#book hater

[thechaoticreader]

Popular Books I Read and HATED

*Disclaimer: If you like any of these books, slay! I'm happy for you! These are just my own consumer choices, and imo negative book reviews are just as helpful as positive ones!*

This list is not long because I don't actively dislike many books that I read, and I have a very good sense of what I will and will not like, but there are some I had to read/were misled into reading so here we go:

1. Tender Is The Flesh

by Agustina Bazterrica

My rant review is above if you want more details but recently I've seen a few videos that articulate my feelings in a way that I couldn't before so im going to add a few reasons here that were not included in the original post:

It gave very Qanon and general antisemitic vibes: i.e blatant conspiracy made up by the "wealthy liberal elites" to encourage cannibalism for their own enjoyment (I know she's Argentinian however that doesn't mean im not allowed to get the ick from it)

Purposefully inaccurate depictions of meat industry and disrespect for farmers (context: im a vegetarian from farm country with a roommate who works in the cattle industry - Angus beef if you're curious - so im very familiar with the process and cannot say in good conscious that it is all bad -> just support local farmers <3)

world building makes little sense

COWS DO NOT EQUATE TO HUMANS NO MATTER WHAT YOU DO !!!!!!!!

the "disease" doesn't make sense (even if its made up who would believe it)

No themes were treated with the depth nor nuance they require (capitalism, feminism, veganism etc.)

I think thats all I haven't covered but this is the only book I have ever read where my hatred of it continues to grow with each day. I went out of my way and deleted it from my reader and get annoyed every time I see it. And for the record (because yes i'm salty) I didn't hate it because it was too disturbing, in fact I've read and loved worse and ive been an avid horror reader since I was (admittedly too) young. I hate it because there wasn't a well done story underneath the gore. I'll say it loudly for the people in the back GORY HORROR BOOKS STILL DESERVE A GOOD/INTERESTING STORY, especially if you want to try to put complex themes in it. If you cannot write a deep story but you're good at and enjoy gore, write yourself a lil 100 page splatter punk and we can all have a good time <3

Unlike with Tender Is The Flesh I don't have a ton of thought out critical reasons for the rest of these soooooo I'm going to give my highly subjective reasons -> I totally understand why some like them <3

2. The Handmaids Tale

by Margaret Atwood

hated the writing style

It didn't keep my attention

disliked the ending so much I actually threw it across the room <3

3. The Hobbit

by J.R.R Tolkien

hated the writing style

male centered fantasy is not my vibe

my ADHD cannot handle long incredibly descriptive sections in books -> I physically fell asleep multiple times while reading this book

honestly even with the movie I fall asleep every time

0/10 book I want to read

10/10 bedtime story

4. Lord of The Flies

by William Golding

hated the writing style

hated most of the characters (and not in a slay anti-hero way)

was forced to read it in high school and it single handedly sent me into a 4 year reading slump... I missed so many good books because of this and will forever hold a grudge

5. Romeo & Juliet

By William Shakespeare

I'm too jaded and gay to enjoy this -> every single character is so painfully stupid

tbh im just bitter that his (imo) better plays get less love than this one, its way over hyped

but I will give it points for boring me so much that I wrote my first fanfic (Romeo x Mercutio if you're curious ... no its not posted anywhere and it never will be <3)

sidenote -> Shakespeare plays I love incl:

Hamlet (duh im a depressed emo gay on Tumblr)

Macbeth (also duh, witches and female manipulator... need I say more)

Othello (a slow burn for the true crime girlies)

Measure for Measure (absolutely underrated, please please please look into this play -> I saw a production of it and it was incredible)

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[nenoname]

It's still interesting that TBoB called more attention to Stan's control over his mindscape (And if you go with the interpretation that the lost pages are partial truths that are heavily influenced by Bill, then he's the one insisting that only someone with training should be able to have that much control over the mind.)

Meanwhile we have a memory!Stan. Someone who apparently knows too much and is rather aware for being a simple memory.

From the Wheel of Shame, we know Bill was able dig up all kinds of dirt on Stan but... that wasn't why he was there in the first place, was it?

Bill couldn't find the code immediately despite a memory of Stan opening the safe being a few hours old at most and decided to have Mabel try find it for him (The original concept of the ep had it far more hidden but this was likely cut because of time constraints)

Ford did experiments on Stan's mind which likely meant using Project Mentem and actually looking around his mindscape, and his only reaction was to comment on his jokes-- despite what little we the audience know being enough to render us sobbing wrecks

(yes I refuse to shut up about this part cos the book's intro is extremely underrated)

Stan was able to replace his memories of Ford with the swingset instead and managed to hide Ford in his Bar Mitzvah memory. And that's not even mentioning the lack of visible Portal and Stan o' War which noticeably show up in Ford's dreamscape (the broken swingset manifesting anyway pains me tho)

He subconsciously has misdirects for his secrets that are both silly and manages to disturb everyone too

And while Bill-as-Soos being bored by the vending machine memory is a joke that's basically the crew's way of going "hey remember the thing way back in the first ep that's going to show up in the next one?" and in-universe appears to be Stan slipping up, it's interesting that they had Stan input the wrong code when it's consistent literally every other time its inputted (especially when it shows up correctly in the very next episode)

It's even possible that the safe code that Bill found could have been a misdirect too but we'll never know since the safe got blown open by dynamite.

Stan was able to buy time by making his mind blank despite being genuinely terrified when Bill enters his mind (to the point that he breaks character and uses his own voice to yell), and could conjure up his living room (in colour opposed to his mind's regular greyscale) to make sure Bill didn't have enough room to flee, slamming the door in his face before the effects of the memory gun kicked in.

(EDIT: Random door analysis here)

And maybe the twins eventually told him that Bill had already been inside his mind after their W3 reunion, but all we know was that his conscious self was left in the dark for ages and wasn't really aware of Bill until Weirdmageddon.

TBoB showing McGucket's dreamscape also brings up the idea of the effects of the memory gun manifesting differently to each person. To Stan's mindscape, the memory wipe manifests as blue flames which immediately brings to mind Bill's powers but it's a far lighter shade (maybe to more closely match the memory gun and its eventual fade to white?)

The end of TBoB and the website poem also firmly reminds us about Stan's connection to fire but there's also the question if Stan himself is actually aware of it...

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

[sugarcoatednightshade]

thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.

And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.

And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.

And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?

Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.

Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.

[swimmingclass1978]

"Jegulus shippers hate and objectify women!"

Babe half of us are lesbians and the other half are bi/pan/omni or other women loving options

Meanwhile you are mad bcz we don't make all of lilys personality being james' wife and harrys' mother? Mhm alright makes sense

#we love women

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[wanderloveshater]

i dub thee beepers

🔺⚠️🔺

[madeofjules]

She's so tired of him 😭

[aj-artjunkyard]

I’m all for Unreliable Narrator Apollo™ straight up misremembering myths instead of admitting to myself that Rick got a few things wrong

Lester!Apollo: demigods can be so weird and unpredictable! When that Clytemnestra girl murdered her husband simply because he made one tiny little human sacrifice to me… yikes, am I right?

The same Apollo 2,000 years before, sending a 3rd volley of plague arrows straight into the Greek camp: Agamemnon when I get you. When I get you Agamemnon. Agamemnon when I get you

[qiu-yan]

zhancheng to me is like this:

imagine a scenario in which jiang cheng actually does know quite a lot about lan wangji's tastes: his favorite and least favorite tea flavors, snacks, food, books, music, authors and artists, and so on.....except jiang cheng specifically sought out this information during the 13 year timeskip to make lan wangji miserable.

maybe lan wangji is just publicly A Bitch to him one too many times and jiang cheng finally decides he's had enough. so, for the next few months, jiang cheng spends an inordinate amount of time gradually sussing out everything he can learn about lan wangji's tastes. what kind of tea does he like? what kind of tea does he despise? which authors does he always read? what temperature does he prefer his room to be? what new trends in music does he find completely unbearable? when he passes through a region whose cuisine he hates, which restaurants does he find slightly less intolerable?

and then, the next time there's a discussion conference at lotus pier, jiang cheng weaponizes this knowledge. actually, the next time there's a public event anywhere wherein both jiang cheng and lan wangji are in attendance, jiang cheng weaponizes the fuck out of this knowledge. he makes sure that the tea lan wangji hates the most is served to everyone. he has his disciples buy all the local snacks he knows lan wangji has a preference for, just so lan wangji can't have any. he makes sure lan wangji's room and bed are heated to the exact temperature lan wangji finds just too hot to be comfortable. whenever lan wangji's favorite obscure author releases a new work that gusu lan doesn't think is cultivation-related enough to include in their library, jiang cheng has a bunch of his disciples swoop in and buy as many copies as possible, just so that it takes lan wangji a bit longer to get his hands on a volume. jiang cheng "leaks" to a few minor sect leaders the idea that lan wangji actually does like spicy food, and said minor sect leaders actually believe that information for a full year of hosted visits and public events.

this continues for all 13 years of the timeskip. of course, jiang cheng isn't outstandingly successful in actually making lan wangji miserable, because there are limits to what jiang cheng can actually achieve and what he's actually willing to spend enough time on; realistically, all he's accomplishing is causing lan wangji some minor irritations once in a while. but it's enough for jiang cheng to know that, every time lan wangji has to pass through yunmeng, he's absolutely miserable because jiang cheng has persuaded/paid every musician in the area to play the one song lan wangji hates the most.

jin guangyao, of course, figures out what's going on immediately. but even loyalty to lan xichen isn't going to make him sacrifice potentially useful dirt by putting a stop to jiang cheng's asshole behavior himself, so instead he just decides to watch and wait. he also just finds it really funny. meanwhile, lan wangji, for all 13 of these years, never figures out what's going on. he never figures out why he can't ever find the lanling-style osmanthus cakes he hates slightly less than the rest of lanling cuisine whenever he passes through the area and runs into disciples from yunmeng jiang. when his favorite obscure author releases a new book, he gets in line at the indie bookstore in qinghe he went out of his way to visit, and just doesn't question why everyone in front of him is wearing purple.

postcanon, though....now lan wangji has one hell of a source of insider information (wei wuxian), so the turns are about to get fucking tabled.

[mamawasatesttube]

If lois lane has million number of fans i am one of them . if lois lane has ten fans i am one of them. if lois lane has only one fan that is me . if lois lane has no fans, that means i am no more on the earth. if the world is against lois lane, i am against the world. i love lois lane till my last breath.. .. Die Hard fan of lois lane. Hit Like If you Think Lois Lane Best journalist & Smart In the world

[sierrabravoecho]

Cat’s haterism strikes again

[yrsonpurpose]

Nicholas Galitzine talking about the connection between Mary & George and Red, White & Royal Blue

[arson-09]

Tamlin is actually such an underrated character in acotar. Because of feyres very biased narrative she forces readers to ignore the complexity of his character and man. its sad

Tamlin is a character who is genuinely GOOD at his core. He changed so much of the spring court for good, eliminating slavery within the spring lands and mortals having more protection. Hes a morally good character that made a few mistakes and is boiled down to just those mistakes. Locking feyre in the house and the magical/emotional blow up, which are both pretty decent fuck ups (i dont think siding with hybern fully counts as he was a double agent all along and tamlin was decently justified in thinking feyre was being kept against her will. lets be fr here) and even after he’s extremely fucked over by the nightcourt, his lands and court burned to shit, he still saves rhysand. Saves rhysand and tells feyre to be happy, even when he has every reason to NOT do that!

Hes a character that clearly holds himself to a higher standard. throughout acotar he puts lucien and feyres safety above his own, even sending feyre away when she was the only one who could save him. Even though what he did to her wasnt great its not completely irredeemable, rhysand did much worse things to feyre and other people but hes living his best life while Tamlin seems to find himself unworthy of being a person (acosf wheres hes been in beast form for roughly over two years) hes a perfectionist who now doesnt even think he deserves anyone because he accidentally hurt the people he loves most.

Sjm accidentally created a beautifully rich and morally righteous character who is so extremely fucked by the narrative. Which doesnt even work half the time as sjm cant seemingly commit to making him a full villain (seemingly by accident again she gave him quite a reasonable explanation to everything he did ‘wrong’ but still chooses to make him a punching bag)

If Tamlin was genuinely a morally evil character he wouldnt have NEARLY the amount of fans as he does. Hes a character that requires the minimum amount of media literacy and comprehension to understand and i LOVE him.

[literallymikewheeler]

its always "i love you" and never "'you're not leaving me here alone,' i say. because if he dies, i'll never go home, not really. i'll spend the rest of my life in this arena, trying to think my way out."