny makes jokes out of anyone finding out ghosts are real.

But only when it’s done through “accidental summonings”. In all fairness, if he hadn’t become a ghost at 14, he probably would have fuc-messed around with a ouija board too. So he can’t really blame them when the poor unfortunate souls happen to guess the correct phrase.

(And before you ask, it’s the ghostbusters theme song because of course it is.)

Instead of giving his victims summoners a heart attack, he decides to go for a more… Matrix approach. Incorporate a little humor into an otherwise terrifying experience.

Rather than a red pill and a blue pill though, he gives out a bright green glowing pill and piece of candy. He definitely gets annoyed more people don’t go for the candy. Just because it’s clearly the wrong answer doesn’t mean you should miss the opportunity for a delicious snack!

[quillkiller]

we as a society really need to get into the torrid awful years long harry/hermione affair that started with them stumbling into bed together during the horcrux hunt when ron left. btw

[chibishortdeath]

I have bedazzled his card protector :3

[beargregor]

Chef greg delivery just for you. it's a wonder I hadn't bearified him yet, he's my fave greg too 🔪

gays literally only want one thing (to be chopped up and eaten by a depressed man) and it's fucking disgusting

[cienie-isengardu]

Kid Eileithyia, kid Ares and very concerned Zeus & Hera

<picture #1>

Eileithyia (still little) goddess of childbirth & midwifery: *retelling in great details the most horrible, bloody childbirth she assisted, when Ares was away from home* Ares (still little) god of war: SO COOL!

<picture #2>

Concerned Zeus and pregnant Hera: ...

<picture #3>

Zeus (to still unborn Hebe): Hebe? It's me, Zeus, your father - please, don't be like your siblings! You hear me? BE NORMAL! Hera (to still unborn Hebe): Yes baby, listen to your father!

[welcometogrouchland]

Batman #149 by chip zdarsky is mostly unremarkable, but I'm really fascinated by how it makes a great case for 'good' endings not saving 'bad' stories*. Because there's a lot of interesting concepts in this issue (bruce having to deal with his rapidly aging and decaying clone making him think about his own life, re-establishing a 'nest' so to speak for his family after pushing them away, etc) but bc of the OOC slog that came before it, almost every moment w/ the batfamily comes off as unearned and disingenuous imo.

Like, everything with Damian is the perfect example in this. Because in isolation it's...fine. admittedly it's a missed opportunity to not go deeper into how Damian would feel about a clone of his dad who tried to kill considering Damian's relationships with clones of himself (the heretic rejects and respawn) or with former enemies who wanted him dead but who were manipulated and/or brainwashed (like suren and maya).

Zdarsky doesn't go into any of this but you could maybe excuse it as the issue not being about Damian. However, coupled with the previous bizarre characterizations of Damian in 147 and 148, it ends up not being fine- instead it starts to feel...icky how Damian (who, despite often being drawn and written as white, will never have his connection to the non-white al ghuls forgotten and will always be effected by racism even when not portrayed as a poc) is constantly written as overly violent, uncaring and narrow minded in this run. Coupled w/ trying to recanonize the morrison origin for Damian it's like. OH this is badly written and laden with subtle bigotry, sick**

That's me going into detail on it with Damian but it's applicable to other things in this issue- the way Cass, Steph and Duke have all been ignored or turned into jobbers makes their inclusion in the 'family' here feel hollow instead of satisfying. Bruce proclaiming that Zur was still a part of him and he needs to accept responsibility for his actions (when it means taking in clone son) wrings hollow when just last issue zdarsky was bending over backwards to separate Bruce and Zur bc otherwise the Jason thing would get really awkward. Ends are achieved through means that feel hollow or strange. I'm at my destination but damn why'd the bus have to do all that???

I only really have opinions on this latest arc of zdarskys Batman bc it's the one I've read the closest (bc I'm a hater, masochist and avid follower of even the bad damian storylines) but it's not saying great things.

Bc zdarsky can do one thing good in this book, and it's write Bruce and Tim. And yet this entire story, whether of his own volition or editorial mandate, includes other characters who aren't Bruce and Tim, the fabric starts to unravel in very telling ways.

(p.s, I think pennyworth manor is an interesting idea but I feel like in execution it's just gonna be 'bruce living in a house haunted by the memory of the people he couldn't save' but with a different dead guy this time. Illusion of change and whatnot)

*whether or not the ending is good is up to you ofc, as is your opinion on the proceeding arc! I saw some ppl complain that the ending was too "WFA" for them, which I get even if I dont think it'll literally be the same premise. If anything it's probably a lead into the new tec run. Likewise many ppl who aren't in the weeds of Damian and Jason characterization liked the previous arc! But I have my opinions and rest my case before the bench

**disclaimer, I'm white and portrayals of bigotry in comics are complicated and subjective, but I am basing my point here off what other poc comic fans on socmed have been saying about 149. Also the "sick" is sarcasm incase that wasn't obvious

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.