#bestseller USA Today

[pier-carlo-universe]

Un incontro fortunato: quando il destino bussa alla porta. Layla Hagen ci regala un’avvincente storia d’amore, intrisa di passione, intrighi e colpi di scena. Rcensione di Alessandria today

Il romanzo Un incontro fortunato di Layla Hagen, autrice di bestseller del USA Today, è una meravigliosa immersione nell’universo dell’amore e delle seconde possibilità

Il romanzo Un incontro fortunato di Layla Hagen, autrice di bestseller del USA Today, è una meravigliosa immersione nell’universo dell’amore e delle seconde possibilità. Hagen ci accompagna in un viaggio emotivo tra personaggi ricchi di sfumature e una narrazione coinvolgente, che non lascia spazio alla prevedibilità. La trama: amore, mistero e opportunità. Quando il protagonista, un uomo…

[danielleurbansblog]

Review: Glitter and Gunfire

Synopsis: He was assigned to protect her – not make her his own – in this installment of USA TODAY bestselling author Cynthia Eden’s Shadow Agents series. Cale Lane had his orders: keep Cassidy Sherridan alive at all costs. But who sent six armed men storming the Rio ballroom to take her out? The gorgeous party girl wasn’t giving it up. Now he had a more urgent mission: uncover Cassidy’s…

[romelialungusblog]

Author interview 210 - Astrid V.J.

Sweden Age 35 Award-winning and USA Today Bestselling Author, Astrid V.J. was born in South Africa. She is a trained social anthropologist and certified transformational life coach. She currently resides in Sweden with her husband and their two children. In early childhood, she showed an interest in reading and languages–interests which her family encouraged. Astrid started writing her first…

[mostlysignssomeportents]

Amazon's bestselling "bitter lemon" energy drink was bottled delivery driver piss

Today (Oct 20), I'm in Charleston, WV at Charleston's Taylor Books from 12h-14h.

For a brief time this year, the bestselling "bitter lemon drink" on Amazon was "Release Energy," which consisted of the harvested urine of Amazon delivery drivers, rebottled for sale by Catfish UK prankster Oobah Butler in a stunt for a new Channel 4 doc, "The Great Amazon Heist":

https://www.channel4.com/programmes/the-great-amazon-heist

Collecting driver piss is surprisingly easy. Amazon, you see, puts its drivers on a quota that makes it impossible for them to drive safely, park conscientiously, or, indeed, fulfill their basic human biological needs. Amazon has long waged war on its employees' kidneys, marking down warehouse workers for "time off task" when they visit the toilets.

As tales of drivers pissing – and shitting! – in their vans multiplied, Amazon took decisive action. The company enacted a strict zero tolerance policy for drivers returning to the depot with bottles of piss in their vans.

That's where Butler comes in: the roads leading to Amazon delivery depots are lined with bottles of piss thrown out of delivery vans by drivers who don't want to lose their jobs, which made harvesting the raw material for "Release Energy" a straightforward matter.

Butler was worried that he wouldn't be able to list his product on Amazon because he didn't have the requisite "food and drinks licensing" certificates, so he listed his drink in Amazon's refillable pump dispenser category. But Amazon's systems detected the mismatch and automatically shifted the product into the drinks section.

Butler enlisted some confederates to place orders for his drink, and it quickly rocketed to the top of Amazon's listings for the category, which led to Amazon's recommendation engine pushing the item on people who weren't in on the gag. When these orders came in, Butler pulled the plug, but not before an Amazon rep telephoned him to pitch him turning packaging, shipping and fulfillment over to Amazon:

https://www.wired.com/story/amazon-let-its-drivers-urine-be-sold-as-an-energy-drink/

The Release Energy prank was just one stunt Butler pulled for his doc; he also went undercover at an Amazon warehouse, during a period when Amazon hired an extra 1,000 workers for its warehouses in Coventry, UK, in a successful bid to dilute pro-union sentiment in his workforce in advance of a key union vote:

https://jacobin.com/2023/10/the-great-amazon-heist-oobah-butler-review

Butler's stint as an Amazon warehouse worker only lasted a couple of days, ending when Amazon recognized him and fired him.

The contrast between Amazon's ability to detect an undercover reporter and its inability to spot bottles of piss being marketed as bitter lemon energy drink says it all, really. Corporations like Amazon hire vast armies of "threat intelligence" creeps who LARP at being CIA superspies, subjecting employees and activists to intense and often illegal surveillance.

But while Amazon's defensive might is laser-focused on the threat of labor organizers and documentarians, the company can't figure out that one of its bestselling products is bottles of its tormented drivers' own urine.

In the USA, the FTC is suing Amazon for its monopolistic tactics, arguing that the company has found ways to raise prices and reduce quality by trapping manufacturers and sellers with its logistics operation, taking $0.45-$0.51 out of every dollar they earn and forcing them to raise prices at all retailers:

https://pluralistic.net/2023/04/25/greedflation/#commissar-bezos

The Release Energy stunt shows where Amazon's priorities are. Not only did Release Energy get listed on Amazon without any quality checks, the company actually nudged it into a category where it was more likely to be consumed by a person. The only notice the company took of Release Energy was in its logistics and manufacturing department – the part of the business that extracts the monopoly rents at issue in the FTC case – which tracked Butler down in order to sell him these services.

The drivers whose piss Butler collected don't work directly for Amazon, they work for a Delivery Service Partner. These DSPs are victims of a pyramid scheme that Amazon set up. DSP operators lease vans and pay to have them skinned in Amazon livery and studded with Amazon sensors. They take out long-term leases on depots, and hire drivers who dress in Amazon uniforms. Their drivers are minutely monitored by Amazon, down to the movements of their eyeballs.

But none of this is "Amazon" – it's all run by an "entrepreneur," whom Amazon can cut loose without notice, leaving them with unfairly terminated employees, outstanding workers' comp claims, a fleet of Amazon-skinned vehicles and unbreakable facilities leases:

https://pluralistic.net/2022/04/17/revenge-of-the-chickenized-reverse-centaurs/

Speaking to Wired, Amazon denied that it forces its drivers to piss in bottles, but Butler clearly catches a DSP dispatcher telling drivers "If you pee in a bottle and leave it [in the vehicle], you will get a point for that" – that is, the part you get punished for isn't the peeing, it's the leaving.

Amazon's defense against the FTC is that it spares no effort to keep its marketplace safe. As Amazon spokesperson James Drummond says, they use "industry-leading tools to prevent genuinely unsafe products being listed." But the only industry-leading tools in evidence are tools to bust unions and screw suppliers.

In her landmark Yale Law Review paper, "Amazon's Antitrust Paradox," FTC Chair Lina Khan makes a brilliant argument that Amazon's alleged benefits to "consumers" are temporary at best, illusory at worst:

https://www.yalelawjournal.org/note/amazons-antitrust-paradox

In Butler's documentary, Khan's hypothesis is thoroughly validated: here's a company extracting hundreds of billions from merchants who raise prices to compensate, and those monopoly rents are "invested" in union-busting and countermeasures against investigative journalists, while the tools to keep you from accidentally getting a bottle of piss in the mail are laughably primitive.

Truly, Amazon is the apex predator of the platform era:

https://pluralistic.net/ApexPredator

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/10/20/release-energy/#the-bitterest-lemon

My next novel is The Lost Cause, a hopeful novel of the climate emergency. Amazon won't sell the audiobook, so I made my own and I'm pre-selling it on Kickstarter!

[drchucktingle]

sometimes buds ask’ what is it like to be a neurodivergent artist?’ and this is great summary: the charts can look like this, and at same time people will be endlessly posting on how you are ‘not real’ or ‘a bit’. you can hold bestsellers in slot 1 to 4 and still not be 'serious'

i am ultimately ok with this. i love my trot and would not have it any other way, but i think it is worth investigation. when irony poisoning has seeped into everything, how many times does a neurodivergent person have to say ‘actually this is NOT so bad its good. its just good’

when you are autistic, or queer, or both, how much proof do you need to be considered good art? or good business? what do the charts have to look like for me to be a ‘real’ author? or allowed my face mask at a library association conference? or one person not a group of writers?

im coming up on a decade of writing tinglers soon, and people are still talkin about my ‘serious’ works vs my ‘joke books’ and at every turn, as kindly as i can, i shout from the rooftops: THEY ARE ALL SERIOUS BOOKS. THIS IS NOT A BIT.

but its hard when buds have had ‘the correct way to be a writer. the correct way to be an artist. the COOL way to react to a book that is TOO weird’ pounded into their heads by internet culture. 'kill it with fire' they say. 'i need eye bleach' they say without thinking. a line.

heres the thing, the tide IS turning. theres buckaroos jumping in and saying, ‘I want to be a part of this’ and for that they are being rewarded. the publisher who took me seriously is lookin pretty dang good right now with these charts and these sales. i am honored and moved

over time there will be more buds who shed that irony mask. the tide of sincerity is powerful, and the tide of love is inevitable. it is difficult to stand strong in our uniqueness but it also pays off, and I hope to be a shining example. eventually THE TIMELINE BENDS TO YOU

so this is not a thread to complain. i have been trotting long enough that these things do not really bother me. being made fun of and disparaged as ‘not legit art’ while also being objectively successful at the things im made fun of about is kind of the ocean that i swim in.

no. my point of this is to say THANK YOU to those of you who have been trotting by my side over these years. THANK YOU for proving love to me. im so honored by your support, and you should know that YOU have seen beyond the irony poisoned veil that stops many others. YOU get it.

and to those with their own unique perspective on creation: look what you can do. yes there will likely be a lot of resistance to something different, but there is also a LOT of reward. YOU can trot a new path. YOU can prove love is real, not in MY way, but IN YOUR OWN WAY

anyway thank you for reading buckaroos. thank you for your support. LUCKY DAY comes out next summer and it is probably as FAR OUT and existential as the tingleverse has ever gone. you can preorder it here

[booksofdelight]

USA Today’s Weekly Bestseller Booklist Returns After Months of Being Offline

USA Today’s Weekly Bestseller Booklist Returns After Months of Being Offline

USA Today’s weekly list of bestselling books makes its returns after months long hiatus. USA Today’s Weekly Bestseller List Returns It has been offline since December and has finally returned on Wednesday to resume its weekly schedule. The list was stopped after Mary Cadden, the compiler of the list, was laid off along with hundreds of other workers at Gannett. A big reason for that list…

[cassandraclare]

New publishing announcement!

Hi guys!

I know it’s been a long time since there’s been news about The Wicked Powers. I’ve actually been sitting on information for a long time because I was not allowed to talk about it. It was making me pull out all my hair, so I am super glad to be able to share the following announcement with you: The Wicked Powers is scheduled for publication, and will be published by Walker Books in the UK and Random House in the US.

There’s a bunch more about this announcement, including the announcement of a brand-new YA romantasy series I’ll be doing called In Fire Foretold. That will be published by Pan Macmillan in the UK (same people who published Sword Catcher) and by Random House in the US.

I know there will be a lot of questions about what my schedule is, why things are coming out when they are, whether I have anything coming out next year (Yes, The Ragpicker King, the sequel to Sword Catcher, and also for those who participated in the Kickstarter, those four books) and the overall future of everything Shadowhunter-related. So I will be doing followup announcements to address all that stuff, but first, here are both press release from my publishers in the US and then in the UK with all the info!

GLOBALLY BESTSELLING FANTASY PHENOMENON CASSANDRA CLARE TO PUBLISH  FINAL TRILOGY IN THE ‘SHADOWHUNTER CHRONICLES’  AND NEW DUOLOGY WITH ALFRED A. KNOPF BOOKS FOR YOUNG READERS  First book in THE WICKED POWERS to release in Spring 2026

(New York, NY, April 5, 2024)—Alfred A. Knopf Books for Young Readers, an imprint of Random House Children’s Books, will publish five new books from #1 New York Times and USA Today bestselling author Cassandra Clare, whose novels have sold more than 40 million copies worldwide, been translated into 43 languages, and published in more than 60 countries. The new publications will begin in Spring 2026 with the first book in THE WICKED POWERS trilogy, the sixth and final series in Clare’s 23-book, young adult fantasy franchise The Shadowhunter Chronicles. Also slated for publication with Knopf is a brand-new YA romantasy duology, IN FIRE FORETOLD. The news was announced today by Melanie Nolan, VP and Publisher, Alfred A. Knopf Books for Young Readers, who acquired North American rights from Suzie Townsend and Joanna Volpe of New Leaf Literary & Media in a highly competitive auction. Michelle Frey, Senior Executive Editor, Alfred A. Knopf Books for Young Readers, will edit both series. 

Cassandra Clare mesmerized readers across the globe with the publication of City of Bones (2007), the first book in the Mortal Instruments series, and was quickly dubbed the “New Queen of Fantasy” by the Wall Street Journal. The Mortal Instruments became the basis for the far-reaching Shadowhunter Chronicles, an intricately drawn world that has seen global success and has been adapted into both a feature film and television show. The books follow the Shadowhunters, a secretive race of humans born with angel blood, whose mission is to eliminate the demons that plague the Earth. Knopf’s first publishing collaboration with Clare, THE WICKED POWERS (Spring 2026), will follow Kit Herondale, Ty Blackthorn, and Drusilla Blackthorn from The Dark Artifices series as they are drawn into the final massive conflict between the demons and the angels. 

IN FIRE FORETOLD is a pulse-pounding YA romantasy duology set in a new world with entirely new characters. The story centers a young woman who must learn to control her dangerous magical abilities in order to save her kingdom, all while finding herself torn between two brothers—the kingdom's princes, born to a cursed royal bloodline. The publication date for IN FIRE FORETOLD, as well as news of additional books to come from Cassandra Clare and Knopf, will be announced. 

Says Cassandra Clare: "I am delighted to have Knopf and Penguin Random House as my publishers for this last trilogy in the Shadowhunters world. They truly understand what it means—both for the story and for my readers—to wrap up such an epic tale that has been told over so many years. I'm also excited to be launching my next YA series — a kickass portal fantasy that contains a ton of things I love, from a bold and reckless heroine to a magical wasteland filled with terrifying monsters that must be fought, to a love triangle with two very unusual cursed princes. I can't wait for us to bring these stories to the world."

Says Michelle Frey: “Cassandra Clare is a beloved author whose work has a massive following for good reason: she sucks you into a fully imagined world and never lets go until the last, satisfying page. I have long admired Cassie and am thrilled to be working with her on both the delectable final trilogy in the Shadowhunter Chronicles and the heart-stopping new love triangle she has dreamed up with IN FIRE FORETOLD.”

Random House Children’s Books (rhcbooks.com) is the world’s largest English-language children’s trade book publisher. Creating books for toddlers through young adult readers, in all formats from board books to activity books to picture books, novels, and nonfiction, the imprints of Random House Children’s Books bring together award-winning authors and illustrators, world-famous franchise characters, and multimillion-copy series. Random House Children’s Books is a division of Penguin Random House LLC.

UK/AUS/NZ:

Walker Books will publish three new books, the final trilogy in Shadowhunter Chronicles, the first coming in Spring 2026.

Separately, First Ink will publish a brand new YA duology, introducing readers to a fantastical new world of Clare’s creation, filled with enticing new characters and heart-racing action. With sales figures for Cassandra’s novels exceeding 40 million copies worldwide, translated into 43 languages and published in more than 60 countries, these are exciting and major acquisitions for both publishing houses.

Walker will launch THE WICKED POWERS in Spring 2026 with the first book in the trilogy, The Last King of Faerie. THE WICKED POWERS is the final instalment of Clare’s 23-book, young adult fantasy series, Shadowhunter Chronicles.

THE WICKED POWERS (Spring 2026), will follow Kit Herondale, Ty Blackthorn, and Drusilla Blackthorn from The Dark Artifices series as they are drawn into the final massive conflict between the demons and the angels. The novel marks the beginning of the final trilogy in Clare’s globally beloved series.

Cassandra Clare Says about THE WICKED POWERS: "I’m thrilled to be taking this momentous step in the Shadowhunter chronicles with Walker! They published City of Bones in 2007 and now we will be bringing this huge epic to a close together. With their creativity and dedication, I know they’ll do it justice."

Denise Johnstone Burt says: “We at Walker are immensely proud to have been Cassie’s publishers from the very beginning, when City of Bones launched the Shadowhunters into the world. Since then Cassie has become one of the most beloved writers in YA fantasy all over the world, and with very good reason. Her world-building and character portrayal are absolutely second to none and her books never fail to mesmerise her fans. I am delighted that we will be returning to the world of Shadowhunters once again in THE WICKED POWERS, and know Cassie will bring the Chronicles to a conclusion with her trademark brilliance and consummate style.”

First Ink will publish IN FIRE FORETOLD, a pulse-pounding YA romantasy duology set to delight all fans of Cassie Clare. UK and Commonwealth rights were acquired by Samantha Smith, Publisher of First Ink and Macmillan Children’s Books’ Fiction, Non Fiction and Picture Book List, from Danny Baror and Heather Baror-Shapiro at Baror International.  The duology will be a super lead title for First Ink and will launch with a significant multi-channel communications campaign including national media, influencer and fan events [HBS1] and multimedia advertising.

IN FIRE FORETOLD sees the launch of a brand new world and set of entirely new characters for Clare. The story centres on a young woman who must learn to control her dangerous magical abilities in order to save her kingdom, all while finding herself torn between two brothers - the kingdom's princes - born to a cursed royal bloodline.

Cassandra Clare says about IN FIRE FORETOLD: “I’m so excited to be publishing IN FIRE FORETOLD with First Ink. This story contains so many things I love- it’s a portal fantasy that swings between worlds, where the gritty LA streets exist alongside a dangerous magical world filled with deadly monsters - and a uniquely tough heroine who’s ready to do battle on all sides. Not to mention some gorgeous princes with shady pasts. I know how much Pan Macmillan loves fantasy and how well they publish it so I’m thrilled for this partnership."

Samantha Smith, Publisher at First Ink, says: “Cassandra Clare is a phenomenon author who has delighted and surprised her millions of readers across the world for decades now. As a huge fan of both her YA Mortal Instruments series and latest adult fantasy Sword Catcher, I cannot wait for her to turn her formidable pen to a new, heart-stopping series in In the Fire Foretold and could not be more excited to welcome her onto the First Ink list”

Belinda Ioni Rasmussen, Managing Director at Macmillan Children’s Books, says: “ Welcoming Cassandra Clare to First Ink with a brand new fantasy world is very exciting - both for us and her fans.  Her storytelling is second to none and her new duology on our list is the perfect partner series to her brilliant publishing that sits on our Tor list at Pan Macmillan.”

About Walker Books

Home to books for all ages, Walker Books publishes many award-winning authors, illustrators, and literary franchisesincluding Anthony Horowitz, Angie Thomas, Cassandra Clare, Lucy Cousins, Anthony Browne, Patrick Ness, Guess How Much I Love You by Sam McBratney and Anita Jeram, We’re Going on a Bear Hunt by Michael Rosen and Helen Oxenbury, and Where’s Wally? by Martin Handford. Walker Books is part of the vibrant international Walker Books Group that includes Walker Books Australia; Candlewick Press and Walker Books US in America and Walker Productions.

About Pan Macmillan

At Pan Macmillan we publish a broad and vibrant range of books for audiences of all ages, from dazzling bestsellers to influential prize-winners; books to inspire lifelong readers and listeners to enduring classics for generations to come. The fourth largest UK publisher, we pride ourselves on publishing successfully and sustainably and are committed to working together to positively impact culture and society at large.

[sarahreesbrennan]

Truly in a state of profound disbelief.

My screenwriter friend Susan: what’s frontlist in Publishers Weekly? ME: No worries friend. Let me explain a publishing term. Susan: So would… being #20 be really good? ME: DEFINITELY. Susan: okay… please… Understand what I’m telling you. ME: !!!!

LONG LIVE EVIL’s been on both USA Today & PW bestseller lists for 2 weeks. I don’t really believe-but I’m so grateful.

[olderthannetfic]

I don’t know if this is just my perception or if it’s actually a thing, but recently I’ve been reading a lot of new (2014 and newer) novels and graphic novels, and there are glaring grammar, syntax and spelling errors in all of them. Every. Single. One. Like the word “lead” instead of “led”. Misspellings that made it past the editor(s) and all the way to publication. These aren’t self-published books. They’re from major publishers, NYT and USA Today bestselling authors. You’d think someone would have been able to catch these errors before they made it to print. I’ve read fics with fewer errors.

It seems like older books (1990s and older) had none of these. Any idea what’s up with this?

--

Heh. Have you seen my rants about why I chose to just self publish instead of even trying to go the traditional route?

I don't have hard numbers or anything, but yes, I have noticed that editorial standards seem to be way down in a lot of parts of tradpub. Less so in big name literary fiction, I think? But it was noticeable in a bunch of genre fiction I was reading a decade or two ago.

My impression is that it started to get more obvious some time in the 00s and is related to corporate pressures to hit specific profit margins that aren't that consistently doable for an industry like publishing. You see comments about it in blogs about finding an agent or preparing a manuscript. There seems to be a general consensus that you have to be more publishing-ready from the get go than in the past.

90s and older genre fiction had plenty of crap, and first printings will very occasionally have a typo I spot, but the vast majority of the old books I find used have pretty flawless editing even if they're polishing a turd. My impression is that there was more developmental editing too, though never the amount that people's publishing fantasies suggest.

[traeumenvonbuechern]

Historical Romances by Black Authors

Aphrodite wishes to escape the marriage mart but will a second chance with the elusive Duke of Everely change her mind? Aphrodite Du Bell is a diamond of the first water and a favourite of the queen. But her renowned loveliness didn't stop the love of her life, Evander Eagleman, from jilting her and marrying another woman four years ago. Aphrodite has been in self-imposed exile ever since. However, when her formidable mother summons her back to London Aphrodite has no choice but to acquiesce. Upon her return, Aphrodite learns that the newly widowed Evander is in town and, despite her best efforts, the grand society events of the season repeatedly push them together. With each encounter, Aphrodite's traitorous feelings make it perfectly clear that the Duke still holds court over her heart. Why did Evander cast Aphrodite aside all those years ago, and now that they have a second chance, can the couple make strides to mend past hurts?

Ailsa Connery has waited three long years to finally escape her enslavement at Stirling Castle and reunite with her clan. But her carefully laid plans are completely destroyed by the arrival of the infamous Highland warrior known as Dubh Mahoun, the Black Devil…who has plans of his own. Kallum MacNeill's fearsome reputation has long allowed him to keep hidden his secret double life of freeing enslaved captives across the land. It's only when he kidnaps a servant lass—quite by accident—that he finds himself facing a wee predicament. He must accompany the lass home or risk her exposing his true identity. It'd be easy enough…if the feisty hellion didn't fight him at every turn. As they make their way to the Highlands, the perils the two must face are surpassed only by their constant sparring. Soon, their heated sniping sparks heat of a totally different kind. The kind that ignites a hunger that could consume them both. Yet the difficult journey is no match for the dangerous secrets they're about to uncover.

The first novel in USA Today Bestselling Author Beverly Jenkins’s compelling new series follows a Northern woman south in the chaotic aftermath of the Civil War . . . Valinda Lacy’s mission in the steamy heart of New Orleans is to help the newly emancipated community survive and flourish. But soon she discovers that here, freedom can also mean danger. When thugs destroy the school she has set up and then target her, Valinda runs for her life—and straight into the arms of Captain Drake LeVeq. As an architect from an old New Orleans family, Drake has a deeply personal interest in rebuilding the city. Raised by strong women, he recognizes Valinda’s determination. And he can’t stop admiring—or wanting—her. But when Valinda’s father demands she return home to marry a man she doesn’t love, her daring rebellion draws Drake into an irresistible intrigue.

A fun and feminist Regency romp from a master of the genre hailed as "a delight" by Bridgerton author Julia Quinn. Nothing happens in London without Graham Wynchester knowing. His massive collection of intelligence is invaluable to his family’s mission of aiding those most in need. So when he deciphers a series of coded messages in the scandal sheets, Graham’s convinced he must come to a royal’s rescue. But his quarry turns out not to be a princess at all… The captivating Kunigunde de Heusch is anything but a damsel in distress, and the last thing she wants is Graham’s help. All her life, Kuni trained alongside the fiercest Royal Guardsmen in her family, secretly planning to become her country’s first Royal Guardswoman. This mission in London is a chance to prove herself worthy without help from a man, not even one as devilishly handsome as Graham. To her surprise, Graham believes in her dream as much as she does, which makes it harder to resist kissing him…and falling in love. But how can she risk her heart if her future lies an ocean away? 

Jane Austen meets The Princess and the Frog For as long as Prairie can remember, living in paradise has been boring. Her days are filled with helping at her family's resort, sewing, daydreaming, and observing fashionable guests from the sidelines. But when a fairytale-Esque opportunity arises, she does something out of character and agrees to marry a man she's never met. Suddenly, she's navigating a new life that is a world and an ocean away from everything she's ever known. Her new husband, Wright, is decidedly Mr. Wrong. If there's a schedule, he'll ignore it. If there is a rule, he'll break it. If there's a risk, he'll take it. Has the girl who has always had a plan finally met her match? If you're a fan of TV shows like 'Vanity Fair', 'Bridgerton' and 'The Chilling Adventures of Sabrina' or enjoy reading comedies of manners, you'll love 'That, My Dear, Is Love.' This is a full-length, standalone novel featuring a diverse ensemble cast, whimsical magic, and hilarious misadventures. This is a clean romance with a HEA. Featuring some of your favorite tropes: Marriage of Convenience Opposites Attract Reformed Rake

The Davenports delivers a totally escapist, swoon-worthy romance while offering a glimpse into a period of African American history often overlooked. The Davenports are one of the few Black families of immense wealth and status in a changing United States, their fortune made through the entrepreneurship of William Davenport, a formerly enslaved man who founded the Davenport Carriage Company years ago. Now it's 1910, and the Davenports live surrounded by servants, crystal chandeliers, and endless parties, finding their way and finding love—even where they’re not supposed to. There is Olivia, the beautiful elder Davenport daughter, ready to do her duty by getting married . . . until she meets the charismatic civil rights leader Washington DeWight and sparks fly. The younger daughter, Helen, is more interested in fixing cars than falling in love—unless it’s with her sister’s suitor. Amy-Rose, the childhood friend turned maid to the Davenport sisters, dreams of opening her own business—and marrying the one man she could never be with, Olivia and Helen’s brother, John. But Olivia’s best friend, Ruby, also has her sights set on John Davenport, though she can’t seem to keep his interest . . . until family pressure has her scheming to win his heart, just as someone else wins hers. Inspired by the real-life story of the Patterson family, The Davenports is the tale of four determined and passionate young Black women discovering the courage to steer their own path in life—and love.

[pier-carlo-universe]

Minaccia Primordiale: il destino dell’umanità tra scienza e suspenseM.A. Rothman inaugura una serie di fantascienza che toglie il fiato. Recensione di Alessandria today

Il primo volume della Serie dell’Esodo, Minaccia Primordiale, di M.A. Rothman, è un viaggio mozzafiato nel futuro della Terra, dove la scienza e l’ingegno umano si scontrano con l’immensità inarrestabile del cosmo. Un romanzo che combina magistralmente su

Il primo volume della Serie dell’Esodo, Minaccia Primordiale, di M.A. Rothman, è un viaggio mozzafiato nel futuro della Terra, dove la scienza e l’ingegno umano si scontrano con l’immensità inarrestabile del cosmo. Un romanzo che combina magistralmente suspense, dettagli scientifici e personaggi memorabili, catapultando il lettore in una corsa contro il tempo per la sopravvivenza. La trama: il…

[danielleurbansblog]

Review: One Last Stand

Synopsis: As a member of the Air One Rescue team, pilot London Brooks has built a new life—one far away from her clandestine past as an operative tasked to take down a branch of Russian terrorists. She has no desire to reenter that world or endure the grief of losing everyone she loved, including her fiancé. But the past won’t stay past. When she finds herself falsely accused, her reputation…

[theaguanzon]

I’ve been writing for as long as I can remember. Novellas, poetry, fanfiction—you name it. There was always a burning desire to express what was in my heart, to tell the stories that lived in my head. However, because I’m located in the Global South, because I’m the product of several generations of law and medicine, l never let myself think that it could be anything more than a hobby only for my spare time. It wasn’t until 2020 that I took a leap of faith, quitting my office job and deferring my master’s program abroad in order to write a fantasy romance epic rooted in Southeast Asian culture, tradition, and mythology.

And now, flash forward three years, my debut novel THE HURRICANE WARS is a USA Today, Indie, and New York Times bestseller in its first week of release! This would never have been possible without: my communities, fandom and Filipino, and all the book bloggers who really showed up for this novel, who tirelessly spread the word; my brilliant agent Thao Le who’s had my back since day one; my Harper Voyager US team, who poured so much time and creative energy into THW’s publishing and campaign; and the booksellers and librarians throughout the US who advocated for an unknown brown author’s debut to have a place on their shelves. I owe it all to you!

I kind of want to cry for the girl I used to be, battling mental health issues and flitting from one degree program to the next, hoping to find the one that was fulfilling and “acceptable” at the same time, even though deep down writing was all there ever was or could be. I kind of want that girl to see into her future and say “Kaya naman pala” and wallow a bit. But I prefer to embrace this moment, in awe at the knowledge that my past has informed the voice that I now share with the world, and it is this same past that has gotten me here.

I’m proud to represent my motherland the Philippines in this achievement. I hope that in some small way this can be a step toward encouraging Southeast Asian policymakers to address the gaps in support and infrastructure for our talented local writing scenes, as well as motivating the global publishing industry to seek out more Southeast Asian writers and give our stories a platform. Onward! 💖🌩️

[romelialungusblog]

Author Interview 190 - Shereen Vedam

Canada Age 50 Once upon a time, USA Today bestselling author Shereen Vedam read fantasy and romance novels to entertain herself. Now she writes heartwarming tales braided with threads of magic and love and mystery elements woven in for good measure. Shereen’s a fan of resourceful women, intriguing men, and happily-ever-after endings. If her stories whisk you away to a different realm for a few…

[mostlysignssomeportents]

The unexpected upside of global monopoly capitalism

I'm touring my new, nationally bestselling novel The Bezzle! Catch me TODAY (Apr 10) at UCLA, then Chicago (Apr 17), Torino (Apr 21) Marin County (Apr 27), Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!

Here's a silver lining to global monopoly capitalism: it means we're all fighting the same enemy, who is using the same tactics everywhere. The same coordination tools that allow corporations to extend their tendrils to every corner of the Earth allows regulators and labor organizers to coordinate their resistance.

That's a lesson Mercedes is learning. In 2023, Germany's Supply Chain Act went into effect, which bans large corporations with a German presence from using child labor, violating health and safety standards, and (critically) interfering with union organizers:

https://www.bafa.de/EN/Supply_Chain_Act/Overview/overview_node.html

Across the ocean, in the USA, Mercedes has a preference for building its cars in the American South, the so-called "right to work" states where US labor law is routinely flouted and unions are thin on the ground. As The American Prospect's Harold Meyerson writes, the only non-union Mercedes factories in the world are in the US:

https://prospect.org/labor/2024-04-08-american-workers-german-law-uaw-unions/

But American workers – especially southern workers – are on an organizing tear, unionizing their workplaces at a rate not seen in generations. Their unprecedented success is down to their commitment, solidarity and shrewd tactics – all buoyed by a refreshingly pro-worker NLRB, who have workers' backs in ways also not seen since the Carter administration:

https://pluralistic.net/2023/09/14/prop-22-never-again/#norms-code-laws-markets

Workers at Mercedes' factory in Vance, Alabama are trying to join the UAW, and Mercedes is playing dirty, using the tried-and-true union-busting tactics that have held workplace democracy at bay for decades. The UAW has lodged a complaint with the NLRB, naturally:

https://www.commondreams.org/news/alabama-mercedes-benz

But the UAW has also filed a complaint with BAFA, the German regulator in charge of the Supply Chain Act, seeking penalties against Mercedes-Benz Group AG:

https://uaw.org/uaw-files-charges-in-germany-against-mercedes-benz-companys-anti-union-campaign-against-u-s-autoworkers-violates-new-german-law-on-global-supply-chain-practices/

That's a huge deal, because the German Supply Chain Act goes hard. If Mercedes is convicted of union-busting in Alabama, its German parent-company faces a fine of 2% of its global total revenue, and will no longer be eligible to sell products to the German government. Chomp.

Now, the German Supply Chain Act is new, and this is the first petition filed by a non-German union with BAFA, so it's not a slam dunk. But supermajorities of Mercedes workers at the Alabama factory have signed UAW cards, and the election is going to happen in May or June. And the UAW – under new leadership, thanks to a revolution that overthrew the corrupt old guard – has its sights set on all the auto-makers in the American south.

As Meyerson writes, the south is America's onshore offshore, a regulatory haven where corporations pay minimal or no tax and are free to abuse their workers, pollute, and corrupt local governments with a free hand (no wonder American industry is flocking to these states). Meyerson: "The economic impact of unionizing the South, in other words, could almost be placed in the same category as reshoring work that had gone to China."

The German Supply Chain Act was passed with the help of Germany's powerful labor unions, in an act of solidarity with workers employed by German companies all over the world. This is that unexpected benefit to globalism: the fact that Mercedes has extrusions into both the American and German political spheres means that both American and German workers can collaborate to bring it to heel.

The same is true for antitrust regulators. The multinational corporations that are in regulators' crosshairs in the US, the EU, the UK, Australia, Japan, South Korea and beyond use the same playbook in every country. That's doubly true of Big Tech companies, who literally run the same code – embodying the same illegal practices – on servers in every country.

The UK's Competition and Markets Authority has led the pack on convening summits where antitrust enforcers from all over the world gather to compare notes and collaborate on enforcement strategies:

https://www.eventbrite.co.uk/e/cma-data-technology-and-analytics-conference-2022-registration-308678625077

And the CMA's Digital Markets Unit – which boasts the the largest tech staff of any competition regulator in the world – produces detailed market studies that turn out to be roadmaps for other territories' enforces to follow – like this mobile market study:

https://assets.publishing.service.gov.uk/media/63f61bc0d3bf7f62e8c34a02/Mobile_Ecosystems_Final_Report_amended_2.pdf

Which was extensively referenced in the EU during the planning of the Digital Markets Act, and in the US Congress for similar legislation:

https://www.congress.gov/bill/117th-congress/senate-bill/2710

It also helped enforcers in Japan:

https://asia.nikkei.com/Business/Technology/Japan-to-crack-down-on-Apple-and-Google-app-store-monopolies

And South Korea:

https://www.reuters.com/technology/skorea-considers-505-mln-fine-against-google-apple-over-app-market-practices-2023-10-06/

Just as Mercedes workers in Germany and the USA share a common enemy, allowing for coordinated action that takes advantage of vulnerable flanks wherever they are found, anti-monopoly enforcers are sharing notes, evidence, and tactics to strike at multinationals that are bigger than most countries – but not when those countries combine.

This is an unexpected upside to global monopolies: when we all share a common enemy, we've got endless opportunities for coordinated offenses and devastating pincer maneuvers.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/10/an-injury-to-one/#is-an-injury-to-all