#bits and pieces or have characterization but little plot to use that characterization in like with Gretchen or Kevin

[thats-my-passion-right-there]

I finally saw the mean girls musical (the movie one) I have so many fucking thoughts oh my god

[awful-little-goose]

my ideas of pokemon teams for the circus crew!

Also, some of these pieces are my actual first serious digital pieces (yeah- I made that pomni one even before artfight in July- it's been rotting in my files for a while)

Anyway, this was super fun, and I also made a team for Caine, and I'll probably render it or something!

Now, more details

I established some rules for myself as I made the teams for each character, and each of them had to have-

- one eeveelution: the idea is, since TADC is based on studying characters and their growth, the best pokemon to show the growth of people evolving in different directions is, of course, eevee!

- a pokemon to represent their appearance: since appearances and avatars are a BIG focus for some characters (Pomni learning about her new form, Zooble struggling with their body, Gangle’s whole deal with her mask, etc etc) it made sense to me that have one pokemon that reflects that in their teams

- one to two pokemon linked to SOMETHING that’s related to the character: for example, the fact that Jax always has keys, or Ragatha’s thing with knives, or Kinger and bugs. This can also come from things we know about the characters, that comes from outside the show: Ragatha liking horses, Gangle being a nerd (hence why she gets not only Mimikyu but also two pikachu clones, that also reflect her deal with her masks).

- a pokemon reflecting their main personality trait: yeah, I know, it’s always frustrating when characters get dumbed down to one trait by the fandom. But TADC offers us characters that are very diverse in their ways of presenting themselves, with unique personalities, that also fit in typical roles we’ve all seen before (the mom friend, the charismatic bully, the grouchy one, etc etc). I feel like this over characterization is meant to OVERLIGHT the fact that theyre MORE than just that main trait. And to give it some attention, I tried giving characters mons that reflected their "typical" character trait: a mischievious Gengar for Jax, a duo of shifting plusle and Minun for Gangle, a confused Spinda for Pomni…

- (mendatory): something relevant to plot points in the episodes. That’s how Pomni gets her little Sandile from Caine (after Gummigoo explodes-), or how Zooble gets their giant scolipede (inspired by the gloinks and the gloink queen).

And last rules:

- I’m allowed to twist the Pokémon’s designs a little bit

- each character’s fit should reflect a little bit of their main pokemon

- no one gets a legendary, mythical, ultra beast and what not: they’re normal ass humans, they get normal ass pokemon. For example: Caine, on the other, has a total of 0 completely “normal” pokemon! Since he is NOT a random joe!

- have fun!

So yeah! That’s all the rules that led me to my choices! If you wanna take inspiration from those, go ahead, but yeah! I hope that was fun to read all that, you little freak

[howlettloki]

Less smut, more meaningful words with such eloquence, well executed plot, characterizations and world building.

A Loki (Marvel)/Reader Fic Recommendation

If you’re like me, who loves to read longer fics then this blog post is for you. This list features beautiful books I have read featuring Loki and the reader for the past 5 years. This is long overdue I have been planning to do this for a while now. I’ll do my best to share all of them in one post (might probably edit this once I remember more). One thing, I really love when an author finds a way to not use Y/N. Enjoy the list!

Completed Fics

Frostbite by Maiden_of_Asgard

Synopsis:

Iceland is nice - sure, you probably should’ve picked a time of year when the weather was a little warmer, but it isn’t too bad, and at least you’re away from your desk job, right? It’s a pretty big adventure.

You’ve always said that you wanted more adventure in your life.

⭐️⭐️⭐️⭐️⭐️

This one you’ve probably read, if not go check it out. It’s one of the best out there. I mean, need I say more?

The Proposal by BirdsofHermes

Synopsis:

An AU gender-reversal of the 2009 romantic comedy The Proposal. You work for Loki Laufeyson at Asgard International Publishing. He accidentally lets his work Visa expire and is about to be deported back to England, so he blurts out that he's marrying you. Now you have to convince an immigration inspector as well as your own family that you're in love with Loki or he gets deported for life and you face five years jail time.

Review:

⭐️⭐️⭐️⭐️⭐️

I have read this more than one can count fingers in their hands.

Broken Crown by Michelleleahhh

Synopsis:

Your betrothal to Thor was convenient - brokered as an alliance between two powerful families.

Your marriage to Loki... is unimaginable.

Review:

⭐️⭐️⭐️⭐️

Please proceed with caution and read the tags. When I read this the first time, I was new to this world but I remembered enjoying reading this piece. I just recently re-read this, and I just found some minor stuff I didn’t really enjoy. Overall the story and the plot got me hooked however, there’s just few chapters that I feel could’ve been explored more and executed better. Still, I enjoyed reading this the second time around.

Fǫruneyti by Evaldrynn

Synopsis:

A story in which a herbalist makes a decision that will drastically change her life, and in which a prince begins to realise that there might still be hope for him yet. A tale of danger, adventure, friendship - and, ultimately, love. 

Review:

⭐️⭐️⭐️✨

This one I stopped reading at 70%, I have certain icks when it comes to reading and once I reach that ick jar I’m done. It was still beautifully written, got me hooked and all, loved the progress. What can I say, I love slow burns.

The Devil Inside by Ursus_minor

Synopsis:

You're a free lance artist and just running short of rent money for the month, so when your good buddy Thor offers you a one-off job at his sister's company, you take it - even though helping his little brother out with some paperwork sounds awfully tedious

I always wondered what Loki, Hela and Thor would do if they were 'mere mortals'

Review:

⭐️⭐️⭐️✨

It’s deleted but I was lucky enough to have read this way back 2020. It was one of my favorite back then, because it was hard to find a long fic where Loki is not the God of Mischief but just a mere mortal living amongst us. I honestly forgot most about this story, I only remember bits and pieces, you’re Thor’s best friend and he helped you gain money by working under Loki, like the synopsis said.

A Study In Suit by lowkeyorloki

Synopsis:

You've worked too damn hard to get into Professor Laufeyson's course, and you're not about to let your pesky attraction to him get in the way. Your Professor, however, has other plans.

Review:

⭐️⭐️⭐️⭐️

Professor Loki. That’s it.

From the Void, With Love by pilotisms

Synopsis:

Torn from time, you have to navigate the TVA with the one person who singlehandedly tried to conquer NYC. Turns out you & him have a future-past. Time is weird.

Review:

⭐️⭐️⭐️⭐️⭐️

This is one of the best I’ve read, this is my second to The Proposal. I fucking love this you have no idea. Wished there was a longer sequel though.

Litklœði by GoldTrimmedSpectacles

Synopsis:

“And the sire promised that he would spend the rest of his days searching for the cure of the flower disease which took his friend. And he did find this cure, but not without a cost,” Frigga explained and stroked Loki’s head as the illusions vanished. “But now, when one is fraught with flowers in their chest, a völva can remove these flowers with seiðr – saving the victim’s life and removing the vines from their lungs.”

The Allmother paused and looked at your small, childish face. Her smile was kind and full, but her eyes lay empty and sad. The knowledge of yet to come lay heavy on her features.

However, be warned my child, that with the removal of lung flowers the feelings of unrequited love will be removed too. As will any remaining trace of friendship. So be careful how you give your heart, my dear. You may never know what you could lose.

Review:

⭐️⭐️⭐️⭐️⭐️

Hanahaki Disease AU? Anyone? This one is from my previous blog post. Pure feelings. Loved young loki and young reader.

In Progress or Abandoned Gems

Mea Culpa by OlympianWine

Synopsis:

Six years ago yours and Loki's relationship came to an abrupt and messy end, leaving resentment and hurt in its wake. Now you haven't heard a whisper of him in years, until he turns up at his brother's wedding, seemingly changed for the better, and you're thrust into facing both him and the memories you had buried. But a dangerous figure from Loki's past looms overhead, and Thanos is determined to hunt Loki down and make him pay for betraying him.

Review:

💔💔💔💔💔

I mean based on the synopsis who wouldn’t want to read that? Last update was last year, here’s to hoping it’ll update more or I’m gonna have to kms.

Anagapesis by OlympianWine

Synopsis:

You have a perfect life; a loving husband, a beautiful baby. But when it all comes crashing down, you must put survival ahead of sentiment and turn to a darker prince - your husband's brother. Loki is cruel and cold, and he hates you with a burning passion. Or so you think.

Review:

💔💔💔💔

Just when you think you’re falling, he makes you remember what type of person he is. I feel for Loki, but he’s just cruel man. I wish there was more so I could understand him a bit more.

Seiðmaðr by GoldTrimmedSpectacles

Synopsis:

Amidst the fallen brethren of the Vanaheimr war against Muspelheim, the dark prince of Asgard finds himself lost and riddled with amnesia. His words are barbed, his tongue is gilded and his eyes are sharp. He has no recollection of his name or family, but he soon comes to realise that perhaps it is best for the past to be shadowed by the future, and that life as a beloved commoner is better than life as a miserable prince.

Review:

💔💔💔💔���

I’m a sucker for fantasy and a well executed world building. I love how I’m instantly transported into the world created by the author and I feel alive inside. I wish there was a way to find out what happens next. I just love this so much I wish there was more.

[smehur]

Some Harry/Draco Fic Recs

There is so much great fic in this fandom, I'm struggling to keep track of everything I read and like. I already mentioned some of my early favorites here, but I have since found several more.

In no particular order:

Hermione Granger's Hogwarts Crammer for Delinquents on the Run by waspabi

In which Harry did not go to Hogwarts, but is instead found by a group of seventh year students led by Hermione, and recruited for the war at the ripe age of 17.

I'm not usually a fan of AUs, but this charmed me within the first few paragraphs with irresistible characterization. Harry is a little different than how I imagine him, but the premise allows for it. And the Harry/Draco romance is possibly the sweetest, softest I've seen so far. 10/10 would read again.

In Pieces by dysonrules

Harry returns to Hogwarts as the new DADA instructor, only to find his teaching efforts thwarted by a very familiar ghost.

When I got this rec myself, I wasn't sure I would like it, because, well, the summary spells it out, doesn't it? But I ended up loving it. It's incredibly sweet and tender and sad and hot. I couldn't put it down.

An Emerald In The Sky by corvuscrowned

The hardest part about shagging an Unspeakable is that they’re not allowed to speak of anything. All Draco knows is that Harry works in Time. Harry works in Time, and while he’s out there in all of that time, it is as unforgiving to him as it is to anyone. Somewhere along the way, Draco realizes he's been thinking in lines, when he should have been thinking in circles.

This story moved me like few others. It's a masterpiece of 'show, don't tell' in that elusive way I have never been able to tap in my own writing. It speaks in images, and the images capture incredibly specific, perfectly chosen details that paint years and decades of slowly fading hope. Just the thing for one who considers their own aging and mortality increasingly often.

Take You Home by lq_traintracks (lumosed_quill)

Everybody’s a little fucked up after the war, Draco especially. What starts as hate sex after a night out, eventually turns into something else, something more like comfort. And even though his friends all tell Harry he’s just being used, all Harry’s doing is making sure Draco gets home in one piece. He’s not falling helplessly in love.

From the author of one of my early favorites (Right Hand Red), a hugely enjoyable read that makes love to a post-war Draco (and his long hair in a man-bun that he fastens with his wand). I gulped this down in one sitting.

Hey, Potter by SunseticMonster

Harry returns to Hogwarts for his 8th year, determined not to let Malfoy get to him. But when the snarky teasing starts up again, Harry finds that returning the jibes with compliments has a far more interesting outcome.

I am in love with this premise. It works so well? While I wished for a bit more shipping and a bit less collateral, I still enjoyed this story immensely and went on to read almost everything the author wrote for the pairing.

An Issue of Consequence by Faith Wood

Draco has woken up in an alternate universe. Or he has woken up utterly insane. Nothing else can possibly explain why Harry Potter suddenly seems to think he's Draco's boyfriend.

The light-hearted summary belies the gravity of the plot of yet another favorite tale from the pen of my favorite author. The POV immersion is so deep that I absolutely did not see the resolution of the mystery until it was revealed, and then I was just as shocked as Draco. Fabulous stuff.

A Doll's Tale by Faith Wood

Harry/Draco, as observed by Draco's childhood doll. Please note, this doll is very self-absorbed.

This... broke me a little, lol. Don't get me wrong, there's nothing (too) heavy, angsty or dark about this story. It's as innocent as they get? But it just clicked so well with the idea I've been brewing in my own (yet to be published) writings, of Draco as this... sensitive boy hiding under the guise of confidence and cruelty. And the plot-twist, Merlin. Was it obvious? Maybe, but not to me! It struck me like a (fluffy toy) train and days later, I'm still recovering. I want to take this fic and hug it when I go to sleep.

Actually, I'm in a bit of a pickle, as my instinct is to list pretty much every single thing written by Faith Wood that I've read so far. But that would be silly, so I'll list only one more, as a treat.

Beholden by Faith Wood

Draco Malfoy might not be a killer, but it turns out he's an effective painkiller. If stopping pain was all Draco's touch did, things might not be so complicated, but either way Harry can't afford to be choosy.

I already mentioned this one in that inaugural post I linked at the very top, but: 1) it's now completed and can be safely binged on; and 2) the only thing I said about it back then is that it deals with chronic pain, which was particularly relevant at the time because I was at the peak of sciatica and could relate to poor Harry all too well. But that's just one of the many merits of this incredible story. Now that I'm feeling better, I'd praise it first and foremost for the patient exploration of the characters' inner worlds and the gradual, methodical and inexorable buildup of their feelings and convictions that eventually leads to falling in love. A masterpiece of slow burn. I plan not only to read this again, but to study it in the hopes of improving my own craft.

Tagging the authors I found on here: @dysonrules @faith2wood @corvuscrowned @lqtraintracks and also my friend @kuraiummei who helped me find some of these gems.

Thank you for enriching my life. ❤️

[zhuoyichenpretty]

aww yeah ep 20 GOOD

I guess I do (very casual, broadstroke) episode commentaries now, halfway through the show lmao. Spoilers below!!

Bai Jiu BETRAYAL?

Wen Xiao WANTED?

Zhuo Yichen DETECTIVE-ING?

Ying Lei BACK?

*crowd cheers*

The dots are connecting like crazy with the big bad's whole inner core crusade and also with the simultaneous demon case like I did not recognize Ao Yin as the demon Li Lun first released eight years ago but oooh do I enjoy that minor payoff.

Love the repeated use of the demonic-spell-restraining sigils now that we've been introduced to them though I wonder why the Bureau doesn't ever seem to make use of them. Maybe they don't deal with enough powerful demons to need to paint those in their own (very empty) dungeon? Or perhaps just plot convenience. (edit: someone has pointed out the Bureau indeed uses them!! I'm just blind <3)

Anyway I kind of wish in the Chongwu Camp dungeon PSJ fought a little bc she's so cool in action and their bailing was a little abrupt, but it makes sense that they'd have an immediate getaway plan. Also this is an ep 19 comment but that line Mr. 3-Face Mask delivered about PSJ being fated to always be betrayed by her little brother(s) HURT. So good.

Back to the Bureau, I do love me a good framing, and I'm also happy to get a tiny bit of the episodic demon-murder-case style back. WX was v clever to hide out in Situ Mansion, and (small detail but) I appreciate that the others catch her up on the Bai Jiu thing onscreen. As an aside, I also like that the actress for WX got to be double-casted even just briefly. Seeing some of the actors get to play around with portraying various extremes in characterization and costuming is a ton of fun.

And then yay Bai Jiu backstory at last~! It's crazy how much that blood moon fucked up everyone's lives eight years ago huh.

Everything ZYC says to him is on point (and honestly, ZYC is really quite adept at comforting others, he just sucks utter ass at it when it's his fault and he has to apologize lmaooo) but of course my favorite scene in the whole episode is as follows:

The very slight shine in the waterline, the bittersweet smile/grimace as, deliberately or not, ZYC's words indirectly echo everything about the circumstances between the two of them right now??? Whew. They did that for me specifically.

Anyway, this was a good one to chew on for me, packed with plot movement enough that I didn't feel unsatisfied with just one episode. I'm glad that so far it seems like the release schedule bears in mind what episodes should be watched in pairs for maximum effect (eps 16/17, 18/19 specifically) and which ones are okay to stand alone for the day, but I also don't want to speak too soon haha. We'll see how ep 21 fares.

Also since this is a ZYC stan account (lmao) I have some obligatory ZYC thoughts that I haven't managed to fit anywhere else. I've been meaning to comment on this for a while now and was reminded by this episode: I love the fact that ZYC actually smiles quite often. I think it's a bit surprising every time he does because he so easily fits the archetype of stoic broody action hero, but it really is just an archetype he's fit himself into, and it's never clearer than when they flash back to smiley baby!ZYC (how freely and purely he used to give those smiles away...).

On the other side of this is also how caustic and biting he can be with his words, whether sarcastically or otherwise, and how clearly his face telegraphs his emotions in general. I love that he actually emotes quite a lot and isn't cold and unaffected in the least, just pouty frowny and awkward.

The last piece to this for me is probably his age (which I very much appreciated being established super early on) and how convincingly TJR portrays him as young and inexperienced and extremely earnest. He's so sincere in everything he does that it really doesn't take much to move him, which also (imo) makes his arc less overdone.

We all know from the start what direction his development will likely go, how he'll learn he's mistaken about ZYZ and how he'll grow to have a more nuanced view of the world as he creates more bonds with others. But he's so emotional and emotionally aware that it doesn't really take much push and pull to get him there. And actually, it's not untread ground to him���he is moreso thawing, in part returning to the open-hearted nature that he had to very abruptly shutter away rather than fundamentally changing as a person. I think to me, that makes his character more compelling to watch because his cynicism about the world is perhaps the least sincere thing about him. It's entirely learned, and not by choice. Relatable.

[falling-star-cygnus]

...i've gotten four asks about this sorta thing -> which i'm super grateful for!! thank y'all so much for wanting to see more of my writing!!

i've just sort of been putting these specific ones off until i felt i could adequately display it and even now I feel iffy about the characterization, but I really didn't want to seem like i ignoring y'all either :( -> Masterlist

i have some semblance of a plot now, so... i sincerely hope you all enjoy? this might be the push i need to get out of my funk, and i put in the very best effort for all of you!!

"You were a WHAT?"

"Is now really the time to be surprised!?"

The Ethereal- they kinda looked like one the Ballerina Twins actually, if the Ballerina Twins had galactic glitchy orbs for heads and rainbow glowy nervous systems- warbles at them impatiently. Anby's barely keeping them at bay with her sword.

It's practically a toothpick compared to the giant weapon Thanatos was wielding... They raise their shield-

Billy fires.

It doesn't land, of course it doesn't, but the smaller Demara doesn't get bludgeoned either so the android counts it as a win.

Especially when the bullet ricochets off the sign previously behind the larger than necessary Ethereal and back towards him. Billy tilts his head left just in time to miss it, and pivots on his heel when Thanatos shrieks and flails back. Bullseye.

"It's showtime!" he announces, and lines The Girls up somewhere where their jaw would be. Only about six of the bullets- 12 in total, the android was counting- actually hit before they teleport away again.

Billy reloads.

None of them, except the Boss, used the right typing to properly take Thanatos on.. but there was little to be done until they could carve an escape route out.

The Hares' ready their weapons, turning in slow circles as they wait for Thanatos to appear again. Were they gone..? He knew better than to assume they were, of course, but-

"Billy- behind you!" Nekomata points; he whirls around.

And takes a blade to the head.

There's not much to say for this part, aside from pointing out how cliche and underhanded it was to get him from behind like this, but bits and pieces float around to the surface with just enough clarity to be worth mentioning.

The pavement cracking under the android's weight.

Sparks fluttering out of the cleaved out gash.

Thin oil leaking out of his head like a halo.

Isolation.

Billy stands in the inky abyss of his own mind. His memories- his memories of the Hares'- play out before him like a movie: braiding Anby's hair, putting Nicole's into pigtails, napping in the sun with Nekomata on his chest, warmth-

Fighting as a team, Anby helping him up, Nicole calling his name, the restaurant they all went to after successful raids, fighting alone, Being alone in that truck bed, sand clogging up his joints.

Chill.

The memories fade away, leaving the android with the stilted thought of:

Don't- take them.. from me.

Nothing.

Billy Kid wakes up, and points the nearest weapon- a gun, by the feel of it- at their forehead. The hands reaching for him still, too pale to be anybody from the Sons.

Calloused enough to be Caesar's, though, so they must be some form of blade user. Electric, if the Lichtenburg scars on their finger tips have any weight to them.

The android sits up, ignoring the stab of pain behind his right video processer. He could deal with that later, after figuring out where the actual hell he was. And dealing with whoever it was that moved him.

They're small, surprisingly so, but Lucy and Piper were also small so that didn't exactly mean anything of value. Brilliant white hair, amber eyes, and green and black tech wear.

And a backpack packed with enough thrumming energy to kill the Dead-End Butcher.

Definitely a threat.

Billy Kid doesn't lower the gun, even as he's sure the human's fleshy arms were getting tired of being raised. Or maybe they weren't. He knows their type, he's cut from the same cloth himself.

A weapon.

"Billy, d-"

"How do you know my name," he interrupts, praying to a god he didn't believe in that he wouldn't have to shoot someone so small, "and why are you only using part of it."

He was Billy Kid, the feared enforcer of the outer ring. The only people that occasionally just called him Billy were the other Sons of Calydon. Not strangers.

"We work together," his potential captor calmly says, lowering their hands by their sides, "We're friends. Partners in crime."

"The hell we are."

"We are," they insist.

He doesn't buy it. Billy Kid didn't have friends, he was an android. A weapon and tool for whoever his boss was. Big Sis, the drifters, whoever had him before that.

He cared about them all, more than he should considering what he was made for, but he wasn't built to receive that kind of care in return. Pain spikes behind his processer again, and his free hand instinctively moves to grasp at it.

The stranger jolts forward as the gun dips.

Billy Kid shoots on instinct, even as something like worry[?] coils the wires in his lower torso too tight. There's a click, but in the end nothing but dry fire. And relief[?]

Billy Kid curses at the opening he's provided, and braces himself for the inevitable attack. He doesn't know where the other gun was- because there had to be one, Burnice only ever made things in pairs- and..

Why did he assume Burnice made these...?

Small hands, calloused and scarred, gently- why was he being treated gently- bat his hand away from his video processor. The empty gun is sandwiched between them.

More carefully than he deserves for shooting at them, the stranger inspects something on his face, and the android swings his lanky legs over the side of- it looks like a cot[?] to make it easier for them.

"You took a bad hit to the head," they inform his forehead, only pulling away when Billy Kid starts to get twitchy at the proximity, "an Ionized - Thanatos. It most likely messed with your memory bank."

"Sounds convenient," he scoffs, lowering the gun to his side, "Most likely messed with my memory bank?"

"It definitely did, we were friends," the stranger presses, strangely insistent, "What's the last thing you remember?"

They take off their backpack as the android thinks back on it. Whether to prove they weren't a threat or gain his trust to attack later, he wasn't sure.

What he was sure of was the fact that the harder he thought about it the harder his head pounded. Everything dating up to the past year and six months was just- blank. Corrupted files that spat static and made him want to lie down for a while.

More than that, he felt... lonely, for some reason. Like a big chunk had been carved from his sternum and left to burn in front of him.

"Billy?"

"I don't remember you."

And oh. He'd take it right back if it meant that look never crossed their face again.

It's barely there for a second, but it's a look of pure hurt. Hurt that makes something close to guilt roar where his mechanical heart sat. He never wanted this stranger to look at him like that again.

He never wanted anyone to look at him like that, to be honest. Fighting was fun- it was what he was built for- and the thrill was something that almost nothing could replicate- but...

Flashes- memories- of Lucy and Piper flit through his head, images and phantoms of them tucked into his sides on warm days and colder nights. A rough hand carding through his hair.

...being sent.. off?

“I’m-”

The door cuts him off with a bang!

"What's taking so long!? Is he ok?"

"Nicole! Anby told us to wait-"

Long pink hair and calculating green eyes bully their way into the room. Something in his programming wants to stand at attention all of a sudden...

The stranger- the white-haired stranger, because now there were three- moves away from the confused android. It looks like they want to say something but apparently thinks better of it and turns towards Billy Kid.

"I don't think I should be the one to say it," they- the thiren said her name was Anby[?]- announce, with all the enthusiasm of a dry rock. Which seems to be her MO, endearingly enough. Endearingly?

The pink haired- Nicole puts her hands on her hips.

"Say what?" she demands, before turning her critical gaze onto the android, "Are you ok or not, Billy?"

Again, shortening my name... Who are these people?

"All systems are operational," he reports anyway, because despite her brash words she sounds worried, "Except my memory banks, apparently."

Side-eye.

Anby's nose just barely scrunches at his tone.

"What do you mean your memory banks?" Nicole prompts, gaze flicking between the two.

"He doesn't remember us."

The Cunning Hares freeze. Silence rules the small space they've tucked themselves into- which... kinda looks like a garage? A nice garage compared to whatever you'd find in the Outer Ring.

Much too nice to be anywhere close to the Outer Ring.

"Where did you take me?"

Nobody answers for a good while.

Until the thiren lets slip:

"...it's so weird to hear you talk like that.."

She shudders from her fluffy ears tips to the sleek finishes of her tails. Were they prosthetics? Why were they blue at the at the base-?

What was wrong with the way he talked?

And why didn't she answer his question-

"Not- not in a bad way!" the thiren is hasty to tack on, "you just... you don't sound happy anymore.."

...happy? He wasn't built to sound happy. He wasn't even supposed to talk much outside status reports and communications. Although- sure, the android often broke that somewhat unspoken rule when Piper and Lucy needed a bit more help to drift off at night, or when Burnice needed someone to bounce a new design off of, or if Lighter was talking about something that happened while he was out in shops, or-

...you got the idea. Caesar hadn't explicitly banned him from talking with the other Sons, not by a long shot, he just- didn't want to push it.

The silence surrounding the ragtag four stretches into something distinctly uncomfortable.

"That.. aside," Nicole- who he assumes is the Boss- eventually starts, "We.. ahem. We got your wound patched up just fine, but... we ended up needing some help to get you back here."

Billy Kid tilts his head.

It made sense, of course, he was an android made of reinforced metal. And while he didn't doubt the strength of these people- especially Anby- he had an itching feeling that their strength was.... not particularly rooted in the weight-lifting sense.

So who-?

"Well. This isn't exactly the reunion I was hoping for."

....there was no way.

Caesar, the Big Sis of the Sons of Calydon herself, walks through the- admittedly abused looking door. Billy Kid shoots to his feet.

And severely underestimates the refractory period required following the repair of a head wound. He stumbles.

A sturdy arm catches his middle with ease.

"Easy, Kid," Caesar reprimands, hauling him back to his feet, "There's no reason to do that, I'm not your boss anymore."

Her words are oddly quiet, as if the other three in the room weren't supposed to hear. Big Sis had always been good at that. Quietly being reassuring without being coddling.

That achingly hollow feeling returns.

From behind Caesar's large frame, he can see the Hares' lower their hands slowly. Their faces are oddly stormy..

Anby bullies her way between them.

"Quite the team you've found yourself, by the way," Caesar continues as if she hadn't, "I'd ask you to fill me in, but.."

...right. Her pale eyes lock onto his, and-

She gives him a single nod of approval. Something loosens in his wiring.

"You'll be alright, Kid."

"Of course he will." Anby cuts in, squaring her small shoulders, "Even if we have to remake all the memories he lost, Billy will always be a member of the Cunning Hares."

And-

Billy finally believes it.

[xerith-42]

Why Blaze is MyStreet's Most Failed Character

Blame the big bang discord for this post, I wasn't gonna write it until those fucks encouraged me.

Anyways here's an entire essay about why Blaze is the most wasted character in the entirety of MyStreet and I will literally fight Jessica and Jason Bravura with my bare hands.

To get us started on our harrowing tale of wasted potential and the best improviser Jessica ever hired, we need to go back a little. Back to Phoenix Drop High Season 2. We won't stay here long, I promise, I hate it more than you can possibly know. But the single saving grace of this absolute mess of a season is ya boi, Blaze. Introduced in the 18th episode of the season, airing on April 12, 2017, with the airing of Phoenix Drop High Season 2 Episode 18, Blaze was a character who started his brief tenure series with a bang!

Literally dude showed up and the first thing he ever did on screen as a character in a piece of media we can engage with is throw someone out of a window. We do not know this mans name yet and he's already left a lasting impression. Sure throwing people out of a window is common in werewolf culture, which I don't care what you say that's objectively funny, but it is bold to start a characters entire introduction with that. Blaze comes out of the gate swinging before he's said a single line.

And then after introducing himself he throws a dead bird at Aphmau to show off his hunting skills?? Okay so he's just that fucking weird and overly enthusiastic about things I guess! That's amazing! MyStreet always shines when it just lets it's characters be fucking weird without making a big deal out of it or talking them down for it. Dottie even says that it's romantic which is again just a great showing of Blaze's enthusiasm and lack of what might appear to be common social decorum because of said enthusiasm.

This is all punctuated and brought to a hilarious breaking point when Blaze's final showing of why he should be the new top dog at his school is when the crazy mother fucker rips his shirt off to literally flex about how he's one of the hottest guys in the school. And I'm going to be real with you, given Blaze's later characterization as a himbo, I'm pretty sure he doesn't actually care about this. He just says it because he thinks it'll boost his chances. Blaze is later shown to be a character willing to throw away his reputation for the things he cares about, but he does get a rather sincere moment with Aphmau, even if she's blushing the entire time.

It shows that Blaze is not only physically affectionate, but also weirdly comfortable with his shirt off. Because this is purely objective character analysis I will not be shoving my Blaze is autistic and has sensory problems with things touching his chest propaganda down your throats, but now that I've mentioned it once you won't stop thinking about it when this comes up.

The show admittedly fumbles the bag a little by having Blaze say in his internal monologue that he thinks Aphmau is cute and acts kind of like a tsundere, but this is Jesson writing so there's always bound to be a bit of That Shit. But in spite of that, Blaze is a character who has an instant impression that leaves a lot of room for comedy potential, and just good ol' fashion silliness. And while the werewolf plot of Season 2 is... bad, Blaze and the Werewolf Pups are stand out characters in the sense that their characterization leaves a lot of potential if they're in a different, better written story.

And even if the arc is bad, Blaze still is a quality part of it. His shallow but hilarious initial characterization gets built on in some really solid ways. Namely in how he acts as a force for good in Aphmau's life even if she doesn't realize or give him permission to do it. This entire season is about how the different men in Aphmau's life handle helping her in a crisis, and funnily enough, in a season centered around Aaron literally overthrowing Aphmau's new love interest, Blaze is the one who was consistently doing what was best for Aphmau.

Aaron fumbles the ball more than a few times, Ein is shown to be actively malicious, and Kai gets hate crimed. But Blaze, who's barely even a contender in this ship war, is constantly working to actually make things better while everyone else is pulling Aphmau away from what actively matters about her position. While Ein is manipulating her and Aaron is trying to prove that, Blaze throws caution to the wind and just does what he thinks is best to restore order.

But more important than that end conclusion is his true goal of standing up for Daniel. A wolf it is established he barely knew before this year, that Blaze is willing to throw his reputation and standing in a bull shit hierarchy because he's seeing how this hierarchy is hurting someone who doesn't deserve it. Blaze is the one who is baring his fangs and willing to throw hands when Daniel cowers away from bullies. By the end of the season Blaze has been given adequate screen time to not only show off his fun and maybe a tad out of touch side, but he's been given a real level of sincerity that's tied into the things he's enthusiastic about. He loves being a werewolf, and he extends that love to all the werewolves around him, until they start being dicks to other werewolves who are literally just sitting there.

At the center of Blaze is that inherent goofiness though. He's always cracking jokes, or the joke when he's on screen, and in a series that was originally pitched as a light hearted slice of life comedy in contrast to MCD's general misery, that sort of character is needed to keep the tone. Such is show in episode 22 when Blaze is reading a book on the Scientific Method to just learn more about science, but realizes the book is upside down.

But he actually understood it enough to properly apply the scientific method to this situation?? Iconic. It's played off as a joke of Blaze exploiting a loophole to get out of class, but even that's pretty smart honestly. Blaze may be a dumb ass but he's always willing to cheat an unfair system.

Episode 22 is basically a Blaze centric episode, which I did not expect, but now that I'm rewatching it for this post it might be the reason I love this character so dearly. It's not only the episode where Blaze manages to learn the Scientific Method upside down, but also stands up for Daniel in a really substantial way. Blaze is loud, enthusiastic, and strong, all traits that are celebrated by werewolf culture, and whether he realizes it or not, him just being around Daniel can do a lot to get bullies to back off. Everyone has seen Blaze toss a mother fucker through a window, they do not want to be on the receiving end of that.

He spends the rest of the episode trying to figure out what Ein's deal is when he hears that Ein went behind Aphmau's back on werewolf matters, landing Daniel in this situation. He hears Ein actively plotting against Daniel, but that is normal werewolf behavior. He concludes that he'll keep an eye on Ein. And this through line of "normal werewolf behavior" informs a lot of Blaze's decisions once he comes to the conclusion that Ein sucks and deserves to be undermined. He resorts to letting his actions speak louder than words and goes to violence after realizing that the wolves aren't listening to reason, they're listening to instinct.

He fights fire with fire, and while Aphmau might not approve, it's more effective than her soft rhetoric has been in getting people to be less of jackasses. This eventually lands him in hot water where he steps in for Daniel after Ein tries to get his goons to beat him up, and even if Blaze is fighting in a five v one, he still goes down swinging. And I'll say it, I think it's sweet that he calls Aaron after this happens. While it's clearly meant to be a thing of Blaze calling the last alpha because he's probably the only person who anyone will listen to, there's an important detail I think is easily overlooked.

He has Aaron's number.

He says he got it from the werewolf pups, but that means that Blaze went out of his way to make sure he could contact Aaron. He's the reason that Aaron even realizes Ein is playing all of them. Blaze is the catalyst for his undoing because unlike Aaron who's nearly imprisoned, heartbroken, and been hesitant to act in the plot as a result, Blaze doesn't actually care that much if Aphmau currently likes him because he's more worried about her physical and mental well being than whether she wants to kiss him or someone else.

How many Aphmau love interests can say that?

Can any of them say that?

Blaze can.

Blaze actually consistently shows a level of selflessness that's unfitting of how I've seen some people characterize him. He gives up his real chance to be Alpha because Daniel is so compassionate and earnest and genuinely deserves it. Blaze wants to believe in a future lead by people like Daniel and Aphmau where he might not have to keep fighting people to keep things sane. Blaze constantly gives up his pride, his power, his safety just to make sure that his friends are taken care of, or to effect real change in a school he's about to leave.

It wouldn't be long after Phoenix Drop High Season 2 ended that Blaze would make his debut in the main series My Street in the second episode of Season 5, airing only a few days after the end of Phoenix Drop High Season 2. Just like before he really shows up with a bang, literally throwing himself through the air between Lucinda and Kim just to catch a frisbee because Blaze is the most extra mother fucker ever, and then immediately proceeds to flirt with them. Iconic as ever. Short but sweet.

It's in episode 3 that it's revealed that Blaze and the werewolf pups kept Aaron company during his rehabilitation year. But from the way it's worded it sounds like Blaze was called in before anyone else by Aaron's parents. Based on the way they talked and actively planned together before, I wouldn't be surprised if Blaze was the first person who came to his mind when Aaron thought of a werewolf friend.

I think Aaron reached out to Blaze when he needed it.

And even though I've previously stated that I don't think Aaron's parents initially liked Blaze because by this era he's old enough to fully take on his persona as the cool stoner friend who's also a little insane in the most charming way possible, he has a good impact on Aaron. Aaron likes being around him, and maybe they smoke weed to help Aaron relieve some of the lasting pain when no one's looking.

Regardless of his methods, Blaze does an ultimate good in Aaron's life as a result of being there for him when he needed it. So much so that he was invited out to Starlight and is shown to be one of Aaron's main pillars of support. We are given scarcely little of this actual friendship, which is where the problem lies. While before Blaze was a surprisingly engaging part of an other wise terrible story, at least in season 5 the story is a lot slower and character focused. And Blaze can work in these moments, we saw him have real moments of sincerity before.

He gets some of it, but the issue is that Blaze isn't allowed to be alone anymore. The cast of MyStreet is huge, and Blaze is a character who is making his second major appearance, while some characters in the cast have been present since literally episode one. It's hard to justify giving him solo screen time when he's been in the series for such little time and we barely have enough time for certain significant characters to really have arcs (Lucinda). Most of Blaze's scenes are scenes with at least four other characters on screen, he's never allowed screen time without at least two other werewolf characters attached to him.

I don't object to Blaze hanging out with his friends, or even making new ones though out the season but... Would it kill the writers to let him have a scene with Aaron? Like. A single scene. Where it's just Blaze and Aaron. I mean just Blaze and Aaron without Aphmau there. They've done this before. They did it in the season Blaze showed up in. Just one scene where the two of them get to talk about literally anything would do so much. Even if they talk about Aphmau, it's better than nothing. It would strengthen both of their characters so much to be able to get a scene where they talk to each other not as conspirators who kinda know each other, but as real friends supporting one another.

Show that even though Blaze said Daniel was more compassionate than he was, Blaze still is a compassionate and even empathetic person. Show why Aaron was grateful to have him during his recovery. They have those scenes of Aaron at physical therapy, right? Why not have Blaze take him one time and just show how they interact then? The possibilities with this unrealized idea are endless, and that's genuinely upsetting. Opportunities like this present themselves every time Blaze makes an appearance, they even tease me by giving me scenes where Aaron is alone with a character he has little to no connection with, Maria.

Maria was a foil for Aphmau. And Ein was a foil for Aaron. And Blaze was a foil for Ein. There is no reason for Maria to really have a rapor that matters with Aaron. He doesn't really know her that well, she's clearly a friend by association, and it seems like an odd thing to focus on when Blaze is LITERALLY RIGHT THERE IN THE BACKGROUND OF THIS SCENE.

Why won't they let Blaze talk to Aaron? It's so infuriating. The closest we get is in episode 7 when Blaze attempts to calm down Aaron, but he's shown to be ineffective and it comes down to, of course, Aphmau being the one to talk him down. I swear to Hatsune the writers are making fun of me at this point. They're going "Oooooh you want Blaze to be an actually helpful and supportive figure in Aaron's life soooo bad." AND I DO!

I'm serious when I say the show is teasing me. I've been skimming through Season 5 and only watching the episodes when Blaze is on screen, and so far he has never been in a scene with less than 4 people in it. Never. And even in scenes where he gets to be at least a focal point, he's always limited because he has to share that moment in the spotlight with FOUR OTHER CHARACTERS.

Episode 14 is a great example of this. When the werewolf gang gets told they aren't allowed to eat at a restaurant because they're werewolves, Blaze makes it abundantly obvious that he's put up with this before and really doesn't feel like being hate crimed on his vacation. And he knows that actions speak louder than words and therefore joins Maria in saying they should "teach this establishment a lesson." Personally I think Blaze would've just thrown the manager through a window only to realize it's an outdoor establishment and throw him into the ocean. Which would be objectively funny and deserved because that owner was being cringe and racist.

I love the conversation that happens because it shows the unique way that Aaron sees things from passing as a human for most of his life. This has never happened, but he knows that further acts of violence as a result will only make it happen again. This is a great scene for Aaron. Not really good for Blaze, and the next scene makes him worse. I love the detail that Blaze is an instinctual person more than a planner, but it feels wrong that he doesn't even let Aaron consider planning. I know he wants Aaron to be more spontaneous but he should have more awareness of his friend and his habits and be able to accommodate it, not talk over it.

But it's Jesson, so misunderstanding even their simplest character is par for the course. At least episode 15 gives me Garroth and Blaze talking in the background, and I'm starved for good Blaze content, so I was eating this shit up. The problem with watching MyStreet this way is that Blaze... Just doesn't get a lot of moments... At all. There are some episodes where he doesn't even speak at all, and when he does get to talk in episodes, he gets a few lines in one giant ensemble scene.

I don't object to a show having an ensemble cast, or even a lot of characters with a few central ones, but it really is a detriment to the show that Aaron never gets a scene alone with any werewolf he isn't related to. Nana gets to talk to Blaze when she's having a crisis of her relationship history and experience, but it's just so Blaze can tell her the opposite of what she wants to hear. It's not a scene that feels like it was written for Blaze, because it wasn't. It was written for Nana.

And before some jack ass says it "Blaze is a side character he's not supposed to get a lot of focus" and I'm not asking for a lot. I watched every scene he's in in PDH to prove that it works

BECAUSE IT DID.

Blaze showed up officially in episode 18 out of 30, and he wasn't in every episode after his introduction. But the writers gave him a solid introduction, one good episode that spent most of its run time with him, and really good moments throughout the rest of his time in the series. All I'm asking is that Season 5 at least give me one of those things. Either a good episode where he and his relationship with Aaron is brought into focus, even if it's used as a vector to study Aaron's character, or just more sincere moments for him.

It feels like Blaze is a joke character now when he previously made it very clear he's far more than that.

And then they just forget about him. During the first part of the 3 part finale Blaze is there. He's the one who got everyone to gather at the docks because an mf wants to eat some scrumptious food. But when Aaron sees Ein and starts freaking out, Blaze is literally just not in the scene. At all. Not even as like a throwaway of someone who could've helped but failed, he just is not in the scene at all. It legitimately feels like the writers forgot about him entirely.

Blaze the minute the plot shows up:

He's there after Garroth gets turned and was apparently at Garroth's bedside trying to calm him down which I will be thinking about. A lot. I'll be thinking about how we deserved to see or at least hear some of it, about how the writers continue to tease me with an interesting scene that involves my favorite little fucker, about how heartbreaking it would have been to see Blaze and Melissa try to calm Garroth only for him to scream in pain and try to push them away only to reveal that Zane and Nana are able to hear the entire ordeal downstairs and Zane is panicking when he hears his brother screaming in pain. Just thinking about what we could've had if the writers actually cared about any of these characters.

And then after that he dies.

I'm not watching any of When Angels Fall because I know what's good for my health. I know what happens in Season 6 Episode 9 and that's all I need to know. It doesn't matter if the writers may have finally given Blaze an emotional scene, it doesn't matter if they finally gave him even a hint of character development, it doesn't matter if he made a connection in a real way. Because no matter what he did the result is the same. No matter what quality the writers might've pulled out of their ass, it would ultimately be in service of one end. From the start of this season these writers knew what they wanted to do. They wanted to up the stakes and add more drama to the show, and they wanted to do it by killing Blaze.

And I think I know why.

This is 100% a limited view, but I was on Aphmau Instagram at the time that this season was airing. And I ran a Blaze fan account. I talked to a lot of MyStreet fans during this time and I was constantly upset and disappointed that people didn't understand Blaze's character, or just didn't appreciate it as much as I do. Most people liked Blaze on a very surface level, or because he was attached to another character they liked. I found very few people who genuinely cared about him as an individual, probably because Blaze stopped getting scenes alone by the end of PDH, and because the Aphmau fandom (at the time) had more of a focus on shipping than character work and quality. Blaze was easily shippable with a number of characters, canonically shipped with Dottie a little, and had enough characterization that people cared about him, but not enough to get a large dedicated fanbase.

He was the perfect one to kill.

Enough people liked him because he was hard to hate, he was stapled onto Aaron's character with little regard for a story of his own, and his death could be eventually inconsequential. And it was! Blaze's method of dying is so bad it makes me physically angry!

I know the whole story for the last few seasons has been all about Forever Potions and turning people against each other, but just mind controlling Blaze and having him die while under mind control is such such a missed opportunity. There's been a disappointing lack of proper Aaron and Blaze friendship content, but they could have made up for it in this scene with just a few tweaks. Just have Blaze not be mind controlled at the end. He can still go on that rant about Aaron being the cause of all the bad that's happened, but then the words start to become... disjointed. Jilted. As if Blaze is struggling to say them because he knows that they're wrong. Aaron's his friend, there's no way he'd say that about him.

Have it break.

Have him look at his friend in a worse state than he's ever been in, and instead of approaching him with intent to harm, it's intent to heal. A final attempt at getting through to Aaron. And like the times before, it doesn't work. Aaron's angrier than ever and he isn't seeing or thinking straight thanks to Ein's bull shit. All he can see is an enemy in his way. Maybe he sees Blaze's eyes but Blaze's green eye is still Emerald Green, even if the control broke for a moment. Whatever reason, Aaron still attacks.

He doesn't realize that Blaze wasn't trying to hurt him until it's too late. Aaron's anger already ruined a friend's life, it already pulled all of them into the hell they're in, and now it's killed one of his best friends.

ONE CHANGE. THAT'S ALL IT TOOK. ONE SINGLE CHANGE TO MAKE BLAZE'S DEATH ACTUALLY MEAN SOMETHING.

Ideally I'd like it Blaze just didn't die at all, least of all before the finale, but if you're going to kill him off unceremoniously at least make it have some emotional weight. You've been neglecting him for an entire season and now you just kill him off? Just like that? Oh he gets to show up in heaven? How nice. Is it a scene where he gets to express regrets, remorse, or even give any insight into his feelings?

Of course it fucking isn't! Are you kidding me, that's not even close to what happens. I said i wouldn't watch When Angels Fall but

I LIED!!

I watched Blaze's death scene and his scene in heaven to make sure I knew well and good how badly they failed to kill off my favorite character! And man, the scene in heaven is just the worst! Blaze does a genuinely kind thing for Aphmau and decides to stay with her when she's alone because he doesn't want her to hurt. He saw how much pain Aaron was in without her. He just wants to fucking help her.

But Aphmau's too self absorbed to realize that and instead goes on a whole rant about how she always needs other people to take care of or protect her and how everyone else would be better off yadda yadda. What she doesn't realize and what Blaze eventually gets to tell her is that people were around her and took care of her because they just wanted to. Because she was nice to be around. And they never expected anything else, and never saw her as a burden.

And that's actually a really nice moment. Sort of. There's two major problems. First, Blaze gets cut off from telling Aphmau this at first because Irene has to go on a whole rant about Aphmau being selfish. And she is right in everything that she says, but it feels weird for Irene, who literally doesn't know her, to be making this judgement. This scene should have been Irene observing a conversation between Blaze and Aphmau were Blaze just tries to make her feel better.

And that would hopefully solve problem number two. Which is that what Blaze says is very genuine and heartfelt, but severely handicapped by the fact that he and Aphmau were only friends for a short period of time in High School, and an equally short period of time within the last few months. What Blaze says about why he likes being around her is true, but it would have a lot more weight if there was a chance for Blaze to have been around her as a friend more.

Fuck it, if you need Blaze to be on screen with at least two other characters, why was there never a scene of Blaze, Aaron and Aphmau just talking? Would a single scene of that fucking killed you? Just one scene would have made their friendships a lot more solid and therefore heartbreaking to lose when it gets torn apart.

Third problem, the scene ends with a focus on Irene. Blaze's words echo in her ears, and remind her of her friends. And I like that idea because I'm an absolute sucker for MCD, but it takes the scene away from the focus. This should be a scene about one of Aphmau's friends encouraging her to not give up even if it all seems lost. At least don't let her death be in vain by saying such awful things about her friends while they may be grieving. But Irene is brought into focus again because the show isn't about Blaze, or Aphmau apparently, I guess her Aphmau Main Character Powers overrides Aphmau's. She has more experience with them.

Blaze and Aphmau's very heartfelt dialogue is brought down by the fact that these two characters lives didn't intersect very directly out of high school. Through the course of Season 5 I never got the idea that Blaze was Aphmau's friend. Not to say they weren't friendly, I think Blaze adored her just as much as he did in high school, but as a viewer I was never shown that they cared particularly for one another. I believe that Blaze sincerely cared about her even after all this time, but that's not because of anything the writers did with him in these seasons. It's just because that's the kind of person Blaze is.

But their friendship not being strong really weakens the scene. This is a scene that I know for a fact worked as intended when I watched it as it was coming out. I was an overemotional mess of a 15 year old who hated how this series was going but kept watching it because it was almost over and I might as well get it done with. It pulled on my heartstrings and they sang and I cried. I cried a lot. This scene made me incredibly emotional, and it still got to me as an adult, but the devil is in the details.

Blaze and his arc might work on the surface. They work if you don't pay that close of attention to it. They work if you care more about the characters he's constantly around more than Blaze. And when I first watched Seasons 5&6, I still had a very deep attachment to a lot of these characters, especially Melissa, who he shares a lot of scenes with. So I felt... satisfied? I would've liked more, but I probably wouldn't have complained about what I got (his death scene not withstanding I always thought that was bad).

My my, how the times have changed.

If it wasn't obvious from the four thousand or so words you just read, Blaze is a rather unique case of these writers failing as writers. A rather unique case where the perfect character to fix a lot of problems with their show practically jumped up in the air waving his arms around and they still brushed past him to focus on a predetermined story he was shoved into. I don't think the writers ever really had a plan for where Blaze would go or what he would do.

A lot of Blaze's best character moments are when he isn't being written by Jesson. The reason I love the minigames so much is because there, Blaze's incredibly talented voice actor Jason Lord is actually really funny and pretty good at improv. Obviously some bits of the mini games are scripted, but a lot of them are just seeing how much voice actors can get into their characters, which he's fantastic at. A lot of Blaze's funniest moments come from this too, which is great when the writers turn him into a comedy character but the characters voice actor is funnier than they both are and is only a funny character when they don't have direct control of him. Lord is able to bring life to a character who may have been lacking it due to the simultaneously focused and unfocused way the series was written.

Blaze is proof of what happens when writers don't bother to develop their characters beyond the outline. The draft notes for PDH Season 2 said "there's going to be a wolf character who tries to become Alpha and instead stands up for Daniel when he's bullied." and then Blaze was born. The writers gave him some characterization as a treat to make the story work better, and then were done with it then and there. We fleshed him out enough, good character, time to put him in season 5 so people stop criticizing us for not giving Aaron enough friends.

But the problem wasn't a lack of quantity in friends, it was a lack of quality. It was a lack of scenes that let Aaron interact with other characters without Aphmau present. It was a lack of characters to point to that were real emotional connections Aaron had that weren't his last minute family or his girlfriend. It was a lack of attention given to the few characters that could've filled that role. Dante almost filled it in season 2, and Aaron and Garroth could have arguably become closer after everything in season 4, but at that point Aaron's entire arc became centered around Aphmau.

It was the fact that Blaze was one of the few people who ever directly reached out to Aaron and then was never given a scene alone again. It was because the writers wrote too many characters, tried to give the series a more direct focus, and then failed to account for the characters that were dragged along even if they didn't necessarily know what to do with them.

So when Season 6 came around and they decided to make the show super serious no really stop laughing, they needed characters to kill off to up the stakes. It's not like Blaze's character was going anywhere. It's not like they had a plan for him. Nothing was really being lost.

It's not like Blaze was one of the most sincere and dedicated characters in the series. It's not like he had one of the biggest potentials in regards to his relationship with Aphmau or Aaron. It's not like there was time spent proving that he could be a solid pillar of support in both of their lives even under dire circumstances. It's not like he was set up that way through individual scenes where he got to talk to each of them on a personal level. That definitely didn't happen.

TLDR: MyStreet peaked at season 2 and they fumbled the bag with the best chance to make it peak even higher and I'm forever bitter about it. Now get out of my house.

[writingwithfolklore]

hi! I havent seen you cover this yet (if you have i apologize lmao), but i have a question

what do you do if your writing feels dry/flat? and not like, in a plotless way, but it seems like the characters arent characters

Hi! I know exactly what you mean, and I struggle with this a bit myself. I have written a few things that could help with this, so I'll put them all together here.

What to do when writing becomes lifeless

My biggest piece of advice here is something I wrote a long time ago! (It's also one of my favourite posts). Essentially, when characters stop feeling like characters it's usually because they've become 'plot mules'. Or they're more objects for the sake of fulfilling and acting out the plot rather than people.

My post 'Zoom in' could help with this;

Otherwise, your problem might be that your plot isn't being driven by the character, but rather dragging the character around different situations. In that case, it's more of a problem with the foundations of your work--characterization and outlining. Your character should be the one making everything happen through their mistakes, flaws, and decisions.

Check out 'Character is Plot' and/or 'outlining' for this:

Lastly, I'll link some extra things that could be impacting this--maybe through the dialogue or description or otherwise just small writing things that contribute to the feeling of life in characters.

I hope that helps, good luck!

[deconstructivesurgery]

I saw someone online recently discuss the reality of Wesker not killing Chris or Jill permanently in any of the RE games because

A) as per usual, long-running series hate to kill their darlings, even when it would occasionally be a believable or satisfying death (plot armor, because people would get mad and mald if their faves were killed by the Villain(tm) they're supposed to shoot dead)

and

B) "well REALISTICALLY it would be SO easy for wesker to kill them because of how strong/fast/etc. he is so point A is the only believable and acceptable answer because obviously they couldn't have killed Chris or Jill off"

and like no dude I get it totally you are right. I can't even argue that you're incorrect you 100% are. I could rightfully argue that realism doesn't matter when it's far more enjoyable to NOT have Chris or Jill dead, especially when their deaths would serve no real compelling narrative purpose except (:() HOWEVER

If you're willing to hear me out, there's an explanation for Wesker never entirely killing either of them for reasons that turn plot armor into something as simple as believable characterization.

Nostalgia. Literally. Just. Nostalgia.

He avoids killing them outright because once upon a time, these people meant something to him. He saw WORTH in them, valued them, possibly even to the extent of finding it difficult to try and sacrifice them initially (something I am going to go ON about in another long ass post soon enough). TLDR: He was attached.

Long ass post underneath if you want to hear me blather on about why I think this :)

After his initial failed attempt to have them all killed because Umbrella commanded it, I'm not surprised he simply settled for toying with them for the most part. He doesn't need to, and more importantly- doesn't want to. He can never have their allyship back, but he can still see them in action. He can best them, sure- but why would he kill them when he still savors those interactions, when they clash? Why would he destroy the last pieces of a past he's attached to to the point of bringing it up constantly up until his death?

I've always found it funny how many lines Wesker actually has referencing the past. You were my best man, your 'partner' (said snidely in reference to an era where they were in the same squad) is in danger, I should've killed you years ago, etc.

And just the line. The fucking line. From the Umbrella chronicles. I'm not even going to retype it I'm just putting it here.

I understand, by the way, that he's being sarcastic, but I do genuinely believe there's a grain of truth in this. I think he does in fact want to see them survive.

Side note: What with his appraisal of their skills and his direct use of Jill's own blood later to temper Uroboros to make it less fatal, I love to make the mental stretch here that somewhere in his little ape brain he was hoping if infected with uroboros both would be "quality" enough to become like him. I think his ideal future still has them kicking around in it, viable hosts for uroboros mutation so they could join him in his new Minecraft server for cool people.

ANYWAYS tangent aside back to the nostalgia argument, on an individual basis this time. We're starting with Jill, because even though Wesker isn't an obsessive freak over her like he is with Chris, I still firmly believe he's attached to her as well.

Why else would he do what he did to her, after her presumed death via falling-off-a-cliff? Sure, you could argue it was simply a calculated decision based on the fact that he knew her blood would be useful, but I like to think of it a bit differently.

You crash into the rocky water below a tall, tall bluff, battered beyond belief- but quickly repairing yourself- and the body of another (probably also fucked up by that impact, and not capable of immediately fixing that) next to you. I don't think even Wesker would be doing mental math in his head at that very moment, considering the precise reasons why Valentine might be valuable to him down the line. I think he just automatically assumes he needs to take her with him because it's her. She gets dragged out of the water and slapped into medical care as quickly as he can manage it simply because she's an important part of that past he refuses to move on from. A part of the team. Then, she's a useful source of antibodies to help with the transformation of uroboros- but she's also a brainwashed bodyguard, something of a sidekick. Why? He could hire someone. He could use anyone. If she was useful for samples alone, he could've kept her in a cell for years to intermittently steal a few ounces of blood. But of course he wouldn't, and he wouldn't kill her or dispose of her otherwise, either- because Jill Valentine was skilled and strong and a dedicated team member, and maybe- just maybe- it's nothing short of satisfying to have her fighting at his side again, even if it's a facsimile of their old team dynamic. Plus, you know: bonus points that it'd horrify Chris to see his best friend and beloved work partner of many years through thick and thin working for him, when they inevitably clash again.

And then, of course, there's Chris. He beats him senseless only to piss off over very mild retaliations, promising to meet him again. You've probably heard a lot about that before. I could go on about that. But what I'd rather go on about instead is the one time he clearly determines that killing Chris for good is necessary, and that's in RE5.

...And look at how he talks during that. He brings up the "should've killed you years ago" thing- and fails to explain why he didn't. It wasn't due to any failure on his part, truly. He's beat Chris in combat several times, he's had the chance before and refused to take it. He asks Chris why he can't *understand his plans*, as if somehow expecting that there'd be a chance that he WOULD understand- and then what? He wouldn't need to kill him? Could get him to be a part of this new world he has planned, even?

Going over the times he could've killed Chris and didn't is fun, but I don't think anything illustrates my point of unwilling attachment and nostalgia for the past more than his gambit of literally asking "why can't you understand this" to the man he's actively attempting to bludgeon upside the head with virus tentacles, because he'd much prefer it if he didn't feel compelled to do that.

...so yes. At the end of the day, it's plot armor that prevented Chris from getting snapped like a stick during one of their brawls, or from Jill being dead after her cliff stunt, probably. But it's always going to be more fun- to me at least- to see it as the product of Albert Wesker genuinely not knowing how to let go of those "lovely stars members" (a line I think about way more than I should).

[seasoningyeeting]

HAPPY CAPTAIN AMERICA DAY

You probably can’t tell this from my blog, but this is like, *my* movie. It’s just…my movie. Everyone associates me with this movie, just like they associate me with Vox and Taylor Swift. I’ve seen this movie, an insurmountable amount of times, to the point of where I know the line of just about every single character, I remember when all the little music cues come in, and my entire existence is just…LITTERED with traces of this movie. I’ve tried so hard to get my claws on merch and items from this specific era of movie, and obviously, with it being 10 years old now, that’s incredibly difficult to do. It’s weird, I feel inferior most days, because my favorite things don’t really “stack up” against other people’s favorites, especially with me being so involved in the art ‘world’. Like, it’s very difficult to explain why this is my favorite movie. Because there is no meaning to it by the majority of people’s standards. But this is the movie that made me want my own TV show. The camera angles when Steve talks on the PA system are just…I can’t even. Chris Evans’ delivery choice on “absolute control”, coupled with the complete lack of outside sound, were jaw dropping to me 10 years ago, and they still have the exact same effect on me now. The witty banter between Nat and Steve actually being smart and witty, and not just “witty for the sake of her being pretty”, also stuck out to me. The mall dialogue is one of my most favorite little story telling pockets I’ve ever seen. She was funny in her own way. Yes, the physical impracticalities of Natasha in this movie still irritate me, (her hair when she comes out of Sam’s bathroom? Really? Come on.) but it characterized her a hell of a lot better than the other movies did. (Aside from her own.) Another thing I always loved, was the absence of references to other parts of Marvel at the time. Like yeah it had references, but they were absolutely necessary not just to the plot, but also for the audience to start understanding Steve as a character. His little hint of exasperation on “Stark?” while still remaining cordial with Nick, is *chefs kiss*. That ONE single line, conveys all of his feelings about Tony up to that point in time: he knows he’s damn good at what he does, but that still doesn’t negate the fact, in Steve’s mind, that Tony still has the capacity for selfishness and recklessness. I also love that one-liner, because they’ve gotta remember from a directorial standpoint, that to we as an audience, Steve has pretty much only just come back. That itty bitty line really hammers that down. His exasperation isn’t just at Tony, it’s at technology in general. It all clicks for him: this is a necessary evil. It’s a new world, and Nick even says that to him, multiple times throughout the film. And with that being a recurring theme, it shows us how flawed this iteration of Steve really was. Of course he was a good person overall, but he still struggled with putting himself on a pedestal. His internal struggle with how he views himself, is also reflected in his treatment of Bucky. Something I wish more people would clue into, is Steve wasn’t denying that fact that Bucky is different now, he was trying, to convince his equally traumatized self, that Bucky wasn’t different. His rational brain knew Bucky wasn’t the same, but we see bits and pieces of ‘irrational’ bleeding heart Steve, come back into the picture, every time they’re on screen together. Very few actors, (especially nowadays,) can act with their eyes, and nothing else. Sebastian Stan? Is the MAN of eye-acting. Even now, he remains a criminally underrated performer. The artistic genius of the costume design, making the mask and goggles two separate pieces, was also half the reason he was able to convey an entire lifetime’s worth of a character’s story, just through eye contact. And the moments where he would break eye contact were SO poignant. Because yet another thing I wish people would understand, is Bucky wasn’t triggered by Steve’s devastation in “Bucky?”, he was trigged just by seeing Steve. Cont.

[kiragecko]

Rating Post-Resurrection (but pre-nu52) Jason Todds

Hush(/Clayface/Jason Todd) - eh. Good instincts for drama. Good insults. You're fine, but it was easy to believe you were an imposter. Plot is ridiculous. (Personality 1) 7/10

Under the Hood/Family Reunion/Franchise/All They Do is Watch Us Kill - I mean ... yeah. You're what I think of when I think of Jason Todd. You define the character. Also, you ARE really funny with Black Mask. (Personality 2) 8/10

Life and Death (Titans Tower) - okay. YOU are not necessarily the problem here. The problem is that the author doesn't understand Tim or what happened in the comics he's referencing AT ALL, and puts the most nonsensical words into your mouth as a result. Also misunderstands the New Teen Titans. And you're drawn really ugly. Under all the retcons and nonsense there is SOME okay characterization, though! (Personality 3) 4/10

World War III - never plan on reading this.

Daedalus and Icarus (Summary of Jason's Return) - This is a recap, but it's a recap of things we haven't been shown. Recaps aren't stories, so it isn't GOOD, but it does have some puzzle pieces. (Personality 2) 3/10

Pay As You Go (Outsiders) - you try SO HARD! All you do this arc is try to help a superhero and get beaten up by Dick. Maybe a bit of standing around being awkward because you don't know how to break into the securest prison on the planet. You are being very fanon Jason this arc. (Personality 4) 5/10

Brothers in Blood (Nightwing) - you're ugly, you're mean, you're dumb, and you turn into a tentacle monster. An UGLY tentacle monster. I enjoy laughing at you! (Personality 5) 2/10

Seeing Red - this arc is SO FUN. You are unhinged, but I would have LIKED if this turned out to be who you are. You truly think that blowing up Mia's gym is HELPING!!! Delightful and silly and I like the talking ape. Go hang out with the Arrows more. (Personality 3) 8/10

Countdown - you remain my favorite post-resurrection version. Love you as an insecure, immature kid trying to impress your big brother's friend. Love how young you are. Love how emotionally fragile you are. Love all the pretending to be tough. This would have ALSO been a great version for other authours to run with! (Personality 4) 9/10

Search for a Hero - I HATE EVERY THOUGHT TIM HAS ABOUT YOU IN THIS ARC! Why does the authour think so little of you?? You are not dumb and brutish and I refuse to believe this slander. Your expressions when you see someone in your Red Robin costume, AND when Tim turns down your 'awesome' team up plan, both belong in an arc that respects you more. (Personality 3) 4/10

Robin Dies at Dawn - see, this is how people should write you interacting with Tim. I want him to take you on as a project, and everyone to recognize that this is both condescending and not healthy behaviour. I guess YOU don't actually do much, though. How is this the next issue? (Personality 3) 7/10

Battle for the Cowl - shouldn't there be editors? People to say, "this authour isn't very good and maybe these characters should act like themselves?" I want comics to be better. (Personality 4) 3/10

Revenge of the Red Hood/The Streets Run Red - I don't read Morrison, but I've seen a bunch of panels. Wrong sort of unhinged, in my opinion. I prefer you to be trying to help people, not win some sort of messed up contest with the Bats. (Personality 6) 5/10

Red Hood: The Lost Days - look, I'm not here for your thighs, your daddy issues, or your revenge fantasies. I am here for your truly unhinged attempts at bonding with others, and the sincere confusion you seem to have when they don't work. This is good, but not for me. There's not even any ridiculously large crates of kryptonite! (Personality 2) 7/10

[duriens]

did the show just.... butcher devil's minion completely??

I didn't mind Armand's characterization in the show so far (well, kind of, except the fact that they turned him into a supervillain vs. saint Lestat) but the sudden reveal that Daniel Molloy was turned by Armand "out of spite", leaving him all alone to fend for himself apparently, really put me off. so not only there is little to no chance that devil's minion ever happened in the 70s or 80s, but also it's not gonna happen in 2022? because Daniel has already been turned, and the turning of Daniel is the culmination of Armand's and Daniel's relationship arc together, one that is for sure unhealthy and codependent and obsessive, but that was also tender and sweet in a very special way - no wonder that chapter has been a fan favorite for so many for so long. and they just.... discarded it like that?

Daniel's a vampire, he's been turned out of spite, it's heavily hinted that it happened either immediately after Dubai or very little time later. I really doubt there has been time/interest to do any sort of chase, or one that culminates into the sort of feelings Armand and Daniel develop for each other, at least. Daniel destroyed Armand in the eyes of his lover and I really don't think there's any sort of love story brewing there. Doesn't seem it happened in the past either, cause there's not a single hint at the Alice theory in this episode and I thought that if it was true, we'd have another little crumb before the season was over.

What about Armand's line that making fledglings repulsed/repulses him? That was a really important piece of characterization and they didn't even let us see him work through that when turning Daniel. Book Armand sees the process as something worse than killing, and that is why he never did it. He finally concedes because of love for Daniel, however obsessive it is, because Daniel is begging him on his death bed, because he needs him forever and Daniel needs him, too. From repulsion to acceptance because of a pure, absolute sentiment. Show Armand turns Daniel Molloy because he's full of spite. Why would they take the 'Armand is a super villain and theres nothing else to him' route and give him a petty vedetta for that one act that is so important for him in the book, as a character? Why??

and why did they have the talamasca guy tell Daniel 'you should be scared of the other one' when literally they made Armand the dude who kills and turns Daniel, whereas Louis is his best friend?? It just doesn't make sense. There's quite a bit that doesn't make sense to me in this last episode. But I gotta admit, the treatment of Armand's and Daniel's characters has baffled me. even if I weren't a devil minion's fan or a fan of these two characters specifically, it would've rubbed me the wrong way.

I don't know. I guess we'll see what they do next; hoping that there is more to that event than a simple 'oh he turned u cause u ruined his life' and Armand fucking off into the sunset forever (not quite, lol). maybe we'll find out it was all an elaborate plot from Daniel who knew he was paying with fire and counted on Armand to be so mad he would do the one act he found repulsive: finally making a vampire. maybe that's it, and Daniel had decided at some point during the sessions that he didn't want to die, that he wanted the gift. maybe he never changed his mind about it since the 70s. maybe he played Armand. manipulating the manipulator? makes sense in a way, I guess, but boy is it a waste to not serve on a silver platter all those sad and tender and raw and odd feelings that the devil's minion chapter already had prepared for us.

[goblins-riddles-or-frocks]

the realization that he’s sitting on centuries’ worth of accumulated corpses for absolutely no pay off or greater purpose is itself a looming source of anguish that he’s trying very, very hard to avoid.

This sort of broke my brain but it's so true damnn. What do you think of his pov in rule of wolves? I read it years ago and never read the book again all I remember is bits and pieces which confused me. Darkling looked very... idk messy? He saves Nikolai in the war but a moment later he's like "uhh nvm" then he also sacrifices himself in the end so maybe some of it is starting to seep in especially after Alina's words that he kept repeating to himself and also insisted that she wasn't true and how he Just Didn't Care 🙄 *insert the pretending not to cry wojak meme*

His POV was fun! I just didn't like the duology; I think the plot was a mess and it was inconsistent with itself, not to mention the trilogy before it. But I preferred RoW to KoS bc my evil goth son is in it at least. I've said this before but I dislike the base premise of resurrecting him at all, especially in a narrative where Alina remains out of the picture as protagonist. I think it undercuts her arc and efforts too badly, and like his send off was already good. He doesn't need to come back! But he's clearly LB's favorite blorbo and she refuses to let him stay dead lmao. So like, if he must come back, then I do think that is the funniest possible premise for it, where he's lost all status and power and is completely out of his depth. It is interesting to see him in such different context! I just wish it made sense or contributed to a better story. Personally, I liked his silly little glass prison arc and wish it had lasted longer. They needed to fully just Hannibal Lecter him and keep him as their pet war criminal to advise on random plot or the Saints or whatever. I did think it was clever though the way he got maneuvered into a grudging near redemption, where he's completely and entirely unrepentant,* but tricked into saving the day from sheer ego. He's the self appointed main character of the world, so of course he has to be the one to go to tree hell. In general, I feel like the characterization in KoS suffered? Where most of the characters got flattened, but I think he was the most intact. His actions were messier, but I got the impression that that's more him being unused to not having the power that he used to have, and flailing a bit. My main gripe is that I do think he would probably be petty enough to demand Alina see him off to tree hell. But LB super, super didn't want her involved in any meaningful way, which, I can understand! But in-universe it didn't really feel consistent. *Or so he claims! I did think it was really fun the way he was grappling with pretending to being an emotionless husk of a person as per usual and also just not quite fitting into that anymore. I don't think he was sorry, but it's like that one tumblr post that goes "not evil anymore i want to be loved now -> evil again" rinse and repeat dfghj

[barb-l]

Do you have any wenclair fic recommendations?

Yes, I do, and it's called My Bookmarks on ao3 lol

Lemme show em here anyway tho, in no particular order, for people who aren't in the mood to be taken to a "second location". I'm not listing all of them here tho. To know more, just click the link.

So aside from literally everything made by @//eggplant-crusader there's also these:

This was really fun. I know nothing about Eurovision, but I really like the moral about dreams and priorities and having the maturity to pick your battles.

This one got me feeling all kinds of yearning. I'm not really a big fan of angst when it comes to literary media(because it feels a lot more... consuming that way, yanno) but this one also had a lot of hope and tenderness in it that i couldn't help but keep reading. Binged it in like two days? Worth the sleep i lost.

Aside from what I said above, it's also super funny and cute btw. And i love the fic's format, the way every chapter starts with stuff like soc med posts or emails or scribbles written on walls that add to the setting of the story rather than the plot. Reminds me of how I Kissed Shara Wheeler would do that(reading that book rn btw. Would rec that too if you want a fun wlw book)

Has a really cozy feel to it. It reminds me of the older fics i used to read when i was younger for some reason idk

This author has other works that are really good too(notably a fake dating one that i enjoyed) but this one is my favorite of their works. The whiplash i felt when the jokes hit while im still crying was oddly fun

It's an unfinished fic but it doesn't really follow a continuous plot, so it's fine. It's just a bunch of snippets of Enid casually showing off her strength and is quite a joy to read. Also funny. When it comes to me, it's a requirement for something to be funny ehehe

One of my top fics for any fandom i think. It's a short one but a really well executed premise. The thought of Wednesday wooing Enid with anonymously sent two sentence pieces is so cute to me.

I really like the characterization in this. Probably one of the most show-accurate Wednesday's I've read, mostly because they don't forget that Wednesday would still be a little shit to Enid even if she's in love with her without overdoing. It's a shame lots of writers forget that lil bit about her.

[syn4k]

something i have realized about myself is that i love character analysis and getting into the bones of a story almost more than i love the work itself sometimes. i will dissect the plot, the themes, the details, EVERYTHING and sometimes i'll slap it back together and continue watching and sometimes i'll use bits and pieces and rearrange them while writing fic.

that's part of why i love AvA and AvM so much, i think, because the series is so well made and has so much time and love and details and effort poured into it that diving in and picking apart every little detail is as natural as breathing. id probably write a serious, properly formatted essay on each character's characterization if i liked writing essays! this series Does Not Miss. i love this SO much. ough

[glade-constellation]

As a author who has been using Google Docs for literal years, it makes me so unbelievably sad and livid to know that my works are potentially being used for AI. I’m not even sure how to fix it at this point as I just have so much stuff written and there’s just no way to move all my documents somewhere else. Nearly eight years worth of writing is saved on there, from small lists of ideas to full blown stories because Google Docs is all I had besides physical paper. This isn’t just fanfiction either, I have an entire original series I’ve been on and off working on since middle school. In depth characterization, world building, and story plotting I’ve been working on for years of my life. I put every little detail in there too, as I have a severe disorder that heavily effects my memory and ability to recall things.

Maybe I was stupid for using Google Docs in the first place, but what did little 12 year old me know? That’s what we used in school. Why not use it for my own stuff? Plus, when we got school computers, I could act like I was working on schoolwork while I was just writing little fun stories in Google Docs. Now I’m laying here, 3:00 in the morning, nearly in tears because all my stuff I’ve spent countless hours of my life on is being stolen from me for fucking artificial intelligence. No credit, no asking permission, they’re just fucking taking it. They’re using all my stuff for a machine that’s just going to shed it to fucking bits and spit out the messy pieces. All that work and I don’t have a single damn say in the final pieces presented to the public.

I don’t want to continue to write anymore if this is how my work is going to be treated, and I’m most definitely sure I’m not the only one. AI is stealing any sort of credit or praise authors rightfully deserve and are already getting so little of. I can’t keep putting hours of my life into something that I will never be given any form of credit for creating.

Fuck you Google, and any other person who feeds any sort of fiction into AI. I sincerely hope you have the life you deserve.