#before you all flip-

[seiwas]

you wear katsuki’s clothes to bed.

among all your cotton and silk pajamas, you prefer the thinning fabric of his faded tees. there are holes in some of them, just a few more seams away from their undoing as they fit far too large on you—but that’s why you love them.

they’re comfy and worn; lived in with love from the man that you love. when katsuki is gone for days or weeks at a time, you find his warmth intertwined within the threads of his t-shirts. when the fabric presses against your back, the bed doesn’t feel nearly as empty as it is.

(though it can never replace him. nothing can, you fear.)

“hoggin’ all my shirts,” he tuts, but you know it means nothing. the roll of white fabric is neatly folded unto itself, its crisp corners unfurling once handed over.

you giggle, shaking off its folds and fitting the hem right over your head. from the corner of your eye, you see katsuki’s gaze, watching you wrangle the fabric over you as the towel wrapped around your body slowly drops to the floor.

he turns away then, a little too quickly, a little too abruptly. if you look at him now, you’re sure you’ll find flushed cheeks and crimson eyes burning in shame for wanting you so inopportunely.

“guess you’ll just have to take me with it then.”

[swordmaid]

thinking about how the bear pit is rlly an amalgamation of brienne’s insecurities and fears - everyone laughing at her (the whole spectacle), making a mockery of her gender and appearance (the pink dress), making a mockery of her physical prowess (wooden sword) then jaime coming down there to protect her and take her away from all of that. that whole ordeal being so significant that in her nightmares she’s hoping and calling for jaime to save her and take her away, and the fact that she even remembers the sound of jaime’s boots hitting the sand when he jumped down the pit for her im so ill

[ghost-proofbaby]

can y’all imagine sending one of those things where a girl texts her man about having a bad day or wanting coffee or something and he replies by sending her an insane amount of money (like $100+) to eddie, and just being like “why don’t you ever do this for me? 😐” as a joke

and then the man just sends you one (1) fucking dollar.

and when you’re like “REALLY??? A DOLLAR???” he just goes “I DONT KNOW WHAT YOU WANT FROM ME IM BROKE”

it would become an inside joke, him randomly sending you the smallest amounts of money possible and just going “buy yourself something nice 😏” or “don’t spend this all at once baby” to be a little shit

god i love eddie munson

[toaster-fire-art]

I've offically come full circle a decade later since I'm back hyperfixating on the Arthurian legend distracting myself from everything and listening to the same music as my 14 year old self was. But hey at least I have the confidence in drawing them now.

I love them so so dearly I'm going just a little insane, I'm sorry to everyone who doesn't know me beyond my usual fandoms, you have to put up with what rearranged my brain chemistry when I was a kid.

This started as just a few of the knights, Lancelot, Gawaine, and Galahad and then it became: "Oh but then I should draw __" and here we are. My designs are all over the place and I cannot be bothered to actually draw armor I'll die i just want to draw pretty patterns. But I think the mismatch of clothing styles and all that makes it cohesive?

And I'm going with Malroy and T.H White influence as it's what I know best, that being said all the boys have their coat of arms alluded to in some way but you might have to squint.

(my laptop absolutely hates me for this one. imagine exporting a file and then having to manipulate the sizing 3 times for it to even be able to upload anywhere, couldn't be me. I don't even know how to show the full thing..)

[eegasleega-will-change-this-l8r]

Fun little subtle detail I never noticed before!

So, MOTHER 3 actually has a couple different voice blips for dialogue. There's 5 in total, and the thing I'm looking at distinguishes them as Young Boy, Young Girl, Man, Woman, and Non-human. Idk if those are what they're referred to internally, but presumably that's how they're more-or-less distributed throughout the game (I wouldn't read into the names too much, the Magi apparently use the Man blip for example, so they're not objective in any case).

Anyway, what's fun is how they use these with Porky!

So, for most of his dialogue, Porky uses the "Boy" blip. He uses this whenever he taunts you over the intercom in the Empire Porky Building, the fake Porky you meet before fighting all the Mecha-Porkies uses it, all the way up to "I'm the most clever, most charming, and most trouble-making boy ever..."

But in his next lines after the shot pans up to the mass of machinery in the roof ("I welcome you once again"), his dialogue suddenly shifts into the "Man" blip.

And finally, once he's fully revealed, the rest of his monologue is accompanied by the "Non-human" voice blip.

It's pretty easy to catch if you're looking out for it (especially when he starts speaking with the Non-human blip, that one's really distinctive), and I think it's a really neat detail!

(Oddly enough, he actually switches back to the Man blip after this, during his battle and the cutscene leading up to it.)

So yeah, that's a pretty cool way to build up to the big twist with him, I think it's really clever ^^

[aseuki]

That breakroom gossip comic was so fun! Do the little reapers have any more fun stuff to share? Loved getting to see their “releaxed” escapades during the holiday update 😂

[Holiday Update]

Uses this as an excuse to airdrops a whole legend we didn't have time to dip into last time in here

As usual, many thanks to @alagaesia-overlord for letting me borrow her OC Strix and also for co-writing the script!

[chaoticallyfluffy]

Ok consider:

A new hero emerges and the Justice League watches him for a while who make sure he’s not a threat. They see this giant clumsy man who moves like he’s not used to his body, smiles goofily every time he saves someone, and is clearly inexperienced with his powers and they’re all just like. Ah. This is a child.

Except they don’t think he’s a ten year old or however old Billy is at the time, no no. Clearly this hero came into existence shortly before his first appearance, just a few months ago. They don’t know how or why but It’s not the weirdest thing they’ve seen so it’s pretty easy to believe.

But they can’t just leave this toddler with the powers of a god to stumble around and potentially hurt someone by accident, nor go down the wrong path and become a villain. So of course they decide to ‘subtly’ guide him without alerting him to the fact they’re onto him.

They introduce themselves but instead of inviting him to the league they pop by every once in a while to ‘subtly’ teach him about responsibility and power, but also about love and humanity. They try to teach him to enjoy life and that he doesn’t have to act like an adult around them, instead encouraging him to enjoy his childhood even if it’s not an ordinary one.

(Too bad the Justice League suck at subtlety.)

Billy is certain they somehow found out he’s a kid before they even met him, probably because of Batman’s freaky know-it-all powers, but he isn’t very worried as they seem nice and don’t treat him like he’s dumb or fragile. They respect him as a hero despite his age so he lets himself act like a kid around them after a while.

When he gets comfortable enough to detransform Billy thinks that’s his identity reveal. The league thinks that he magicked himself a body that’s more of a representation of his true self and fits his developmental age better, possibly as a way to blend in with humans and experience what it’s like to be a normal child. Good for him!

Basically Billy gets a bunch of super powered parents and the Justice League get a newborn man that they think they’re raising from scratch lol

[midnightsslut]

no one asked, but I’ve been thinking a lot about the albatross and its placement on the bargaining playlist. I have come to the conclusion that the song serves as a warning to anyone who tries to avoid/‘imprison’ her. this man was told that she would kill his garden, tempt him, and eventually destroy him. she was a wild wind instead of a normal, harmless rose. yet, he could neither avoid her nor lock her away in a tower. he was too drunk to think his decision through (‘cross your thoughtless heart / only liquor anoints you’). he chose her despite all the warnings he received. he shot all the messengers who tried to persuade him. he couldn’t fully commit to being with her, either, so he locked her away in a tower. ultimately, she was the only one who could protect him from the same men who once condemned her. he chose to be subjected to that danger by being with her (‘the rain is always gonna come if you’re standing with me’ —> ‘I’m the life you chose, and all this terrible danger’). the two characters in the song seem to finally be at peace. however, the outro switches to third person and makes it clear that she will, in fact, destroy him. she is the albatross in his life. he will wear her around his neck forever. he could try to bargain with her all he wants, but he was delusional to think this would end any other way. she is both the angel and the devil in his life. she could protect him from the media attention she subjected him to, but she could simultaneously destroy him by feeding into the rain of fire through her songwriting.

[5t4r5and5uch01]

What i did for that one trend on twt. My fave Blue sillies. 💙💙💙

[kitamars]

hello. um. sorry for disappearing for like two months. imagine me getting hit with a truck called “The Worst Creative Block In Your Life” and getting thrown headfirst into the gintama rabbit hole. it’s quite cozy down here. i think i need help.

anyways, have a bunch of accumulated doodles plus this terrifying kagura as apology tehe :3

[tommygotwrittenoff]

i just think if roles were reversed and buck was the one saying those gay ass lines to eddie, eddie wouldve proposed like four seasons ago

[theonescreencap]

this is a deliberate visual callback to arlong park TO ME okay

despite all their differences and silly little bickering the way they all come together and lock the fuck in when one of them needs help... it's so good

[s2pdoktopus]

I made an oc so I could give nora a name

The only character interaction I have for them so far:

Every Shinki of Tajimamori knows how to make sweets. As Amatsuyu is the newest addition to Tajimamori's clan, she took it upon herself to teach the girl how to make some dango.

Tajimamori, looking at the mishapened dango: My, I've never seen anyone be this bad at shaping balls.

Amatsuyu: (visibly sulking)

Tajimamori: (sees that Amatsuyu is sulking, takes one dango and pops it in her mouth) but it tastes good.

Amatsuyu: you're just saying that to make me feel better.

Tajimamori: (as she is giving back the dango) have you tried it yet? Taste it for yourself.

Amatsuyu: (eats the dango) it doesn't look good though.

Tajimamori: they all look the same once they come out of the other end.

Amatsuyu: you didn't have to point that out.

Tajimamori: I didn't. Did you enjoy the dango?

Amatsuyu: it's a dango, it's nothing special.

Tajimamori: it doesn't have to be special. Did you enjoy it?

Amatsuyu: ... I did. I didn't enjoy making it.

Tajimamori: Get used to it, all my Shinki has to at least know how to make a dango. Otherwise I can't call myself the god of sweets!

Amatsuyu: ...Do I get to eat them?

Tajimamori: you get to eat as much sweets as you like.

----

Tajimamori keeps Amatsuyu close to her all the time, partly because she is dangerous but also, Amatsuyu is one of the few shinki's she has that is battle appropriate.

----

I just want her to have a name. Considering how much Kofuku loves Daikoku I felt like it makes sense why Nora wasn't named by her. We understand why Nora is the way she is but we also can't ignore the very real threat that she possesses that she had used against them before.

So I made an oc to give her a name!

I did wonder what name Kofuku might give her lol.

大緋- Haruhi, it uses the clan name (大) and the name Yato gave her (緋)

The downside is, obviously, it's not pronounced with 'dai' I dunno if 'daihi' is an acceptable reading.

The other options I have is literally any other feminine name with (大) that is read 'dai'

[freakinator]

vagueing but i think certain ppl need to realize that you can be both manipulative And traumatized 😭

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.

[tailoring-hearts]

Sometimes I think I desperately want a star trek show or movie or something that revisits ds9 and what they're doing now....and then I think about how none of the new shows can seem to quite capture the....the vibes. The atmosphere (the film cameras and lack of advanced technology tbh) of the older shows and I just sigh and realize I don't actually want anything about ds9