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when your bestie is also your worstie 😔

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Viktor just went from being some guy to my all time favourite Arcane character. Funniest possible direction they could’ve gone with him. Every fuck in his mind body soul was spent and gone when he emerged from that goop. Woke up purple from a near death experience and immediately dumped his situationship, quit his job, fucked off to the undercity wearing nothing but a blanket and then became the second coming of Christ on accident. King of protecting his peace. Imagine being that guy who tried to shank him. Some Czech twink with dick and balls hanging out starts glowing and then magically cleanses the poison from your body. I’d be on my knees worshipping him too man what a fucked up situation. Someone please get him some trousers

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you motherfuckers

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BUFFY THE VAMPIRE SLAYER | 5.07, "Fool for Love"

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going absolutely fucking insane over solas dragonage. he used to be a spirit. he was meant to be bisexual. he hates tea but still drinks it. he murdered the two people he loved most in the world. he pissed magic once (maybe). he pondered an orb. he played strip poker with blackwall. he sundered the fade from the waking world. he created the blight. he sent bitchy letters to elgar'nan. he's great at chess but then lost to a random named after a chess piece. he co-parented a spirit. he murdered the other co-parent. he speaks in iambic pentameter. he imagines the sight of you being dominated would be fascinating. he ghosted his ex for a year and then yanked their arm off. he loves frilly cakes. his greatest fear is dying alone. he's bald.

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Some spirits are dangerous. But how quickly most respond to a bit of kindness, or care, or simple attempt to understand.

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imagine being illario and finally finding the resolve to kill your cousin right. you seduce and fuck a blood mage venatori magister to get her to do this for you. you figure you’ll eventually kill her once you are first talon, tie up the loose end and make it look good for you. a vengeance story! except when your cousin’s body shows up your grandma retreats into herself presumably out of grief and you’re like jesus christ he’s a corpse and still the favorite. at this point you start feeling some regret and at the wake you’re beside yourself. it helps to be really feeling some of that to fool everyone else. but months pass and your grandma still isn’t even discussing the inheritance and you have to be normal because you don’t want to incriminate yourself. and then a year later some random guy (worse if its a de riva tbh) shows up saying they need your cousin to kill an elven god (what.) and he’s the only one who could (insulting). and its at this point your grandma is like “lucanis died… but he is not dead!”. record scratch freezeframe. while you juggle with the fact that the freak woman you fucked specifically to get her to kill your cousin didn’t even kill your cousin AND your grandma didn’t bother telling you (for good reason ofc but she doesn’t know that), you have to lead these assholes to go save him and unravel your hard work. so plan b. you kidnap your grandma and push your (now possessed) cousin away (and then get mad when he actually walks away. because you’re like this). and when your cousin comes dangerously close to figuring out what’s happened with you and the magister, you kill the magister. you ally with those elven gods and venatori (you aren’t sure how you’re going to get out of this one but it’s fine. that’s a hill for future illario) to make sure you have enough backing to stand up against the other houses if they challenge you becoming first talon. you continue to gaslight your cousin into staying away, because if there is one thing you can count on, it’s his literal inner demons and total lack of a support group, you’re certain he’ll fuck it up by himself. you know this because his support group used to be your grandma (dubious) and yourself (lol). you’re almost home free. and caterina will definitely acknowledge you as a player on the board. which isn’t important but it would be nice, right. BUT THEN IT TURNS OUT. YOUR COUSIN HAS RECENTLY MADE 7 FRIENDS. one of whom can speak to the fucking dead because of course he can. and then some of those friends show up to publicly humiliate you at the dinner party that should have been YOUR crowning moment. your grandma ALSO shows up to tell everyone you have gathered that your cousin is first talon. your cousin gapes at her because he doesn’t actually even want it so it’s kind of awkward for everyone. and then when you’re sure he’s about to ask viago de riva to poison you to death, he actually tells him just to take you away. because OF COURSE he’s being the bigger person. anyways the point is i’m surprised illario just lets himself be taken away because if i were him i would have started biting people and then bombed the villa

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Rook and Lucanis' banter during the Siege was a highlight

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Emmrich & Lucanis banter about/with Spite because it's a very fun angle of conversation between them

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Dragon Age: The Veilguard | ▶ dev. Bioware

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sitting on him

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Dragon Age™ The Veilguard

Dread Wolf

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One thing I really liked about Veilguard is that finally spirits are SEEN AS PEOPLE. Not just "Dangerous Things that turn mages into abominations" but beings with feelings, interests and personalities!! It was something that had been brought up before, notably with Justice in DA: Awakening, and I'm glad to see this back now even if it's in the background. Overall while I think they should have also done much more with Spite, I was glad to see so many spirits involved in sidequests.

Also the wisps at the Crossroads have shops!! That's so cool!!!

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Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

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Sten??

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why does it feel like lou is the physical manifestation of your brain waiting to see what’s on the other side of a brennan monologue