#being part of the show is a job for them

[redladydeath]

Andy Mcguire’s transphobia and fatphobia combined with him proposing to his now fiancé, a cast member, on the stage of a musical that promotes, hires, and casts based on inclusivity on every level… it’s hypocritical right? Like I’m not crazy for thinking this is ridiculous?

i don't follow family members of the six cast so i'm not really familiar with what's going on, but idk. he was never part of the show and probably just wanted to make a grand gesture, not really caring about the philosophies of the show he did it at. it's more hypocritical on nat's part that that kind of stuff isn't a dealbreaker for her, although we should keep in mind that actors' personal philosophies don't always align with the projects they sign on to.

[turtleblogatlast]

Imo the most impressive thing Leo’s done is hold this pose for as long as he did while covered head to toe in gold paint:

[burr-ell]

"the tendency of this fandom to only engage with what THEY want these characters to be#as opposed to what their creators are trying to do and the stories they want to tell" slap this on a bumper sticker, you just summed all cr discourse (about PCs at least) in 2 sentences

It truly is maddening (and it's not by any means exclusive to the CR fandom). The reason why the discourse always goes the way it does is that at the end of the day, the loud fanwanky people only see what they would do, if they were self-inserted into the story, as a valid choice; and they are, more broadly, fundamentally disinterested in what others think or feel. There are several examples of this, and the variety of spaces within the fandom that produce these ideas is an indicator that this isn't endemic to one specific group of people.

-Keyleth is an important character whose feelings and choices are validated by the other PCs and cast even if they still disagree with them, in spite of how she and her preachiness get in the way of the Murderhobo Jubilee? It's not because the cast are all friends and they genuinely believe Keyleth is valid and are interested in how these discussions and choices can guide the story. It's because Marisha is the DM's girlfriend, and also here's my totally unbiased theory that my pet favorite players Sam and Travis secretly hate Marisha and Keyleth.

-Vax's presence is still felt and nodded to in the post-canon VM oneshots? It's not because he was an important character who mattered. It's because Liam wants to make everyone talk about his tragedy because he has Main Character Syndrome. Scanlan Wishes for Vax to appear at the wedding? It's not because he cares about Vex or because Sam and Liam wanted a sweet tribute to Vex and Vax's relationship and by extension Liam and Laura's friendship. It's because Liam thinks Vex's life should always revolve around Vax, and Sam wants to enable him and jerk himself off as the one who facilitated it.

-Beauyasha and Fjorester become canon? It's not because the players wanted it and it happened naturally. It's because there was a secret behind-the-scenes push to "force" those ships to become canon instead, and like, Dani Carr is some sort of shipping puppetmaster who made the players do it, and "they" (whomever "they" is) decided to sink Beaujester or Widojest because it was "obviously" going to become canon before the pandemic hiatus gave them time to "make the corporate-approved ships happen".

-Beau and Caleb try to reform the Empire and dismantle the Cerberus Assembly from within? It's not because it makes sense for their stories or that people who would take this position regarding a corrupt government might have a valid perspective that differs from your own. It's because the people at Critical Role Productions LLC are all spineless neoliberal cowards who won't commit to real activism. The best activism, after all, is violent, and violent revolutions have always resulted in stable aftermaths, and the real world has never demonstrated that this mindset is foolish.

-Relatedly: Caleb doesn't kill Trent personally? It's not because the most poetic justice would be to deny Trent the thing he wants most from Caleb. It's because "Limo Brain" is too obsessed with tragedy to have the stones to do "what needs to be done".

-Asmodeus, DnD Satan, turns out to also be CR Satan? It's not because it fits with the cosmology and the lore; it's because Matt Mercer is too attached to the "establishment", and the Prime Deities should have actually turned out to be the bad guys because of my personal baggage about Western religion and Christianity they're a little mean to my blorbo sometimes.

There's a pattern here: fans had expectations that they'd built up for themselves after projecting and building up fanon and deciding what players meant before they explained themselves fully, and when the players strayed from that, they were derided for all manner of reasons. I think we're seeing that same pattern play out in C3 as the story progresses in a way that fans dislike, and in fact we have seen fanwank spread whenever someone does anything that interferes with personally catering to a) the favored ship and/or b) the favored philosophy. (Orym, Ashton, FCG, Percy, Pelor...all valid when they affirm the Fandom Opinions and all disdained when they don't.)

Don't get me wrong, I think there's a place for comfort stories that deliver a personal catharsis. And I'm not going to dismissively say "well if you want it so bad make your own" because, as an artist, I am very familiar with the fact that creating is hard and draining and sometimes you just need to consume instead. But when you become so wrapped up in yourself and your feelings to the point where your perspective is the only valid one, someone else's feels like a betrayal when it isn't. It's always "They aren't doing what we wanted and here's why they're terrible people because of it" and never "Hmm, why is this what the cast wants? Let's examine that."

This isn't a new phenomenon, but I think it ultimately stems from not assuming that other people can differ from you in major ways in good faith. There are a lot of reasons for that (some more understandable than others), but I think you rob yourself of the potential to enjoy something new when all you do is demand what you already want. No matter what you're doing or where you are in life, you tend to become a better and wiser person when you open your mind to what other people have to say, no matter how mundane the subject matter. Sometimes the stories people have to tell are challenging—and the only healthy way to deal with that is to engage with them on their own terms.

[angelic-ish-phantom]

Danny is the most responsible and focused of the trio. This is not a good thing.

[the-lark-ascending69]

I loove the android robin au it's really one of the most interesting au I have seen in a while.

I am always happy to see new post abt it

Also making my favourite characters go through hell and then receiving comfort from their people is like the best thing ever for me so every time I see a whump!Robin post I like automatically

People loving android!Robin makes me so happy anansnssndsnsns she's curious and excitable and full of wonder and the world keeps punishing her for simply being alive. Sometimes it's too painful even for me, big whump lover 😭😭 though seriously, there is not enough Robin whump, and while all the characters in the show are very whumpeable, hurting my little blorbo Robin feels special because... she's just so deeply lonely. She's lonely and she thinks she deserves to be because of something wrong with her (pulling this interpretation from Surviving Hawkins lore which is canon to me 😭). That was a big idea I had when I first came up with android!Robin... that there is something wrong with her. Broken. In this AU she's literally broken in a lot of way (battery and memory problems, weak joints in her lower half, etc), but that's all within the range of normal robot problems. The real issue with her is that she's sentient. It terrifies people because it really brings out the existencial horror of... well, existing. It terrifies Robin most of all. She is the problem. She is what's wrong with her. She shouldn't exist.

But at the same time, she loves being alive so much! She doesn't understand it and doesn't know how it happened, but it happened, and now she's real and wants to experience life and the world and know people like human beings do. So it's her constant battle to become human despite humans having hurt her so much in the past... only for Nancy to already see her as human. Just one made of metal and plastic, but human nonetheless. She's the first person to see her that way and maybe everyone else thinks she's crazy, but Nancy is used to that. She's so sure of this, though, of Robin's self-awareness. She trusts her so blindly. She doesn't even need proof. And not only does she believe her, but she defends her humanity in front of her friends and family so ardently, fighting so hard for Robin to be aknowledged by everyone else as human. Fighting so hard to give her a home and family for the first time in her life.

Nancy has it bad for Robin, really. She's just so in love, even if everyone else thinks she's crazy for falling in love with a machine (no one thinks she is, though, because they all know Robin, and once you know Robin, it's impossible not to love her).

[monards]

sometimes teh hater agenda gets to me. and i need to reason myself away from it

[idkmynameiskat]

I love when people say they don’t want to talk about politics/“touchy subjects” bc they don’t want “conflict” on their social medias because I am so fucking insane about that shit on my socials I love it and I will gladly take the brunt of people thinking I’m crazy for all those who are too scared too 😂

I have NO shame being psycho about shit I personally care about and what my morals are and plastering that shit all over my socials. There is NO confusion on who I am as a person and what I stand for at all, and I love that for me.

You’re a shit person is you’re homophobic, transphobic, racist, etc etc etc and I have NO place in my life for people like that, and man I fucking love weeding those people out on my socials and kicking them the fuck out of my life once and for all if they are still somehow hiding on there.

For real though, just unfriending or blocking people who put hateful shit on their socials you don’t agree with, no matter who they are has lifted such a weight off my shoulders and I recommend everyone doing it. I no longer need to see hate spewed everywhere and can just focus on having people in my life that are truly good people.

The “don’t let politics/differences in opinion divide us” rhetoric is so overdone and such bullshit, in my opinion. There’s a difference between being friends with someone who doesn’t like the same cars you do and being friends with someone who thinks people shouldn’t have human rights or should die because they’re queer, trans, brown, black, whatever it is they don’t understand. If your views potentially can cause someone to fucking kill themselves, your views are shit, and you’re a shit person, simple as that 🤷🏽‍♀️

[laniidae-passerine]

I’m finding that the laziest moments of Doctor Who’s writing are the ‘retroactive twists’ - when the show runner reveals something happened way back over there, in the past, before they were even running the show. And we swear it happened, way over there, far back, and you didn’t see it because of reasons but it’s definitely been happening! And it totally makes sense and I absolutely didn’t just pull it out my ass to justify my paper thin plotline! All this kind of writing does is make me miss self contained season length plots. We’ve had people complaining that Moffat was guilty of the “this thing is big and scary and it’s going to happen, oh god it’s showing up, we’re going to discover what it truly is….. next season!!!!!!” plotline (and yes. he was. twelve is my fav doctor but yeah Moffat loved a mysterious horse and a big stick) but now suddenly when RTD gets out his own mysterious horse and a big stick, it’s got to be genius! everything is eventually going to make sense! and we’re absolutely not being had by a man who used to be able to write this show and is now a hack!

[aria0fgold]

The Flowerheart!

(purposely didn't colour in Feli's tie and Hal's glove, it's like they're subtly trying to match :3 while also seemingly missing a piece of one another). Honestly though, in regards to Hal's sexuality, he's like that one tweet: "I'm probably nonbinary but I have a job so idrc bout that rn." He's definitely queer, but he's too busy with getting in danger his job to even bother with that so he just gets the queer label!

Neither of them confessing orz... They love each other so much yet neither of them are confessing... Hal being overprotective of Feli but in a way where it isn't even all that known by anyone but Feli and her the people really close to them. Hal doing his job is half-wanting to keep their city safe and half-wanting to keep Feli from any harm. He aint letting anyone hurt her that's for sure.

Relationship chart is made by @bengallemon !

[luckiestplant]

when the piece of media gets purposefully sabotaged and/or cancelled for literally no reason and a shitty animated/live action show gets renewed for it’s 10th season

[michael-pemulis]

even if you don’t play DnD definitely go see honor among thieves; it’s super fun and well-done and accessible to people who’ve never played. if you want a slightly enhanced experience, do what I did an go with folks who do play, and ask them some of their favorite settings, character types, creatures, or tropes on the way over so you can be delighted when you recognize something.

[gremlin-pattie]

man i forgot what a good show tawog is

[medicallymercury]

okay I think all of the Sandra S1 posts are out of my system

gonna go listen to I Know The End on loop and think about 38 paramedics and all the dead ones and how the only end for Teddy’s character I would accept is him joining them!

[brokenhardies]

emissary verse interpretations of the batman rogues gallery my beloved (they only exist in my head)

[nightswatchdisbandmentera]

Might be a hot take but a major character’s death is really only as good as the weight and the treatment that the narrative gives it. Sure, any author has the ability to write death as they see fit. But whether the consumer (of any given form of media) is actually able to emotionally connect and resonate with the departure of someone who has occupied a good chunk of narrative space very heavily depends on how it’s treated within the story. If it’s a major character, the narrative needs enough built-in breathing space. As in, the consumer doesn’t have to fill in the blanks as to how the death impacted the plot or the remaining characters. Let the narrative do that for them, and that would actually allow the consumer to better react and relate to that major death (sadness, anger, joy, etc). Allow the rest of the characters (who were impacted by the deceased) to react to their parting. Let them engage with the death in a manner that helps justify the character’s inclusion in the narrative to begin with. Make it clear how the character’s life and (especially) their death relate to the larger themes of the story. Because most consumers aren’t stupid. We don’t want our hands held at every waking moment, but we also don’t want our investment in a story to be insulted just for the sake of a cheap shock. Give us time to breathe and grieve. And respect that we have put in a lot of emotional investment in a story and its characters, and we deserve to have that acknowledged.

[gilliontidestriderchampionoftheu]

grand finale ! BITB!! rand is the spiral. kian is the corruption. rolan is the stranger.