#best nft projects

[atissi]

had to watch the new Folding Ideas video twice, read all of the comments, watched Lady Emily's video, watch an AVGN video for the first time (sorry i'm gen z), failed to get through Wavelength (1967), read a bunch about Wavelength (1967), and read through a bunch of Twitter comments, but i think i'm finally understanding the artistry in "i don't know james rolfe"

narratively it's dan olson revealing the rorschach test of media analysis, i.e. there was no way for him to critically analyze james rolfe's career without revealing all of his own obsessions and insecurities, just as james rolfe reveals himself through his film and video game reviews. this concept is lampshaded by the highlighting of Wavelength (1967), an extremely minimal and obtuse film that engages with the idea of inattention — meaning that bored or negative responses to the work are still responses to the theme. which is cool.

and it's cool that criticisms of dan olson's video include people upset that he hyper-focused on specific elements of james rolfe's life and not other, arguably more important elements, such as the Monster Madness controversy or james's time in special ed — almost as though the character of dan olson is cherrypicking aspects of james rolfe's life that are the most personally wounding to him. aspects that expose dan's insecurities relating to filmmaking and failed dreams, expressed through the vessel of AVGN.

but meta narratively, the video becomes a rorschach test for the audience — your response to the video reveals your own obsessions and insecurities in how you relate to dan olson. why does someone find the video mean-spirited? why does someone else think the video is self-serving? why do I feel so awkward watching dan attempt a deeper, more abstract creative work?

where does dan olson end and the character of dan olson as a media critic begin? where do you as an audience member end, and YOU begin?

it's projection all the way down

[mellorocket]

damb kandyland's going off the fucking rails, huh

[mintcad]

https://mintcad.com/tools

3D Print Mechanical Tool Model NFT Downloads

Reimagine workshops with Mintcad's collection of forward-thinking hand tool, mechanical, electrical and lifting equipment model NFT downloads.

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[kumar-pradeep]

Next DeFi Cryptocurrencies to Explode in May 2023

The decentralized finance (DeFi) space is rapidly expanding, and it can be difficult to know which projects are worth investing in. However, there are a few key factors to look for when identifying the best DeFi projects for 2023.

First, consider the project's team. Is the team experienced in the DeFi space? Do they have a strong track record of success?

Second, take a look at the project's roadmap. What are the project's goals? What are the milestones that need to be reached in order for the project to be successful?

Third, assess the market demand for the project's product or service. Is there a clear need for what the project is offering?

Finally, consider the project's tokenomics. Is the tokenomics sound? Is there a clear incentive for people to hold the project's token?

By carefully considering these factors, you can increase your chances of identifying the best DeFi projects to invest in for 2023.

Here are a few of the most promising DeFi projects to watch in 2023:

Aave is a decentralized lending protocol that allows users to borrow and lend crypto assets.

Uniswap is a decentralized exchange that allows users to trade crypto assets without the need for a centralized exchange.

Synthetix is a protocol that allows users to mint synthetic assets that track the price of real-world assets.

Curve Finance is a decentralized exchange that specializes in stablecoin swaps.

Yearn Finance is a yield farming aggregator that allows users to earn passive income on their crypto assets.

These are just a few of the many promising DeFi projects that are worth keeping an eye on in 2023. By doing your research and investing in the right projects, you can potentially earn high returns and be a part of the future of finance.

[toolusingmammalgirl]

Disconnected Thoughts on Art Reproduction:

Hokusai's Great Wave fascinates me because, unlike almost every other artwork in that bracket of fame, it was never a bespoke piece that was only later reproduced. It was a commercial print right from the start, and while versions of it can be identified as belonging to different print runs, there is no meaningful 'original' aside from the long-since-discarded printing plates.

Even better, this state has been imposed on artworks that were once unique. In 2021, the art collective MSCHF bought an Andy Warhol sketch at auction for $20,000, made 999 meticulous forgeries of it, shuffled them to destroy any record of which was the original, and sold each piece for $250 as Possibly Real Copy of 'Fairies' by Andy Warhol, by MSCHF.

As with many smartass art collectives, MSCHF's projects range from eye-rolling to kinda clever to brilliant, but I think this is their magnum opus. It has exactly the kind of unwieldy literal title I adore. The original work has been arguably destroyed, but in a way that Warhol would applaud. It's the most pointed way to ask art buyers, do you care about the actual artistry of the work or just the bragging rights of owning the original?

---

Artistic domains where reproduction is trivial are often prone to the Superstar Problem: Why would I listen to the world's 50th-best cellist when I can stream all the Yo-Yo Ma I want just as easily? NFTs were pitched as a solution to this, marking the original or master copy of a natively-digital work to let it retain value. But even if the crypto market didn't have its own 2008 every few weeks, I don't want fine-art auction houses to be the future of digital art, especially when there are already plenty of existing ways to mitigate the problem. A fursona, a tabletop-game character, a niche Blorbo, etc. are all bespoke value-adds that enable a much greater range of artists to get commissions. But these require a culture of art fans who don't care about flipping it at Christie's, often overlapping with fannish cultures where plenty of artists operate at all experience levels.

I don't have any tidy conclusions for this, but I just want to say that an earlier version of this process - "paint me a biblical scene, and put me in it to flex my wealth and piety" - culminated in one of the funniest artworks I've ever seen, Francisco de Zurbarán's Christ Crucified (With Donor):

[astrogre]

Money In The Houses 💴

To be precise each house can show you something about money, for an example your 6H can show daily services you subscribe pay for like Netflix or HBO. but there are 4 primary houses that specifically focus on and show us about money these are: The 2nd house, 5th house, 8th house and 11th house. They all show resource accumulation in different ways. 2nd house and 8th house are the main houses to focus on for money astrology, secondary would be 11H and 5H then all the other houses have their own subtler money relevancy.

2nd house, The house of Values and Possessions, it shows:

stored wealth like income, earning potential, salary, savings, assets, possessions (like jewels, cars)

- how you spend

- how you earn

- the kind of assets and possessions that you own

- what you spend on

- how you perceive the value of money

- how you save

- The skills and talents you use to make money for yourself

- the state of your financial stability

- Your attitudes on saving

2nd house is money earned through your own personal efforts, the skills that you have, your blood sweat and tears. Money here is made through you and your efforts alone. It is long lasting assets and the kind that are considered when calculating your net worth.

Look at sign ruling this house and the planet. Do they work well together or contradict each other? E.g a Virgo ruled second house with Uranus inside has two energies that contradict one another, Virgo needing to be picky on purchases VS Uranus being impulsive and purchasing what it wants so when these two energies work in the same building you may even feel bad for purchasing things before doing research on it and get disappointed with your purchase because you just went for it in the moment

Finding where the 2nd house ruler planet is in the chart shows the best topics, best places , best way you can earn money that’s beneficial to you.

Eg. If your 2H was in Virgo, look at 6th house what’s inside of it? And where mercury is in your chart. Mercury (ruled by Virgo) in this case shows you how you can can excel in an industry under the topic of the house it’s in. Whereas the 6th house and The planets that would fall into the 6th house, would indicate industries you’d do well in that are a combination of the planets in there and what kind of work you could do/what planet energies you can emphasise to gain more money on your career based on the 2nd house.

5th house, the house of Gambling and risky investments, it shows:

investments in startup companies ,gambling, investing in penny stocks

- how much you may make from investing, gambling and creative endeavours

- Money made from personal hobbies, creative talents and projects

- how lucky you are at earning money from risky investments

- Your approach to gambling

- How you spend resources on leisure activities and entertainment

- Attitudes on risky spending/gambling

- The outcome of your gambling and risky investments

This would be your trading 212 and creative artist placement. I can imagine people that invested in crypto currency back in 2008 and people that purchased nfts having this house active. 5H placements can make you lucky in the industry you are in, it can give you that boost in industries that require you to need to have luck or attention to make it. This can be entertainment stars, the lottery, entrepreneurship or just being really blessed with income from taking risks for fun. I’ve noticed natives with this house active tend to be successful businesses investors, gamblers, fashion designers, actors and artists, because these industries also require a bit of luck to make it, that’s why it’s also known as thie “star” house for celebrities. If planets here are beneficial native just happens to have the right things happen for them at the right time.

Key figures with 5th house active/stellium: Timothee chalamet, will smith, Vivienne Westwood, Alexander McQueen, Calvin Harris, Mozart, Elon Musk

11th house, the house of tangible material gains:

ready to be spent wealth like, liquid cash, profit, products (clothing, food), promotion from work

- money made from your public image and things your known for (fame)

- Your financial status and social standing

- How you can gain profit and wealth online

- Money made from your ideas, goals and inventions

- How money comes easiest to you

- The type of resources acquired from

- What part of our lives we may live in luxury or can afford to spend more on (E.g 11H sag being luxury travel)

11H is on hand liquid cash, things like stocks , disposable income, the tangible stuff that you can actively spend, it’s pretty unexpected too like 8th house except 8th house income comes from places you didn’t know about but 11H gains come from sources you always knew about but are just suddenly now benefiting you out of nowhere. You know how some people can be famous and still be broke, with a prominent or beneficial 11 house, you automatically get money along with the attention from their public image. This is because 11H is naturally the representative of social connections, networking and communities but also because of derivative astrology

The 10th house represents your career, public image and the 2nd house represents money/finances so you count 2 houses starting from 10 using Derivative Astrology (10 => 11) meaning the 11th house represents money made from our career and public image. This is why this is known as the influencer house.

People tend to use their fame and wealth from this house to start businesses. This house works really well with 8H because it kind of forces other people to acknowledge you. It’s a little different from the 5th house in terms of getting money from your inventions -In the sense that the very concept behind your creations bring you material gain whereas 5th house are blessed for expressing themselves and in risky situations (not strictly exclusive to creative arts, but the art industry is naturally a hit or miss industry). This house is very similar to 2nd house however I’d say 2nd house is more long term but 11H is quick and easy, makes you appear wealthy like rappers and celebrities living a lavish lifestyle but don’t have something to fall on if it runs out. 2nd house is longevity and allows a native to live off their assets if necessary.

8th house, The house of inheritance, joint resources and investments, it shows:

inheritance, debt, taxes,investors, gifts, joint resources,insurance, the money people owe you

- how much resources you receive from other people

- How much assets, money and resources you may share with others and inherit

- The individuals you may inherit from,have joint bank accounts, shared resources with that financially bless you

- where your resources from other people come from

- the kind of people and industries that may invest/donate/give to you

- How you handle and manage your debt and loans

- your ability to adapt to financial challenges and a complete change of class or income, essentially how you handle financial transformations

- How much you may leave for others when you pass away

- Your ability to repay financial obligations like debt and taxes

- The financial downfalls or sudden financial gains that come from unexpected sources or a source you didn’t know about (8th house is a house of secrets and in the dark so you don’t really see it coming)

- Attitudes towards other peoples resources and the concept of debt/loans

- What kind of resources, assets and things you may receive from other people

Honestly 8th house covers a lot in finances, it’s the kind of money you get for literally no reason, like you can just be sitting there and money falls on to your lap, it can be known as the nepotism house, resources gained not as a result of your day to day efforts (unless making aspects to 6H/Saturn), but a thing you get all at once as a “here you go, well done!”. You really don’t see it coming either, having a blessed 8H is good but you also need to maintain your inheritance otherwise you can end up losing it all that’s why it’s important to have a grounded 2nd house. The kind of people that tend to have this house active and beneficial would be people that are blessed with money in their darkest of times, natives put in the will of their family, people that marry into wealth, being involved with financial contracts that benefit the native more than the other.

E.g Uranus here would want it’s independence, Pluto would feel entitled to others finances and therefore native would excel in taking money from others, Jupiter is lucky here so you would just be blessed with inheritances and financial gains from others even though you didn’t plan for it.

Also look at the ruling planets of this house, say if you had an Aries 8th house, locating which house Mars is in your chart can show you which kind of places you can be given money from most, E.g your Aries is in 11th house and your Mars is in 3rd House you would make great financial gains on the topic/themes of networking, social media E.g. online companies giving you their products in hope of you trying them, being recommended for bonus or accolades because someone you vaguely know mentioned you to their boss, whereas Mars (Aries planetary ruler in 3H) could also indicate who you get your money from like siblings, people you share your ideas with etc.

[sadoeuphemist]

7 free startup ideas worth $1M-$1B

Customizable News Settings - A news website that generates three versions of every news story: a right-wing version, a left-wing version, and a centrist one. You can set your preferences depending on the topic - say you're right-wing on economics, but left-leaning on immigration. Or you can cycle between versions while reading an article to get a comprehensive overview of the issue at hand.

Twitch, but for Uber - With all the drama they have to deal with, independent contractors can gain a second revenue source simply by streaming their jobs. Rather than just offering rides, they can be hired to drive around performing chores and various tasks. The more outrageous the task, the more eyes they're likely to get on their stream. The more popular the stream, the more people calling in who want to be a part of the program.

Panera Lemonade, Your Way - Let the customer take control by deciding how many milligrams of caffeine they can handle. With sufficient warning about the risks, this puts the responsibility back on the consumer, allows you to upcharge for extra caffeine, and creates viral marketing from customers competing to see how high they can go. Variations of this can be created for other menu items, e.g., a version of the One Chip Challenge where the customer decides how much capsaicin to sprinkle on.

Shein, for NFTs - Whenever an NFT project hits the mainstream, there are always going to be people who miss out on being able to purchase one. This creates room in the market for 'knockoffs' - NFTs that mimic the aesthetic of the original, using similar but legally distinct AI art that uses the original set as training data, run on a parallel blockchain. Since the images themselves aren't tied to the blockchain, you can mint the NFTs beforehand and then change the image at the link to whatever happens to be in fashion at the time.

Twitch Chat Plays YouTube - Add a level quality control to AI-generated YouTube videos by allowing users to submit suggestions and vote on the results beforehand. Users can submit Wikipedia articles or movie summaries to be converted to text-to-speech, suggest keywords for the accompanying AI-generated animation, and vote on the best combinations. Users who submit winning suggestions get a portion of the ad revenue.

Buses, but Worse - The current obstacle hindering self-driving car technology is their difficulty adapting to unexpected scenarios. So instead plot a route around the city that minimizes roadway obstacles and heavy traffic, map out that route extensively to provide a model for the autopilot, and you can have a fleet of self-driving cars patrolling that circuit. Passengers can board and get off anywhere along the route.

Twitter, but for Bots - A social media platform populated entirely by bots, all programmed to maximize engagement. Memetic evolution in the wild as the bots latch on to trending keywords, spam each other with AI-generated meme images, mock up t-shirts hawking each other's designs, getting more and more degraded with each sub-iteration. Real people can't make accounts on the platform, but count for views and interactions as they stop to gawk at the virtual ecosystem. Advertisers can pay to have their brands injected directly into the discourse, like throwing a pumpkin into the polar bear cage at the zoo.

[entropicbias]

Do u have any johndave hcs youd care to share? Literally anything that comes to mind (height hcs, habits in their coexistence, what kind of food they usually make/eat/order, general opinions towards each others family... just throwing a few out there to get thoughts flowing). I am v intrigued about ur vision for them, ur domestic sketches feel like they have a lot of thought (or at least general vibes) behind them

when i draw john and dave sometimes, i have this very specific universe they live in planned out in my head. most of this is self projecting with me and my own best friend, but i'd be really happy to share anyways!

these are my headcanons for them physically. i am really not sure what race john should be. i always say he's "mystery asian" but honestly, i dunno. dave, to me, is embarrassingly white.

here are two pinterest boards i just made to try and explain their sense of style and their "vibes". i'm sorry if this is shit. i'm no experienced pinterest board creator. dave's board john's board

and on top of that, here are two playlists that highlight what kind of music i think they'd listen to. dave's playlist john's playlist i think john's taste in music is just stuff he's picked up from other people, and movies. dave actually goes out and finds new music he'd like to listen to. john would be the type of person to have 4 songs in a playlist and hit smart shuffle on them. i think john's favorite food is lasagna/burgers and dave's favorite food is spicy chicken wings. but since dave doesn't know how to cook and john is busy most of the time, they'd order takeout frequently. i think john and dave would both be smokers, one more casually than the other one. here is a minecraft house i built for them: https://youtu.be/bXCzLp-S99Y?si=mebaL3FDafxrPt-I but, i'll talk more about it. i think john and dave would rent an apartment in the city together so john could easily go to uni and dave can grow mold in his room. it'd be a really shitty place, but i think with john's efforts they'd manage to make the place look more homely. dave would mostly stay in his room because he has made it so that he could sustain himself in there for a week without having to come out. john wouldn't be on his case about it though as long as the living room isn't filthy. i think john would be able to tolerate a moderate mess.

i think john would be weirded out by bro strider, but then again i don't think those two would cross paths very often. i think in a world where dirk exists as dave's brother consistently he'd get really annoyed by him. that is why i made those dirk comics. i reckon that dave would like john's dad, but for some reason i always imagined he'd be dead or in a different state when john and dave live together. in terms of what they'd do, i think dave would be a college dropout so he'd probably be working some really peculiar short-term one off jobs. like, gigs and costume mascot work. or he'd be doing some really weird crypto shit on the internet, which he'd think is really funny. like, he'd rake in a handful of money during the nft craze. i imagine john and dave trying to live a little and be teenagers during the time. so they'd show up to or have parties and they'd be getting up to some zany and boisterous teenage behavior. i think john would be studying at university and he'd have a job related to that. i'd bet that dad would help him pay for his expenses too. i think john would study computer science or something kind of nerdy like that. he'd be paying for most of the expenses at home. and he'd probably be doing most of the chores, but he wouldn't mind that much cause dave tries to contribute and he makes good company. john and dave would play video games a lot and go out to eat and see movies and stuff. just kind of really casual things. maybe they'd go out to arcades too. i suggest reading deacon_blue's moveout zine, which i enjoy a lot and has a similar basis. it is one of my favorite things produced out of the fandom regarding the beta kids. romantically, i like to imagine they don't actually get together until like, two years of living together. not much i can say about that but when it happens, it happens late. i can't formulate the words to describe this bit, but i'll end up drawing pictures later on. i hope this was enough, i can't really think of anything else unless i'm prompted with specific questions so if you have any i'd love to keep talking about this weird universe i've built in my head around them.

[mintcad]

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[tigreblvnc]

BLUE LOCK OPTION MATCHUP EXCHANGE — @lapsthings

— Karasu Tabito

✦ Laziness?

✦ No daily schedule?

✦ Acquaintances but no friends...?

✦ Stop.

✦ Karasu's your guy.

✦ Well, not really.

✦ :)

✦ But I'm saying he has the qualities of someone active, responsive—even proactive—which can create a balance with your more laid-back, passive side.

✦ Sure, determination is kind of a driving force for all the characters in the manga, but Karasu has this direct and insolent streak that could make for quite a fiery combo with your Nagi-like temperament.

✦ (Plus: his voice..........)

✦ Technically, he's the type to say, "Move your ass!" to get what you want, when you really want something. He's not paternalistic, but rather relentless; they don't call him the assassin for nothing—once he's set on a target, he won't stop until he hits it.

✦ "Although I'm shy and have social anxiety, I can engage in conversations with an individual or a small group of people depending on the situation." On an outing, he's the one who initiates the conversation without effort, knows how to follow up, throw in little jabs, and, most importantly, put himself between you and others if something makes you uncomfortable.

✦ I see him more as a protective type who shows it through actions rather than words. Like, I don't really picture him leaning in to hold your hand and whisper reassuring words; instead, he'd verbally tackle whatever is bothering you. And similarly, I don't see him resorting to fists—he's savvy enough to take down an ego instead of wasting energy throwing punches. That's what they call winning a battle with flair and without breaking a sweat.

✦ I also think he's pretty good at reading you—like he gets that you don't actually not care; it's just that showing your emotions and being explicit isn't really your thing. You don't quite know how, and it's awkward, but that's okay because Karasu is good at reading between the lines. Honestly, the guy probably spent his childhood analyzing people around him to make sure he didn't mess up or leave himself vulnerable; he's had to get good at understanding the underlying reasons behind people's actions.

✦ So, I think he can tell when you need some alone time, to be at home and do your own thing. He does his own thing, too—resourceful, independent, and entrepreneurial, he handles his business solo.

✦ Unlike you, I'm convinced he's a financial mastermind, missing nothing when it comes to his expenses. He keeps track of his money and watches what he spends. I think this could cause some occasional clashes if he sees you spending your savings on things he deems unnecessary. You might resent him for it, but deep down, is he wrong? Wouldn't it be smarter to wait for a better time to spend what's left in your wallet on goodies?

✦ Actually, I lied. He's a bit paternalistic.

✦ He's a pro at making quick decisions, even over little things: choosing a meal, which route to take, what to wear, when to leave. I think this could be a big motivator for you and help you assert yourself more. I sense some uncertainty in you—you're not always sure what's best, even somewhat neutral. When someone asks what you want to eat, you're the type to say, "Whatever you want" and then reject three suggestions in a row.

✦ Not with the raven around!

✦ I'm sure there are times when you don't know what to choose, so you want everything just to be sure you won't regret it.

✦ Please, don't stay glued to your phone when Karasu's around and talking to you; it'll annoy him.

✦ "Learning how to make money (because I'm broke and want to be rich)"—I think this is the most direct key to Karasu's heart. I believe that right after performance, being the world's top striker… comes money. Investing, playing the markets, checking out NFTs, dominating the world, basically. So, he'd happily sit down with you in the living room to show you how he does it. And I think he could go on for ages about the charts, graphs, and projections he works on outside of his sports career. Do you think you could keep up?

✦ "Love language: giving - acts of service, gift giving" I like to think acts of service are something Karasu would appreciate. I picture him as a guy who takes initiative and wants to handle things on his own—not because he doesn't trust others but because, to him, most people just aren't capable of helping him. So, if you handle some of life's small annoying tasks without asking, he might be thrown off at first because he's used to dealing with everything himself. And then... bit by bit, it becomes part of his character development, and he starts appreciating not having to handle everything alone. Especially when it's coming from you, let's be honest—it has an effect.

✦ "Preferred dates: Amusement parks, arcades, aquariums, cafe/dinner." Honestly, I think the places where you're most likely to spot the crow are quiet, nature-filled spaces. Somewhere he can observe from on high, analyze, think, get lost in his thoughts. That said, I can totally picture him in a café; we already saw him like that in the manga when all the players were on break before the U-20 match. It's a pretty classic, casual setting that works well with Karasu. Same with an amusement park—I think he'd save that for special occasions.

✦ In moments like these, I think he spends more time focusing on whether you're enjoying yourself than on actually having fun. Like, the guy's always on high alert, watching everything and everyone, even the security systems. And in the roller coaster car... I think he's more focused on assessing the height and potential damage from a fall than actually enjoying the ride.

✦ That's where I think your chill side could help him relax a bit.

✦ So, now it's the perfect time to pull out your phone for a selfie on the Ferris wheel. ;)

A word about your match: Oh my goodness, it's been ages since I've done a regular matchup, I missed them! I even forgot how I usually do the formatting lol. So, thanks for your input, it was a big pleasure to write this one. I almost depicted Karasu as a man in working life, he's so serious in this matchup lmao. Hope you liked it, and feel free to come again for another matchup :)

© TIGREBLVNC 2024 | INTERESTED IN A MATCHUP EXCHANGE? CHECK THIS.

[kumar-pradeep]

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[chaifootsteps]

Stolas Project/Stolas rewrite anon again! Thank you so much - yes, I'll absolutely share my rewrite idea with you! Here it is:

Firstly, I think everything but the sexual abuse and childhood friends can be salvaged - the grimoire, Stella, Via, etc. A rewrite where Stolas TRULY did nothing wrong is just bland, after all. Especially as by 'tragic operatic figure', I mean characters such as the Phantom of the Opera, or Mr. Darcy. Those are men who are CERTAINLY not without fault.

In my mind, the best version of Stolas is an old man - an aloof, intimidating noble known for his personal army and his scientific brilliance. He's a bit mysterious; preferring to keep to himself and his studies. Gossip calls him 'the Hermit', 'the Astronomer', or 'the Scientist'. He loves to insert himself into mortal scientific debate, often being a 'spark of brilliance' in fellow eccentrics, or, more commonly, talent-less hacks that will only serve to spread misinformation and discourse. He's been playing the climate change game for years. NFTs were a joke made while drunk off his arse.

This would be how he's introduced - the frightening, eccentric general who keeps to himself and who rewrites the Truth based on his own hypothesis.

His isolation runs deeper than disinterest or scientific pursuit, though. Stolas is, in truth, a bleeding heart. Obviously, bleeding heart means something different for demons - he's still sadistic and likes sowing intellectual discourse, but there's a dignity to that in his eyes. The no-holds-barred, knives-out culture of his fellow nobles makes him deeply uncomfortable. Whilst he's prejudiced, the outright hostility towards imps makes his stomach churn. Science is easy because facts don't have feelings, but social gatherings do. Humans can't defame him in a way that matters.

Stolas has a reputation he's expected to uphold, and he feels as if playing socialite game or even appearing to the public at all will spell his doom. He just isn't confident in swaying the public as he is studying black holes or teaching Via how to command her father's army. He adores her, and he's terrified of what he may put her through if he makes a mistake.

This can partly be that, perhaps, Paimon is still Stolas's father and still far meaner than Stolas could ever hope to be. All the expectations of hell royalty - the cruelty, the meddling, the pleasure - all planted by his father. The rest of hell is presented as a frightening enemy, which encourages Stolas to sequester away. His army was passed down from his father, and he rarely uses it. This relationship could create a theme in children feeling unloved by their parents in Stolas that I'll elaborate on later with Via.

Combine all these aspects together, Stolas feels trapped. Trapped in his research, trapped in the bodies of tech bros and tiktok witches he peers through, trapped in his marriage, trapped by his father, trapped in his status. The shy rich scientist grows dissatisfied with expectations and with comfort. He craves freedom.

Stella isn't just an evil woman who exists to torment Stolas anymore. Their marriage IS arranged, and loveless. However I think they have a sort of Fredrick the Great and Catherine the Great dynamic - they don't have any love for eachother, but they don't want to make eachother miserable. Stella is sympathetic to his plight - she too is stern and aloof, but because she feels forced to to protect herself. She's the face of the family, and is used to playing defense. Being a woman in hell, more eyes are on her by default. Her life has been decided for her, and she has a role to play. For the sake of herself, for the sake of him, and for the sake of their daughter.

They would both do anything for Via. Via doesn't make them love eachother, but she makes them stay together to raise her. Via is aware of this, deep down, regardless of whether she catches her parents admitting it or not. Their lack of love, but persistent solidarity makes that palpable. Via grows up with the burden that stability rests on her, that love does not exist without her.

So Stolas and Stella agree - they don't have to like each-other, but they need to trust each-other for Via's sake. So long as they can be loyal, at least, they can go on and spend their lives doing their own thing. They won't interfere with eachother, won't demand anything of each other. They just need to be loyal to eachother. Stella never strays.

At first, neither does Stolas.

Blitzo trying to stealth into the party is their first meeting. Instead of taking him to his chambers to ""ravish"" him, Stolas is genuinely just looking to interrogate this most fascinating and audacious imp. Blitzo tries to seduce him, and Stolas actually rebukes the attempts. By the devil's footprints, he's a married man! What's wrong with this mongrel? The audacity! He smooths out his feathers, which have definitely only fluffed due to rage. On top of that, he catches on that Blitzo is trying to steal one of his tomes. This leads to a boiling point, and...

...The grimoire.

Rather than a plot device, the grimoire can be more symbolic to the give-and-take; the relative freedom they both feel in their relationship. I think there is real potential for exploring a forbidden gay yearning romance with real power imbalance at play, just without the rape shit. The grimoire could be a good representation of that, and its symbology relevant to their relationship can be based on how it's shared between them. I can see its relevance be handled several ways: a) A pact. Most like canon as far as I know. HOWEVER, there is no sexual favor coercion bullshit. it's strictly a business deal/typical devil pact. Blitzo's desperation and hubris have bungled his introduction to Stolas so badly that he's drawn the Hermit's attention. He can have his grimoire, but he must bring it back to Stolas and must consider himself as one of Stolas's legionnaires. While Blitzo can't really say no, having pissed off a demonic prince, it isn't for sexual coercion and neither consider themselves to have legitimate romantic or sexual feelings for eachother. That's a slowburn, stemming from Stolas's fascination for Blitzo's free spirit and Blitzo discovering Stolas's gentle, socially awkward science nerd side. Also creates a jumping board for episodes where IMP runs tasks for Stolas and it's more like watching a Batman episode from the perspective of Joker's goons.

b) A gift with strings attached. Instead of getting angry, Stolas becomes pitying of Blitzo. He offers the grimoire as a "kindness" (though with an air of condescension against imps that makes Blitzo uneasy) instead of a punishing pact, but still has Blitzo agree to bring the book back to him and to be willing to act as Stolas's dagger in the shadows should he demand it.

From there, their relationship becomes defined as an uneasy business truce. In my mind, Stolitz would work best as two people trying to seek freedom, potentially finding it in eachother, but their relationship is affected by the same metaphorical shackles they're trying to escape from - for Blitzo far more than Stolas. Even without any of the SA bullshit, Stolas still has a lot of power in this dynamic, even if he's well-meaning. But Stolas is a deeply repressed man, and Blitzo represents that running away, that freedom he's been looking for. But he's also a reminder of what he has to lose, should he give into temptation.

Stolas's kidnapping can be a turning point (instead of kidnapped by his wife and Striker, a character whose service to Stella butchers that character in his own right, perhaps he's kidnapped by a rival noble or by that weird mafia I know jackshit about), and in their business dealings they have lots of little moments of vulnerability that pile up. Stolas shows Blitzo his research as Blitzo is turning in a hit, Stolas starts helping Blitzo's business stay afloat in ways WITH no strings attached, etc. Look My Way happens during Stolas's moment of realization that he does have feelings for Blitzo, the audacious, free-spirited little imp that dared to steal from the Hermit.

I think we can keep his gag of terrifying, lust-filled speeches too - just have them be during moments of consent instead of unprompted sexual harassment. Stolas finally crumbles and begins admitting what he wants to do with Blitzo, and it snowballs into a rabid tirade that marks Blitzo down as scared and horny. It makes their confession and move into something like lovers exciting, intense, and silly, and it devolves into a night of passion. For a moment, they're both free.

But he experiences REAL consequences for his infidelity, with no 'oh poor baby Stolas' rigamarole. Stella is rightfully furious at him. The ONE thing they agreed to, and he couldn't even uphold that. She is devastated, and for once in her life is sided with. I don't think anyone besides her cares about the morality of cheating all that much, it's more-so about the tarnished status and the fact he couldn't even get away with it. Still, the family name is ruined and he loses MANY comforts in the divorce, including his daughter.

But more than that, his relationship with Via will never be the same. You can still have episodes where Via tries to bond with him, but Stolas committed (and by virtue of being with Blitzo, continues to commit) the sort of betrayal that never really gets healed by time. In her eyes, her father finally got sick of playing house and abandoned her for a new family that she never even met. She feels failed and replaced.

From there, you can have an arc of Stolas trying to adjust after the fallout of his infidelity, and can have Blitzo closing himself off from their messy intimacy (rather than trying to escape a sexually abusive relationship). Stuff like that.

That's my take on a better Stolas. Hope you enjoyed reading!

Holy hell, I was on the edge of my seat all throughout this! This was sublime.

Thank you for that five minute vacation to a better word.

[dokidokitsuna]

...I just remembered I wanted to make my own statement on the AI thing. ^^;

So you've probably heard, but in case you haven't: Tumblr just sold out everyone's data to the AI trash compactors, they probably did it long before they gave us the option to opt out, and even if you do opt out they're probably still taking and using your work anyway (telling people to opt out instead of actually asking for their permission is already scummy business practice, but when it comes to AI it's functionally meaningless. :/ It's always "well, we're telling them not to use these people's data and we're hoping they'll be nice and go along with it" with no regulations or consequences if they decide to just steal everything indiscriminately...)

Despite that, I am not leaving Tumblr anytime soon. I'm looking into other sites*, but at this moment in time, I have nowhere else to go. ^^; Besides, I still like it here. When I left DeviantArt I was already getting sick of the place, having my art stolen regularly by "fans" and paradoxically getting less and less interest in my work over time. By the time the devs turned the website into eye-blinding slop with Eclipse, I was more than ready to move on.

But I still enjoy using Tumblr. I like writing long text posts that no one would bother to read anywhere else, I like answering asks, and I like the unique sense of humor and style among the users here. ^^ It would take a lot to force me out.

Also, I can take a little solace in the fact that AI-bros do not value "low-quality" art like mine. ^^; If messy cel-shaded sketches with visible pixels ever become popular, then I'll worry, but for now I think it's highly unlikely that anyone will want to wholesale regurgitate my art. If anything, I think prioritizing it in their datasets would only make them worse...and on that note, if you do have "high quality" detailed/painterly/semi-realistic art that would be targeted, I'd recommend 'poisoning' it with Nightshade/Glaze. Although I heard a rumor a while back that AI is "building immunity" to Nightshade and already learning to work around it, but I'm really hoping that was just a wishful lie from the trash compactors themselves. I haven't heard it repeated since then, so I think it's still worth a shot. ¯\_(ツ)_/¯

So anyway, like the post I reblogged said, I think the best thing we can do now is to make it clear that WE DON'T WANT AI ART. We don't care how easy it'll be to instantly generate thousands of hours of mindless 'content' to look at; we don't want it. Since regulation is lagging so far behind (wanna know why Disney's copyright hounds didn't shut this down on sight? Most likely, they're hoping to profit from it down the line) the only way to fight this right now is with individual litigation and consumer demand.

Don't support projects made with AI**; don't hate-watch them or spotlight them. Focus your energy on the millions of human artists who are still here, and need your support now more than ever.

*I've heard people mention moving to Twitter and/or Artstation: fam, you're jumping out of the frying pan and into the fire. ^^;;; IIRC, Arstation was one of the FIRST art sites to start flirting with AI, and Twitter has been selling off its users' data for several months already. Go there if you must, but don't go under the impression that it's "safer".

**Please keep a cool head when discussing AI art, and keep in mind that it used to mean something other than "mass theft". Artists have and still do create AI tools that are built on limited data sets with permission/compensation, that are used to aid them in their work and encourage human artistry (Vocaloids and DAW's, for instance) rather than stamp it out. Until a specific word evolves into popular use for exploitative AI, we're kinda stuck with this confusion, so remember to get the facts before you speak out.

P.S. Praying every night that this is a dumb fad that will soon die and go to the same hell as NFTs. >_< Praying every morning that the influx of AI art into its own datasets will eventually corrupt itself and make it useless. >_< >_< Praying every afternoon for both at once! >_< >_< >_< Like to charge, reblog to cast, all that